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and Projects
Volume 12, Issue 4 Warm Homespun
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We are ever grateful for the
continually expanding love
Publishing Director Judith L. Williamson
Creative Director Jenifer Gaston and friendship in our fiber
Editorial Director Gretchen Smith arts world with each new
Art Director Sandra Salamony day. As this year ends
Graphic Designers Erin Ellison, Ellen Rooney and a new one begins, it’s
Photographer Keri Seevers natural to reflect on the
Photo Stylist Tonya Robey past and to look ahead to
new experiences. Equally
Contributing Illustrator Roxanne LeMoine
important is to focus on the
Technical Editor Deanna Hodson here and now. Pay attention to
the people with you at this very
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NPS Media Group Every little thing makes up a big old beautiful
Advertising and Wholesale Information quilt of life.
Gretchen Smith Many of this issue’s projects summon a
gretchen@primitivequiltsandprojects.com nostalgic nod to the past with vintage designs,
scenes of childhood fun, and cozy charms of the
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winter season. We get to bring these old-timey
info@primitivequiltsandprojects.com
designs into the here and now as we stitch away at
Project Submission Guidelines new projects for our loved ones to enjoy.
jeni@primitivequiltsandprojects.com We asked the designers in this issue about their past, future,
and present experiences, and they wowed us with amazing
Thank you Mom for
memories and insight. In Do-Si-Do, Judy unearths some of Mom’s
teaching us how to quilt!
unfinished blocks and a treasure trove of her fabric stash. Visiting
With features our good friend Pam Buda of Heartspun Quilts.
Primitive Quilts & Projects (ISSN 2165-610X and USPS 6130) With the approaching year-end holidays and a new year, we
is published quarterly by Good Harbor Media LLC, 52 Golf Oval,
Summerfield NJ 07081-2504. Periodicals postage paid at wish you lots of love, joy, and peace.
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are available by mail, $35.00 for one year within the U.S.
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30 14 26
62
Projects
The Gift Book
Dawn Heese .................... 10
Folklorique
Kim Zenk and
Katie Hebblewhite .......... 14
Jolly Holidays Home for Christmas
Tracey Roberts ................. 20 Karen Yaffe ...................... 46
Beardnest Santa Pillow Yvonne & Phil’s Cottage
Heather Gavin ................. 26 Lisa Burmann .................. 51
Country Christmas Kansas Migration
Jill Shaulis ........................ 30 Julie Garren ...................... 62
Happy Owl-i-days Sleigh Ride Pillow
Erin Radke ........................ 35 Katie Solberg ................... 70
Hearth and Home Santa Baby
Gail Pan ............................ 40 Tonya Robey ..................... 76
primitivequiltsandprojects.com 3
Tada!
NOTeS FROM
OU R R EADERS
Simply Stunning!
My version of Seasonal Mystery by Pat
Sloan. I began the project in the Winter
2018 issue, not realizing it was a series
quilt. I had to backtrack to Spring,
Summer, and Fall 2018 to find the rest
of the sections. I did not want it to read
as a holiday quilt, so I changed some of
the appliqué blocks to be more general
designs. I also changed out the house with
a bee skep. I love this magazine and have
completed many of the projects. I find
inspiration in every page. Thank you for
producing such a beautiful magazine!
—Karen Wisdom
Patriotic Porch
This is my project that I made for 4th
of July. It’s Grandpa’s Porch by Katie
Solberg. I love working in wool and this
project just caught my eye. I made a
second one when my daughter-in-law
saw it and wanted one too!
—Lorraine Patterson
PrimitiveQuiltsAndProjects.com/Contest
Enter by January 30, 2023. One entry per household. Entrants who are
already subscribers will have their subscription extended by one year.
Contest rules at primitivequiltsandprojects.com/contest.
Dear Jeni,
I LOVE crazy quilts and want to make one. They seem
intimidating, though. How can I get started?
Thanks,
Jane
Dear Jane,
Thank you for the great question! There are
so many ways to make a crazy quilt, from just
sewing scraps of fabrics together and trimming
until you get a large piece to embellish to
using preprinted fabric blocks from panels and
preprinted foundation paper pads.
The next idea we found
Making a crazy quilt was something our
was from a wonderful
mother Mary always wanted to do. Mom collected
designer who retired several years ago and who
beautiful fabrics and books, and I gave her a
had projects in our magazine in the early issues,
book on crazy quilting once for a gift. She never
Jo Ann Mullaly. She self-published two folk-art-
got around to trying it, though. While my sister
style crazy quilt books. I’m sure they are out of
Gretchen and I had our quilt shop, we held all
print by now, but you may be able to find them
sorts of classes, and we decided to try doing a
on eBay or in the myriad “de-stash” groups
crazy quilt class. Of course, neither of us had
on social media. The titles are Wool Crazy and
ever made one (which never stopped us from
Crazy at Home. The folk art and primitive style of
scheduling a class—ha!). With a little searching
these books hit home for us and our shop, so we
we found a few things to get us going.
ordered a bunch of them for our students and
The first product we found was a template
classes—in addition to the Simply Crazy template
called Simply Crazy from EZ Quilting company.
I mentioned above.
It gives you several sizes to start your first shape
They were two different methods, but both
and then you build onto it as if you were making
are simple and not overwhelming. If you prefer
a log cabin quilt with wonky shaped strips of
a more traditional and fancier crazy quilt, there
fabric. The photo shows a couple of blocks I
are so many books out there. A favorite small-
made with it. It comes with a nice easy-to-follow
stitch guide that I love is called Crazy Quilt Stitches.
instruction sheet.
It is a nice little laminated pamphlet,
published by Leisure Arts. It gives you
basic stitches and how to combine them
Questions? to look beautiful. It fits nicely in a tote
Send your questions to jeni@primitivequiltsandprojects.com, and bag without taking up space.
longtime quilter and rug hooker Jeni Gaston might address them in Other ways to make crazy quilts that
a future issue. Letters may be edited for style, space, and clarity.
