JUNO-G v2 E1 PDF

JUNO-G_v2_e.
book 1 ページ２００８年１２月２５日　木曜日　午後２時３７分
Version 2 Supplementary Manual
This manual explains the sampling functionality that was added in JUNO-G version 2. Please read this
manual in conjunction with the JUNO-G owner’s manual.
Contents
Quick Start .............................................................................2

Playing the sample pads......................................................... 2
Using the pads to play a sound you sampled ................. 2
Functionality added in JUNO-G version 2 ..................4

Sampling....................................................................................... 4
Editing a Sample ........................................................................ 6
Assigning Samples to a Pad (Assign to Pad)..................15
Using the Pads ..........................................................................15
202
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced
in any form without the written permission of ROLAND CORPORATION.
JUNO-G_v2_e.book 2 ページ２００８年１２月２５日　木曜日　午後２時３７分
Quick Start
JUNO-G version 2 adds sampling functionality. You can sample
audio from external sources, such as an audio device, microphone,
or CD, and then assign the sample to a button so that it can be
Using the pads to play a sound you
played like a pad. sampled
Here’s a simple explanation of how to use the sampling function.
Here’s how to connect a microphone to the JUNO-G, record a
* This explanation assumes that you have powered up the unit in its
sample, and use PAD 1 to play the sampled sound.
factory-set state.
Playing the sample pads Connecting your microphone
Here’s how to play sampled sounds (demo sounds) by pressing the 1. Connect your microphone to the AUDIO INPUT L
pads.
(MONO)/MIC jack located on the JUNO-G’s rear panel.
Selecting Sample Pad mode
1. In the PATCH PLAY screen, hold down [SHIFT] and press

[RHYTHM].
[RHYTHM] will light, and the lower part of the screen will indicate
“PAD1”–“PAD6.”
Sampling
2. In the PATCH PLAY screen, hold down [SHIFT] and press

[F1 (SMPLING)].
The SAMPLING MENU screen will appear.
Playing the sample pads
1. Press [F1 (PAD1)]–[F6 (PAD6)] to hear the sample sounds

(demo sounds).
The sample sound (demo sounds) will continue playing as long as 3. Press [F1 (SAMPLING)].
you hold down the button.
The SAMPLING STANDBY screen will appear.
Exiting Sample Pad mode
1. Press [RHYTHM].
[RHYTHM] will go out, and the “PAD1”–“PAD6” indications in the
lower part of the screen will disappear.
4. Use [ ] or [ ] to choose “Input Select.”
5. Using VALUE dial or [INC] [DEC], change the setting to

“MICROPHONE.”
6. Adjust the volume.

While using a microphone to input sound, set the volume by
adjusting the INPUT AUDIO LEVEL knob located beside the MIC jack
and the AUDIO IN slider of the SONG RECORDER. Watch the level
meter at the left of the screen while you make adjustments.
7. Press [F6 (START)] to begin sampling.
8. Press [F5 (STOP)] to stop sampling.
2
Quick Start
Saving your sample 18. Hold down [SHIFT] and press [F1 (PAD 1)].
The PAD SETTING (SYSTEM) screen will appear.
9. Press [WRITE].
The WRITE MENU screen will appear.
19. Press [F6 (WRITE)].

The pad settings will be saved.
10. Press [F3 (SAMPLE)].
The SAMPLE NAME screen will appear. Playing the sample you assigned to the pad
11. Press [F6 (WRITE)].
20. In the PAD SETTING (SYSTEM) screen, press [EXIT].
A screen will appear, allowing you to specify the save destination.
The PATCH PLAY screen will appear in sample pad mode.
12. Press [F6 (WRITE)] once again.
A confirmation screen will appear.
13. Press [F6 (EXEC)].
21. Press [F1 (PAD 1)] to play the sampled sound.

The sampled sound will play while you continue holding down the
pad.
Your sample will be saved with a name of “User 0001.”
Assigning your sample to a pad
14. Hold down [SHIFT] and press [F6 (To PAD)].

The ASSIGN TO PAD screen will appear.
15. Press [F6 (EXEC)] to assign the sample to PAD 1.

A confirmation screen will appear.
16. Press [F6 (EXEC)] once again.
17. Press [EXIT].

The PATCH PLAY screen will appear in sample pad mode.
3
Functionality added in JUNO-G version 2
Sampling Parameter Explanation

