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León Gallery: Online Auction Edition 16

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León Gallery

FINE ART & ANTIQUES

ONLINE AUCTION EDITION 16


18 - 19 JULY 2020 | 11:00 AM
www.leonexchange.com
Marcel Antonio (b. 1965)
The Phlegmatic Life
León Gallery
FINE ART & ANTIQUES

AUCTION
Saturday and Sunday
JULY 18 - 19, 2020
11:00 AM

VENUE
Warehouse 14, La Fuerza Compound
Don Chino Roces Avenue, Makati City
Metro Manila, Philippines

CONTACT
info@leon-gallery.com
+632 8856 2781

Register and Bid at:


www.leonexchange.com

A Settee
narra
DAY 1 - THE COLLECTOR’S VAULT | v
vii
About the Curator

1 - 115
The Collector’s Vault
Lots 1 - 600

116 - 243
The Heiress’ Homes and Tables
Lots 601 - 1323

247
Terms and Conditions

250
Registration Form

Jean-Marie Massaud (b. 1966)


Poliform Chaise Lounge Wallace Armchair
A Spirited Mix-and-Match

León Gallery is passionately active in handling personal and private


consignments from old families and seasoned collectors, guiding them
in every step of the way. As the Philippines’ trusted gallery and auction
house, best efforts are consciously made in the process of acquiring
and curating significant pieces from both old Filipino masters and
contemporary artists—prominent in the country and abroad—to ensure
authentication and documentation of works of high provenance.

Along with historically important and museum-quality heirloom and


estate pieces, from antique furniture to exquisite jewelry and orientalia,
the meticulous curation of these masterpieces in every official auction
catalog adds life to each sold piece to be prized and valued again by
new custodians. León Gallery consults only the most expert curators and
historians in Philippine art and antiques as well as artists and designers.

Joel Malixi, MD
Curator For the León Gallery 16th Online Auction, we have medical practitioner
and design consultant Joel Malixi on board. Beyond his dedication to the
medical field, his passion for collecting antiques and his eye for the finest
objet d’art is indisputable. His wide knowledge on these sought-after
items, reflected in this exciting collection, is enriched by his antique-
hunting adventures in the antique shops of Mabini.

Dr. Malixi is also the co-administrator of Philippine Heritage Furniture,


the widely known Facebook page where one can find and participate in
engaging discourses on local antiques and heritage furniture aged one-
hundred years or older. He moderates discussions not just on elegant
Philippine furniture pieces but also on other art-related topics.

Influenced by the revered Filipino abstractionist Jose Joya, he started


immersing himself in the art world when he was only a medical school
student. The complexities of fine arts complemented his continuous
search for knowledge and pursuance of brilliant ideas. When he was
already a practicing physician, his collector friends led him in becoming
an antique enthusiast and avid collector.

How artworks and antiques add color to everyday life is what Dr. Malixi
strives to show to all kinds of clients. With an innovative approach and a
merry spirit, he has cultivated an eclectic style in each on-point mix-and-
match design selection and has become a celebrated tastemaker in his
field of expertise.
León Gallery
FINE ART & ANTIQUES

DIRECTOR
Jaime L. Ponce de Leon

CURATOR AND CONSULTANT


Joel Malixi, MD

MANAGEMENT AND INVENTORY


Jane Daria
Aliana Jannie Bricenio
Richelle Custodio
Reneliza de Taza
Magdalina Juntilla
Reymar Jurado
Geller Nabong
Nyza Mae Neri
Aleza Nevarez
Rouel T. Sanchez
Celina Sta. Ana
Louise Sarmiento
Joanna Tamayo

WRITERS
Jed Nathan Daya
Andrea D. Lim

GRAPHIC ARTS
Joe Mari Barbacena
Aldrene Harold Carillo
Patricia Louisse E. Dato
Edwin Hurry Jr.

GALLERY SUPPORT TEAM


Nestorio Capino, Jr.
Ramil Flores
Robert Gotinga
Jayson Lopez
Wilfredo Manalang
Janus Menguito
Julius Menguito
Generoso Olaco
Myla Oribiana
Manuel Sintos
Allan Jules Torrion
Timothy Viray

Published by León Gallery


G/F Eurovilla 1, Rufino corner Legazpi Streets, Legazpi Village, Makati City
Metro Manila, Philippines

Warehouse 14, La Fuerza Compound, 2241 Don Chino Roces Avenue,


Makati, City, Metro Manila, Philippines

This catalogue is published to accompany the auction


by León Gallery entitled

LEONEXCHANGE ONLINE AUCTION EDITION 16

All rights reserved. No part of this catalogue may be reproduced or


re-printed without the express written consent of León Gallery.

While all reasonable efforts have been made to ensure accuracy of details in this publication,
Leon Gallery does not, under any circumstances, accept full responsibility for errors,
omissions and representations expressed or implied. Details of items are for reference only.
It is the due diligence of the consignor / buyer to check all details pertaining to the item.

©2020 León Gallery Fine Arts & Antiques www.leonexchange.com

viii | DAY 1 - THE COLLECTOR’S VAULT


D AY 1

THE
COLLECTOR’S
VAULT
Artworks, Prints, Jewelry, and Watches

SAT U R D AY, J U LY 1 8 , 2 0 2 0 | 1 1 : 0 0 A M
León Gallery
FINE ART & ANTIQUES

1 2 3
Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017)
Fire Untitled Kosme the Cop
signed (lower right) signed (lower right) signed (lower left)
ink on paper ink on paper ink on paper
16” x 13” (41 cm x 33 cm) 16” x 10” (41 cm x 25 cm) 9” x 11” (23 cm x 28 cm)

P 18,000 P 18,000 P 14,000

This piece is accompanied by a certificate issued by Mr. Soler


Santos confirming the authenticity of this lot

4 5 6
Manuel Baldemor (b. 1947) Mauro Malang Santos (1928 - 2017) R.M. De Leon (b. 1960)
Sixty Nine’s Hangover Malang’s Menagerie, Stage Show Enmeshed II
signed (lower right) signed (lower right) signed and dated 1982 (lower right)
pen and ink pen and ink monoprint
15” x 12” (38 cm x 30 cm) 15” x 12” (38 cm x 30 cm) 24” x 18” (61 cm x 46 cm)

P 10,000 P 18,000 P 5,000

7
a) Unidentified Artist
Untitled
signed (lower right)
collagraph
6 1/2” x 5” (17 cm x 13 cm)

b) Manuel Rodriguez Sr. (1912 - 2017)


Untitled
signed (bottom)
etching
6 1/2” x 5” (17 cm x 13 cm)

P 3,000

2 | DAY 1 - THE COLLECTOR’S VAULT


8
Pablo Picasso (1881 - 1973)
Special Reissued Edition to Commemorate
the 80th Anniversary of the Eiffel Tower
signed and dated 1969 (lower right)
offset lithographs
10” x 8” (25 cm x 20 cm) each

P 25,000
9
Pablo Picasso (1881 - 1973)
Age de Soleil
dated 1950
etching on wave paper
9 1/2” x 7 1/2” (24 cm x 19 cm)
This piece is accompanied by a certificate
confirming the authenticity of this lot

P 18,000

10 11
Fernando Zobel (1924 - 1984) Fernando Zobel (1924 - 1984)
Untitled Untitled
signed (left) signed (lower right)
print etching, 11/50
15” x 13” (38 cm x 33 cm) 9” x 11” (23 cm x 28 cm)

P 10,000 P 18,000

One cannot examine modern art in the Philippines without


crossing paths with Zobel, whose art not only helped
shape modernism in the country but also impacted a whole
generation of artists. As an artist, Zobel’s style fluctuated
between his more figurative style that pervaded the 1950s,
to his abstract expressionist works that began in the 1960s.
His artistic development served as an inspiration for other
Modernists to continue to break boundaries through rigorous
creative experimentation.

12
Fernando Zobel (1924 - 1984)
Carroza
signed (lower right)
serigraph, 88/290
20” x 14” (51 cm x 36 cm)

P 20,000

DAY 1 - THE COLLECTOR’S VAULT | 3


León Gallery
FINE ART & ANTIQUES

13 14 15
Justin Nuyda (b. 1944) Anita Magsaysay-Ho (1914 - 2012) Efren Zaragoza (1940 - 1989)
Search Mindscape II Three Women Forms V
signed and dated 2019 (lower right) signed and dated 1995 (lower right) signed and dated 1979 (lower right)
giclee print, 12/50 offset print, 161/400 tempera on paper
13” x 1 9” (33 cm x 48 cm) 19 1/2” x 22” (50 cm x 56 cm) 13” x 15” (33 cm x 38 cm)

P 10,000 P 15,000 P 10,000

This piece is accompanied by a certificate issued by


Galerie Stephanie confirming the authenticity of this lot

16
Jorge Pineda (1879 - 1946)
Vices
signed (lower right)
pen and ink on paper
8 1/2” x 7 1/2” (22 cm x 19 cm)

P 15,000

17
Manuel Rodriguez Sr. (1912 - 2017)
Rooster
signed and dated 1960 (lower right)
etching, A/P
20” x 11” (51 cm x 28 cm)

P 10,000

18 19 20
Manuel Rodriguez Sr. (1912 - 2017) Manuel Baldemor (b. 1947) Lizanne Uychaco (b. 1955)
Quiapo Church Taguan Untitled
signed (lower right) signed and dated 1973 (lower left) signed and dated 2012 (lower right)
engraving serigraph, A/P etching and chine colle
5” x 7” (13 cm x 18 cm) 9 1/2” x 12 1/2” (24 cm x 32 cm) print size: 9” x 12” (23 cm x 30 cm)

P 5,000 P 5,000 P 3,000

4 | DAY 1 - THE COLLECTOR’S VAULT


21
Carlos V. Francisco (1912 - 1969)
Bernardo Carpio
signed (bottom)
watercolor on paper
14” x 9” (36 cm x 23 cm)

P 60,000

Legend has it in Philippine mythology that Bernardo Carpio is


the cause of earthquakes. There are many versions of the tale on
Bernardo Carpio, from the stories and long narrative poem—said
to be written by Huseng Sisiw or Jose dela Cruz—to the movie
and play. He is said to be handsome and have extraordinary
bravery and strength, to the envy of the creature in the forest
who plotted a plan on how to dethrone him from fame.
National Artist Carlos “Botong” Francisco depicted this character
through his drawings and illustrations, published in This Week
Magazine together with the story translated by B.S. Medina Jr.
The Tikabalang, on the other hand, is a testament of how drawn
Botong is to anything Filipino, of his nationalism.

22
Carlos V. Francisco (1912 - 1969)
Tikbalang
signed (bottom)
ca. 1950
watercolor on paper
11” x 16” (28 cm x 41 cm)

P 70,000

Leon Gallery wishes to thank Mr. Salvador Juban for


confirming the authenticity of this lot

23 24 25
Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017)
Sampaguita Vendor Untitled Untitled
signed (lower right) signed (lower right) signed (lower right)
serigraph, 43/249 serigraph, 83/188 serigraph, 29/187
10 1/2” x 11 1/2” (27 cm x 29 cm) 19” x 13” (48 cm x 33 cm) 13 1/2” x 12 1/2” (34 cm x 32 cm)

P 10,000 P 15,000 P 12,000

DAY 1 - THE COLLECTOR’S VAULT | 5


León Gallery
FINE ART & ANTIQUES

The great Fernando Amorsolo is widely celebrated mostly for his idealized paintings of idyllic settings and scenes,
but he is more than just a painter. A versatile artist, the National Artist was also a comics illustrator during the
early days of his artistic career. He was the one behind the hilarious illustrations in the Kiko and Angge comic
strip, written by Tagalog novelist Iñigo Ed Regalado and published in the weekly news magazine Telembang that
circulated from 1922 to 1924. The first regular comic strip in the Philippines, it delved on socio-political issues
during the 1920s. Amorsolo’s illustrations are highly satirical, in contrast with his romantic paintings, showing
another less-known yet noteworthy side of this master artist.

26 27
Fernando Amorsolo (1892 - 1972) Fernando Amorsolo (1892 - 1972)
Untitled Unattentive Student in a Classroom
signed (lower right) signed (lower right)
ink on paper ink on paper
14 1/4” x 10 5/8” (36 cm x 27 cm) 14 1/4” x 10 3/4” (36 cm x 27 cm)

P 70,000 P 70,000

This piece is accompanied by a certificate issued by Mrs. This piece is accompanied by a certificate issued by Mrs.
Sylvia Amorsolo-Lazo confirming the authenticity of Sylvia Amorsolo-Lazo confirming the authenticity of
this lot this lot

28 29 30
Mario Parial (1944 - 2013) Hernando (Madrid) Jose Joya (1931 - 1995)
Industrial Landscape 2 Las Islas Filipinas Mother and Child
signed and dated 1996 (lower right) First Comic edited, 1885, offset signed and dated 1992 (lower right)
monoprint lithograph print offset print, 11/300
12” x 8” (30 cm x 20 cm) 17” x 12” (43 cm x 30 cm) 21” x 14” (53 cm x 36 cm)

P 5,000 P 5,000 P 10,000

6 | DAY 1 - THE COLLECTOR’S VAULT


31 32 33
Mauro Malang Santos (1928 - 2017) Carlo Magno (b. 1960) Roger Fulgado (b. 1962)
Sampaguita Vendor Chasing Butterfly Lucky Koi
signed and dated 1971 (lower right) signed and dated 2001 (lower right) signed and dated 2015 (lower right)
serigraph, 217/249 oil on canvas oil on canvas
9 1/4” x 10 3/4” (23 cm x 27 cm) 30” x 40” (76 cm x 102 cm) 24” x 36” (61 cm x 91 cm)

P 15,000 P 30,000 P 10,000

This piece is accompanied by a certificate issued by


Artprints Philippines confirming the authenticity of this lot

34 35 36
Cesar Legaspi (1917 - 1994) Danilo Dalena (b. 1942) Carlos V. Francisco (1912 - 1969)
Abstract Forms Untitled (Woman) Harana
signed and dated 1974 (lower left) signed and dated 1980 (lower right) signed (lower right)
pen and ink etching serigraph, 205/250
7” x 9 1/2” (18 cm x 24 cm) 10” x 8 1/2” (25 cm x 22 cm) 10” x 11 1/2” (25 cm x 29 cm)

P 15,000 P 12,000 P 12,000

37 38 39
Dominic Rubio (b. 1970) Romulo Olazo (1934 - 2015) Vicente Manansala (1910 - 1981)
Rotarians Diaphanous # 689 Fish Vendors
signed (lower right) signed and dated 2009 signed (lower right)
giclee print, 22/100 (lower right with seal) serigraph, 162/226
15” x 20” (38 cm x 51 cm) digital print, 55/65 13 1/2” x 14” (34 cm x 36 cm)
13” x 17” (33 cm x 43 cm)
P 10,000 P 10,000
P 15,000
This piece is accompanied by a certificate from Galerie
Joaquin confirming the authenticity of this lot DAY 1 - THE COLLECTOR’S VAULT | 7
León Gallery
FINE ART & ANTIQUES

LYDIA VELASCO
Women of Substance

40
Lydia Velasco (b. 1942)
Nimfa
signed and dated 2003 (left)
acrylic on canvas
24” x 24” (61 cm x 61 cm)

P 90,000

This piece is accompanied by a certificate confirming the


authenticity of this lot

I n an interview, Lydia Velasco said: “I paint what I


know best—a woman of substance.” She focuses on
women as a subject matter, asserting their confidence and
resilience, also stemming from her personal experiences
in male-dominated environments. Velasco finished her
fine arts (major in Advertising) degree at the University
of Sto. Tomas and worked under Cesar Legaspi and H.R.
Ocampo. Even during this time, she’s already inclined
toward women figures. Velasco’s women have expressive
eyes, arresting facial features, mysterious gazes, and
body structures that reveal both grace and strength of a
woman. Strong is the perfect word to describe the distinct
aesthetic of her women subjects, depicted in such a way
one gets to see their deep understanding of personal
experiences, sensuality, strength of character, and worth. 41
Lydia Velasco (b. 1942)
It is her alternative perspective on womanhood that makes
Mother and Child
her works intriguing. Her choice of color and captivating signed and dated 2009 (left)
oil and acrylic on canvas
backdrops are also what makes her works unique and
24” x 24” (61 cm x 61 cm)
sought after by collectors.
P 90,000

8 | DAY 1 - THE COLLECTOR’S VAULT


42
Lee Aguinaldo (1933 - 2007)
Jazz Musicians
signed (lower left)
pen and ink on paper
12” x 8” (30 cm x 20 cm)

P 20,000 43
Jose Joya (1931 - 1995)
This piece is accompanied by a certificate issued Hong Chao, People’s Commune
by Gallery Big confirming the authenticity of
this lot signed and dated 1992 (lower left)
watercolor on paper
9” x 13” (23 cm x 33 cm)

P 30,000
This piece is accompanied by a certificate issued by Mr.
Alexander Joya Baldovino confirming the authenticity
of this lot

44 45 46
Araceli Limcaco-Dans (b. 1929) Alfredo Carmelo (1896 - 1985) Abe Lucas (b. 1953)
Flower Orchids Schooner Landscape
signed and dated 1981 (lower left) signed and dated 1951 (lower right) signed and dated 1998 (lower right)
watercolor watercolor on paper oil on canvas
7” x 12” (18 cm x 30 cm) 10” x 15” (25 cm x 38 cm) 13” x 16” (33 cm x 41 cm)

P 30,000 P 15,000 P 5,000

47 48 49
F. Rongier Sherwin Paul Gonzales (b. 1973) Ramon Doplon (b. 1953)
After Pierre-Auguste Cot’s ‘The Storm’ Untitled (Dance) Nipa Hut Series
signed (lower right) signed (bottom) signed and dated 2000 (lower left)
oil on canvas mixed media on canvas acrylic on canvas
41” x 30” (104 cm x 76 cm) 36” x 28” (91 cm x 71 cm) 32” x 48” (81 cm x 122 cm)

P 5,000 P 15,000 P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 9


León Gallery
FINE ART & ANTIQUES

50
Jaime Roque (b. 1947)
Abstract
signed and dated 2001 (lower left)
mixed media
24” x 24” (61 cm x 61 cm) each

P 15,000

51
Alfred Galvez (b. 1969)
Landscape
signed and dated 2006 (right)
oil on canvas
84” x 48” (213 cm x 122 cm)

P 20,000

52
Ivan Acuña (b. 1968)
Abstract (Diptych)
signed and dated 2005 (lower right)
acrylic on canvas
54” x 108” (137 cm x 274 cm)

P 120,000

53 54 55
Jose Blanco (b. 1932) Raul Isidro (b. 1943) Pancho Piano (b. 1954)
Tindera Whirling Wind Abstract
signed and dated 1976 (lower right) signed and dated 2011 (lower right) signed and dated 2016 (lower right)
oil on canvas acrylic on paper acrylic on canvas
24” x 20” (61 cm x 51 cm) 18 1/2” x 14 1/2” (47 cm x 37 cm) 19” x 14 1/2” (48 cm x 37 cm)

P 60,000 P 20,000 P 15,000


10 | DAY 1 - THE COLLECTOR’S VAULT
56 57 58
German Icarangal (1914 - 1984) Romulo Olazo (1934 - 2015) Miguel Galvez (1912 - 1989)
Untitled Diaphanous - Anthuriums Nipa Hut
signed (lower left) signed and dated 2010 (bottom) signed and dated 1964 (lower right)
oil on canvas pastel on paper watercolor on paper
12” x 17” (30 cm x 43 cm) 12” x 19” (30 cm x 48 cm) 11 1/2” x 17” (29 cm x 43 cm)

P 20,000 P 20,000 P 15,000

This piece is accompanied by a certificate signed by the artist


confirming the authenticity of this lot

59
Victorio Edades (1895 - 1985)
Portrait
signed and dated 1980 (lower right)
charcoal on paper
25” x 18 1/2” (64 cm x 47 cm)

P 70,000

Victorio Edades’ portraits are significant parts of his oeuvre, as these


reveal his modernist approach to portraiture. Far from the traditional
Amorsolo portraits with idealized, flawless, and regal subjects, Edades
created portrait sketches and paintings that challenged the romantic
depictions of the Amorsolo School.

Imitation and faithfulness to exact human features are not the main
emphasis in his works but the medium’s materiality. Edades also focused
on portraying the simple everyday folk with proportions that resist
classical composition and measure. It is the subject’s presence that gets
strongly sensed by the viewer upon encountering his works.

60 61
Francisco Ellio Wig Tysmans (b. 1956)
Nipa Huts, Cavite Calla Lilies and Gold Fish
signed (lower left) signed and dated 2013 (lower left)
watercolor on paper photograph
15” x 22” (38 cm x 56 cm) 8” x 15” (20 cm x 38 cm)

P 20,000 P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 11


León Gallery
FINE ART & ANTIQUES

62
Roman Faustino (1877 - 1960)
Pandanggo sa Ilaw
signed (lower right)
oil on canvas
18” x 24” (46 cm x 61 cm)

P 50,000

Roman Faustino was a prominent Caviteño painter, Agapito Conchu—a teacher, musician, photographer,
Philippine Revolution veteran, and a mason. Faustino painter, and printer who became one of Cavite’s
finished his secondary education under Fr. Zamora, Thirteen Martyrs. Faustino’s notable works include
the dean of the Manila Cathedral during his time, and historical paintings and scenes from Rizal’s novels.
enrolled in the School of Fine Arts and Trade in Manila. In During the late twenties, his paintings were exhibited
the Estudio de Arts of the great Juan Luna, he mastered in the annual Philippine Carnival in Manila. He also
his painting style and technique that showcase a distinct painted a mural in the Porta Vaga Church in San
glow on his subjects. He also worked in the studio of Roque, Cavite.

63 64
Quartane Mouile Edgar Doctor (b. 1941)
Tenzin Gyatso XIV Dalai Lama - Afire Seen From Afar Planting Rice
signed and dated 2010 (verso) signed and dated 2000 (lower right)
mixed media watercolor
16” x 31 1/2” (41 cm x 80 cm) 13” x 20” (33 cm x 51 cm)

P 5,000 P 10,000

65 66
Antonio Calma (b. 1954) Vincent Ramos (b. 1950)
Landscape Landscape
signed (lower right) signed and dated 2011 (lower left)
oil on canvas oil on canvas
24” x 36” (61 cm x 91 cm) each 31” x 47” (79 cm x 119 cm)

P 15,000 P 15,000
12 | DAY 1 - THE COLLECTOR’S VAULT
67 68 69
Randy Solon (b. 1971) Gonzalo L. Banzil (b. 1949) Hermes Alegre (b. 1968)
Adams Unicorn Nudes
dated 2013 signed and dated 2015 (lower right) signed and dated 2014 (upper right)
oil on canvas acrylic on canvas mixed media
48” x 36” (122 cm x 91 cm) 39” x 30” (99 cm x 76 cm) 27” x 21” (69 cm x 53 cm)

P 15,000 P 15,000 P 15,000


This piece is accompanied by a certificate signed by the artist
confirming the authenticity of this lot

70
Rey Velasquez
Last Supper
signed and dated 1969 (lower left)
oil on canvas
36” x 39 1/2” (90 cm x 100 cm)

P 15,000

71
Leonardo Cruz (1932 - 2012)
Visitation of the Magi
signed and dated 1984 (lower right)
oil on canvas
29” x 24” (74 cm x 61 cm)

P 15,000

72 73 74
Ricardo B. Enriquez (b. 1920) Unidentified Artist Elias Laxa (1904 - 1990)
Seascape Not to Touch the Earth Brook Scene
signed and dated 1962 (lower right) mixed media signed and dated 1967 (lower right)
oil on canvas 21” x 26” (53 cm x 66 cm) oil on canvas
22” x 28” (56 cm x 71 cm) 11” x 14” (28 cm x 36 cm)
P 5,000
P 15,000 P 15,000
Provenance: Luz Gallery
This piece is accompanied by a certificate signed by Mr.
Leonardo Laxa confirming the authenticity of this lot

DAY 1 - THE COLLECTOR’S VAULT | 13


León Gallery
FINE ART & ANTIQUES

NORMA BELLEZA
A Signature Folk-Style Coloration

75
Norma Belleza (b. 1939)
Gold Fish Vendor
C elebrated woman artist Norma Belleza’s works are feasts to the eyes, accessible
and abundant in patterns. Her earlier works have darker, somber colors, and
later on, she utilizes a brighter palette. Either way, her techniques exude vibrancy
signed and dated 1986 (upper left)
oil on canvas that uplifts the viewer. The native features of her subjects are also notably distinct;
30” x 42” (76 cm x 107 cm)
her figures appear resilient in everyday survival. As local scenes are colorfully
P 100,000 depicted, the subjects—often peasants, women vendors, and potters, among other
common folk doing rural activities—show inner strength and joy.

These featured paintings are examples of Belleza’s works that showcase a vendor
scene with the archetypal local features. The patterns add more character, also her
signature color technique used which is something Belleza is usually known for.
Here, one sees her folk sensibilities and artistic efforts to depict Filipino women
through stylized figurations.

Belleza graduated with a bachelor’s degree in fine arts at the University of


Santo Tomas in 1962. Her works are exhibited and featured in many art books,
magazines, and journals. A recipient of the Araw ng Maynila Award for Painting,
also representing the Philippines in the first ASEAN Symposium on Aesthetics
Workshop and Exhibition, Belleza is included in Thelma Kintanar and Sylvia
Mendez Ventura’s book, Self-Portraits: Twelve Filipino Artists Speak.

14 | DAY 1 - THE COLLECTOR’S VAULT


76
Norma Belleza (b. 1939)
Fruit Vendor
signed and dated 1988 (upper right)
oil on canvas
24” x 30” (61 cm x 76 cm)

P 80,000

77
Norma Belleza (b. 1939)
Flower Vendor
signed and dated 1995 (bottom)
oil on canvas
24” x 30” (61 cm x 76 cm)

P 80,000

78
Norma Belleza (b. 1939)
Pamilya
signed and dated 2016 (upper right)
oil on canvas
32” x 37” (81 cm x 94 cm)

P 100,000

DAY 1 - THE COLLECTOR’S VAULT | 15


León Gallery
FINE ART & ANTIQUES

79
Carlo Magno (b. 1960)
Untitled (Forest)
signed and dated 2011 (lower left)
acrylic on canvas
96” x 48” (244 cm x 122 cm) 80
J.D. Castro (1908 - 1994)
P 60,000 Still Life (Violin)
signed and dated 1964 (lower left)
oil on canvas
21” x 26 1/2” (53 cm x 67 cm)

P 12,000

81 82 83
Noel Bautista (b. 1969) Manuel Baldemor (b. 1947) Demetrio Dela Cruz (b. 1971)
Koi Pond Magkakapit Bahay Clever Bees Don’t Sip from Withered Flowers
signed (bottom) signed and dated 1972 (lower right) signed and dated 2016 (lower right)
acrylic on glass serigraph, A/P mixed media
D: 10” (25 cm) 16 1/2” x 12 1/2” (42 cm x 32 cm) 36” x 26” x 6” (86 cm x 67 cm x 15 cm)

P 5,000 P 5,000 P 10,000

84 85 86
Yani Unsana Santiago Bose (1949 - 2002) Jeona Zoleta
Older and Wiser Untitled Son of a Bitch
signed and dated 2013 (lower right) signed and dated 1996 (lower right) oil on canvas
oil on canvas mixed media 13” x 9 1/2” (33 cm x 24 cm)
24” x 17 1/2” (61 cm x 44 cm) 26 1/2” x 20 1/2” (67 cm x 52 cm)
P 12,000
P 8,000 P 12,000
16 | DAY 1 - THE COLLECTOR’S VAULT
87 88 89
Alfredo Liongoren (b. 1944) Stephen Taneo Dan Talbo
Orchids Untitled Landscape
signed and dated 1998 (bottom) signed and dated 2017 (top) signed and dated 1980 (lower right)
watercolor on paper mixed media acrylic on canvas
18” x 14” (46 cm x 36 cm) 41” x 36” (104 cm x 91 cm) 36” x 36” (91 cm x 91 cm)

P 8,000 P 8,000 P 8,000

90
Romeo Tabuena (1921 - 2015)
a) Mother and Child
signed and dated 1960 (right)
pen on paper
8 1/2” x 6 1/2” (22 cm x 17 cm)

b) Mother and Child


signed and dated 1960 (left)
pen on paper
8 1/2” x 6 1/2” (22 cm x 17 cm)

P 20,000

As one of the figureheads of Filipino Cubism, Romeo Tabuena elevated ordinary scenes to symphonic heights, largely due to
repeating forms and patterns that are central to his composition. In these modest yet striking pen on paper depictions of a
mother and child, one can clearly see his signature use of Cubism to a degree of utmost mastery. Each line, form, shape, and
figure is delicately rendered with Tabuena’s meticulous eye for detail wherein no aspect of the piece is without use nor place.

91
Hernando R. Ocampo (1911 - 1978)
Abstract Forms
signed and dated 1973 (bottom)
pen and ink
11” x 8” (28 cm x 20 cm) each

P 35,000

DAY 1 - THE COLLECTOR’S VAULT | 17


León Gallery
FINE ART & ANTIQUES

92
Lino Severino (b. 1932)
Bahay na Bato
signed and dated 1982 (lower right)
oil on canvas
31” x 47” (79 cm x 119 cm)

P 80,000

93
Lino Severino (b. 1932)
Church Belltower
signed and dated 1975
(lower right)
mixed media
33” x 23” (84 cm x 58 cm)

P 30,000

Pilot-turned-artist Lino Severino’s best and most-known


works are his detailed depictions of old stone structures
in the province, from Ilocos Norte and Vigan to Iloilo,
nostalgic interpretations in their former glory. He was also
able to capture the nostalgia of grand ancestral homes in
Silay, Negros Occidental, which is dubbed as the “Paris of
Negros” and where he was born.

The power of memory is at work in his pieces, all


rendered in close detail, bringing stone and wood
features back to life with the knowledge on the
ephemeral nature of what surrounds us. His works also
serve as reminders to the viewers to appreciate the rich
beauty of our present architectural wonders before these
become part of history.

94 95 96
Von Valino Jimmy Bates (b. 1960) Rico Bastasa
Art Show Ancestral House The Parisian Life
signed and dated 2003 (lower right) signed and dated 1983 (lower right) signed and dated 2019 (lower right)
acrylic on canvas pen and ink mixed media
36” x 36” (91 cm x 91 cm) 20” x 16” (51 cm x 41 cm) 21” x 30” (53 cm x 76 cm)

P 10,000 P 5,000 P 10,000

18 | DAY 1 - THE COLLECTOR’S VAULT


97 98
Daryl Javier Roland Santos
a) Confused Abstract
b) Pink signed and dated 2015 (lower right)
signed and dated 2018 (lower left) acrylic on canvas
oil on canvas 12” x 16” (30 cm x 41 cm)
24” x 18” (61 cm x 46 cm) each
P 10,000
P 10,000

99 100 101
Romeo Lee (b. 1958) Monnar Baldemor (b. 1970) Romeo Lee (b. 1958)
Big Chic Red Watermelon Busog
signed and dated 2015 (lower right) signed and dated 2013 (lower right) signed and dated 2018 (lower right)
oil on canvas acrylic on canvas oil on canvas
28” x 22” (71 cm x 56 cm) 11 1/2” x 9” (29 cm x 23 cm) 48” x 48” (61 cm x 61 cm)

P 8,000 P 5,000 P 15,000

102 103
Benedict Abigan (b. 1972) Winston Hernandez (b. 1966)
One and Two Old Quiapo Church
signed (lower right) signed (lower left)
mixed media oil on canvas
24” x 24 (61 cm x 61 cm) each 24” x 24” (61 cm x 61 cm)

P 14,000 P 10,000
DAY 1 - THE COLLECTOR’S VAULT | 19
León Gallery
FINE ART & ANTIQUES

GALO B. OCAMPO
Capturing the Indigenous Spirit

104
Galo B. Ocampo (1913 - 1985)
Mindanao Dance
signed (lower right)
watercolor on paper
18” x 14 1/2” (46 cm x 37 cm)

P 50,000

M odernist artist Galo B. Ocampo’s knowledge on history


is described as encyclopedic in expanse. His works are
significant contributions to national heritage. Ocampo’s behind
Mindanao Dance showcases his Cubist and muralist
techniques as he renders a celebrated traditional dance.
Ocampo is known to render Igorot and Moro dancers, and
the design of the coat of arms and seal of the Republic and of this work adds to his lively works with elements, figures, and
the President of the Philippines, among other symbols of the themes of indigenous culture.
state. He also designed the stained-glass windows of the Manila
Cathedral and Sto. Domingo Church in Quezon City. One of the Ocampo was posthumously conferred the Order of Lakandula
old masters who initiated Philippine modern art, together with with the rank of Marangal na Pinuno in rites held at the
National Artists Victorio Edades and Carlos “Botong” Francisco, National Museum on July 22, 2015. A muralist, painter,
he formed the famous triumvirate with them during the 1930s. professor, writer, and a specialist in heraldry, he was the
director of the National Museum from 1962–1968. He is the
Also one of the Thirteen Moderns, Ocampo’s style is first Filipino to study the art of heraldry abroad, becoming
influenced by Cubism, depicting Christian themes and Filipino a member of the International Institute of Genealogy and
indigeneity, or oftentimes, blending these subject matters. Heraldry in Madrid.

20 | DAY 1 - THE COLLECTOR’S VAULT


105 106 107
Reb Belleza (b. 1969) Reb Belleza (b. 1969) Reb Belleza (b. 1969)
Mga Tanghali Mula Acacia Malate Alas Tres
signed and dated 2004 (upper left) signed and dated 1997 (lower right) signed and dated 2000 (verso)
oil on canvas oil on canvas mixed media
48” x 32” (122 cm x 81 cm) 48” x 48” (122 cm x 122 cm) 48” x 48” (122 cm x 122 cm)

P 35,000 P 40,000 P 40,000

108
Reb Belleza (b. 1969)
Abstract
oil on canvas
60” x 48”
(152 cm x 122 cm)

P 45,000
109
Raul Lebajo (b. 1941)
September Moon
signed and dated 1997 (lower right)
oil on canvas
40” x 30” (102 cm x 76 cm)

P 60,000

110
111 112
Aldrine Alarcon
Sarah Geneblazo (b. 1992) James Imperial (b. 1987)
Balanced Diet
Untitled Pareidolia from the Phonograph
stamped (center) dated 2018 (verso)
signed (lower right) signed and dated 2017 (lower right)
oil on canvas
oil on canvas mixed media
24” x 20” (61 cm x 50 cm)
36” x 24” (91 cm x 61 cm) 48” x 36” (122 cm x 91 cm)
P 15,000
P 15,000 P 15,000
This piece is accompanied by a certificate signed by the
artist confirming the authenticity of this lot

DAY 1 - THE COLLECTOR’S VAULT | 21


León Gallery
FINE ART & ANTIQUES

113 114 115


Melissa Lara Lawrence Marcos Francis Fajardo (b. 1987)
The Unknowns Given Grace Lava Series II “Land Before Time”
signed and dated 2020 (lower right) signed and dated 2016 (lower right) signed and dated 2018 (lower right)
acrylic on canvas oil on canvas acrylic on canvas
30” x 24” (76 cm x 61 cm) 36” x 24” (91 cm x 61 cm) 48” x 36” (122 cm x 91 cm)

P 15,000 P 12,000 P 15,000


This piece is accompanied by a certificate signed by the This piece is accompanied by a certificate signed by the This piece is accompanied by a certificate signed by the
artist confirming the authenticity of this lot artist confirming the authenticity of this lot artist confirming the authenticity of this lot

116 117 118


Ramon Doplon (b. 1953) Church Charles I. Rivera Charles I. Rivera
signed and dated 1983 (lower right) Tampisaw Wawa Boot # 2
oil on canvas signed and dated 2017 (lower right) signed and dated 2016 (lower left)
19” x 13” (48 cm x 33 cm) pastel on paper watercolor on paper
25” x 19” (64 cm x 48 cm) 19” x 30” (48 cm x 76 cm)

P 8,000 P 5,000 P 5,000

119
Manuel Baldemor (b. 1974)
Prusisyon
signed and dated 1999 (lower left)
mixed media
18” x 24” (46 cm x 61 cm)

P 25,000

22 | DAY 1 - THE COLLECTOR’S VAULT


120
Manuel Baldemor (b. 1947)
Tindera sa Vigan, Ilocos Sur
signed and dated 1975 (lower left)
watercolor on paper
21” x 28” (53 cm x 71 cm)

P 20,000

There is an inherent childlike wonder at play in the


works of visual artist Manuel Baldemor. This piece
is one of the purest examples of Baldemor’s global
village style, wherein he uses increasingly brilliant
colors. In these villages, the subject is underplayed,
though not forgotten, in favor of composition and
design. From the bright yet controlled use of a
primary palette, to the shimmering motifs that dot
across his canvas, Baldemor’s cityscape lends itself
to a universal nostalgia that warms the heart and
soothes the soul.