I have found are foundation-paper piece
pads. One I found is by Lori Holt for Riley
Th e
Project Level
of Difficulty
beginner
From brown wool, cut: 7. With wrong sides together, layer the wool
• 1 each of Templates B and D for branch and piece onto the cotton/interfacing backing and pin
bird wing securely. Trim the cotton/interfacing backing to
the size of the wool piece with a rotary cutter and
From scrap of gold wool, cut: ruler. Stitch the layers together with two strands of
• 1 of Template O for beak floss in a running stitch.
linenclosetdesigns.bigcartel.com
Project Level
of Difficulty
beginner
Kim and Katie told us that Eastern European and
Scandinavian folk art are favorites of theirs and that travel
to these beautiful countries is always inspirational. Folk art
elements can be found in many of Granny’s Legacy designs.
Using artisan-dyed wools, these
projects are full of personality and
charm—irresistible. n y ’s L e g acy artisan-dyed
TIP: Gran ct.
oo ls w e re u s ed in this proje
w r
e co lo r n u m b ers are listed fo
Th
each entry.
5A 19A
4A 18A
19
5 4 18 17E
17D
6 3
6A 2A 17C
17
8 8A 6B 7A 17B
7B 2 17A
8E 8B 17F
8D 8C 7 7C 16E
1 16D
9G 16
7E 7D
9A 9B 17H 17G
9F 16C
9C 10 16A
9 16B 15B
9D 14B
10A 11 15
9E 13 14A 15A
14
12
12A
ASSEMBLY DIAGRAM
2. Trace the mat shape on fusible product, then cut out the fusible oval.
3. Press to the back of the appliquéd mat with a hot, dry iron, then
remove the paper backing.
4. With a hot steam iron, adhere the cotton fabric to the back of the mat.
5. Trim closely around the edge of the mat. You may wish to apply a thin
line of Fray Check around the outer edge.
6. Blanket stitch around the mat perimeter with purple perle cotton.
7. Place the mat face down on a thick towel and steam to block flat. You
will be thrilled how beautifully your stitches pop off the background
when you complete this step!
Project Level
of Difficulty
Material Requirements
1
⁄8 yard each of eight assorted cream prints
for backgrounds
1 fat quarter cream print for appliqué
background
6" strip each of 30 assorted prints in red,
green, blue, yellow, brown, and black for
blocks and appliqué (make this even
scrappier with additional prints)
Fat eighth each of two green prints for stems
½ yard stripe for inner border and binding
1¼ yards fabric of choice for backing
Threads to match appliqué
Freezer paper
¼" bias tape maker (hand appliqué only)
I
L
I
N H
I
F Sewing Instructions
G
J D
Vase and Flowers
K E
1. Arrange the flowers, leaves,
vines, and vase on the 17½"
O
cream square, taking care to
C keep all within the 16" finished
block size. Pin in place.
7. Arrange and sew the four units together in two 5. Repeat Step 4 with the three blocks on the
rows of two units, then sew the rows together to right side.
complete a block.
6. Sew the five blocks at the top together, then
sew them to the top of the quilt center.
traceyrobertsdesigns@orcon.net.nz
beginner
4. Sew the two 2" x 8" red border strips to the top
B
and bottom of the appliqué center. F A
5. Sew the two 2" x 13½" red border strips to the
sides of the unit from Step 4. I G
H
6. Lay the pillow top from Step 5 right sides
together with the red back and pin them together.
8. Turn the pillow top right side out and stuff with
Poly-fil. ASSEMBLY DIAGRAM
28
HEATHER GAVIN enjoys designing a wide variety of wool, embroidery,
and punch-needle projects from her idyllic red barn studio in Texas—often
supervised by cats, chickens, and her son, Dash.
www.punkinpatchcraftdesigns.com
punkinpatch13@yahoo.com
Project Level
of Difficulty
beginner
Material Requirements
12" x 13" tan print for background
7" x 7½" red wool for barn and door
2½" x 6½" brown wool for barn roof
Jill lives in a very rural community 4" x 4½" black wool for sheep, windows,
door opening, and tires
with many gorgeous old barns, and
2¾" x 4¼" gray texture wool for silo, door
she loves the nostalgia of old tractors track, muffler, and wheel hubs
being used to gather a Christmas tree. 2" x 3¼" brown/black wool for silo top
and wagon
She said she just had to add a cute 3½" square medium green wool for tree
little sheep that is excited to check out and wreath
2" x 2½" light green wool for tractor
what’s coming its way this Christmas
1¾" x 4" white wool for snow and sheep
season. Adorable! 1½" x 2" gold wool for bow
1/6 yard green check for binding
16" x 17" fabric of choice for backing
Lite Steam-A-Seam 2 or your choice of fusible
Valdani size 12 perle cotton in colors to
match wool
Chalk marker
From black wool, cut: 4. Use a chain stitch to make the barn accent lines
• 1 each of Templates M, N, O, P, R, S, and T for door and tractor grate. Use a straight stitch for the
opening, windows, sheep head and legs, and lightning rods on top of the barn roof, the window
large tire panes, door X, and steering wheel. French knots
• 3 of Template Q for tires are used for snow, wreath accent, wheel centers,
and sheep’s eyes.
From gray texture wool, cut:
• 1 each of Templates C, D, J, K, and L for door 5. Once the appliqué is complete, trim the
track, silo, muffler, and wheel hubs background to 11" x 12".
From brown/black wool, cut: 6. Sandwich the quilt top, batting, and backing;
• 1 each of Templates AA and BB for silo top and baste. Quilt as desired, then bind. Jill chose to cut
wagon the binding wider for a stronger visual appeal.
From medium green wool, cut:
• 1 each of Templates U and V for tree and wreath
Project Level
of Difficulty
Beginner
Erin loves owls and their wide-eyed personalities.
Living in the woods, she can just see a stack
of quirky owls decorating a tree for the holiday
season. This is precious!
Applique Instructions
Appliqué Preparation
and Cutting Instructions 1. Referring to the diagram and project photo for
placement, arrange the ground, tree, and owls on
See Page 95 for general appliqué preparation the cream/gray background, taking care to ensure
instructions. all are placed within the 11" x 14" finished size.
From cream/gray print, cut:
2. Using a primitive or whip stitch, appliqué each
• 1 – 15" x 19" rectangle for background
motif in place.