Input source of the sound that is to be sampled
LINE IN L/R: L/R (stereo)
Input Select LINE IN L: L (mono)
MICROPHONE: L (mono, mic level)
Sampling Procedure * This cannot be set when resampling.
MONO: The sound will be sampled as one wave. If
the sound is stereo, the left and right signals will be
1. Access the PATCH PLAY screen, PERFORM PLAY screen, mixed.
Stereo Switch
or PART MIXER screen. STEREO: The sound will be sampled as two waves, L
and R.
2. Hold down [SHIFT] and press [F1 (SMPLING)]. * Mono sampling uses half as much memory space.
The length of sound preceding the moment at which
The SAMPLING MENU screen will appear. sampling was manually or automatically initiated
fig.SmplMenu that will be captured in the sample.
Pre Sample Time
This lets you prevent the attack portion of the sound
from being omitted from the sample.
0, 20, 40, 80, 160, 320, 640, 1000 ms
Specifies how sampling will end.
MANUAL: Continue sampling until you press
[F5 (STOP)].
Stop Trigger
BEAT: Stop sampling after the specified number
of beats at the current tempo (BPM).
TIME: Sample the specified length of time.
The upper part of the screen will show the amount of free memory.
When Stop Trigger is “BEAT”
If the free memory reaches 0.0MB, no further sampling is possible. Number of beats to continue sampling
1–20000
Sampling Length
3. Press [F1 (SAMPLING)]–[F5 (SOLO)] to select the sampling When Stop Trigger is “TIME”
mode. The sampling-standby screen will appear. Length of time to continue sampling
00’00”010–90’00”000
To cancel, press [EXIT]. The volume at which sampling will begin if you have
Auto Trigger Level pressed [F2 (AUTO TRIG)] to turn Auto Trig ON.
Sampling mode Explanation 0–7 (A setting of 0 is the minimum.)
Sample a sound from an external input source. The length of the silences at which the sample will be
[F1 (SAMPLING)] * Operating the keyboards, pads, D Beam con- Gap Time divided if the Sampling Mode is set to Auto Divide.
Sampling troller, or sequencer will not play the internal 500, 1000, 1500, 2000 ms
sound generator. [F1 (INPUT)] Makes settings for the external input (p. 5).
Resample the sound of the internal sound If a check mark (✔) is added, sampling will begin
[F2 (RESAMPL)] [F2 (AUTO TRIG)]
generator. The external audio input will not be automatically when the input sound is detected.
Re-Sampling
heard. If a check mark (✔) is added, the Start point and End
[F3 (MIX)] Sample the combined sounds of the internal point settings (p. 8) will be automatically adjusted
Mix Sampling sound generator and an external input source. [F3 (TRIM SW)] after sampling is performed, so any silent portions at
Sample an extended source, and automatically the beginning or end of the sampled sound are
divide it into several samples at silent regions. excluded.
If the sample contains silence, it will be divided at
[F4 (AUTO DIVIDE)] that point, and the subsequent portion will be 5. Use the LEVEL knob on the rear panel to adjust the input
Auto divide Sampling assigned to the next sample number.
* Operating the keyboards, pads, D Beam con-
level of the external source.
troller, or sequencer will not play the internal
* Using a connection cable that contains a resistor can cause the
sound generator.
While playing the internal sound generator as
sound level to be low. Use a connection cable that does not contain
usual, sample only the sound from the external a resistor.
[F5 (SOLO)]
input.
Solo Sampling * If the sound from the external input is distorted even though the
* Effects cannot be applied to the external input
sound. level meter has not reached CLIP, the Audio Input Level might be
too low. Adjust the AUDIO IN slider of the SONG RECORDER.
4. Make the settings for things such as the input source of
the sound to be sampled, and triggering. 6. Press [F6 (START)] to begin sampling.
fig.SmplStandby If Auto Trigger is set to ON, sampling will begin automatically when
the input sound is detected.
7. Stop sampling.
(If Stop Trigger is set to MANUAL, press [F5 (STOP)].)
The SAMPLE EDIT screen will appear.
fig.SmplEdit1
4
When you finish sampling, the sample will automatically be added Parameter Explanation
to the sample list. Press [F4 (LIST)] to view the sample list. Input source of the sound to be sampled
fig.SmplList1 LINE IN L/R: L/R (stereo)
Input Select
LINE IN L: L (mono)
MICROPHONE: L (mono, mic level)
Type of effect that will be applied to the external input
source (p. 6)
In FX Type
EQ, ENHANCER, COMPRESSOR, LIMITER, NOISE
SUP, C CANCELER
Output destination of the external input sound that is
mixed in
DRY: Output to OUTPUT (A) jacks without passing
Audio Input Asgn through effects
Samples you record will be lost when you turn off the MFX: Output through multi-effects
power. If you want to keep your sample, press [WRITE] to save * When you select “MFX”, selects which of the three
it (p. 14). Samples shown as “N” in the sample list have not yet multi-effects (1–3) will be used.
been saved. Volume level of the external input sound
You can also adjust this by using the AUDIO IN slider of the
Audio Input Level
SONG RECORDER.
8. Press [EXIT] to return to the previous screen. 0–127
Audio Input Cho Depth of chorus applied to the external input source
Send 0–127
Dividing a Sample During Sampling Audio Input Rev Depth of reverb applied to the external input sound
Send 0–127
1. During sampling, press [F6 (DIVIDE)]. 5. Play back the external audio source, then adjust the level
The sample will be divided at the point where you pressed the of the input using the INPUT AUDIO LEVEL knob on the
button, and the subsequent material will be sampled as a sample of rear panel.
the next number.
* When sampling in mono, you can divide the material into a 6. Press [EXIT] to return to the previous screen.
maximum of 256 samples. When sampling in stereo, you can divide
the material into a maximum of 128 samples (L/R total 256 samples).
Cautions when using a microphone
983
Sampling Time Howling could be produced depending on the location of

microphones relative to speakers. This can be remedied by:
The JUNO-G contains 4 MB of memory, which allows about 47
seconds of mono or about 23.5 seconds of stereo sampling. If you • Changing the orientation of the microphone.
want to sample for a longer time than this, you must install
separately sold memory (DIMM). • Relocating microphone at a greater distance from
speakers.
External Input Settings • Lowering volume levels.
Making Input Source Settings (Input Setting)

Input Effect Setup Settings
1. Connect your CD player, microphone, or other audio
source to the AUDIO INPUT jacks located on the rear
1. Hold down [SHIFT] and move [AUDIO IN] slider of the
panel of the JUNO-G.
SONG RECORDER.
2. While holding down [SHIFT], move the AUDIO IN slider of The AUDIO INPUT SETTING screen will appear.
the SONG RECORDER.

2. When using the Input Effect, add a check mark (✔) by
The AUDIO INPUT SETTING screen will appear.
pressing [F5 (In FX SW)] to turn it on.
fig.InSetting
3. Press [F6 (In FX SETUP)].

