This document summarizes and compares two paintings titled "Ina ng Lahi" by Jose P. Alcantara and Antonio Dumlao. It provides background information on the artists, including that Alcantara was a renowned sculptor and Dumlao was a noted muralist. It also gives details about each painting such as the medium used, prizes won, and locations currently housed. Finally, it analyzes symbolic mentifacts of the works in depicting Filipina women during Spanish colonization.
This document summarizes and compares two paintings titled "Ina ng Lahi" by Jose P. Alcantara and Antonio Dumlao. It provides background information on the artists, including that Alcantara was a renowned sculptor and Dumlao was a noted muralist. It also gives details about each painting such as the medium used, prizes won, and locations currently housed. Finally, it analyzes symbolic mentifacts of the works in depicting Filipina women during Spanish colonization.
Original Description:
Sociofacts and Mentifacts of Ina ng Lahi by Jose P. Alcantara and Antonio Dumlao.
This document summarizes and compares two paintings titled "Ina ng Lahi" by Jose P. Alcantara and Antonio Dumlao. It provides background information on the artists, including that Alcantara was a renowned sculptor and Dumlao was a noted muralist. It also gives details about each painting such as the medium used, prizes won, and locations currently housed. Finally, it analyzes symbolic mentifacts of the works in depicting Filipina women during Spanish colonization.
This document summarizes and compares two paintings titled "Ina ng Lahi" by Jose P. Alcantara and Antonio Dumlao. It provides background information on the artists, including that Alcantara was a renowned sculptor and Dumlao was a noted muralist. It also gives details about each painting such as the medium used, prizes won, and locations currently housed. Finally, it analyzes symbolic mentifacts of the works in depicting Filipina women during Spanish colonization.
Cydnie Khaile Ismael Different types of “Ina ng Lahi” “Ina ng Lahi” “Ina ng Lahi” By Jose P. Alcantara Antonio Dumlao Jose P. Alcantara He is a Filipino sculptor, muralist, painter, inventor and businessman. Alcantara is remembered for his contributions to the rich and diverse Filipino art scene, and is known as one of the greatest sculptors that the country has ever produced. Antonio Dumlao Was a noted muralist, who entered the U.P. School of Fine Arts in 1928, but left the very same year. In 1960, Dumlao was hired to work on the restoration of Juan Luna’s Spoliarium, which had just arrived from Spain. Dumalo also designed stained glass, and he rebuilt church altars Malacañang Presidential Palace, as well as the stained glass windows at the Golden Mosque, in Quiapo. Sociofacts of “Ina ng Lahi” by Jose P. Alcantara It is made out of Narra Wood. Won a Special Prize, 1951. Located at Gallery XIV on the South Wing of the National Fine Arts Museum (formerly National Art Gallery) Mentifacts of “Ina ng Lahi” by Jose P. Alcantara Symbolism of a Religious woman. Filipinas during Spaniard colonization. Characteristic of a Filipina. Sociofacts of “Ina ng Lahi” by Antonio Dumlao Ina ng Lahi won 3rd prize Art Association of the Philippines (AAP) fifth annual exhibition. Located at UP Vargas Museum. It was painted in 1952. Bought by Don Andres Soriano. Made out of oil and metallic paint. Mentifacts of “Ina ng Lahi” by Antonio Dumlao Housewife. Filipinas during Spaniard colonization. God-fearing woman that cares for her family. Characteristic of a Filipina. References https://travalc.github.io/tribute_page/ https://medium.com/@Raydius06/national- museum-reflection-paper-9f8600764873 https://everipedia.org/wiki/lang_en/ina-ng-lahi https://www.coursehero.com/file/48107451/Ina- ng-Lahi-by-JAdocx/ https://www.scribd.com/document/240117700/C W-10-Artwork-Description http://www.artesdelasfilipinas.com/archives/118/ antonio-g-dumlao-the-forgotten-great
The Philippine Islands, 1493-1898 — Volume 08 of 55
1591-1593
Explorations by Early Navigators, Descriptions of the Islands and Their Peoples, Their History and Records of the Catholic Missions, as Related in Contemporaneous Books and Manuscripts, Showing the Political, Economic, Commercial and Religious Conditions of Those Islands from Their Earliest Relations with European Nations to the Close of the Nineteenth Century