From cream/gray plaid wool, cut:
3. Backstitch the eyebrows and vine. Use a French
• 1 of Template A for ground
knot to make pupils and vine berries. To complete
From cream wool, cut: the embellishments, add a straight stitch to
• 1 of Template B for ground indicate eyelids on the bottom owl.
From light taupe wool, cut: 4. If you’ve chosen the wall hanging option, trim
• 1 of Template C for ground the unit from Step 3 to 11" x 14".
L
MO N
I
E
H
D F G
C
B
A
Project Level
of Difficulty
Beginner
Gail combined her favorite stitched houses in this unique
centerpiece mat, creating the perfect spot for a pretty vase of flowers.
Material Requirements
1 fat quarter light gray print for
embroidery background
½ yard green print for blocks
1 fat eighth each of blue, purple, and
red florals, and a brown print for
blocks
1 yard fabric of choice for backing
Embroidery thread in dark red, cherry
red, blue gray, orange, light purple,
dark green, light variegated green,
bright green, light blue, pink, and
yellow
Size 8 perle cotton in ecru for quilting
Cutting Instructions From brown print, cut:
• 4 – 1½" x 21" strips, then sub-cut into:
From gray print, cut: 2 – 1½" x 4½" strips
• 4 – 7" squares for embroidery backgrounds 2 – 1½" x 6½" strips
4 – 1½" x 8½" strips
From green print, cut: 2 – 1½" x 10½" strips
• 1 – 4½" x WOF strip, then sub-cut into:
1 – 4½" square
2 – 1½" x 8½" strips Sewing Instructions
2 – 1½" x 10½" strips
• 4 – 2¼" x WOF strips for binding Note: All stitching is
done with two strands
From blue floral, cut: of embroidery floss.
• 4 – 1½" x 21" strips, then sub-cut into: TIP: You will not
1. Trace the embroidery need to trace all
4 – 1½" x 6½" strips
the loops. Simply
4 – 1½" x 8½" strips designs found in the
put a dot at the
2 – 1½" x 10½" strips Template Insert to the
point of each
right side of the light loop to indicate
From purple floral, cut:
gray squares using where to start.
• 4 – 1½" x 21" strips, then sub-cut into:
your preferred method.
4 – 1½" x 6½" strips
Trace two of each
4 – 1½" x 8½" strips
house.
2 – 1½" x 10½" strips
2. Using the color chart below, stitch the
From red floral, cut:
embroidery squares. French knots will be used for
• 5 – 1½" x 21" strips, then sub-cut into:
all dots, the lazy daisy stitch for all loops, the grass
2 – 1½" x 6½" strips
and hearts are stem stitched, and each house is
6 – 1½" x 8½" strips
embroidered with the chain stitch. The backstitch
2 – 1½" x 10½" strips
is used for all other stitching.
5. Sew two 1½" x 8½" blue strips to the sides of the Finishing the Table Topper
unit from Step 4, then sew two 1½" x 10½" blue
strips to the top and bottom to finish the block, 1. Referring to the diagram, sew two of the same
measuring 10½" square. house design blocks to the sides of the middle
block, then sew the two remaining house blocks to
6. Referring to the diagrams and quilt photo, the top and bottom.
repeat Steps 4 and 5 to add strips around each of
the embroidery squares. 2. Sandwich the quilt top, batting, and backing;
baste. Quilt as desired, then bind. Gail chose to
7. To make the center square, sew two 1½" x 4½" quilt with the size 8 ecru perle cotton. She quilted
brown strips to the sides of the 4½" green square. a straight line in the middle of the first borders
and a wavy line in the center of the second
8. Sew two 1½" x 6½" blue strips to the top and
borders of each house block.
bottom of the unit from Step 7.
For the center block, she quilted a wavy cross in
9. Sew two 1½" x 6½" purple strips to the sides
the green square, a straight line in the middle of
then two 1½" x 8½" red strips to the top and
the first (brown and blue strips) and third (green
bottom of the unit from Step 8.
strips) borders, then a wavy line in the second
border (purple and red strips).
While Gail mostly designs with a strong embroidery presence, she also loves needleturn appliqué
and often combines them. Gail has six self-published books and five published in conjunction with
Martingale/That Patchwork Place, plus over 350 individual patterns. Gail also designs fabric for
Henry Glass Fabrics. Gail loves to teach and runs classes in Melbourne, as well as all over the world!
www.gailpandesigns.com
gailpandesigns@gmail.com
Facebook: Gail Pan Designs
Beginner
Material Requirements
Fat quarter black flannel for background 4" x 11" medium green wool for trees
5" x 11½" rectangle white texture wool and leaves
for ground 3" x 5½" dark green texture wool for trees
5" x 11½" rectangle white and gray stripe wool 2" x 3" brown wool for tree trunks
for hills ½ yard cream/tan print for pillow back
2" x 5" white solid wool for snow on roofs and piping
5½" x 7½" light blue wool for pond Valdani size 12 perle cotton in Black (1), Light
3" square each of medium and dark red wools Ecru (5), Blush (69), White Smoke (117), Mustard
for house, barn, cap, gloves, and leggings Seed (1315), Wine (O507), Blackened Khaki
1" x 1½" black wool for doors and skates Brown (O548), and Brown (P12)
1" x 2" light yellow wool for windows Fusible web
1" square golden yellow wool for dress Fabric or marking pen of your choice
1" square light peach wool for face 12" x 16" pillow insert or fiber fill for stuffing
2" square light green wool for trees 3
⁄8" cording for piping
Iridescent embroidery thread
See Page 95 for general appliqué preparation From brown wool, cut:
• 2 of Template V for tree trunks
instructions. Note: Appliqué Templates in the
Template Insert have been reversed for use with From cream/tan print, cut:
fusible web. • 1 – 12½" x 16½" rectangle for pillow back
• 70" total of 2" bias strips for pillow piping
From black flannel, cut:
• 1 – 14" x 18" rectangle for background (this
will be trimmed once appliqué is complete) Sewing Instructions
From white texture wool, cut: 1. Using the layout diagram in the Template Insert
• 1 each of Templates B and C for ground snow and the project photo, arrange the motifs on the
black flannel within the 12" x 16" finished size.