The INPUT FX SETUP screen will appear.
fig.InFxSetup
3. Press [ ] or [ ] to select the parameter.
4. Turn the VALUE dial or press [INC] [DEC] to set the value.
5
4. Press [ ] or [ ] to select the parameter.
5. Turn the VALUE dial, or press [INC] /[DEC] to set the

Editing a Sample
value. This section explains how you can edit a sample that you sampled/
imported.
6. Press [F6 (EXIT)] to return to the previous screen. Editing is performed in sample memory—a memory area dedicated
to samples.
Input Effect Parameters
Parameter Value Explanation

Sample List
(Type) 1–6 Input effect type
Select a sample from the list.
1: Equalizer
Adjusts the tone of the low-frequency and high-frequency ranges.
Center frequency of the low-frequency 1. Press [AUDIO].
Low Freq 200, 400 Hz
range The SAMPLE EDIT screen will appear.
Low Gain -15– +15 dB Amount of low-frequency boost/cut
2000, 4000, Center frequency of the high-frequency 2. Press [F4 (LIST)].
High Freq
8000 Hz range
High Gain -15– +15 dB Amount of high-frequency boost/cut The SAMPLE LIST screen will appear.
fig.SampleList
2: Enhancer
Modifies the harmonic content of the high-frequency range to add sparkle to the
sound.
Sens 0–127 Depth of the enhancer effect
Volume of the harmonics that are
Mix 0–127
generated
3: Compressor
Restrains high levels and boosts low levels to make the overall volume more
consistent.
Time from when the input exceeds
Attack 0–127 Threshold until the volume begins to be
Pressing [AUDIO] toggles you between the SAMPLE EDIT
compressed screen and the SAMPLE LIST screen.
Threshold 0–127 Volume at which compression will begin
Post Gain 0– +18 dB Level of the output sound
4: Limiter
Selecting a Sample
Compresses the sound when it exceeds a specified volume, to keep distortion
from occurring.
1. From the SAMPLE LIST screen, press [ ] or [ ] to select
Time from when the input falls below
Release 0–127 the group that contains the desired sample.
Threshold until compression ceases
Threshold 0–127 Volume at which compression will begin • PRST: preset samples
Post Gain 0– +18 dB Level of the output sound
• USER: user samples
5: Noise Suppressor
Suppresses noise during periods of silence. • CARD: samples stored on a memory card
Volume at which noise suppression will * You cannot edit preset samples.
Threshold 0–127
begin
Time from when noise suppression
Release 0–127
begins until the volume reaches zero
2. Use the VALUE dial, [INC] [DEC], or [ ][ ] to select a
6: Center Canceler sample.
Removes the sounds that are localized at the center of the stereo input. This is a
* You can press [F6 (PREVIEW)] to audition the selected sample.
convenient way to eliminate a vocal.
Volume balance of the left and right
Ch Balance -50– +50
channels for removing the sound 3. Press [ENTER] or [F4 (EDIT)].
Lower frequency limit of the band to be The SAMPLE EDIT screen will appear.
Range Low 16–15000 Hz
removed
Upper frequency limit of the band to be
Range High 16–15000 Hz
removed
* In the In FX SETUP screen, the SOUND MODIFY knobs (1–4) can be

used to edit the MFX parameters.
6
Loading all Samples

The sample list shows the current state of the Here’s all samples in the user memory and memory card can be
samples. loaded.
fig.SampleState
When you execute Load All Samples, all unsaved samples

will be erased.
If the total size of the data in the user bank and card bank exceeds
the size of memory, the samples of the user bank will be loaded first.
At this time, as many card bank samples as possible will be loaded,
starting from the lowest-numbered sample.
N (New): This is a sample that you sampled. It will be lost
when you turn off the power. The same is true for samples 1. From the SAMPLE LIST screen, press [F5 (UTILITY)].
imported as WAV/AIFF.
U (Unload):The sample has been saved, but not loaded into 2. Press [F2 (LOAD ALL)].
sample memory. A message will ask you for confirmation.
E (Edit): This is a sample that you loaded or sampled and
are editing. Your edits will be lost when you turn off the power. 3. Press [F6 (EXEC)] to execute.
If you want to keep them, you must Write the sample. Save this To cancel, press [F5 (CANCEL)].
data as necessary.
* You can also perform this operation from the SAMPLE LIST screen by
If Load User Samples at Startup is turned off, samples will not pressing [MENU] and selecting “3. Load All Samples.”
be loaded into memory when you turn on the power. In this
case, you will need to load samples into memory yourself. If Unloading a Sample
you have unload a sample from sample memory, you will also
need to load it again before you can re-select that sample. Here’s how you can unload a sample from sample memory. The
saved sample file itself will not be deleted.
1. With the SAMPLE LIST screen shown, press [ ] or [ ] to

Loading a Sample select the group that contains the sample you want to
erase.
Here’s how you can load a sample from the user area, a memory
card, or a preset into sample memory. 2. Use the VALUE dial, [INC] [DEC], or [ ][ ] to select a
sample.
1. From the SAMPLE LIST screen, press [ ] or [ ] to select If you want to unload two or more samples, press [F2 (MARK)] to add
the group that contains the desired sample. a check mark (✔) to the samples that you want to select.
To remove the check mark from a selected sample, select and press
2. Use the VALUE dial, [INC] [DEC], or [ ][ ] to select a [F2 (MARK)] again.
sample.
If you hold down [SHIFT] and press [F4 (SET ALL)], a check mark will
If you want to load two or more samples, press [F2 (MARK)] to add a be added to all samples of the selected group.
check mark (✔) to the samples that you want to select. If you hold down [SHIFT] and press [F3 (CLR ALL)], check marks will
To remove the check mark from a selected sample, select and press be removed from all samples of the selected group.
[F2 (MARK)] again.
If you hold down [SHIFT] and press [F4 (SET ALL)], a check mark will 3. Press [F5 (UTILITY)], and then press [F4 (UNLOAD)].
be added to all samples of the selected group. A message will ask you for confirmation.
If you hold down [SHIFT] and press [F3 (CLR ALL)], check marks will
be removed from all samples of the selected group. 4. Press [F6 (EXEC)] to unload the sample.
To cancel, press [F5 (CANCEL)].
3. Press [F5 (UTILITY)], and then press [F5 (LOAD)].
* You can also perform this operation from the SAMPLE LIST or
A message will ask you for confirmation.
SAMPLE EDIT screen by pressing [MENU] and selecting “Unload
Sample.”
4. Press [F6 (EXEC)] to load the sample.
SAMPLE EDIT screen by pressing [MENU] and selecting “Load
Sample.”
7
Deleting a Sample 4. Press [F6 (IMPORT)].

