B.Ilic, DON'T WANT TO BE A MONSTER
B.Ilic, DON'T WANT TO BE A MONSTER
B.Ilic, DON'T WANT TO BE A MONSTER
Branislava Ilić
Idea:
Predrag
Štrbac;
after
Mary
Shelley’s
Frankenstein
and
Philosophy
of
the
Province
by
Radomir
Konstantinović
Belgrade, 2015.
“...So
not
only
do
we
live
our
every
day
at
the
heart
of
this
normal
monstrousness,
not
only
have
we
become
accustomed
to
monsters
-‐
married
into
them
-‐
but
we
ourselves
are
turning
into
monsters;
to
live
under
the
violence
of
totalitarian
nationalism
means
that
by
degrees,
from
day
to
day,
we
come
to
agree
to
that
violence,
accept
it
as
our
own
–
accept
the
unacceptable:
accept
monstrosity
as
natural.
We
live
(if
you
can
call
it
a
life)
in
a
world
where
the
monstrous
has
become
the
norm
and
the
norm
monstrous.
And
so
humanity,
when
we
encounter
it,
seems
unreal.
To
live
with
the
monster
means
not
to
notice
it,
not
to
see
it
as
a
monster…”
“Living
With
a
Monster”
by
Radomir
Konstantinović
From
a
speech
at
the
first
meeting
of
the
Belgrade
Circle,
11
April
1991.
CAST:
ME
HER
FATSO
GRANDMA
FATHER
MOTHER
THE
REST
*
Scenes
from
the
films
“Frankenstein”
(James
Whale),
1931
and
“Son
of
Frankenstein”
(Rowland
V.
Lee),
1935.
TOPICS:
[2]
“The
great
world
is
a
world
that
in
its
multiple
possibilities,
its
styles,
destroys
this
simplicity
of
style,
its
uniformity.”
“The
provinces
are
averse
to
the
unknown“
Radomir
Konstantinović
1.
The
opening
scene
from
“Son
of
Frankenstein”.1
The
heads
of
the
mountain
village
of
Frankenstein
are
gathering
to
agree
that
they
will
not
provide
hospitality
to
the
son
of
Dr.
Frankenstein,
who
is
coming
to
take
up
his
inheritance.
Rain
and
thunder.
Enter
a
man:
ME.
ME:
Don’t
be
afraid.
I’m
not
a
monster.
Monsters
are
ugly,
big,
clumsy
things.
Monsters
are
others,
the
unknown,
people
with
problems,
those
who
don’t
fit
in.
If
I
was
a
monster,
I’d
know
it
by
now,
wouldn’t
I?
I’m
good-‐looking,
charming,
successful
and
I’ve
a
perfect,
brilliant
smile.
“Just
like
in
the
ads,”
as
they
say.
Now,
can
we
all
agree
I’m
not
a
monster?
OK,
a
majority
will
do.
Thank
you.
I
have
a
question
for
you.
What
are
you
afraid
of?
Are
you
afraid
at
all?
I’ve
managed
to
overcome
all
my
fears,
so
I
know
what
I’m
talking
about.
In
detail.
Without
embarrassment.
So
this
is
the
story
of
the
greatest
fear
of
my
life.
I
know
each
of
us
thinks
his
own
life
is
special,
but
mine
really
is.
And
I
warn
you:
this
isn’t
for
the
nervous,
because
getting
to
grips
with
fear
is
a
real
fucker.
You
can’t
avoid
your
heart
speeding
up,
you
get
dizzy,
you
sweat.
What
you
need
is
determination
and
serious
self-‐
1
The
dialogue
ends
with
the
words:
“…that’s
the
truth
but
he
won’t
find
friends
here.
Nothing
but
locked
doors
and
darkened
windows,
closed
hearts
and
bitter
hatred…”
[3]
sacrifice.
To
start
at
the
beginning:
I
suppose
you
all
know
when,
where
and
how
you
were
born?
Families
talk
about
it,
you
can’t
not
know.
Photos,
memories,
pain,
everything
your
mother
goes
through
–
and
they
all
disappear
with
your
first
cry…
I’m
not
asking
you
to
tell
me
about
it,
just
to
remember.
Do
you
think
about
it?
So
you
come
into
the
world
and
and
and
and
and
and
waiting
for
you
is…?
2.
Maternity
Ward
ME:
The
maternity
ward,
of
course!
This
is
my
wonderful
mother
in
labor.
My
father
in
labor.
And
the
doctor
and
midwife
on
unscheduled
duty.
Because
of
me,
the
midwife
had
to
come
away
from
the
TV
serial
she
was
watching
and
the
doctor
would
like
to
hurry
my
mother
up
so
he
can
get
to
the
football
match.
In
other
words,
at
this
point
in
time,
I’m
a
nuisance
to
everyone.
Except
to
my
father.
He’s
in
shock.
DOCTOR:
Push,
woman,
for
chrissake!
MIDWIFE:
Now!
Push!
FATHER:
Pu...
I
can’t
watch…
(turns
away)
WOMAN:
And
I
could
watch
when
you
were
pushing
it
in?
I’m
not
letting
this
child
out
unless
he’s
looking
on!
DOCTOR:
Hear
that?
She
won’t
let
it
out!
Who
do
you
think
you
are?
Push,
I
tell
you!
One
more
and
it’s
over!
WOMAN:
Shan’t!
I’ll
smother
it!
DOCTOR:
Did
I
ever,
even
once,
have
one
that
listened
and
did
what
she
was
told?
And
you,
look
this
way!
WOMAN:
He’s
to
watch!
MIDWIFE:
He’s
watching,
he’s
watching.
Come
one,
one
more!
WOMAN:
The
hell
he’s
watching!
He’s
to
look
at
the
baby!
DOCTOR:
Focus
your
eyes
over
here.
He’s
looking.
We’re
all
looking.
Push
harder,
the
match
is
starting
at
any
moment!
[4]
WOMAN:
Is
he
watching?
DOCTOR
AND
MIDWIFE:
YES!
FATHER:
I’m
watching!
WOMAN:
And
what
do
you
see?
FATHER:
A
SON!
WOMAN:
Doctor,
you
said
it
was
a
daughter!
You
weren’t
looking
properly
either.
ME:
Both
my
father
and
mother
swear
that’s
exactly
how
it
went.
Grandma,
my
father’s
mother,
has
a
different
story.
My
mother’s
an
emancipated
sort
of
woman,
she
had
the
whole
birth
planned
and
organized
in
detail.
Almost
down
to
the
last
detail.
She
had
it
all
worked
out,
except
going
into
early
labor
which
might
catch
her
unawares
out
in
the
boondocks
where
my
father’s
family
comes
from.
That
was
the
first
and
last
time
she
visited
the
country.
3.
Mother
in
labor
in
a
field.
She
turns
and
twists
like
a
dog
with
fleas.
WOMAN:
Ow,
ow,
ow.....
Ooh,
ooh,
ooh....
Ohhhh!
It
can’t
be...
It’s
impossible.
Why
is
it
so…
ouch…
Think
I’ll
sit
on
the
ground.
Easy
does
it…
How
do
I
get
down
there?
I
won’t.
Must
breathe.
Breathing,
breathing….
Ooh,
ooh…
My
waters
broke.
They
can’t
break
in
this
neck
of
the
woods!
This
isn’t
what
I
planned.
I
never
planned
anything
like
this.
I’m
not
having
a
baby
out
here!
My
mother
was
born
in
a
town,
my
father
was
born
in
a
town,
grandmother,
grandfather,
my
other
grandmother
and
grandfather…
I
don’t
want
my
baby
born
in
the
country!
I
don’t
want
to
have
it
all
by
myself!
I
faint
at
the
sight
of
blood.
I’m
sure
there’ll
be
blood,
and
when
I
faint,
the
baby
will
drown
in
blood.
It’s
not
fair!
Ooh,
ooh…
What
am
I
supposed
to
do
now?
Like
down?
Ouch!
A
tree!
I
need
a
tree
to
hang
on
to.
I
read
it
somewhere.
Where
am
I
to
fucking
find
a
tree
out
here?
Aagh,
if
I
survive
this
I’ll
plant
a
whole
forest!
I’m
talking
rubbish.
Lord,
what
rubbish
I’m
talking.
If
I
live
[5]
through
this,
I’m
never
coming
here
again.
Should
I
squat?
Ooh,
God,
why
are
you
messing
me
around
like
this?
Owwwwwwww!
It
fucking
hurts!
ME:
No
one
wants
to
be
born
in
a
field,
a
meadow,
a
wood
or
any
such
uncomfortable
spot
when
you
could
be
in
a
warm
pool,
at
home,
surrounded
by
love
and
attention,
listening
to
your
favorite
music.
4.
Music.
A
couple
in
the
birthing
pool.
