Art Appreciation - Prelim - Module
Art Appreciation - Prelim - Module
Art Appreciation - Prelim - Module
Art Appreciation
Learning Outcomes: At the end of this chapter, the students should be able to:
1. Understand the importance of Art in every individual’s life;
2. Gain a general knowledge of the creation and function of arts; and
3. Recognize the certain purpose of art as well as its classification and discuss their characteristics
What is Art?
Have you ever wondered what art is? Is it only about paintings and sculptures found in museums? How about
the jungles we hear in commercials, or the decorations on our food; are those considered art?
Art is a tool for communication. Whether it is a painting or a performance, as long as it is a venue for one to
convey or express thoughts, emotions, or aspirations, it is considered art. Every artwork reflects the artist and
his/her society. Art offers us the chance to learn and understand artists and the regions where they belong
through their work.
Why do people create art? Did you ever stop and reflect why people compose songs, perform dances, or draw
pictures? Art, unlike food and shelter, is not necessary for humans to live. But what makes us or drives us to
create and perform? Why is art so special to humans?
Art is one of the earliest and most basic forms of communication. This is seen in the prehistoric visual works
like the cave drawings and other early artifacts. This is also evident in our folk songs and rituals. The visual and
performing arts are ways for people to express themselves and share their individual insights to others.
Through these arts, they catch other people’s attention, imagination, and admiration.
★ In your own words, how do you express art? What is your definition of art?
Chapter 3
The Western Art History
Learning Outcomes
At the end of this chapter, the students should be able to:
Ancient people often represented their worldviews and beliefs through visual images. Art emerged with the
appearance and the dispersal of entirely modern people through Africa, Asia, Australia, America and Europe.
Paintings, sculptures, engravings, and potteries are expressions for beauty and complex social and spiritual
systems. Prehistoric art like animals are the favorite subjects of hunters, herdsmen, and breeders.
Prehistoric art is a symbolic system that is an integral part of the culture that creates it (Honour et al.,
2005). Many archaeologists have identified Stone Age art, namely: petroglyphs (rock carvings and engravings);
pictographs (graphic imagery, symbols); ancient sculpture (totemic statues, ivory carvings); and megalithic arts
(performs or any other works associated with the formation of stones).
Stone Tools for Art Making
Stone is formed based on the composition of minerals on it. It is classified as Mineral growth,
Sedimentary, Metamorphic, and Volcanic. Sedimentary rocks shaped through the deposition and compression of
particulate matter. On the other hand, Metamorphic rocks changed from the result of extreme temperature and
pressure. Volcanic rocks are from molten igneous magma (Prindle, 1994).
The tools made of tone were the instruments by which early man developed and progressed. All human
culture founded on the ingenuity and brainpower of our early ancestors in creating sophisticated tools that
enable them to survive. The first stone tools (eoliths- which are now believed to be naturally produced by
geological processes such as glaciation) and other types of organic materials (wood, bone, ivory, and antler)
were about two million years ago. The oldest human tools were a simple stone chopper, such as those unearthed
at Olduvai George in Tanzania.
Many Paleoanthropologists (people who study the origins and predecessors of the present human species)
confirmed that the Palaeolithic Man produced four types of tools in creating an art namely: pebble tools (with a
single sharpened edge for cutting or chopping): Bifacial tools (hand axes); Flake tools; and Blade tools.
Pebble Tools (Pebble chopper). It is a first cutting device and considered as the oldest type of tool made
by humans. The tool contains a rounded stone struck with some blows with a similar stone used as a pounder,
which created a serrated crest that served as a chopping blade.
Bifacial tools
. It is a hand ax prehistoric stone tool flake with two faces or sides. These tools may be oval,
triangular, or almond-shaped in form and characterized by axial symmetry. The cutting edge could be straight
or jagged and is used as a knife, pick, scraper, or weapon. The technique was distinctive of the hand-ax tradition
of the lower Palaeolithic period and the Acheulian culture.
Flake tools. These are hand tools used during the Stone Age. They are usually formed by crushing off a
small or large fragment then used as the tool. Both cores and flakes could be used as stone tools. New flakes
were very sharp, but quickly became blunt during use and had to be sharpened again by further flaking, a
process called “retouch.”
Blade tools. These are a Stone tool created by striking a long narrow flake from a stone core. This
fter chipping the blades, they
procedure of cutting the stone and creating the blades is called lithic reduction. A
integrated into larger tools, such as spears.
x. Panel Painting
Panel Painting was especially famous for making beautiful altarpieces. This type of painting is executed on
flat panels of wood or metals which can be either a small, single piece or several boards that are together. The
earliest known old panel painting is the Pitsa Panel (dated between 540 and 530 B.C.E.).
y. Tomb/Wall Painting
Popular Tomb or wall painting during classical period uses either tempera ( water-based) or encaustic (wax) as a
method of fresco. Colors in this type are made with grind powder stains in pure water, dry and set with plaster
to become a lasting part of the wall.
