Ontological Psychoanalysis or "What Do You Want To Be When You Grow Up?"
Ontological Psychoanalysis or "What Do You Want To Be When You Grow Up?"
Ontological Psychoanalysis or "What Do You Want To Be When You Grow Up?"
Thomas H. Ogden
BY THOMAS H. OGDEN
661
662 THOMAS H . OGDEN
when you grow up?” (Ira Carson 1983, personal communication). This
question is perhaps the most important question any of us asks ourselves
from very early in life until the moment just before we die. Who would
we like to become? What kind of person do we want to be? In what ways
are we not ourselves? What is it that prevents us from being more the
person we would like to be? How do we become more of the person we
feel we have the potential to be and the responsibility to be? These are
the questions that bring most patients to therapy or analysis, though
they are rarely aware that this is the case, being more focused on finding
symptomatic relief. At times, the goal of treatment is to bring a patient
from a state of not being able to form such questions to a state in which
he is.
Having begun by focusing on the second half of the title of this
paper, I will now turn to the first half—“Ontological psychoanalysis”—
while trying all the while to hold in mind the question, “What do you
want to be when you grow up?”
2
Freud (1926) was explicit in his instructions not to use “orotund Greek names”
(p. 195) in translating psychoanalytic concepts, and instead “to keep [psychoanalytic
concepts] in contact with the popular mode of thinking” (p. 195). Thus Das Ich is better
translated as “the I” and Das Es as “the it.”
3
It is beyond the scope of this paper to compare what I am calling the ontological
dimension of psychoanalysis and the rather diverse set of ideas grouped under the
general heading “existential psychoanalysis.” Much of existential psychoanalysis is
concerned with conscious awareness, intentionality, freedom, and responsibility, which
are seen as inextricably linked (which undercuts the Freudian concepts of unconscious
pressures and limitations of freedom). Major contributors to existential psychoanalysis
include Ludwig Binswanger, Victor Frankl, Rollo May, Otto Rank, and Jean-Paul Sartre.
Neither will I take up the philosophical underpinnings of ontology and
epistemology. I am restricting myself to a general linkage of the former with being and
becoming, and the latter with gaining knowledge and understanding.
668 THOMAS H . OGDEN
This state of being that lies at the core of the self constitutes an
impenetrable (utterly unknowable) mystery that is the source both of
lively communicating and absolute silence. The silence at the core of
the self is not verbal in nature, but what makes the state of being at our
core unimaginable is the fact that it is also “not non-verbal.” Silence
that is neither verbal nor non-verbal is beyond human comprehension.
“It is, like the music of the spheres, absolutely personal.” The metaphor
of the music of the spheres is derived from Pythagoras’ Fifth Century
BC conception of the music produced by the movement of celestial
bodies, a music of perfect harmony, but inaudible to humankind. How
better to describe the inconceivable secret that each of us keeps at the
core of our being, a secret that is “absolutely personal. It belongs to
being alive.”
670 THOMAS H . OGDEN
thoughts, feelings and bodily states; becoming better able to sense one’s own unique
creative potentials and finding forms in which to develop them; feeling that one is
speaking one’s own ideas with a voice of one’s own; becoming a larger person (per-
haps more generous, more compassionate, more loving, more open) in one’s rela-
tionships with others; developing more fully a humane and just value system and
set of ethical standards; and so on.
Not only are unconscious internal object relationships rarely men-
tioned by Winnicott and Bion, Winnicott rarely makes mention of the
unconscious and Bion creates a new conception of the nature of the
unconscious. States of being infuse every aspect of oneself; they transcend the div-
ide between conscious and unconscious aspects of mind, between being asleep and
being awake, between dream-life and waking life, between “the psychotic and non-
psychotic parts of the personality” (Bion 1957, italics added).
V. CLINICAL ILLUSTRATIONS OF
ONTOLOGICAL PSYCHOANALYSIS
“Ontological psychoanalysis” is a conception of psychoanalysis, which,
like every other understanding of psychoanalysis, can be hardened into
a mindless ideology. “Ontological psychoanalysis” is a dimension of ana-
lytic theory and practice that coexists with many other dimensions (ways
of thinking) including, but not limited to, an epistemological dimen-
sion. But as I have said earlier, it is also true that, for me, there are large
sectors of analytic thinking and practice that are predominantly onto-
logical or epistemological in nature.
I will now briefly illustrate clinically what I have in mind when I refer
to the ontological dimension of psychoanalysis. It must be kept in mind
in the clinical portion of this paper that my interventions are meant as
illustrations that pertain only to a given patient at a particular moment
in his or her analytic experience and do not represent an analytic technique.
I believe that an analyst’s rigid adherence to any set of rules of clinical
practice (for instance, a technique associated with a school of psycho-
analysis) not only feels impersonal to the patient, but also limits the ana-
lyst’s capacity to be creative in working with his or her patients. I speak
with each patient in a way that is different from the way I speak to any
other patient (see Ogden 2018).