The
husband
massages
his
wife.
They
kiss.
Silently,
they
constantly
change
position
for
her
greater
comfort
while
he
supports
her.
A
woman
by
the
side
of
the
pool
speaks
to
them
gently
and
encouragingly,
instructing
the
husband.
ENCOURAGING
WOMAN:
That’s
it.
That’s
good.
Like
that.
Good.
You’re
doing
fine.
Good.
Turn
on
your
other
side
if
it’s
easier.
Rub
her
back,
rub,
rub,
rub,
rub…
OK,
OK,
not
so
hard,
you’re
getting
all
steamed
up.
Breathe,
breathe,
breathe,
breathe,
breathe…
That’s
it.
Now
a
back
massage.
No,
not
his
back,
he’s
supposed
to
massage
yours.
That’s
it,
that’s
it,
that’s
it.
You’re
fantastic.
You’re
doing
fine.
Contraction?
Right,
position
yourself.
Like
that.
See,
even
the
baby
feels
its
mum
is
fantastic.
Its
dad
is
fantastic.
Lucky
baby…
That’s
it.
That’s
good.
Lean
back
on
him,
relax,
great,
great…
5.
ME:
Look
at
these
three
pictures
and
tell
me,
how
do
you
think
I
came
into
the
world?
A,
B
or
C?
On
your
seats
you’ll
find
papers
for
the
test
we’re
going
to
do
together
this
evening.
Like
the
tests
you
do
every
day
in
magazines
or
on
the
Internet
and
tell
everyone
you
never
look
at
them.
Let’s
not
lie
to
one
another,
we
all
lie,
including
me.
I
mean,
what
normal
man
would
admit
to
doing
lame-‐brain
tests,
reading
his
horoscope
or
having
only
occasional
sex?
We’ll
come
back
to
this
a
little
later.
I
hope
the
test
will
finally
satisfy
your
[6]
curiosity.
Not
about
more
regular
sex
but
that
you
find
out
SOMETHING
MORE
about
yourself.
The
first
question
on
the
path
to
meaningful
self-‐criticism
is:
If
you
could
choose,
which
of
these
three
places
would
you
choose
to
be
born
in?
A
hospital?
A
field?
A
pool?
Circle
A,
B
or
C.
Mum
and
Dad
just
as
I
like
them
“Complexity
is
always
a
crisis
of
certainty“
Radomir
Konstantinović
6.
ME:
OK.
So
now
that
we’re
born,
someone
is
needed
to
feed
us,
change
our
nappies,
wipe
our
bottoms
and
tap
us
on
the
back
until
we
burp,
isn’t
that
so?
I
know
that
to
you,
your
parents
are
the
best
in
the
world
and
you
love
them
endlessly,
even
when
you
hate
them,
but
if
you
had
the
possibility
to
choose,
would
you
choose
parents
like
these?
7.
The
Mum
and
Dad
in
picture
no.
2
have
to
change
the
baby,
who
is
crying.
They
play
pass
the
parcel
with
it,
thrusting
it
into
each
other’s
arms.
WOMAN:
Go
on,
you
do
it.
HUSBAND:
It’s
your
turn.
WOMAN:
It’s
your
turn.
I
have
to
feed
him.
HUSBAND:
I
give
him
his
bath.
WOMAN:
You
should
be
ashamed
of
yourself,
throwing
that
in
my
face.
[7]
HUSBAND:
You
should
be
ashamed
of
yourself,
blaming
me
because
I
don’t
breastfeed
him.
WOMAN:
You’ve
no
idea
how
hard
breastfeeding
is!
HUSBAND:
You’ve
no
idea
how
hard
bathing
him
is!
WOMAN:
Let’s
toss
for
it.
Heads
or
tails?
HUSBAND:
Heads.
Hah,
you
lose!
You
lost.
(Sniffs
the
baby)
Oh,
looks
like
a
bumper
crop.
The
woman
changes
the
baby
who
screams
throughout.
WOMAN:
Here,
it’s
your
turn
to
put
him
to
sleep.
The
husband
finds
a
broadcast
of
a
football
match
on
his
phone
and
places
it
in
the
cradle
by
the
baby’s
head.
WOMAN:
What
are
you
doing?
HUSBAND:
Football
puts
him
in
a
coma
in
two
minutes.
Fact.
Going
to
be
daddy’s
little
book-‐maker,
isn’t
he?
8.
ME:
Or
like
these,
perhaps?
The
woman
from
Scene
3
is
ensconced
in
an
armchair,
swigging
beer
and
watching
a
serial
on
TV.
The
man
is
walking
up
and
down
the
room,
rocking
the
baby.
WOMAN:
Is
he
getting
off?
MAN:
Not
likely.
Eyes
like
saucers.
He
keeps
looking
at
me.
WOMAN:
Well,
don’t
look
at
him.
MAN:
How
about
you
not
looking
at
that
screen?
WOMAN:
Why
shouldn’t
I?
MAN:
‘Cos
you’re
his
mother.
WOMAN:
I
am,
I’m
his
mother
and
I
gave
birth
to
him.
All
by
myself.
MAN:
You
were
premature!
(The
baby
starts
to
cry)
[8]
WOMAN:
Now
look
what
you’ve
done!
Shouting
in
front
of
the
kid.
You
should
be
ashamed.
Some
father
you
are.
MAN:
Do
you
want
to
take
him?
WOMAN:
Of
course
I
will.
I’m
his
mother.
I
had
him
all
on
my
own
in
a
field
in
the
middle
of
nowhere.
MAN:
Here
you
are,
easy
does
it...
WOMAN:
As
soon
as
this
program’s
over.
9.
ME:
Or
would
you
go
for
these?
The
woman
and
the
man
from
scene
4
are
quarrelling.
The
man
is
drunk.
The
baby
is
in
the
cradle.
WOMAN:
I’ll
report
you!
MAN:
I
only
gave
him
a
drop,
a
thimbleful
in
the
bottle
and
into
his
mouth.
You
can
see
he
likes
it.
What
else
do
you
want?
He’s
sleeping
like
a
log.
WOMAN:
Some
father
you
are!
I’ll
report
you,
I
swear!
MAN:
Me?
You’re
going
to
report
me?
It
was
you
who
dropped
him,
gawping
out
of
the
window.
WOMAN:
Not
true,
I
wasn’t
gawping!
He
wriggled
out
of
my
grasp!
MAN:
It’s
like
you
gave
birth
to
a
maggot
in
the
water,
not
a
child!
Wriggled
out,
did
he?
WOMAN:
Oh,
shut
up
and
get
rid
of
that
bottle!
MAN:
Stop
yelling,
bitch!
(Slaps
her,
she
slaps
him
back.
A
fight
breaks
out.)
10.
ME:
I
agree,
no
one
wants
parents
like
that.
But,
let’s
be
honest,
which
one
of
us
has
the
parents
he’d
like
to
have?
No
one.
It’s
just
that
in
most
cases
life
gives
us
enough
time
to
convince
ourselves
that
they’re
the
best.
You
now
have
to
choose
the
lesser
evil.
Anyway,
[9]
that’s
what
we
do,
isn’t
it,
every
day,
year
in,
year
out?
It’s
bad,
bad,
bad
and
then
we
choose
the
lesser,
the
least…
evil.
You
know
yourselves
that
this
sort
of
test
usually
provides
vague
answers
that
not
only
have
nothing
to
do
with
life,
but
they’d
never
even
occur
to
you.
So
imagine
that
there’s
a
gun
being
held
to
your
head
and
you
have
to
plump
for
one
of
the
three
pairs
of
parents.
Circle
the
lesser
evil.
11.
ME:
The
three
couples...
as
you
see
them....
all
three,
all
of
them
together...
are
my
biological
parents.
Eh?
Now
I’ve
totally
confused
you.
Three
evils,
and
instead
of
the
least
of
them,
I
get
all
three.
You
think
I’m
nuts?
Well,
I
am,
I’m
nuts.
I
admit
it.
Three
fathers,
three
mothers.
I
can
understand
your
disbelief.
Disbelief
is
what
we
need.
This
gentleman
here
agrees
with
me.
He’s
nodding
his
head.
You’ve
all
heard
of
Doctor
Frankenstein?
The
times
they
are
a-‐changin’
but
the
Doc
remains.
We
can
call
him
Tom
or
Harry,
but
why
complicate
matters
when
we
don’t
have
to?
Everyone’s
taken
to
Frankenstein
so
by
now
he’s
become
supra-‐national.
We
all
love
horror
stories.
Well,
almost
all
of
us.
And
man’s
greatest
challenge
has
always
been
to
create
life.
My
creator,
my
father,
the
man
thanks
to
whom
the
genes
of
these
six
people
and
their
children
came
together
in
his
laboratory
under
artificial
conditions
to
produce
the
brilliant,
the
one
and
only
ME,
is
this
man.