Here’s how to completely delete a sample file.
* You cannot delete the preset samples. 5. Press [F6 (EXEC)].
The file will be imported, and the SAMPLE LIST screen will appear.
1. With the SAMPLE LIST screen shown, press [ ] or [ ] to
* To cancel, press [F5 (CANCEL)].
select the group that contains the sample you want to
delete. The imported file will be added to the sample list as a sample.
This sample is temporary, and will be lost when you turn off the
2. Use the VALUE dial, [INC] [DEC], or [ ][ ] to select a power. If you want to keep it, press [WRITE] to save the data (p.
sample. 14).
If you want to delete two or more samples, press [F2 (MARK)] to add
a check mark (✔) to the samples that you want to select.
Sample Edit
[F2 (MARK)] again.
1. Press [AUDIO].
If you hold down [SHIFT] and press [F4 (SET ALL)], a check mark will
be added to all samples of the selected group. The SAMPLE EDIT screen will appear.
fig.SampleEdit
be removed from all samples of the selected group.
3. Press [F5 (UTILITY)], and then press [F3 (DELETE)].

4. Press [F6 (EXEC)] to delete the sample.

To cancel, press [F5 (CANCEL)]. You can also access the SAMPLE EDIT screen by pressing [F4 (EDIT)]
in the SAMPLE LIST screen.
SAMPLE EDIT screen by pressing [MENU] and selecting “Delete
Pressing [AUDIO] toggles you between the SAMPLE EDIT
Sample File.”
screen and the SAMPLE LIST screen.
Importing an Audio File (Import Audio) Samples that you edit will be lost when you turn off the power.
If you want to keep them, you must save them (p. 14).
Here’s how an audio file (WAV/AIFF) can be loaded into memory as a
sample.
Magnifying/Shrinking the Waveform Display
* Place the audio files in the “TMP/AUDIO_IMPORT” folder on the user
(Zoom In/Out)
memory or memory card.
Here’s how to change the magnification of the sample display in the
1. From the SAMPLE LIST screen, press [F5 (UTILITY)] and SAMPLE EDIT screen.
then press [F1 (IMPORT AUDIO)]. • Horizontal axis (time axis): 1/1–1/65536
The IMPORT AUDIO screen will appear. Press [ ] to increase the display magnification.
* You can obtain the same result by pressing [MENU] and selecting “5. Press [ ] to decrease the display magnification.
Import Audio” instead of performing step 1.
• Vertical axis (waveform amplitude axis): x1–x128
2. Press [F1 (USER)] or [F2 (CARD)] to select the import- Hold down [SHIFT] and press [ ] to increase the display
source area. magnification.
[F1 (USER)]: Import from the user memory Hold down [SHIFT] and press [ ] to decrease the display
[F2 (CARD)]: Import from the memory card magnification.
3. Press [ ] or [ ] to select the file that you want to Setting the Start/End Points of the Sample
import.
If you want to select two or more files, press [F3 (MARK)] to add a You can specify the portion of the sample that will actually sound.
check mark (✔) to the files that you want to select. You can also specify the region that is to be looped.
To remove the check mark from a selected file, select and press [F3
(MARK)] again.
1. With the SAMPLE LIST screen shown, select the sample
that you want to edit (p. 6).
If you press [F5 (SET ALL)], a check mark will be added to all files of
the selected folder.
2. Press [F4 (EDIT)] or [ENTER].
If you press [F3 (CLR ALL)], check marks will be removed from all
samples of the selected group. The SAMPLE EDIT screen will appear.
3. Use [ ] or [ ] to select the point that you want to set.
8
3. Press [ ] or [ ] to select a parameter.

Point Explanation and Value
Point at which playback will start 4. Use the VALUE dial or [INC] [DEC] to edit the value.
Start Set this so that any unwanted portion at the beginning of
the sample will be skipped, and the sound will begin at the
desired moment. 5. Press [EXIT] when you are finished.
Point at which loop playback (second and subsequent times)
will start Parameter Explanation and Value
Loop Start
Set this if you want to loop the sound from a point other
Start
than the start point.
Loop Start Refer to “Setting the Start/End Points of the Sample” (p. 8).
Point at which playback will end
End Set this so that any unwanted portion at the end of the End
sample will not be heard. Specifies how the sample will be played.
FWD:
* By pressing [F6 (PREVIEW)] you can audition the region between After the Sample played back from Start to End, it will then
be repeatedly played back in the forward direction, from
Start and End. the Loop Start to End.
Loop
4. Use the VALUE dial or [INC] [DEC] to move the point. Start P. Start P. End P.
You’ll probably find it convenient to zoom-in when making fine

adjustments, and zoom-out when making major adjustments.
You can move the point in units of one beat by pressing
[F1 ( )] or [F2 ( )].
ONE-SHOT:
The sample will be played back only once, from the Start to
If you hold down [F6 (PREVIEW)] and move Start/Loop Start/
End.
End, the sample will play repeatedly across that point. This is a
Loop
convenient way to check your setting. Start P. Start P. End P.
(Zooming-in or zooming-out on the waveform will change the
region that loops.)
After specifying Start and End, you can execute Truncate (p. 10)
to delete unwanted portions at the beginning and end of the Loop Mode
REV:
sample. When the sample has been played back from End to Start,
it will be repeatedly played back in the reverse direction,
* Sample modify operations (Chop, Normalize, etc.) apply to the from Loop Start to Start.
entire sample. Even if you specify Start or End, they will be ignored.
Loop
If you want to apply the operation only to the region between the Start P. Start P. End P.
Start and End, use Truncate to delete unwanted portions of the
sample, and then perform the sample modifying operation.
Using the knobs to edit the points