Class Activity
Using the sharp-edged rock, scratch the flat rock with your desired design.
Put varnish utilizing a mixture of white glue diluted with water to preserve your plan on the stone.
The rock design should imitate the character of a prehistoric artwork.
You may also use patterns that display the identity of your region of City.
Discussion Question
Chapter 4
Philippine Art and Crafts
Learning Outcomes
Agung. It is a musical instrument of the Kulintang ensemble which is played by one or two persons
depending on its number. By using a rubber-padded beater, this instrument is performed on both the boss/knob
and the face of the gong.
Banog-banog. It is a dance that portrays hunters shielding in their chickens from the famishing hawk.
BlitB’laan. It is a courtship dance of the Bilaan of Davao del Sur mimicking birds during mating season.
The females scurry to safety, burying their heads under their wings (using the malong), but the aggressive
males follow them wherever they go.
Cañao. It is a ritual-dance performed during native feasts or celebrations in the highlands of the
Cordilleras in the Luzon area of the Philippines. It is a symbol of triumph or expectation for abundant crops.
Gangsa. It is an indigenous musical instrument of the Bontoc tribes of Kalinga, Ifugao in the mountain
regions (the Cordillera) of the northern Philippines.
Inamong. It is an ethnic dance among Tigwahanon Manobos in the Province of Bukidnon and performed
during their harvest time. This type of dance shows a couple, with their bodies and arms slightly bent forward,
mimicking the movement of a pair of flirting among monkeys.
Kadal Iwas. It is a dance performed by the T-boli and Tausug tribes respectively which mimic a mealtime
of monkeys in removing nits and lice from each other. A variation of this dance is to mimic a monkey who sits
on an anthill by mistake and is attacked by angry ants all over his body.
Kashawing. It is a ritual among the Maranaos and is performed to ensure a good harvest.
Kinabua. It is a ritual dance among the Mandaya tribes in Northern Mindanao. This type of dance portrays
the Hawks’ use of sweet songs to lure out the hen and the chicks that are made into a meal.
Mamakar. It is a Bontoc War Dance performed during the planting season and a bountiful harvest.
Man-manok . It is a dance performed in Vigan, Ilocos Sur. This type of dance mimics fowls wherein tribal
blankets that represent the colorful plumage of wild cocks are shown off by the warriors who intend on winning
the attention of the maiden hen.
Mayvanuvanua. It refers to a sacrificial rite performed at the beginning of the summer fishing season
among mataw fishers in Batanes Island. This type of dance is an act of invitation to capture the fish dorado
successfully.
Mumbaki. It is a local term which refers to the “sayer of prayers” among the Ifugaos in Northern Luzon.
These prayers are performed during funerals, weddings, Thanksgiving, and other celebrations. This is offered
to the supreme deity, Maknongan.
Ngilin. It is a cultural dance performed among the Kalinga tribe during Marriage rituals and other
celebrations like the budong (peace pact). This type of dance is played to simulate the romantic or peaceful
interactions of a rooster and a hen.
Pagdiwata. It refers to a ritual performed among the ethnic group in the north and central Palawan. The
ceremony is held on various occasions including bountiful harvests and weddings
Pangalay (also known as Sea Gypsies).It is a native dance of the Badjao performed during weddings and
other social gatherings. This type of dance emphasizes the agility of the upper body wherein the rhythmic
bounce of the shoulder with the simultaneous alternating waving of arms is the essential movement.
Sampak. It is a war dance performed by the Mandaya tribe. This type of dance requires excellent skill in
the handling of a shield, spear, and a sword.
Saut. It is a ritual dance performed by a male Talaanding tribe presenting their expertise in style and arts in
fighting their opponent. This ritual dance is also an offering to their magbabaya ( god)
Talip
. It is a courtship dance among the Ifugao. This is performed during the celebration of the intaneg
(wedding). In this dance, the man traps a woman with an attractive blanket to place on her shapely shoulders.
Famous Indigenous Musical Instruments in the Philippines
Aerophones. It refers to any musical instrument which produces sound without the use of strings or
membranes. Examples of these are as follows:
Baliing- Nose flutes of the Apayao
Bansik - Bamboo flute of the Negrito
Kaleleng- a Long bamboo tube of the Bontoc
Bulungudyong -Vertical & long flute of the B'laan
Kalaleng - Bamboo flute of the Tinggian
Lantoy– Nose flute of the Mangyan
Palandag (Palendag) – Lip-valley flute of the BagoboPaldong and Tongali – Lip valley flutes of the Kalinga
Pulalo – Lip valley flute of the Mansaka
Sahunay - Pipe with reed (clarinet) of the Tausog
Chordophones. It refers to any musical instrument which makes sound by way of trembling strings stretched
between two points. Examples of these are as follows:
Faglong – Two-stringed, lute-like instrument of the B'laan
Kolitong – Bamboo guitar of the Kalingga
Kudlong - Two stringed boat lute of the Bagobo
Kudyapi -Two stringed boat lute of the Maranao
Kulit-en – Guitar of the Tinggian
Pas-ing – Guitar of the Igorot
Serongagandi – a Decorated bamboo tube of the Maranao
Saludoy –Bamboo guitar of the T’boli
Idiophone. It refers to any musical instrument which produces sound primarily by way of the instrument's
vibrating, without the use of strings or membranes.