(A
picture
of
a
man
appears
on
the
screen.)
I
can’t
tell
you
his
real
name
for
security
reasons,
and
a
risk
of
identity
theft.
He’s
my
god,
my
parent.
If
you
expect
me
to
give
you
an
expert
explanation
of
how
the
good
doctor
whipped
me
up,
I’m
afraid
I’m
going
to
have
to
disappoint
you.
I’d
say
I’m
in
no
better
position
here
than
Mary
Shelley.
I
know
zilch
about
genetics
and
the
achievements
of
modern
medicine.
But
what
is
clear
is
that
the
dear
doctor
was
happy
with
his
product.
He
made
me
handsome
as
a
god
and
I
owe
him
a
debt
of
gratitude.
I’m
not
so
grateful
that
he
whipped
me
up
from
samples
like
these,
but
it’s
obvious
that
the
more
idiots
you
mix
together
genetically,
the
greater
your
chances
are
of
getting
a
better
man.
That’s
the
genetic
paradox.
If
one
partner’s
a
birdbrain
and
the
other’s
a
genius,
the
offspring’s
a
dimwit.
If
[10]
they’re
both
dimwits,
you
have
no
chance
of
being
anything
but
a
dimwit,
but
seeing
as
how
you
grow
up
in
a
family
of
dimwits,
it’s
no
big
deal.
But
if
you
take
a
lot
of
dimwits,
you
get
genetic
mutation,
because
the
gene
can’t
bear
so
many
dimwits
inside
it
and
a
clever,
good-‐
looking,
interesting
child
emerges.
The
more
dimwits,
the
better
the
child.
Just
imagine,
out
of
a
thousand
dimwits,
what
kind
of
geniuses
would
result?
A
million
dimwits?
Now
that
would
be
the
genius
that
would
save
the
country.
I’m
not
that
genius,
because
he
barely
persuaded
these
six
idiots
to
give
their
consent
to
the
experiment,
but
the
dear
doctor
himself
said
that
he
had
made
a
perfect
baby.
And
it
was
lovely
for
me,
being
with
him.
Here
I
am
in
my
pram
(flicking
through
photos,
slides).
Here
he
is,
reading
me
a
story.
Here
we’re
playing
cowboys
and
Indians
-‐
I
accidentally
broke
a
window.
This
is
me
practicing
jumping
on
the
bed.
Here’s
where
I
broke
a
couple
of
items
in
his
laboratory.
And
in
this
one
I’m
pulling
up
all
the
flowers
in
the
garden…
We
really
had
it
good…
heaven
it
was.
Up
to
the
point
where
my
life
took
a
sudden,
major
turn.
Grandma’s
pet
will
never
be
a
monster
“The
provinces
as
theatre
of
the
norm”
Radomir
Konstantinović
12.
A
man,
woman
and
an
older
woman
are
standing,
beaming
happily.
A
man
holding
a
boy
by
the
hand
comes
up
to
them.
All
three
hug
and
kiss
the
boy.
The
man
who
brought
him
goes
away.
The
boy
screams
for
him.
The
man
(FATHER),
woman
(MOTHER)
and
older
woman
(GRANDMA)
don’t
allow
him
to
move.
ME:
That
was
the
worst
moment
of
my
life.
GRANDMA:
That
was
the
most
wonderful
moment
of
my
life.
I’d
been
waiting
so
long
for
a
grandchild.
[11]
MOTHER:
He
was
such
a
beautiful
boy,
with
huge,
blue
eyes.
I
could
not
have
imagined
him,
even
in
my
dreams.
The
most
beautiful
boy
in
the
world.
Like
a
god!
GRANDMA:
Don’t
be
blasphemous.
MOTHER:
I’m
not.
FATHER:
The
doctor
said
he’d
created
the
perfect
boy
and
that
this
perfect
boy
needed
a
warm,
middleclass
family
who
would
love
him
and
look
after
him
so
that
all
his
capabilities
would
continue
to
develop.
Otherwise
he
might
grow
into
a
monster.
Yes,
a
monster.
GRANDMA:
My
pet,
Grandma
won’t
let
you
become
a
monster.
You’re
grandma’s
angel.
MOTHER:
Now
you’re
blaspheming.
GRANDMA:
I’m
not,
I’m
just
talking
baby
talk
to
him.
My
little
god!
ME:
All
the
squeezing
and
drooling
over
me
made
me
sick,
I
felt
like
throwing
up.
I
wanted
my
father!
My
real
father.
My
creator.
When
I
was
with
him,
all
was
well.
I
didn’t
want
to
be
the
perfect
boy,
I
just
wanted
to
go
on
playing
with
him,
for
him
to
tell
me
stories,
to
stamp
on
the
flowers
he’d
planted
the
day
before.
I
like
that
game
a
lot:
he
planted,
I
stamped;
he
planted,
I
stamped.
Then
he
would
secretly
plant
them
somewhere
else,
but
I’d
find
them
and
stamp
on
them.
Once
I
planted
a
clump
of
strawberries.
I
wanted
them
to
grow
so
I
could
pick
the
red
berries,
but
he
trampled
on
it
and
told
me
not
to
take
plants
from
his
laboratory,
so
I
never
did.
I
just
walked
all
over
what
he
planted.
It’s
such
a
good
game:
plant
and
stamp.
If
you’ve
never
played
it,
you’ve
really
missed
out
in
life.
GRANDMA:
He
cried.
We
couldn’t
get
him
to
stop.
MOTHER:
It
tore
at
my
heart.
He
took
the
parting
very
hard.
He’s
so
emotional.
You’d
think
it
was
I
who’d
given
birth
to
him.
FATHER:
I
realized
at
once
that
I’d
have
put
some
work
into
toughening
him
up.
I
mean,
a
boy
crying
as
much
as
he
did
–
it’s
a
bit
much.
My
main
mission
and
duty
would
be
to
make
a
real
man
out
of
a
perfect
boy.
GRANDMA:
Children
easily
become
attached,
but
just
as
easily
forget.
However
hard
it
was
for
him,
I
knew
that
time
would
erase
a
lot
of
it
from
his
memory,
including
his
memories
of
the
doctor,
very
likely.
Family
is
what
is
most
important
to
a
child.
That’s
where
everything
begins
and
ends.
Poor
little
chap.
He
eventually
wore
himself
out
with
all
the
yelling
and
flailing
about,
calmed
down
and
soon
fell
asleep.
My
sweetheart,
Grandma’s
darling.
[12]
ME:
At
one
point
I
felt
my
breath
leave
me,
and
my
chest
hurt.
I
thought
I
would
suffocate.
I
wanted
to
suffocate!
What
was
life
without
the
one
who
created
me?
And
why
had
he
created
me
in
the
first
place
if
he
didn’t
want
me?
No
one
should
play
around
with
life
like
that!
No
one!
No
one
ever
hurt
me
so
much.
(Scene
from
the
film
“Frankenstein”:
the
monster
in
chains)
ME:
I
fainted
from
the
pain,
tears
and
loss
of
air.
But
then,
when
I
woke
up
–
I
had
a
family.
A
family
is
a
group
of
people
made
up
of
a
father,
mother,
child
and
grandmother.
Some
families
have
a
grandfather
as
well.
Some
have
more
children.
But
a
mum,
dad
and
one
child
are
obligatory.
Grandma
explained
this
to
me
later.
That’s
why
the
doctor
left
me,
because
he
and
I
on
our
own
would
never
make
a
family,
even
though
it
was
more
important
to
me
to
be
with
him
that
to
have
any
bloody
family.
Grandma
told
me
something
else,
which
she
constantly
repeated
later.
GRANDMA:
Grandma
won’t
let
her
pet
become
a
monster.
13.
Still
frame
of
the
monster
in
chains.
ME:
Grandma
was
wrong.
I
never
did
forget
the
moment
I
was
abandoned.
It’s
not
something
you
forget.
But
that
family
had
some
things
going
for
it.
My
room,
for
instance.
I
was
obviously
a
long-‐awaited
child
and
while
they
waited
they
made
preparations
for
my
arrival.
So
my
room
was
all
fixed
up
long
before
I
came.
In
blue.
The
whole
room
was
a
revolting,
translucent
blue.
I
hate
blue.
GRANDMA:
We
are
a
humble
but
respectable
family.
MOTHER:
Of
course
we
would
always
manage
to
provide
for
the
child.
FATHER:
We
mightn’t
have
a
loaf
of
bread
to
eat,
but
for
him
there
had
to
be.
I
borrowed
around,
but
his
room
would
be
fit
for
a
king.
Not
just
a
king,
an
emperor,
a
gentleman.
[13]
MOTHER:
Aren’t
emperors
always
gentlemen?