You can use the SOUND MODIFY knobs to edit each point. Using the
REV-ONE:
knobs is convenient when you need to make large changes to the The sample will be played back only once from End to Start
value. in the reverse direction.
From the left, the knobs have the following functions. Loop
Start P. Start P. End P.
fig.15-003a
1 : Start Point
2 : Loop Start
3 : End Point
Original tempo of the sample
4 : Zoom-in/zoom- You can hold down [SHIFT] and use the VALUE dial or [INC]
out the horizontal Tempo
[DEC] to adjust the value to the right of the decimal point.
5.00–300.00
axis of the display
1 2 3 4 * In order to synchronize the tempo, Wave Tempo Sync must
be turned ON.
Note number that will play the sample at the pitch at which it
Org Key was sampled
Making Settings for Sample 0 (C -)–127 (G9)
Specifies how the tempo will be synchronized.
(Sample Parameters) Decreasing this value will optimize the sound for more
Time Stretch rapid phrases, and increasing this value will optimize the
Here you can make various settings for the sample. sound for slower phrases.
TYPE01–TYPE10
Fine adjustment of the Start point
1. With the SAMPLE LIST screen shown, select the sample Start Fine
0–255
that you want to edit (p. 6). Loop Start Fine adjustment of the Loop Start point
Fine 0–255
2. Press [F4 (EDIT)] or [ENTER]. Loop End Fine
Fine adjustment of the End point
0–255
9
Parameter Explanation and Value Removing Unwanted Portions of a Sample

Pitch of the loop region (TRUNCATE)
Make fine adjustments in one-cent (1/100 semitone)
Loop Tune
increments.
This operation cuts the portions of the sample that are earlier than
-50– +50
the Start Point and later than the Loop End Point.
Adjusts the sample gain. You can use this to increase the
Sample Gain volume level that decreased due to recording. * You cannot execute this with more than one sample selected.
0, +6, +12 [dB]
Specifies the volume of the sample.
Sample Level 1. From the SAMPLE LIST screen, select the sample that you
1–127
Sample Fine Adjusts the sample’s pitch in steps of one cent (±50 cents). want to edit (p. 6).
Tune -50– +50
Zoom Horz
Display magnification (horizontal axis) 2. Press [F4 (EDIT)] or [ENTER].
1/1–1/65536
Display magnification (vertical axis)
Zoom Vert
x1–x128
3. Specify the Start/End points of the sample (p. 8).
Automatically calculating a sample’s tempo
4. Press [F3 (MODIFY)].
1. Move the cursor to “Tempo” and press [F1 (BPM CALC)]. The Sample Modify Menu window will appear.
The BPM Calculator window will appear.
You’ll be able to select [F1 (BPM CALC)] if the cursor is somewhere 5. Press [F1 (TRUNC&EMPHS)], and then press [F1 (TRUNC)].
fig.TRUNCATE
other than Start, Loop Start, or End.
2. Use [ ], [ ], [ ], or [ ] to move the cursor, and use

the VALUE dial or [INC] [DEC] to specify the number of
measures in the sample and its time signature.

The sample’s tempo will be calculated automatically.
6. If you want to replace the current sample with the
To cancel, press [F2 (CLOSE)].
truncated sample, press [F4 (OVER WRITE)] to display the
“✔” mark.
About the beat
Samples contain beat data. Up to 100 beat locations are
specified for one sample. If the sample contains more than 100
beats, fifty beat locations will be specified from the beginning
and end of the sample, respectively.
8. To execute, press [F6 (EXEC)].
When you want to reset the beat indication Boosting or Limiting the High-frequency Range of
(Reset Grid function) the Sample (EMPHASIS)
You can reassign the sample grid according to the specified Start
point and Tempo. In some cases, the audio quality will be improved if you boost the
high-frequency range of an imported sample. Also, the high-
1. In the SAMPLE EDIT screen (p. 6), specify the Start point frequency range of the sample may be emphasized when you use a
and Tempo of the sample. sampler made by another manufacturer. In this case, you can
minimize the change in tonal character by attenuating the high-
2. Press [F5 (UTILITY)], and then press [F1 (RESET GRID)]. frequency range.
A message will ask you for confirmation. * You cannot execute this with more than one sample selected.
3. Press [F6 (EXEC)] to execute. 1. From the SAMPLE LIST screen, select the sample that you
To cancel, press [F5 (CANCEL)]. want to edit (p. 6).


The Sample Modify Menu window will appear.
10
4. Press [F1 (TRUNC&EMPHS)], and then press [F2 (EMPHS)]. AMP

fig.EMPHASIS
This operation adjusts the volume of the entire sample. You can also
apply an envelope (time-variant change) to the volume of the
sample.
* You cannot execute this with more than one sample selected.
1. From the SAMPLE LIST screen, select the sample that you
want to edit (p. 6).
5. Use the VALUE dial or [INC] [DEC] to select the emphasis
type. 2. Press [F4 (EDIT)] or [ENTER].
PreEmphasis: Emphasizes the high-frequency range. The SAMPLE EDIT screen will appear.
DeEmphasis: Attenuates the high-frequency range.
6. If you want to replace the current sample with the The Sample Modify Menu window will appear.
emphasized sample, press [F4 (OVER WRITE)] to display
the “✔” mark. 4. Press [F2 (NORM & AMP)], and then press [F2 (AMP)].
fig.AMP


