The Truth: Pagan Sun Worship and Catholicism

PAGAN SUN WORSHIP AND CATHOLICISM
LA VERITA - THE TRUTH

http://www.aloha.net/~mikesch/verita.htm
In the Vatican's St. Peter's basilica in Rome, there is a rather remarkable sculpture that
probably goes mostly unnoticed by those who visit there. It is a part of a sculpture
group by Gian Lorenzo Bernini decorating the tomb of Pope Alexander VII. At the four
corners surrounding the kneeling Pope, are the four virtues, Charity, Prudence, Justice
and Truth. Charity is on the front left side and "La Verita", which means "The Truth" is
on the right front side of the overview below.
The first thing you might notice is that "Truth" stands with her foot on a globe of the
earth, symbolizing her power over the globe. Then looking closer you will see that she
clutches in her arms the sun, probably symbolizing Truth's love for the light rather
than darkness, and that the Truth will be revealed in time, by the light of day.
Historically, pagan Babylon worshipped the sun as a deity, and pagan Rome also
worshipped the invincible sun. The Roman Catholic Church, with the assistance of
Caesar's civil Sunday law (Constantine), transferred the Sabbath rest to the Sun Day,
and commonly uses images and symbols of the sun. In the following articles we will
examine the many pagan sunburst images used by the Catholic Church in various
forms of art.
Scripture Testifies That Stars Depicted Pagan Gods

Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
the star of your god, which ye made to yourselves.
Acts 7:43 Yea, ye took up the tabernacle of Moloch, and the star of your god
Remphan, figures which ye made to worship them: and I will carry you away
beyond Babylon.
The Stones Give Their Testimony

On the right is an artifact unearthed in the holy of holies of the pagan temple in the
Canaanite city of Hazor / Hatzor, in northern Israel, that dates to 1400 years before
the time of Christ.
It is described as follows:
"a basalt offering table, pillar-shaped, with a carved symbol of the storm god Baal on
its side. That symbol was a circle with a cross in the center"
Above is a tablet from the early 9th century B.C. which depicts the Babylonian sun-
god Shamash seated on the right, holding emblems of his authority, a staff and ring,
and the king with two attendants on the left. In the center, on an altar, is a large 4-
point sun image, with additional small wavy rays between the points. In Hebrew, the
word for sun is:
8121. shemesh, sheh'-mesh; from an unused root mean. to be brilliant; the sun; by
impl. the east; fig. a ray, i.e. (arch.) a notched battlement:-- + east side (-ward), sun
([rising]), + west (-ward), window. See also H1053 in Strong's Hebrew Dictionary.
The above diagram of the Catholic altar shows the same general Babylonian sun
symbol. In the photo below, behind Pope John Paul II, on the front of the altar of St.
Peter's Basilica, you see a tapestry with a sunburst design nearly identical to the pagan
sun-god symbol of Baal / Shamash. This tapestry is called the altar frontal,
antipendium (antependium), or pallium altaris.
Symbol for baal
Symbol of Babylonian sun-god shamash
Below on the left is a picture from the coronation of Pope Pius XI in 1922. On the
tapestry hung from the balcony, there are three symbols of Baal / Shamash evident.
On the right is Pope John XXIII waving to the crowd in St. Peter's square from above
another similar banner, after an Urbi Et Orbi speech.
Below on the left is a similar photo of John Paul II, making his first public appearance
as Pope, in 1978.
Above on the right is a photo from early in the papacy of John Paul II, and the
symbol of Baal / Shamash appears on the front of his fish head shaped mitre. Note
also the small black cross on his shoulder (compare below), on what is called a
Pallium:
The modern pallium is a circular band about two inches wide, worn about the neck,
breast, and shoulders, and having two pendants, one hanging down in front and one
behind. ... The ornamentation of the pallium consists of six small black crosses -- one
each on the breast and back, one on each shoulder, and one on each pendant.
Below on the left is a Neo-Assyrian standing stone (stele/stela) dating from about
824-811 B.C., which depicts King Shamshi-Adad V. In particular, note the necklace
the King is wearing. On it is what is called a Cross Pattée or Cross Formée. Twenty-
eight hundred years ago that shape was symbolic of pagan sun worship (click on the
image for a closer look).
The Pope wears a similar symbol around his neck, on the Pallium, which the Pope also
confers on selected bishops as an ornamental token of his favor, and it is also worn by
archbishops and patriarchs as a symbol of their authority as a metropolitan, derived
from unity with the Pope. Note also, that beneath John Paul's Pallium there is an "x" /
diagonal cross, which mimics the diagonal bands below the Cross Pattée worn by the
pagan king. The Pope also has a ring and staff of authority, remarkably similar to the
depiction of the sun god Shamash on the Babylonian tablet shown previously.
Pope Benedict XVI wears a different style of Pallium that hangs from his left shoulder
and has red crosses. The above photos show vestments worn during Benedict's trip to
the U.S. that feature several sun symbols.
Note the lower hand of King Ashur-nasir-pal II in the above stele. On the wrist is the
sunburst symbol. On the right, the pagan sunburst is on the glove of Pope John XXIII.
The depictions of the pagan kings on the ancient standing stones above, show a strip
of cloth (lappet) hanging from the rear of the headgear. These lappets are also
present on the papal mitre and tiara, shown at left, and partially visible in the photos
of popes above.
The symbols of Baal and Shamash worn by a Catholic Bishop.
On the left is a medallion from the Vatican pavilion of the 1988 World Expo, which
depicts what is called a Monstrance, used to display a consecrated host. It bears a
remarkable similarity to the symbol of Baal / Shamash.
At left are two examples of ciborium, in which are kept the Eucharistic wafer hosts of
the Catholic Mass. The one on the left uses the Cross Pattée as a handle on top, and
the other uses the four point cross within a circle, the ancient symbols of Shamash
and Baal.
On the left is a Vatican 100 Lire gold coin. Note the symbol of Baal, found in Hazor, is
behind the head of the figure supposed to be that of Christ.
Here you see the symbol of Baal used in artwork representing the Year of the Eucharist that
appeared on the cover of the November 10, 2004 edition of L'Osservatore Romano.
Now on the right you see the sunburst image on the underside of the canopy of Bernini's
Baldacchino, the large canopy-like monument in St. Peter's Cathedral, directly over the main altar
of St. Peter's, and the alleged tomb of St. Peter. The dove in front of the sunburst is supposed to be
symbolic of the Holy Spirit. Note the shape of the sun rays. They are essentially identical to that of
the pagan sun symbol worn by Assyrian kings over 800 years before the time of Christ.
The Babylonian Sun god Shamash is also represented by a winged solar disk.
Bernini also put pagan sun images on the top of each of the columns of his Baldacchino, which
stands above the altar of St. Peter's. (The sun image and 3 bumble bees are symbolic of the
Barberini family and Pope Urban VIII).
Here on the left is essentially the same image as found in Bernini's La Verita and
Baldacchino, but this is the face of the pagan Greek sun god Apollo, on the temple of
Apollo, in the Pergamon museum in Berlin!
Catholicism has clearly adopted

the sun symbolism of the ancient pagans!

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PAGAN SUN WORSHIP AND CATHOLICISM

LA VERITA - THE TRUTH

Scripture Testifies That Stars Depicted Pagan Gods

The Stones Give Their Testimony

Catholicism has clearly adopted

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