FATHER:
It’s
clear
you
didn’t
learn
much
at
school.
Those
emperors
weren’t
always
gentlemen.
MOTHER:
So
what
were
they
if
not
gentlemen?
Imperial
peasants?
And
what
did
you
learn
at
school?
Please!
Enlighten
me.
GRANDMA:
You
were
both
so
good
that
you
had
to
burn
all
your
school
certificates.
Shame
on
you!
How
long
are
you
going
to
go
on
bickering?
Of
course
the
bedroom
had
to
be
blue
for
my
grandson.
MOTHER:
I
was
thinking
of
green.
GRANDMA:
When
you’re
a
grandma,
you
can
paint
your
grandson’s
room
red
if
you
like.
My
grandson’s
bedroom
must
be
blue.
There’ll
be
some
kind
of
order
as
long
as
I’m
in
this
house.
When
I
die,
you
can
paint
it
all
the
colors
of
the
rainbow.
FATHER:
Mum,
please,
don’t
get
worked
up,
you’ll
get
one
of
your
turns
again.
GRANDMA:
If
I
do,
it’ll
be
because
of
your
wife.
My
blood
pressure
and
sugar
levels
will
be
sky-‐high.
MOTHER:
Your
sugar
level
goes
up
from
those
toffees
you
keep
scoffing
behind
our
backs.
GRANDMA:
Aren’t
you
ashamed
of
yourself?
You
should
be!
A
nice
kind
of
upbringing
you
must
have
had.
Really.
FATHER:
All
right,
don’t
start
again,
please.
Could
we
just
get
through
today
without
you
two
having
a
go
at
each
other?
GRANDMA:
All
right,
son,
here,
your
mother
will
keep
quiet.
What
mothers
have
to
put
up
with
for
their
children…
ME:
I
had
the
most
revolting
room
and
the
best
view.
I
learned
early
on
that
life
is
not
as
perfect
as
I
am.
Now,
pick
up
your
papers
and
circle
one
of
the
colors
under
number
3.
You
should
circle
the
color
you
would
never
pick
for
your
child’s
room,
from
among
those
on
offer,
of
course.
[14]
No
fighting
at
Christmas
“For
the
mythologizing
mentality,
there
is
no
contradiction
between
the
closed
and
the
illusory,
because
there
is
no
contradiction
between
the
meaningful
and
the
meaningless
since
there
is
no
contradiction
between
the
real
and
the
illusory.”
Radomir
Konstantinović
14.
Christmas
commercial.
Grandmother
in
an
apron
wielding
a
wooden
spoon
over
hundreds
of
saucepans,
mother
choosing
what
to
wear
from
a
mound
of
finery,
father
down
among
the
crates
of
beer
and
other
drink.
(Everything
is
excessive).
Huge
crowds
of
people
begin
to
arrive
and
the
extravagance
of
the
scene
suddenly
turns
menacing,
with
a
note
of
horror.
ME:
Christmas
in
my
family’s
house
was
totally
scary.
First
of
all
for
some
reason,
at
Christmas
our
family
would
multiply
like
mice
or
fleas.
Grandma’s
older
sister,
Grandma’s
younger
sister,
my
aunt,
her
glutton
of
a
husband,
Mum’s
emotional
brother
who
would
burst
into
tears
at
the
drop
of
a
gob
of
bird
shit,
then
Mum’s
parents,
a
grandmother
and
grandfather
who
wouldn’t
allow
me
to
call
them
that,
but
only
by
their
names.
And
then
as
if
all
this
extended
family
and
in-‐laws
weren’t
enough,
my
father,
wanting
to
get
on
the
right
side
of
his
boss,
would
invite
him
and
his
girlfriend,
who
was
twenty
years
younger
and
kept
calling
him
“puss
cat”,
which
drove
everyone
up
the
wall,
but
we
kept
quiet
–
this
was
my
father’s
career
at
stake.
He
was
carrying
all
of
us
on
his
back,
as
he
rarely
missed
an
opportunity
to
tell
us.
The
pandemonium
in
the
house
was
such
that
I
vastly
preferred
to
spend
the
family
holiday
in
my
room,
coming
out
only
to
break
off
a
piece
of
the
cake
for
[15]
the
lucky
coin
inside.
I
realized
that
this
luck,
which
for
some
reason
was
supposed
to
follow
us
constantly,
was
terrrrrribly
important.
Then,
when
they’d
all
slobbered
me
with
kisses
and
given
my
presents,
we
sat
down
to
table
and
the
serious
gorging
and
guzzling
began.
15.
Scenes
of
gorging
and
guzzling
at
the
table.
2
ME:
My
Grandma
is
a
woman
with
a
rule
for
every
situation,
written
and
unwritten.
And
these
rules
must
be
obeyed
implicitly.
The
first
rule
of
Christmas
is:
ALL:
No
fighting
at
Christmas!
(From
addressing
the
audience,
ME
joins
the
scene)
ME:
Grandma,
I
don’t
want
to
be
a
monster.
(laughter)
GRANDMA:
Of
course
you
won’t,
my
treasure!
You’ll
be
Grandma’s
doctor,
so
I
have
someone
to
brag
about.
You’ll
look
after
me
and
treat
me.
You’ll
save
my
life
when
I
get
a
stroke
because
of
your
mother.
ME:
Don’t
want
to
be
a
doctor!
FATHER:
And
he
won’t,
he’ll
join
Daddy’s
firm,
isn’t
that
so,
boss?
(The
boss
glares
repellently
at
ME,
as
if
he
were
about
to
eat
him
up.)
ME:
Shan’t.
MOTHER:
Of
course
he
won’t.
He’ll
be
Mummy’s
cook,
like
Jamie
Oliver.
He’ll
be
raking
it
in,
‘cos
he’s
much
better
looking
than
Jamie.
GRANDMA:
Especially
if
you
teach
him
to
cook.
ME:
Don’t
want
to
be
a
cook.
GRANDMA:
Of
course
you
won’t.
You
were
born
to
be
a
doctor.
MOTHER:
Right,
like
people
are
born
to
be
doctors.
Do
you
know
how
long
you
have
to
study
for
it?
I
don’t
want
his
life
to
go
by
learning
stuff!
2
This
should
be
really
terrifying,
seen
through
his
eyes,
everything
taken
to
excess.
Short,
effective,
horripilant
scenes.
No
dialogue
accompanied
the
Christmas
commercial.
–B.
[16]
GRANDMA:
Better
to
let
it
go
by
in
cooking?
FATHER:
I
don’t
want
my
son
to
end
up
among
the
pot
lids
and
ladles!
MOTHER:
Better
to
be
blind
as
a
bat
like
you,
from
staring
at
papers
and
the
computer
screen?
Excuse
me,
sir,
this
of
course
has
nothing
to
do
with
you,
just
my
husband.
GRANDMA:
Aren’t
you
ashamed
of
yourself?
Bad-‐mouthing
your
husband
in
front
of
his
boss,
and
at
Christmas?
FATHER:
O.K.,
Mum,
drop
it
now.
It’s
Christmas.
GRANDMA:
That’s
just
what
I’m
saying.
The
impudence,
and
at
Christmas
too!
My
grandson
will
be
a
doctor,
end
of
story.
Grandma
will
pay
for
it
all,
so
his
parents
don’t
have
to
put
their
hand
in
their
pocket.
And
if
he
wants
to
cook
in
his
free
time,
well,
let
him.
MOTHER:
You
have
no
idea
what
professions
are
most
sought
after
today,
not
to
mention
what
they’ll
be
when
my
son
grows
up.
FATHER:
Our
son,
darling,
our
son.
GRANDMA:
My
grandson.
ME:
I’m
going
to
be
an
astronaut.
(Silence,
followed
by
laughter.
Freeze
scene.)
16.
GUESTS
AT
THE
TABLE:
The
little
fellow’s
a
bit
touched.
You
can
see
at
once
there’s
something
wrong
with
him.
You
have
to
pull
the
words
out
of
him
with
a
pliers.
He’s
too
shy.
They’ve
spoiled
him.
He’ll
either
be
a
priest
or
a
criminal.
Poor
child,
with
a
family
like
that.
Poor
him
with
that
woman.
It’s
all
the
grandmother’s
fault.
You
can
see
their
marriage
is
on
the
rocks.
I
found
a
hair
in
one
of
the
bread
rolls.
Last
year
the
preparations
were
tip-‐top,
this
year
it’s
a
bit
on
the
thin
side.
You
can’t
get
a
word
in
edgewise
with
the
grandmother.
And
when
she
put
on
weight,
it
was
no
wonder
he
found
a
lover.
I
heard
she
was
sick,
but
they’re
hiding
it.
It’s
all
a
bit
dodgy.
He’ll
bring
them
to
grief,
mark
my
words.
I
never
in
my
life
tasted
a
worse
cake.