122
Manuel Baldemor (b. 1947)
May Ngiti ang Isang Umaga
signed and dated
1991 (lower right)
121 mixed media
Manuel Baldemor (b. 1947) 14” x 11” (36 cm x 28 cm)
Cityscape
signed and dated 2003 (right) P 15,000
mixed media
10” x 12 1/2” (25 cm x 32 cm)

P 15,000

123
Manuel Baldemor (b. 1947)
a) Prusisyon
b) Malayang Mga Ibon
signed and dated 1997 (lower left)
mixed media
10” x 12” (25 cm x 30 cm) each

P 15,000

a)

124
Manuel Baldemor (b. 1947)
Barrio
signed and dated
1989 (lower right)
mixed media
24” x 18” (61 cm x 46 cm)

P 25,000

b)

DAY 1 - THE COLLECTOR’S VAULT | 23


León Gallery
FINE ART & ANTIQUES

125 Tanay-born Tam Austria, who trained early under National Artist Carlos
Tam Austria (b. 1933) “Botong” Francisco in Angono, takes up this theme in his artistic career,
Untitled (Batya) along with other folk images and scenes. The subjects in this specific work
signed and dated 1973 (lower left) are highly detailed and rendered in the naturalness of their forms. Austria’s
oil on canvas works are celebrated as he steered away from the usual sentimental approach
24” x 30” (61 cm x 76 cm) on his subjects. His distinct depictions of anything folk in genre and level of
meticulousness in the portrayal of his subjects tap into the Filipino collective
P 40,000 consciousness. Many collectors describe his pieces as comprising of engaging
and visually appealing features. With an astute sense of composition, he has
enhanced themes of human interest as well.

126 127
Romeo Rosete (b. 1953) E.R. Tagle (b. 1948)
Barrio Family
signed and dated 1989 (lower right) signed and dated 1995 (lower right)
oil on canvas oil on panel
30” x 40” (76 cm x 102 cm) 30” x 24” (30 cm x 61 cm)

P 10,000 P 15,000
24 | DAY 1 - THE COLLECTOR’S VAULT
128 129 130
Norlito Meimban (b. 1966) Marko Bello (b. 1982) Marcial Pontillas
My Comfort Zone Untitled Green Pasture
signed and dated 2010 (lower left) signed and dated 2019 (lower left) signed (lower right)
oil on canvas oil on canvas mixed media
40” x 30” (102 cm x 76 cm) 12” x 12” (30 cm x 30 cm) 24” x 24”(61 cm x 61 cm)

P 80,000 P 5,000 P 4,000

131 132
Peck Piñon (1917 - 2006) Ernie Sta. Ana
Landscape Rainy Adventure
signed (lower right) signed and dated 2000 (lower right)
oil on canvas acrylic on canvas
20” x 35” (51 cm x 89 cm) 12” x 24” (30 cm x 61 cm)

P 10,000 P 10,000

133 134 135


Eddie Sarmiento (b. 1940) Mabini School Oscar T. Navarro (1921 - 1973)
Cityscape Cityscape Riverside
signed and dated 1970 (lower right) signed B. Leonard and signed and dated 1968 (lower right)
oil on canvas dated 1986 (lower right) oil on canvas
24” x 36” (61 cm x 91 cm) oil on canvas 24” x 36” (61 cm x 91 cm)
24” x 36” (61 cm x 91 cm)
P 10,000 P 20,000
P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 25


León Gallery
FINE ART & ANTIQUES

136 137
Jun Alfon (b. 1948) Wig Tysmans (b. 1956)
Tiboli Family a.) Slate & Stone b.) Alium
signed (lower left) signed and dated 2013 (lower right)
acrylic on canvas photograph
30” x 48” (76 cm x 122 cm) 14 1/2” x 10 1/2” (37 cm x 27 cm) each

P 20,000 P 10,000

138
Unidentified Artist
Calvary Scene
oil on canvas
44 1/2” x 26” (113 cm x 66 cm)

P 5,000

139
Arturo Luz (b. 1926)
Untitled
signed and dated 1970 (upper left)
print
21” x 14” (53 cm x 36 cm)

P 15,000

140 141 142


Salvador Cabrera Jr. (b. 1958) Romulo Olazo (1934 - 2015) Raul Piedra (b. 1951)
Mag-Ina Diaphanous - 1980 Sanctuary
signed and dated 2016 (lower right) signed (lower right) dated 2004 (verso)
acrylic on canvas serigraph, 5/10 mixed media
37” x 32” (94 cm x 81 cm) 25 1/2” x 19 1/2” (65 cm x 50 cm) 36” x 36” (91 cm x 91 cm)

P 10,000 P 15,000 P 15,000


26 | DAY 1 - THE COLLECTOR’S VAULT
OSCAR ZALAMEDA
Expressive Painterly Figuration

143
Oscar Zalameda (1930 - 2010)
Portrait of a Lady
I n this portrait, Zalameda uses his signature abstractionist technique to create a
figurative depiction of his subject matter. This is a clear departure from the canons
of Filipino portraiture whose foundations can be found in the works of Luna, Hidalgo,
ca. 1970
signed (lower right) and Amorsolo. Instead, Zalameda draws upon both his signature stylistic disposition
oil on canvas
and his creative ingenuity as an artist to effectively produce a stunningly refreshing
33” x 28” (84 cm x 71 cm)
oeuvre. The artist’s use of color, which appropriately reflects his inclination for
P 120,000 abstraction, is masterfully applied in order to not only reflect tone or luminance, but
direction, flow, and balance as well. Though dappled with an overt amount of blue,
Zalameda’s meticulous eye maximizes the color’s potential by applying subtle shifts
of color that produces profound differences in form. From the woman’s scarf to her
dress and to the work’s background, nothing in Zalameda’s painting feels out of place
or forced. The work showcases Zalameda’s flexibility as a master of the arts and as a
creative luminary.

DAY 1 - THE COLLECTOR’S VAULT | 27


León Gallery
FINE ART & ANTIQUES

144
a) Harry Tomas
Seascape
signed and dated 1970 (lower right)
oil on canvas
24” x 36”(61 cm x 91 cm)

b) Michael Villagante (b. 1977)


Habol sa Pagtatapos ng Gabi na may
Makinang na Liwanag
signed (lower right)
oil on canvas
48” x 36” (122 cm x 91 cm)

c) Gerry Giwan
Still Life (Watercolor)
signed (lower left)
print
18” x 14” (46 cm x 36 cm)

P 2,000

145
Various Oriental Artworks
a) Wayang Kulit Characters
wood bass relief
27” x 15” (69 cm x 38 cm)
b) August Sky
signed by Samantha Pinder
and dated 2012 (lower right)
mixed media on canvas
20” x 16” (51 cm x 41 cm)
c) Pond (Fishes and Bamboo)
signed by T. Haga
and dated 1992 (lower right)
watercolor
10 1/2” x 9 1/4” (27 cm x 24 cm)

P 2,000

146 147 148


Lupicinio Ng Steve Santos (b. 1951) Ely Gajo (b. 1950)
Morning Glory Landscape Mountainside
signed and stamped signed and dated 2004 (lower left) signed and dated 1989 (lower right)
watercolor on paper watercolor watercolor on paper
13 1/2” x 18” (35 cm x 46 cm) 8” x 10” (20 cm x 25 cm) 7” x 9 1/2” (18 cm x 24 cm)

P 1,000 P 10,000 P 2,000

28 | DAY 1 - THE COLLECTOR’S VAULT


Faces of men and women with penetrating gazes in their seemingly anguished and pained state pervade Onib Olmedo’s
works. Considered ahead of his time with his unique expressionist style, Olmedo excellently captures emotions, states
of mind, and the complexity of the human condition through distortion and exaggeration of features. Balance and
proportion are still achieved even as he challenged classical representations of the everyday man in portraits. The shock
value of his works are often certain. His aesthetic and techniques continue to influence other Filipino artists, and his
artistic legacy lives on among art enthusiasts and collectors.

149 150
Onib Olmedo (1937 - 1996) Onib Olmedo (1937 - 1996)
Portrait of a Lady Woman
signed and dated 1970 (lower right) signed and dated 1981 (bottom)
charcoal on paper pastel on paper
23” x 17” (58 cm x 43 cm) 24” x 18” (61 cm x 46 cm)

P 35,000 P 50,000

Leon Gallery wishes to thank the heirs of the Onib Omedo This piece is accompanied by a certificate issued by Gisella Olmedo-
confirming the authenticity of this lot Araneta confirming the authenticity of this lot

151
Onib Olmedo (1937 - 1996)
Untitled
signed and dated 1971 (lower right)
mixed media on paper
7” x 7” (18 cm x 18 cm)

P 15,000

Leon Gallery wishes to thank the heirs of the Onib Omedo


confirming the authenticity of this lot

152
Onib Olmedo (1937 - 1996)
Two Faces
signed and dated 1982 (lower right)
charcoal on paper
17” x 11 1/2” (43 cm x 29 cm)

P 30,000

Leon Gallery wishes to thank the heirs of the Onib Omedo


confirming the authenticity of this lot

DAY 1 - THE COLLECTOR’S VAULT | 29


León Gallery
FINE ART & ANTIQUES

153 154 155


Miguel Galvez (1912 - 1989) Mabini School Alfredo Liongoren (b. 1944)
Landscape Still Life Red Anthurium / Birds of Paradise
signed and dated 1967 (lower right) signed F. Lacat and dated 1968 (lower right) signed and dated 1999 (bottom)v
oil on canvas oil on canvas vewatercolor on paper
13 1/2” x 20 1/2” (34 cm x 52 cm) 20” x 24” (51 cm x 61 cm) 10” x 13 1/2” (25 cm x 34 cm)

P 15,000 P 10,000 P 10,000

156 Leonardo Cruz is known for featuring significant Filipino heroes we usually encounter
Leonardo Cruz (1932 - 2012) in Philippine history, one of which is our national hero Jose Rizal whose novels Noli
The Katipunan and the Philippine
Me Tangere and El Filibusterismo heavily inspired his artistic preoccupations and
Revolution
signed and dated 1998 (lower right) subject matters. He also combines historical scenes through vivid painterly details,
oil on canvas all in all making his works evocatively nationalistic. Varied hues and intricate brush
14” x 48” (36 cm x 122 cm) strokes in this work show the artist’s emotions and exacting visualizations toward the
historical events he depicted. The heroes who fought for Philippine independence,
from Jose Rizal to Andres Bonifacio, among others behind the revolution, are also
P 35,000
classically rendered. Beyond the brilliant visual interpretations of history, Cruz’s sincere
nationalism is felt.

157
Mabini School
Untitled
signed J. Azura
and dated 1973 (bottom)
oil on canvas
8 1/2” x 11 1/5”
(22 cm x 28 cm) each

P 10,000

30 | DAY 1 - THE COLLECTOR’S VAULT


158 159 160
Kadin Tiu Melencio Mary Ann B. Reyes
Permutation III Gardenscape Floral Princess
signed (lower left) signed (lower right) signed (lower right)
oil on canvas oil on canvas dated 2017 (verso)
30” x 30” (76 cm x 76 cm) 18” x 24” (46 cm x 61 cm) acrylic on canvas
18” x 24” (46 cm x 61 cm)
P 20,000 P 10,000
P 10,000
This piece is accompanied by a certificate issued by Blanc Gallery
confirming the authenticity of this lot

161 162 163


Unidentified Artist Jay Ragma (b. 1992) Cid Reyes (b. 1946)
Bangka Abstract Abstract
signed and dated 1974 (lower right) signed and dated 2018 (lower right) signed (lower right)
oil on canvas acrylic on canvas acrylic on canvas
24” x 18” (61 cm x 46 cm) 24” x 24” (61 cm x 61 cm) 28” x 29 1/2” (71 cm x 75 cm)

P 10,000 P 10,000 P 35,000

164
Krijono (b. 1952)
Ubud, Bali
signed and dated 1997 (bottom)
acrylic on canvas
39” x 47” (99 cm x 119 cm)

P 300,000

165
M. Casañas
Sacred Heart of Jesus
signed and dated 1965 (lower right)
oil on felt
24” x 18” (61 cm x 46 cm)

P 10,000

DAY 1 - THE COLLECTOR’S VAULT | 31


León Gallery
FINE ART & ANTIQUES

MARCEL ANTONIO
A Quietude of Longing

166
Marcel Antonio (b. 1965)
The Phlegmatic Life
signed and dated 2013 (lower left)
oil on canvas
30” x 24” (76 cm x 61 cm)

P 80,000

This piece is accompanied by a certificate issued by


the artist confirming the authenticity of this lot

T he works of visual artist Marcel Antonio are rich in


descriptive elements and narrative layers, and his subjects
show how humanity is faring in a challenging world with pressing
conditions. Depicting the sitting woman with distinct poses and
facial features that show boredom, ennui, loneliness, and longing,
among other emotions, is also one of the more specific things
Antonio is known for. Now a revered mid-career Filipino artist, he
continues to render humanity with a sincere exacting approach
in his narrative and pseudo-narrative figurative paintings. In this
particular work, the sitting woman seems to show both random
contemplation and lack of excitement in a disposition relatable
to many. Suggestive are the woman’s pose and the overall
composition and elements.
167
Marcel Antonio (b. 1965)
Untitled
signed and dated 2012 (lower right)
oil on canvas
30” x 24” (76 cm x 61 cm)

P 80,000

This piece is accompanied by a certificate issued by


the artist confirming the authenticity of this lot

32 | DAY 1 - THE COLLECTOR’S VAULT


168
Anita Magsaysay-Ho (1914 - 2012)
Three Women
signed and dated 1974 (lower right)
graphite on paper
5 1/2” x 7 1/2” (14 cm x 19 cm)

P 50,000

Not only is Anita Magsaysay-Ho the only female artist


amongst the legendary Thirteen Moderns, but is also
arguably the most sought after and elusive among the
Modernists. This is because, unlike her fellow painters,
Anita often painted for family and friends, with her works
acting as gifts. Thus, she never fully developed a sizable
canon that could rival her fellow peers. Nonetheless, the
scarcity of her work is indirectly proportional to their
quality. Anita Magsaysay-Ho has been known to capture
women engaging in various local industries — celebrating
them with her charming flair in their depictions. Despite
Anita’s privileged background, her fascination with
working-class women gave her a certain appreciation for
their toil. She gave praise and honor to the working class,
and did so very easily.

169 170 171


Herson Dela Rosa Augusto Albor (b. 1948) Simeon Saulog (1916 - 1995)
Untitled Abstract (Diptych) King of Kings
signed and dated 1988 (lower left) signed (lower left) signed and dated 1961 (lower left)
oil on canvas acrylic on canvas oil on canvas
11” x 9” (28 cm x 23 cm) 9” x 9” (23 cm x 23 cm) 35” x 28” (89 cm x 71 cm)

P 8,000 P 15,000 P 45,000

172
Jose Ibay (b. 1948)
Flowers
signed and dated 2004 (lower left)
mixed media
25” x 35” (64 cm x 89 cm)

P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 33


León Gallery
FINE ART & ANTIQUES

173 174 175


Antonio Ko Jr. (1956 - 1999) Teofilo Mendoza (1935 - 2006) Rick Gonzales (b. 1929)
Still Life Untitled Moonlight
signed and dated 1998 (lower right) signed and dated 1985 (lower right) signed (lower right)
mixed media pastel on paper oil on canvas
24” x 18” (61 cm x 46 cm) 24” x 18” (61 cm x 46 cm) 42” x 27” (107 cm x 69 cm)

P 15,000 P 10,000 P 15,000

176 177 178


Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002)
Abstract Abstract Abstract
signed (lower right) signed (lower left) signed and dated - (lower right)
oil on canvas mixed media on canvas oil on canvas
24” x 24” (61 cm x 61 cm) 24” x 24” (61 cm x 61 cm) 30” x 30” (76 cm x 76 cm)

P 15,000 P 15,000 P 18,000

179
Brave Singh (b. 1981)
Unleft With Memories - Series of 5
signed and dated 2017 (verso)
mixed media on canvas
7” x 5” (18 cm x 13 cm) each

P 40,000
34 | DAY 1 - THE COLLECTOR’S VAULT
180
Oscar T. Navarro (1921 - 1973)
Untitled
signed and dated 1962 (lower left)
oil on canvas
15 1/2” x 27 1/2” (39 cm x 70 cm)

P 15,000

181
Ofelia Gelvezon-Tequi (b. 1944)
Still Life
signed and dated 2002 (bottom)
oil on canvas
10” x 13 1/2” (25 cm x 34 cm)

P 15,000

The first woman to be named a Thirteen Artist Awardee in as a time when “one learns to divest oneself of the
1972, in a time when the art scene was male-dominated, superfluous, opting to discard rather than accumulate,
Ofelia Gelvezon-Tequi is a well-known Filipina printmaker learning to accept the transient with the permanent,
in the Philippines. Creating still life paintings is a notable and love them for their ephemeral beauty.” The
part of her artistic development, coinciding with her fleetingness of beauty shows through the colors and
contentment of domesticity. She describes her stage in life lines of her still lifes, all the more the urge to capture
of moving from Paris to Limeuil, settling with her partner, moments of stillness while it lasts.

182 183 184


Dominador Castañeda (1904 - 1967) Ross Capili (b. 1959) Cid Reyes (b. 1946)
Kawayan Song for Morning Lucky Charm Series
signed and dated 1952 (lower right) signed and dated 1996 (lower left) signed (bottom)
watercolor acrylic and pastel on board acrylic on canvas
12” x 16” (30 cm x 41 cm) 20” x 15” (51 cm x 38 cm) D: 39 1/2” (100 cm)

P 20,000 P 20,000 P 40,000


DAY 1 - THE COLLECTOR’S VAULT | 35
León Gallery
FINE ART & ANTIQUES

185
Juvenal Sansó (b. 1929)
Untitled (Brittany Series)
signed (lower right)
watercolor on paper
13” x 20” (33 cm x 51 cm)

P 80,000
This piece is accompanied by a certificate issued by
Funadacion Sansó confirming the authenticity of this lot

Juvenal Sanso has explored numerous subjects and styles


throughout his decades-spanning career, and while his earlier
works that delve on war and destruction and his distorted figures
are highly valued, his later works of stylized depictions of sweeping
landscapes and seascapes also receive wide praise. As he fills his
works with vibrant and lustrous scenes, his return to nature is
furthermore revealed. With his refined gestural brush strokes, he
has produced profoundly beautiful and poetic works that show his
deep understanding of nature’s ever-changing landscape.

186
Juvenal Sansó (b. 1929)
Untitled
signed (lower right)
etching 25/50
13 1/2” x 7 1/2” (34 cm x 19 cm)

P 15,000

187
Juvenal Sansó (b. 1929)
Chrysanthemum
signed (lower right)
lithograph, 25/50
11” x 7 1/2” (28 cm x 19 cm)

P 15,000

This piece is accompanied by a certificate issued by


Fundacion Sansó confirming the authenticity of this lot

188 189 190


Juvenal Sansó (b. 1929) Juvenal Sansó (b. 1929) Juvenal Sansó (b. 1929)
Brittany Coastal Village Brittany Series Baklad
signed (right) signed (lower right) signed (lower right)
serigraph, 156/260 acrylic on paper print
16” x 21” (41 cm x 53 cm) 12” x 17” (33 cm x 43 cm) 10” x 16 1/2” (25 cm x 42 cm)

P 15,000 P 80,000 P 15,000

36 | DAY 1 - THE COLLECTOR’S VAULT


191 192
Loreto Racuya (b. 1940) Norma Belleza (b. 1939)
La Jota Moncadeña Dance Jesus’ Body
signed and dated 2003 (lower right) signed and dated 1979 (lower left)
oil on canvas oil on canvas
24 1/2” x 35” (62 cm x 89 cm) 12” x 24” (30 cm x 61 cm)

P 20,000 P 30,000

193 194 195


Nena Saguil (1924 - 1994) Nena Saguil (1924 - 1994) Nena Saguil (1924 - 1994)
Untitled Untitled Untitled (Cosmos Series)
signed and dated 1981 (lower right) signed and dated 1978 (lower right) signed and dated 1987 (lower left)
pen and ink mixed media pen and ink on paper
19” x 24” (48 cm x 61 cm 18” x 24” (46 cm x 61 cm) 19” x 25” (48 cm x 64 cm)

P 40,000 P 40,000 P 40,000


This piece is accompanied by a certificate issued by Mr. This piece is accompanied by a certificate issued by Mr. Benjamin
Benjamin Saguil Jr. confirming the authenticity of this lot Saguil Jr. confirming the authenticity of this lot

Joining the likes of Andy Warhol,


Roy Lichtenstein, and David Hockney,
BMW Motorsport commissioned visual
artist Prudencio Lamarroza to produce
his own unique version of the BMW
Art Car. BMW’s Art Car tradition first
started when auctioneer Herve Poulain
first pitched the idea to BMW as a way
of uniting his love of art and speed.
Lamarroza was chosen to represent
196
the Philippines when BMW decided to
Prudencio Lamarroza (b. 1946)
BMW Car diversify its Art Car concept with styles
signed (lower right) and techniques from different continents
watercolor on paper and countries.
11” x 19” (28 cm x 48 cm) and 19” x 13” (48 cm x 33 cm)

P 30,000

DAY 1 - THE COLLECTOR’S VAULT | 37


León Gallery
FINE ART & ANTIQUES

ROMULO GALICANO
A Painter’s Pictorial Diary

197
Romulo Galicano (b. 1945)
Brgy. Bignay, Valenzuela, Bulacan
signed and dated 1987 (lower right)
oil on canvas
30” x 40” (76 cm x 101 cm)

P 400,000
This piece is accompanied by a certificate signed by the artist
confirming the authenticity of this lot

C ebuano artist Romulo Galicano’s landscape works, may it be tonal depictions of the local countryside or
places abroad, are undeniably picturesque and quiet yet powerful. A master of using oil and pastel and a
refined impressionistic style, Galicano is one of the Filipino artists who championed the said style and figurative
art in the Philippines, as his techniques are also influenced by French impressionists like Claude Monet who
captured the light and the subjects’ fleeting changes and moments in his art. Galicano is also a student of his
uncle, the Cebuano master artist Martino Abellana. The effects of light and shade are heightened in his works,
and one gets the sweet melancholic feel in his intimate views of nature rendered in its pictorial approximation.
Natural tones are modulated in its intensities and the overall composition evokes liveliness.

198
Romulo Galicano (b. 1945)
Field of Poppies, Giverny, France
signed (lower left)
oil on canvas
35” x 45” (88 cm x 114 cm)

P 500,000

This piece is accompanied by a certificate signed by the


artist confirming the authenticity of this lot

38 | DAY 1 - THE COLLECTOR’S VAULT


199
Romulo Galicano (b. 1945)
Rome
signed and dated 1985 (lower left)
pastel on paper
35” x 45” (88 cm x 114 cm)

P 200,000

This piece is accompanied by a certificate signed by the


artist confirming the authenticity of this lot

200
Romulo Galicano (b. 1945)
Formana, Roma
signed and dated 1983 (lower left)
pastel on paper
35” x 45” (88 cm x 114 cm)

P 200,000

This piece is accompanied by a certificate signed by the


artist confirming the authenticity of this lot

201 202
Romulo Galicano (b. 1945) Romulo Galicano (b. 1945)
Canada Pampang
signed and dated 1988 (lower right) signed and dated 1972 (lower right)
pastel on paper oil on canvas
19” x 27” (48 cm x 69 cm) 22” x 25” (56 cm x 64 cm)

P 60,000 P 100,000

This piece is accompanied by a certificate signed by the This piece is accompanied by a certificate signed by the
artist confirming the authenticity of this lot artist confirming the authenticity of this lot

DAY 1 - THE COLLECTOR’S VAULT | 39


León Gallery
FINE ART & ANTIQUES

203
Romulo Galicano (b. 1945)
Palatine and Capitoline Hills, Rome
signed and dated 1982 (lower left)
pastel on paper
34” x 44” (86 cm x 112 cm)

P 200,000

204 205
Romulo Galicano (b. 1945) Romulo Galicano (b. 1945)
Landscape Landscape (Novaliches)
signed and dated 2017 (lower left) signed and dated 1975 (lower left)
charcoal on paper pastel on paper
9” x 11” (23 cm x 28 cm) 9” x 12” (23 cm x 30 cm)

P 35,000 P 50,000

This piece is accompanied by a certificate signed by the artist This piece is accompanied by a certificate signed by the artist
confirming the authenticity of this lot confirming the authenticity of this lot

40 | DAY 1 - THE COLLECTOR’S VAULT


206 207
Anton Sipos (b. 1938) Mabini School
By the Pond Riverside
signed (lower left) signed Valentin and dated 1968 (lower right)
oil on canvas oil on canvas
30” x 40” (76 cm x 102 cm) 36” x 72” (91 cm x 183 cm)

P 10,000 P 15,000

208
Sofronio “SYM” Y. Mendoza (b. 1934)
Streetscape
signed and dated 1971 (lower right)
oil on canvas
14” x 17 1/2” (36 cm x 44 cm)

P 30,000

209 210
Vincent Ramos (b. 1950) Vincent Ramos (b. 1950)
Fishermen Father and Son
signed and dated 1997 (lower left) signed and dated 1999 (lower left)
oil on canvas oil on canvas
30” x 40” (76 cm x 102 cm) 20 1/2” x 48” (52 cm x 122 cm)

P 15,000 P 15,000
DAY 1 - THE COLLECTOR’S VAULT | 41
León Gallery
FINE ART & ANTIQUES

211 212 213


Ben Alano (1920 - 1991) Roger San Miguel (b. 1940) Oscar T. Navarro (1921 - 1973)
Fire Tree (Caballero) Four Carabaos Barrio Scene
signed (lower right) signed and dated 1966 (lower left) signed and dated 1963 (lower right)
oil on canvas oil on canvas oil on canvas
20” x 30” (51 cm x 76 cm) 36” x 50” (91 cm x 127 cm) 18” x 24” (46 cm x 61 cm)

P 15,000 P 15,000 P 15,000

214 215 216


Vincent Larosa Francis Fajardo (b. 1987) Ivan Acuña (b. 1968)
Musikero Biyayang Ani Series Untitled
signed and dated 1978 (lower right) signed and dated 2018 (lower right) signed and dated 2007 (lower right)
oil on canvas mixed media oil on canvas
17” x 17” (43 cm x 43 cm) 15” x 12 1/2” (38 cm x 32 cm) 54” x 54” (137 cm x 137 cm)

P 5,000 P 5,000 P 65,000

This piece is accompanied by a certificate signed by the artist


confirming the authenticity of this lot

217
Roger San Miguel (b. 1940)
Sabungero
signed (lower right)
oil on canvas
38” x 29” (97 cm x 74 cm)

P 15,000

218
Cesar Amorsolo (1903 - 1988)
Nude
signed (lower right)
pastel on paper
24” x 18” (61 cm x 46 cm)

P 10,000

42 | DAY 1 - THE COLLECTOR’S VAULT


219 220 221
Antonio Isagani Amorsolo School Jeff Con
Baro’t Saya Sampaguita Dancers
signed and dated 1967 (lower right) signed and dated 1967 (lower left) signed and dated 2013 (lower right)
oil on canvas oil on canvas acrylic on canvas
34 1/2” x 24” (88 cm x 61 cm) 30” x 24” (76 cm x 61 cm) 31” x 23” (79 cm x 58 cm) each

P 10,000 P 8,000 P 10,000

222
Hugo Yonzon Jr. (1924 - 1994)
Ligawan
signed and dated 1987 (lower right)
oil on canvas
24” x 36” (61 cm x 91 cm)

P 50,000

Post-war painter and illustrator Hugo Yonzon Jr. catered to


many tastes of collectors. He attributed his versatility and
varied styles—some of his works are semi-abstract—to his
long experience as an advertising artist in which he must
be able to work in many styles to suit the client’s needs.
Yonzon worked long hours, rendering his services in ad
agencies during the daytime and painting commissioned
works at night. Even during free time at work, he created
masterpieces. His detailed paintings of Filipino scenes
and subjects, mostly presenting the common rural folk,
feature happiness and vivid colors. Yonzon also noted
the influence of National Artist Cesar Legaspi in the
compositions of his paintings.

223
Hugo Yonzon Jr. (1924 - 1994)
Mother and Child
signed and dated 1980 (lower right)
oil on canvas
24” x 18” (61 cm x 46 cm)

P 40,000

DAY 1 - THE COLLECTOR’S VAULT | 43


León Gallery
FINE ART & ANTIQUES

224 225 226


Diane Dela Paz Ibarra Dela Rosa (1943 - 1998) Jaime Roque (b. 1947)
Flower Harvester Wiping Series Tumbang Preso
signed and dated 1997 (lower right) signed and dated 1985 (center) signed and dated 2016 (lower right)
watercolor oil on board oil on canvas
15” x 11” (38 cm x 28 cm) 8” x 10” (20 cm x 25 cm) 40” x 32” (102 cm x 81 cm)

P 5,000 P 15,000 P 15,000

227
Ibarra Dela Rosa (1943 - 1998)
Landscape I and II
signed and dated 1982 (lower right)
pastel on paper
9” x 11” (23 cm x 28 cm) each

P 15,000

228 230
Ibarra Dela Rosa (1943 - 1998) 229 Ibarra dela Rosa (1943 - 1998)
Landscape Ibarra Dela Rosa (1943 - 1998) Untitled (Tree Trunk)
signed and dated 1982 (bottom) Landscape signed and dated 1977 (lower left)
oil on canvas signed and dated 1993 (lower left) pastel on paper
11 1/2” x 12 1/2” (29 cm x 32 cm) oil on canvas 9” x 9 1/2” (22 cm x 24 cm)
13 1/2” x 14 1/2” (34 cm x 37 cm)
P 20,000 P 10,000
P 25,000
44 | DAY 1 - THE COLLECTOR’S VAULT
HERNANDO R. OCAMPO
Bold Colors and Biomorphic Shapes

PROPERTY FROM THE COLLECTION


OF A DISTINGUISHED DOCTOR

231
Hernando R. Ocampo (1911 - 1978)
Abstract
signed and dated 1971 (lower left)
oil on panel
11” x 8 1/2” (28 cm x 22 cm)

P 200,000

N ational Artist H.R. Ocampo’s color instincts that


are on the bold, bright side of the spectrum
and his use of movement are distinct features in his
environment and by patterns and designs encountered
by the average Filipino in his daily life.”

masterpieces. Part of the Thirteen Moderns, he is one The abstract works Ocampo produced from the 1960s
of the revered Filipino artists responsible for the launch onwards are often described as part of his “Visual
of modernism in Philippine art. His works are described Melody Period” in which—according to GSIS Museum
to be “abstract compositions of biological forms that manager Ryan Palad—his “emotive sense of pessimism
seemed to oscillate, quiver, inflame and multiply,” also gave way slowly to a newfound lyricism.” Drawn
likened to mutations in composition. Revered art critic by the organic forms and local color elements, Ocampo
Santiago Albano Pilar said that his art is “an abstract has achieved his own expressively Filipino art style with
expression that is Filipino, inspired by the lush tropical his genius abstract approach.

DAY 1 - THE COLLECTOR’S VAULT | 45


León Gallery
FINE ART & ANTIQUES

232
Mark Justiniani (b. 1966)
Untitled
signed and dated 2000 (lower right)
pastel on paper
9” x 12” (23 cm x 30 cm)

P 80,000

In the first half of 2000, Bacolod-born artist-activist


Mark Justiniani shifted his artistic focus from the
ideological perspective to the questions on the nature
of representing reality and the divide of the virtual and
actual. This was out of his five-year sojourn in the U.S.,
and despite this refocusing of attention, he is still rooted
in his magical realist visual style which is apparent in this
painting. His works are often poetic and illustrative in
nature, engaging at best. In 1994, he received the CCP
Thirteen Artists Award.

233 234 235


J.D. Castro (1908 - 1994) Armando Marino (b. 1968) M. Hanson
Landscape Streetscape Untitled (landscape)
signed and dated 1970 (lower left) signed (lower right) signed (lower right)
oil on canvas oil on canvas oil on canvas
11” x 15 1/2” (28 cm x 39 cm) 20” x 24” (51 cm x 61 cm) 16” x 20” (41 cm x 51 cm)

P 10,000 P 15,000 P 10,000

236
Cesar Legaspi (1917 - 1994)
Trinidad Valley
signed and dated 1997 (lower right)
watercolor on paper
19” x 11” (48 cm x 28 cm)

P 90,000

237
Antonio Dumlao (1912 - 1983)
Binangonan, Rizal
signed and dated 1970 (lower right)
watercolor
22” x 14 1/2” (56 cm x 37 cm)

P 10,000

46 | DAY 1 - THE COLLECTOR’S VAULT


A strong force in the Philippine nonrepresentational art scene, multi-
awarded artist Norberto Carating creates works that have deep and
meditative nature. For this work, he utilized the circle, a predominant
universal visual motif that symbolizes both infinity and eternity. Metallic
acrylic is masterfully used on canvas to achieve visual compactness and
elegance in coherence and texture. Later on, this master abstractionist
had his solo exhibit “Lunar Cycle” at the Galerie Joaquin in which both
the circle and the square were used for the series. Carating studied at the
UP College of Fine Arts under the foremost Filipino abstract expressionist
Jose Joya, and he has exhibited his works in Thailand, Hong Kong,
Singapore, Spain, Germany, Cuba, Canada and the U.S.

238
Norberto Carating (b. 1948)
Abstract Landscape
signed (bottom)
mixed media on canvas
24” x 24” (61 cm x 61 cm)

P 40,000

239
Norberto Carating (b. 1948)
Circles
signed and dated 2012 (verso)
acrylic on canvas
48” x 48” (122 cm x 122 cm)

P 200,000

240
Norberto Carating (b. 1948)
Abstract
signed and dated 1999 (bottom)
acrylic on panel
24” x 24’’ (61 cm x 61 cm)

P 60,000

DAY 1 - THE COLLECTOR’S VAULT | 47


León Gallery
FINE ART & ANTIQUES

241
Mauro Malang Santos (1928 - 2017)
Trees for the Lord
signed and dated 1989 (lower right)
gouache
17” x 14” (43 cm x 35 cm)

P 100,000

Renowned modernist Mauro Malang Santos


is definitely one of the widely known Filipino
artists who had an affinity with colors, not
shying away from orchestrating various hues in
his palette. It is in Malang’s evocative palette
selection in which the maturity of his aesthetic
shines through. In his cubist and abstract
preoccupations, Vicente Manansala’s influence
can also be seen. This particular work flaunts
not just his mastery of utilizing the qualities
of his chosen medium and colors, but also his
signature cubist style. It is also reminiscent of his
other lyrical semi-abstracts with religious themes
which he took up since the 1970s.

242 243
David Tycho (b. 1959) David Tycho (b. 1959)
Abstract Abstract I, II, and III
signed and dated 1993 (lower right) signed and dated 2006 (lower right)
acrylic on canvas acrylic on canvas
48” x 36” (122 cm x 91 cm) 10” x 14” (25 cm x 36 cm) each

P 40,000 P 40,000

48 | DAY 1 - THE COLLECTOR’S VAULT


244
Jojo Lofranco (b. 1971)
Blue Painting
signed (lower left)
oil on canvas
72” x 72” (183 cm x 183 cm)

P 80,000

245
Jojo Lofranco (b. 1971)
Abstract I and II
signed and dated 2002 (lower left)
mixed media
29” x 21 1/2” (74 cm x 55 cm) each

P 35,000

246
Roy Veneracion (b. 1947)
Abstract
signed and dated 2001 (lower right)
acrylic on canvas
32” x 48” (81 cm x 122 cm)

P 35,000

DAY 1 - THE COLLECTOR’S VAULT | 49


León Gallery
FINE ART & ANTIQUES

247 248
Papo De Asis (1949 - 2005) Leonilo Doloricon (b. 1957)
Fishing Village (Cavite) Untitled I and II
signed and dated 1975 (lower right) signed and dated 2001 (top)
oil on canvas acrylic on canvas
18” x 24” (46 cm x 61 cm) 12” x 9 1/2” (30 cm x 24 cm) each

P 10,000 P 12,000

249
Jose Joya (1931 - 1995)
Primitive Disc 2
signed and dated 1964 (lower right)
etching with aquatint, AP
6” x 6” (15 cm x 15 cm)

P 15,000

250
R.L. Ramos
Shell’s Exhibit # 111
signed (right)
etching and chine colle, 41/50
8 1/2” x 7” (22 cm x 18 cm)

P 2,000

251 252 253


Jose Yap Baguio (1959 - 2015) Lito Mayo (1954 - 1983) Vincent Ramos (b. 1950)
Untitled Anting-anting ni Kristo Sibuyas Tagalog
signed and dated 2009 (lower left) signed and dated 1975 (lower right) signed and dated 1980 (lower right)
acrylic on canvas rubbercut, A/P watercolor
12” x 16” (30 cm x 41 cm) 21” x 29” (53 cm x 74 cm) 10” x 14” (25 cm x 36 cm)

P 8,000 P 5,000 P 10,000

50 | DAY 1 - THE COLLECTOR’S VAULT


254
Mike Kairuz
Plants
signed and dated 2004 (bottom)
mixed media on paper
14” x 19” (36 cm x 48 cm)

P 10,000

255 256 257


Virgilio Aviado (b. 1944) Mike Seiling Marlon Magbanua (b. 1968)
Abstract Abstract Abstract
signed and dated 2017 (lower left) undated signed and dated 2018 (lower right)
acrylic, collage acrylic on canvas mixed media
12” x 14” (30 cm x 36 cm) 24” x 24” (61 cm x 61 cm) 24” x 18” (61 cm x 46 cm)

P 6,000 P 8,000 P 6,000

258
Arvin Cantalejo Jr.
Untitled I and II
signed and dated 2018 (lower right)
acrylic on canvas
13" x 18" (33 cm x 46 cm)
12” x 16” (30 cm x 41 cm)

P 7,000

259
Jay Mclean
Underwater Series I and II
signed and dated 2018 (lower right)
oil on canvas
12” x 11” (30 cm x 28 cm) each

P 8,000

DAY 1 - THE COLLECTOR’S VAULT | 51


León Gallery
FINE ART & ANTIQUES

MACARIO VITALIS
Unique Impressionist Representations

260
Macario Vitalis (1898 - 1989)
Woman with Guitar
signed and dated 1953 (verso)
oil on canvas
29” x 23” (74 cm x 58 cm)

P 180,000
Leon Gallery wishes to thank the Comité Vitalis for
confirming the authenticity of this lot

Provenance:
Private Collection, France

261
Macario Vitalis (1898 - 1989)
Arles Piazza, France
signed and dated 1944 (lower left)
charcoal on paper
19 1/2” x 15” (50 cm x 38 cm)

P 40,000

M acario Vitalis, influenced by European masters out


of his artistic training and sojourns abroad and
finding home in Brittany sometime in 1957, showcased a
dynamic color palette in his post-cubist stylistic evolution.
He also mingled and worked with notable great artists
like Pablo Picasso and André Bréchet. His earlier works are
executed with Cubist Impressionism techniques, featuring
subjects with a textured composition of color and tones.
Genre is not the focus but achieving the evocation of
the subject’s presence set against a brilliantly treated
background, setting his works apart from others and his
approach uniquely his own.

