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    Ashwini R - Mindmap - Aristotle Poetics

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    Ashwini rajani
    Aristotle stated that tragedy should imitate a whole action that has a beginning, middle, and end. During the complication, the protagonist faces a central problem or knot. In the unraveling, this knot is resolved. Tragedy aims to elicit emotions of pity and fear in order to bring about a purification of such emotions.

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    Ashwini R - Mindmap - Aristotle Poetics

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    Ashwini rajani
    404 views1 page
    Aristotle stated that tragedy should imitate a whole action that has a beginning, middle, and end. During the complication, the protagonist faces a central problem or knot. In the unraveling, this knot is resolved. Tragedy aims to elicit emotions of pity and fear in order to bring about a purification of such emotions.

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    ASHWINI R - MINDMAP - ARISTOTLE POETICS

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    Aristotle stated that tragedy should imitate a whole action that has a beginning, middle, and end. During the complication, the protagonist faces a central problem or knot. In the unraveling, this knot is resolved. Tragedy aims to elicit emotions of pity and fear in order to bring about a purification of such emotions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    404 views1 page

    Ashwini R - Mindmap - Aristotle Poetics

    Uploaded by

    Ashwini rajani
    Aristotle stated that tragedy should imitate a whole action that has a beginning, middle, and end. During the complication, the protagonist faces a central problem or knot. In the unraveling, this knot is resolved. Tragedy aims to elicit emotions of pity and fear in order to bring about a purification of such emotions.

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    © All Rights Reserved
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    of 1

    ORIGIN: Imitation, then, is

    POETICS by Aristotle one instinct of our nature.

    Narrative. Aristotle stated that the tragedy should imitate a whole


    EPIC action, which means that the events follow each other by
    Long
    CHARACTER / TYPES Unity of
    STRUCTURE probability or necessity and that the causal chain has a
    beginning and an end. There is a knot, a central problem
    Tragedy is an imitation of an action that the protagonist must face
    action that poses magnitude in
    language and made pleasure,
    effecting through pity and fear, COMPILATION : During complication, the protagonist finds
    TRAGEDY (noble character) the purification of such emotions. trouble as the knot is revealed or tied

    COMEDY (lower character)

    UNRAVELING the knot is resolved


    Medium: Rhythm, language, melody.

    Imitation of life Manner: art, drama, epic.

    Object: Structure, tragedy, comedy.

    Characters are men and women who act. The hero and the
    CHARACTER (ethos)
    Diction is the medium of language heroine are two important figures among the characters.
    or expression through which the Thought means what the characters think or feel during their
    DICTION (lexis)
    characters reveal their thoughts career in the development of the plot.
    and feelings. The diction should be
    ‘embellished with each kind of ELEMENTS OF TRAGEDY The Plot is the most important part of a tragedy. The plot means ‘the
    arrangement of the incidents’. Normally the plot is divided into five acts,
    artistic element’. and each Act is further divided into several scenes. The dramatist’s main
    The decoration of the stage is the major skill lies in dividing the plot into Acts and Scenes in such a way that they
    PLOT (mythos) may produce the maximum scenic effect in a natural development.
    part of the spectacle. The Spectacle is
    theatrical effect presented on the stage.
    But spectacle also includes scenes of The song is one of these embellishments.
    physical torture, loud lamentations,
    dances, colourful garments of the main SONG
    SPECTACLE (opsis)
    characters, and the beggarly or jocular The thought is expressed
    appearance of the subordinate
    Ashwini R
    through their speeches and
    characters or of the fool on the stage.
    THOUGHT (dianoia) dialogues. (1913321008055)

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