Maximizing the Volume of a Sample (NORMALIZE) 5. If you want to adjust the volume of the entire sample, use
the VALUE dial or [INC] [DEC] to set the rate of volume
This operation raises the level of the entire sample as much as
boost.
possible without exceeding the maximum level.
* You cannot execute this with more than one sample selected. Parameter Explanation and Value
Rate of volume boost
1. From the SAMPLE LIST screen, select the sample that you Rate Specifies how much boost will be applied relative to
the current volume
want to edit (p. 6). 0–400%
2. Press [F4 (EDIT)] or [ENTER]. 6. If you want to apply an envelope, specify points.
The SAMPLE EDIT screen will appear. Press [F3 (POINT)] to display the “✔” mark. Then press
[ ] or [ ] to select a parameter, and then use the
3. Press [F3 (MODIFY)]. VALUE dial or [INC] [DEC] to set the value.
Parameter Explanation and Value
4. Press [F2 (NORM & AMP)], and then press [F1 (NORM)]. Currently selected point
fig.NORMALIZE
Current Point Beginning near the start point, the points will be
numbered 1, 2, 3, or 4.
Point 1–4 Location of the current point
Amplification ratio of the current point
Rate 1–4 Specifies how the volume of each point is to be
boosted relative to the current value.
0–400%
7. If you want to replace the current sample with the edited

sample, press [F4 (OVER WRITE)] to display the “✔” mark.
5. If you want to replace the current sample with the
normalized sample, press [F4 (OVER WRITE)] to display 8. Press [F6 (EXEC)].
the “✔” mark. A message will ask you for confirmation.
6. Press [F6 (EXEC)]. 9. To execute, press [F6 (EXEC)].

A message will ask you for confirmation. To cancel, press [F5 (CANCEL)].

11
Stretching or Shrinking a Sample (TIME STRETCH) Dividing a Sample into Notes (CHOP)
This operation stretches or shrinks the sample to modify the length The chop function divides a sample waveform into separate notes.
or tempo. You can stretch or shrink the sample by a factor of one
* You cannot execute this with more than one sample selected.
half to double the original length.
* You cannot execute this with more than one sample selected. 1. From the SAMPLE LIST screen, select the sample that you
want to edit (p. 6).
1. From the SAMPLE LIST screen, select the sample that you
want to edit (p. 6). 2. Press [F4 (EDIT)] or [ENTER].
The SAMPLE EDIT screen will appear. 3. Press [F3 (MODIFY)].
The Sample Modify Menu window will appear. 4. Press [F4 (CHOP)].
fig.CHOP
4. Press [F3 (TIME STRETCH)].

fig.TIMESTRETCH
5. Specify the point(s) at which the sample is to be divided.

Refer to “Procedure for Dividing a Sample” or “Automatically
5. Press [ ] or [ ] to select the parameter. Dividing a Sample (Auto Chop)” (p. 13).
6. Use the VALUE dial or [INC] [DEC] to specify the tempo/ 6. Audition the sample as described in the section
length. “Auditioning the Divided Samples” (p. 13).
When setting the BPM (tempo) value, you can hold down [SHIFT] If you want to re-make settings, move or delete the point (p. 13).
and turn the VALUE dial, or use [INC] [DEC] to adjust the value to the
right of the decimal point. 7. Press [F6 (EXEC)].
BPM Change the BPM of the sample to the BPM you specify.
8. To execute the division, press [F6 (EXEC)].
Time Specify the length of the sample as a time value.
Specify the length relative to the current length of the The divided samples will be added to the sample list.
Rate sample. To cancel, press [F5 (CANCEL)].
50.0–200.0%
Lower settings of this value will make the sound more When you execute the Chop operation, a message will ask whether
suitable for faster phrases, and higher settings will make
Type you want to execute Create Rhythm.
the sound more suitable for slower phrases.
TYPE01–TYPE10
Make fine adjustments to the tonal quality of the Time Create Rhythm
Quality Adjust Stretch. This creates a rhythm set using the samples that were divided
1–10 by the Chop operation, and assigns it to a part. The samples are
assigned successively starting at the C2 key.
A message will ask you for confirmation. 9. If you want to execute Create Rhythm, press [F6 (EXEC)].
The Create Rhythm window will appear.
If you don’t want to execute Create Rhythm, press [F5 (CANCEL)].
The length of the sample will be changed as specified.
To cancel, press [F5 (CANCEL)]. 10. Use [ ] or [ ] to select the part to which you want to
assign the rhythm set, and then press [F6 (SELECT)].
A confirmation message will appear.
11. Press [F6 (EXEC)] to execute.

The samples will be assigned to the selected part as a rhythm set.
If you decide to cancel, press [F5 (CANCEL)].
12
Procedure for Dividing a Sample 4. To delete the dividing point, press [F2 (CLEAR)].
You can freely specify the dividing point(s).
Auditioning the Divided Samples
1. Press [ ] or [ ] to move the cursor to “Current If you want to audition the divided samples, use “Point No.” to select
Address.” the point, and press [F4 (PREVIEW)].
2. Use the VALUE dial or [INC] [DEC] to move the point. Joining Two or More Samples (COMBINE)
3. At the location where you want to divide the sample, This operation combines multiple samples into a single sample. You
press [F1 (ADD)]. can combine as many as sixteen samples. You can also place silent
The current location will be the dividing point. spaces between the samples.
4. Repeat steps 2 and 3 to specify other dividing points. 1. From the SAMPLE LIST screen or the SAMPLE EDIT
You can specify up to 15 dividing points; i.e., the sample will be
screen, press [F3 (MODIFY)].
divided into a maximum of 16 pieces. The Sample Modify Menu window will appear.
Automatically Dividing a Sample (Auto Chop) 2. Press [F5 (COMBINE)].

Here’s how you can automatically specify the points at which the fig.COMBINE
sample is to be divided, and then divide the sample.
1. From step 4 of “Dividing a Sample into Notes (CHOP)” (p.