52 | DAY 1 - THE COLLECTOR’S VAULT


262
Reynaldo Arugay
Landscape
signed (lower right)
oil on canvas
36” x 72” (91 cm x 183 cm)

P 5,000

263 264 265


Oscar T. Navarro (1921 - 1973) Salvador Cabrera (1929 - 1986) Untitled German Icarangal (1914 - 1984)
Waterfalls signed and dated 1986 (lower right) Mother and Child
signed and dated 1956 (lower right) oil on canvas signed and dated 1966 (lower right)
oil on canvas 10” x 17” (25 cm x 43 cm) oil on board
31” x 23 1/2” (79 cm x 60 cm) 13 1/2” x 10” (24 cm x 25 cm)

P 20,000 P 5,000 P 20,000

266 267 268


Edgar Doctor (b. 1941) Rafael Cusi (b. 1950) Demetrio Dela Cruz (b. 1971)
Daylight Untitled Yin and Yang
signed and dated 2019 (lower right) signed and dated 2006 (lower left) dated 2016
watercolor on paper pastel on felt oil on canvas
11” x 8” (28 cm x 20 cm) 13” x 10”(33 cm x 25 cm) D: 20” (51 cm)

P 5,000 P 8,000 P 20,000


DAY 1 - THE COLLECTOR’S VAULT | 53
León Gallery
FINE ART & ANTIQUES

269
Betsy Westendorp (b. 1927)
Painting Number 1419B
signed and dated 2016 (lower right)
oil on canvas
9 1/2” x 12” (24 cm x 31 cm)

P 80,000
This piece is accompanied by a certificate signed by the artist
confirming the authenticity of this lot

Spanish-born painter Betsy Westendorp, through her long- accurately represents both a realistic and nostalgic depiction
spanning career, has created her own style of realism. Her of nature. For decades, Westendorp has been known to
unique and signature form of realism is heavily informed capture her subjects vividly and fluently; translating onto
by her personal and subjective experience regarding her canvas her perception and memory of others, and in the
chosen subject matter. Thus her works capture a sense of same respect, has been able to do so with her memory
momentary longing whose nature is both permanent and of places as well. Often compared to a beautiful piece or
fleeting. The solid yet varied gestures of her handiwork arrangement or music, Betsy’s work offers the viewer a
suggests a light and natural sense of movement, which novel and revitalized experience upon each viewing.

270
Rodolfo Samonte (b. 1941)
Abstract
signed and dated 2018 (lower right)
acrylic on canvas
10” x 32” (25 cm x 81 cm)

P 15,000

271 272 273 274


Wire Tuazon (b. 1973) Cobie Cruz (b. 1961) Antonio Ko Jr. (1956 - 1999) Roland Santos
Allegory v Smoke on the Water 7 Still Life Fusion
signed and dated 2005 signed and dated 2018 signed and dated 1989 signed and dated 2007
(lower left) (lower right) (lower left) (lower right)
mixed media oil on canvas oil on canvas ink on paper
60” x 18” (152 cm x 46 cm) 46” x 17” (117 cm x 43 cm) 19 1/2” x 8” (50 cm x 20 cm) 41” x 12” (104 cm x 30 cm)

P 50,000 P 15,000 P 15,000 P 10,000

54 | DAY 1 - THE COLLECTOR’S VAULT


275
Florencio B. Concepcion (1933 - 2006)
Kampanaryo
signed and dated 1957 (lower left)
serigraph 6/20
21” x 11” (53 cm x 28 cm)

P 15,000

276
Hernando R. Ocampo (1911 - 1978)
Abstraction
signed and dated 1974 (lower right)
pen and ink on paper
17” x 12” (43 cm x 30 cm)

P 20,000

277 278 279


Romulo Olazo (1934 - 2015) Orley Ypon (b. 1973) Inocando
Mother and Child Landscape Workers
signed and dated 2008 (lower left) signed and dated 2018 (lower right) signed and dated 2012 (lower right)
pastel on paper oil on canvas acrylic on canvas
12” x 9 1/2” (30 cm x 24 cm) 21” x 16” (53 cm x 41 cm) 24” x 18” (61 cm x 46 cm)

P 45,000 P 35,000 P 10,000

280
Rodolfo Samonte (b. 1941)
Rectangular No. 6
signed and dated 1973 (lower right)
serigraph, 1 / 30
18 3/4” x 14 1/2” (48 cm x 37 cm)

P 5,000

281
Rodolfo Samonte (b. 1941)
Rectangular No. 2
signed and dated 1973 (lower right)
serigraph, A/P
18 3/4” x 14 1/2” (48 cm x 37 cm)

P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 55


León Gallery
FINE ART & ANTIQUES

282 283 284


Leopoldo Aguilar Amador Barquilla Raphael Pagarigan
Abstract Violin Ulila
signed and dated 2007 (lower left) signed and dated 2009 (lower left) signed and dated 2009 (lower right)
mixed media oil on canvas oil on canvas
23” x 15 1/2” (58 cm x 39 cm) 18” x 12” (46 cm x 30 cm) 18” x 12” (46 cm x 30 cm)

P 10,000 P 10,000 P 10,000

285
Antonio Garcia Llamas (1912 - 1999)
“La Boheme” I and IV Actos
signed (lower right)
watercolor on paper
9” x 12” (23 cm x 30 cm)

P 15,000

286 287
Venerable Estrella Cid Reyes (b. 1946)
Anatomy of the Owl Eden
signed and dated 1976 (verso) signed and dated 2019 (lower right)
mixed media acrylic on canvas
24” x 36” (61 cm x 91 cm) 22” x 34” (56 cm x 86 cm)

P 10,000 P 25,000
56 | DAY 1 - THE COLLECTOR’S VAULT
288
Jeona Zoleta (b. 1989)
Untitled
oil on canvas
20” x 14” (51 cm x 36 cm)

P 12,000

289
Fitz Herrera (b. 1978)
Steps Series III
signed and dated 2015 (lower left)
acrylic on paper
18” x 12” (46 cm x 30 cm)

P 15,000

This piece is accompanied by a certificate issued


by Altromondo signed by the artist confirming the
authenticity of this lot

290 291 292


Jaime Roque (b. 1947) Mario Munar Clemente Aragon (b. 1974)
Abstract Saxophonist (Lito Molina) Woman Violinist
signed and dated 2014 (lower right) signed and dated 1982 (lower right) signed and dated 2011 (lower right)
pastel oil on canvas pastel on paper
10 1/2” x 8” (27 cm x 20 cm) 24” x 18” (61 cm x 46 cm) 25” x 19” (64 cm x 48 cm)

P 5,000 P 30,000 P 25,000


This piece is accompanied by a certificate issued by
Galerya Amalya confirming the authenticity of this lot

293
Leopoldo Aguilar
Abstract Form I - IV
signed and dated 2007 (bottom)
mixed media
24” x 18” (61 cm x 46 cm) each

P 15,000
DAY 1 - THE COLLECTOR’S VAULT | 57
León Gallery
FINE ART & ANTIQUES

FERNANDO AMORSOLO
Complexities of Timeless Beauty

P ortraiture is often considered one of the oldest forms of


art, and for a good reason. One can say that while the eyes
are considered the windows to the soul, the portrait gives a
fuller picture of the human condition. National Artist Fernando
Amorsolo’s widely sought-after portraits were not blind to
the connotations that came with creation and production of
a portrait. His portraits were a favorite amongst the upper
echelons of Philippine high society, given that a painted portrait
was seen as a noble necessity that showcases a dignified and
classical upbringing. Hence, Amorsolo’s portraits were often
those who belonged to the upper rungs of the social hierarchy,
such as government officials, esteemed businessmen, and
pedigreed members of important families.

The natural complexity one finds in Amorsolo’s landscapes


are also found in his portraits, from his signature use of large
and wide brushwork that infuses his subjects with an affective
nostalgia, to his meticulous rendering of light and shadow
through a technique called chiaroscuro that emulates the rosy
glow of natural light against his subject’s skin. His portrait
studies are also of high value. In 1914, when Amorsolo was
commissioned to produce a large portrait of U.S. President
Woodrow Wilson, he tinged his work with his own complex
personal style, rivaling the great masters of the western world.
Truly, as far as the tradition of portraiture goes, Amorsolo’s
talent and skill has contributed greatly to what the art form has
stood for.
PROPERTY FROM THE COLLECTION
OF A DISTINGUISHED GENTLEMAN

294
Fernando Amorsolo (1892 - 1972)
Portrait of a Woman in a Terno
signed and dated 1958 (lower left)
oil on canvas
33” x 25” (84 cm x 64 cm)

P 150,000

295
Fernando Amorsolo (1892 - 1972)
Study of a Mother and Child
oil on canvas
7 1/2” x 6 7/8” (20 cm x 18 cm)
This piece is accompanied by a certificate issued by
Mrs. Sylvia Amorsolo-Lazo confirming the
authenticity of this lot

P 150,000
Literature:
Amorsolo-Lazo, Sylvia. Amorsolo: Love & Passion, Volume I.
Amorsolo Foundation, Manila. 2018. p. 138.

58 | DAY 1 - THE COLLECTOR’S VAULT


PROPERTY FROM THE COLLECTION The paintings of the great Filipino master visual artist Fernando
OF A DISTINGUISHED FAMILY Amorsolo are easily recognizable and relatable, especially his widely
celebrated representations of Philippine landscapes and idyllic scenes
and themes. His works show how closely he observed the features
296 of the countryside with an illustrative and romantic approach and
Fernando Amorsolo (1892 - 1972) how he upheld Realist traditions throughout his artistic life. Sceneries
Barrio Scene that are very familiar to Filipinos were taken upon with eye for great
signed and dated 1970 (lower right) detail approximation, and he featured the tropical light of the country
oil on canvas through his signature painterly chiaroscuro technique to achieve a
12” x 16” (30 cm x 41 cm) characteristic glow—his notable technique contribution to Philippine
painting noted by various art critics.
P 600,000
Through his masterpieces, the revered National Artist induced in
This piece is accompanied by a certificate issued by Mrs.
Sylvia Amorsolo-Lazo confirming the authenticity of this lot the traditional and contemporary viewers of his oeuvre the desire to
Proceeds from the sale of this lot to benefit Abot Tala
refocus their gaze from the bustling city scenes to the countryside. This
Foundation. piece, for instance, is composed of rural folk in their everyday work
such as harvesting crops and the carabaos under great care of their
owners, set against a breathtaking illuminated landscape background.
His color palette also evokes nostalgia and captures the universal
beauty of tropical hues, another quality in his work that only shows
how he held himself to the highest technical standards.

Abot Tala Foundation seeks to redefine school. This center serves teens ages 12 to 18 who may feel that regular
school is not a good fit for them and homeschoolers who are looking for a community. Classes are based on the
interests of the teens who have the freedom to choose which ones to join and have one-on-one mentoring sessions
each week. Abot Tala is a member of the Liberated Learners, a network of self-directed learning centers based on
the North Star model started by Ken Danford more than 20 years ago in Massachusetts. Abot Tala opened its doors in
Taguig on June 2019. Families who come to Abot Tala are surprised and grateful to find that a place like this exists.
Their teenager is able to find a community where they belong, thrive, find avenues of expression and learning apt for
their unique selves.

DAY 1 - THE COLLECTOR’S VAULT | 59


León Gallery
FINE ART & ANTIQUES

297 298
Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942)
Siesta Hour Scavenger Series I and II
signed and dated 1974 (lower right) signed and dated 1975 (lower right)
etching, 19/20 etching, A/P
8” x 10” (20 cm x 25 cm) 5 1/2” x 5” (14 cm x 13 cm) each

P 15,000 P 20,000

299
Benedicto Cabrera (b. 1942)
Recuerdos (Portraits of the Past Series)
signed and dated 2010 (lower right)
archival print on arches paper, artist proof
15” x 11” (38 cm x 28 cm)

P 45,000

National Artist BenCab confronts the aesthetic of the arresting


lyricism of a bygone era with his depictions of the Filipina. His
fascination with the Filipiniana in documentary fashion shows
through his pictorial and artisanal painterly works that feature
the Filipina. The subjects are positioned in such a way they look
like being photographed without their knowledge, and their
poses and features reflect gestures out of emotional states. The
colors BenCab uses also evoke nostalgia and add character to
his subjects. Brown would pervade his works, noted to be the
main distinct color of his art. Later works are bathed in a more
colorful palette.

300
Benedicto Cabrera (b. 1942)
Mother and Child (2007)
signed and dated 2010 (lower right)
digital print, 6/20 edition
15” x 11 1/2” (38 cm x 29 cm)

P 30,000

301
Benedicto Cabrera (b. 1942)
Looking Back
signed and dated 2014 (lower right)
digital print, 14/25 edition
33” x 21” (84 cm x 53 cm)

P 40,000

60 | DAY 1 - THE COLLECTOR’S VAULT


302 303 304
Mario Munar Salvador Cabrera (1929 - 1986) Juan Arellano (1888 - 1960)
Pianist Portrait of an Old Man Plantsadora
signed and dated 1982 (lower right) signed and dated 1983 (lower right) signed (lower right)
oil on panel oil on canvas watercolor
25” x 17” (64 cm x 43 cm) 20” x 15 1/2” (51 cm x 39 cm) 12” x 19” (30 cm x 48 cm)

P 30,000 P 20,000 P 20,000

305
Juan M. Arellano (1888 - 1960)
Landscape
signed and dated 1925 (lower right)
oil on canvas
15 1/2” x 19 1/2” (39 cm x 50 cm)

P 80,000

306 307 308


Edgar Doctor (b. 1941) Juan M. Arellano (1888 - 1960) Crispin V. Lopez (1903 - 1985)
Still Life Landscape Seascape
signed and dated 1982 (lower right) signed and dated 1957 (lower right) signed and dated 1970 (lower right)
watercolor watercolor on paper oil on canvas
7” x 9 1/2” (18 cm x 24 cm) 6 1/2” x 9” (16 cm x 23 cm) 29” x 36” (74 cm x 91 cm)

P 5,000 P 15,000 P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 61


León Gallery
FINE ART & ANTIQUES

CESAR BUENAVENTURA
Romancing the Philippine Countryside and Landscape

B uenaventura sought for a naturalism that reaches beyond


appearances. He pursued intensely personal visions of nature. His
meticulously rendered images of commonplace sights provoke a fresh
and idyllic depiction of the material world. Buenaventura’s forte was
landscape and his views of the Philippine countryside are notable for
their solidity of mass, somber color, and brooding atmosphere.

Buenaventura’s art of capturing outdoor scenes and landscapes was


his way of taking stock of his many personal observations in life, be
it inspired by a location or a memory. In a way, his stunning works
were, for him, a personal collection of his own thoughts and feelings
regarding the breadth and majesty of nature itself. His works are
considered one of the best examples of classical Filipino art due to
its stylistic and meticulous provincial character. These have likewise
found an appreciative audience among, from art aficionados to the
common man.

309
Cesar Buenaventura (1922 - 1983)
Woman Between Trees
signed and dated 1976 (lower left)
oil on canvas
40” x 30” (102 cm x 76 cm)

P 50,000

Literature:
Alvero, Jane. Cesar Buenaventura: His Life and His Works. Peso
Book Foundation, Manila. nd. page 24.

310
Cesar Buenaventura (1922 - 1983)
Talon (Waterfalls)
signed and dated 1982 (lower right)
oil on canvas
54” x 37” (137 cm x 94 cm)

P 80,000

62 | DAY 1 - THE COLLECTOR’S VAULT


311
Cesar Buenaventura (1922 - 1983)
Kalesa
signed and dated 1969 (lower right)
oil on canvas
28” x 55” (71 cm x 140 cm)

P 40,000

312
Cesar Buenaventura (1922 - 1983)
Barung-Barong
signed and dated 1976 (lower right)
oil on canvas
35” x 54” (89 cm x 137 cm)

P 40,000

313 314
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983)
Landscape (Kakawate) Landscape (Kakawate)
signed and dated 1972 (lower right) signed and dated 1975 (lower right)
oil on canvas oil on canvas
35” x 55” (89 cm x 140 cm) 24” x 36” (61 cm x 91 cm)

P 40,000 P 30,000

DAY 1 - THE COLLECTOR’S VAULT | 63


León Gallery
FINE ART & ANTIQUES

315
Cesar Buenaventura (1922 - 1983)
Landscape
signed and dated 1963 (lower right)
oil on canvas
25” x 35” (64 cm x 89 cm)

P 30,000

316
Cesar Buenaventura (1922 - 1983)
Maranao Dancer
signed and dated 1965 (lower right)
oil on canvas
36” x 24” (91 cm x 61 cm)

P 30,000

317
Cesar Buenaventura (1922 - 1983)
Vendors
signed and dated 1974 (lower right)
oil on canvas
30” x 20” (76 cm x 51 cm)

P 20,000

318 319
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983)
Fishermen Sunset
signed and dated 1974 (lower right) signed and dated 1978 (lower right)
oil on canvas oil on canvas
12” x 16” (30 cm x 41 cm) 15 1/2” x 19” (39 cm x 48 cm)

P 15,000 P 15,000

64 | DAY 1 - THE COLLECTOR’S VAULT


320
Cesar Buenaventura (1922 - 1983)
Farmers
signed and dated 1967 (lower left)
oil on canvas
14” x 18” (36 cm x 46 cm)

P 15,000

321 322
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983)
Hinulugang Taktak Landscape
signed and dated 1976 (lower right) signed and dated 1972 (lower right)
oil on canvas oil on canvas
36” x 60” (91 cm x 152 cm) 24” x 36” (61 cm x 91 cm)

P 40,000 P 30,000

323 324
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983)
Barrio Scene Fishermen
signed (lower right) signed and dated 1983 (lower left)
oil on canvas oil on canvas
12” x 14 1/2” (30 cm x 37 cm) 15 1/2” x 19 1/2” (39 cm x 50 cm)

P 15,000 P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 65


León Gallery
FINE ART & ANTIQUES

325
Ronson Culibrina (b. 1991)
Woman with Pot (after Fernando
Amorsolo)
signed and dated 2015 (lower left)
mixed media on paper
23” x 18” (53 cm x 46 cm)

P 30,000

For visual artist Ronson Culibrina’s first solo exhibition


titled “Before Sundown” in 2014 at 1335MABINI,
Makati, he presented his paintings drawn from
Fernando Amorsolo’s masterpieces, the country’s
beloved prominent National Artist known for his
idealized, romanticized renditions of rural scenes and
subjects. For this particular work, Culibrina presents
a reinvigorating appropriation piece in which he
referenced Amorsolo’s woman carrying a pot, adding
contemporary elements rendered with his signature use
of bright colors to highlight objects in a monochromatic
piece. The viewer is lured in both the familiar and the
new—one of the features here is the striped sarong
wrapped around the woman’s body instead of the
waist, another is the absence of the classic sleeves
usually present in Amorsolo’s works. Culibrina, listed
among the 2016 Forbes Asia’s 30 Under 30 in the Arts
Category, is popular for his appropriation paintings not
just drawn from Amorsolo’s works but also from other
great masters’ masterpieces such as Félix Resurrección
Hidalgo and Juan Luna.

326 327 328


Nestor Redondo (b. 1935) Mikel Parial C.F. Matias
Guitarist Kalikasan Morong Church
signed and dated 1981 (lower left) signed and dated 1994 (lower right) signed and dated 1993 (lower right)
oil on canvas rubbercut, A/P watercolor
24” x 16” (61 cm x 41 cm) 19” x 15” (48 cm x 38 cm) 20” x 13 1/2” (51 cm x 34 cm)

P 8,000 P 5,000 P 5,000

66 | DAY 1 - THE COLLECTOR’S VAULT


329
Luis Buendia
Abstract (Quadriptych)
signed and dated 2017 (lower right)
mixed media
17 1/2” x 12 1/2” (44 cm x 32 cm)

P 10,000

330
Hermes Alegre (b. 1968)
That’s For Me
signed and dated 2014 (lower right)
oil on canvas
18” x 14” (46 cm x 36 cm)

P 15,000

This piece is accompanied by a certificate issued by


Artes Orientes confirming the authenticity of this lot

331
Luis Buendia
Abstract
signed and dated
2017 (lower right)
mixed media
12” x 8 1/2 332
(30 cm x 22 cm) each Romulo Olazo (1934 - 2015)
Permutations Series
P 5,000 signed (lower right)
serigraph, 6/100
12” x 24” (30 cm x 61 cm)

P 10,000

333 334 335


Menchu Arandilla Julmard Vicente Ronald Jeresano (b. 1983)
Birds of Paradise Flower Series II As Easy as a Bubble
signed and dated 1994 (lower right) signed and dated 2020 (lower right) signed and dated 2009 (lower right)
oil on canvas oil on canvas oil on canvas
22 1/2” x 16 1/2” (57 cm x 42 cm) 60” x 48” (152 cm x 122 cm) 60” x 48” (152 cm x 122 cm)

P 10,000 P 45,000 P 40,000

This piece is accompanied by a certificate signed by the


artist confirming the authenticity of this lot
DAY 1 - THE COLLECTOR’S VAULT | 67
León Gallery
FINE ART & ANTIQUES

336 337 338


Art Jurado Ben Francisco (b. 1935) Francisco Verano (b. 1937)
Nude Nude Nude
signed and dated 1982 (lower right) signed and dated 1987 (lower right) signed and dated 1984 (lower right)
charcoal on paper charcoal on paper pastel on paper
12” x 17 1/2” (30 cm x 44.45 cm) 14” x 19 1/2” (36 cm x 50 cm) 12 3/4” x 19 1/2” (32.3 cm x 50 cm)

P 5,000 P 5,000 P 5,000

339 340 341


Angel Cacnio (b. 1931) Pit Santiago Jose Joya (1931 - 1995)
Nude Nude Nude
signed and dated 2010 (lower right) signed and dated 1985 (lower left) signed and dated 1974 (lower left)
acrylic on paper pastel paper pastel on paper
19 1/2” x 12” (50 cm x 30 cm) 20” x 12 1/2” (51 cm x 32.75 cm) 8” x 10 1/2” (20 cm x 27 cm)

P 5,000 P 5,000 P 15,000

342 343 344


Slim Torres (b. 1923) Jose Pyt Santos Alfredo Roces (1924 - 2011)
Nude Nude Nude
signed and dated 1984 (lower right) signed and dated 1990 (lower right) signed and dated 1975 (lower left)
pastel on paper pastel on paper pastel on paper
13” x 20” (33 cm x 51 cm) 12 3/4” x 19 1/2” (32 cm x 50 cm) 11” x 8 1/2” (28 cm x 22 cm)

P 5,000 P 5,000 P 10,000

68 | DAY 1 - THE COLLECTOR’S VAULT


CESAR LEGASPI
Beauty of the Female Form

PROPERTY FORMERLY IN THE WILI AND


DOREEN FERNANDEZ COLLECTION

345
Cesar Legaspi (1917 - 1994)
Nude
signed and dated 1979 (lower right)
charcoal on paper
21” x 14” (53 cm x 36 cm)

P 40,000

T he use of monochrome, or the implementation of a


single tone of color, has historically and contextually
meant two things. First, it was seen as a method of
The nude works of Cesar Legaspi seemingly combines
these two approaches towards monochromatic art,
showcasing the potential of control and constraint. Often
communicating a sense of spirituality by removing produced during his “Saturday Group” constitutionals,
semblances of materiality and realism, and thus opening his nude drawings offer us a glimpse into both his
up the vagueness of reality towards a much more stark technical prowess and artistic vision. This special nude
sense of universalism. Monochrome was also seen as an piece was a gift from the esteemed Doreen and Wili
exercise in formalism. The limited and stringent use of a Fernandez to the present owner. It showcases Legaspi’s
strict palette often challenged the artist, forcing one to virtuosity on charcoal, of the female form, of lines, light,
come up with new and novel ways of creation through shades and shadows.
shades, color, and form.

DAY 1 - THE COLLECTOR’S VAULT | 69


León Gallery
FINE ART & ANTIQUES

346 347 348


Cesar Amorsolo (1903 - 1988) Jes Lorbes Solomon Saprid (1917 - 2003)
Nude Nude Nude
signed and dated 1975 (lower right) signed and dated 1934 (lower left) signed and dated 1985 (lower right)
oil on canvas oil on canvas pastel on canvas
14” x 10” (36 cm x 25 cm) 25” x 18 1/2” (64 cm x 47 cm) 20” x 16” (51 cm x 41 cm)

P 10,000 P 5,000 P 10,000

349 350 351


Estanislao Evangelista (b. 1956) Cesar Legaspi (1917 - 1994) Juvenal Sansó (b. 1929)
Nude on Chair, Series 3 Nude Nude
signed and dated 1984 (lower left) signed and dated 1969 (lower right) signed (lower right)
acrylic on board pastel on paper collage, mixed media
19” x 24” (48 cm x 61 cm) 10” x 16 1/2” (25 cm x 42 cm) 11 1/2” x 17” (29 cm x 43 cm)

P 5,000 P 10,000 P 15,000

National Artist Jose Joya’s nude


sketches, especially those dated
during his early years, reflect
his attention to human forms,
anatomies, and poses. This 1956
work echoes Joya’s masterful
rendering of the female figure. The
sensual features of the lying nude
are subtle and intimately captured in
its proportions. The female figure’s
pose is complex in composition yet
352 Joya is able to depict it with a direct
Jose Joya (1931 - 1995) approach, bringing out its essence
353
Nude and grace without too much focus
Gus Albor (b. 1984)
signed and dated 1956 (lower right) on eroticism. She is depicted in
Nude
pastel on paper uncompromising expressive lines,
signed and dated 2004 (lower right)
8” X 11” (20 cm x 28 cm) showing how Joya has contributed
charcoal on paper
to the celebration of the portrayal of
12 1/2” x 9 1/2” (32 cm x 24 cm)
P 15,000 intimacy and raw sexuality in art.
P 10,000
70 | DAY 1 - THE COLLECTOR’S VAULT
354 355 356
Julmard Vicente Jose Joya (1931 - 1995) Lydia Velasco (b. 1942)
Plastic Wrapped # 61 Nude Nude
signed and dated 2019 (lower left) signed and dated 1993 (lower left) signed and dated 2013 (lower right)
oil on canvas pastel on paper pastel on paper
48” x 36”(122 cm x 91 cm) 19” x 12” (48 cm x 30 cm) 27” x 19” (69 cm x 48 cm)

P 40,000 P 50,000 P 15,000

This piece is accompanied by a certificate confirming the This piece is accompanied by a certificate issued by Mr.
authenticity of this lot Alexander Joya Baldovino confirming the authenticity of
this lot

357 358 359


Benedicto Cabrera (b. 1942) Mauro Malang Santos (1928 - 2017) Norlito Meimban (b. 1966)
Nude Nude Cynosure
signed and dated 1999 (lower right) signed and dated 1998 (lower right) signed and dated 2017 (verso)
pastel on paper charcoal on paper mixed media
22 1/2” x 15 1/2” (57 cm x 39 cm) 8” x 11” (20 cm x 28 cm) 36” x 24” (91 cm x 61 cm)

P 50,000 P 30,000 P 10,000

360
Solomon Saprid (1917 - 2003)
Nude
pastel on canvas
signed and dated 1979 (lower right)
13” x 19 1/2” (33 cm x 50 cm)

P 10,000

DAY 1 - THE COLLECTOR’S VAULT | 71


León Gallery
FINE ART & ANTIQUES

ANG KIUKOK
Breaking Away from Traditional Representation

PROPERTY FROM THE COLLECTION


OF A DISTINGUISHED DOCTOR

361
Ang Kiukok (1931 - 2005)
Church
signed and dated 1967 (lower left)
oil on panel
14 1/2” x 9” (37 cm x 23 cm)

P 600,000

P hilippine art has long reflected religion, specifically


Catholic secular aesthetic traditions, churches,
and motifs. The prevalence of religious imagery is
church’s visual features are synthesized into a unified
interpretation. The bare details bring out the most
elemental, and his Cubist techniques applied in this
only expected in a country strongly influenced by the work break away from the traditional representations
Catholic Church. National Artist Ang Kiukok, one of the of the church. It is a refreshing rendition of a subject
vanguards of Modern Philippine art who is mostly known matter taken upon by various notable Filipino artists
for his angst-and-agony-ridden depictions of figures and who utilized both traditional and modern approaches
Cubist works, has produced paintings of the Passion through the years. Here, one also sees the influence
of Christ, among other works with religious themes. of the Philippine Art Gallery Neo-Realists and National
This is a significant part of his creative development as Artist Vicente Manansala, his mentor, on Ang.
a master Filipino modern artist with a distinct personal
aesthetic—a combination of Cubist, Surrealist, and When it comes to Ang Kiukok’s works, even the most
Expressionist sensibilities. familiar themes become unique to the eye. Chosen
colors and rendered shapes complement each other and
This painting is one of his chronicles of faith through compositions are charming and intriguing. This is one of
the depiction of a religious image. Expressive in Ang’s his works that shows how Ang masterfully gave life to
signature geometric shapes and color palette, the geometric forms and expressed emotion through his palette.

72 | DAY 1 - THE COLLECTOR’S VAULT


362
Dorothy Spangler
French Street Market
signed (lower left)
oil on panel
40” x 40” (102 cm x 102 cm)

P 50,000

American painter Dorothy Spangler studied and


honed her art style techniques under the mentorship
of the famous Californian plein-air painter William
Ward. Her Europe-inspired paintings, in which the
influences of great impressionist masters are evident,
have been exhibited in various one-woman shows
in Europe and the U.S. Growing up in Northern 363
California, she was drawn to light and color which Dorothy Spangler
are the most noticeable qualities of her works that Flowershop
signed (lower right)
feature rich sceneries and favorite spots in Paris,
oil on panel
France, Southern France, and Italy. Spangler is also
30” x 40” (76 cm x 102 cm)
listed in the archives of the National Museum of
Women in the Arts in Washington D.C. P 50,000

364 365
Brando Bati Elisabeth Fourcade
Mother and Child English Countryside
signed and dated 2016 (lower right) signed (lower right)
oil on canvas oil on canvas
36” x 36” (91 cm x 91 cm) 29” x 36” (74 cm x 91 cm)

P 15,000 P 50,000

DAY 1 - THE COLLECTOR’S VAULT | 73


León Gallery
FINE ART & ANTIQUES

366 367
Gabriel Custodio (1912 - 1993) Gabriel Custodio (1912 - 1993)
Seascape Fishing Boats
signed and dated 1954 (lower left) signed and dated 1955 (lower left)
oil on canvas oil on canvas
14” x 18” (36 cm x 46 cm) 18” x 26” (46 cm x 66 cm)

P 20,000 P 30,000

368
Gabriel Custodio (1912 - 1993)
Tabing-Ilog
signed and dated 1974 (lower right)
oil on canvas
21” x 19” (53 cm x 48 cm)

P 60,000

A Cavite native, Gabriel Custodio was a student of both


Fernando Amorsolo and Fabian de la Rosa. Also one of the most
widely known Mabini artists, he painted idyllic rural scenes and
landscapes as well as folkloric themes. Just like the master artist
Amorsolo, he painted the exactness and realness of what he
saw. This specific painting features how subjects and nipa huts
are set against tropical backdrops, deftly capturing the Philippine
experience through realism. Custodio abided by the traditional
techniques, and he excellently produced art works considered
glimpses of the idealized countryside prized by various collectors.

369
Gabriel Custodio (1912 - 1993)
Seascape
signed and dated 1989 (lower left)
oil on canvas
10” x 14” (25 cm x 36 cm)

P 15,000

74 | DAY 1 - THE COLLECTOR’S VAULT


370
Oscar Salita (b. 1943)
Two Women
signed and dated 1993 (lower left)
oil on canvas
31” x 31” (79 cm x 79 cm)

P 35,000

371
Oscar Salita (b. 1943)
Two Women
signed and dated 1993 (lower right)
oil on canvas
36” x 24” (91 cm x 61 cm)

P 30,000

372 373 374


Toti Cerda (b. 1959) Abu Prudencio Lamarroza (b. 1946)
Bahay sa Tawi-Tawi Seascape Oddity
signed and dated 1999 (upper left) signed and dated 2015 (lower right) signed (bottom)
watercolor acrylic on paper oil on canvas
30” x 40” (76 cm x 102 cm) 11” x 17” (28 cm x 43 cm) 18” x 24” (46 cm x 61 cm)

P 15,000 P 5,000 P 45,000

375 376 377


Demetrio Dela Cruz (b. 1971) Bong Ducat (b. 1957) Menchu Arandilla
Foo Dog Flowers Vegetable Vendor
signed and dated 2017 (lower right) signed and dated 1992 (bottom) signed and dated 2016 (lower left)
oil on canvas acrylic on canvas acrylic on canvas
24” x 24” (61 cm x 61 cm) 30” x 30” (76 cm x 76 cm) 24” x 18” (61 cm x 46 cm)

P 15,000 P 5,000 P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 75


León Gallery
FINE ART & ANTIQUES

POWER, BEAUTY & KNOWLEDGE


In Philippine Antique Maps
by Leovino Ma. Garcia

M aps help us find our place in the world. They do not


only point out where we are and where we want to
go. But they also tell us who we are. Maps instruct us about
Our self-esteem grows as we see our country, the
Philippines, gradually emerging and being put fully on the
map in Petrus Kaerius’s 1598 “Insulae Philippinae,” the first
our history and identity. They provide us with a memory and a separately-printed map of the Philippines (on offer is the
destiny. Maps give us a sense of self-esteem. 1606 edition).

378
Petrus Kaerius (1571 - 1646)
Insulae Philippinae (Les Philippines)
Amsterdam, 1606
hand-colored copperplate engraving
3 1/2” x 5” (9 cm x 13 cm)

P 50,000

To appreciate maps, it may help to look at Pieter Bruegel’s 1558


painting of the “Fall of Icarus”. Borrowing a theme from Ovid’s
Metamorphoses, Bruegel presents a panoramic view with three
characters in the foreground—a farmer, a shepherd, and a
fisherman—too absorbed in their tasks to even notice the tragic
event nearby. Icarus and his father, Daedalus, imprisoned in the
Palace of Minos decide to escape by air, Daedalus constructs flying
machines of wax and feathers. He then orders his son to fly but
not too near the sun. Icarus, out of pride, disobeys him. The wax Pieter Bruegel, Landscape with the Fall of Icarus, 1558
Royal Museum of Fine Arts, Brussels
of Icarus’s wings melt. Icarus plunges into the sea.
culture, commerce, science, and art. Antique maps charm us
In the “Fall of Icarus,” one looks down from a high point with an because they are not only prized objects of beauty and archives
overall view of the world, with all its minute details. This sweeping of knowledge but also coveted instruments of power.
view of the distant and of the detail is called the “Icarian view.”
To look at a map is to view the world from above. It is to be like A map is not only a physical object of knowledge, beauty,
God who oversees everything. To oversee everything is to be and power. It is also an experience which makes us aware of
everywhere, to experience the power of controlling everything and a reality beyond the visible, prompting us to wonder about
everyone. There is a compelling link between maps and power. our unique being. Situated at the intersection of exact science
and art, the study of maps is based on physical description and
Why do antique maps fascinate us? Their appeal comes from the mathematical theory. Yet, it invites the creative imagination to
unique synthesis of geography, exploration, trade, travel, history, come into play.