I
nearly
broke
a
tooth
–
they
hadn’t
shelled
the
nuts
properly.
He
was
pinching
[17]
her
under
the
table
for
all
to
see,
including
his
wife.
These
are
terrible
times.
She’s
obviously
menopausal.
Sick,
really
sick.
She’s
got
suddenly
old.
These
are
serious
years,
no
doubt
about
it.
I
think
he’s
had
a
hair
transplant,
last
year
he
was
almost
bald.
He’s
a
thief,
everyone
knows
it,
and
they
act
like
they
had
nothing.
I’ll
be
going
home
hungry.
They
really
skimped
on
the
roast.
Heigh
ho,
even
Christmas
ain’t
what
it
used
to
be.
ALL:
Christ
is
born!
Verily
he
is
born!
17.
ME:
An
astronaut
is
a
free
being.
There
are
no
families
in
outer
space,
only
constellations
and
planetary
systems.
I
knew
that
if
I
became
an
astronaut
there
was
no
way
I’d
become
a
monster.
There
are
no
monsters
in
space,
only
on
Earth.
(Looks
at
the
creatures
round
the
table).
18.
(“Frankenstein”,
the
film.
The
scene
where
the
monster
raises
his
arms
up
towards
the
light
of
the
sun).
ME:
If
you
could
choose,
which
planet
would
you
like
to
live
on?
Please
circle
your
answer.
[18]
For
life
„Mockery
of
any
kind
of
physical
defect
is
always
ready
to
break
out
in
the
provincial
town,
or
indeed
mockery
of
any
characteristic
which
distinguishes
one
individual
from
the
others.“
Radomir
Konstantinović
19.
ME:
I
both
liked
and
hated
school.
I
liked
learning
things,
like
reading.
I
realized
that
everything
that
happens
to
us,
actually
everything,
has
already
happened
to
someone
before
and
someone
is
sure
to
have
taken
note
of
it.
I
just
had
to
find
the
right
book,
like
a
star
in
one
of
the
constellations.
I
enjoyed
the
search,
living
between
the
stars
and
the
books.
I
felt
good
in
that
place.
At
last
I’d
found
somewhere
where
I
was
the
least
bother
to
others
and
where
they
least
bothered
me.
I
wasn’t
afraid
any
more
of
becoming
a
monster
because
I’d
ceased
to
be
afraid
of
monsters,
in
fact
I’d
grown
fond
of
some
of
them.
People
need
monsters.
I
really
think
so.
FATSO:
So
that
means
you’re
not
afraid
of
me
either?
ME:
And
why
would
I
be
afraid
of
you?
FATSO:
I’m
fat
and
I
suffer
from
cerebral
palsy.3
People
look
at
me
as
if
I
were
a
monster.
You’re
wrong.
You
should
be
afraid.
People
gossip,
ignore,
insult
us.
They
keep
those
who
look
like
monsters
at
arm’s
length.
They
laugh
at
them
constantly.
It’s
easy
for
the
film
monster,
but
in
real
life
it’s
hard.
Life’s
a
hard
situation
in
any
case.
On
film,
anything’s
possible.
In
life,
everything
turns
out
differently
from
what
you
wish
or
dream
of.
In
the
films,
there’s
always
someone
who
understands
and
learns
to
love
the
monster.
In
real
life,
it’s
not
like
that.
It’s
because
the
screenwriter
wants
to
show
the
warm,
human,
3
The
palsy
does
not
have
to
be
acted
out.
Fatso
informs
us
of
it
in
the
first
sentence,
the
others
repeat
it
several
times
and
that
should
be
sufficient...
–
B.
[19]
sympathetic
side.
Life
doesn’t
pay
screenwriters.
I
have
no
one.
That’s
why
I
want
to
go
to
the
Moon.
I
know
I’ll
be
happy
there.
On
the
Moon,
I
won’t
be
a
nuisance
to
anyone
and
I
won’t
be
a
monster,
because
up
there,
everyone’s
the
same.
Everyone
who
comes
to
the
Moon
is
a
monster.
And
when
everyone
is
a
monster,
then
no
one’s
a
monster,
see?
Monsters
only
exist
on
Earth,
because
there
are
people
on
Earth
who’re
afraid
of
monsters.
ME:
I’ll
help
you.
I’ll
be
an
astronaut.
We’ll
go
to
the
Moon
together.
FATSO:
If
you’re
sure
you
can
become
an
astronaut?
ME:
I
am
sure.
HER:
Want
to
play
hopscotch
with
me?
ME:
You’re
interrupting
my
conversation
with
my
best
friend.
HER:
That’s
a
lie;
you’ve
only
just
met
him.
I
was
listening
to
you
talking.
Someone
you’ve
only
just
met
can’t
be
your
best
friend.
ME:
Yes
he
can.
He
is
my
best
friend.
That’s
what
I’ve
decided.
We’re
going
to
the
Moon
together
when
we
grow
up.
HER:
Can
I
come
with
you?
ME:
Why
would
you
want
to
go
to
the
Moon?
HER:
Because
I’m
sure
that
on
the
Moon
I’d
stop
sleep-‐walking.
Because
I
could
play
hopscotch
on
the
Moon
and
take
selfies
on
the
Moon.
And
–
oh,
yes,
when
I
come
back,
I
can
show
everyone
that
I
was
on
the
Moon
and
played
hopscotch.
And
‘cos
I
like
you.
ME:
Do
you
like
my
friend
too?
HER:
Yes,
but
in
a
different
way?
ME:
What
sort
of
a
different
way?
HER:
Come
on,
please
play
hopscotch
with
me.
I’ve
no
one
to
play
with.
ME
:
All
right.
But
my
friend’s
going
to
play
with
us
too.
FATSO:
No
way.
But
I’ll
look
on.
(They
play
hopscotch)
20.
Some
other
children
arrive,
stopping
the
game.
[20]
FIRST
BOY:
Playing
with
girls?
Faggot!
SECOND
BOY:
Hey,
Schnoz,
let’s
beat
him
up.
THIRD
BOY:
Come
on!
HER:
Leave
him
alone.
FIRST
BOY:
Ooh,
dangerous,
isn’t
she?
FATSO:
Noooooooo,
leave
them
alone!
THIRD
BOY:
Look
at
the
spastic.
And
with
guts,
too.
FIRST
BOY:
A
faggot,
a
cunt
and
a
spastic,
what
a
shower.
ME:
We
leave
you
alone,
you
leave
us
alone.
(The
boys
surround
them
menacingly.
Freeze
scene.)
21.
ME:
And
that’s
why
I
hated
school.
And
this
went
on
day
after
day.
FATSO:
They
really
messed
us
up.
HER:
We
gave
‘em
as
good
as
we
got.
FATSO:
You’re
braver.
I
was
scared.
ME:
There’s
no
need
for
you
to
be
scared
when
I’m
here.
FATSO:
You
were
here
now
and
they
still
beat
the
shit
out
of
us.
Why
wouldn’t
I
be
scared?
ME:
But
imagine
what
they’d
have
done
to
us
if
I
hadn’t
been
here?
FATSO:
That’s
logical,
but
the
fear
stays
the
same.
HER:
What’s
the
logic
in
that,
for
Pete’s
sake?
ME
AND
FATSO:
It’s
cosmic.
HER:
Cosmic?
What’s
cosmic
logic?
ME:
You
wouldn’t
understand.
Some
day
I’ll
explain
it
to
you.
HER:
Even
if
your
cosmic
logic
exists,
there
certainly
is
no
cosmic
justice.
If
there
was,
they’d
be
the
ones
beaten
up,
not
us.
FATSO:
Don’t
worry,
cosmic
justice
and
cosmic
logic
will
catch
up
with
them.
ME:
And
cosmic
revenge.
[21]
HER:
I
think
you
watch
too
many
cartoons.
ME:
You’re
as
boring
as
my
grandma.
HER:
Can
I
ask
you
something?
Are
we
friends
now
for
life?
ME:
What
else?
FATSO:
Friendship
watered
with
a
fist
fight
usually
lasts
for
life.
HER:
Aren’t
we
the
smart
ones,
all
beat
up
like
this.
(Stars
and
little
stars
surround
them
and
the
Moon
turns)
Big
Boy
“The
tyranny
of
a
provincial
town
is
the
tyranny
of
insight
into
everything,
or
the
tyranny
of
this
absolute
clarity
and
publicity
of
everything.”
R.
Konstantinović
ME’s
room.
HER,
ME
and
FATSO
sing
and
dance
to
the
music.
The
room
is
no
longer
blue.
There
are
rocket
models,
posters
…
While
singing
and
jumping
they
are
looking
at
the
window
above.
They
are
watching
the
stars.
HER
and
FATSO
continue
to
jump
around.