ONTOLOGICAL PSYCHOANALYSIS 675
Haven’t You Had Enough Of That By Now
The patient, a thirty-year-old man, several years into the analysis, had a
falling out with his father and had not spoken to him for a year. We had
discussed this situation in many forms over the years. Just before the end
of a session, I said, “Haven’t you had enough of that by now?”
In this fragment of an analytic session, I told the patient in a highly
condensed way, that continuing to not talk to his father was a way of being
that no longer reflected who the patient had become in the course of
the previous years of analysis. Not talking with his father may have suited
the person who the patient once was, but not the person he is now.
The patient called his father that evening. His father, too, had
changed and welcomed hearing from his son. The patient told me in
the closing months of the analysis that he would never forget my saying
to him, “Haven’t you had enough of that by now?” That moment in the
analysis to which he was referring was less an experience of arriving at
an understanding, and more an experience that altered something fun-
damental to who the patient was.
us were seated in the small room on the ward used for psychotherapy, he
seemed not to know why the two of us were sitting there. He was silent
most of the time. I learned that asking him questions led only to perfunc-
tory one-word replies.
As time went on, he began to talk with me about events on the
ward—new patients arriving, others leaving—but the words he used
sounded imitative of things he had heard other people say at ward group
meetings and community meetings. I said to him, “It’s hard to know if
you’re coming or going.” He looked bewildered.
I found the sessions trying and had the feeling that I did not know
the first thing about how to work with this patient, or with any other
patient, for that matter.
About five months into the analysis, Jim was brought to his session
walking in a listless way. His face was utterly expressionless; his eyes were
like the eyes of a dead bird. He said to no one in particular, “Jim is lost
and gone forever.”
I felt something of relief that the thin charade covering an immense
psychic catastrophe was over, but I also felt that a psychic death had
occurred which could easily become actual suicide. A patient on the
ward, a year earlier, had committed suicide, and the memory of this
event had become part of the (usually unspoken) culture of the ward.
I said, “Jim has been lost and gone for a very long time, and only
now is the word out.”
He looked into the glare of the reflected sunlight in the Plexiglas
window, his eyes unfocused.
I was silent for some time feeling the immense emptiness of what
was happening. As this was occurring, I began to feel strongly that the
danger of suicide on the ward was grossly underestimated and the ward
should become a locked ward in which the patients could only leave the
ward with permission of the staff, and usually accompanied by a staff
member. I became aware of the distance that I was creating between the
patient and me. He was now a “dangerous” patient who frightened me. I
was now “managing” him, a person who had become a thing.
After some time had passed in the session, I noticed that the
usual background noise of my mind—the thoughts that came and
went, the “peripheral vision” of reverie, even the bodily feelings of
my heart pumping, my breath moving, were absent. I felt frightened
ONTOLOGICAL PSYCHOANALYSIS 677
that not only had Jim disappeared; I too was disappearing.
Everything was becoming unreal—the small room in which we were
seated ceased being a room; it had become a collection of shapes,
colors, and textures; everything seemed arbitrary. I felt the terror of
drowning, but at the same time, I was an indifferent observer, sim-
ply watching myself drowning.
As the session continued, I was reminded of a frightening experi-
ence I had had as an adolescent when, alone in the kitchen after dinner,
I repeated the word napkin out loud over and over again until it became
a mere sound, no longer having any tie to the thing it once named. I was
at first intrigued by this phenomenon when I began the “experiment,”
but quickly became frightened that if I were to do with other words what
I was doing with the word napkin, I would lose the ability to speak or
think or have any connection with anyone or any thing. For many years
after that event, the sound nap followed by the sound kin did not name
anything; they were simply sounds that caused me to doubt the stability
of my connection to anyone, even to myself. In the session with Jim, I
felt momentarily relieved to have a mind that could remember a past
that was continuous with the present, but this relief was only a moment-
ary respite from my fear that if I stayed in the room with Jim, I would
lose myself.
I dreaded the daily meetings with Jim. For several weeks, we sat
together, mostly in empty silence. I did not ask him questions. I, now
and again, tried to describe what I was experiencing. I said to him,
“Sitting here feels like being nowhere and being no one.” He made no
response, not even the slightest change of facial expression.
For the six weeks following Jim’s telling me he was lost and gone for-
ever, I felt adrift and directionless with him. To my great surprise, in the
middle of a session, Jim said with an expressionless voice, as if to nobody,
“Do you watch TV?”
I took his question, not as a symbolic comment on feeling like a
machine that displayed images of people talking to one another, but as
his way of asking me, “Who are you?”
I said, “Yes, I do. I watch quite a lot of TV.”
Jim made no response.
After a while, I said, “Have you ever seen someone strike a match in
a place that’s completely dark, maybe a cave, and everything lights up, so
678 THOMAS H . OGDEN
In the course of the analysis, I began the sessions. The patient was
gradually able to reclaim parts of himself, parts of his unlived life as a
child, which had been too brutal, too frightening to experience at the
time they occurred (see Ogden 1995 for a detailed discussion of
this case).
REFERENCES