76 | DAY 1 - THE COLLECTOR’S VAULT


379 380 381
Nicolas Sanson d’Abbeville Nicolas de Fer (1646 - 1720) Philip Clüver (1580 - 1622)
(1600 -1667) Les Isles Philippines et celles des Les Isles De L’Inde Orientale
Les Isles Philippines larrons ou de Marianes 1697
1652 1702 hand-colored copperplate engraving
hand-colored copperplate engraving hand-colored copperplate engraving 9” x 12 1/2” (23 cm x 26 cm)
8 1/2” x 12” (22 cm x 30 cm) 9” x 15 1/2” (23 cm x 34 cm)
P 10,000
P 20,000 P 15,000

382 383 384


Jan Jansson (1588 - 1664) Hermann Moll (c 1654 - 1732) Rigobert Bonne (1727 - 1794)
Insulae Indiae Orientalis Philippine Islands, Agreeable to Les Indes Orientales et Leur
German text (verso) Modern History, A scarce map of the Archipelago
1651 Philippines 1780
copperplate engraving 1708 hand-colored copperplate engraving
7” x 9” (17 cm x 23 cm) hand-colored copperplate engraving 15” x 20” (38 cm x 51 cm)
9” x 11 1/2” (23 cm x 29 cm)
P 10,000 P 15,000
P 40,000

385
Rigobert Bonne (1727 - 1794)
La Presqu’Isle de L’Inde au dela du
Gange, avec L’archipel des Indes,
Partie Orientale
1787
hand-colored copperplate engraving
15” x 10 1/2” (38 cm x 27 cm)

P 15,000

386
Jacques Nicolas Belin (1703 - 1772)
Carte es Isles Philippines, Celebest et
Moluques
first published in 1764
hand-colored copperplate engraving
11” x 8 1/2” (28 cm x 22 cm)

P 10,000

DAY 1 - THE COLLECTOR’S VAULT | 77


León Gallery
FINE ART & ANTIQUES

387 388 389


John Senex (1678 - 1740) Thomas Conder Thomas Conder
A New Map of India and China from ASIA, aggreeable to the most A Map of the East India Islands, aggreable
the latest Observations approved Maps and Charts to the most approved Maps and Charts
1721 1778 1778
hand-colored copperplate engraving hand-colored copperplate engraving hand-colored copperplate engraving
21” x 25” (53 cm x 64 cm) 14” x 18” (36 cm x 46 cm) 9” x 12 1/2” (23 cm x 32 cm)

P 30,000 P 15,000 P 15,000

390
Jacques Nicolas Bellin (1703 - 1772)
Kaart der Philippines Eilanden
1752
hand-colored copperplate engraving
a) 9” x 6” (23 cm x 15 cm)
b) 9” x 12” (23 cm x 30 cm)

P 50,000

391
US Coast and Geodetic Survey
Manila and Cavite Anchorages
1901
copperplate engraving
21” x 15” (53 cm x 38 cm)

P 15,000

392 393
Victor Levasseur (1795 - 1862) Alexander Dalrymple (1737 - 1808)
Asie and Oceanie, In Atlas Universel Illustrê, Attractive vignettes of Sulu and Basilan, Philippines. “The Sooloo
local peoples and indigenous flora and fauna surround the charts Archipelago, Laid down chiefly from
1856 Observations in 1761, 1762, 1763 & 1764”
hand-colored steelplate engraving 1771
14 1/2” x 20” (37 cm x 51 cm) each lithograph
21 1/2” x 30 1/2” (55 cm x 77 cm)
P 10,000
P 35,000
78 | DAY 1 - THE COLLECTOR’S VAULT
394
Rigobert Bonne (1727 - 1775)
Carte Hydro-Geo-Graphique Des Indes
Orientales by en deça et au dela du Gange
avec leur Archipelago
Divided into four parts, the map covers from
the Arabian Sea to the Philippines, and from
Tibet and southern China to Java and Timor.
It includes Thailand, Laos, Tonkin and the
Island of Luzon.
1771
hand-colored copperplate engraving
15” x 20” (38 cm x 51 cm) each

P 40,000

395
Johannes Van Keulen (1654 - 1715)
Philippynse Eylanden
1688
hand-colored copperplate engraving
20” x 22” (51 cm x 56 cm)

P 80,000

DAY 1 - THE COLLECTOR’S VAULT | 79


León Gallery
FINE ART & ANTIQUES

397 398
396 Robert Mordon Nicolaus Visscher I (1618 - 1679)
Antique Map of Asia The Philippine Isles India Orientalis nec non Insularum
1620 hand-colored copperplate engraving Adiacentium nova Descriptio
hand-colored copperplate engraving 4” x 5” (10 cm x 13 cm) 1657
9” x 7 1/4” (23 cm x 18 cm) hand-colored copperplate engraving
P 35,000 21” x 24” (53 cm x 61 cm)
P 30,000
P 30,000

399 400 401


Conrad Malte-Brun (1755 - 1826) Conrad Malte-Brun (1755 - 1826) GT Reynal and Rigobert Bonne
Empire Des Mongols, Ancient Asia Asie Ancienne (Ancient Asia) Carte de L’Empire de la Chine
1810 1810 1780
lithograph engraving and lithograph hand-colored copperplate engraving
10” x 14” (25 cm x 36 cm) 10” x 14” (25 cm x 36 cm) 13” x 9” (33 cm x 23 cm)

P 5,000 P 5,000 P 5,000

402 403 404


Th. Lejeune Th. Lejeune GT Reynal and Rigobert Bonne
Empire Des Mongols, Ancient Asia Asie Ancienne L’ Asie
1810 1833 1780
lithograph lithograph hand-colored copperplate engraving
10” x 14” (25 cm x 36 cm) 10” x 14” (25 cm x 36 cm) 9 1/2” x 14” (24 cm x 36 cm)

P 5,000 P 5,000 P 5,000

80 | DAY 1 - THE COLLECTOR’S VAULT


ROBERTO CHABET
Redefining the Pictorial Discourse

PROPERTY FROM THE COLLECTION OF A DISTINGUISHED DIPLOMAT

405
Roberto Chabet (1937 - 2013)
Untitled
signed and dated 1971 (lower right)
pen and ink and watercolor on paper
8” x 8 1/2” (20 cm x 22 cm)

P 60,000

W idely considered the “Father of Philippine Conceptual


Art,” Roberto Chabet is a seminal foundation of Filipino
art and culture. Inspired by his formal training as an architect,
and by going against the foundational framework of modernity.
The seemingly random brushstrokes and gestures do not imply a
sense of ignorance towards his craft, but showcase his stalwart
Chabet sought to revitalize the existing canon of Filipino art, dedication to uniqueness and originality.
which at that time was still heavily inspired by the formalist
inclinations set about by the Filipino Modernists. Hence, his style His position as studio arts professor at the College of Fine
possessed a conceptual or out-of-the-box aesthetic that did not Arts at the University of the Philippines and his stint as artistic
only challenge the artistic trends of the era, but the very meaning director of the Cultural Center of the Philippines from 1960
and notion of art itself. Chabet often drew upon his immediate to 1971 enabled him to pursue this mission. From here on,
surroundings for both inspiration and material, resulting in Chabet’s art will always have the sense of a multi-layeredness
unorthodox but uniquely inspired creations. in terms of materials, genres, and diffusion over various publics
and over a larger audience.
This particular piece exemplifies Chabet’s aesthetic and
academic rigor by challenging the traditional means of creation

DAY 1 - THE COLLECTOR’S VAULT | 81


León Gallery
FINE ART & ANTIQUES

406 407
Dominador Castañeda (1904 - 1967) Ivan Acuña (b. 1968)
Barrio Scene Abstract (Triptych)
signed and dated 1966 (lower left) signed and dated 2009 (lower right)
watercolor oil on canvas
10” x 13” (25 cm x 33 cm) 36” x 36” (91 cm x 91 cm) each

P 30,000 P 100,000

Former Makati Garden Club (MGC) president Ching Caluag


loves nature, and it shows in both her sincere activeness in
environmental programs such as the Trees Project and fundraising
activities as well as her paintings. She also donated one of her
works in the Festival of Trees, an annual joint environmental
fundraising event sponsored by the MGC and the Philippine
Business for Social Progress (PBSP) that benefits coastal areas
that are ecologically in danger: Maqueda Bay in Western Samar,
Olango Island in Cebu, and the Ragay Gulf in Quezon.

Mentored by the artist-teacher Edgar Doctor, Caluag captures the


fleeting moments of nature and the beauty that surrounds us. Her
408
series of tree and flower paintings, for example, feature nature’s
Ching A. Caluag
inspiring, glorious colors and compositional elements taken at its
Matuod, Batangas - Sunset
straightforward value. In this painting, she showcases the splendid
signed and dated 2018 (lower left)
beauty of the Matuod sunset, evoking a sense of stillness to the
acrylic on canvas
viewer like what one feels upon gazing at the horizon. The sky’s
12” x 24” (30 cm x 61 cm)
bright yet calming hues are reflected in the water, rendered in
P 20,000 such a way that being one with nature is highly encouraged.

409 410
Roberto Balajadia (1945 - 2005) M. Ligon
Pond Barrio Scene
signed and dated 1986 (lower left) signed M. Ligon (lower right)
oil on canvas oil on panel
24” x 30” (61 cm x 76 cm) 18” x 26” (46 cm x 66 cm)

P 10,000 P 15,000

82 | DAY 1 - THE COLLECTOR’S VAULT


411 412 413
Patrick Fernandez (b. 1982) Iya Consorio (b. 1986) Mek Yambao (b. 1989)
Minsan Na Naging Maayos Never Follow Suit She Wolf
signed and dated 2018 (lower right) signed and dated 2015 (lower right) signed and dated 2016 (lower right)
acrylic on canvas oil on canvas mixed media on panel
24” x 24” (61 cm x 61 cm) D: 36” (91 cm) 24” x 24” (61 cm x 61 cm)

P 35,000 P 80,000 P 35,000

This piece is accompanied by a certificate confirming This piece is accompanied by a certificate confirming the This piece is accompanied by a certificate confirming the
the authenticity of this lot authenticity of this lot authenticity of this lot

414
Leonardo Onia Jr. (b. 1986)
Silhouette
signed and dated 2015 (verso)
mixed media (with frame)
22” x 16” (56 cm x 41 cm)

P 10,000
415
Nicomedes Hidalgo
Birds in the Garden
oil on canvas
48” x 48” (122 cm x 122 cm)

P 10,000

416 417 418


Lynyrd Paras (b. 1982) Olan Ventura (b. 1976) Marc Salamat
Untitled Untitled A Clear Vision
signed and dated 2018 (lower right) signed and dated 2013 (left) signed and dated 2018 (lower left)
oil on paper acrylic on canvas on panel oil on canvas
30” x 22” (76 cm x 56 cm) 36” x 24” (91 cm x 61 cm) 36” x 24” (91 cm x 61 cm)

P 80,000 P 80,000 P 40,000


DAY 1 - THE COLLECTOR’S VAULT | 83
León Gallery
FINE ART & ANTIQUES

419 420 421


Jeffrey Salon (b. 1986) Gretel Balajadia Renz Baluyot (b. 1989)
Batboy What’s Left Sandal
signed and dated 2014 (bottom) signed and dated 2018 (lower right) signed and dated 2016 (lower right)
oil and acrylic on canvas with string oil on canvas oil on canvas
24” x 24” (61 cm x 61 cm) 12” x 10” (30 cm x 25 cm) 36” x 24” (91 cm x 61 cm)

P 30,000 P 15,000 P 20,000

422
Popo San Pascual (b. 1964)
Penafrancia
signed (lower left)
acrylic on canvas
44” x 44” (112 cm x 112 cm)

P 50,000

423
Pipo Adido
Sandal
signed and dated 2009 (lower right)
oil on canvas
36” x 48” (91 cm x 122 cm)

P 10,000

424
Popo San Pascual (b. 1964)
Abstract
signed (lower left)
acrylic on canvas
70” x 36” (178 cm x 91 cm)

P 60,000

425
Irish Glori Galon
The Absence of Warmth
signed and dated 2017 (lower right)
acrylic and paper on canvas
36” x 29” (91 cm x 74 cm)

P 10,000

84 | DAY 1 - THE COLLECTOR’S VAULT


426 427 428
Interaction by Francisco Verano, Yani Unsana Epjay Pacheco (b. 1986)
Wilson Ma, Pyt Santos, Nuhai Gua Chu (Girls’ Hangout) Mother
Banz Banez, and Magoo Valencia signed and dated 2016 (lower right) signed and dated 2015 (right)
Abstract oil on canvas mixed media
signed 38” x 50” (97 cm x 127 cm) 18” x 16” (46 cm x 41 cm)
oil on canvas
24” x 18” (61 cm x 46 cm) P 12,000 P 10,000
This piece is accompanied by a certificate issued by Secret Fresh
P 12,000 confirming the authenticity of this lot

429 430 431


Vincent Larosa Juan Arellano Jessy Mondares
Pasig River Untitled Untitled (Diptych)
signed and dated 2004 (lower left) signed and dated 1974 (lower right) signed and dated 2014 (lower left)
oil on canvas oil on canvas mixed media
22” x 29” (56 cm x 74 cm) 12” x 16” (30 cm x 41 cm) 20” x 32” (51 cm x 81 cm)

P 10,000 P 5,000 P 5,000

432 433 434


Jaime Roque (b. 1947) Jaime Roque (b. 1947) Jaime Roque (b. 1947)
Abstract Abstract Untitled
signed and dated 2017 (lower right) signed and dated 2017 (lower right) signed and dated 2015 (verso)
oil on canvas oil on canvas acrylic on canvas
24” x 36” (61 cm x 91 cm) 36” x 24” (91 cm x 61 cm) 24” x 24” (61 cm x 61 cm)

P 30,000 P 30,000 P 25,000

DAY 1 - THE COLLECTOR’S VAULT | 85


León Gallery
FINE ART & ANTIQUES

435 436 437


Steve Santos (b. 1951) Rafael Cusi (b. 1950) Elmer Gernale (b. 1945)
White Landscape Kareta, Tarlac 1821 Series
signed and dated 1984 (upper right) signed and dated 1980 (lower right) signed and dated 1990 (lower left)
yempera on paper watercolor on paper watercolor on paper
9” x 12” (23 cm x 30 cm) 30” x 42” (76 cm x 107 cm) 10 1/2” x 7 1/2” (27 cm x 19 cm)

P 5,000 P 15,000 P 5,000

438 439 440


CJ Tañedo (b. 1979) Ivan Acuña (b. 1968) Rubio Flores
Opiate Abstract Untitled
signed and dated 2018 (lower right) signed and dated 2002 (lower right) signed and dated 1973 (lower right)
oil on canvas oil on canvas mixed media
48” x 36” (122 cm x 91 cm) 24” x 36” (61 cm x 91 cm) 22” x 16” (26 cm x 41 cm)
P 80,000 P 40,000 P 5,000

441 442 443


Renato Balute Trek Valdizno (b. 1968) Rolando Delos Santos
Faces Untitled Mother and Child
signed and dated 2018 (lower right) signed and dated 2002 (lower right) signed and dated 1978 (lower right)
oil on canvas mixed media watercolor on paper
36” x 24” (91 cm x 61 cm) 12” x 8 1/2” (30 cm x 22 cm) 10” x 8 1/2” (25 cm x 22 cm)

P 10,000 P 3,000 P 5,000


86 | DAY 1 - THE COLLECTOR’S VAULT
444 445 446
Ryan Rubio Rommel Sampana (b. 1988) Jason Montinola (b. 1979)
Untitled Masks Deathbird
signed and dated 2006 (upper right) signed and dated 2013 (lower left) signed and dated 2011 (lower right)
pastel on paper oil on canvas oil on canvas
9 1/2” x 7” (24 cm x 18 cm) 11 1/2” x 7 1/2” (29 cm x 19 cm) 12” x 9” (30 cm x 23 cm)

P 10,000 P 5,000 P 20,000

447
Ricky Ambagan (b. 1981)
Dating Gawi
signed and dated 2011 (lower right)
oil on canvas
30” x 30” (76 cm x 76 cm)

P 20,000

448
Jovan Benito (b. 1982)
Almires
signed and dated 2009 (lower left)
oil on canvas
18” x 12” (46 cm x 30 cm)

P 10,000

449 450 451


Jeffrey Jarin (b. 1992) Bernard Del Mundo Mark Lester Espina (b. 1985)
Untitled Reluctant Holy Sheep Stillness
oil on canvas signed and dated 2010 (lower right) signed and dated 2018 (lower right)
48” x 36” (122 cm x 91 cm) oil on canvas oil and acrylic on canvas
48” x 36” (122 cm x 91 cm) 12” x 12” (30 cm x 30 cm)
P 15,000
P 80,000 P 8,000
DAY 1 - THE COLLECTOR’S VAULT | 87
León Gallery
FINE ART & ANTIQUES

452
Paolo Vinluan (b. 1980)
Hayok sa Palayok
signed and dated 2007 (lower right)
acrylic on canvas
40” x 30” (102 cm x 76 cm)

P 20,000

453
Melvin Culaba (b. 1971)
National Artist in the Making
signed and dated 2009 (upper left)
oil on canvas
36” x 40” (91 cm x 102 cm)

P 20,000

454 455 456


Edwin Martinez JJ Zamoranos Sarah Geneblazo (b. 1992)
Untitled Half Man, Half-Wit Down
signed and dated 2016 (lower right) signed and dated 2016 (lower right) signed and dated 2013 (verso)
mixed media on canvas oil on canvas oil on canvas
48” x 36” (122 cm x 91 cm) 48” x 36” (122 cm x 91 cm) 72” x 60” (183 cm x 152 cm)

P 25,000 P 20,000 P 30,000

457
Ronaldo Ruiz (b. 1971)
Abstract
signed and dated 2009 (lower right)
oil on canvas
48” x 96” (122 cm x 244 cm)

P 25,000

88 | DAY 1 - THE COLLECTOR’S VAULT


458 459 460
Ralph Semilla Takashi Murakami (b. 1962) Wire Tuazon (b. 1973)
Huling Hiling sa Kaarawan Flower Ball: Festival Flower Decoration Crossword Series # 21
signed and dated 2019 (lower right) signed and dated 2018 (lower right) signed and dated 2016 (verso)
oil on canvas offset lithograph, 300th edition aerosol lacquer on canvas
48” x 36” (122 cm x 91 cm) D: 18” (46 cm) 24” x 20” (61 cm x 51 cm)

P 15,000 P 50,000 P 15,000

This piece is accompanied by a certificate issued by MADE This piece is accompanied by a certificate issued by KUMI Japanese
confirming the authenticity of this lot Art confirming the authenticity of this lot

461 462
Jeho Bitancor (b. 1967) Jeho Bitancor (b. 1967)
Untitled Paru-parong Bukid
signed and dated 2019 (lower left) signed and dated 2010 (lower right)
oil on canvas oil on canvas
48” x 36” (122 cm x 91 cm) 35” x 27 1/2” (89 cm x 70 cm)

P 100,000 P 80,000

This piece is accompanied by a certificate signed by This piece is accompanied by a certificate confirming
the artist confirming the authenticity of this lot the authenticity of this lot

The alluring works of contemporary artist Jeho Bitancor are mature, personal commentaries on the Filipino
diaspora, societal themes, and collective experiences. Since his student days, his leaning toward quasi-surreal
imagery and the influence of social realism were already evident. His experiences in the advertising world also serve
as great training for honing his skills in conceptualization and mastering creative processes which are apparent in
the expressiveness of the images that pervade his works. Bitancor’s signature symbology blended with social realist
themes reflect the concerns of the current times, yet dark as his timely works are, Bitancor still imbues hope, often
through the presence of doves and the sense of flight of his figures from present plight.

DAY 1 - THE COLLECTOR’S VAULT | 89


León Gallery
FINE ART & ANTIQUES

463 464 465


Dave Lock (b. 1988) Paolo Icasas (b. 1981) Arvi Fetalvero
Leap of Faith Ideal Rest 4 Periphery 2
signed and dated 2013 (lower right) signed and dated 2018 (lower right) signed and dated 2018 (lower right)
pen and ink on paper oil on canvas oil on canvas
23” x 19 1/4” (59 cm x 49 cm) 11 1/2” x 16” (29 cm x 41 cm) 60” x 48” (152 cm x 122 cm)

P 5,000 P 10,000 P 45,000

466
Red Nacpil (b. 1989)
Juan and the Crab King
signed and dated 2015 (left)
oil on canvas
46” x 46” (117 cm x 117 cm)

P 20,000

467
John Marin (b. 1991)
Imahe 4
signed and dated 2017 (lower right)
oil on canvas
48” x 36” (122 cm x 91 cm)

P 25,000

468 469 470


Manok Ventura (b. 1979) Ernesto Veroya Gaston Damag (b. 1964)
43 (Taurus) Virgin Mary Untitled
signed and dated 2014 (lower right) signed and dated 2015 (lower right) signed and dated 2016 (lower right)
found object and acrylic watercolor watercolor
18” x 27” (48 cm x 68 cm) 21” x 14” (53 cm x 36 cm) 25 1/2” x 19 1/2” (65 cm x 50 cm)

P 15,000 P 10,000 P 10,000


90 | DAY 1 - THE COLLECTOR’S VAULT
471 472 473
Buen Abrigo (b. 1986) Gaston Damag (b. 1964) Gaston Damag (b. 1964)
Globalized Modernity 4 Untitled Untitled
dated 2015 (verso) signed and dated 2016 (lower right) signed and dated 2016 (lower right)
acrylic and aerosol on canvas watercolor watercolor
24” x 48” (61 cm x 122 cm) 25 1/2” x 19 1/2” (65 cm x 50 cm) 21 1/2” x 29” (55 cm x 74 cm)

P 15,000 P 10,000 P 15,000

474
Max Balatbat (b. 1978)
Untitled
signed and dated 2016 (lower right)
mixed media
28” x 36” (71 cm x 91 cm)

P 45,000

One of the pioneering voices in


contemporary Filipino abstraction today,
Max Balatbat’s unique take on the
medium showcases both the flexibility
and timelessness of art itself. His style
documents the hidden crevices of human
condition contained within visible spaces
which he depicts through layered patterns
and assemblages. The forms, figures, and
contours of his work, though seemingly
surreal and otherworldly, are inspired by
the hustle-and-bustle of everyday life. For
Balatbat, inspiration is everywhere, one
must just learn how to look for it.

475
Arnica Antillado
Untitled
undated
shadow box diorama with found objects
11 1/2” x 19 1/2” x 7 1/2”
(29 cm x 50 cm x 19 cm)

P 25,000

DAY 1 - THE COLLECTOR’S VAULT | 91


León Gallery
FINE ART & ANTIQUES

476 477 478


Lendl Arvin Iya Consorio (b. 1986) Allan Cosio (b. 1941)
Saturn Secret Tongues Waif
signed and dated 2017 (lower right) signed and dated 2017 (lower right) signed (lower right)
mixed media acrylic on canvas pastel on paper
30” x 24” (76 cm x 61 cm) 24” x 36” (61 cm x 91 cm) 27” x 21” (69 cm x 53 cm)

P 15,000 P 10,000 P 20,000


This piece is accompanied by a certificate issued by Secret
Fresh confirming the authenticity of this lot

Social realist Thomas Daquioag’s works serve as


commentaries to Filipino culture and contemporary
society. The artist is known for depicting the common
man as someone possessing superpowers, posed as
resilient heroes. He also taps into collective or shared
experiences, from political and pop culture trends to
world history and mythology. Viewers are reminded of
past glories and notable periods by his affinity toward
memory and a sense of nostalgia that show in his works.

This piece in particular is an engaging, playful depiction


of the iconic English rock band: The Beatles. Daquioag
479
recently finished his MFA in Painting at the University
Thomas Daquioag (b. 1971)
Meatbeatles of Sto. Tomas, he is the in-house art conservator and
signed and dated 1998 (lower right) restorer of Pinto Art Museum and has been collaborating
oil on panel with fellow visual artist Elmer Borlongan.
48” x 60” (122 cm x 152 cm)

P 35,000

480
Quiñones
Combat Soldier
signed and dated 2009 (bottom)
mixed media
60” x 72” (152 cm x 183 cm)

P 40,000

92 | DAY 1 - THE COLLECTOR’S VAULT


481
Andres Barrioquinto (b. 1975)
Black Rain Series
signed and dated 2014 (top)
pastel on paper
11” x 8 1/2” (28 cm x 23 cm)

P 20,000

This piece is accompanied by a certificate signed by


the artist confirming the authenticity of this lot

482
Andres Barrioquinto (b. 1975)
Portrait of Basquiat
signed and dated 2005 (left) oil on
canvas
12” x 12” (30 cm x 30 cm)

P 45,000

483
Andres Barrioquinto (b. 1975)
Untitled (Salary Man)
signed and dated 2004 (bottom)
pastel on paper
14 1/2” x 9 1/2” (37 cm x 24 cm)

P 40,000

484
Andres Barrioquinto (b. 1975)
Untitled (Girl)
signed and dated 2004 (bottom)
pastel on paper
14 1/2” x 9 1/2” (37 cm x 24 cm)

P 40,000

485 486 487


Potchie Lazaro (b. 1989) Gino Buenaventura (b. 1989) Francis Bejar (b. 1987)
Write Handed DIY Medley Fifer
signed and dated 2015 (verso) signed and dated 2016 (lower right) signed and dated 2015 (lower right)
acrylic and photo transfer on canvas acrylic on canvas acrylic on canvas
48” x 36” (122 cm x 91 cm) 30” x 24” (76 cm x 61 cm) 30” x 24” (76 cm x 61 cm)

P 20,000 P 20,000 P 20,000

DAY 1 - THE COLLECTOR’S VAULT | 93


León Gallery
FINE ART & ANTIQUES

488 489 490


Ronante Maratas Jana Benitez (b. 1986) Jomar Delluba
Abstract My Blacky, Be True Colors
signed and dated 2018 (lower right) signed and dated 2007 (lower right) signed and dated 2011 (verso)
oil on canvas oil on canvas oil on canvas
12” x 11” (30 cm x 28 cm) 40” x 30” (102 cm x 76 cm) 39” x 39” (99 cm x 99 cm)

P 20,000 P 60,000 P 30,000

491
Erick Villaruz (b. 1987)
Untitled
signed and dated 2016 (lower right)
oil on canvas
60” x 60” (152 cm x 152 cm)

P 70,000

492
Jericho “Icos” Santos
Untitled
signed and dated
2016 (lower right)
oil on canvas
16” x 12” (41 cm x 30 cm) each

P 15,000

493
Rene Bituin (b. 1986)
1-2
dated 2014
oil on canvas
60” x 48” (152 cm x 122 cm)

P 15,000

This piece is accompanied by a certificate signed by the


artist confirming the authenticity of this lot

494
Ronald Ventura (b. 1973)
Anito Kristo
signed and dated 2016 (lower left)
archival print, 2 / 13
53” x 40” (160 cm x 101 cm)

P 260,000

94 | DAY 1 - THE COLLECTOR’S VAULT


495
Ronald Ventura (b. 1973)
Untitled
In Collaboration with Juan Caguicla Ung
signed and dated 2008 (lower right)
digital print, 2/5
15” x 40 1/2” (30 cm x 103 cm)

P 100,000

496
Ronald Ventura (b. 1973)
Zoomanities Series (Unique Edition)
fiberglass resin, polyurethaine paint
7” x 5” x 7”
(18 cm x 13 cm x 18 cm)

P 40,000

Unique combinations of figurative forms and


motifs are apparent in Ronald Ventura’s engaging
sculptures. He has produced contemporary art
works that have become highly recognizable images
in the Southeast Asia art scene, fusing cartoons
and hyperrealism with elements of history and pop
culture. He is also a pioneer of creating sculptural
pieces that combine animal and human features
in the country, effectively creating an artistic
equivalent of the famed mythological beast: the
Chimera. Ventura’s use of different techniques in
497
sculpture and his unpredictable imagination as
Ronald Ventura (b. 1973)
he takes upon postmodernism makes the public Zoomanities Series (Unique Edition)
more and more curious on what he’s working on fiberglass resin, polyurethaine paint
12 1/2” x 7” x 7 1/2”
next; he always seems to bring something new and (32 cm x 18 cm x 19 cm)
intriguing to the viewer.
P 40,000

DAY 1 - THE COLLECTOR’S VAULT | 95


León Gallery
FINE ART & ANTIQUES

JAN LEEROY C. NEW


Re-contextualizing Material

498
Jan Leeroy C. New (b. 1986)
Tuyum
mixed media
60” x 41” x 42”
(152 cm x 104 cm x 107 cm)

P 40,000

O ne of the most exciting practitioners of “applied


sculpture” in the Philippine art scene and creative
industry, Jan Leeroy New does not subscribe to anything
Tuyum, upon closer look, reveals the genius of New’s
artistry that plays with concepts inspired by creatures
with distinct exteriors. For this particular mixed-
usual. Any untapped creative platforms and techniques media sculpture, New conceptualized on wordplay. In
also spark his artistic preoccupations. Always fascinated Hiligaynon, tuyum means strength. He then combined
with monsters, aliens, and even undocumented animals, this meaning with the Cebuano word tuyom, which
New creates works that have otherworldly, variant pertains to “sea urchin,” hence the long spines all over
features. Everyday materials, also hardware-sourced the sculpture. Costume-like in details and form, one
materials, are brilliantly utilized; he bends and exhausts sees his depiction of the sea urchin’s exterior that serves
each medium’s qualities. As a sculptor, among other as a vital armor, encasing the body.
creative hats—street artist, fashion designer, production
manager, and jewelry maker—he believes that mere New is the first recipient of the Sculpture Prize of the
creation is not enough. In an interview, he noted how Metrobank Award for Design and Excellence. His work
sculptors have evolved into performance artists and was also featured in the 2nd Singapore Biennale in 2008.
social innovators; art must have a meaningful effect on A recipient of the CCP Thirteen Artists Awards in 2012, he
the viewer. was an Asian Cultural Council fellow in New York in 2016.

96 | DAY 1 - THE COLLECTOR’S VAULT


499 500 501
Iya Consorio (b. 1986) Onib Olmedo (1937 - 1996) Andres Barrioquinto (b. 1975)
Evening Dress Bionic Syndrome Untitled
signed and dated 2015 (back) dated 2016 signed and dated 2013 (Signed at
fiberglass Fiberglass, reinforced resin, acrylic and oil the back)
20” x 22” x 20” 18” x 16” x 8” (46 cm x 41 cm x 20 cm) polyresin
(51 cm x 57 cm x 51 cm) 24” x 18” x 13”
P 15,000 (61 cm x 46 cm x 33 cm)
P 10,000
P 20,000

502
Riel Hilario (b. 1976)
Untitled
signed (bottom)
20”x 5” x 30”
(51 cm x 13 cm x 76 cm)

P 25,000

503
Melbourne Aquino
Crucifix
dated 2018
mixed media
24” x 18” x 4”
(61 cm x 46 cm x 10 cm)

P 15,000

504
M.C. Stracey
Mary and Baby Jesus
signed (lower right)
painted tiles and wrought iron
30” x 6” x 19”
(76 cm x 15 cm x 48 cm)

P 10,000

DAY 1 - THE COLLECTOR’S VAULT | 97


León Gallery
FINE ART & ANTIQUES

505 506 507


Yeo Kaa (b. 1989) Nemo Aguila x Munny KIDROBOT Lynyrd Paras (b.1982)
Untitled (Portrait) Untitled and Yeo Kaa (b. 1989)
signed (lower right) signed 2011 (bottom) Self
ceramic tile acrylic on vinyl toy signed and dated 2017 (verso)
12” x 12” (30 cm x 30 cm) H: 16” (41 cm) hard plastic
D: 13” (33 cm) 16” x 8” x 8” (41 cm x 20 cm x 20 cm)
P 10,000
P 5,000 P 20,000

508 509 510


Be@rbrick x Jean-Michel Be@rbrick x Andy Warhol Takashi Murakami
Basquiat Double Mona Lisa x Uniqlo Doraemon Toy
100% and 400% 100% and 400% polyester
vinyl vinyl 10” x 7 1/2” x 6”
open edition (with box) open edition (with box) (25 cm x 19 cm x 15 cm)

P 6,000 P 6,000 P 3,000

511 512 513


Be@rbrick x Jean-Michel Mindstyle x Disney Mindstyle
Basquiat Mad Mickey aka Manila Mouse Manny Pacquiao “Pac-Man”
100% and 400% (open edition) (open edition)
vinyl 13” (33 cm) 13” (33cm)
open edition (with box) vinyl vinyl

P 15,000 P 10,000 P 10,000

98 | DAY 1 - THE COLLECTOR’S VAULT


514
Elmer Borlongan (b. 1967)
Hari Sonik Gold and Bronze
plastic
10” x 5 1/2” x 2 1/2” each
(25 cm x 14 cm x 6 cm) each

P 10,000

515
Elmer Borlongan (b. 1967)
Hari Sonik Green
plastic
10” x 5 1/2” x 2 1/2”
(25 cm x 14 cm x 6 cm)

P 8,000

516 517 518


Banksy x Brandalism x MEDICOM Ronald Ventura (b. 1973) Ronald Ventura (b. 1973)
Flower Bomber (White) Anito Bart Yellow Anito Bart Black
polystone (with shipping case) 52 / 75 mint in box 52 / 75 mint in box
17” x 14” x 4” (43 cm x 36 cm x 10 cm) matte duco finish on matte duco finish on
polystone approx: polystone approx:
P 50,000 18” (46 cm) in height 18” (46 cm) in height

P 100,000 P 100,000

519
Charles Eames x Vitra
Eames House Bird
alder wood black lacquer finish
legs: steel wire
(with box)
11” x 3 1/2” (28 cm x 9 cm)

P 10,000 520
Doctor Karayom (b. 1992)
Joel Torre
signed 2018 (bottom)
mixed media
16 1/2” x 11” x 10”
(42 cm x 28 cm x 25 cm)

P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 99


León Gallery
FINE ART & ANTIQUES

‘CAUSE IT’S KAWS


Collectible for All Ages

Born in 1974 in New Jersey, Brian


Donnelly, most commonly known as 521
KAWS, is a multi-faceted contemporary Brian Donnelly (KAWS) (b. 1974)
artist based in New York City. He earned KAWS HOLIDAY Hong Kong
his bachelor’s degree in fine arts from Limited Plush Set
the School of Visual Arts and then began 2019
working as a freelance animator for Multi-color
Disney where he worked on a number of 20” (51 cm) each
animated classics such as 101 Dalmatians
P 15,000
and Daria and Doug.

Although he works with and on a variety of


media, KAWS was first discovered through
the iconic limited edition toys and figurines
he produced in the 1990s. His original
creations took the world by storm, landing
him A-list commissions to design for
prominent clothing brands and designers
such as Kung Faux, Commes de Garcon,
Vans, Nike, and Uniqlo.

His fascination with the popular and


illustrative style of the cartoon world
and animation led him to challenge the
definition and distinction between “high”
and “low” art by infusing his commercially
viable style with the connotations of fine 522 523
art auteurship. This synthesis has led critics Brian Donnelly (KAWS) (b. 1974) Brian Donnelly (KAWS) (b. 1974)
KAWS Companion (Open Edition) KAWS 18 Together (Open Edition)
to consistently compare him to pioneering
(blush and flayed) 10” x 9” x 5”
masters such as Jean-Michel Basquiat,
painted cast vinyl (with case) (25 cm x 23 cm x 13 cm)
Keith Haring, and Jeff Koons. KAWS’ works
have graced notable museums and galleries P 30,000 P 18,000
such as the High Museum of Art in Atlanta,
Pennsylvania Academy of Fine Art, and the
Yuz Museum of Shanghai. His pieces can
also be found in the collections of the High
Museum of Art, the Modern Art Museum,
and the Rosenblum Collection in Paris.

