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ELEMENTARY

Six easy p¡ctures

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 SIX EASY PICTURES
by
JOHN W. DUARTE
Opus 57

Folk Song
Cheerfully

Make the tune stand out clearlyeach tíme it comes-once c h o r d n o t e sf o r t h e i r f u l l , w r i t t e nv a l u e ; i f y o u l o l l o w t h e g i v e n

i n t h e t r e b l e ( b a r s5 - 1 2 ) a n d o n c e i n t h e b a s s ( b a r s1 5 - 2 0 ) , f i n g e r i n gy o u w i l l n o t f i n d t h i s h a r d . T h e r e i s n o m i s t a k ei n
moving back to the treble at the end (bars 21-22).The other b a r 1 1 - t h e s e c o n d f i n g e r h o l d s d o w n E , t h e f i r s t m o v e si n
s e c t i o n s ,a t t h e b e g i n n i n g ,i n t h e m i d d l e ,a n d a t t h e e n d , a r e b e h i n d i t t o p l a y t h e A , e v e n t h o u g h t h i s i s t h e o p p o s i t et o
l i k e t h e f r a m e i n w h i c h t h e p i c t u r ei s s e t ; t h e i r p r o p e r n a m e s t h e u s u a l w a y r o u n d . A t f i r s t , p l a y i t s l o w l y a n d c l e a r l y ,i t
w o u l d b e ' i n t r o d u c t i o n ' ,' b r i d g e ' a n d ' c o d a ' . H o l d d o w n a l l does not needto go fast.

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 Lullaby

Soothingly

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T h e b a s s ( l o w e s t ) n o t e s r í s e a n d f a l l i n a l m o s te v e r y b a r , n o t e o f b a r 2 5 ) , l e a v et h e f o u r t hf i n g e ri n p l a c e a s a ' s t e p p i n g
r e p r e s e n t i n gt h e r o c k i n g o f t h e c r a d l e ; o v e r t h i s t h e g u i t a r s t o n e ' o n w h i c h y o u r h a n d b a l a n c e sw h i l s t t h e o t h e r f i n g e r s
'sings' the lullaby. Leave fingers ol the left hand pressed a r e m o v i n gi n t o p l a c e f o r t h e G a n d A i n t h e n e x t b a r . T h e r e
d o w n u n t i l y o u h a v e l o m o v e t h e m . I n t h e f i r s t f o u r b a r s ,f o r a r e s e v e r a lp l a c e s w h e r e t h i s k i n d o f t h i n g w i l l h e l p y o u t o
e x a m p l e ,t h e s e c o n d a n d t h i r d f i n g e r sa r e n o t l i f t e d a t a l l ; i n p l a y s m o o t h l yi n b a r s 1 1 - 1 2 ;s e e i f y o u c a n f i n d t h e s e l o r
bar 7 the second finger is held down all the way through. yoursell.
When you play the D that leads to the final four bars (last
 Toy Soldiers
Neatly and precisely

percussion

I n t h e b u g l e c a l l s , a t t h e b e g i n n i n ga n d e l s e w h e r e k, e e p y o u r fn bars 27-28only a rhythm is shown (the note is not meant

l e f t - h a n df i n g e r s u p r i g h t ,s o t h a t t h e y d o n o t l e a n a g a i n s tt h e t o b e C ) a n d i t i s m a r k e d ' p e r c u s s i o n ' .P l a y t h e r h y t h m b y
h i g h e r ,o p e n s t r i n g a n d s t o p i t s o u n d i n g .P l a y t h e m w i t h y o u r banging (not foo hard!) on the wooden front of your guitar
right hand nearer than usual to the bridge,to give them a w i t h y o u r r i g h t h a n d . T h i s i s a d r u m , a n s w e r i n gt h e b u g l e c a l l
s h a r p e rs o u n d .G i v e e v e r y c h o r d i t s f u l l t i m e - v a l u ea n d d o n o t in bars 25-26.Play the piece in strict lime, but not too quickly.
l i l t y o u r f i n g e r st o o s o o n , e s p e c i a l l yi n b a r s 1 1 - 1 2a n d 1 5 - 1 6 . ------:
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 The Clock

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gently a little slower

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the qonew ronglThe samethi ng hl nR gns realwork in this
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 The Wind
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.glissando.or.portamento..onlythefirstnoteisstruckwith
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when you first learnthis piece you will play it slowly and E in
t É e r i g h t h a n d . n o t t h e s e c o n d ;i n m o v i n go n t o t h e b a s s
windwi||beagent|eone,sighingthroughthetrees.Later p u l t y o u r f i n g e r s i d e w a y s o f f t h e s t r i n g w h e n you
t i t t l e l o u d e r .s o t h a t i t b l o w s m o r e bar e-0,
f o r - " r n p l a y i t f á s t e ra n d a about all r e a c ht h e E , t ó n e t p i i t o s o u n d c l e a r l y .W h e t h e ry o u
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luáürv ánó mates waves on the take. Don',tworry p i e c e l o u d t yo r s o f i l y ,s l o w l yo r q u i c k l y .d e p e n d so n w h a t k i n d
rioies with accidentals in bars 6-7 and 32-33; they latl
tne very
y o u r f i n g e f s . I n t h e b a s s ,b a r s 1 1 . 1 2 a
, n d severa| ol wind you mean ii to Oe; whatever kind it is, play the
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last four bars softer and slower, letting the wind die away.
othei times aiter that, two notes are joined by a.straight line' 4 and 30 with your
T h e l e l t - h a n dl i n g e r i s k e p t p r e s s e d d o w n a n d i s s l i d a l o n g V o , . " n s t r e t c hw e l l , p l a y t h e G f i n b a r s
í o u r t hf i n g e r ,a n d t h e b s w i t h y o u r f i r s t ,o n t h e s e c o n ds t r i n g .
the string from one note to the other; this is called a
 Eastern Dance

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S o u n d s o f t h e m y s t e r i o u sE a s t ! S l a v e - g i r l sd a n c i n g , m e n n o t e s h e l p y o u t o c o u n t t h e l o n g n o t e s i n t h e m e l o d y .T h e
' e a s t e r n 's o u n d o l t h e t u n e i s g i v e n b y t h e s t e p s o f G f t o F ,
c h a r m i n g s n a k e s ,A ¡ a b s i n t h e d e s e r t ,w h a l e v e ry o u l i k e t o
imagineit to be. Not too fast-one crotchet(quarter-note) a n d D f t o C , i n t h e s c a l e s ;t h e y m e a n t h a t t h e t u n e i s w r i t t e n
' d i d d l e ' ,s o i n t h e h a r m o n i cr n i n o rs c a l e a n d n o t t h e m o r e u s u a l m e l o d i c
s h o u l d t a k e a b o u t a s l o n g a s i t t a k e sy o u t o s a y
' d i d d l e ,d i d d l e ,d i d d l e ,d i d d l e ' !T h e b a s s on6.
the first bar will be

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