Unit Iii
Unit Iii
Unit Iii
INTRODUCTION TO DANCE
Thought: Praise the Lord with harp: sing unto Him with psaltery
and an instrument of ten strings. Sing unto him a new song:
Play skillfully with a loud noise.
—Psalm 33:2-3
C. Course Content
INTRODUCTION
Dance, like language, is found in all human societies. Dance has power.
The universality of dance is easily explained. The human body itself is its
vehicle. All societies acknowledge its power and harness it according to their
fundamental values, aesthetic, and mores. People have danced their way
through history. In every ancient culture that has left records in words or
pictures, dance is an expression of religious worship. It is used to express
national and cultural identity, with a focus on clashes between societies. Dance is
an expression of cultural mores with a focus on gender-specific behavior. Dance
is a classic art. Dance is a medium of cultural fusion. Dance is the creation of
individual artist. Dance is the indicator of who we are today or where we are
going with the focus on electric media. Dance today is not simply cross-cultural
but pan-cultural and planetary.
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changes with everybody that dances, It changes with the time, the
country, even the weather. It does not have one history but many. (Jonas,
Grauer pp 9-11, 1992)
What is Dance?
5. Relieved stress.
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Types of dance and its definitions
1. Fad Dance- are also called dance crazes which are characterized by a
short burst of popularity.
Examples:
Renaissance Period- Minuet, allemande, schottische mazurka, waltz
1910-1920’s- Jitterbug, Charleston, meringue, samba, mambo
1940’s- jazz
1960’s- Bossa nova craze
1970’s- Mashed potato, twist, watusi
1980’s- Walk like an Egyptian
1990’s- Macarena
Note: Fad dance is spurred by modern communication like printed media, radio,
movies, television, and internet.
2. Novelty dance- a silly fun dance with a certain theme. This dance isfun
for the audience and the performers. This includes quirky and unusual
steps, or having unusual name.
Examples:
(1909) The GRIZZLY BEAR, (1958) The Ostrich, The Fly (1930-
1940’s) The Peabody, The Stroll, The Freddie
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(f) Horn Dance (England)
(g) Whirling Dervishes or Sufiwhirling (Turkey)
(h) Legong (Bali, Indonesia)
(i) Dunhuang Dance (China)- a danced influenced by Buddhism and
the images of Buddha; originated from the province of Gansu.
(j) Joget (Malaysia)- mostly performed during weddings, social and
official functions.
(k) Odori (Japan)- originated in the Edo period. Odori grew out of
kabuki drama and is more oriented toward male sentiments.
(l) Mai- traditionally performed in Japanese rooms instead of on the
stage. This was developed in the 17 th century Tokugawa period. It
is heavily influenced by the elegance and sophistication.
(m) Kuchipudi (India)-the most popular traditional dance form in south
India performed with a violin, flute and the tambura instruments.
Traditional dance
Examples:
(a) Pandanggo sa Ilaw (Philippines) - derived from the Spanish word”
fandango”, this dance is designed to show off the grace, balance,
and dexterity of the performers.
(b) La Jota (Spain)- a Spanish folk dance originating in Aragon in the
north of Spain.
(c) Tarantella (Italy)- a dance for women only. A couple dance telling a
story of love in a mime.
(d) Clogging (USA)- originated from square dance in Asheville,
North Carolina’s mountain dance and folk festival (1928),
organized by Bascom Lamar Lunsford in the Appalachian region.
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(e) Milonga (Argentina)- the root of this dance go deep into the
Argentinean folklore. It is a dance which could be said to be a
variation of the Tango. Today, it is everywhere in the country- from
club to streets.
(f) Gumboot Dance (South Africa) - is the dance that is performed by
dancers wearing Wellingtons (a type of boot). This dance was
originated from the black miners and was their form of
entertainment. This is a highly energetic type of dance.
(g) Halay (Turkey)- is a folk dance coming from Turkey’s Eastern,
South-Eastern and central Anatolia regions. It is extremely popular
and engaging dance of the country which is accompanied by
equally rich music and instruments.
(h) Baladi (Egypt)- it is a form of belly dancing. Baladi is typically a
style that evolved from the tribal areas of the country. It has a
certain mystical and romantic allure. This is very popular in Egypt.
(i) Garba (India)- it is a Gujarati folk dance which is performed
predominantly during festival of Navaratri.
(j) Casino (Cuba)- it is part of the Cuban’s tradition and social life.
Casino is the Cuban style salsa which has actually achieved great
popularity in many pockets of the world. The grooves, the steps
and the music make this an entertaining dance.
(k) Samba (Brazil)- It is a fun dance and is highly appreciated all
around the world. There are different variations of samba basedon
regions but the basic steps are similar.
B. Ethnic and Tribal Dance - any dance form which can be identified
as originating with an ethnic culture and expressing the
movement aesthetics of that culture. It would cover all ethnic
cultures, whether European, American, African, Polynesian, Asian, and
Middle Eastern.
Examples:
(a) Dugso (Bukidnon, Philippines)- a ritual dance
(b) Talip (Ifugao, Philippines)- a courtship dance
Examples:
Charleston (1920’s)
Waltz (1960) - ballroom dancing has been a passion in Vienna for over
two hundred years. At the annual Viennese opera ball, the opera
house fills with come 6,000 party goers, at the 1960 ball, waltzers
take the floor.
Samba (1935) - the samba schools were recognized as official carnival
organization whatever the beat, the music and dance of Brazilian
carnival blend African and European elements in a powerful
cultural synthesis that virtually defines Brazilian identity.
Other Dances:
Salsa Paso Doble Foxtrot Cha Cha
Tango Rumba Jive Quick Step
Samba Swing
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Fresh dance styles came from the streets and clubs of the U.S., inspired
by disco, funk, and hip-hop music.
(b) Modern Dance- the highest form of dance for the purpose of
entertainment.
It is the end product of movement exploration and improvisation as a
dancer or choreographer expresses his/her feelings, ideas and
interpretation.
(c) Contemporary Dance- (not traditional), a contemporary interpretation
of steps and designs of folk melodies and rhythm.
(e) Creative Dance- it is a form of dance that provides the dancers for
personal expressions. This is to communicate through movement and
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the dancer draws on their own inner resources to create and
express through their own unique movement. It aims to
continually expand and extend movement range by drawing
inspiration from a range of external stimuli including music, props,
emotions, etc.
e.g. “Wings of Love”- performed by a pair (Jan. 24, 2016 PGT
ABS-CBN)