From white and gray stripe wool, cut:
Take care to center horizontally with 2½" left on
• 1 of Template D for hills
each side for the leaf vines. Leave 2" at the top and
From white solid wool, cut: bottom for the night sky and lettering.
• 1 each of Templates W, X, and Y for snow
2. Press to fuse the appliqué motifs to the
on roofs
background.
From light blue wool, cut:
• 1 of Template A for pond 3. Stich the motifs in place using coordinating
thread and either the blanket or whip stitch.
From red wools, cut:
• 1 each of Templates Z, AA, and BB medium 4. Add straight stitches for window panes, to make
red for house skate blades, and for a center line down the barn
• 1 each of Templates CC–FF and HH for dark door; then stitch X's on the two barn doors.
red barn, leggings, and cap
• 2 of Template GG for mittens 5. Using two strands of thread and the straight
stitch make fence posts, stitching two adjacent
From black wool, cut: rows for a thick post. Use a one-stranded straight
• 1 each of Templates II and JJ for barn and stitch for the fence rails. Add straight stitches for
house doors the skater’s hair.
• 2 of Template KK for skates
6. Embellish the skater leggings with cross
From light yellow wool, cut:
stitches, then add two-strand French knots for
• 11 of Template LL for windows
the house doorknob. Using the iridescent
From golden yellow wool, cut: embroidery thread and the French knot, add
• 1 of Template MM for dress snowflakes to the sky.
From light peach wool, cut: 7. With the stem stitch, add tree branches. For the
• 1 of Template NN for face thicker limbs use two rows and one row for the
thinner branches.
From light green wool, cut:
• 1 each of Templates O and Q for tree sections 8. Using two strands of floss, embroider the
• 2 each of Templates R and T for tree sections lettering and vines in place. Add backstitch berry
From medium green wool, cut: stems and two-strand French knot berries to
• 1 each of Templates F, H, K, M, N, and P for complete the embroidery embellishments.
tree sections
• 2 of Template S for tree sections
• 40 of Template U for leaves
Intermediate
Lisa designed this piece for her Aunt Yvonne and Uncle Phil.
Lisa had great fun talking with her aunt about colors and
hearing all about the details of her vacation home.
After this quilt is published, it will be gifted to Aunt Yvonne
to hang in her cottage home.
2. Using the protractor and Frixion pen, begin at the center point
of the block and mark a line at 22.5 degrees and draw it out from
the center. You will draw 16 – 12" lines from the center every 22.5
degrees. Note the green and light gray lines in the third drawing
extending to the compass points. At the outer tip of these lines is
where the point of each compass blade will be positioned.
4. Using the brown perle cotton and the straight stitch, embroider
these eight compass blades. Use French knots for eyes and fish air
bubbles.
AR C A to
a p p liq u é is fu sed, Lisa chose
e
B B TIP: Because th thread
in g m a ch in e with matching
use her sew the motifs in p
lace.
A AR and a size 60 n
e e d le to st it ch
all
h a n d a p p liq ué the very sm
C D C She chose to S h e recommends a
fo x ’s le g s.
details, like the the
AR A d le fo r p ie ci n g . With regards to
size 75 nee d s leaving them in
for
re co m m e n
B B stabilizers, Lisa d as a wall han
ging.
is qu il t is u se
support if th
A C AR
10. Sew the pennies in place using a blanket stitch. 6. Embroider the pine branches, tree leaves,
flowers, fox, and house details to embellish the
11. Repeat Steps 9 and 10 to make a total of four cottage circle. Add beads to enhance the flowers.
fish-scale blades.
7. When the embroidery is complete, trim the
12. When sewing is complete, trim to size using circle to 11½" diameter using the ¼ circle Template
the template lines, including the ¼" seam D, then position on top of the compass and fuse in
allowance where the blades meet the center circle. place.
13. Iron the four fish-scale blades to the gold 8. Using the blanket stitch, sew down the cottage
background at the 45-degree angles. circle around its perimeter as well as each of the
compass blades to complete the center block.
14. Brown Print Blades: Press these to fusible web
and cut to size. 9. Iron well; Lisa uses the spray starch and irons
from the back to prevent any discoloring of the
15. Iron to the gold background at the 90-degree
appliqué fabrics.
angles.
10. Trim the block to 25½" square.
pply
use d th e b lanket stitch to a
TIP: Lis a their
st of th e a p p liqué elements to
mo nd
u n d s. H o w ev er, she also fou
backgro to use some of
op p o rt un it ies
many great ine!
co ra tiv e st it ch es on her mach
the de
1. Lay one of the Pellon stabilizer triangles on the 1. Repeat Step 1 of the spring section, then arrange
appliqué pressing sheet, fusible side down. the sky, grass, trees, and sand on the Pellon
stabilizer and press in place.
2. Arrange the sky, trees, and grass units on the
stabilizer, then press in place, taking care to 2. Layer the water and boat on the background and
ensure that all will be within the finished size of press, taking care to ensure that all will be within
the triangle. the finished size of the triangle.
3. Add the dog, squirrels, and bunny, then fuse 3. Add the goose, oars, and the fish with their
them to the background. Stitch all elements to the hanging unit.
background with the blanket stitch.
4. Blanket stitch each element to the Pellon, then
4. Embroider leaves to the trees, the grass sprigs, embellish with beads and embroidery. To add the
and the dog, bunny, and squirrel details. Add beads canoe rope, poke a small hole in the background
for apple blossoms on the trees. at the tip of the canoe and anchor the rope to the
back with glue. Then poke a hole on each side of
5. When stitching is complete, trim only the long the tree and loop the rope behind and tie. Couch it
edge that attaches to the compass block, using to the background with invisible thread.
the combined triangle from the Template Insert.
(We will do a final trim of the block after all the 5. When stitching is complete, trim only the long
appliqué angles have been attached.) edge that attaches to the compass block, using
the combined triangle from the Template Insert.
(We will do a final trim of the block after all the
appliqué angles have been attached.)
2. Add the apples, birds, pumpkins, crate, turkey, 2. Add the snowman with scarf, squirrels, skates,
and squirrel, then press. Blanket stitch each mittens, and sled, then press and blanket stitch
element to the background. each element to the background.