KAWS’ playful yet refined aesthetic, rife


with humor, irony, and commentary,
has not only captured the attention of
dealers, collectors, galleries, auction
houses, and museums of the art world,
but the imagination of the general public
as well. His ability to bring together these
two disparate worlds does not only show
524 525
his inherent and unique talent, but also Brian Donnelly (KAWS) (b. 1974) Brian Donnelly (KAWS) (b. 1974)
offers the possibility of a democratic and KAWS Along The Way (Open Edition) Together (Open Edition)
communitarian artistic language as the grey (with box) brown
future of contemporary art. painted cast vinyl painted cast vinyl
10 1/2” × 9” × 5” 10” × 8” × 6”
(27 cm x 23 cm x 13 cm) (25 cm x 20 cm x 15 cm)

P 15,000 P 15,000
100 | DAY 1 - THE COLLECTOR’S VAULT
526
KAWS x Peanuts Toy
In collaboration with Uniqlo
100% polyester
black
one size

P 4,000

527
KAWS x UNIQLO UT SS19
Collaboration (4 pcs.)
100% cotton
short sleeve
size: large

P 3,000

528
Brian Donnelly (KAWS) (b. 1974)
KAWS Companion (Open Edition)
black
painted cast vinyl (with case)

P 12,000

529
Brian Donnelly (KAWS) (b. 1974)
KAWS Small Lie (Open Edition)
brown, black, and grey
painted cast vinyl (with cases)

P 25,000

530
KAWS X Sesame Street
polyester
size variable

P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 101


León Gallery
FINE ART & ANTIQUES

National Artist Jose Joya is mostly known for his abstract


paintings, but he is also celebrated as a versatile artist
who expanded his creative development by producing
sculptures that transcend foreign influences, valued for
its charming elaborate details. Joya has rendered forms
inspired by nature as well, as seen in this 1980 wood
sculpture of a shell. The title fits the piece that perfectly
presents a sense of home, protection, and safety. His
artistic explorations influenced a generation of young
artists in delving into other art forms and utilizing a
variety of techniques instead of sticking into one form
and style.
531
Jose Joya (1931 - 1995)
Shelter Shelter was commissioned by then First Lady Madame
signed and dated 1980 (lower right) Imelda Romualdez Marcos, founder and Minister of
wood Human Settlements, when the PAG-IBIG Fund was
11 1/2” x 6” x 5 1/2”
(29 cm x 15 cm x 14 cm) launched in the 1980s. The big version is with the BSP. A
few of these, like this one from the present owner, were
P 50,000 given to dignitaries.
Provenance: Private Collection, Manila

532
Pablo Mahinay (b. 1946)
Untitled
hardwood
20 1/2” x 8 1/2” x 7”
(52 cm x 22 cm x 18 cm)

P 10,000

533
Pablo Mahinay (b. 1946)
Mother and Child
stone
25 1/2” x 10” x 11 1/2”
(60 cm x 25 cm x 29 cm)

P 15,000

102 | DAY 1 - THE COLLECTOR’S VAULT


534 535
Arturo Luz (b. 1926) Arturo Luz (b. 1926)
Homage to Alvar Aalto Anito
ipil ca. 2015
21” x 21” x 21” ipil and yakal
(53 cm x 53 cm x 53 cm) 36” x 12” x 12”
(91 cm x 30 cm x 30 cm)
P 120,000
P 80,000

536
Guillermo E. Tolentino (1890 - 1976)
Bust of a Lady
signed and dated 1974 (right)
plaster
18 1/2” x 19” x 13” (47 cm x 48 cm x 33 cm)

P 25,000

537
Guillermo E. Tolentino (1890 - 1976)
Bust of a Child
signed and dated 1951 (bottom)
plaster
9” x 7” x 6” (23 cm x 18 cm x 15 cm)

P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 103


León Gallery
FINE ART & ANTIQUES

538 539 540


Lynyrd Paras (b. 1982) Victor Brazil Bautista Daniel dela Cruz (b. 1966)
Sharp Eyes x Secret Fresh Toy Between Heaven and Earth Octopus Lamp
signed and dated 2018 (base) 2014 signed (bottom)
polyresin terracotta metallic paint on resin
9” x 10” x 10” 25” x 14” x 14” 6 1/2” x 13 1/2” x 11”
(23 cm x 25 cm x 25 cm) (64 cm x 36 x 36 cm) (17 cm x 34 cm x 28 cm)

P 5,000 P 15,000 P 10,000

541
Ram Mallari (b. 1966)
Steam-punk Car
signed
ironwork
8 1/2” x 12” x 5 1/2”
(22 cm x 30 cm x 14 cm)

P 15,000

542
Ross Arcilla
Mother and Child
marblel
12” x 8” x 6”
(30 cm x 20 cm x 15 cm)

P 15,000

543
Pepe Mendoza
Untitled
signed (bottom)
mixed media
29” x 16” x 16”
(74 cm x 41 cm x 41 cm)

P 15,000

104 | DAY 1 - THE COLLECTOR’S VAULT


544
Solomon Saprid (1917 - 2003)
Amihan
signed and dated 1979
brass
18” x 16” x 8”
(46 cm x 41 cm x 20 cm)

P 300,000

This piece is accompanied by a certificate issued by the heirs of


Solomon Saprid confirming the authenticity of this lot

Solomon Saprid sculptures have a textured flare due to his excellent


utilization of brass that produced a distinct jagged effect. Regardless
of scale, the respected sculptor adhered to accuracy of form in his
works. Art critic Alfredo Roces described his sculptures as possessing
a “kinetic quality” and a “sense of arrested action.” Saprid refers
to this as “frozen motion,” which became distinctly his. Others also
call his works “live” sculptures. As a versatile artist, there is also
intuition—toward his chosen material, chiefly brass—at work. His
sought-after sculptures are celebrated portrayals of Philippine folklore
as well as historically consequential and religious characters.

545 546 547


Lynnie Laurel Castillo Lynnie Laurel Castillo Lynnie Laurel Castillo
Harana, He Sings Over Me Keep Looking Up Good of all Comfort
signed (lower right) signed (lower left) signed (lower right)
coffee wood, batang wood, and molave wood and brass figures molave wood and brass figures
brass figures 18” x 12” x 26” 18” x 12” x 20”
18” x 8” x 18” (45 cm x 30 cm x 65 cm) (45 cm x 30 cm x 50 cm)
(45 cm x 20 cm x 45 cm)
P 40,000 P 40,000
P 35,000

548
Eduardo Castrillo (1942 - 2016)
Untitled
signed (editioned, bottom)
steel
7” x 12” x 8” (18 cm x 30 cm x 20 cm)

P 15,000

DAY 1 - THE COLLECTOR’S VAULT | 105


León Gallery
FINE ART & ANTIQUES

FINE JEWELRY & ACCESSORIES


Radiantly Brilliant Pieces

549
A Striking Sparkly Diamond Demi
Parure consisting of a Necklace, pair of
Earrings, and Bracelet
14k yellow gold
19 cts. total weight
necklace - 63.7 grams
bracelet - 25.49 grams
earrings - 5.6 grams each

P 400,000

In the world of jewelry making, the knot


continues to be a popular motif incorporated
in fine pieces as it signifies different forms
of bonds. The love knot is an example of a
recurring symbol in Renaissance jewelry, and
another is the Celtic knot that represents
infinity. In contemporary jewelry, the knot adds
a feminine touch in its elegance exuded by
the intricate curves and subtle design details.
This fancy and stunning diamond-and-gold
jewelry set is composed of statement pieces
designed to dazzle and impress. Classic and
timeless diamonds are present in the impressive
necklace, bracelet, and pair of perfectly-
matched earrings, adding sophistication to its
distinctive design. Easy to match with formal
wear, one can also notice its durability.

551
Gold Chain Bracelet
Italian 14k gold
102.9 grams
550
P 80,000
Gold Necklace with Pendant
18 karat gold
7.2 grams
L: 13” (33 cm)

P 8,000

552
Tiffany and Co. Italian Men’s Gold
Bracelet
49.8 grams
L: 8 1/4” (21 cm)

P 35,000
106 | DAY 1 - THE COLLECTOR’S VAULT
553 554
Diamond Gold Ring Diamond Gold Ring
14 karats gold 18 karats
8.9 grams 5.8 grams

P 8,000 P 8,000

555 556 557


Gold Ring A Gold Men’s Diamond Ring White Gold Men’s Diamond
18 karats gold 14k yellow gold Ring
12.5 grams 14k gold
P 100,000
P 12,000 P 50,000

558
Two-Tone Gold Men’s
Diamond Ring
14k gold

P 100,000

559 560
Natural Yellow Diamond Gold Necklace
Rhomboid Shape with 12 karat gold
Baguettes 10.1 grams
18k yellow gold L: 18” (16 cm)
.60 cts
P 7,000
P 30,000

DAY 1 - THE COLLECTOR’S VAULT | 107


León Gallery
FINE ART & ANTIQUES

561
Choker with Diamonds
14k yellow gold
14” (36 cm) in length

P 15,000

562
Three Pieces Gold Ring Bands
left to right:
a) 10k gold - 2.8 grams
b) 18k gold - 6.8 grams
c) 10k gold - 3 grams

P 10,000

563
Four Pieces of Gold Class
and Club Rings
left to right:
a) 14k gold - 11 grams
b) 14k gold - 12.4 grams
c) 18k gold - 19.6 grams
d) 14k gold - 9.3 grams

P 20,000

564
Men’s Gold Ring with Jade Stone
14 k yellow gold
4.5 grams

P 5,000

108 | DAY 1 - THE COLLECTOR’S VAULT


565
A Set of Obsidian Tambourine jewelry
14k yellow gold
necklace - 15” (38 cm) in length bracelet -
6 1/2” (17 cm) in length

P 20,000

566

Georg Jensen Sterling


Silver Moonlight Grapes 567
Pin/Brooch Agate Pendant Necklace
Made in Denmark 24” (61 cm) in length
No. 217A
P 10,000
P 2,000

568
Thomas Sabo Three Sterling Silver
Bangles
# 945
1.68 grams in total

P 3,000

569
A Set of 18K White Gold and
Blue Sapphires Ring and
Earrings with Briliantitos
.23 grams in total

P 20,000

DAY 1 - THE COLLECTOR’S VAULT | 109


León Gallery
FINE ART & ANTIQUES

570
Cameo Brooch with Diamonds
14k gold
26.8 grams

P 25,000

571
Set of Five Gold Rings
with Solitaire Diamonds
14k gold
left to right:
5.6 grams
10 grams
9.2 grams
7.4 grams
4.9 grams

P 25,000

572
A Butterfly Pin with Jade,
Pearls, and Baguettes
Diamonds
14k white gold
15.5 grams

P 10,000

110 | DAY 1 - THE COLLECTOR’S VAULT


573
A Pair of Ruby and Diamonds
Drop Earrings
8.6 grams total weight

P 10,000

575
Gold Brooch with South Sea
574 Pearls and Diamonds
A Set of Amethyst Earrings 14k yellow gold
and Ring with Diamons 13 grams
14k gold
ring: 8.8 grams P 10,000
earrings: 10.6 grams

P 10,000

576
Jade Bangle with
Gold Lock 577
14k yellow gold A Lapis Lazuli Solitaire Ring
60mm diameter with Diamonds
18k gold setting
P 10,000 19.3 grams

P 10,000

DAY 1 - THE COLLECTOR’S VAULT | 111


León Gallery
FINE ART & ANTIQUES

578
Five Pieces of Seiko Vintage Watches

P 3,000

580
Rolex GMT-Master II
Perpetual Date
579 Reference # 16710 / X772732
Bulgari B-Zero 1 Women’s Watch Oyster, 40 mm, 18k white gold
stainless steel case Monobloc middle case,
stainless steel bracelet bangle type screw-down case back and
Swiss quartz winding crown
serial no. D116537 Bidirectional rotatable 24-hour
graduated bezel. Two-colour
P 35,000 blue and red Cerachrom insert
in ceramic, engraved numerals
and graduations
Scratch-resistant sapphire,
Cyclops lens over the date
Waterproof to 100 metres /
330 feet

P 300,000

581
Rolex Vintage Black-Face
White Gold Ladies Watch

P 150,000

582
Girard Perregaux Unisex
Solid Gold Square Watch
18k yellow gold
58 grams

P 60,000

583
Seven Assorted Wristwatches

P 5,000

112 | DAY 1 - THE COLLECTOR’S VAULT


584
A Set of Heart-Shaped Sapphire
with Diamonds
14k yellow gold

P 40,000

585
A Set of Black Pearl Necklace and Ear-
rings with Diamonds
necklace:
105 pearls
61.4 grams
L: 14” (36 cm)

P 30,000

587
Bulgari Pendant Earrings
586 18k yellow gold and onyx
Must de Cartier Vintage Gold
and Wood Frame Oval Glasses P 10,000
1990s
18k gold
comes with original case and certification

P 20,000

588
Must de Cartier Glasses
18k white gold frame
super lightweight
made in France (with box)
certificate # 3380306

P 20,000

DAY 1 - THE COLLECTOR’S VAULT | 113


León Gallery
FINE ART & ANTIQUES

590
589 South Sea Pearls Silver
Set of Ring and Earrings Baroque Pendant with
Rosita Diamonds Baguettes Diamonds
14k white gold Necklace
14k white gold
P 15,000 16” (41 cm) in length

P 25,000

591
Three Rings with Diamonds
592
P 15,000 Gold Pendant with Diamonds
14k yellow gold

P 15,000

593
A Set of Solitaire Mother-of-Pearl
with Diamonds Ring and Earrings
14k yellow gold

P 15,000

594 595
A Set of Ring and Earrings Beaded Red Coral Necklace
Beaded Red Corals with Brooch
and Freshwater Pearls length: 16” (41 cm)
brooch: 1 1/2” (4 cm)
P 10,000
P 10,000

114 | DAY 1 - THE COLLECTOR’S VAULT


596
A Vintage 1920s Diamond Necklace
14k white gold
14” (36 cm) in length

P 50,000

598
A Pair of Heart-Cut Emerald
Earrings with Diamonds
597 14k white gold
Two Gold Rings
a) 18k gold with diamonds P 15,000
13.7 grams
b) 18k gold with emerald
8.1 grams

P 10,000

600
Immaculate Concepcion
Enamel Pendant
24” (61 cm) in length
pendant: 2” (5 cm)
18k gold

P 10,000

599
Two Gold Crucifix Pendants
14k yellow gold
with diamond: 2.6 grams
without diamond: 1.7 grams

P 5,000

DAY 1 - THE COLLECTOR’S VAULT | 115


D AY 2

HEIRESSES’
HOMES
AND TABLES
L’Art de Vivre

Furniture, Objet d’Art, Silver, Glass,


Porcelain, and China

SU N D AY, J U LY 1 9 , 2 0 2 0 | 1 1 : 0 0 A M
León Gallery
FINE ART & ANTIQUES

601 602 603


An Incised Ming Dynasty Longquan An Incised Ming Dynasty Longquan An Incised Ming Dynasty Longquan
Celadon Plate Celadon Plate Celadon Plate
3” x 13 1/2” (8 cm x 34 cm) 3” x 13 1/2” (8 cm x 34 cm) 2 1/2” x 12” (6 cm x 30 cm)

P 8,000 P 8,000 P 4,000

604 605
An Incised Ming Dynasty Longquan Two Ming Dynasty Longquan
Celadon Plate Celadon Plates
2 1/2” x 12” (6 cm x 30 cm) Biggest: 2” x 10” (6 cm x 25 cm)
Smallest: 1 1/2” x 9” (4 cm x 23 cm)
P 4,000
P 4,000

606
Four Celadon Plates
a) H: 1 3/4” (4 cm) b) H: 2 1/2” (6 cm) c) H: 1/2” (1 cm) d) H: 2 1/2” (6 cm)
D: 8 1/2” (22 cm) D: 9 1/2” (24 cm) D: 9 1/2” (24 cm) D: 12 1/2” (32 cm)

P 6,000

118 | DAY 2 - HEIRESSES’ HOMES AND TABLES


607
Two Excavated Song Dynasty Plates
Biggest: 3” x 12” (8 cm x 30 cm)
Smallest: 2” x 11” (5 cm x 28 cm)

P 2,000

608
A Song Dynasty Plate and Two Ming
Dynasty Blue and White Plates
H: 1 1/4” (3 cm) D: 6 1/2” (17 cm)
H: 1 1/2” (4 cm) D: 8” (20 cm)
H: 1 1/2” (4 cm) D: 8 1/2” (22 cm)

P 4,000

609
A 53-Piece Collection of
Ming and Qing Dynasty Jarlets
Biggest: H: 4” (10 cm) x D: H: 4” (10 cm)
Smallest: H: 1” (3 cm) x D: H: 1” (3 cm)

P 10,000

610
A Collection of Twelve Ming and Qing
Dynasty Blue and White Plates
Biggest: 3” x 14” (8 cm x 36 cm)
Smallest: 2” x 9” (5 cm x 23 cm)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 119


León Gallery
FINE ART & ANTIQUES

611 612 613


Lalique Lalique Lalique
Dampierre Bird Vase Bacchantes Vase Bagatelle Bird Vase
H: 5” (13 cm) H: 9 1/2” (24 cm) H: 7” (18 cm)
D: 5” (13 cm) D: 9” (23 cm) D: 5” (13 cm)

P 15,000 P 15,000 P 15,000

614 615
616
Lalique Lalique
Lalique
Opalescent Plumes De Paon Plate Frosted Bowl
Bud Vase
2” x 12” (5 cm x 30 cm) H: 2 1/2” (6 cm)
4 1/2” x 4” (11 cm x 10 cm)
D: 18” (30 cm)
P 15,000 P 10,000
P 15,000

617 618
Lalique Baccarat
Champs-Elysée Grand Bowl Crystal Peacock
8” x 18” x 10” (20 cm x 46 cm x 25 cm) 5” x 4 1/2” (13 cm x 11 cm)

P 25,000 P 5,000

120 | DAY 2 - HEIRESSES’ HOMES AND TABLES


619 620 621
Baccarat Lalique Two Glass Vases
Four Dolphin Figurines Goblet, Dish and Perfume Bottles size variable
size variable size variable
P 1,000
P 4,000 P 5,000

622 623 624


Lalique Lalique Bohemia
Pair of Ashtrays Serving Dish Crystal Glassware
D: 6” (15 cm) each H: 2 1/2” (6 cm) approx height: 4” (10 cm) - 9 1/2” (24 cm)
D: 9 1/2” (24 cm)
P 8,000 P 2,000
P 5,000

625 626 627


Lalique Lalique A Decanter and a Stemless Wine Glass
Columbus’ Sailing Ship Small Vase approx height: 4” (10 cm) - 9” (23 cm)
La Pinta Frosted Art Glass Ashtray 5” x 4” x 4”
H: 1” (2 cm) (13 cm x 10 cm x 10 cm) P 1,000
D: 7” (18 cm)
P 12,000
P 4,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 121


León Gallery
FINE ART & ANTIQUES

628 629
Capidemonte Beer Stein, Four Qing Dynasty Fuyo-De Plates
Wine bucket and Butler Bell Biggest: 2 1/2” x 12” (6 cm x 30 cm)
a) large mug - H: 16” (41 cm) D: 8” (20 cm) Smallest: 1 1/2” x 10” (4 cm x 25 cm)
b) basin vase - H: 11” (28 cm) D: 11” (28 cm)
c) bell - H: 11” (28 cm) D: 5” (13 cm) P 8,000

P 6,000

630 631
A Set of Five Imari Plates A Set of Four Imari Plates
size variable size variable

P 10,000 P 10,000

632 633 634


A Set of Five Imari Plates A Set of Five Imari Plates A Group of Imari Plates and Saucers
size variable size variable 5 pcs plates H: 1 1/2” (4 cm) D: 8 1/2” (22 cm)
5 pcs small plates H: 1 1/2” (4 cm) D: 7 1/2” (19 cm)
1 pc small plate H: 2” (5 cm) D: 5 1/2” (14 cm)
P 10,000 P 10,000 5 pcs saucer H: 1” (3 cm) D: 5” (13 cm)

P 10,000

122 | DAY 2 - HEIRESSES’ HOMES AND TABLES


635
Mikasa
A dinner set
13 Plates
13 Saucers
13 Small Plates
13 Medium Bowls
2 Bowls
3 Serving Plate
13 Mugs

P 5,000

636 637
Two Oriental Charger Plates Philkraft Royale
2” x 14 1/2” (5 cm x 37 cm) Twelve Porcelain Plates
D: 10 1/2” (27 cm) each
P 3,000
P 5,000

638 639 640


An Oriental Bowl 12 Pieces Plates A Ceramic Basket of Fruits
6” x 12” (15 cm x 30 cm) 1” x 8 1/2” (3 cm x 22 cm) H: 10” (25 cm)
D: 20 1/2” (52 cm)
P 1,000 P 2,000
P 2,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 123


León Gallery
FINE ART & ANTIQUES

641
An Ensemble of Fifty three Stemmed
Glasses and Eleven bowls
13 pcs goblets
13 pcs champagne glasses
11 pcs goblets
13 pcs goblets
13 pcs bowls
biggest: 8 1/2” x 3 1/2”
smallest: 7” x 2 1/2”

P 5,000

642
Concerto
Crystal Goblets for 24
H: 7 1/2” (19 cm)
D: 3” (8 cm)

P 7,000

643
A 29-piece Dinnerware Set
size variable

P 5,000

124 | DAY 2 - HEIRESSES’ HOMES AND TABLES


644 645 646
A Blue and White Charger Plate 6 pcs White and Red Plates English Ceramic Plate
2 1/2” x 14” (6 cm x 36 cm) 1 1/2” x 8 1/2” (4 cm x 22 cm) 2” x 8 1/2” (5 cm x 22 cm)

P 10,000 P 5,000 P 3,000

649
647 648
Juvenal Sansó (b. 1929)
Ang Kiukok (1931 - 2005) Romulo Galicano (b. 1945)
Landscape
Mother and Child Mother and Child
ceramic plate
signed and dated 1989 (lower right) ceramic plate
79 / 300 edition
ceramic plate 1768/2000 edition
D: 10” (25 cm)
H: 1”(3 cm) 12” x 12” (30 cm x 30 cm)
D: 8 1/2” (22 cm)
P 3,000
P 3,000
P 3,000

650 651 652


An Imari Charger Plate Hernando R. Ocampo (1911 - 1978) Andy Warhol (1928 - 1987)
2” x 14 1/2” (5 cm x 37 cm) ceramic plate (detail of Abstraction 104) Campbell soup plate (with box)
D: 10” (25 cm) 8 1/2”(22 cm)
P 3,000
P 3,000 P 5,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 125


León Gallery
FINE ART & ANTIQUES

653 654 655


A pair of Johann Georg Hossauer A Set of Gold Cutlery Five Teaspoons
Sterling Silver Candle Stick sign: Roger Co. size variable
19th century size variable
H: 9” (23 cm) each P 1,000
D: 5” (13 cm) each P 1,000
1200 grams total weight

P 15,000

656
657
A Champagne Bottle Holder
A Six-piece Sterling Silver Vanity Set
silver
size variable
H: 12” (30 cm)
approx: 1400 grams total weight
D: 15” (38 cm)
approx: 1600 grams
P 8,000
P 15,000 658
A Silver Candelabra
(rotating holder)
silver plate
31” x 19” x 19”
(79 cm x 48 cm x 48 cm)
2600 grams

P 10,000

659
Pair of Candelabras
(fixed holder)
silver plate
31” x 17” 9”
(79 cm x 43 cm x 23 cm) each
4900 grams total weight

P 30,000

126 | DAY 2 - HEIRESSES’ HOMES AND TABLES


SILVER CANDELABRAS

660 These vintage silver candelabras of high quality serve as elegant decorative
A Pair of Silver Candelabras pieces to anyone’s sophisticated tabletop. The luxurious antique’s stunning
16” x 11” x 11” traditional features and ornate shapes and curves of the stem and arms add
(41 cm x 28 cm x 28 cm) each
3600 grams total weight to its captivating appeal. A desirable household objet d’art since its popularity
in the 1800s, antique silver candelabras are perfect in providing warm glow
P 40,000 to one’s space and displaying one’s elevated status.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 127


León Gallery
FINE ART & ANTIQUES

FRONT BACK
FRONT BACK
661 662
George T. Morgan (1845 - 1925) Philippines Spanish Isabel Isabella II (1833-1868)
1921 Morgan Silver Dollar 4 Pesos Gold Coin
Ca. 1921 Ca. 1862
U.S. Mint’s series of “cartwheel” silver coins gold (.875 g)
1 3/10” (3 cm) 21mm (2.1 cm)

P 3,000 P 15,000

FRONT BACK FRONT BACK

663 664
Philippines Spanish Isabel Isabella II (1833-1868) Marcos-Reagan Commemorative 25 Peso Coin
4 Pesos Gold Coin Ca. 1982
Ca. 1888 1 3/10” (3 cm)
gold (.875 g)
21 mm (2.1 cm) P 3,000

P 15,000

665 666
An Assortment of Glass Bowls and Coasters An Art Nouveau Vanity Set of Glass with
with Silver Trimming Silver Overlay
4 small bowls, 2 medium bowls, and 15 coasters size variable
size variable
P 5,000
P 3,000

667
An Assortment of Tableware
size variable

P 1,000

128 | DAY 2 - HEIRESSES’ HOMES AND TABLES


STERLING SILVER TEA SET

W
668
A Silver Coffee and Tea Set hen it comes to intimate or huge gatherings and parties at
size variable home, it can be said that the table is one’s creative canvas. Since
3500 grams total weight the early days, silver has been traditionally used in decorating
the table to step up fine dining and make dinners and banquets more
P 100,000
memorable and special, elevating any setting to a grand celebratory status.
Even contemporary tables are made more stylish with silverware, emulating
the 18th and 19th-century styles in which the table was laden with intricately
elegant and sophisticated silver pieces, exotic fruits, and arranged flowers.

Silverware sets the scene, becoming ornate centerpieces of high value,


hence the appeal to collectors. Whether for display or everyday use, this
lovely sterling silver tea set is a must-have with its charming intricate motifs
and classic patterns—a long-lasting luxury that brings elegance to one’s
table setting, perfect for tea parties or just a lovely afternoon of enjoying
conversations with people over tea.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 129


León Gallery
FINE ART & ANTIQUES

669 670 671


Two Late Qing Dynasty Footed A Late Qing Dynasty Cauldron Two Qing Dynasty Footed Celadon
Celadon Planters Shaped Celadon Planter Planters
9 1/2” x 10” x 10” H: 6” (15 cm) 10” x 11” x 11”
(24 cm x 25 cm x 25 cm) each D: 12” (30 cm) (27 cm x 28 cm x 28 cm) each

P 18,000 P 6,000 P 15,000

672
Two Qing Dynasty
Celadon Planters
size variable
673
P 10,000 Two Qing Dynasty
Celadon Planters
size variable

P 10,000

674 675 676


A Qing Dynasty Cauldron Shaped A Vintage Cobalt Blue Planter A Late Qing Dynasty Cauldron Shaped
Celadon Planter H: 4” (10 cm) Celadon Planter
H: 8” (20 cm) D: 10” (25 cm) H: 8 1/2” (22 cm)
D: 11” (28 cm) D: 12” (30 cm)
P 2,000
P 6,000 P 7,000

677 678
Two Blue and White Hexagonal Two Late Qing Dynasty Cauldron
Qing Dynasty Planters Shaped Celadon Planters
5 1/2” x 9” x 7 1/2” H: 8” (20 cm) each
(14 cm x 23 cm x 19 cm) each D: 10 1/2” (27 cm) each

P 4,000 P 15,000

130 | DAY 2 - HEIRESSES’ HOMES AND TABLES


TEMPLE JARS
AND LACQUERED PEDESTALS

679
Two Qing Dynasty Temple Jars
on a Pair of Lacquered Pedestals
Jars:
H: 26 D: 15 1/2” (66 cm x 39 cm)
Pedestals:
H: 40 1/2” D: 20” (103 cm x 51 cm)

P 60,000

H
ighly valued for its durability and
suitability for decorating spaces,
blue-and-white porcelains from
the Qing dynasty have highly impressive
shapes, bold and rich designs, and
artisanal executions of unique patterns.
Elaborate designs define the layout, as
recorded in the history of the celebrated
tradition of Chinese porcelain; in
composition, quintessentially Chinese
motifs were employed. Porcelain painters
of this period may be inspired by foreign
aesthetics yet still created their own
versions of oriented features.

Large blue-and-white porcelains of the


Qing dynasty are also considered amongst
the most characteristic and impressive
products of the said period, highly sought-
after in the West. This pair of temple jars,
placed in carved wood pedestals, present
the magnificence of the Chinese use of
cobalt-blue glaze pigment in porcelain.
Showcased are motifs distinct to the
period, from the Foo dogs, dragon, and
phoenix to the full and wisp clouds,
peonies, chrysanthemums, and waves—all
symbols of abundance.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 131


León Gallery
FINE ART & ANTIQUES

680 681 682


A Qing Dynasty Pukaw Jar A Qing Dynasty Pukaw Jar A Qing Dynasty Pukaw Jar
H: 13” (33 cm) H: 9” (23 cm) H: 14” (36 cm)
D: 18” (46 cm) D: 9” (23 cm) D: 11” (28 cm)

P 18,000 P 15,000 P 18,000

685
683 684 Two Imari Vases
A Qing Dynasty Pukaw Jar A Famille Verte Jar H: 15”and 11” (38 cm and 28 cm)
H: 9 1/2” (24 cm) H: 16” (41 cm) D: 7” (18 cm) each
D: 8” (20 cm) D: 14” (36 cm)
P 2,000
P 15,000 P 4,000

686
A Brown Glazed Jar
H: 20” (51 cm)
D: 15” (38 cm)

P 4,000

687
A Martaban Jar
H: 23” (58 cm)
D: 17” (43 cm)

P 4,000

132 | DAY 2 - HEIRESSES’ HOMES AND TABLES


688 689
A Slope Shouldered Wucai Ewer A Pair of Dragon Form Spouted
H: 8” (20 cm) Jars with Paired Side Handles
D: 7” (18 cm) H: 15” (38 cm) each
D: 16” (41 cm) each
P 2,000
P 3,000

690 691 692


A Blue and White Temple Jar An Oriental Jar A Koryo Bottle Vase
H: 18” (46 cm) D: 10” (25 cm) H: 14” (36 cm) H: 10” (25 cm)
D: 9” (23 cm) D: 5” (13 cm)
P 15,000
P 6,000 P 3,000

693
“A Thousand Arm” Statuette of
Avalokiteshvara
Porcelain
33” x 14” x 11”
(84 cm x 36 cm x 28 cm)

P 5,000

694
Two Temple Jars
with Foo Dog Finials
H: 23” (58 cm) each
D: 16” (41 cm) each

P 5,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 133


León Gallery
FINE ART & ANTIQUES

695 696 697


A Fishbowl Planter with Fishes in a A Blue and White Lidded An Oriental Group Comprised of Two
Pond Motif Ginger Jar Lidded vessels and a Tibetan Grass Bottle
H: 18” (46 cm) H: 7” (18 cm) Big: 10” x 6” x 7” (25 cm x 15 cm x 18 cm)
D: 20” (51 cm) D: 8” (20 cm) Tall: H: 12 1/2” (32 cm) D: 5” (13 cm)
Small: H: 8” (20 cm) x 6” (15 cm)
P 7,000 P 3,000
P 4,000

698 699 700


A Blue and White Temple Jar with Two Oriental Umbrella/Cap Stands A Pair of Oriental Themed
a Foo Dog Finial and Stylized or Cylindrical Vases Table Lamps
Chrysanthemums Motifs H: 19” (48 cm) each H: 36” (91 cm) each
H: 19” (48 cm) D: 8” (20 cm) each D: 19” (48 cm) each
D: 12” (30 cm)
P 15,000 P 5,000
P 3,000

701 702 703


Two Rouleau Shaped Vases with A Blue and White Rouleau Shaped Two Rouleau Shaped Vases with
Paired handles and a Double Vase with Paired Handles Paired Dragon form Handles
Happiness Motif H: 17” (43 cm) 24” x 8 1/2” (61 cm x 22 cm) each
H: 23” (58 cm) each D: 7” (18 cm)
D: 8” (20 cm) each P 8,000
P 4,000
P 8,000

134 | DAY 2 - HEIRESSES’ HOMES AND TABLES


704 705 706
A Qing Dynasty Blue and A Blue and White Jar with a Motif A Blue and White Stemmed Bowl
White Lidded Ginger Jar of Hunters on a Field and Censer
H: 7 1/2” (19 cm) H: 14” (36 cm) H: 6 1/2” (17 cm) each
D: 6 1/2” (24 cm) D: 14” (36 cm) D: 7” (18 cm) each

P 12,000 P 6,000 P 4,000

707 708
Five Decorative Items A Qing Dynasty Blue and White
a) H: 10” (25 cm) D: 6” (15 cm) each Pukaw Jar
b) H: 9” (23 cm) D: 5” (13 cm) each H: 15” (31 cm)
D: 13” (33 cm)
P 1,000
P 18,000

709 710 711


A Temple Jar with A Moroccan Lidded Jar With A Lantern-Shaped Jar With a Theme
A Dragon Amongst the Metal Overlay Depicting Children at Play
Clouds Motif H: 18” (46 cm) H: 11” (28 cm)
H: 18” (46 cm) D: 9” (23 cm) D: 7” (18 cm)
D: 9” (23 cm)
P 6,000 P 8,000
P 12,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 135
León Gallery
FINE ART & ANTIQUES

712 713 714


Celadon Censer Late Qing Dynasty Celadon Planter Late Qing Dynasty Celadon Planter
H: 6” (15 cm) H: 12” (30 cm) H: 9” (23 cm)
D: 12” (30 cm) D: 16” (41 cm) D: 13” (33 cm)

P 5,000 P 6,000 P 10,000

717
715 716 A Small Dragon Jar
Kamot Jar Tapayan H: 11” (28 cm)
H: 9” (23 cm) H: 9” (23 cm) D: 12” (30 cm)
D: 9” (23 cm) D: 17” (43 cm)
P 4,000
P 1,000 P 1,000

718 719
720
A Pair of Kamot Jars Decorative Metallic Glaze Vase
A Five-piece Oriental
H: 9 1/2” (24 cm) each H: 9” (23 cm)
Ceramic Set
D: 10” (25 cm) each D: 7” (18 cm)
size variable
P 3,000 P 1,000
P 5,000

136 | DAY 2 - HEIRESSES’ HOMES AND TABLES


721
A Martaban Jars
H: 15” (38 cm)
D: 12” (30 cm)

H: 14” (36 cm)


D: 12” (30 cm)

P 8,000

722
A Brown-Glazed Jar
H: 22” (56 cm)
D: 14” (36 cm)

P 10,000

723
A Brown Glazed Jar
H: 20 1/2” (52 cm)
D: 15” (38 cm)

P 10,000

726
724 725 An Antique Japanese Jar
A Martaban Jar A Martaban Jar H: 26” (66 cm)
H: 23” (58 cm) H: 31” (79 cm) D: 16” (41 cm)
D: 18” (46 cm) D: 17” (43 cm)
P 25,000
P 6,000 P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 137


León Gallery
FINE ART & ANTIQUES

727
An Oversized Ceramic Planter
H: 32” (81 cm)
D: 32” (81 cm)

P 25,000

728
A Guang cai Glazed Jardiniere
Decorated With Figural Panels
ceramic
H: 18 1/2” (47 cm)
D: 21 1/2” (55 cm)

P 10,000

729
Three Green-Glazed Garden Stools
wood and marble
17 1/2” x 17” x 17”
(44 cm x 43 cm x 43 cm) each

P 9,000

730
A Pair of Oversized Planters
H: 28” (71 cm) each
D: 36” (91 cm) each

P 15,000

731
Two Black Glazed Planters
H: 19” (48 cm) each
D: 27” (69 cm) each

P 10,000

138 | DAY 2 - HEIRESSES’ HOMES AND TABLES


732
Three Gu-Form Plantstands or Pedestals
H: 29” (74 cm) each
D: 14” (36 cm) each

P 20,000

733
Two Garlic Mouth Vases
H: 17” (43 cm)
D: 16” (41 cm)

P 2,000

734
A Garden Accent Piece
45” x 20” x 19 1/2”
(114 cm x 51 cm x 50 cm)

P 2,000

736
735 A Sancai Glazed Horse
Eight Blue Glazed Planters 19” x 7” x 21”
size variable (48 cm x 18 cm x 53 cm)

P 4,000 P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 139


León Gallery
FINE ART & ANTIQUES

739
737 738
Small Clay Pot
A Gu Form Flame Glaze vase A Recycled Spanish Glass Bowl
clay
H: 13” (33 cm) and Indian Brass Tray
H: 4” (10 cm)
D: 7 1/2” (19 cm) 7” x 7” x 15”
D: 4” (10 cm)
(18 cm x 18 cm x 38 cm)
P 4,000 D: 16" (41 cm)
P 1,000
P 3,000

740 741
Two Blue Foo Dog Figurines and A Song Dynasty Ceramic Pillow With
a Blue Glaze Vase Bacun-Type Glaze
13” x 3” x 5” 4 1/2” x 7” x 12” (11 cm x 18 cm x 30 cm)
(33 cm x 8 cm x 13 cm) each
P 4,000
P 1,000

742 743
A Pair of Sancai glazed Ewers Modern Geometric Vase
H: 15” (38 cm) 11” x 7” x 4” (28 cm x 18 cm x 10 cm)
D: 7” (18 cm)
P 1,000
P 3,000