ME
goes
to
the
table
where
his
family
is.
They
look
at
the
two
jumping
around.
[22]
22.
GRANDMA,
FATHER,
MOTHER,
ME
are
sitting
at
the
table.
GRANDMA:
There’s
a
rumor
that
her
father
is
Bulgarian.
ME:
Her
father
abandoned
the
family.
GRANDMA:
Now,
that’s
another
story.
It
wasn’t
he
who
abandoned
them;
it’s
the
mother
who
sent
him
packing.
Shame
on
her.
ME:
But
he
was
an
alcoholic.
That’s
why
she
didn’t
want
him
there.
GRANDMA:
If
all
the
women
in
Serbia
chased
away
their
husbands
because
of
alcoholism,
you
think
there
would
be
married
people
left
at
all?
But
we
live
in
modern
times
now.
MOTHER:
She’s
beautiful.
GRANDMA:
Beauty
is
passing.
While
genes
are
genes.
A
Bulgarian
father,
who
knows
what’s
behind
that.
MOTHER:
Give
her
a
break,
mom.
What
can
be
behind
it
except
the
fact
that
her
grandfather
is
Bulgarian?
You
see
problems
where
there
aren’t
any.
He’s
Bulgarian,
so
what?
At
least
he’s
not
Albanian.
GRANDMA:
A
clear
sign
that
we,
as
a
nation,
suffer
from
short-‐term
memory!
You,
my
pet,
you
should
find
a
nice
girl
from
these
parts.
This
one
arrived
with
her
family
only
some
ten
years
ago
and
nobody
knows
for
certain
who
they
are,
or
where
they’re
from.
You
don’t
want
that.
FATHER:
Macrobiotics.
He
should
marry
a
girl
from
where
he
was
born
and
where
he
lives.
It’s
a
matter
of
good
health,
long
life
and
survival.
ME:
She’s
my
friend.
Not
my
girlfriend.
I
won’t
allow
you
talk
about
her
like
that.
ME
goes
back
to
his
room
and
continues
jumping
around
with
his
friends.
23.
[23]
GRANDMA:
Here
doll,
have
a
cream
puff.
You’ve
never
tasted
anything
like
this.
I
make
them
the
old-‐fashioned
way.
SHE:
Well,
my
mom
makes
them
too.
Actually,
she
made
them
yesterday.
I
had
too
many.
I’m
really
sorry,
but
I
can’t
have
one
right
now.
GRANDMA:
But
these
are
not
the
same.
Your
mom
is
a
modern
housewife.
It
wouldn’t
surprise
me
if
she
uses
pudding.
Try
one
of
mine,
just
to
taste
the
difference.
SHE: I really can’t. And she doesn’t make them with pudding; she’s also got some old recipe.
GRANDMA: It’s nice to know she cooks an occasional meal, now and then.
ME
stops
jumping.
He
goes
to
the
girl
and
grabs
her
by
the
hand.
They
go
away
and
continue
jumping.
24.
[24]
FATHER:
I
heard
your
father
got
a
job.
GRANDMA: What do you mean it’s not that bad? It can’t get much worse.
FATHER: He should be scared. Life is hard and there are plenty of reasons to be scared.
FATSO: I tried telling your son that, but he won’t listen.
FATSO: That life is a difficult condition that can’t be cured.
ME comes for FATSO, they hold hands and go to jump and play.
25.
MOTHER: Leave the boy alone. Why are you pestering him, both of you?
[25]
GRANDMA:
It’s
for
his
own
good.
He’s
handsome,
smart,
gifted…
He
deserves
better
company.
FATHER: And he’s not a kid anymore. He’s growing into a proper young man.
ME:
Please,
stop.
They’re
my
friends.
There’s
nothing
wrong
with
our
friendship.
I
like
spending
time
with
them.
26.
ME goes back and jumps with his friends in his room.
ME: I’m planning on getting a scholarship and enrolling in NASA.
ME: How do you expect us to fly to the Moon if I don’t become an astronaut?
HER: And, how do you expect us to feel without you around?
FATSO: It says they need Russian speakers. Ty govorit pa russkii?
ME:
I’m
gonna
become
an
astronaut
and
I
don’t
care
about
petty
obstacles.
Thanks
so
much
for
your
support!
You’re
true
pals.
FATSO:
Sorry,
didn’t
want
to
offend
you.
I’ve
gotta
go.
My
folks
worry
when
I’m
gone
for
too
long.
See
ya.
(He
leaves.)
27.
HER:
And
then
there
was
silence.
And
it
lasted
for
a
very
long
time.
I
wanted
to
apologize,
but
for
some
reason
I
couldn’t
utter
a
word.
I
really
wanted
him
to
get
into
that
school
for
astronauts
and
reach
all
the
stars
in
the
world;
and
collect
them
all
and
throw
them
over
me,
and
cover
me
with
stars.
Like
someone
in
a
story
from
the
past.
Or
from
some
futuristic
story
in
which
the
two
of
us
travel
through
space
and
fight
cosmic
battles
for
the
salvation
of
humanity,
in
which
he
then
covers
me
with
stars
that
gradually
become
heavier
and
heavier
and
start
swallowing
me
up
until
I
transform
into
a
big
bright
star...
What
a
great
selfie
that
would
be!
I
wanted
to
support
him
in
everything,
but
I
was
so
utterly
afraid
of
parting
with
him.
I
was
afraid
that
he
would
leave
and
that
I’d
never
see
him
again;
that
I
would
get
old
looking
at
the
stars.
This
is
why
I
couldn’t
speak.
And
because
of
that
lump
in
my
throat.
ME:
Let’s
get
something
straight
–
a
friend’s
support
should
be
unconditional.
A
real
friend
would
support
you
in
everything.
Even
in
your
most
stupid
ideas.
I
don’t
speak
Russian.
So
what?
One
doesn’t
give
up
his
dreams
because
of
some
language.
And
Russian
at
that.
Why
[27]
don’t
they
say
it
right
to
my
face:
they
think
I’ll
never
become
an
astronaut?
They
don’t
believe
in
my
will
and
determination.
They’re
insincere,
and
friends
shouldn’t
be
like
that.
Am
I
right?
You’re
not
sincere
with
me.
Why
don’t
you
just
tell
me
you
don’t
believe
in
me?
HER: I do.
HER: I want you to become an astronaut, but I don’t want you to leave.
ME:
How
can
I
become
an
astronaut
if
I
don’t
finish
school?
I
don’t
understand.
What
do
you
want
from
me?
HER: Precisely?
HER: No.
FATSO:
Don’t
expect
a
kiss,
there
was
no
kiss.
His
parents
rushed
into
his
room.
They
were
probably
eavesdropping
the
whole
time.
Bad
luck,
buddy.
But
that’s
parents
for
you.
When
did
your
first
kiss
happen?
Circle
the
correct
answer.
28.
[28]
GRANDMA:
My
dear
boy,
you’re
a
young
man
now.
You’re
entering
the
world
of
grownups,
and
it’s
not
a
simple
world.
FATHER:
The
world
of
grownups
is
a
cruel
world,
my
son.
In
that
world,
you
can’t
live
on
dreams.
Soon
you’re
going
to
graduate
from
high
school.
It’s
time
you
think
about
your
next
step.
ME: Long ago, I decided I was going to become an astronaut, and you know that.
FATHER:
An
astronaut...
yes,
that’s
a
profession
for
the
future.
It
will
surely
make
you
happy.
And
we
would
be
happy
for
you.
But,
you
should
consider
a
real
job.
I
spoke
with
my
boss
and
to
my
great
surprise,
he
agreed
immediately.
If
you
enroll
in
a
school
of
economics,
my
company
will
give
you
a
scholarship,
and
you’ll
have
a
job
waiting
for
you.
You
know
how
much
that
means
today,
when
people
are
starving,
unable
to
find
a
job.
FATHER:
Then,
nothing!
You’ll
be
nothing!
And
who’s
going
to
sponsor
you
if
you’re
nothing?
Me?
Well,
don’t
bet
on
it.
I’ve
groveled
at
the
feet
of
that
idiot,
smiled,
bought
presents
for
his
daughter
only
to
ensure
your
future,
and
look
at
you!
ME: And you fucked his wife just to ensure my future?
Father
slaps
him
in
the
face.
He
wants
to
strike
back,
but
his
grandma
and
mother
stop
him.
The
film
monster’s
shriek
is
heard.
Father
rushes
out.
[29]
ME:
Who
says
he
has
a
mind
at
all?
And
what
right
does
he
have
to
slap
me?
Have
you
been
spying
on
me
all
this
time?
All
these
years?
Have
I
never
been
really
alone
in
my
room
because
you
followed
my
every
step?
GRANDMA:
My
dear
child,
all
parents
do
that.
It’s
quite
normal.