12), press [F3 (AUTO)].
The Auto Chop window will appear.
2. Use the VALUE dial or [INC] [DEC] to select the method by

which the sample is to be divided. 3. Press [ ], [ ], [ ], or [ ] to select a parameter.
3. Press [ ] and then use the VALUE dial or [INC] [DEC] to 4. Use the VALUE dial or [INC] [DEC] to set the value.
set the value.
Parameter Explanation and Value Sample or silence to be combined
None: none
How the sample will be divided
TYPE Sample: sample
Level: Divide according to volume. Time: silent region (specified as time)
Chop Type Beat: Divide at beats based on the Tempo (p. 9) of the Beat: silent region (specified as a note value)
sample.
Divide x: Divide into ‘x’ number of equal lengths. Bank that contains the sample
U: user
If Chop Type is Level BANK
C: card
Level at which the sample is to be divided * This will be displayed only if TYPE is set to Sample.
Level Lower settings of this value will cause the sample to be
Sample number, or the duration/note value of the silent
divided more finely.
1–10 region
The note value is based on the BPM of the sample
If Chop Type is Beat
immediately before the silent region.
Beat interval at which the sample is to be divided * If there is no sample immediately before the silent region,
Beat
1/32, 1/16T, 1/16, 1/8T, 1/8, 1/4T, 1/4, 1/2, 1/1, 2/1 the current BPM will be used.
If Chop Type is Divide x PRM
If TYPE is set to Sample
Number of samples into which the sample is to be divided 1–2000
Times
2–16 If TYPE is set to Time
1–10000 ms
4. Press [F6 (EXEC)]. If TYPE is set to Beat
1/32, 1/16T, 1/16, 1/8T, 1/8, 1/4T, 1/4, 1/2, 1/1, 2/1
The sample will be automatically divided according to your settings,
and the points will be specified. A maximum of 15 division points You can press [F4 (PREVIEW)] to audition the selected sample.
will be set (16 regions).
To cancel, press [F5 (CLOSE)]. 5. Press [F6 (EXEC)].
Moving/Deleting a Dividing Point
1. Press [ ] or [ ] to move the cursor to “Point No.”
2. Use the VALUE dial or [INC] [DEC] to select the point that
you want to move or delete.
In order from the start point, the points are numbered 1, 2,...15.
3. To move the dividing point, press [ ] and then turn the

VALUE dial.
13
fig.SampleWrite2
Saving a Sample (Write)

A newly loaded sample, as well as any changes you’ve made in the
settings for a sample will be lost as soon as you turn off the power. If
you want to keep such data, you must save it as follows.
1. Access the SAMPLE LIST screen (p. 6).

Use the VALUE dial, [INC] [DEC], [ ][ ], or [F1 (USER)] [F2
Samples displayed as “N” or “E” have not yet been saved (p. 7).
(CARD)] to select the write destination sample number.
The write destination can be either the JUNO-G’s internal user
2. Select the sample that you want to save.
memory (User), or a memory card (Card).
If you want to select two or more samples, press [F2 (MARK)] to add
a check mark (✔) to the samples that you want to select. 7. Press [F6 (WRITE)].
[F2 (MARK)] again.
If you hold down [SHIFT] and press [F4 (SET ALL)], a check mark will 8. Press [F6 (EXEC)] to execute the save operation.
be added to all samples of the selected group.
To cancel the operation, press [F5 (CANCEL)].
be removed from all samples of the selected group.
Never switch off the JUNO-G while data is being saved.
3. Press [WRITE].
• You can’t save by overwriting another sample.
The WRITE MENU screen will appear. Make sure that “Sample” is
• Stereo samples must be saved to two consecutive sample numbers.
highlighted.
fig.SampleWrite
4. Press [F3 (SAMPLE)] or [ENTER].
If you have selected more than one sample, a message will ask
you to confirm the writing operation. Samples will be written
into the identical number corresponding to each bank of the
sample list. Sample names will be assigned automatically. If
you want to write the samples, press [F6 (EXEC)]. If you decide
to cancel, press [F5 (CANCEL)].
fig.SampleConfirm
5. Assign a name to the sample.
6. When you have finished inputting the name, press [F6

(WRITE)].
A screen will appear allowing you to select the write-destination
sample.
14
Assigning Samples to a Pad Using the Pads

(Assign To Pad) You can use the JUNO-G’s function buttons as pads.
Here’s how to assign samples as the rhythm tones of a rhythm set.

* You cannot execute this with more than one sample selected. Selecting Sample Pad mode
1. From the PATCH PLAY screen, hold down [SHIFT] and
1. With the SAMPLE LIST screen shown, select a sample
press [RHYTHM].
(p. 6).
fig.AsgnToPad
[RHYTHM] will light, and the lower part of the screen will indicate
“PAD1”–“PAD6.”
fig.AsgnToPad
2. Hold down [SHIFT] and press [F6 (To PAD)].

From the PERFORM PLAY screen, PART MIXER screen, or LIVE
The ASSIGN TO PAD screen will appear.
SETTING screen, you can also select Sample Pad mode by holding
If a rhythm set is not assigned to the rhythm part, a message will ask down [SHIFT] and pressing [RHYTHM].
“Change into Rhythm and Initialize?,” asking if you want to assign an
initialized rhythm set to the pad. Press [F6 (EXEC)].
fig.AsgnToPad
Up to twelve sampled sounds can be assigned. Press [BASS] to
switch the “PAD1”–“PAD6” indication in the lower part of the
screen to “PAD7”–“PAD12.”
If a GM rhythm set or a patch other than a rhythm set is

assigned to the rhythm part, you can’t use the function buttons
as pads. If you select Sample Pad mode in this case, the lower
part of the screen will indicate “PAD--.”
3. Use the VALUE dial or [INC] [DEC] to select the desired
pad.
* If you press [F1 (SYNC)] to add a check mark (✔), the Wave Tempo
Using the Hold Function to Sustain a Sound
Sync parameter will be turned ON for the rhythm tone that is You can use the Hold function to make the sound continue even
assigned. after you take your finger off the pad. This is useful when you want a
sound such as a looped (repeating) phrase to play continuously.
A message will ask your confirmation.
To play other sounds while holding one sound
5. Press [F6 (EXEC)] to execute Assign to Pad.
The sample will be assigned (as a rhythm tone) to the specified pad. 1. Hold down a pad ([F1 (PAD1)]–[F6 (PAD6)], [F1 (PAD7)]–
To cancel, press [F5 (CANCEL)]. [F6 (PAD12)]) and press [PART SELECT].
The pad you pressed and [PART SELECT] will blink.
6. Press [EXIT] to return to the previous screen. Hold will be turned on, and the tone will continue sounding even
when you take your finger off the pad. In this state, pressing another
In the ASSIGN TO PAD screen, you can use the function button pad will cause its tone to sound only as long as you continue
while you continue holding down the [SHIFT] button. pressing that pad.
2. When you once again press the blinking pad or [PART

