9:

G Bm Em7 G/B CM7 C*m7(b5) Bm7 EX(b9) Am7 Bm Co Cm7 G

48)) Bm7 Em7 C6 C²m7(5) G/D CM7(9) CM7(9)Am7Em7C/D G

Bm7 Em7 G/D Db7(5) C7 Bm7 ET(b9) Am7 Bm C6 C*m7 G

(
Bm7 Em7 CS Cm7(5) G/D CM7(9)
CMZ(9)Am7Em7C/DG
10 simile

Cm7(11) GM7

( E

Fm7 G7(Þ13)
4

( Cm7(11)
GM7

( Fm7
#* G7(13) A

(
SHUFFUESIELNTH NOIE
14 44 a. oj

9l712l 4(a.).
+ /

E}E o lEo]+(6.).
OAE

50 2 3

C.
 4 4 B ol d, e.,f.#).
d FA
Cm7
Fm7 -Gm7
(P

Cm7 Bm7
Fm7 Gm7 Am7

e. 3 3 3
51
D7 D7

(
Am7 Am7 3

E7 E7
Bm7
3 Bm7

(
f.
3 3 3

e
 11
A7(*9) G7(9)

(
A

52 A7(*9) G7(*9)

A7(*9)
G7(*9)

-
A7(*9)
C7*9) F7(13) BI(0) E7(13)
1% simile

B'mī(11) BM7(13)

Bm7(11) Am7
53

Grn GM7

Gm
Ffm7(9) B7(13)
 38: Al zł(CM79]9th 7A) 13thG79)13th

FM7 Dm79) Dm7/G

$
CN7 A7

Dm7
G7(b9)

80
Dm7(9) Dm7(9) Dm7/G

CM7(9) A7(13)

röva ...

Dm7(9) G78) gliss.

 Olm7-V79 1

2.0m7 C
G7 C

d.
(E Dm7 G7 C
V7A

m7-|79)8ED]E E ( II m7

o]
Im7-V794 e l E
|9]F $le. ).
e. V7sus4
V
, V7sus4 -V74 Im7onV-V7

IIm7onV V7
2
G7 Sus4 G7 C Dm7/G G7 C

Im7-V79|t
V72 4 lt. , Im7-
V72 E} o s, aE
A}&E ol ol 4} t(., g. t).
|A7 D7 G7

c Em7 A7 Am7 D7 Dm7 G7

|Dm7 |c Dm7 lG7

l|Dm7G7 c A7
|Dm7 G7 Dm7 G7 ||
 [6 m7 IM7 m7 VM7 m
I 7(9)

C6 Am7 CM7 Em7 FM7 Dm7(9)

Nm VỊ7(9) Nm7 =bIM7 V7 Vm7(5)

Fm B}7(9) Fm7 DM7 G7 Bm7(b5)

4)
bo

b
V7
bI7
–Iitone Tritone

G7
Db7

14,V7 I 8AAA,o \2 17
C.
C7

D7
A7
>E7
Ab7
Db7
Gb7
 (d3).
OI(M7,6XTonic> -Vm7, lm7,V#m7(b5)
OV
(M7,6)KSub-Dominant>- +Im7,V#m7(b5)4.
3Nm(M7,6XSub-Dominant Minor-V[b7, IIm7(b5), 1bM7,
VbM7,Vb7 eb7.
@V7Dominant>- [b7

Me.
e.
Y% CaEe o].
QTonic Substitute Chord
C Am7 Em7 Fém7(b5)
25

Sub-Dominante Substitute Chord

F Dm7 Fêm7(b5)

OSub-Dominant Minor Substitute Chord

Ab7
Fm Bb7 Dm7(b5) DbMZ ABM7

O Dominant Substitute Chord

G7 Db7
 PEDL POINU
OJ9 E
C.,d 3).
Tonic Pedal Point in Bass

CM7 Em7 A7 Dm7 Gm7 C7 F

b Tonic Pedal Point in Soprano

30

E
C Am F Fm Dm7 Dm7/G. C

C. DominantPedalPoint in Bass

Dm7 G7 CM7 Am7 D7 G7

d. Dominant Pedal Point in.Soprano

C Em7 Am7 Dm7

( E
A
A }A}s) o1 4o]+(e. #z).
-C DiatonicScaleChords

CM7 Dm7 Em7 Am7 FM7 Em7 Dm7 G7

-F9 DiatonicScaleChords

Gm7 C7 Am7 Dm7 Gm7 C7 F

( 31

+ lt 9 l lt(E.,g.).

Em7 Eb7 Dm7(11), D7(11) CM7 BI(13) Am7(9) D711)

Eb D Di C Ab G Gb F
IE o]t(h.,i.).

A7(*9) /C

b
Dm79)/C

(
G7(b9) /C
GGIUI
(
a
APPROAGHCJORD

1l4 2E o]]9l (

o 902SLLOZ} olo] 2ol&}golz

2E :nonchord
tone)o ö}R4o|

|a.
, 1IE
).
113 X

ace &24Oxc.
aE

.M72E}oel6th
M7

CM7 Dm7

* Non Cord Tone

46 o (b., c. ).
b.
G7(13)
Fm7

C.
G7

CM7

%3 3

M24 13th |8}

aRtolzl 2tE E l2\,egl 13th
EE 2o(E)}
4th A&1lt.
}3rd(E)K3
(F&)
A2!+ 2.FiSoe 1lhe) Nol 2}s)1 o 3rdelE
 o]445Eo|l2}o} tt °ol lt(d.,e.,f. 3).
d Co|Z4 4 M7d.
th, Fo| AA 24-M7r
th cojA =R0 CM7 F7
M7 4 M7

Aàg 4-62 E)'04

47
6
e
CM7 C7
6 CM7
b3

f.

(
CM7 Am7 D7 G7

(
 h.
9. Dm7
CM7

BM7 C

h.
48 CM7 D7
G7

C7 C*7 Am Ab7
B>75) B7(=5)

i.
CM7
F)
DM7 BM7 E)
 CHOjOY jOJ AE

1 |) H A HE]jE o tt(m.,n .z).

C Diatonic Scale

I V VI

C9 Diatonic Chords

IM7 II m7 |m7 NM7 V7 V| m7 V m7(+5)

.n.
TonicAS**. ĮM7, IIm7,V[m7
SubdominantA&.**.|| m7, V M7
EY l(T)24
4UED]YE|(S) t toloYAEE, E]T-S-T.
S-T-St 40 T S o} g1 4 oR REo4 0.9tp. t1
O.
key in C
CM7 Dm7

S. S

p. key in C
key in Eb
CM7
Fm7

&2402 T. S. T
S