These
are
precarious
times,
all
sorts
of
things
happen,
parents
should
take
care
of
their
children.
And
you,
you
know
you’re
not
like
the
other
kids...
ME:
You
did
all
that
out
of
fear
that
I
might
become
a
monster?
You’ve
been
afraid
of
me
all
this
time.
Am
I
right?
GRANDMA:
Nonsense.
We
brought
you
up
and
now
you
say
we’re
afraid
of
you?
You
listen
to
your
grandma.
That
girl
is
no
good
for
you.
She
is
sweet
and
beautiful,
but
she’s
not
for
you.
It’s
like
she’s
not
of
this
world
somehow.
Both
she
and
her
mother.
A
person
can’t
live
outside
the
world.
While
you’re
young,
the
difference
is
barely
noticeable,
but
as
you
get
older,
it
becomes
more
and
more
evident.
Listen
to
your
grandma.
You’re
smart,
my
dear,
you’re
healthy
and
gifted,
you’ll
have
plenty
of
choices.
Grandma
kisses
him
and
goes
out.
There
is
a
shriek
from
the
film
monster...
Mother
enters.
MOTHER:
I’m
sorry,
you
know
that,
but
there
was
no
way
for
me
to
stop
them.
I
admit
it
was
bad
of
us
to
spy
on
you.
But
you
know...
when
Grandma
sets
her
mind
on
something
...
You’re
a
wonderful
child.
You’re
thoughtful,
sympathetic...
I
thank
God
for
giving
you
to
us.
It’s
so
wonderful
that,
unlike
all
the
others,
you’re
willing
to
help
and
become
friends
with
someone
like
that
boy.
But
son,
he
mustn’t
be
your
only
friend.
You
have
to
mingle
with
normal
people
too.
You‘re
a
bit
unsocial.
You
shut
yourself
in
your
room
with
them
all
day
long.
It’s
neither
normal
nor
natural,
especially
for
a
boy
like
you.
Smart,
good-‐looking,
gifted...
You
should
grow
and
develop
your
talents,
you
should
be
able
to
see
all
the
possibilities
before
you,
but
you
have
to
get
out
of
your
room.
Do
you
understand
what
your
mother’s
telling
you?
(A
shriek
from
the
film
monster).
You
know,
life
is...
[30]
ME:
Cruel.
Father
has
just
explained
that
to
me
with
a
slap
on
the
face.
MOTHER:
You’re
too
angry
and
hurt
right
now.
We’ll
talk
when
you
calm
down.
I’m
on
your
side.
ME:
How
many
times
in
your
life
have
you
felt
the
urge
to
kill
your
parents?
Circle
the
correct
answer.
And
if
someone
circles
none,
I
won’t
believe
it.
29.
(They make love. The stars have subdued the monster again.)
[31]
The
Prom
R. Konstantinović
30.
ME and FATSO
ME: Well, yes. I guess so. I don’t know. We haven’t talked about it.
FATSO: And who would waste time on talk at such moments.
HER enters.
FATSO:
As
a
matter
of
fact,
nothing.
And
talking
about
nothing
at
all;
in
fact,
he’s
been
telling
me
how
his
father
slapped
him
….
And
why.
ME
and
HER
look
at
FATSO
in
amazement;
his
face
reddens
and
they
both
start
laughing.
FATSO
also
laughs.
[32]
HER:
So,
it’s
prom
night!
31.
ME:
Only
a
month
ago,
I
couldn’t
care
less
about
the
prom.
But
now
I’m
in
love
and
I
want
to
go.
I
still
think
it’ll
be
an
assembly
of
school
shitheads
with
whom
I
have
nothing
in
common;
dolled
up
women
teachers,
gossiping
about
everybody
and
everything;
and
girls
in
outfits,
their
parents
had
to
take
out
loans
to
buy.
And
everything
will
be
drenched
in
huge
quantities
of
alcohol,
bad
taste
and
folk
music.
And
things
will
get
rowdy,
but
in
spite
of
everything
I’m
in
love
and
I
can
hardly
wait
to
embrace
my
girl.
Fatso
will
be
bored
to
death,
I
know.
Circle
an
answer,
please,
to
state
whether
you
have
pleasant
or
unpleasant
memories
of
your
prom.
32.
The prom. Music. Crowd. Teachers gossip about the pupils and everybody else.
FEMALE
PROFESSOR
1:
And
she
has
no
problem
wearing
that
dress,
little
slut,
she
fucks
that
politician
while
her
parents
pretend
not
to
know.
How
can
they
not
know,
they’re
the
ones
who
pushed
her
into
it.
FEMALE PROFESSOR 2: They know it, for sure. Her father drives her to her dates.
MALE
PROFESSOR
1:
I
nearly
failed
that
one.
He’s
a
stupid
moron,
but
then
his
mother
approached
me
and
I
had
no
choice
but
to
let
him
pass.
[33]
MALE
PROFESSOR
2:
She
gave
you
money?
MALE
PROFESSOR
1:
Do
I
look
like
someone
who
would
accept
a
bribe?
The
lady
started
to
beg,
to
implore,
she
explained
everything,
and
then
she
got
on
her
knees,
so
what
was
I
to
do?
MALE PROFESSOR 2: And she’s easy on the eye, that BBW.
MALE PROFESSOR 1: That’s what I’m telling you. How do you reject a kneeling woman?
FEMALE
PROFESSOR
3:
What
a
hideous
gift
my
class
bought
me.
Such
a
disappointment.
And
I
told
them
not
to
buy
me
art.
The
head
teacher
should
be
given
jewelry
of
some
kind,
not
a
painting,
for
Chrissake.
MALE
PROFESSOR
3:
They
did
it
on
purpose.
You
should
donate
that
painting
to
the
school
–
besides,
it’s
probably
worthless.
FEMALE
PROFESSOR
4:
I
think
they
already
did.
The
chaos
in
our
school
is
yet
to
happen.
We
should
all
be
careful.
MALE
PROFESSOR
2:
God,
look
at
that
chemistry
teacher!
What
a
hick!
And
of
all
the
candidates
they
hired
her?
FEMALE
PROFESSOR
3:
C’mon,
don’t
tell
me
you
didn’t
know.
Everybody
knows
it
was
the
minister
who
fixed
it.
[34]
33.
FATSO:
What
am
I
doing
here?
I
didn’t
want
to
come.
I
came
only
because
I
promised.
(ME
and
HER
in
love,
dance.)
Perhaps
I
should
sneak
out…
What
if
they
get
angry
with
me...?
If
I
tell
them
I’m
leaving
they
won’t
let
me
go.
A
stupid
situation.
Really
stupid.
What
a
bummer.
FATSO
goes
outside;
a
group
of
soccer
fans
arrives.
More
like
a
group
of
hooligans.
They
surround
him,
start
pushing
him,
he
fights
back...
They
push
him
down.
They
take
off
his
clothes.
34.
MOTHER:
That
boy
is
truly
wonderful.
A
well-‐bred
young
man.
His
family
is
also
nice.
And
it’s
really
an
enormous
injustice
that
someone
like
that
met
with
such
a
fate.
I
mean,
what
hopes
for
life
does
a
person
with
cerebral
palsy
have?
A
career,
family,
surely
not...
It’s
no
wonder
he
dreams
about
travelling
to
the
Moon.
But
my
son
has
an
opportunity
to
be
successful
in
real
life.
He
doesn’t
need
the
moon
and
the
stars.
He’s
highly
intelligent.
Really.
Even
at
school
everyone
said
he
was
incredibly
clever
and
that
he
had
a
great
future
ahead
of
him.
But
if
he
has
only
one
friend,
and
a
seriously
ill
friend
at
that,
his
sense
of
ambition
won’t
excel.
More
likely,
it’ll
disappear
altogether.
I
know
it’s
a
true
friendship,
but
nevertheless
it’s
a
childhood
friendship.
Their
paths
in
life
are
completely
different.
My
son
has
to
understand
that.
He
mustn’t
sacrifice
himself
for
his
friend.
It
wouldn’t
be
right.
My
[35]
son
has
a
wonderful
future
ahead
of
him.
This
sick
boy,
unfortunately,
doesn’t.
He
can’t
be
cured.
His
condition
will
only
get
worse.
35.
ME
and
HER
come
running.
They
enter
the
fight
in
order
to
save
their
friend.
One
of
the
hooligans
strikes
the
girl.
The
girl
falls
down.
ME
strikes
that
hooligan.
36.
GRANDMA:
Now
I
know
everything
about
them.
Milka,
my
neighbor,
told
me.
I
knew
her
mother
was
problematic.
Mrs.
Milka
says
that
Mr.
Peter,
who
knows
her
former
husband,
told
her
that
she
threw
out
her
husband
so
she
could
live
with
a
woman.
She’s
one
of
those
who
take
part
in
parades,
God
forbid.
