LESSON 2 Codes & Conventions: Finals: Mil: Stem B
LESSON 2 Codes & Conventions: Finals: Mil: Stem B
LESSON 2 Codes & Conventions: Finals: Mil: Stem B
LESSON 2; Codes & Conventions Medium Shot, Mid Shot and Medium Close Shot –
shows a subject down to his or her chest or waist.
- All media messages are constructed using a
particular set of codes and conventions. Close Up – a full – screen shot of a subject’s face,
- Every media product we encounter is a showing the finest nuances of expression.
coherent body with its own rules.
Extreme Close Up shot / Detail shot for objects – a
Codes – are systems of signs that when put together shot of a hand, eye, mouth or object in detail.
create meaning.
Point of View
Conventions – generally established and accepted
Establishing Shot – often used at the beginning of a
ways of doing something.
scene to indicate the location or setting, it is usually a
Theory of semiotics – study of signs, long shot taken from a neutral position.
- media always is engaged in “signifying Point – of – View Shot, POV shot – shows a scene
practices.” This means there is a kind of from the perspective of a character or one person.
symbolic work that can be found in media Most newsreel footages are shown from the
texts. According to Hall (1997.) perspective of the newscaster.
Context used are the set of conditions that locate a Over – the – Shoulder Shot – often used in dialogue
sign in a particular location in history. It can mean scenes, a frontal view of a dialogue partner from the
the established ways by which society privileges perspective of someone standing behind and slightly
certain signs due to certain historical circumstances. to the side of other partner, so that parts of both can
be seen.
The “Grammar” of the Camera
Reaction Shot – short shot of a character’s response
Extreme Long shot – a large crowd scene or a view
to an action.
of scenery as far as the horizon.
Insert Shot – a detail shot which quickly gives visual
Long Shot - A view of a situation or setting from a
information necessary to understand the meaning of a
distance.
scene. (ex; a newspaper page, or a physical detail.)
Pan(ning shot) – the camera pans (moves horizontally) News – stories that have critical importance and
from left to right or vice versa across the picture. national life.
Tilt shot – the camera tilts up (moves upwards) or - Like the storytelling of fictional dramas,
tilts down (moves downwards) around a vertical line. news stories are also told following the basic
structure of beginning, middle, and end.
Tracking shot – the camera follows along next to or - Journalists > trained to report news to an
behind a moving object or person. audience.
>expected to be objective, comprehensive,
Zoom – the stationary camera approaches a subject
and bias – free.
by ‘zooming in’; or moves farther away by ‘zooming
>they work for newspapers, radio stations,
out’
televisions, and lately, online or web – based
- Codes and conventions are in fact more news services.
complex and elaborate concepts because >they employ various sub-genres in
they are tied to the concept of genre. delivering the news. There are 5 major
divisions of news stories;
LESSON 3; Genre
1. Hard or Straight news
- French word means “Kind” or “class.” 2. Feature
- Original Latin word “genus” means a class 3. Soft news
of things that can be broken down into 4. Investigate news
subcategories . 5. Opinion
- Tends to be understood to constitute Hard news – usually found in the first page
particular conventions of content, and of a newspaper or makes up the headline of
FINALS: MIL: STEM B
a regular episode of primetime news. Values This inverted pyramid illustrates how
2 elements; information should be organized and
prioritized in a news article.
1. Seriousness – topics or issues that are critical to the
lives of the community and the body politic. Concise recounting of the details
- WHAT happened?
level at that very moment the broadcast
- Include lifestyle news, travel news, articles - More commonly called as columns, are
offering the best way to do something or opinion articles and editorials express an
video clips presenting the POV of ordinary individual or organizational POV.
folks. - In the case of editorials, it expresses the
- Also called “human interest stories.” editorial committee’s stand on a very
Features – are stories that are extension of specific issue or a specific person or entity.
soft news. Editorials can serve many purposes.