3. Embroider the embellishments, then trim only 4. Embroider the details adding beads for eyes and
the angled edge that attaches to the compass buttons. At the end of the snowman’s scarf, tie
block, using the combined triangle from the some knots and let the floss fray. To make the sled
Template Insert. (We will do a final trim of the block rope, braid some floss, then poke the ends through
after all the appliqué angles have been attached.) the back and glue like the canoe rope. Couch in
place with matching thread.
5I
6. When pleased with the arrangement, sew the Prairie Point Hanging Sleeve
seven rows together, then sew the gold triangle to
the top. Repeat to make a total of four units. Trim 1. To make the hanging sleeve, Lisa cut six 9"
away the excess bricks down each side using the squares of backing fabric.
side of the gold triangle at the top as your guide.
2. Put two squares right sides together and sew
7. Sew one of the brickwork setting triangles from around all four edges.
Step 6 to a side of the quilt center, then press.
3. Cut once diagonally from corner to corner,
8. Repeat Step 7 to add a unit to the opposite side. then turn them right sides out. Repeat with the
remaining squares for a total of six prairie points.
9. Repeat Steps 7 and 8 to attach the last two
brickwork setting triangles. Trim if needed for a 4. Using Roxanne’s Glue-Baste-It, attach the six
quilt center measuring 53" square. points along the top at the back of the quilt with
the long cut edge on top and the point below.
10. Sandwich the quilt top, batting, and backing;
baste. Quilt as desired, then bind. 5. After the binding is applied, stitch the points to
the back of the quilt to complete the sleeve.
www.facebook.com/groups/1382024468757532
www.mountaincreekquilters.com
Project Level
of Difficulty
Beginner
Material Requirements
½ yard each of 10 dark/medium prints
for blocks and border
1
⁄3 yard each of 5 light prints for blocks
¼ yard light print for inner border
5
⁄8 yard red print for binding
3½ yards fabric of choice for backing
From red print, cut: 4. This will make four Flying Geese units. Repeat
• 7 – 2¼" x WOF strips for binding Steps 1–3 with matching light and dark print
squares to make a total of 12 Flying Geese units.
e
: li e re c o m mends using th
TIP Ju
ri n t fo r th e large triangles 5. Sew together four sets of three Flying Geese
same p each block.
sq u a re w ith in units from Step 4.
and center
l h a v e tw o c e nter square/
You wil ark
e tr ia n g le se ts from each d
larg g
p a ir o n e se t with dark Flyin
print: set
se u n it s a n d pair the other
Ge e
g h t F ly in g G e ese units. For
with li nits,
s w it h d a rk Flying Geese u 6. Repeat Steps 1–4 to make a total of 10 sets with
blo ck ve
ds that you ha
she recommen lying
dark Flying Geese units.
m e c o n tr ast between the F
so /
p rin t a n d th e center square 7. Repeat Steps 1–4 with 4¼" light print squares
Geese
and 23⁄8" dark print squares to make 10 sets with
large triangles.
light Flying Geese units.
Polar Bear Wall Quilt 20" x 24" Wonderland Runner – 19" x 29" Snocone Sn’elf – 12" or 22" Snowman Elf
Kit $68 Kit $150.50 Pattern $9.95
Advertise with us
If you have a product or project
you would like to advertise in our
Stitchin’ Marketplace, please contact
our advertising department at
gretchen@primitivequiltsandprojects.com
Dimensional wool appliqué art. Stitch the oval shapes
for individual ornaments or appliqué them onto burlap
sacks! 3½" x 5" (ovals); 4" x 6" (burlap sacks)
stores.meetinghousehilldesigns.com
Project Level
of Difficulty
Be gin ner
Material Requirements
15" x 25" wool suiting or homespun for 4" x 5" gold wool for stars
background 7" x 12" brown wool for reindeer
3" x 4" green plaid wool for tree 1" square peach wool for face
3" x 4" red solid wool for Santa suit 15" x 25" rectangle of batting
4" x 6" dark red plaid wool for sleigh and ½ yard flannel or homespun for backing
reindeer belts and collars Valdani size 12 perle cotton in: 5 – Light Ecru,
1½" x 7" black wool for sleigh runner and P5 – Tarnished Gold, O507 – Rich Wine,
mitten O1907 – Lichen Moss, O78 – Aged Wine, and
2" x 3" cream wool for Santa suit trim and M90 – Chocolate Brownies
hat tip Soft Fuse
3" x 6" cream/gray stripe wool for hair/beard 14" x 24" pillow form
and top edge of sleigh Appliqué pressing sheet (optional)
From red solid wool, cut: From cream/gray stripe wool, cut:
• 1 each of Templates G and H for hair/beard and
• 1 each of Templates B, C, and D for Santa suit
top edge of sleigh
From dark red plaid wool, cut:
• 1 of Template E for sleigh
From gold wool, cut:
• 2 of Template M for stars
• 3 each of Templates P and Q for reindeer belts
• 4 of Template N for stars
and collars
N N
M
L
I
C R
A S
G Q
B DJ O P
K
H E
M
F N N
KIT INFORMATION
Kits available for $29.99 plus
postage. Kit includes all wool for
appliqué and backing fabric.
Thread kits may be available:
$33.00 plus postage. Kit includes
six balls of Valdani perle cotton.
beginner
Santa is on his way! Tonya said she Hooking Instructions
just loves a happy Santa with ruby 1. Using a ruler and permanent marker, draw a
15" x 17" outline on your foundation, making sure
red cheeks and a ruby red nose. the lines are drawn straight on the grain.
Tonya Robey
3870 Blue Knob Road, Marietta, Ohio, 45750
robeytonya@yahoo.com
Mom's Attic
Normally in Do-Si-Do Judy tries her hand at a project from a past issue. This issue is a little
different. Judy shares some of the amazing unfinished projects from Mom’s attic.
That's
the
Dad in nd
rou
backg
mir ing all
ad
ork.
the w
ake Squ a d
Sno wfl
h e Se aso n
Tis t
www.SewCherished.com • Dawn@SewCherished.com
Wholesale inquiries welcome
Mom had her share of tools and pincushions. I remember this old pink pincushion from my childhood.
It’s possible that I made it for her, but I can’t be sure. She may have made it. I always loved it.