SELECT], the sound will stop.
15
To hold two or more samples

In the PAD SETTING (SYSTEM) screen, you can use the function
buttons as pads while you continue holding down the [SHIFT]
1. Press [PART SELECT] so the pad is lit. button.
2. Press a pad. You can use the pads to play rhythm sounds.
The tone whose pad is blink will continue sounding. If you press Use the Rhythm Set Group and Rhythm Set Number
another pad in this state, its sample will also continue sounding in parameters to choose a rhythm set, and use Note to choose a
the same way. rhythm sound.
3. The sound will stop when you press a blinking pad. When
you press [PART SELECT], all samples will stop pad
Saving pad setting
sounding. In the PAD SETTING screen, press [F6 (WRITE)] to save the pad
settings. One set of pad settings are saved as system settings.
Making Settings for the Pads (Pad Setting)

Here you can make various settings for playing the pads; e.g., the Recalling pad settings
note number that each pad will send to the sound generator
section. Pressing [F1 (DEMO SET)] will recall the factory-set pad settings so
that you can play the demo sounds.
1. Hold down [SHIFT] and press a pad ([F1 (PAD1)]–[F6 Pressing [F2 (USER SET)] will recall the pad settings you saved.
(PAD6)], [F1 (PAD7)]–[F6 (PAD12)]).
The PAD SETTING (SYSTEM) screen will appear.
fig.PadSetting
2. Press [ ], [ ], [ ], or [ ] to select a parameter.
3. Use the VALUE dial or [INC] [DEC] to make pad settings.
Parameter Value Explanation

(Rhythm Set PRST, GM, CARD, Specifies the patch or rhythm set
Group) EXP group.
(Rhythm Set Selects the patch or rhythm set
—
Number) number.
Select the pad for which you want
Pad Number PAD 1–PAD 12
to make settings.
Note number transmitted by the
Note C - –G9
selected pad
Strength of the sound when you
strike the pad
COMMON: The Pad Common
COMMON, Velo (the overall velocity
Velocity sensitivity setting for all pads)
1–127
will be used.
1–127: The sound generator
will be played with that velocity
value.
For all 12 pads, this specifies the
velocity (loudness) that is
produced when you press a pad.
Pad Common Velo 1–127 If the pad Velocity setting (of
each pad) is set to other than
COMMON, those settings will
be used.
* 5 1 0 0 0 0 5 7 7 0 - 0 1 *
16

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JUNO-G_v2_e.

book 1 ページ ２００８年１２月２５日 木曜日 午後２時３７分

Version 2 Supplementary Manual

Quick Start .............................................................................2

Functionality added in JUNO-G version 2 ..................4

Playing the sample pads Connecting your microphone

Selecting Sample Pad mode

1. In the PATCH PLAY screen, hold down [SHIFT] and press

2. In the PATCH PLAY screen, hold down [SHIFT] and press

Playing the sample pads

1. Press [F1 (PAD1)]–[F6 (PAD6)] to hear the sample sounds

Exiting Sample Pad mode

4. Use [ ] or [ ] to choose “Input Select.”

5. Using VALUE dial or [INC] [DEC], change the setting to

6. Adjust the volume.

7. Press [F6 (START)] to begin sampling.

8. Press [F5 (STOP)] to stop sampling.

19. Press [F6 (WRITE)].

13. Press [F6 (EXEC)].

21. Press [F1 (PAD 1)] to play the sampled sound.

Your sample will be saved with a name of “User 0001.”

Assigning your sample to a pad

14. Hold down [SHIFT] and press [F6 (To PAD)].

15. Press [F6 (EXEC)] to assign the sample to PAD 1.

16. Press [F6 (EXEC)] once again.

17. Press [EXIT].

Functionality added in JUNO-G version 2

Sampling Parameter Explanation

Functionality added in JUNO-G version 2

Sampling Time Howling could be produced depending on the location of

External Input Settings • Lowering volume levels.

Making Input Source Settings (Input Setting)

the SONG RECORDER.

3. Press [F6 (In FX SETUP)].

3. Press [ ] or [ ] to select the parameter.

Functionality added in JUNO-G version 2

4. Press [ ] or [ ] to select the parameter.

5. Turn the VALUE dial, or press [INC] /[DEC] to set the

Parameter Value Explanation

* In the In FX SETUP screen, the SOUND MODIFY knobs (1–4) can be

Functionality added in JUNO-G version 2

Loading all Samples

When you execute Load All Samples, all unsaved samples

1. With the SAMPLE LIST screen shown, press [ ] or [ ] to

Functionality added in JUNO-G version 2

Deleting a Sample 4. Press [F6 (IMPORT)].

3. Press [F5 (UTILITY)], and then press [F3 (DELETE)].

4. Press [F6 (EXEC)] to delete the sample.

3. Use [ ] or [ ] to select the point that you want to set.

Functionality added in JUNO-G version 2

3. Press [ ] or [ ] to select a parameter.

You’ll probably find it convenient to zoom-in when making fine

Using the knobs to edit the points

Functionality added in JUNO-G version 2

Parameter Explanation and Value Removing Unwanted Portions of a Sample

2. Use [ ], [ ], [ ], or [ ] to move the cursor, and use

3. Press [F3 (EXEC)].

2. Press [F4 (EDIT)] or [ENTER].

3. Press [F3 (MODIFY)].

book 1 ページ２００８年１２月２５日　木曜日　午後２時３７分