- Human interest angle is played up and - An editorial can argue for a certain issue and
presented in a longer and elaborate format. calls on a person/entity (or sometimes the
- Most feature stories follow the beginning- government)to act on the issue or respond to
mid-end structure but journalist can take the clamor of the citizens.
liberties as long as clarity is not - It is simply meant to entertain and
compromised. / journalist’s perspective is sometimes employ the tone of parody to
also acceptable. underscore the misdemeanor of individuals
- Using established literary conventions and or entities.
literary devices are also acceptable styles. - While an editorial was written by one/two
journalists, it still reflects the majority vote
Literary Journalism – what United States called the
of the editorial board, the governing body of
genre.
the newspaper made up pf the publishers,
- Journalism speaks of objectivity and a the editors of the different sections and its
- Tools are similar to standard new reporting talks about the latest laundry detergent
but not all the time; as the only solution)
1. It is out to expose wrongdoing 2. Soft – sell advertisement – associative
2. questionable transactions, in nature. (ex; a major soda company
3. or shady deals brokered by those in associates its product the happiness
power derived from family togetherness)
4. there is the more compelling need to be 3. Infomercial – derived from the words
more in – depth and analytical with the “information” and “commercials,”
facts that are uncovered in a process combine the need to inform or educate
that usually takes longer than and the intent to sell a product. (ex;
conventional news reporting. advocacy groups use this to send
- Investigative journalists devote a great messages campaigning in behalf of a
amount of time on research and interviewing stand)
in depth their resources. Entertainment – derives from the French
- In the Philippines, the sub-genre of word “entretenir” which means “to hold the
investigative reporting was pioneered by an attention, keep busy, or amused.”
institution called the Philippine Center for - Speaks much about how the genre is
Investigative Journalism (PCIJ) > it started creatively realized in the current media
by journalists who were very active during industry.
the Marcos era, the absence of democratic - The creation and production of
processes constrained the work of the media entertainment is always hinged on the profit-
industry. driven motives of media institutions.
- Media must provide citizens with the bases - Entertainment programs are the area where
for arriving at informed opinions and they generate the profits that should sustain
decisions. public service programs.
Advertisements – messages that are created - It grabs the audience’s attention to present
to sell a product or a service. something that will make them comfortably
- Can either be commercial in nature, entertained.
information – laden, usually advancing a - Covers roughly 80% of programs in
cause or an advocacy. television and around 15% in a broadsheet.
3 broad sub-genres of advertising; - Structural organization of major broadcast
1. Hard – sell advertisements – mostly companies single out the entertainment unit
commercial in nature and utilize explicit as a distinct.
messages to get the consumers to
purchase a product or patronize a
service. (ex; e celebrity mother who
FINALS: MIL: STEM B
dy individuals.
level- on
organizations discovered the potency of
subgen comed
blogs as information sites for their activities
re y
and platform of advocacies.
and the specific audience a program will How are formats written? Detailed enumeration;
attract.
Program title
Target audience
Suggested time slot
10 basic formats and local shows by Cury
Length in minutes
2011:
Brief outline (2-3)sentences
Lesson 1;The notion of the audience meanings from the media and information
texts.
Typology of audiences;
Passive Audience Theories
1. Audience as “the people assembled,” – and Hypodermic needle theory – emerged in the
paying attention to a media performing late 1920s and gained prominence until after
before them. World War II.
2. Audience as “the people addressed,” – group - It asserts that media and information
of people who were imagined by the messages, like a hypodermic needle, inject
communicator in the creation and their messages and audiences as passive
dissemination of the text, such as the women recipients of the messages.
who the advertisers think should be
Two-step flow of communication – emerged from the
patronizing their product.
studies of Paul Lazarsfeld, Bernard Berelson and
3. Audience as “happening,” which could be
hazeld Gaudet when they analyzed how voters make
the experience of reception alone or with
their electoral decisions in the 1940 US presidential
others as an interactive event like a live
campaign.
streaming of the internet of a global event,
such as the Miss Universe. Opinion leaders –findings revealed that voters do not
4. Audience as “hearing” or “audition,” refers access information directly from the media. A group
to participatory audience experience, a high of people who exert particular influence on the voters.
degree of engagement like in a noontime
Uses and gratifications approach – argued that the
show broadcasted live, and the audience
audience access media and information bringing with
participation is embedded in the show.
them their own needs and desires, which in turn
Lesson 2; Audience Theories structures the way how media is received.
- Wherein two ends of this spectrum is a give- 1. Information – know about the society we
and-take situation where audiences exercise live in. to sense the world. (ex: news genre,
their ability to interpret meanings enabled or how we gather information)
constrained by their personal circumstances 2. Personal identity – we watch television to
and the context surrounding their validate our understanding and appreciation
communities. of our identities.
1. The assertion that media and information 3. Integration and social interaction –
messages emanate from powerful structure providing us with the information we need
and the audiences are passive recipients. so we can integrate and interact with social
2. The belief that audiences access power groups.
because they create or generate their own
FINALS: MIL: STEM B