Statement of Ownership
United States Postal Service 13. Publication Title 14. Issue Date for Circulation Data Below
Statement of Ownership, Management, and Circulation Primitive Quilts and Projects Fall
15. Average No. Copies Each Issue No. Copies of Single Issue
1. Publication Title 2. Publication Number 3. Filing Date
Extent and Nature of Circulation During Preceding 12 Months Published Nearest to Filing Date
quarterly 4 $35.00 (Include paid distribution above nominal rate, advertiser's proof
7. Complete Mailing Address of Known Office of Publication (Not printer) (Street, city, county, state, and ZIP+4) Contact Person Telephone b. copies, and exhange copies) 15,753 15,154
Primitive Quilts and Projects Laura Garrity 203-945-2047 Paid (2) Mailed In-County Paid Subscriptions Stated on PS Form 3541
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Primitive Quilts and Projects Outside Dealers and Carriers, Street Vendors, Counter Sales, and Other
Good Harbor Media LLC 52 Golf Oval the Mail) Paid Distribution Outside USPS 8,894 8,737
Springfield, NJ 07081-2504 (4) Paid Circulation by Other Classes Mailed Through
9. Full Names and Complete Mailing Addresses of Publisher, Editor, and Managing Editor (Do not leave blank) the USPS (e.g. First-Class Mail) 1,400 1,400
Publisher (Name and complete mailing address) c. Total Paid Distribution
Ben Nussbaum [Sum of 15b. (1), (2), (3), and (4)] 26,046 25,291
Good Harbor Media LLC 52 Golf Oval d. (1) Free or Nominal Rate Outside County Copies included on
Springfield, NJ 07081-2504 Free or PS Form 3541 0 0
Editor (Name and complete mailing address) Nominal (2) Free or Nominal Rate In-County Copies Included on PS
Gretchen Smith Rate Form 3541 0 0
Good Harbor Media LLC 52 Golf Oval Distribution (3) Free or Nominal Rate Copies Mailed at Other Classes
Springfield, NJ 07081-2504 (By Mail and Through the USPS (e.g. First-Class Mail) 121 122
Managing Editor (Name and complete mailing address) Outside (4) Free or Nominal Rate Distribution Outside the Mail
the Mail) (Carriers of other means) 50 50
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10. Owner (Do not leave blank. If the publication is owned by a corporation, give the name and address of the corporation immediately followed by (Sum of 15c. And 15e.) 26,218 25,463
the names and addresses of all stockholders owning or holding 1 percent or more of the total amount of stock. If not owned by a corporation, give g. Copies not Distributed
the names and addresses of the individual owners. If owned by a partnership or other unincorporated firm, give its name and address as well as those
of each individual owner. If the publication is published by a nonprofit organization, give its name and address.)
(See Instructions to Publishers #4 (page #3)) 25,409 25,106
h. Total
Full Name Complete Mailing Address
52 Golf Oval
(Sum of 15f. And 15g.) 51,627 50,569
i. Percent Paid
Good Harbor Media, LLC Springfield, NJ 07081-2504
(15c. Divided by 15f. times 100) 99.3% 99.3%
PS Form 3526, July 2014 (Page 2 of 4)
16 Electronic Copy Circulation Average No. Copies Each Issue No. Copies of Single Issue
During Preceding 12 Months Published Nearest to Filing Date
a. Paid Electronic Copies
11. Known Bondholders, Mortgagees, and Other Security Holders Owning or Holding 1 Percent or More of Total Amount of Bonds, Mortgages or
235 225
b. Total Paid Print Copies (Line 15c) + Paid Electronic Copies
Other Securities. If none, check box --------> None X
(line 16a) 26,281 25,516
Full Name Complete Mailing Address c. Total Print Distribution (Line 15f) + Paid Electronic Copies
(line 16a) 26,452 25,688
d. Percent Paid (Both Print & Electronic Copies)
(16b divided by 16c X 100) 99.4% 99.3%
x I certify that 50% of all my distributed copies (electronic and print) are paid above a nominal price.
Gail Pan
I have too many favorite creations! One in
particular is my Meadowlark pattern. Blue is my
favorite color!
I look forward to traveling and teaching in 2023.
I am currently working on lots of bags and
a quilt from my new pattern Happy Scrappy
Backgrounds. The blocks are so addictive, and I
find myself on the machine, piecing background
blocks. I need to start something new, but
I can’t stop!
ask away!
Do you have a question for our designers?
Send it to judy@primitivequiltsandprojects.com
and it may appear in a future issue.
Jill Shaulis
I have two favorites. In high
school I had the honor of
painting our mascot on the gym
wall. It was a huge project that
required a scaffold, and I’m
afraid of heights! Second was a
mural I painted on the bedroom
wall before my first child was
born—sadly, I never took a photo.
There’s so much on the
table for next year! More fabric
Karen Yaffe designing, patterns to support
those fabrics, and I’m loving all
I have a few creations from my past that I am proud of.
the sew-along groups I’m proud
I was pretty proud of the senior prom dress I made for
to be a part of!
myself. It was a mint green taffeta! I also have Christmas
I’ve been sketching project
ornaments I cross-stitched for each of my boys when they
ideas that I’ll use for my next
were born. And my most cherished right now is a quilt I
fabric line and for Primitive Quilts
made for my mom when my dad passed away. I made it
and Projects, of course!
out of his shirts, and she was so touched. Brings back so
many memories.
Tracey Roberts
One of my favorite things I created is an acrylic painting for my
daughter. It was the first time I had ever painted, and the result was
exactly what I had envisioned. I never thought I could paint, but the
results exceeded my expectations. It confirmed in my mind that
you should always push the boundaries of what you think you can
achieve, because you might be pleasantly surprised in yourself.
I am hoping that as we are all starting to travel again, I will be
able to return to the International Quilt Festival in Houston and see
all the wonderful quilts on display and take some classes.
I am working on hand-stitching a ¾-inch-hexagon project using
Moda fabrics that I have been plodding away at for a couple of years. I
have made it my mission to finish this quilt by the end of the year.
Dawn Heese
It’s hard for me to nail down my favorite thing I have
ever made because it changes all the time. If I had
to choose one thing, I would say my quilt Geese in the
Rose Garden because it was the first quilt I designed
completely myself and it was picked up by Kansas
City Star Quilts and published as a project book,
which moved me into the quilting industry as a
professional.