140 | DAY 2 - HEIRESSES’ HOMES AND TABLES


744
An Early 20th Century
Image of San Antonio de Padua
baticuling
13 1/2” x 5” x 4 1/2”
(34 cm x 13 cm x 11 cm)

P 10,000

745
An Excavated Anthropomorphic Figure
stone
9” x 3 1/2” x 3 1/2”
(23 cm x 9 cm x 9 cm)

P 5,000

746 747 748


A Narra Art Nouveau Frame Virina with Wooden Base Galloping Horse Figurine
39” x 33” x 1” 21” x 15” x 9” resin
(99 cm x 84 cm x 3 cm) (53 cm x 38 cm x 23 cm) 9” x 13” x 4”
(23 cm x 33 cm x 10 cm)
P 20,000 P 30,000
P 1,000

749 750
An Assortment of Four Vases A Brown Glazed Jar
size variable H: 9” (23 cm)
D: 10” (25 cm)
P 2,000
P 1,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 141


León Gallery
FINE ART & ANTIQUES

751
An Assortment of 17 Brass
Decorative Figurines
size variable

P 2,000

752 753
754
A Betel Nut Cracker Two Oriental Architectural
A Pair of Pink Carnival Glass Vases
steel Details
H: 10” (25 cm) each
6” x 14” (15 cm x 36 cm) wood
D: 5” (13 cm) each
6” x 14” (15 cm x 36 cm)
P 1,000
P 3,000
P 2,000

755 756 757


A Pair of Alabaster Pedestals A Pair of Alabaster Pedestals A Pair of Wooden Pedestals
H: 43” (109 cm) each 42” x 11 1/2” x 11 1/2” H: 41”(105 cm) each
D: 11” (28 cm) each (107 cm x 29 cm x 29 cm) each D: 14” (36 cm) each

P 18,000 P 18,000 P 12,000

142 | DAY 2 - HEIRESSES’ HOMES AND TABLES


758 759
A Brass Tibetan Singing Bowl set A Mortar and Pestle set with
H: 5” (13 cm) Six Earthenware Potteries
D: 8” (20 cm) size variable

P 10,000 P 3,000

760 761
A Molave Kariton Hub An Assortment of Items
H: 10” (25 cm) size variable
D: 9 1/2” (24 cm)
P 1,000
P 1,000

762 763 764


A Decorative Statuette An Oriental Tribute Horse Two Ethnic Baskets (Palawan)
H: 19” (48 cm) 25” x 25” x 9” hardwood, rattan, and bamboo
D: 7” (8 cm) (64 cm x 64 cm x 23 cm) small: 18 3/4” x 10 1/2” x 6”(48 cm x 27 cm x 15 cm)
big: H: 17” (43 cm) D: 25 1/2” (65 cm)
P 5,000 P 15,000
P 2,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 143


León Gallery
FINE ART & ANTIQUES

765 766 767


A Pair of Chinese Cloisonné Duck A Pair of Brass Figurines on a Two Sancai Glazed Animal Form
Figurines wooden base Figurines
6” x 3 1/2” x 6 1/2” 13 1/2” x 17” x 7” 11” x 9” x 4”
(15 cm x 9 cm x 17 cm) (34 cm x 43” x 18 cm) (28 cm x 23 cm x 10 cm)

P 8,000 P 5,000 11” x 9” x 4 1/2”


(28 cm x 23 cm x 11 cm)

P 3,000

768 769 770


A Brass Mirror with Two Wall Sconces Arcahaistic Animal Form Brass Censer A Pair of Glazed Dragon Figurines
36” x 24” (91 cm x 61 cm) 17” x 7” 17” (43 cm x 18 cm x 43 cm) 10 1/2” x 11” x 8”
(27 cm x 28 cm x 20 cm)
P 15,000 P 6,000
P 6,000

771
Three Excavated Tang
Dynasty Figurines
a) 42” x 11” x 11”
(107 cm x 28 cm x 28 cm)
b) 23” x 7” x 27”
(58 cm x 18 cm x 69 cm)
c) 17” x 7” 17”
(43 cm x 18 cm x 43 cm) 772
A Wall Mounted Mirror
P 20,000 12” x 9” (30 cm x 23 cm)

P 1,000

144 | DAY 2 - HEIRESSES’ HOMES AND TABLES


773 774 775
A Wall Mounted Mirror with a Hammer A Wooden Foyer Mirror A Gothic inspired Foyer Mirror
Detailed Aluminum Frame wood resin
aluminum 44” x 28” (112 cm x 71 cm) 47” x 27” (119 cm x 69 cm)
43” x 36” (109 cm x 31 cm)
P 5,000 P 5,000
P 1,000

776
A Foyer Mirror
D: 63” (160 cm)

P 1,000

777
Venetian Style Mirror
43” x 52” (109 cm x 132 cm)

P 2,000

778 779 780


A Wall Mounted Mirror A Wall Mounted Mirror with A Mirror with Decorative Frame
45” x 35” (114 cm x 89 cm) Sampaguita Glass and Hammered 35” x 25” (89 cm x 64 cm)
Frame
P 1,000 44” x 34” (112 cm x 86 cm) P 1,000

P 1,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 145
León Gallery
FINE ART & ANTIQUES

781 782
Decorative Balinese Painting A Decorative Item 783
17” x 19” (43 cm x 48 cm)) clear resin Pendulum Clock
5” x 5 1/2” x 5” (13 cm x 14 cm x 13 cm) 30” x 13” x 6”
P 3,000 (76 cm x 33 cm x 15 cm)
P 1,000
P 1,000

784 785 786


A Brass Hanging Vessel Three Native Decors A Brass Image of Virgin Mary
H: 16” (41 cm) hardwood and Child Jesus
D: 6” (15 cm) size variable 25” x 8” x 6” (65 cm x 20 cm x 15 cm )

P 1,000 P 2,000 P 2,000

787 788 789


An Oriental Box on a Wooden base Decorative Brass Canon Emes Mantle Clock
7” x 5” x 8” 6 1/2” x 4” x 17 1/2” 8” x 18” x 5”
(18 cm x 13 cm x 20 cm) (17 cm x 10 cm x 44 cm) (20 cm x 46 cm x 13 cm)

P 3,000 P 2,000 P 3,000

146 | DAY 2 - HEIRESSES’ HOMES AND TABLES


790 791
A Pair of Moroccan Six Pieces Ifugao Wood Spoons on Custom
Cloisonné Horns Metal Stands
3 1/2” x 2” x 4” approx: 7 - 11 inches height
(9 cm x 5 cm x 36 cm)
P 7,000
P 5,000

794
Kristine Anne Ostrich Farm
Pair of Ostrich Eggs
H: 5” (13 cm) D: 4” (10 cm) each

P 2,000
792 793
Goat Skeleton Decor Two Song Dynasty Sancai
bone Glazed Figures
5 1/2” x 13” x 8” 17” x 4” x 4”
(14 cm x 33 cm x 20 cm) (43 cm x 10 cm x 10 cm)

P 1,000 P 2,000

795 796 797


A Group of Tibetan Singing Bowls An Alabaster Lamp and Two Three Stylized Canes
brass Wooden Boxes L: 34” (86 cm)
size variable approx height: 2 1/2”(6 cm x 25 cm)
P 1,000
P 10,000 P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 147


León Gallery
FINE ART & ANTIQUES

PROPERTY OF A VERY DISTINGUISHED COLLECTOR

798
A Samurai Oyo-Roi
with armor box case
58” x 19” x 20”(147 cm x 48 cm x 51 cm)

P 400,000

The oyoroi, which means “great armor,” was traditionally


worn by mounted samurai since the 10th century in
Japan. In ancient days, it consisted of wrought pieces of
steel attached with an elegant thread used to sew iron
pieces called odoshige. Highly functional sets available in
the present such as this one capture the main features
of the samurai oyoroi, from the C-shaped section that
encases the torso to the separate plates and panels that
protect the warrior’s body parts. This full-sized authentic
oyoroi showcases the chief characteristics that made this
kind of armor best suited for fighting on horseback with
one’s bow and arrows in the past. The variegated colors
and elaborate patterns capture the spirit of past Japanese
fighters in ultimate fashion.

799
An Assortment of Decorative Items
size variable

P 2,000

800
A Bentwood Hat Rack
H: 74” (188 cm)
D: 20” (51 cm)

P 20,000

801
Handcrafted Spanish Galleon Tall Model Ship
30” x 53” x 8”
(76 cm x 135 cm x 20 cm)

P 20,000

148 | DAY 2 - HEIRESSES’ HOMES AND TABLES


802 803 804
Two Framed Embroideries Votive Candle holder A Framed Postcard of A Fernando
32” x 20” (81 cm x 51 cm) each glass Amorsolo Painting on a Brass Stand
H: 11” (28 cm) 7 1/2” x 6” (19 cm x 15 cm)
P 1,000 D: 4 1/2” (11 cm)
P 10,000
P 1,000

805 806
Two Austin Productions by Lance An Assortment of
Alexander Five Decorative
a) cat Containers and Vases
b) panther size variable
size variable
P 1,000
P 10,000

807 808 809


Three Green Glazed Ceramic Toads A Pair of Arte Español Wall Foo Dog Table Lamp
a) big 8” x 14” x 16” Candle holders wood
(20 cm x 36 cm x 41 cm) 17” x 11” x 6 1/2” 33” x 16” x 8”
b) small 5” x 13” x 17” (43 cm x 28 cm x 17 cm) each (84 cm x 41 cm x 20 cm)
(13 cm x 33 cm x 43 cm) each
P 3,000 P 4,000
P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 149


León Gallery
FINE ART & ANTIQUES

810 811 812


An Oriental Brushpot An Archaistic Brass Censer An Archaistic Bronze Tripod Censer
6 1/2” x 14” x 8” H: 8” (20 cm) H: 16” (48 cm)
(17 cm x 36 cm x 20 cm) D: 8 1/2” (22 cm) D: 9” (23 cm)

P 2,000 P 5,000 P 4,000

813 814 815


An Archaistic Hu Form Bronze Vessel Antique Weighing Scale A Song Dynasty Urn Vase
with Animal mask handles 8” x 22” x 9” H: 12” (30 cm)
H: 12” (30 cm) (20 cm x 56 cm x 23 cm) D: 7” (18 cm)
D: 9” (23 cm)
P 2,000 P 3,000
P 2,000

816 817 818


A Five Tube Double Two Maranao Gadurs A Tang Dynasty Five Legged
Gourd Shaped Vase brass Incense Burner
H: 21” (53 cm) H: 16” (41 cm) H: 12” (30 cm)
D: 10” (25 cm) D: 6” (15 cm) D: 8” (20 cm)

P 5,000 P 15,000 P 5,000

150 | DAY 2 - HEIRESSES’ HOMES AND TABLES


819 820 821
Decorative Items Two Gild Scones and A Chinese Altar A Pair of Ceramic Vases
size variable size variable a) H: 12” (30 cm) D: 8” (20 cm)
b) H: 11” (28 cm) D: 9” (23 cm)
P 1,000 P 2,000
P 2,000

822
Twenty six Miniature Green glass
Bottles
size variable

P 2,000

823
Two Antique Brush Holders
size variable

P 2,000

824
A Pair of Wooden Dumpling
Steamers
H: 6 1/2” (17 cm) each
D: 18” (46 cm) each

P 3,000

825
A Wooden Barrel Shaped Stool
with Pierced Details
18 1/2” x 17” (47 cm x 43 cm)

P 5,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 151


León Gallery
FINE ART & ANTIQUES

826
An Assortment of Seashells mounted
on a wooden Parquet
14 1/2” x 36” (37 cm x 91 cm) 827
An Assortment of Items
P 1,000 size variable
P 2,000

828
A 12-piece Die Miniaturen
Sammlung Collection
rack: 18” x 13” x 1 1/2”
(46 cm x 33 cm x 4 cm)

P 2,000

829
Candelabra
H: 23” (58 cm)
D:14” (36 cm)

P 2,000

830
A Polychromed Maranao Sungka
hardwood
38” x 67” x 16”
(97 cm x 170 cm x 41 cm)

P 10,000

831
A Polychromed Maranao Kulintang
hardwood and brass
23” x 72” x 7 1/2”
(58 cm x 183 cm x 19 cm)

P 10,000

152 | DAY 2 - HEIRESSES’ HOMES AND TABLES


832 833 834
A Polychromed set of Balinese A Narra and Balayong Urna A Narra Urna
Double Doors with Door jambs 51” x 22” x 15” 42” x 19 1/2” x 18”
teak, jack fruit wood (130 cm x 56 cm x 38 cm) (107 cm x 50 cm x 46 cm)
76” x 42” x 6”
(193 cm x 107 cm x 15 cm) P 2,000 P 2,000

P 10,000

835
A Telephone Booth
aluminum and glass
84” x 30” x 30”
(213 cm x 76 cm x 76 cm)

P 10,000

836
A Tempus Fugit Grandfather’s
Clock
rosewood with mother
of pearl inlay
Made In Germany

P 25,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 153


León Gallery
FINE ART & ANTIQUES

837 838 839


An Art Nouveau Copper Plaque of Appreciation Awarded An Archaistic Bronze Gu Form
and Brass Dish to Romulo Galicano Vessel with paired Dragon
H: 2 1/2” (6 cm) brass on wood Form Handles
L: 15” (38 cm) 10 1/2” x 8 1/2” (27 cm x 22 cm) brass
wood stand
P 4,000 P 2,000 15” x 6” (38 cm x 15 cm)

P 4,000

840
841
Wildboar
A Statuettes and Buddha with Two
bronze
Middle Eastern Brass Ewers
4” x 11” x 5”
ceramic, brass, and wood 842
(10 cm x 28 cm x 13 cm)
A Ceiling Lamp
P 4,000 H: 22” (56 cm)
P 4,000
D: 8” (20 cm)

P 1,000

843
An Oversized Mid-20th Century
Carved Image of an Indigenous Male
playing a Flute atop a carabao
29” x 14” x 6”
(74 cm x 36 cm x 15 cm)

P 3,000

844
A Depiction of Children in Rural Life
narra
9” x 7 1/2” x 38 1/2”
(23 cm x 19 cm x 98 cm)

P 15,000

154 | DAY 2 - HEIRESSES’ HOMES AND TABLES


845
Assorted Pins and Alfred Dilla
Charm Key chain
size variable

P 1,000

847
Twelve Limoges Decors
France
size variable

P 2,000
846
Mont blanc 144 Classic Pen
L: 5 1/2” (14 cm)

P 1,000

848 849 850


Rolex Leather Box and Small Wooden Two Leather Jewelry Boxes Two Decorative Boxes with Brass Inlay
Jewelry Box a) 3” x 6 1/2” x 10” (8 cm x 17 cm x 25 cm) size variable
3” x 7 1/2” 6” (8 cm x 19 cm x 20 cm) b) 3” x 4 1/2” x 7” (8 cm x 11 cm x 18 cm)
3 1/2” x 7 1/2” x 7 1/2” (9 cm x 19 cm x 19) P 1,000
P 2,000
P 1,000

851
A Ceramic Censer or Planter
7” x 7” x 10” (18 cm x 18 cm x 25 cm)

P 1,000

852
Gold Pendant Crucifix
14” (36 cm) in length

P 2,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 155


León Gallery
FINE ART & ANTIQUES

853 854
Two Images of the Sto. Niño A Statuette of the Immaculada
wood Concepcion 855
a) 23 1/2” x 6 1/2” x 5 1/2” wood A Pair of 19th Century Angels
(60 cm x 17 cm x 14 cm) 30” x 9” x 8” hardwood
b) H: 17 1/2” (44 cm) (76 cm x 23 cm x 8 cm) 28”x 8” x 9 1/2”
D: 6 1/2” (17 cm) (71 cm x ..20 cm x 24 cm) each
P 5,000
P 4,000 P 40,000

856
A Virina with Base
a) glass: 21” x 10 1/2” x 6 1/2”
(53 cm x 27 cm x 17 cm)
b) wooden base: 2” x 11 1/2” x 7 1/2”
(5 cm x 29 cm x 19 cm)

P 35,000

857
A 19th Century Gilt Wood Frame
12” x 14 1/2” (30 cm x 37 cm)

P 22,000

858 859 860


A Virina with Base A Virina with Base A Virina with Base
a) glass: 16” x 12” x 5 1/2” a) glass: H: 8 1/2”(22 cm) a) glass: 24” x 11” x7”
(41 cm x 30 cm x 14 cm) D: 6” (15 cm) (61 cm x 28 cm x 18 cm)
b) wooden base: 2” x 14” x 7 1/2” b) wooden base: H: 1 1/2” (4 cm) b) wooden base: 3” x 12” x 8”
(5 cm x 36 cm x 19 cm) D: 8” (20 cm) (8 cm x 30 cm x 20 cm)

P 30,000 P 20,000 P 35,000

156 | DAY 2 - HEIRESSES’ HOMES AND TABLES


IVORY SAINTS AND CRUCIFIXES

861
An 18th Century Ivory Virgin
7” x 3” x 3” (18 cm x 8 cm x 8 cm)

P 80,000
862
19th Century Ivory Crucifix
corpus:
12” x 8” x 1/2”(30 cm x 20 cm x 1 cm)
cross and base:
27” x 12” (69 cm x 30 cm)

P 100,000

863
A Framed Antique Ivory Corpus
a) ivory: 10” x 6” x 1 1/4”
(25 cm x 15 cm x 3 cm)

b) frame - 26 1/2 x 17”


(67 cm x 43 cm)

P 65,000

864
A 19th Century Ivory Crucifix on a
wooden Crucifix with brass rays,
kantoneras, Ynarre and Tapis
corpus: 9 1/2” x 7” x 1 1/2”
(24 cm x 18 cm x 4 cm)
cross and base:
19 1/2” x 8” x 7” 865
(50 cm x 20 cm x 18 cm) A 19th Century Ivory Crucifix with Silver
corpus: 12” x 9” x 1 1/2” (30 cm x 23 cm x 4 cm)
P 80,000 24” x 15 1/2” x 2 3/4”
(61 cm x 47 cm x 7 cm)

P 200,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 157


León Gallery
FINE ART & ANTIQUES

866
A Kamagong Crucifix
hardwood
55” x 27” x 7 1/2”
(140 cm x 69 cm x 19 cm)

P 10,000

867
Wooden Crucifix
29” x 14” x 6”
(74 cm x 36 cm x 15 cm)

P 10,000

868 869 870


An Image of the Seated Santo Nino A Molave Image of San Jose A Molave Image of San Jose
molave H: 25” (64 cm) 26 1/2” x 14 (67 cm x 36 cm)
19 1/2” x 9” x 8 1/2” D: 9 1/2” (24 cm) base: 9” (23 cm) diameter
(50 cm x 23 cm x 22 cm)
P 5,000 P 10,000
P 5,000

871 872 873


A Polychromed Image of A Head of a Saint 19th Century San Roque
San Vicente Ferrer hardwood hardwood
14” x 8” x 7 1/2” 4” x 8” x 7 1/2” 27” x 9” x 8 1/4”
(36 cm x 20 cm x 19 cm) (36 cm x 20 cm x 19 cm) (69 cm x 23 cm x 21 cm)

P 10,000 P 10,000 P 10,000


158 | DAY 2 - HEIRESSES’ HOMES AND TABLES
874 875 876
Two 19th Heads of Saints 19th Century San Antonio de Padua 19th Century San Jose
hardwood hardwood hardwood
a) 9 1/2” x 4” x 4” 19” x 8” x 6” (48 cm x 20 cm x 15 cm) 16 1/2” x 8” x 4 1/2”
(24 cm x 10 cm x 10 cm) (42 cm x 20 cm x 11 cm)
b) 10” x 4 1/4” x 4” P 10,000
(25 cm x 11 cm x 10 cm) P 10,000

P 10,000

877 878
19th century Religious Images Three Framed Late 19th Century Religious
16 1/2” x 9” (42 cm x 23 cm) each Images
a) 16 1/2” x 9” (42 cm x 23 cm)
P 17,000 b) 11 1/2” x 10 1/2” (29 cm x 27 cm)
c) 14” x 9 1/2” (36 cm x 24 cm)

P 17,000

879
Three Hardwood Images of Santos
a) 18” x 5” x 4 1/2” (46 cm x 13 cm x 11 cm)
b) 22 1/2” x 9” x 8 1/4” (57 cm x 23 cm x 21 cm)
c) 14 1/2” x 4 3/4” x 5” (37 cm x 12 cm x 13 cm)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 159


León Gallery
FINE ART & ANTIQUES

880 881 882


An Antique Bohol Tabernacle Holy Family Relleve
31” x 22” x 12” 45” x 25” x 3 1/2” hardwood
(79 cm x 56 cm x 30 cm) (114 cm x 64 cm x 9 cm) 35” x 16 1/2” x 2”
(89 cm x 42 cm x 5 cm)
P 10,000 P 10,000
P 10,000

883
A Lifesize Image of San
Antonio de Padua
hardwood
67” x 25” x 16”
(170 cm x 63 cm x 41 cm)

P 20,000

884
A Molave Image of The
Immaculada Concepcion
56” x 16” x 13”
(142 cm x 41 cm x 33 cm)

885
P 20,000
King Post
H: 25” (64 cm)
D: 16” (41 cm)

P 5,000

160 | DAY 2 - HEIRESSES’ HOMES AND TABLES


886 887 888 889
Lladro Evening Out Lladro Maiden Lladro Lawyer Lladro
ceramic ceramic ceramic ceramic
12” x 7” x 8 1/2” 11” x 5” x 8 1/2” 18 1/2” x 7” x 4” 12” x 6” x 8”
(30 cm x 18 cm x 22 cm) (28 cm x 13 cm x 22 cm) (47 cm x 18 cm x 10 cm) (30 cm x 15 cm x 20 cm)

P 5,000 P 5,000 P 5,000 P 5,000

890 891 892 893


Lladro Last Waltz Lladro Dancers Lladro Lladro
ceramic ceramic ceramic Holy Family
12 1/4” x 6” x 4 1/2” a) 9” x 5” x 6 1/2” a) 12” x 4 1/2” x 3” porcelain
(31 cm x 15 cm x 11 cm) (23 cm x 13 cm x 17 cm) (30cm x 12cm x 8cm) 9 1/2” x 4 1/2”
b) 10 1/2” x 4” x 4” b) 9” x 2” x 2 1/2” (24 cm x 11 cm)
P 5,000 (27 cm x 10 cm x 10 cm) (23cm x 5cm x 6cm)
P 5,000
P 8,000 P 5,000

894
Spanish Figurines
ceramic
Biggest: 9 1/2” x 3” x 3 1/2” (93 cm x 8 cm x 9 cm)
Smallest: 7” x 2” x 3” (18 cm x 5 cm x 8 cm)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 161


León Gallery
FINE ART & ANTIQUES

The salakot is commonly associated with the farmers and other


common folk, but history notes that the wealthy Filipinos and
mestizos, including the members of the principalia, would wear this
iconic traditional headwear. One of the symbols for Filipino identity,
it served as an indicator of status in local cultures. Salakots made
of more prized and valued materials such as tortoise shells are also
worn by the ruling upper class, adorned with ornate details made of
brass, silver, and gold.

Embellished salakots are remnants of the later part of the Spanish


era when the custom for decorating it started to develop. This rare
helmet-shaped pointed salakot is made from tortoise shell with brass
overlay and has a rattan inner weaving, elaborately decorated with
895 foliate and butterfly details. Its features capture the descriptions
A Tortoiseshell-clad Salakot with Silver Appliqués of the well-formed salakots during the Spanish Occupation—
tortoiseshell with silver overlay specifically during the 19th century—that have an inner headband
H: 8” (20 cm) and a chinstrap, meticulously made from the best, rarest, and most
D: 10” (25 cm) exotic materials.

P 18,000

896
A Ceramic Head of Christ
France made ca. 1910
ceramic
12” x 9” x 8”
(30 cm x 23 cm x 20 cm)

P 2,000

897
An Art Nouveau Architechtural Detail
14 1/2” x 49 1/2” x 1”
(37 cm x 126 cm x 3 cm)

P 5,000

898 899
An Art Nouveau Door Valance Four Antique Carroza Panels
10” x 51 1/2” (25 cm x 131 cm) hammered metal
7” x 24” (18 cm x 61 cm)
P 5,000
P 12,000

162 | DAY 2 - HEIRESSES’ HOMES AND TABLES


PROPERTY FORMERLY IN THE ANTON ROXAS
COLLECTION

900
A Pair of Asian Colonial Enameled
Brass Candle holders
H: 11” (28 cm) each
D: 3” (8 cm) each

P 12,000

901
An Art Nouveau Glass Vase
H: 8” (20 cm)
D: 4” (10 cm)

P 3,000

902
A Bas Relief Depicting
Napoleon’s Conquest
hardwood
25” x 44” (64 cm x 112 cm)

P 2,000

903
Rosewood Jewelry Chest with
Cloissone Appliqués
11” x 7 1/2” x 6”
(28 cm x 19 cm x 15 cm)

P 3,000

904
An Image of the Infant Jesus
resin
5” x 5” x 12”
(13 cm x 13 cm x 30 cm)

P 5,000

906
An Ivory Statuette of
905 Buddha
An Anthropomorphic ivory
Pottery Excavated in Bohol 4” x 3” x 2”
4” x 4” x 3 1/2” (10 cm x 8 cm x 5 cm)
(10 cm x 10 cm x 9 cm)
P 5,000
P 20,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 163


León Gallery
FINE ART & ANTIQUES

907
A Pair of Standing Bulul
wood
a) 38” x 11” x 11” (97 cm x 28 cm x 28 cm)
b) 37” x 9 1/2” x 9 1/2” (94 cm x 24 cm x 24 cm)

P 5,000
908
A Seated Bulul
wood
15” x 4” x 4 1/2”
(38 cm x 10 cm x 11 cm)

P 5,000

PROPERTY OF A VERY
DISTINGUISHED GENTLEMAN

909
A Pair of Bulul
Ca. 1900s
Kiangan or Lagawe Village
a) 17” x 5” x 5 1/2”
(43 cm x 13 cm x 14 cm)
b) 16” x 4 1/2” x 4”
(41 cm x 11 cm x 10 cm)

P 120,000

910
An Ifugao Hagabi
12” x 59” x 10 1/2”
(30 cm x 150 cm x 27 cm)

P 10,000

911
An Ifugao Hagabi
16” x 84” x 16”
(41 cm x 213 cm x 41 cm)

P 10,000

912
An Ifugao Hagabi
13 1/2” x 63” x 11”
(34 cm x 160 cm x 28 cm)

P 10,000
164 | DAY 2 - HEIRESSES’ HOMES AND TABLES
913 914 915
Two Song Dynasty Sancai Glazed Two Oriental Ceramic Figurines A Pair of Oriental Statuettes
Statues 27” x 8” x 6” hardwood
size variable (69 cm x 20 cm x 15 cm) each 35” x 10” x 9”
(89 cm x 25 cm x 23 cm) each
P 5,000 P 10,000
P 4,000

916 917 918


A Philippine-American War A Wooden Image of San Vicente A Wooden Architectural Detail
Canon Ferrer Calaca, Batangas 22” x 15” x 5” (56 cm x 38 cm x 13 cm)
steel 12” x 6” x 3”
L: 40” (102 cm) (30 cm x 15 cm x 8 cm) P 3,000
W: 12” (30 cm)
D: 8” (20 cm) P 5,000

P 5,000

919 920 921


A Piedra China Bird Bath a) A Piedra China Pedestal A Garden Pedestal
H: 10” (25 cm) H: 22” (56 cm) D: 18” (46 cm) stone
D: 12” (30 cm) b) A Garden Accent Piece of Seated Guan Yin 19” x 18 1/2” x 18 1/2”
H: 10” (25 cm) D: 12” (30 cm) (48 cm x 47 cm x 47 cm)
P 6,000
P 6,000 P 5,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 165
León Gallery
FINE ART & ANTIQUES

922
A Tableau of “Mary and Peter at
the Calvary” with Ivory face and hands
5” x 4” x 5” (13 cm x 10 cm x 13 cm)

P 20,000

923
19th Century Ivory and Wood Tableau
Baptism of Christ
ivory head and hands
17 1/2” x 16” x 10”
(44 cm x 41 cm x 25 cm)

P 50,000

925 926
924 A Betel Nut Box and Jarlet
An Assortment of Items A Guang Cai Charger Plate
box: 3” x 6” x 3 1/2” (8 cm x 15 cm x 9 cm) D: 14” (36 cm)
size variable jarlet: H: 3 1/2” x 3 1/2” (9 cm x 9 cm)
P 1,000 P 2,000
P 5,000

927 928 929


A Maranao Lantaka A Tibetan Bell A Brass Bell
23” x 54” x 12” 22” x 16” (56 cm x 41 cm) 15” x 14” (38 cm x 36 cm)
58 cm x 137 cm x 30 cm)
P 5,000 P 5,000
P 2,000

166 | DAY 2 - HEIRESSES’ HOMES AND TABLES


930 931 932
Seated Bodhisattva A Thai Seated Buddha Standing Buddha with Begging
ceramic brass Bowl Wood Statue
15” x 9” x 6” (38 cm x 15 cm x 23 cm) 11” x 9” x 5 1/2” 36” x 6” x 14”
(28 cm x 23 cm x 14 cm) (91 cm x 15 cm x 36 cm)
P 2,000
P 1,000 P 2,000

934
Thai Reclining Buddha
933 wood
A Miniature Seated Buddha Figure on a 9” x 12” x 31” (23 cm x 30 cm x 79 cm)
wooden stand and three Buddha Busts on
stands P 2,000
brass and stone
Biggest: 9” (23 cm)
Smallest: 4” (10 cm)

P 2,000

935
A Giltwood Statuette of Buddha
Mounted on a Stand
wood
26” x 8” x 7”
(66 cm x 20 cm x 18 cm)

P 2,000

936
Statue of Guan Yin
stone 937
51” x 15” x 10” A Statue of Guan Yin
(130 cm x 38 cm x 25 cm) fiberglass
54” x 15” x 11”
P 4,000 (137 cm x 38 cm x 28 cm)

P 2,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 167


León Gallery
FINE ART & ANTIQUES

938
An Elephant and a Little Buddha
size variable

P 1,000

939
An Assortment of Decorative Items
size variable

P 1,000

940
A Set of Christmas Decors
Big: 23” x 20” x15” (59 cm x 38 cm x 61 cm)

P 1,000

941
Seated Buddha Shakyamuni
blue resin and bronze
size variable

P 1,000

942
An Assortment of Decorative
Items and Sconces
size variable

P 1,000

168 | DAY 2 - HEIRESSES’ HOMES AND TABLES


943
An Assortment of Oriental
Bells and Figurines
size variable

P 1,000

944
An Assortment of Oriental
Chops and Charms
size variable

P 1,000

945
An Assortment of Chinese
Ceramic Items
size variable

P 1,000

946
Three Bas Relief Architectural Details
teak wood
20” x 7 1/2” (61 cm x 19 cm)
13” x 7 1/2” (33 cm x 19 cm) each

P 2,000

947
Wood Carving Painted in Gold
Wicker Basket with Sea Animals
26” x 9 1/2” x 2 1/2”
(66 cm x 24 cm x 6 cm)

P 1,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 169


León Gallery
FINE ART & ANTIQUES

948 949 950


A Rosewood Jewelry Box With Byzantine Christ Icon in Silver A Pair of Narra Chairs
Softsone Appliqués and Brass Outlay 26” x 13 1/2” x 16”
details 9 1/2” x 7 1/2” (24 cm x 19 cm) (66 cm x 34 cm x 41 cm) each
7” x 5 1/2” x 4 1/2”
(18 cm x 14 cm x 11 cm) P 4,000 P 5,000

P 2,000

951
A Pair of Alabaster
Lamp stands
33” x 13” x 9”
(84 cm x 33 cm x 23 cm) each

P 10,000

952
A Four-Panel High-Relief
Circular Screen or Room
Divider with a motif of Chinese
Warriors in Battle
Camphor wood (Lacquered
backside)
camphor with lacquered backing
72” x 68” x 2 1/4”
(183 cm x 173 cm x 6 cm)

P 20,000

953
An Ornate Narra Arch
Terminating on Posts with
Angel Shaped Atlantes
narra
96” x 72” x 5 3/4”
(244 cm x 183 cm x 15 cm)

P 20,000

954
A Balinese Inspired Concealable
Mirror
35” x 32” (89 cm x 81 cm)

P 5,000

170 | DAY 2 - HEIRESSES’ HOMES AND TABLES


PROPERTY FROM THE TONY MARTINO
955 956 COLLECTION
A Maranao Drum A Maranao Drum
H: 101” (257 cm) hardwood
D: 23” (58 cm) H: 76” (193 cm) 957
D: 27” (69 cm) A Weathered 18th Century Relleve
P 60,000 64” x 23” x 8”
P 40,000 (163 cm x 58 cm x 20 cm)

P 30,000

958 959
A Sugar Cane Grinder Or Foyer Table with 5 Galloping
“Dadampilan” Horses Sculpture
molave Narra with other hardwoods
52” x 78” x 25 1/2” 88” x 74” x 27”
(132 cm x 198 cm x 65 cm) (224 cm x 187 cm x 69 cm)

P 15,000 P 30,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 171


León Gallery
FINE ART & ANTIQUES

960
A Pair of Arte
Español Chandeliers
wrought iron
H: 24” (61 cm) each
D: 29” (74 cm) each

P 5,000

962
A Wall Sconce
21” x 28” x 15” (53 cm x 71 cm x 38 cm)

P 2,000
961
A Pair of Wall Sconces
11” x 9 1/2” x 7” (28 cm x 24 cm x 18 cm) each

P 2,000
963
A Pair of Gothic Inspired Table Lamps
H: 18” (46 cm)
D: 6” (15 cm)

P 3,000

965
A Pair of Brass and Marble
Candelabras
H: 24” (61 cm) each
D: 10 1/2” (27 cm) each

P 15,000
964
Stingray Table lamp
H: 25” (64 cm)
base: 12” x 7 1/2” (30 cm x 19 cm)

P 5,000

966
Two Brass Candle holders
20” x 7” x 7”
(51 cm x 18 cm x 18 cm) each

P 5,000

967
A Pair of Alabaster Lamp stands
H: 35” (89 cm) each
D: 14” (36 cm) each

P 10,000
172 | DAY 2 - HEIRESSES’ HOMES AND TABLES
968
A Pair of Arte Español Chandeliers
wrought iron and glass
39” x 45” x 45”
(99 cm x 114 cm x 114 cm) each

P 60,000

PROPERTY FORMERLY IN THE


RAMON VILLEGAS COLLECTION

969
Two Octagon Shaped Oriental
Lanterns or Lamps
wood and glass
21” x 18 1/2” x 22”
(53 cm x 47 cm x 56 cm) each

P 15,000

970
A Floor Lamp
6O” (152 cm)

P 5,000

971
A Crystal Chandelier
H: 62” x D: 20” (157 cm x 51 cm)

P 30,000

973
An Asian Inspired
Floor Lamp
62 1/2” x 21”
(159 cm x 53 cm)

P 10,000
972
Chandelier
H: 27” x D: 25” (69 cm x 64 cm)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 173


León Gallery
FINE ART & ANTIQUES

975 976
974
Jose Garcia VIlla (1908 - 1977) Two 19th Century Ink
Jose Garcia VIlla (1908 - 1977)
A Set of Two Poems by the National Artist Garcia Villa, on Copperplate prints
Untitled
dedicated to Ambassador Armando Manalo 20” x 14” (51 cm x 36 cm)I
signed (lower right)
pen on paper signed
pen on paper P 5,000
6 1/2” x 4 1/4”
(17 cm x 11 cm) 11” x 7” (28 cm x 18 cm)

P 10,000 P 10,000

977
Original silver gelatin photograph of Jose
Rizal, Juan Luna, Valentin Ventura, and Paz
Pardo de Tavera-Luna
3 1/2” x 5” (9 cm x 13 cm)

P 10,000
Provenance: Don Alfonso Ongpin

978 979 980


Rizal Newspaper A Framed Hand Painted Chinese Painting 1917 Poster
14” x 11” (36 cm x 28 cm) with frame : 18” x 14” (46 cm x 36 cm) 22” x 14” (56 cm x 36 cm)
Date: 1898
Provenance Don Alfonso Ongpin P 4,000 P 12,000

P 5,000

174 | DAY 2 - HEIRESSES’ HOMES AND TABLES


981
A Set of 14 Jose Rizal Art Deco
Postcards with complete text of Mi
Ultimo Adios
3 1/2” x 5 1/2” (9 cm x 14 cm)

P 60,000

982
Two Lithographic Prints
20” x 14” (51 cm x 36 cm) 983
Seven Pieces of Framed
P 30,000 Prints by Filipino Masters
size variable

P 5,000

984
A Set of Six
Framed Photographs
9” x 12” (23 cm x 30 cm)

P 1,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 175


León Gallery
FINE ART & ANTIQUES

985
Five Decorative Prints
Framed Offset Lithograph Print of
Two Horses
signed and stamped by B. Chan
(lower right)
24” x 18” (61 cm x 46 cm)

Framed Still Life Painting


print
22” x 16 1/2” (56 cm x 42 cm)

A Decorative Framed
Print of Hunting Horses
with frame 22” x 27”
(56 cm x 69 cm)

Two Decorative Prints of Buddha


woodblock
a) 13 1/2” x 11 1/2”
(34 cm x 29 cm) each
986
P 5,000 A Handpainted Decor by Reno
47” x 21” (119 cm x 53 cm)

P 2,000

987 988 989


Burn Aquino Bern Aquino Framed Zobel Poster
Framed Poster a) Livin La Vida Lola print
Sa Ilalim ng Iisang Bubong b) La Lola Churreria 14” x 9” (36 cm x 23 cm)
mga Sikretong Ibinubulong print
mixed media 46” x 34” (117 cm x 86 cm) P 5,000
36” x 24” (91 cm x 61 cm)
Provenance:
P 4,000 Jim and Reed Pfeuffer collection
P 10,000

990 991 992


A Landscape Photograph Decorative Print Photographic Print of a Landscape
29 1/2” x 39 1/2” (75 cm x 100 cm) 18 1/2” x 30” (47 cm x 76 cm) 28” x 42 1/2” (71 cm x 108 cm)

P 1,000 P 1,000 P 1,000

176 | DAY 2 - HEIRESSES’ HOMES AND TABLES


993
Five Pieces of Rare Papel Sellados
a) 1864 - 65
b) 1876 - 1877
c) 18 78 - 1879
d) 1888 - 1889
e) 1894 - 1895

P 8,000

994
Early 1990’s Art deco print
12” x 15”
(30 cm x 38 cm)

P 4,000

995
Felix R. Hidalgo Print “Artista y Modelo”
ca. 1900s

P 6,000

996
Two Framed Hand-painted Silk Scrolls
35 1/2” x 11 1/2” (90 cm x 29 cm) each

P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 177


León Gallery
FINE ART & ANTIQUES

997
Manansala Book
10” x 14” (25 cm x 36 cm)

P 8,000

One of the leading Neo-Realist painters, National Artist Vicente


Manansala is known not only for his entrancing landscape and genre
paintings done in his signature transparent Cubism, but also for his
works in which social commentaries are featured. As a visual artist
who witnessed grim realities in Philippine history and the socio-
political scene during his time, Manansala rendered works with a
social realist sensibility through a darker, more somber palette.