Afiw –Jaw Harp of the Bontoc
Agung - Bossed gong of the Maranao
Balingbing – Bamboo buzzer of the Kalingga
Bangibang – Percussion bar of the Ifugao
Gabbang – Bamboo xylophone of the Tausog
Kinaban – Jaw Harp of the Hanunoo
Kubing –Jaw Harp of the Ata and Maranao
Kulintang - Metal xylophone of the Maranao
Kumbing – Jaw Harp of the Manobo
Palipal – Bamboo clapper of the Ifugao
Tagutok – Decorated bamboo scraper of the Maranao
Tanggunggu – Gong chime of the Kalagan, B'laan, Manuvu, Bagobo
Tongkaling - Pellet bells or crotal bells of the B’laan
Membranophone. It refers to any musical instrument which produces sound by way of a vibrating stretched
membrane. Most membranophones are drums, such as:
Dabakan - Glass shaped drum of the Maranao
Gandang – Double headed cylindrical drum of the Maranao
Libbit – Conical drum of the Ifugao
Sulibao – Conical drum of the Ibaloy
Importance of Philippine Artistic Handicrafts
The Philippines is abundant in natural resources that scattered throughout its islands. Filipino artists used
the parts of trees, plants, and other natural resources as the raw materials and turned them into simple, yet useful
tools or instruments. This type of work is called Artistic Handicrafts ( sometimes called artisanry) . Although
this type of art changes from time to time it is still imperative to continue and is preserve due to the following
reasons:
Filipino handicraft makers fashion them into accessories, bags, bamboo sofa sets, baskets, cabinets, clothes,
lamp shades, wall décor, and others. The following are the typical materials needed in the making of Filipino
handicrafts:
Abaca ( Musa Textilis) - It is a tree-like herb resembling the banana plant. It is durable and dyed in different
colors.
Bamboo (BambusaSpinosa) - It is for the furniture industry because of its strength and durability. It is also
valuable material for basket and hat making.
Buri (CoryphaElata)- It is a palm from which three kinds of fibers, namely buri, raffia, and until, are taken. It
can be dyed merely and woven into many shapes. The buri leaf is the most flexible material used for making
hats, boxes and other novelty items.
Caragumoy (Pandanus Simplex) - It is greenish grey as it dries and is used traditionally in making bags,
baskets, hats, and mats.
shades, pins, and others.
Kalas- It is a by-product of the buri palm. Locally, the term "kalas" (which means “to loosen") refers to the
loosened strands of a buri rope. It creates an unusual, rustic pattern with distinct characteristics from its original
material when artistically woven.
Leather- It is a material created through the tanning of skins of animals like carabaos, horses, snakes, alligators,
goats, lizards, and others.
Pandan-Dagat (Pandanus Tectorius) - It is a variety of screw pine abundantly distributed along sandy beaches
and coastal brushes in the Philippines.
Rattan (Calamus Maximus) - It is the most flexible material used in the manufacturing industry and has been
known to extend up to hundreds of meters long.
Seagrass (RhynchosporaCorymbosa) – It is a type of grass in shallow salty and brackish waters. The stems are
distinctly triangular, and the leaves are broad and long.
The following are some handicrafts in the different regions of the Philippines:
Jewelry (Central Luzon, Southern Luzon, and Mindanao Regions). This handicraft is mostly in the Central
Luzon region, mainly from the province of Bulacan. You can also find this from Mindanao regions, but down
south, you can even get powerful brass amulets and other accessories.
Metal Craft (Southern Luzon and Mindanao Regions). This type of handicraft is in the Southern Luzon region,
particularly in the province of Batangas. A very popular metal craft which is locally and internationally as an
excellent source for a portable knife is called Balisong. Traditional weapons made from brass, bronze, and gold,
are also abundant in the island of Mindanao.
Pots and Jars (Ilocos Region). The pots and jars known as burnay can be found explicitly in the province of
Ilocos Sur. These creations are made from Grade A clay through a method that has been practiced by locals
since the pre-colonial times.
Woven fabrics (Mindanao Regions). These fabrics are woven traditionally, by interlacing threads using a
manual machine called a loom. One of the common materials in this region is called malong w hich is
historically used as a skirt and sometimes as a blanket.
Wood Carvings (Cordillera and Southern Luzon Regions). Fantastic wood carvings produced by the Ifugao in
the northern region of the Cordilleras. Often, these wood carvings are depicting their indigenous gods.
Excellent kitchenware like wooden bowls and utensils are in this region.