I will have a new line of fabric debuting January
2023 and I can’t wait to start sewing with it.
Right now, I’m finishing the projects for a book I
am coauthoring with Bonnie Sullivan for Quiltmania,
starting on the 2023 BOM for our membership, and
designing the patterns to go with the fabric line. It’s
never just one thing.
Carried Away
DESIGNS
Julia’s Owls
If you love owls, you will want to
create the newest monthly project
by Carried Away Designs!
Wool applique on wool
embellished with embroidery.
$35/month for 7 months, shipping
included. Sign up by purchasing the first
kit at carriedawaydesigns.net.
Heating-cooling pad
for aching joints
The season for giving will be here soon! If you are
like me, you love to make things for your special
friends and family.
A group of ladies I met as customers in our
Woolen Willow store are now my close friends.
Most of them came to almost every class or event
we held over the years. When we closed the
store, I was most sad about not being with them
anymore, so I invited them to come to my house
to stitch or rug hook with me every Wednesday.
We’ve been doing this as much as possible since
2016. I appreciate these ladies so much for their
friendship and their years of encouragement and
support. The couple years of COVID restrictions
were hard on us, as we couldn’t meet, and sadly
during that time two of them passed away. Since The next of the projects was a heating-cooling
then, it has still been hard for us to get together, pad for our aching joints. I cut ticking fabric
but we keep trying. into long rectangles, added free-motion cotton
Every year for Christmas I come up with fun appliqué, folded, and sewed up three sides. I filled
little gift projects for them. One year I hooked them with flax seeds and stitched the fourth side
little tiny 8" square rugs for them. I only have closed. You heat these in the microwave or cool
a photo of one of them, but I rounded up a few them in the freezer—they were quite a hit! I made
other things, with the promise to return them. them for all my ladies and my sisters that year,
One year I embroidered simple designs on and they keep telling me how much they still use
osnaburg fabric, then framed them in secondhand them.
frames I’d collected over the years from yard sales I also made custom-covered composition
and thrift shops—some of which needed a little notebooks using a simple pattern I’d designed for
TLC in the form of sanding and painting. Once my book, Primitive Style, and added a fun appliqué
framed, I covered the backs with wrapping paper. picture to each one.
JENI GASTON is one of the three founding sisters of Primitive Quilts and Projects. Her website is woolenwillowdesigns.com.
Jeni’s book, P
rimitive Style
Folk-Art Quil :
ts and Other
Limited qua Finery.
ntity availab
woolenwillo le at
wdesigns.co
m.
Small plac
emat with
wool appli
qué edgin
g
Go Digital
Summer 2020
Evelyn by
Lisa Burmann
Apple Newsstand
h
b e rly, K ev in and Jocelyn wit
Kim
rl o tt e a n d h er family at her
Cha
ish granting
Build-A-Bear w
Proj e ct s
Stitch Tips, Templates
appliqué You will notice the format of the templates varies from project to
project. The primitive style is all about personal expression and
individuality, and whenever possible, we have used the original hand-
tricks, and drawn artwork of our project designers to preserve its primitive charm.
The templates in the template insert do not include a seam
allowance. If doing fusible web appliqué, you may need to reverse any
more necessary pieces. Because felted wool does not fray, there is no need to
turn under the edges of the appliqué pieces.
General Guidelines
Before starting each project, keep these basics in mind:
• Yardage requirements are based on 43/44"-wide 100% cotton fabric
• Sew with a ¼" seam allowance unless otherwise noted
• Sew with right sides together unless otherwise noted
Corrections
No one is perfect. Although we tested and proofread the projects
multiple times, mistakes do happen. Before beginning a project, visit
primitivequiltsandprojects.com/corrections for any corrections.
Design Notes
Some of the fabric swatches used as text backdrops and page design
elements in this issue are by Moda Fabrics, Andover Fabrics and Marcus
Fabrics. The wool swatches were hand-dyed by Jeni Gaston.
Common Acronyms:
d like to thank WOF - Width of Fabric
ASSISTANCE We woul Blueprint for
at Marietta LOF - Length of Fabric
Jennifer and Sheila rns
ing and testing patte HST - Half Square Triangle
assisting us in enlarg em
rt. We have given th QST - Quarter Square Triangle
in our template inse they
r magazines so that
a complete set of ou y
e any of the necessar
can help you enlarg Results
templates.
act: Marietta Bluepr
int We believe the instructions for the projects are
For assistance, cont accurate. The projects have been proofread by our
arietta, OH 45750
309 Putnam St., LL, M technical editor. Because materials, equipment, and
.–5 p.m.
Monday–Friday 8 a.m
/fax) individuals vary, your results may differ slightly from
740-373-6312 (phone
ail.com what is shown for each project. We cannot guarantee
mariettablueprint@gm
results or assume liability for unexpected results.
special Stitches E F
C E
A
B D
A B B
D C
G C A
E
F
B
C
D
A AC
B
E DC BA
A B
Fern Stitch French Knot Lazy Daisy Stitch Running Stitch Stem Stitch
Heartspun Quilts
We got to visit with Pam Buda of Heartspun Quilts In 2004 Pam exhibited at her first Quilt Market.
recently. Heartspun Quilts is a design business In 2012 she created her first fabric collection for
Pam operates out of her home in suburban Marcus Brothers. Pam has designed for Marcus
Chicago. Like many of us, Pam sewed her whole ever since, and this is her 10-year anniversary. So
life and took home economics in high school. far, she has created 43 collections and 800 fabrics!
Hailing from the Prairie State (Illinois), Pam loves During a Quilt Market setup Pam fell off a
the simple prairie style. Pam’s designs are rooted ladder and fractured two vertebrae—but it was
in her love for early American history. She says the debut of her Circa 1889 Patch quilt. She spent a
she always has one foot in the 19th century and year creating it, and it’s comprised of 5,000 pieces.
one in the 21st. She’s fascinated by the ordinary There was no way she was going to go home
life of people in that time—the daily struggles and because of a couple fractured bones, so she stayed
challenges of a difficult life and their resilience at Quilt Market, using a scooter to get around the
and hopefulness. She feels blessed to take rest of the time.
creative license using prairie vintage themes in Her son Ryan is a firefighter and EMT. Once
her designs. his crew was called to a house with a gas leak.