A great example would be his Madonna of the Slums, an iconic


masterpiece widely appreciated and studied for interpretation. This
rare book celebrates these brilliant works of Manansala as well as
his birth centenary in 2010. It showcases colored photographs of
Manansala’s paintings rich in socio-political elements, highlighting
works that furthermore make him a highly significant figure in
Philippine art.

998
Six Art Books
a) Anita Magsaysay-Ho
b) Amorsolo by Alfredo Roces
c) Fernando Zobel by Rod Paras-Perez
d) Joya by Dick Baldovino
e) Sansó
f) Juan Luna: The Filipino as Painter
size variable

P 35,000

999
Three Books
a) Printmakers by Leonidas V. Benesa
b) Luna by Aguilar Cruz
c) El Amigo delos Ninos

P 15,000

1000
Four Books on Rizal
a) Memorias de Un Estudiante de Manila Por El Dr. Jose Rizal
b) The Pride of Malay Race by Roman Ozaeta
c) Rizal: Man and Martyr by Laubach
d) The Forgery of the Rizal Retraction by Runes and Buenafe
size variable

P 8,000

178 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1001 1002
An Assortment of Books An Assortment of Books
a) Sanso: Art Quest Between Two Worlds a) Manansala Nudes by Rod Paras-Perez
by Rod Paras-Perez 12” x 9 1/2” (30 cm x 24 cm)
9” x 12” (23 cm x 30 cm) b) Fernando Zobel by Rod Paras-Perez
b) The Life and Art of Botong Francisco 12 x 9 1/2” (30 cm x 24 cm)
by D.M. Reyes et al
11” x 9” (28 cm x 23 cm) P 8,000
P 8,000

1003 1004 1005


Aparato Bibliografico dela Historia Anita Magsaysay-Ho: In Praise of Felix Resurreccion Hidalgo and the
General de Filipinas by N.E. Retand Women by Alfredo Roces Generation of 1872 by Alfredo Roces
3 volumes 12”x 12” (30 cm x 30 cm) 12 1/2” x 10” (32 cm x 25 cm)
12” x 8” each (30 cm x 20 cm)
P 8,000 P 8,000
P 8,000

With its decorative motifs that capture cultural images


and symbols, among other distinct ornamental shapes,
Chinese blue-and-white porcelain is indisputably iconic in
the world of antiques. Blue-and-white porcelain became a
sought-after mainstream during the Ming Dynasty and at
its peak in popularity and excellence in artisanship during
the Qing Dynasty.

Chinese pottery is also credited for influencing European


pottery later on; beautiful and elegant porcelain was
considered a symbol of wealth. To this day, the thrill of finding
exquisite porcelain pieces is evident in auction houses and
antique shops. Knowledge on the history and other records of
these valued antiques is all the more important if one wants to
1006 be a wise collector who is more acquainted with the traditions
Two Books on Chinese Pottery and innovations of its development and rich repertoire of
a) Blue and White Porcelain of the Ming and Ch’ing Dynasties designs. These two books serve as great references to all kinds
b) Chinese Blue and White Porcelain of Chinese porcelain collectors and enthusiasts on the search
for the finest pieces.
P 5,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 179


León Gallery
FINE ART & ANTIQUES

1007 1009
Joya 1008
Sketchbooks: Fernando Zobel
by Dick Baldovino Abueva
1954
Foreword by Francisco Arcellana, 1996. by Cid Reyes
hardbound
12” x 12 1/2” (30 cm x 32 cm) 2010
7 1/2” x 4 3/4” (19 cm x 12 cm)

P 4,000 P 5,000
P 4,000

1010 1011 1012


Lot of Six Quijano de Manila Two Books on Interior Design
Alfonso Ossorio Book
First Edition Books a) In the Oriental Style
7” x 5” (18 cm x 13 cm) b) Thai Style P 3,000

P 4,000 P 4,000

1014
1015
Two Hardbound Books of Manila
1013 Form and Splendor
a) Landmarks of Manila 1571 - 1930 by
A Lot of Seven Vintage 12” x 12” (30 cm x 30 cm)
Vistacion de la Torre
Books
12” x 9” (30 cm x 23 cm)
size variable P 3,000
b) Streets of Manila by Luning Ira and
Isagani Medina
P 5,000
13 1/2” x 10” (34 cm x 25 cm)

P 2,000

180 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1016
Three Jose Rizal Books
a) Poems
b) Prose
c) Quotations
10 3/4” x 8” (27 cm x 20 cm) each

P 4,000

1017
A Set of Three Books
a) Lee Aguinaldo Folio - Rembrandt Light
Series
b) Unang Eksibisyon - Luna at Hidalgo by
Metropolitan Museum
c) Pablo S. Antonio

P 10,000

1018
Five Books on World History
and Travel
a) The Maya (Palaces and
Pyramids of the Rainforest
b) The Cities Book
c) Mysteries of Ancient China
d) A History of Private Life
e) A History of the world

P 3,000

1019
An Assortment of Books
a) Old Religious Art of Panay
b) The Oton Diggings
c) Fernando Valdes Tamon Report
d) Ten Days in September
e) Oriental Pottery & Porcelain
of Imelda Marcos

P 7,000

1020
Four Books on Chinese Treasures
a) Treasures 300 Best Excavated
Antiques from China
b) Chinese and Viatnamese Blue and
White Wares Found in the Philippine
c) Chinese Ceramics
d) Essence of Style

P 7,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 181


León Gallery
FINE ART & ANTIQUES

1021
Four Books on Philippine Art Masters
a) Damian Domingo
b) Juan Luna
c) Hidalgo
d) Luna
size variable

P 23,000

1022
Five Books on Philippine Modern Art
a) National Artists
b) Pacita Abad
c) Lee Aguinaldo
d) Exploring Galaxies: The Art of David Medalla
e) Onib Olmedo
size variable

P 10,000

1023
Six Books on Philippine Art
a) Revealing Signs of the Present
b) Without Walls
c) Artworks of AAP
d) Art After War
e) ARNDT 2020
f) 1980 Mobil Art Awards

P 13,000

1024
A Lot of Five Nick Joaquin Books
a) The Aquinos of Tarlac
b) Manila, My Manila
c) A Question of Heroes
d) The Ballad of Five Battles
e) The D.M. Guevara Story

P 5,000

1025
Five Books on Philippine
Tradition and Culture
a) Old Religious Art of Panay
b) Art Deco
c) In The Shape of Tradition
d) Philippine Religious Images
e) Tabayag
size variable

P 16,000

182 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1026 1027 1028
Two Books on Two Books on Philippine Architecture Two Books on Bangko Sentral ng
Fernando Amorsolo a) Contemporary Houses in the Philippines Pilipinas Collection
a) Amorsolo Drawings 11” x 10 1/2” (28 cm x 27 cm) a) Tanaw
12” x 9” (30 cm x 23 cm) b) Architecture of Leandro Locsin b) Kayamanan
b) Amorsolo: Seven Museum Exhibition 12” x 12” (30 cm x 30 cm) 12” x 9” (30 cm x 23 cm) each
10 1/2” x 10 1/2” (27 cm x 27 cm)
P 12,000 P 14,000
P 6,000

1029
Claudio Bravo
13” x 12” (33 cm x 27 cm)

P 4,000

1030
Tolentino Book by Rod Paras Perez
11” x 9 1/2” (28 cm x 24 cm)

P 3,000

1031
Four Books on Philippine Art
a) Pananaw
b) Art in the Philippines
c) The National Artist of the Philippines 1999-
2003
d) Museo de Arte Abstracto Espanol

P 6,000

1032
Two Books on Philippine Art
a) 100 years of Philippine Painting
b) Artes de las Filipinas Collection

P 10,000
1033
Art Philippines:
A History 1521 - Present
by Juan Gatbonton

P 8,000

1034
Five Books on Philippine
Contemporary Artists
a) Juxta Position
b) Marina Cruz (Breathing Patterns)
c) Geraldine Javier
d) A Thousand Island - Ronald Ventura
e) Sino - Filipino - Three Visions

P 7,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 183


León Gallery
FINE ART & ANTIQUES

1035
Art Philippines
hardbound
by Juan Gatbonton

P 10,000
1036
Natee Utarit
Optimism is Ridiculous
(The Altarpieces)

P 5,000

1037
Two Art Books
a) Natee Utarit
b) European Contemporary
15 1/2” x 11” (42 cm x 28 cm)

P 5,000

1038
Seven Books on Modern
Philippine Abstract Art
size variable

P 16,000

1039
Five Books on Philippine
Modernist Masters
a) Elizalde-Navarro
b) Joya
c) Kiukok
d) Legaspi
c) H.R. Ocampo
size variable

P 17,000

184 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1040
Authographed Joya by Joya Book
12” x 11” (30 cm x 28 cm)

P 8,000

1041
Lee Aguinaldo Rembrandt Light
Series Folio
16” x 12” (41 cm x 30 cm)

P 15,000

1042
1043
Three Assorted Books
Romulo Olazo Exhibition Catalog
a) Markets
12” x 18” (30 cm x 46 cm)
b) The Lopez Family
c) Pheonix (The Saga of the Lopez Family)
P 3,000
size variable

P 1,000

1044 1045 1046


Likha Book Underglaze Red Ware of the Philippine Magazine
11” x 8 1/2” (28 cm x 22 cm) Ming Dynasty volume 1 number 1 issue
15” x 11” (38 cm x 28 cm) 11” x 8 1/2” (28 cm x 22 cm)
P 4,000
P 3,000 P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 185


León Gallery
FINE ART & ANTIQUES

1047
Six Filipiniana Books
size variable

P 3,000

1048
Four Filipiniana Books
size variable

P 6,000

1049
Five Art Books
size variable

P 5,000

1050
Five Filipiniana Books
size variable

P 8,000

1051
Five Orientations
Magazines and the Filipino
Drama Book
size variable

P 2,000

1052
Six Art of Asia Magazines
size variable

P 3,000

186 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1053 1054 1055
Mother of Perpetual Help Icon Holy Family Icon Religious Icon in Yellow Resin
hammered metal hammered metal with frame: 23 1/2” x 10” (60 cm x 51 cm)
with frame: 21” x 18” (53 cm x 76 cm) with frame: 20” x 18” (51 cm x 76 cm)
P 2,000
P 5,000 P 5,000

1056 1057 1058


Virgin Mary and Child Jesus - St. A Set of Terracota Carvings of Chinese Franklin Mint and House of Faberge
George Icon Scholars The Nativity
hammered metal with frame: 19” x 17 1/2” (48 cm x 45 cm) hand-painted cold-cast porcelain on
with frame: 19” x 17” (48 cm x 43 cm) golden cold-cast base
P 5,000 with frame:
P 5,000 18” x 15” (46 cm x 38 cm)

P 10,000

1059 1060 1061


Decorative Tile (Mother and Child) A Religious Icon - Il Two Tile Decorative Items
without frame: Salvatore Icona Sulegno - XVI Secolo 6” x 6” (15 cm x 15 cm)
12” x 7 1/2” (30 cm x 19 cm) 10 1/2” x 8 1/2” (27 cm x 22 cm)
P 1,000
P 1,000 P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 187


León Gallery
FINE ART & ANTIQUES

1062
Private Mailing Cards
a) “Capuchins’s Convent, Pasay” with portrait of General Merrit
b) Group of men all dressed in white, postmarked Febraury 18, 1904
c) “Native passenger boat, Iloilo-Panay P.I.”, postmarked March 1906
d) “Tondo Beach-Panorama”, unused
e) “Manila-Tondo Estuary”, unused
f) “Manila-Filipina Child”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1063
Private Mailing Cards
a)” Admiral George Dewey, Hero of Manila” postmarked October 4, 1899
b) “Morong, una cascada de Antipolo”, postmarked January 17, 1902
c) “Rio Ermitano”, postmarked February 1903
d) “The River, Capiz-Panay, P.I.” unused
e) “Native Plough, Iloilo-Panay, P.I.”, unused
f) “4th of July 1905, Iloilo-Panay P.I.”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1064
Private Mailing Cards
a)” Manila-Calzada Real de la Ermita”, Postmarked October 24, 1904
b) “Native Tagalog girl bathing Mariquina River. Rizal Prov. P.I.”, postmarked December 9, 1907
c) “Filipinos with fighting cock”, postmarked not visible
d) “Greetings from the Philippines”, unused
e) “Cannibals-Montes del Caraballo-Ilocos P.I.”, unused
f) “Manila water supply-pipe running through bamboo grove”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000
188 | DAY 2 - HEIRESSES’ HOMES AND TABLES
1065
Private Mailing Cards
a) “Filipino family driving to town”, postmarked August 6, 1901
b) “Manila-Sto. Domingo Church”, postmarked January 2, 1903
c) “Manila-FIlipina Child”, postmarked January 3, 1905
d) “Manila-Native Tagalog hacksters”, unused
e) “ Manila-Aguadas Drive”, unused
f) “New Sta. Mesa Railway Station, New Railroad leading to Antipolo, Manila
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1066
Private Mailing Cards
a) “Manila. Puente colgante”, postmarked November 21, 1901
b) “Manila-Tondo Estuary”, postmarked April 5, 1903
c) “Mananguete, or collector of tuba sap from the coconut palm, Panay, P.I.”, postmarked December 27, 1905
d) “Manila-Calzada Real de la Ermita”, unused
e) “Sugarcane crushing mill San Fernando, Pampanga Province P.I.” unused
f) “Manila to Dagupan Railway-Bayanbang Stations”, unused.
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1067
Private Mailing Cards
a) “Travelling under difficulties. Weeds blocking San Juan River, Rizal Province.”,
b) “Visayan children, Panay-Philippines”, postmarked December 25, 1901
c) “Igorrote boys comming from market. Benguet P.I.” postmarked May 7, 1907
d) “Dagupan, province. Pangasinan. P.I.” unused
e) “Carabao as a becomming beast of burden. Manila, 1906”, unused
f) “To Benguet, temporary road across day torret bet, 1906”unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 189


León Gallery
FINE ART & ANTIQUES
1068
Private Mailing Cards
a) “Riverside scene - Water buffaloes. Panay-
Philippines”, postmarked December 25, 1902
b) “Igorotes coming from Naguillan market”,
postmarked April 18, 1907
c) “Igorrote girls. Trinidad, Benguet”,
postmarked February 24, 1907
d) “Igorrote dancers & musicians performing
during a canao or native celebration
e) “San Juan de Dios Hospital - Manila”, unused
f) “Bridge on Benguet Road. Entering Twin
Peaks”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1069
Private Mailing Cards
a) “Manila-Bridge of Spain”, postmarked
November 25, 1903
b) “Manila-Quilez for hire”, postmarked
January 19, 1903
c) “Tagalog Washing-Mariquina River”,
postmarked July 16, 1907
d) “Manila-River Pasig”, unused
e) “Manila-Modern House”, unused
f) “Manila-Cia. Maritama’s s/s Romulus
discharging hemp”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1070
Private Mailing Cards
a) “Manila-Maicaguayan Rural Scenery”,
postmarked October 20, 1904
b) “Manila-Calzada de las Aguadas”,
postmarked October 11, 1902
c) “Native Tagalog girl bathing
Marquina River, Rizal Province, P.O.”,
postmarked September 17, 1907
d) “Manila-Cathedral”, unused
e) “Manila-Government Cold Storage”, unused
f) “Manila-Native Tagalog hacksters”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1071
Private Mailing Cards
a) “Manila-U.S. Flagship Olympia”,
postmarked 1898
b) “Manila-Bridge of Spain”, postmarked
October 21, 1904
c) “The South Shore. Iloilo-Panay, P.I.”,
postmarked December 10, 1904
d) “Effects of Typhoon. Uprooted Acacias in
Bagumbayan Drive-Manila”, unused
e) “Manila-Divisoria Market Binondo Estuary
unloading fruits”, unused
f) “Filipinos with fighting cocks”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000
1072
Two Philippine Picture Postcards signed
by national artist Fernando C. Amorsolo
mailed to the U.S.A. on January 9, 1910
and the second to the Canairas Island,
Spain, on February 1915. Both postcards
are in fairly in good condition
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 12,000

190 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1073
An album containing Philippine Picture Postcards
Featuring national artist Jorge Pineda
a) Postcards depicting the work of Jorge Pineda such as the early greeting cards, his
paintings representing the various stanzas of Dr. Jose Rizal’s epic poem, “Mi Ultimo
Adios”reproduced in postcards, and other.
b) Forty Eight (48) postcards sent to Jorge Pineda from his friends overseas.
c) Fifty (50) Philippine Picture Postcards sent by Jorge Pineda to his friends
abroad. All of these postcards are signed by the artist
46 silver gelatin photographs, 88 postcards, and two booklets
miniature landscape painting, oil on paper, 5” x 4” (13 cm x 10 cm)

P 50,000

1074
Private Mailing Cards
a) Surrender of native troops in Jaro-Panay 2nd Feb. 1901”, postmarked December 25, 1902
b) “Carabao sleighs, Antipolo. P.I.”, postmarked September 2, 1907
c) “Benguet Road, before reaching Twin Peaks”, postmarked September 2, 1902
d) “Native girl carrying drinking water. Manila”, unused
e) “Natives fighting their cocks. Manila”, unused
f) “Benguet Road. Camp No. 7.2 miles from Baguio”, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

1075
Private Mailing Cards
a) “Greetings from the Philippines”, postmarked April 20, 19(-)
b) “Benguet Road. Camp No. 7.2 miles from Baguio”, postmarked November 14, 1905
c) “Manila”, postmarked December 28, 1901
d) “Native. IloIlo-Panay P.I.”, unused
e) “Pine trees on Benguet Road. Camp No. 7”, unused
f) “Carabao sleigh.. Antipolo. Prov. Rizal:, unused
3 1/2” x 5 1/2” (9 cm x 14 cm) each

P 20,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 191


León Gallery
FINE ART & ANTIQUES

1076
Paolo Piva B&B Italia is known for premium-quality contemporary furniture pieces
Athos ‘12 B&B Italia Dining Table and dated for homes and offices and innovative contributions to Italian design.
Series of 2012 One of this Italian modern furniture company’s significant designers
Support structure: drawn steel, nickel varnished is Austrian-Italian architect and designer Paolo Piva who has been
Fixed table structure: varnished rolled steel principally concerned with industrial design throughout his career.
Top finishing: oak veneer
Ferrules: thermoplastic material Piva’s Athos 2012 B&B Italia Dining Table is a bestseller for its
H: 29”(74 cm) elegant, straightforward design and balanced proportions. Its
L: 98 1/2” (250 cm) structural frames highlight the tabletop ends and its top is finished
W: 39 1/2” (100 cm) with oak veneer. The thick top is also softened by rounded
edges and supported by a V-shaped metal frame. The quality of
P 120,000 this elegant dining table stands the test of time—sturdy, highly
functional, and can seat up to twelve people.

1077 1078
Eames RAR Rocking Chair A Set of Four Vol Au Vent - B&B Italia Dining Chairs designed
H: 29” (76 cm) by Mario Bellini
W: 31” (81 cm) H: 33” (84 cm)
L: 24” (63 cm) W: 22”(58 cm)
L: 18” (46 cm)
P 15,000
P 35,000

192 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1079
Hermes Burgundy Togo Leather 40cm Kelly Bag

P 175,000

Although officially produced by the luxury goods maker in 1984, the idea
and concept of the Kelly bag, Alfred Hitchcock has been credited with
bringing the handbag into the limelight. In 1954, Hitchcock allowed the
costume designer Edith Head to purchase Hermes accessories for the film
To Catch a Thief, starring Grace Kelly. According to Head, Kelly “fell in love”
with the bag. Within months of her 1956 marriage to Prince Rainier III, the
pregnant Princess of Monaco was photographed using the handbag to shield
her growing belly from the paparazzi. That photograph was featured in Life
magazine. Although the handbag instantly became known as the Kelly bag,
it was not officially renamed until 1977.

The Kelly base is made out of finely worked leather, giving it its elegant and
sophisticated finish, but is also complicated by a metal lock-and-key system
designed to give its owners ease-of-mind no matter the situation. The bag
also features a handle and must be held as such, showcasing its durability.

1080
Hermes Bolide handbag in yellow epsom leather

P 140,000
For the Hermes aficionado, the Bolide has been a longtime favorite
and fashion staple. Created in 1923 and named after the 16th-century
word for “meteor,” Bolide was the first-ever handbag in which a zipper
is incorporated, becoming an iconic bag together with the Birkin and
Kelly. Highly functional and timeless in design, this Hermes Bolide
handbag is made of the popular Epsom leather with beautifully rigid
and structured features.

This leather type is highly resilient to dirt and scratches, suitable for everyday
use. The gleeful, vivid kind of yellow that this designer bag presents was
featured in Hermes’ 2013 Spring Summer collection. Initially, the Bolide was
named the “Bugatti” due to its large size yet still fits perfectly in spaces and
notable functionality, perfect for travel. It furthermore placed Hermes as a
top producer of classic bags that are designed with mobility in mind.

1081
Tom Ford Men’s Brown Grained Leather
Buckley Trapeze Briefcase Bag

P 45,000

Modern gentleman meets modern-day sophistication with the luxury brand Tom
Ford. Perfect for redefining one’s overall look—whether one’s executive or casual
aesthetic—this Tom Ford Buckley briefcase bag communicates high style and
function with its notable luxurious details. Handsome are the trapeze top handles
and the gold-toned zipper that add to the visual accent of the grained-leather bag.

Made of materials of the highest quality for the discerning taste, the
straightforward design in masculine elegance has the charming qualities, from the
contours to the interior lining and stitching, that show unrestrained opulence.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 193


León Gallery
FINE ART & ANTIQUES

PROPERTY FROM A CALLE SAN RAFAEL MANSION

1082
A Turn-of-the-Century
Tres Lunas Tocador
narra
98” x 67” x 16”
(248 cm x 170 cm x 41 cm) 

P 200,000

I
n his essay titled “Wood for Filipino Homes,” antique It is dominated by a central tall mirror framed in wood, with
historian Ramon Villegas noted that as the 19th century wavy cornice mouldings and whimsical plume crest with
progressed in the Philippines, homogeneity in architecture undulating S and C leaf scrolls and vines and flowers on
and decorative arts also increased. More specifically, the broken pediment. A marble ledge provides additional space.
fluidity in interior and furniture design present in the homes Clear glass compartments are also found on both sides
of the principalia and wealthy families during the late 19th with layers of demountable glass for display of scent
century show the prospering culture in the country. The bottles, powder boxes, combs, and other accessories. These
artistic spirit and impulses of craftsmen did not only cultivate compartments are wood-framed and post-terminated with
local styles but also incorporated foreign aesthetic qualities in scrolled leaves. The compartments have uneven heights
their pieces. topped with marble. The upper part has wood panels with
fluid S and C scroll edging, designed with asymmetrical
This tres lunas tocador or three-mirrored dresser is a fine mirror shapes with simulated tufted panels.
example of the antique furniture of the said century in which the
influence of crisply executed late Victorian piercework carving is The leg is an upcurved, carved foot done in a scroll motif
elegantly reflected. From an old Manila home, it best exemplifies terminating in a cabriole leg, framed around a bombe style
the Rococo Revival (Late Baroque) with its whimsical themes, with undulating skirts are carved S and C scrolls, meeting in
incorporating asymmetry, restless, fanciful, and playful fluid the center with a C scroll.
movement, by continuous smoothly outlined curves of scrolls.

194 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1083 1084 1085
A Qing Pedestal A Chinese Black-Glazed Ceramic A Qing Pedestal
wood and marble Pedestal wood and marble
17 1/2” x 17” x 17” 26” x 19 1/2” x 12” 23” x 15 1/2” x 15 1/2”
(44 cm x 43 cm x 43 cm) (66 cm x 50 cm x 30 cm) (58 cm x 39 cm x 39 cm)

P 15,000 P 5,000 P 15,000

1086
A Qing Occasional Side Table
with Armchair
wood and marble
table: 44” x 22” x 40”
(112 cm x 56 cm x 102 cm)
armchair: 37” x 21 1/2” x 19 1/2”
(94 cm x 55 cm x 50 cm)

P 30,000

1087
1088
An Oriental Yoke-back
A Marble-Top Lansena
Lounging Chair
72” x 43” x 4”
hardwood
(183 cm x 109 cm x 10 cm)
29” x 20” x 30 1/2”
(74 cm x 51 cm x 77 cm)
P 15,000
P 3,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 195


León Gallery
FINE ART & ANTIQUES

THE PATERNO SALA SET FROM R. HIDALGO

PROPERTY FROM THE COLLECTION


OF THE PATERNO FAMILY

1089
A Late 19th Century Narra Suite Comprised
of One Settee and Six Chairs
a) settee - 50” x 60” x 22”
(127 cm x 154 cm x 56 cm)
b) chairs - 43” x 17” x 19”
(109 cm x 43 cm x 48 cm) each

P 200,000

Pedro Alejandro Paterno y de Vera Ignacio

A
neoclassical style emerged during the Louis XVI Don Pedro Alejandro Paterno y de Vera Ignacio (February
era, distinct for its enduring appeal, decorative 27, 1858 – April 26, 1911) was a Philippine politician, poet,
restraint, and clear architectural forms characterized lawyer, and a novelist. He was one of the thirteen children
by geometric shapes and straight, column-like legs. of Don Máximo Paterno and Doña Carmen de Vera Ignacio.
Upholstered backs may be rectangular, rounded, or shield- (His father, Máximo, was exiled to Guam—which was then a
shaped. Decorative carvings reflect classical motifs, including part of the Spanish East Indies—for ten years, following the
scrolls, fluting, and ribbon twist details. 1872 Cavite Mutiny. He died on July 26, 1900, leaving behind
considerable wealth.)
This suite of Louis XVI settee and chairs is a fine example of
clean lines and aesthetics far from the over-ornamentation Paterno obtained a bachelor of arts degree at Ateneo
of those from the Louis XV era. The pieces stand on tapered de Manila, then, at the age of fourteen, was sent to the
cylindrical legs with ball-and-arrow feet, fluted shaft University of Salamanca and the Universidad Central de
separated by plain rings that support the seat frame with Madrid, now the Complutense University of Madrid, where
encased linings, floral carvings, and guilloche interlaced he graduated with an expertise in law in 1880.
ribbons in the middle. Underneath the midpart is an apron
with acanthus leaf details on both sides and a five-lobed leaf He was also a scholar. In 1910, he published an account
down end. of the signing of the Pact of Biak-na-Bato. His other
works include the first novel written by a native Filipino,
The armrest stands on a baluster with a bulb-shaped Nínay (1885) and the first Filipino poetry book in Spanish,
acanthus leaf and a shaft with spiral grooves separated Sampaguitas y Poesias Varias (Sampaguitas and Other
by plain rings, topped with a squash-shaped finial. The Poems), published in Madrid in 1880.
fluted arm gracefully scrolls up for proper arm support
and connects with the fluted backseat’s round post with All in all, Don Pedro Paterno was the consummate politician
the same design as the front legs, topped with a squash- and pacifist—an author, a bon vivant, and the personification
shaped finial with a bishop’s miter tip. Also scrolled up is the of an ilustrado.
backseat top frame, supporting the corniced crest rail with a
centerpiece four-petal flower interlaced with twisted ribbon- These furniture came from the Paterno Mansion in R.
like arrangements on both sides. Hidalgo, Quiapo.

196 | DAY 2 - HEIRESSES’ HOMES AND TABLES


DAY 2 - HEIRESSES’ HOMES AND TABLES | 197
León Gallery
FINE ART & ANTIQUES

1090
A Narra Table and Ten Chairs

P 15,000

1092
1091 A Pair of Rosewood and Marble Chinese
Six Narra Chairs Armchairs with Mother-of-Pearl Inlay
41” x 10” x 19” 40” x 24” x 28 1/2”
(104 cm x 25 cm x 48 cm) each (102 cm x 61 cm x 72 cm)

P 10,000 P 10,000

1093
Three Narra Armchairs
41” x 25” x 20”
(104 cm x 64 cm x 51 cm) each

P 15,000

198 | DAY 2 - HEIRESSES’ HOMES AND TABLES


PROPERTY FROM A CALLE SAN RAFAEL MANSION
OF THE DISTRICT OF SAN MIGUEL, MANILA

T
1094
he Qing Dynasty opium bed features very delicate filigree
A Late 19th Century Opium Bed
53 1/2” x 50 1/2” x 77 1/2” carvings of various motifs of flora and fauna. One notable
(136 cm x 128 cm x 197 cm) outstandingly unique feature of this antique bed is the ornately
carved leg supports, which are usually left plain in lesser pieces. Intricately
P 100,000
carved furniture like this opium bed were primarily commissioned or
imported by wealthy merchants for use in their home. This particular piece
was found in the ancestral home of an old prominent family in Manila.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 199


León Gallery
FINE ART & ANTIQUES

1095
1096
A Narra Bulacan Divan with Bone Inlay
An Art Nouveau Settee
37” x 57” x 28”
hardwood
(94 cm x 145 cm x 71 cm)
43” x 23” x 57” (109 cm x 58 cm x 145 cm)
P 20,000
P 10,000

1097 1098
A Narra Settee with Ball and Claw feet A Mariposa Settee
43” x 22” x 65” (109 cm x 56 cm x 165 cm) narra
36” x 23” x 63” (91 cm x 58 cm x 173 cm)
P 10,000
P 12,000

1099
A Pair of Kamagong Gallineras
39 1/2” x 72” x 34”
(100 cm x 183 cm x 86 cm) each

P 15,000

200 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1100
A BIshop Chair
52” x 24 1/2” x 22”
(138 cm x 62 cm x 56 cm)

P 15,000

1101
Recliner
35 1/2” x 22” x 48”
(90 cm x 56 cm x 122 cm)

P 5,000

1102
An Accent Chair
25” x 35” x 19”
(64 cm x 89 cm x 48 cm)

P 8,000

1103
A Narra Swivel Chair
40” x 28” x 28”
(102 cm x 71 cm x 71 cm)

P 3,000

1104 1105 1106


A Pair of Narra Swivel Armchairs An Italian Chair An Italian Armchair
faux leather 38” x 15” x 14” 35” x 25” x 24”
45” x 33” x 25” (97 cm x 38 cm x 36 cm) (89 cm x 64 cm x 61 cm)
(114 cm x 84 cm x 64 cm) each
P 5,000 P 8,000
P 15,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 201


León Gallery
FINE ART & ANTIQUES

1107
Poltrona Frau Bosforo Sofa
35” x 77” x 32 1/2”
(89 cm x 196 cm x 83 cm)

P 45,000

PROPERTY FORMERLY IN THE


ANTON ROXAS COLLECTION

1108
Two Armchairs with Ottoman
34” x 33” x 30”
(86 cm x 84 cm x 76 cm)

P 6,000

1109
A Sofa Set with 5 throw pillows
(Loos Cusion)
a) sofa - 39” x 74” x 31”
(99 cm x 188 cm x 78 cm)
b) sidechair - 38 1/2” x 32” x 31”
(98 cm x 81 cm x 79 cm)

P 20,000

1110
Sofa Set
a) 31” x 30” x 32” (79 cm x 76 cm x 81 cm)
b) 32” x 109” x 36” (81 cm x 277 cm x 91 cm)

P 15,000

202 | DAY 2 - HEIRESSES’ HOMES AND TABLES


WALLACE CHAIR IN LEATHER

1111
Jean-Marie Massaud (b. 1966) Born in 1966, Jean-Marie Massaud is a critically acclaimed French
Poliform Wallace Chair in Leather by Jean-Marie Massaud architect and designer. Massaud graduated from the École
structure: flexible moulded polyurethane nationale supérieure de création industrielle, which is France’s
base: painted metal, black leading design school founded by two of the country’s pioneer-
seat leather color: gray soft leather ing modern architects Jean Prouvé and Charlotte Perriand. After
H: 29 3/4” (73 cm) completing his education, Massaud quickly made it to the top
W: 78 3/4” (200 cm) as one of France’s leading new designers. In 2000, he launched
D: 33 3/4” (86 cm) Studio Massaud in order to expand his expertise and to reach out
to new talents, clients, and collaborations. To this day, Massaud
P 80,000 and his works are at the forefront of design and architecture with
numerous collaborations with top-bill clients and brands such as
Dior, Renault, B&B Italia, Baccarat, and Mizuno.

Massaud himself states that he via intuition. Every square-inch


of each of his designs are predicated by an intrinsic and artistic
gut-feeling that guides both his body and mind. Hence, Mas-
saud’s designs are always a cut above the rest, given that he does
not create based on trends and fashions. Instead, starkly original
works are seen as pioneering masterpieces that others take
inspiration from. His works are contemporary in the truest sense
of the term, meaning that not only are his designs original, but
revolutionary as well.

Massaud’s lifelong quest for synthesis, lightness, and reduction


partly comes into fruition through his Chaise Lounge Wallace. He
contrasts the solidly built frame fashioned out of a durable nickel
alloy, with delicate and meticulous upholstery that mimics the soft
Jean-Marie Massaud lavishness of the lazy afternoon sky. Massaud’s work effectively
combines artistic integrity with reliable functionality.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 203


León Gallery
FINE ART & ANTIQUES

1112 1113 1114


A Narra Butaca A Lovers’ Chair A Pair of Narra Baliuag Armchairs
44” x 26 1/2” x 43” narra 36” x 24” x 23”
(112 cm x 67 cm x 109 cm) 29” x 41 1/2” x 20” (91 cm x 61 cm x 58 cm) each
(74 cm x 105 cm x 51 cm)
P 7,000 P 12,000 P 12,000

1115
A Pair of Sillones by Osmundo Esguerra
(1940 - 2017)
kamagong
49” x 38” x 41 1/2”
(124 cm x 97 cm x 105 cm) each

P 30,000

Osmundo “Omeng” Esguerra is a self-taught craftsman


from humble beginnings who is considered a pillar of
Filipino furniture and hardwoods. He handled tropical
hardwoods such as molave, kamagong, and narra
with such excellence that he left a lasting legacy to the
Philippine wood furniture-making scene. The art dealer-
turned creator of wood pieces treated as art catered
to the refined tastes of affluent clients; he was also an
expert in antique restoration, the one behind the antique
shop Osmundo Gallery. Later in life, Esguerra studied
woodturning, as he strives to further understand his
chosen material, bringing out beauty and the right shapes
and utilizing its qualities. His son, Edwin Esguerra, notes:
“While we tend to favor foreign brands, he was the
vanguard of Filipino furniture and hardwoods.”

