Sumerian
Sumerian
Sumerian
Our knowledge of Sumerian literature, in fact the earliest known literature, comes alive
during the Early Dynastic Period III (EDIII) c . 2500 BCE, especially at the sites of Fara
(ancient Shuruppak) and Abu Salabikh. Here we gain the first instances of such works
as the Kesh Temple Hymn, the Instructions of Shuruppak, and Lugalbanda and Ninsun
(the parents of Gilgamesh), which broke through the boundaries of the practical realm
of economy and administration, and delved into the sphere of mythology and
cosmology . Even though these texts are difficult to read, we can ascertain literary
themes like the formation of the world, divine temple building, and other divine
activities, sometimes of an adult nature. In these texts, we also encounter a large
number of names of scribes and functions which are Akkadian in origin, suggesting
that the two languages were very intermixed, as stated above. This was the time of the
Sumerian's greatest worldly influence, as evidenced by texts outside the Mesopotamian
realm from Mari, Ebla, Tell Beydar, and Tell Brak which utilized the cuneiform script
for Sumerian as well as their local Semitic languages.
We do not have a lot of evidence for Sumerian writing during the Sargonic period (c.
2300 – c. 2100 BCE). Scribes were centrally trained in Agade and then sent out to help
conduct the affairs of every part of the realm, but they used Akkadian as their language,
giving Sumerian a backseat. Even so, there were still local towns using Sumerian
writing to run the local administration.
There was somewhat of a resurgence of Sumerian writing during the Ur III period (c.
2100 – c. 2000 BCE) as the first kings of this period, Ur-Namma and Shulgi used
Sumerian cuneiform in their administrations. However, at this stage the written
language would not have reflected any spoken vernacular. In the realm of literature,
Shulgi replaced the earlier ED III mythological tradition with a new scribal curriculum
introducing such genres as royal and divine hymns and songs. This was also the period
where such famous works like The Curse of Agade and the Law Code of Ur-Namma were
first composed. Contemporary with Ur-Namma was Gudea, the king of Lagash/Girsu
who is famous for being the focal point of texts on cylinders and statues. In one account,
the city god Ningirsu came to him in a dream and commanded him to build the Eninnu
(lit. “50 House”) temple at Girsu, which he of course dutifully did.
Map of Sumer
P L Kessler (Copyright)
By the Old Babylonian Period (c. 2000 BCE), most scholars are in agreement that people
had stopped speaking Sumerian entirely (if not earlier). However, even though the
language ceased to be a spoken one, it was revitalized by Old Babylonian scribes as a
literary one. In fact, most of the Sumerian literature that comes down to us is from this
period. As such, there is much debate over how in tune to reality the Old Babylonian
versions were to the previously living language. Many of these texts come from
southern Babylonian sites like Ur and Nippur but only before and during the reign of
Samsu-iluna under whom a rebellion led to the abandonment of Nippur. In
northern Babylonia, the tradition was not interrupted until the invasion of Mursili I (c.
1595 BCE). Some famous texts either initially written in this period or copied from an
earlier period include the Sumerian King List, Lamentation of Ur, Inanna's Descent into
the Underworld, and the hero myths of Enmerkar, Lugalbanda, and Gilgamesh.
Writing
Sumerian is written in the cuneiform script. In fact, it is the first language we know to
be written using cuneiform and most likely cuneiform was developed for use by this
language. The script was originally written using ideograms, symbols which express an
idea rather than a word or sound, and thus can technically be understood in any
language. As the script developed though, Sumerian scribes attributed syllabic values to
the signs based on how the word sounded in the language. For instance, a picture of a
mouth would represent the word 'ka' and so the sign could now represent the syllable
'ka' in any word containing that syllable.
The writing system of Sumerian has the principles of polyphony and homophony.
Polyphony means that some signs have multiple syllabic values, for instance the DU
sign could be read either 'du', 'ra2', 'ša4', etc., each having different but often related
meanings. Homophony means that there are multiple signs having the same syllabic
value. You may have noticed the use of subscripts (2) in the sign values. This is because
syllables like 'ra' had multiple sign renderings like RA , the aforementioned DU, and
others. Incredibly, some syllables had more than 10 different signs representing them.
This principle of homophony and the fact that one syllable in Sumerian often comprises
the entire word have led some scholars to believe that Sumerian contained a tonal
system. How can there be so many homophones without there being some other feature
to distinguish them? Countering this notion, other scholars have noted that these single
syllables often differ by their final consonant, which falls out of pronunciation at the
end of the word e.g. the sign for ox 'gu4' has another value 'gud', the 'd' falling out when
the word is final. Another suggestion is the potential existence of consonant clusters,
which the writing system had no means of representing.
Dialects?
There was an interesting system of sign value variation which occurred only during the
ED III period. This is commonly referred to as UGN or UD.GAL.NUN as the signs spell
out. This manner of writing is characterized by atypical readings for certain signs. For
example, the signs UD.GAL.NUN had the anomalous reading of diŋir.en.lil2 which
would reference the god (diŋir) Enlil, which had nothing to do with the typical sign
reading. There are a number of instances of these irregular readings but it seems to fall
out of practice after this period.
Today, Sumerian is taught at only a select number of universities around the world. In
total, probably not more than a few hundred people have a working knowledge of the
language and there is still much debate over even the basics of the grammar. Even top
scholars in the field are uncertain of the meanings of certain passages. Sumerian offers a
challenging yet fascinating puzzle on the lives and literature of those who first
accomplished the task of immortalizing their words in writing. It is a truly intriguing
language reflecting the intriguing people who wrote it down.