In the 1990s Pam began making soft cloth dolls The woman living there noticed his name. “Are
and Santas, then started a business designing doll you related to Pam Buda?” “Yes, she’s my mom.”
patterns. At one point, she was asked to teach She was so excited she forgot about the leak and
a doll class at a big quilt shop. While there, she called her husband: “Pam Buda’s son is here!” she
became enamored with the quilts. She didn’t said and had her picture taken with him.
think she could ever make one, but she took a Pam can’t get over how lucky she is to be able
quilting class, fell in love with the art, and that to do what she loves—helping and inspiring
was the end of her doll making. people by creating fabric and quilts.
A couple of years later Pam designed three
quilts and submitted them to American Patchwork
check
and Quilting magazine. She thought it would be a Be sure to
website,
good sign if they accepted just one of her quilts— out Pam’s .
they accepted two and asked for more! That was a r ts p un q uilts.com
he a
really good sign.
Join patterns
1 here
Join patterns
4 here
Winter 2022
Join patterns
1 here
Permission is granted to photocopy
this page for personal use only
Join patterns
3 here
E F
C
Winter 2022
Join patterns
2 here
N
Join patterns L
3 here
K
002-T Red twinkle wool: 21/4" x 3"
7D 16D 6B 14
B B
15
16
7E E
6A 14
7A 16B A 007-GHB Purple herringbone wool: 11/2" x 33/4"
16
A 15
12 18
7B
10
4
A
19
2
019-Yellow gold wool: 2" x 3"
Winter 2022
9D
16 8F
17G
7
17F 17H 9F 9G
Folklorique
13 Kim Zenk and
3 Katie Hebblewhite
(Pages 14–19)
Page 1 of 5
006-V Green varigeted wool: 41/4" x 5" 003 Dark gold wool:
11/2" x 11/2"
17B 17C
8B 8C
9C
11 9B
1 Winter 2022
17
15
16C 14 6 7C
Winter 2022
A
S
S
S2
Transfer Stitching Key:
Complete all stitching using
green perle cotton.
S2
S= Stem stitch
Folklorique
Kim Zenk and
Katie Hebblewhite
(Pages 14–19)
Page 3 of 5
Join patterns
S2 Join patterns
1 here
2 here
A S
Winter 2022
Folklorique
Kim Zenk and S
Katie Hebblewhite
(Pages 14–19)
Permission is granted to photocopy
this page for personal use only Page 4 of 5
S
S2
S2
S2
S2
S2
S
Winter 2022
Folklorique
Kim Zenk and
Join patterns Katie Hebblewhite
2 here (Pages 14–19)
Page 5 of 5
S2
S2
C
Winter 2022
O
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A E
G
Jolly Holidays
N
Tracey Roberts
(Pages 20–25)
Page 1 of 5
I
F
J M K L
D
Winter 2022
Jolly Holidays
Tracey Roberts
(Pages 20–25)
Page 2 of 5
Pattern 1
Join
pattern 2
here
9" 11"
7"
J
Join K
pattern 4 here
Winter 2022
Jolly Holidays
Tracey Roberts
(Pages 20–25)
Page 3 of 5
Pattern 2
Join
pattern 1
here
Join
pattern 3
here
Winter 2022
Jolly Holidays
Tracey Roberts
(Pages 20–25)
Page 4 of 5
Join
pattern 2
here
D
A Pattern 3
14"
B
Winter 2022
Jolly Holidays
Tracey Roberts
(Pages 20–25)
Page 5 of 5
Join
pattern 1
here
I
C
H
N
A
F
G
Pattern 4
12"
E
B
Winter 2022
A
J
G
E
H
F
I B
M
Winter 2022
N
O
Page 1 of 2
Jill Shaulis
(Pages 30–34)
Country Christmas
Winter 2022
G
V
D
I
R
F
S T
W
X
U
Q BB
P
L
K
Q
E
P
S
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X
D
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Page 1 of 4
Erin Radke
(Pages 35–39)
Happy Owl-i-days
J
I
K
M
L
T
O
G
V
W
Winter 2022
N
U
Happy Owl-i-days
Erin Radke
(Pages 35–39)
Page 2 of 4
B
A
C
Winter 2022
Happy Owl-i-days
Erin Radke
(Pages 35–39)
Permission is granted to photocopy
this page for personal use only Page 3 of 4
A
E
D
L
O
H
N
G
C
Winter 2022
Happy Owl-i-days
Erin Radke
(Pages 35–39)
Page 4 of 4
Join patterns here
X
Q
P
S
W
T
L
R
U
Winter 2022
HOUSE 1
Winter 2022
HOUSE 2
N
E
O
C F P
H
J
Winter 2022
R S T U
M
W Y
X
BB
Z AA
CC
II
GG HH
DD
FF
LL
JJ KK
NN
EE
MM
Winter 2022
X
T Z
S
T LL LL W Q Y
R D CC
S P
LL LL BB II DD
JJ O V
R V AA
N
H M
GG HH
G B NN L
EE MM
KK GG K
F FF
Home for Christmas
Karen Yaffe
(Pages 46–50) KK J
E Page 3 of 3
A C
Winter 2022
AR
B
1R
1N
Join
patterns Permission is granted to photocopy
this page for personal use only
here
1A Yvonne & Phil’s Cottage
Lisa Burmann
(Pages 51–61)
Page 5 of 33
1P
Winter 2022
1S
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this page for personal use only
1W
1T
1U
1D
1V
1Y 1X
1E
1B
1H
1J
1I
1AA
1L
1M
1Z
1G
Page 7 of 33
1BB
Winter 2022
1Q 1R
1N
1Z
1F
1O
1M
1P
1K
1A 1AA 1I 1I 1J 1J
1H
1G
1L
1B
1D
1C 1W 1BB
1S
1U 1T
1V
1E
1Y 1X
2A
2H
2I
Join 2A
patterns here
Winter 2022
Join
2A 2 A pa
ttern
s here
2D
Winter 2022
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