1116 1117
An Art Nouveau Settee A Pair of Kamagong Butacas
40 1/2” x 57” x 17 1/2” 49” x 30” x 41”
(103 cm x 145 cm x 44 cm) (124 cm x 76 cm x 104 cm) each

P 15,000 P 20,000
204 | DAY 2 - HEIRESSES’ HOMES AND TABLES
1118 1119 1120
A Pair of Art Deco Armchairs A Pair of Roccoco Revival Narra Chairs A Butaca
39” x 21” x 20” 48” x 23” x 21” 39” x 31” x 58”
(99 cm x 53 cm x 51 cm) each (122 cm x 58 cm x 53 cm) each (99 cm x 79 cm x 147 cm)

P 8,000 P 8,000 P 8,000

1121 1122 1123


A Pair of Narra Accent Chairs A Kamagong Armchair A Pair of Bentwood Chairs
41” x 22” x 20 1/2” 34” x 22” x 21” 34” x 16” x 17”
(104 cm x 56 cm x 52 cm) each (86 cm x 56 cm x 53 cm) each (86 cm x 41 cm x 43 cm) each

P 18,000 P 10,000 P 15,000

1124 1125
A Pair of Armchairs Three Narra Armchairs
narra 44 1/2” x 21” x 22”
44” x 25” x 23” (113 cm x 53 cm x 56 cm) each
(112 cm x 64 cm x 58 cm) each
P 12,000
P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 205


León Gallery
FINE ART & ANTIQUES

1126 1127 1128


A Pair Swivel Chairs An Accent Chair An Accent Chair
34” x 24” x 32” hardwood medium hardwood
(86 cm x 61 cm x 81 cm) each 39 1/4” x 19” x 25” 35” x 15” x 17”
(100 cm x 48 cm x 64 cm) (89 cm x 38 cm x 43 cm)
P 5,000
P 2,000 P 2,000

1129
Ottoman
15” x 25” x 20”
(38 cm x 64 cm x 51 cm)

P 2,000

PROPERTY FROM A DISTINGUISHED LADY

1130
A Chinese Stand and Armchair
a) armchair: 34” x 22” x 18”
(86 cm x 55 cm x 46 cm)
b) sidetable: 21 1/2” x 9” x 9”
(55 cm x 23 cm x 23 cm)

P 3,000

1131
A Low Table
18” x 40” x 40”
(46 cm x 102 cm x 102 cm)

P 3,000

1132 1133
An Ipil Divan with Bone Inlay A Pair of Narra Art Deco Corner Chairs
26” x 81” x 21” (66 cm x 206 cm x 53 cm) 32” x 19” x 19”
(81 cm x 48 cm x 48 cm) each
P 13,000
P 12,000
206 | DAY 2 - HEIRESSES’ HOMES AND TABLES
1134
A Narra 7-piece Ambassador Set
a) 5-seater 33 1/2” x 105” x 23 1/2”
(85 cm x 267 cm x 60 cm)
b) one-seater 33 1/2” x 25” x 23 1/2”
(85 cm x 63 cm x 60 cm) each

P 20,000

1135
An Art Deco Sala Set
a) settee 28” x 43” x 17 1/2”
(71 cm x 109 cm x 44 cm)
b) chairs 35” x 17” x 16”
(89 cm x 43 cm x 41 cm) each (2 pcs)

P 15,000

1136
A Pair of Qing Pedestals
36 1/2” x 17” x 17”
(93 cm x 43 cm x 43) each

P 15,000

1137
A Settee with Two Sidechairs
a) 3-seater 28 1/2” x 55 1/2” x 20”
(72 cm x 141 cm x 51 cm)
b) sidechair 28 1/2” x 20 1/2” x 20”
(72 cm x 52 cm x 51 cm) each (2 pcs.)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 207


León Gallery
FINE ART & ANTIQUES

1138
A Pair of Molave Armchairs
37 1/2” x 21 1/2” x 34 3/4” (95 cm x
55 cm x 88 cm) each

P 6,000

1139
A Rocking Chair
wood
34” x 17” x 12 1/2”
(86 cm x 17 cm x 32 cm)

P 2,000

1140
A Six-piece Chinese Round Stools
18” x 18” x 12”
(46 cm x 46 cm x 30 cm)

P 10,000

1141
Sheraton Chairs
44” x 20” x 18”
(112 cm x 51 cm x 46 cm) each

P 20,000

1142
A Set of Three Oriental
Occasional Tables
27” x 17” x 24”
(69 cm x 43 cm x 61 cm) each

P 6,000

208 | DAY 2 - HEIRESSES’ HOMES AND TABLES


PROPERTY FROM THE ROMUALDEZ
FAMILY COLLECTION

1143
A Low Tea Ceremony Table
with Bone Inlay and Four
Stools
table: 18” x 30 x 30”
(46 cm x 76 cm x 76 cm)
stools: 12” x 15” x 12”
(30 cm x 38 cm x 30 cm) each

P 15,000

1144 1145
Rosewood Corner Chairs (2 pcs) A Pair of Armchairs 1146
32” x 26 1/2” x 22” 36” x 21” x 22” A Wood-Top Round Table with
(81 cm x 67 cm x 56 cm) each (91 cm x 53 cm x 56 cm) each Wrought Iron Legs
H: 22” (56 cm)
P 8,000 P 4,000 D: 23” (58 cm)

P 2,000

1147 1148 1149


A Set of Six Stacking Armchairs Six Narra Chairs Set of Four Narra Chairs
rattan and iron 36 1/2” x 20” x 17 1/2” 39 1/2” x 22 1/2” x 23”
33” x 21” x 19” (91 cm x51 cm x 44 cm) each (100 cm x 57 cm x 60 cm) each
(84 cm 53 cm x 46 cm) each
P 6,000 P 8,000
P 5,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 209


León Gallery
FINE ART & ANTIQUES

1150
Osmundo Esguerra (1940 - 2017)
A Pair of Chairs
39” x 18” x 29”
(99 cm x 46 cm x 74 cm)

P 10,000

1152
1151 An Art Nouveau-Inspired Settee
An Art Deco Settee narra
24” x 19” x 42” (71 cm x 48 cm x 107 cm) 44” x 18 1/2” x 49”
(112 cm x 47 cm x 124 cm)
P 10,000
P 15,000

1153
A Dulang
H: 11” (81 cm)
W: 22” (56 cm)
L: 48” (122 cm)

P 6,000

1154
A Glass Top Table with
Bulbous Reeded Legs and
intersecting serpentine
stretchers
H: 17” (43 cm)
W: 30” (76 cm)
L: 88” (224 cm)

P 5,000

210 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1155
A One-piece Top Table
hardwood
32” x 38 1/2” x 96”
(82 cm x 98 cm x 243 cm)

P 35,000

1156
A Victorian Extendable Table
narra
H: 29” (74 cm)
L: 101” (257 cm)
W: 52” (132 cm)

P 20,000

PROPERTY FROM AN OLD MANILA MANSION

1157
A 19th Century Trestle Table, with a Narra Framed Balayong
top, and turned Narra Legs terminating on kamagong bun feet
narra
H: 29” (79 cm)
L: 118” (300 cm)
W: 43” (109 cm)

P 300,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 211


León Gallery
FINE ART & ANTIQUES

A RARE 14-SEATER TRESTLE NARRA TABLE

M
ade of seasoned hardwood,
this stunning narra
trestle table is the perfect
centerpiece for the family’s dining area
at home. Dining moments are sure
to be banquet or feast-like with this
elegant table with medieval roots in
design and history. The rarity of finding
a highly sturdy wooden table such as
this is notable, also its length that can
accommodate more than ten people.
Those who love entertaining guests
and organizing get-togethers at home
appreciate how it sets the fine mood
for great moments, ready to impress
guests with its simple and compact yet
charming design.

212 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1158
A Fourteen-Seater Trestle Table
narra
30” x 154” x 52”
(76 cm x 391 cm x 132 cm)

P 120,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 213


León Gallery
FINE ART & ANTIQUES

1159 1160 1161


A Marble Top Table with A Marble Top Table with Wrought Iron Round Table
Spindle Legs Legs H: 31” (79 cm)
H: 31” (79 cm) H: 30” (76 cm) D: 47 1/2 (121 cm)
D: 24” (61 cm) D: 40” (102 cm)
P 2,000
P 12,000 P 5,000

1162 1163 1164


A Marble Top Table with A Marble Top Round Table A Narra Occasional Table with Bone
Turned Narra Legs and Scroll H: 27” (69 cm) Inlay
feet D: 28” (71cm) H: 24 1/2” (62 cm)
H: 27” (69 cm) D: 24” (61 cm)
D: 39” (99 cm) P 12,000
P 6,000
P 12,000

1165
An Octagonal Granite
Top Table with
Hammered brass details
H: 20” (51 cm)
W: 40 1/2” (103 cm)
L: 40 1/2” (103 cm)

P 5,000

1166
A Marble Top Center Table
H: 18” (46 cm)
D: 29” (74 cm)

P 5,000

214 | DAY 2 - HEIRESSES’ HOMES AND TABLES


PROPERTY OF A VERY
DISTINGUISHED GENTLEMAN

1167
Round Marble-Top Table
possibly Ah-Tay
19th Century
narra and marble
D: 71” (180 cm)
H: 30” (76 cm)

P 180,000

1168 1169
A One-Piece Molave-Top Bohol A Pair of Tables
Table 22” x 23” x 30”
H: 30” (76 cm) (56 cm x 58 cm x 76 cm)
D: 40 1/2” (103 cm)
P 16,000
P 15,000

1170
A Round Narra Art Deco Pedestal
H: 29” (74 cm)
D: 24” (61 cm)

P 8,000

1171
An Occasional Narra Round Table
with Tripod Legs
H: 30 1/2” (77 cm)
D: 24” (61 cm)

P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 215


León Gallery
FINE ART & ANTIQUES

1172 1173 1174


A Pedestal A Corner Display Shelf Display Shelf
59” x 12” x 13” wood kamagong
(150 cm x 30 cm x 33 cm) 51” x 14” x 42” 68” x 16” x 16”
(130 cm x 36 cm x 56 cm) (173 cm x 41 cm x 41 cm)
P 4,000
P 4,000 P 5,000

1175
A Pedestal or Plantstand
H: 34” (86 cm)
D: 14” (36 cm)

P 4,000

1176
A Pair of Wooden Pedestals
with Alabaster
H: 32” (81 cm) each
D: 13” (33 cm) each

P 8,000

1177
Square Rosewood Oriental Pedestal
with Carvings
40” x 14” x 14”
(102 cm x 36 cm x 36 cm)

P 6,000

1178
A Wicker Chest with Iron Stand
basket: 8 1/2” x 20” x 11 1/2”
(22 cm x 51 cm x 29 cm)
with stand: 22” x 21” x 13”
(56 cm x 53 cm x 33 cm)

P 1,000

216 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1179 1180 1181
A Low Chinese Table An Oriental Console Oriental Console Table
H: 12” (30 cm) Table H: 32”(81cm)
L: 29” (73 cm) H: 32” (81 cm) W: 10” (25 cm)
W: 14” (36 cm) W: 15” (38 cm) L: 43” (109 cm)
L: 48” (122 cm)
P 1,000
P 2,000 P 2,000

1183
1182 An Alabaster Top Table
A Console Table with Shell Inlay with Turned Legs
30” x 12” x 35” 28 1/2” x 42” x 16”
(76 cm x 30 cm x 89 cm) (72 cm x 107 cm x 41 cm)

P 5,000 P 4,000

1184
Three Drawer Marble
Top Oriental Console Table
narra
H: 35” (90 cm)
L: 27” (69 cm)
W: 11” (28 cm)

P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 217


León Gallery
FINE ART & ANTIQUES

BENJI REYES SIKLAT COLLECTION


When one speaks of unique expressive
wood furniture pieces, innovative
Filipino master furniture maker Benji
Reyes immediately comes to mind. He
has received wide recognition for his
traditional woodworking techniques
and such great passion for the organic
material. For him, wood is a very hard
material that one has to make soft,
comfortable, and ergonomic, and
he continues to strive in achieving
this, raising the level of functionality
without compromising the greatness
of design. Through the years of
furniture making, Reyes has taken on
the challenges and restrictions that
wood imposes and created brilliant
designs with organic and irregular
1185 1186 shapes, making the material malleable
Benji Reyes (b. 1958) Benji Reyes (b. 1958) to the awe of his wide local and
Siklat Cabinet Siklat Cabinet international clientele.
palo china palo china
21 1/2” x 21 1/2” x 15” 20” x 21” x 14” Each encounter with Reyes’ wood
(55 cm x 55 cm x 38 cm) (51 cm x 53 cm x 36 cm) pieces is a glimpse of his brilliant
craftsmanship. Benji considers himself
P 10,000 P 10,000 a carpenter, also turning salvaged
wood into furniture considered works

1187
Benji Reyes (b. 1958)
Cabinet
pine wood
36” x 30” x 14”
(91 cm x 76 cm x 36 cm)

P 15,000

1188
Benji Reyes (b. 1958)
Cabinet
palo china
33” x 30” x 18”
(84 cm x 76 cm x 46 cm)

P 15,000

218 | DAY 2 - HEIRESSES’ HOMES AND TABLES


of art. He had to quit school—he took
architecture, then later on, fine arts at
the University of the Philippines—due
to lack of money, and to make a living,
he reworked objects from thrift stores.
During the 1990s, he started designing
furniture, upon moving to Antipolo to
start a family with his wife Carina. He
searched for secondhand hardwoods
and materials from demolished homes to
create conceptual furniture pieces.
Benji Reyes
These Siklat cabinets made of palo china
and pinewood showcase his earliest 1189
furniture design during his humble Benji Reyes (b. 1958)
beginnings as a furniture maker. Present Side Cabinet (Siklat Series)
is the weaved wood feature as well palo china
as his approach to furniture making 76” x 17” x 15” each
that equates to creating “functional (193 cm x 43 cm x 38 cm)
sculptures.” In an in-depth interview,
Reyes described his designs as not just P 18,000
“inspired” but “part” of the life he
lives. With these pieces, parts of his past
are visually captured, from his choice
of favorite material to the sincerity of
his passion for the craft in which he
dedicates his creative life.

1190
Benji Reyes (b. 1958)
A Pair of Armoire (Siklat Series)
palo china
74” x 37” x 13”
(188 cm x 94 cm x 33 cm) each

P 25,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 219


León Gallery
FINE ART & ANTIQUES

1191 1192 1193


A Marble Top Colonial Style Console A Wooden Bench Lover’s chair
Table with Brass Legs 18 1/2” x 61 1/2” x 12” H: 34” x L: 40” x W: 35”
36” x 44” x 10” (47 cm x 156 cm x 30 cm) (86 cm x 102 cm x 89 cm)
(91 cm x 112 cm x 25 cm) each
P 1,000 P 1,000
P 8,000

1194 1195
A Three-Drawer Ilocos Mesa Altar A Narra Five-Drawer Bulacan Mesa
with Lanite Inlay narra Altar with Lanite Inlay
32” x 40 1/2” x 18” 40 1/4” x 29 1/4” x 63 3/4”
(81 cm x 103 cm x 46 cm) (102 cm x 74 cm x 161 cm)

P 15,000 P 45,000

1196 1197 1198


A Hat Rack A Mid-20th Century Camphor Chest Ornately Carved Maranao Baul
narra with Bone Inlay 31” x 53” x 30”
62.5” x 24” x 12” 24” x 39” x 21” (79 cm x 135 cm x 76 cm)
(159 cm x 61 cm x 30 cm) (61 cm x 99 cm x 53 cm)
P 5,000
P 8,000 P 6,000

220 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1199 1200 1201
Camphor Chest Maranao Narra Chest with A Vintage Rosewood Chest with
20” x 20” x 29 1/2” Mother-of-Pearl Inlay Camphor Interior
(51 cm x 51 cm x 75 cm) 14” x 15” x 30” rosewood and camphor wood
(36 cm x 38 cm x 76 cm) 23” x 19 1/2” x 39 1/2”
P 6,000 (58 cm x 24 cm x 100 cm))
P 5,000
P 8,000

1202 1203 1204


A Small Chest A Maranao Baul with Shell Inlay A Camphor Chest
12” x 13” x 27” 23 1/2” x 48” x 24” 18” x 39 1/2” x 21”
(30 cm x 33 cm x 69 cm) (60 cm x 122 cm x 61 cm) (46 cm x 100 cm x 53 cm)

P 4,000 P 8,000 P 6,000

Formal European clothing, especially woolen clothes,


must be stored properly as the material attracts moths
that damage the cloth with holes. Formal clothes during
the colonial period were also taken with great care as
important occasion calls for formal wear. Storage became
a concern, hence the efforts of keeping clothes in chests
or cabinets made of cedar—a material with a certain
fragrance moths fly away from, also ideal for paneling and
carving with its reddish color. Good thing that the country’s
forests is rich with Philippine cedar or kalantas.

The kalantas chest was also used for traveling, hence


the use of the term baul mundo. Cordovan leather was
also imitated through its carvings, made from the fibrous
PROPERTY FROM THE RAMON VILLEGAS COLLECTION
flat muscle beneath the hide of the horse and was first
prepared by the Moors from the City of Cordoba in
Andalucia, Spain, in which the strong leather’s name was 1205
taken from. The artisans of the Parian did this, as horses A Baul Mundo
kalantas
were not indigenous to the Philippines and not locally
17th Century
available, and needed to be imported from China. This 13” x 21” x 12 1/2”(33 cm x 53 cm x 32 cm)
baul mundo has the closely followed Moorish patterns and
sturdy quality, sought-after during the collecting mania P 100,000
since the late 1960s.

DAY 2 - HEIRESSES’ HOMES AND TABLES | 221


León Gallery
FINE ART & ANTIQUES

1206
Narra Divan
H: 27” x L: 72” x W: 24”
(69 cm x 183 cm x 61 cm)

P 3,000

1207
A Vintage Settee
wood and upholstery
40” x 76” x 28”
(101 cm x 193 cm x 71 cm)

P 15,000

1208
Baby Crib
Narra with Solihiya
H: 48” x L: 48” x W: 29” (122

P 7,000

1209
A Pair of Oriental Side Tables and
Center Table with Bevelled Glass Top
hardwood
side tables:
22” x 24” x 24” (56 cm x 61 cm) each
center table: H: 16” (41 cm)
D: 39” (99 cm)

P 3,000

1210
Divan
hardwood
33” x 89” x 32”
(84 cm x 226 cm x 81 cm)

P 10,000

222 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1211 1212
An Art Deco Bed with Lanite Inlay Wooden Bed
narra 24 1/2” x 72” x 36”
43” x 56” x 78” (62 cm x 183 cm x 91 cm)
(109 cm x 142 cm x 198 cm)
P 10,000
P 20,000

1213
An Antique Half Tester Crib
steel
77” x 29” x 54” (196 cm x 74 cm x 137 cm)

P 10,000

1214
A Carpet
23” x 97” (58 cm x 246 cm)

P 15,000

1215
A Carpet
23” x 51” (58 cm x 195 cm)

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 223


León Gallery
FINE ART & ANTIQUES

1216 1217 1218


A Carpet A Carpet A Red Tapestry / Carpet
114” x 77” (290 cm x 196 cm) 112” x 62” (157 cm x 284 cm) 96” x 61” (244 cm x 155 cm)

P 25,000 P 15,000 P 18,000

1219
A Vintage Persian Tuserkani Carpet
hand-made wool
84” x 49” (213 cm x 124 cm)

P 18,000

1220
A Vintage Qashqii Persian Carpet
hand-made wool
102” x 64” (259 cm x 163 cm)

P 25,000

1221
An Alphabet Sampler (cross-stitched)
Inscribed “To Hijo Paz dela Fuente”
dated 1892
30” x 22” (76 cm x 56 cm)

P 18,000

Cross-stitching is often regarded as one of the oldest known artforms in the world.
Traces of needlework can be found as far back as the 6th Century B.C., while
decorative embroidery documenting famous myths and stories adorned the walls
of historically important places such as the walls of ancient Egyptian palaces to
the sacred halls of European monasteries. Thus, the practice of cross-stitching and
needlework was seen as a noble affair and was passed on as such. This particular
piece does not only presuppose an elegant, educated, and dignified lineage, but
also showcases the artist’s meticulous craftsmanship but also their respect for their
culture’s history and aesthetic.

224 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1222 1223
An Indigenous Woven Fabric Antique Indian Embroidered Tapestry
28” x 124” (71 cm x 315 cm) 25 1/2” x 49” (65 cm x 124 cm)

P 4,000 P 2,000

1224
1225
A Carpet
A Framed Textile
46” x 30”
24” x 14”
(117 cm x 76 cm)
(61 cm x 36 cm)
P 8,000
P 2,000

1226 1227 1228


An Area Rug An Area Rug A Carpet
51” x 31” (130 cm x 79 cm) 50” x 23” (127 cm x 58 cm) 50” x 30 1/2”
(127 cm x 77 cm)
P 6,000 P 6,000
P 6,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 225
León Gallery
FINE ART & ANTIQUES

1229
A Narra Gate leg Drop
leaf Table
H: 31” (79 cm)
D: 54” (137 cm)

P 18,000

folded

1230
A Narra Art Deco Foyer Table
30” x 30” x 51 1/2”
(76 cm x 76 cm x 131 cm)

P 8,000

1231
A Mid 20th century Narra Gate
Leg Drop leaf Table with Six
Matching Narra Chairs
table: H: 31” D: 53”
chairs: 39” x 18” x 17”
(19 cm x 46 cm x 43 cm)

P 25,000

226 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1232
An Early 20th Century Butler’s Table
narra
30 1/2” x 23” x 48”
(77 cm x 58 cm x 122 cm)

P 20,000

1233
A Roccoco Revival Narra Round Table
bleached narra
H: 36 1/2” (93 cm)
D: 49” (124 cm)

P 30,000

1234
A Pair of Art Deco Display Consoles
40” x 55” x 25 1/2”
(102 cm x 140 cm x 65 cm) each

P 25,000

1235
A Jewelry Display Showcase
38” x 90 1/2” x 23 1/2”
(97 cm x 230 cm x 60 cm)

P 20,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 227


León Gallery
FINE ART & ANTIQUES

1236
A Narra and Ipil Trestle
Table with a Mitered top,
Turned Posts and Stretcher
H: 31”(79 cm)
L: 78 1/2” (199 cm)
W: 38” (97 cm)

P 40,000

1237
A Roccoco Revival Marble
Top Table in Gilt Narra
H: 32” (81 cm)
L: 83” (211cm)
W: 48” (122 cm)

P 50,000

1238
Center table
H: 15 1/2” x L: 60” x W: 84”
(39 cm x 152 cm x 213 cm)

P 8,000

228 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1239 1240 1241
A Pair of Chinese Side Tables A Pair of Side Tables A Pair of Side Tables
18 1/2” x 17” x 17” H: 27 1/2” (70 cm) each 25 1/2” x 16” x 21 1/2”
(47 cm x 43 cm x 43 cm) each W: 14 1/2” (37 cm) each (65 cm x 41 cm x 55 cm) each
L: 17” (43 cm) each
P 6,000 P 6,000
P 6,000

1242 1243 1244


A Mid 20th Century Narra Table A Chinese Accent Table A Pair of Side Tables
23” x 24” x 19” 32 1/2” x 17 1/2” x 17 1/2” 26” x 18” x 16”
(58 cm x 61 cm x 48 cm) (83 cm x 44 cm x 44 cm) (66 cm x 46 cm x 41 cm) each

P 8,000 P 5,000 P 6,000

1245 1246 1247


An Occasional Table A Bulacan Costurera A Narra Center Table with Display
26 1/2” x 26” x 14 1/2” 28” x 32” x 20 1/2” Case (shadow box)
67 cm x 66 cm x 37 cm (71 cm x 81 cm x 52 cm) H: 18” (46 cm)
W: 38 1/2 (98 cm)
P 10,000 P 10,000 L: 38 1/2 (98 cm)

P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 229


León Gallery
FINE ART & ANTIQUES

1248 1249
A Two-drawer Mesa Altar with A Pair of Display Tables with Turned Legs
Lanite and Bone Inlay 32 1/2” x 40 1/2” x 20 1/2”
35” x 44” x 23” (83 cm x 103 cm x 52 cm) each
(89 cm x 112 cm x 58 cm)
P 18,000
P 20,000

1250 1251
A Baliuag Sheraton Sideboard A Five Drawer Batangas Mesa Altar
narra with Bone and Kamagong inlay Ipil framed narra top, kamagong framed
37” x 58” x 26” narra drawers and ipil cabriole legs on stretchers
(94 cm x 147 cm x 66 cm) narra
37 1/2” x 72” x 27”
P 45,000 (95 cm x 183 cm x 69 cm)

P 35,000

1252
Three Drawer Mesa Altar Table
kamagong
39” x 20” x 46 1/2”
(99 cm x 51 cm x 118 cm)

P 40,000

The iconic "mesa altar" or altar table has been a staple of local Filipino
design ever since the 1600s. The altar is often regarded as one of the
earliest examples of traditional Filipino furniture, with the earliest records
of it being linked to Ming dynasty table designs. These then morphed into
the more familiar styles during the end of the 17th century in order to
meet the demand of the growing number of churches along the Spanish
settlements. Despite this, the mesa altar still retained its oriental roots
through its carved legs and ball-and-claw feet. A high point of the mesa
altar was reached in the mid-1700s, wherein the tables were fashioned
out of black kamagong wood, an indigenous hardwood, with three to
five drawers, delicate pierce-work flanges and apron, which are then all
supported on cabriole legs over stretchers.

230 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1253 1254 1255
A Balayong Table A Three Drawer Ilocos Mesa Altar A Narra Sewing Table
30 1/2” x 37 1/2” x 29” 35” x 19” x 39” 28 1/2” x 18” x 30 1/2”
(78 cm x 95 cm x 74 cm) 89 cm x 48 cm x 99 cm) (72 cm x 46 cm x 77 cm)

P 20,000 P 10,000 P 15,000

1256 1257 1258


A Narra Cupboard with A Three Drawer Narra Mesa-Altar with A Narra Lamesita with Turned Legs
Kamagong and Lanite inlay Bone inlay 30” x 20” x 42”
Ca. 1930 37 1/2” x 45 1/2” x 20 1/2” (76 cm x 51 cm x 107 cm)
47 1/2” x 49 1/2” x 23” (95 cm x 46 cm x 52 cm)
(121 cm x 126 cm x 58 cm) P 8,000
P 10,000
P 35,000

1259 1260
A Two-Drawer Mesa Altar With A Kamagong A Narra two Drawer Mesa Altar with Pierced
Framed Narra Top , Kamagong Aprons, and Apron and Cabriole legs
Cabriole Legs Terminated by Stretchers 34 1/2” x 48” x 19 1/2”
36 1/2” x 43” x 26” (88 cm x 122 cm x 50 cm)
(93 cm x 109 cm x 66 cm)
P 25,000
P 35,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 231
León Gallery
FINE ART & ANTIQUES

1261 1262
A Porcelain Coated Metal Top Table Three Mid 20th Century Narra Side Tables
31” x 49 1/2” x 27” 23” x 12” x 24”
(79 cm x 126 cm x 69 cm) (58 cm x 30 cm x 61 cm) each

P 8,000
P 20,000

1263 1264 1265


A Desk A Two-drawer Console Table A Console Table
30” x 24” x 47” 31” x 18 1/2” x 35” 32” x 46” x 16”
(76 cm x 61 cm x 119 cm) (79 cm x 47 cm x 89 cm) (81 cm x 117 cm x 41 cm)

P 12,000 P 10,000 P 10,000

1266 1267
An Oriental Writing Desk A Chinese Rosewood Roll-Top
42” x 37” x 16” Writing Desk
(107 cm x 94 cm x 41 cm) 43” x 21 1/2” x 35”
(109 cm x 55 cm x 89 cm)
P 20,000
P 20,000

232 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1268
A Comoda de Poste
possibly by Ah-Tay
Ca. 1900
52” x 31” x 29”
(132 cm x 79 cm x 74 cm)

P 30,000

The comoda is noted in the field of Philippine art and


antiques for its rarity and historical significance. It
exemplifies craftsmanship excellence back in the day—
championed by seasoned furniture makers like the famous
Ah-Tay—a part of the national legacy in furniture making.
This kind of comoda made of sturdy hardwood with
elaborate foliate carvings at front, distinct base, turned
posts, and bun feet was owned by well-off clients, from the
landowners to merchant families. It survived changing tastes
as its design is timeless in its folk furniture elegance.

1269 1270
A Mid-20th century Narra Chest A Sideboard
of Drawers 35”x 78” x 19”
40” x 35” x 17” (89 cm x 198 cm x 48 cm)
(102 cm x 89 cm x 43 cm)
P 30,000
P 15,000

1271
A Baliuag Sideboard
Narra with Bone Inlay
38” x 67” x 20” (97 cm x 170 cm x 51 cm)

P 30,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 233


León Gallery
FINE ART & ANTIQUES

1272
A Petite Narra Comoda de Poste
34 1/2” x 31” x 19”
(88 cm x 79 cm x 48 cm)

P 15,000

1273
A Narra Ilocos Comoda de Poste
46” x 42” x 19”

P 12,000

1274 1275 1276


A Camphor Chest of Drawers An Oriental Sideboard A Comoda de Poste
44 1/2” x 36” x 18” 34” x 20” x 24” hardwood
(113 cm x 91 cm x 46 cm) (86 cm x 61 cm x 51 cm) 37 1/2” x 40 1/2” x 16 1/2”
(95 cm x 103 cm x 42 cm)
P 40,000 P 8,000
P 15,000

1277
A Mid-20th Century
Oriental Bar Cabinet
43” x 38” x 21”
(109 cm x 97 cm x 53 cm)

P 20,000

1278
A Mid-20th Century Chinese
Apothecary Cabinet
16 1/2” x 26 1/2” x 14”
(42 cm x 67 cm x 36 cm)

P 12,000

234 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1279
A Narra Two-Door Bulacan Aparador
with Kamagong and Lanite Inlay
85” x 46” x 20”
(216 cm x 117 cm x 51 cm)

P 18,000

1280
A Narra Vitrine
96” x 19” x 50”
(244 cm x 48 cm x 127 cm)

P 15,000

1281
Chinese Cabinet
H: 74” x L: 34” x W: 20 1/2”
(188 cm x 86 cm x 52 cm)

P 20,000

1282
A Baliuag Aparador Narra
with Lanite Inlay 1930
83” x 53” x 23”
(211 cm x 135 cm x 58 cm)

P 10,000

1283
A Mirror-Front Tambol Aparador
with Art Nouveau Details
narra
99” x 33” x 48 1/2”
(251 cm x 84 cm x 123 cm)

P 18,000

1284
A Narra Aparador
89” x 53” x 23”
(226 cm x 135 cm x 58 cm)

P 15,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 235


León Gallery
FINE ART & ANTIQUES

1285 1286 1287


A Camphor Vitrine A Narra Bookshelf A Modern Secretary Cabinet
46 1/2” x 40” x 17” 66” x 34” x 11 1/2” 77” x 33” x 16”
(194 cm x 102 cm x 41 cm) (168 cm x 86 cm x 29 cm) (196 cm x 84 cm x 41 cm)

P 10,000 P 10,000 P 10,000

1288
Chinese Armoire Cabinet
67” x 24” x 42”
(170 cm x 61 cm x 107 cm)

P 10,000

1289
An Oriental Armoire
70” x 46” x 20”)
(178 cm x 117 cm x 51 cm)

P 10,000

1290
A Tres Lunas Tocador
67 1/2” x 15” x 46 1/2”
(171 cm x 38 cm x 118 cm)

P 10,000

1291
A Narra Art Deco Dresser by
Mariano Reprima
76” x 55” x 16”
(193 cm x 140 cm x 41 cm)

P 10,000

236 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1292 1293 1294
A Narra Lansena A 19th Century Baliuag Aparador A Vitrine
Ca. 1900 narra 62” x 39 1/2” x 13 1/2”
75” x 22” x 43” 79” x 23” x 50” (157 cm x 100 cm x 34 cm)
(191 cm x 56 cm x 109 cm) (201 cm x 58 cm x 127 cm)
P 10,000
P 10,000 P 12,000

SN 882
1295 1296 1297
A Narra Aparador An Aparador An Oriental Armoire
73 1/2” x 48” x 20” 59” x 38 1/2” x 17” 63” x 42” x 19”
(187 cm x 122 cm x 51 cm) (150 cm x 98 cm x 43 cm) (160 cm x 107 cm x 48 cm)

P 15,000 P 12,000 P 10,000

1299
1298 Executive desk
A Writing Desk H: 31” x L: 72 1/2” x W: 40”
laminated wood, hardwood (79 cm x 184 cm x 102 cm)
38” x 45” x 23”
(97 cm x 114 cm x 58 cm) P 7,000

P 8,000
DAY 2 - HEIRESSES’ HOMES AND TABLES | 237
León Gallery
FINE ART & ANTIQUES

1300
A Narra Platera
69” x 39” x 16”
(175 cm x 99 cm x 41 cm)

P 12,000

1301
A Baliuag Jewelry Box
16” x 17” x 9 1/2”
41 cm x 43 cm x 24 cm)

P 5,000

1302
A Century Old Red Narra
Double Door
81” x 44” (206 cm x 112 cm)

P 90,000

1303
A Century Old Four-Panel Balayong Screen
79 1/2” x 76” (202 cm x 193 cm)

P 90,000

238 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1304
Arte Español Garden Set
wrought iron
1 table: 25 1/2” x 30” x 30”
(65 cm x 76 cm x 76 cm) each

4 chairs: 43” x 22” x 21”


(109 cm x 56 cm x 53 cm) each

P 10,000

1305
Arte Español Garden Table and Four Chairs
a) Table
H: 30” (76 cm) D: 36” (91 cm)
b) Chair
35” x 18” x 20” (89 cm x 46 cm x 51 cm) each

P 10,000

1306
Arte Español Pair of Garden Chairs
41” x 20” x 19”
(104 cm x 51 cm x 48 cm) each

P 8,000

1307
Arte Español Garden Set
wrought iron
1 table: 25 1/2” x 30” x 30”
(65 cm x 76 cm x 76 cm) each

4 chairs: 43” x 22” x 21”


(109 cm x 56 cm x 53 cm) each

P 10,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 239


León Gallery
FINE ART & ANTIQUES

1308 1309
An Escritorio A Vintage Upright Piano
narra 44” x 56” x 23”
60” x 55” x 37 1/2” (112 m x 142 cm x 58 cm)
(152 cm x 140 cm x 95 cm)
P 2,000
P 30,000

1310
A Long Narra Bench with
Cabriole Legs
42” x 107” x 26”
(107 cm x 172 cm x 66 cm)

P 20,000

1311
A 19th Century Butterfly Doors narra
86 1/2” x 48” x 2”
(220 cm x 122 cm x 5 cm)

P 30,000

240 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1313
Benji Reyes (b. 1958)
1312 A Cabinet
Sewing Machine wood and laminated wood
38” x 46” x 16” 26” x 18” x 15”
(97 cm x 117 cm x 41 cm) (66 cm x 46 cm x 38 cm)

P 1,000 P 2,000

1314
A Granary Vessel Inspired Table
18” x 36 1/2” x 20” (46 cm x 93 cm x 51 cm)

P 6,000

1315
A Pair of Park Benches
33” x 96” x 29”
(84 cm x 244 cm x 74 cm) each

P 8,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 241


León Gallery
FINE ART & ANTIQUES

1316 1317
A Four Panel Divider A Five Panel Screen or Room Divider
wood and candy glass hardwood
78” x 92” (198 cm x 234 cm) 71” x 70” x 1” (180 cm x 178 cm x 3 cm)

P 18,000 P 30,000

PROPERTY OF A VERY
DISTINGUISHED LADY

1318
Five-Panel Lacquered Wood
Screen or Room Divider with
Soapstone Appliqués
ca. 1930
63” x 82 1/2” (160 cm x 208 cm)

P 80,000

1319
A Pair of Latticed
Headboards
42” x 29” x 3”
(107 cm x 74 cm x 8 cm)

P 5,000

242 | DAY 2 - HEIRESSES’ HOMES AND TABLES


1320
Six Individually Hanged
Narra Panels
64” x 126” (163 cm x 320
cm) total width

P 15,000

1321 1322
A Five-Panel Rosewood Room Divider A Lacquered Six-Panel Screen or Room
rosewood Divider with Soapstone Appliqués
72” x 80” (183 cm x 203 cm) 72” x 96” x 1”
(183 cm x 244 cm x 3 cm)
P 20,000
P 45,000

1323 1324
Six-Panel Oriental Room Divider Artisanal Magazine rack with Hand Carving
90 1/2” x 114” x 2” of Elephant Herd
(230 cm x 290 cm x 5 cm) irondwood
20" x 12" x 9"
P 50,000 (51 cm x 30 cm x 23 cm)

P 1,000

DAY 2 - HEIRESSES’ HOMES AND TABLES | 243


Max Balatbat (b. 1978)
Untitled
Ang Kiukok (1931 - 2005)
Church
Two Qing
Max Balatbat
Dynasty
(b. 1978)
Temple Jars
on a Pair of Lacquered Pedestals
Untitled
León Gallery
FINE ART & ANTIQUES

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