Sonata Op. 2 No. 1: Treble Recorder 2

Treble Recorder 2
Sonata Op. 2 No. 1

Gottfried Finger (c1660-1730)

                   
Poco Largo

   

8
                      
   
  
       
16
  
       
                
23
 
   
                   

30
 
35
            
   
              
   
Adagio
 
40
 
 
45
              
     
       
      
50
        
Treble Recorder 2 3
             
   
55
 
     
    
    
60
  
      
    
63
 

        
Grave

67
     

          
73
   
 
           
   
78
   

83
          
         
88
     
          
92
     
4 Treble Recorder 2
               
Vivace

96
  
             
100
         
 
                         
104
 
              
108

 
              
111
    
Treble Recorder 2
Sonata Op. 2 No. 2

                   
        
                           
7
  
    
                     
12


   
                 
16

      
  
         
Vivace

22
   
                                   
26
  
          

30

 
                   
             
33
  
      
          
36
           
Treble Recorder 2 3
           

39
    
     
   
                     
42
 

 
                       
45
 
 
               
             
47
 
              

Grave
 
51
     
          
56

     
61

Poco Largo

  
4 Treble Recorder 2
           
        
63
   
     
      
70
         
      
77
             
      
             
   
84
        
91
         

     
        
          
98

    
  
                      
Vivace

105
   
 
                 
109
    
                               

114

    
         
   
118

      

Treble Recorder 2 5
                    
124

   
                 
131
   
 

139
               
    
 
                
146

 
                      

152

  
               
158

  
                      
164
  

Treble Recorder 2
Sonata Op. 2 No. 3
            

Poco Largo
    

             
5
 
             

8
     
                  
12
     
                      
15
 
  
                     
18
 
       

Vivace

21
       
24
                           

    
 
       

               
28
  
32
                 
           
Treble Recorder 2 3
         

35
 
               

38
                    

41
  
    
           

44
    
         
Grave
  
48


53
            
  
59
            
    
63
               

         
          
68
73
       
 
      
76
    
4 Treble Recorder 2

            
80 Presto

     
                    
91
           
98
                  
         
107                           

   

                          
118
   
                 

128
  
Treble Recorder 2
Sonate Op. 2 No. 4
   
      
Adagio
 
                
7
                             
   
  
12
                    
     
                  
17
 


       
21
            
      
(Vivace)

26
          
   
                                
30

 
       
                 
33
 

                     
36
                
  
               

            
40
   
  
Treble Recorder 2 3
          

44
      
                             
47
    

    
50
              
     
   
Vivace

53
   
 
 
           
58
 
     
63
     
69
            

74
              

        
80
  

  
84
  
    
4 Treble Recorder 2
              
Presto
  
87
     
     

                     
   
93
   
               
99
         
  
               
105
       
  


112
                      
        
    
                
119
  
       

123
       
Treble Recorder 2
Sonate Op. 2 No. 5


(Poco Largo)
    
    
  
7
              

 
13
 
         
            

19

  
      

24
      
  
29
         

36
    
         
41
             
 
               

Vivace

46
   
              
51
      

Treble Recorder 2 3
              

57
  
62
               
      
          
66
 
           
71
            
         
                

76
          
     
             
81
   
  
  
86
 
            
       
        
91
        
 
           
95
     
  
4 Treble Recorder 2
             

Poco Largo

100
 
   

106
           
        

            
114
    
122
             
    
                    

130
   
   
              
137
   

142
                    
 
Treble Recorder 2
Sonate Op. 2 No. 6
  
 
                  
    
                
            
6


                         

11
    
  
            
15
   
         
     
19
 
 
                         
24 Vivace
  
 
                                
28
   
      
32
           
   
 
                               
36
     
40
                      
  
Treble Recorder 2 3
   
     
43
           

46
   
         
50
  
          
 
                              
53
  
      
56
             
  
                
60 Poco Largo
   
              
66
   

                         
72
 
  
79
               

            
86
   
   

92 Presto 
 
4 Treble Recorder 2
                             
95
     
     
            
106
       
                      
115
            
               
123

 
      
                  
   
137
  
                               
147
 

Sonata Op. 2 No. 1: Treble Recorder 2

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Sonata Op. 2 No. 1: Treble Recorder 2

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Treble Recorder 2

Sonata Op. 2 No. 1

                   

Sonata Op. 2 No. 2

          

           

              

                               

                      

            

       

         

               

                    

107                           

                 

               

          

       

               

              

             

           

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