A
lesbian.
And
how
can
a
daughter
of
such
a
person
be
the
proper
choice
for
my
grandson?
My
grandson
is
wonderful!
An
angel
sent
from
heaven!
A
gift
from
God!
Truth
be
told,
the
girl’s
not
bad,
but
with
such
a
mother,
what
can
she
achieve
in
life?
She’s
scarred
for
life.
That’s
what
irresponsible
parents
can
do
to
you.
I
feel
sorry
for
the
girl.
She’s
nice.
Always
nicely
says
hello.
We
even
talked
several
times,
she
is
polite,
but
politeness
doesn’t
mean
much
with
that
millstone
around
her
neck.
On
top
of
everything,
am
I
to
believe
that
her
mother
makes
real
cream
puffs?
No
way.
[36]
36.
The
fight
goes
on,
becoming
more
fierce.
ME
manages
to
cope
with
the
attackers
quite
well.
Projection
of
a
scene
from
the
film.
The
fight
between
Monster
and
Doctor
from
the
film
Frankenstein.
FATHER
enters.
FATHER:
That
spoiled
brat!
Now
he’ll
learn
who’s
father
and
who’s
son!
I’ll
drive
that
astronaut
out
of
his
head
even
if
it
means
I
have
to
beat
him
each
and
every
day!
I’m
sure
his
friends
are
most
to
blame.
They’re
the
ones
who
encourage
that
impossible
dream
of
his.
He’s
preoccupied
with
fantasies,
but
what
will
he
live
on
tomorrow?
I’m
sorry,
but
I
won’t
let
him
ruin
his
life!
It’ll
be
my
way
or
no
way
at
all!
38.
A
scene
from
the
film
Son
of
Frankenstein,
the
one
in
which
the
Monster
utters
a
shriek
over
his
dead
friend
Igor
(Ygor
–
Bela
Lugosi).
Freeze frame. But the shriek is replayed over and over again, over the freeze frame.
39.
[37]
ME,
FATHER,
MOTHER
and
GRANDMA
GRANDMA: For Pete’s sake, son, why did you take part in the fight?
FATHER: Why are you asking him, mother? It was because of that slut.
FATHER:
Do
you
hear
him,
mother?
That’s
your
grandson.
And
this
is
your
fault,
you
know.
You
were
always
protecting
him.
GRANDMA:
Alright
now,
please
calm
down
and
stop
yelling.
It
can’t
go
on
like
this,
son.
MOTHER:
Leave
him
alone.
Can’t
you
see
he’s
injured?
Come,
your
mom
will
put
some
cream
on
the
bruises
so
they
don’t
turn
black
and
blue.
FATHER:
Now,
would
you
look
at
that?
His
mother
wants
to
heal
his
wounds!
It’s
your
fault
too!
“He’s
an
emotional
person,
like
me,
he’s
emotional
like
me”,
that’s
what
you
would
always
tell
me.
ME:
Listen,
man,
I
didn’t
start
the
fight.
They
attacked
us.
They
had
everything
planned!
FATHER:
That’s
enough!
Enough
with
your
lies
and
your
bullshit!
From
now
on,
things
will
be
different!
I
don’t
want
to
see
that
girl
or
that
moron
anymore!
And
don’t
you
mention
that
astronaut
nonsense
ever
again!
Enough
of
that!
You’ll
get
a
scholarship
from
my
company;
you’ll
finish
school
and
get
a
job.
As
for
girls,
you
should
look
for
one
at
some
decent
place.
Listen,
you
know
my
boss’s
daughter
thinks
you’re
very
smart.
[38]
MOTHER:
Yes,
the
younger
one.
She
is
pretty,
really
son.
ME:
He’s
disgusting.
My
father
is
a
monster.
I
should
have
punched
him.
And
make
him
pay
for
everything
I
didn’t
get
to
do
those
idiots
before
the
police
came.
I
almost
saw
my
fist
on
his
face
and
then
I
met
his
gaze
and
realized
it
was
exactly
what
he
wanted.
He
wanted
a
fight
with
me
from
the
bottom
of
his
soul!
I
looked
straight
into
his
eyes
and
said,
quite
calmly:
“I
already
have
a
girlfriend
so
I
don’t
need
another.
I
also
want
you
to
stop
offending
my
friends
and,
besides,
I
will
most
definitely
become
an
astronaut,
if
for
no
other
reason
than
just
to
spite
you.”
He
was
startled.
He
didn’t
expect
that
from
me.
Neither
did
I,
but
it
felt
so
good!
So
powerful.
He
was
scared!
I
mean,
later
on
he
lied
that
he
wasn’t,
but
he
was.
I
saw
fear
in
his
eyes.
Fear
and
helplessness.
It
was
a
brief
moment
of
victory,
and
then
I
heard
my
mother.
FATHER:
Mom,
hey
mom,
can
you
breathe?
Call
the
ambulance.
(Mother
calls
them.)
See
what
did?!
You’ll
be
the
death
of
us
all!
Sound
of
the
ambulance
siren.
Freeze
frame.
Everybody
looks
towards
the
audience.
The
sound
of
car
brakes.
Sirens
everywhere...
a
projection
of
a
scene
from
Frankenstein.
40.
[39]
ME:
The
ambulance
came,
but
I
couldn’t
stay
in
that
house
a
minute
longer.
I
didn’t
want
anyone
to
die
because
of
me.
Especially
not
my
granny.
Is
it
possible
that
I’ve
already
become
a
monster?
What
if
they’re
right?
For
the
first
time
in
my
life
I
wished
I
hadn’t
been
created
by
the
doctor.
It
was
the
first
time
I
felt
like
there
was
no
sense
in
life.
Who
needs
a
monster?
I’m
a
danger
to
everyone
–
a
danger
to
the
people
who
brought
me
up
and
gave
me
love
and
happiness.
Danger
to
the
girl
I
love.
She
doesn’t
need
a
monster
in
her
life.
What
if
I
happen
to
hurt
her?
I
wouldn’t
be
able
to
live
with
that.
I
don’t
want
to
hurt
anybody.
I
don’t
want
to
become
a
monster.
But
nobody
wants
to
tell
me
how
not
to
become
a
monster.
How
to
protect
myself,
and
others?
Is
there
the
slightest
chance
I
might
not
become
a
monster?
Perhaps
I
was
born
to
be
a
monster?
Maybe
it’s
my
destiny?
My
head
is
splitting.
How
do
I
change
my
destiny?
How
can
I
stop
being
dangerous
to
others?
I
don’t
want
to
hurt
the
people
I
love,
the
people
who
mean
so
much
to
me.
I
don’t
want
to
hurt
anyone.
I
felt
like
was
suffocating
and
some
kind
of
pressure
in
my
chest.
Just
like
the
day
the
doctor
left
me.
And
why
did
he
create
me
in
the
first
place?
It’s
all
his
fault!
You
can’t
just
create
a
being
and
let
it
go
with
a
statement
that
he’s
perfect
and
shouldn’t
become
a
monster.
It’s
not
fair!
The
ambulance
came.
They
carried
Grandma
inside
and
she
gave
me
a
look
before
the
door
closed.
That
look
made
me
burst
into
tears.
And
I
felt
a
pain
in
my
chest
and
chaos
in
my
head.
I
had
to
run
away.
I
started
running.
I
had
to
run.
To
dissolve
myself
in
the
speed
and
disappear
completely.
To
cease
existing.
When
you
don’t
exist,
you
can’t
become
a
monster.
And
that’s
what
happened.
Darkness.
41.
[40]
MOTHER:
When
I
saw
him
in
the
hospital
with
all
those
pipes,
bruised,
bloated,
I
felt
weak
and
helpless.
We
didn’t
make
it.
We
had
a
marvelous,
perfect
boy,
but
we
were
unable
to
save
him.
My
child’s
life
was
hanging
by
a
thread.
What
kind
of
a
mother
am
I,
not
being
able
to
save
him?
What?
I
just
want
him
to
be
alive,
even
as
a
monster.
Besides,
how
monstrous
can
a
monster
be?
GRANDMA:
They
only
told
me
a
couple
of
days
later,
when
I
started
feeling
better.
My
dear
grandson.
Grandma’s
boy.
That
little
slut
and
that
sicko
–
it’s
all
their
fault!
Grandma’s
little
boy,
all
I
want
is
for
him
to
get
well.
Oh,
God,
please,
save
him.
Oh,
dear
God,
please.
42.
ME in the hospital bed. FATHER on the chair beside it.
FATHER:
Forgive
me.
Please
forgive
me.
I
didn’t
want
to
strike
you.
I
just
got
scared
that
I
might
lose
you.
Please
forgive
me,
my
son.
Monster
[41]
„The only mode of tribal death is this monstrous man.”
„
...
the
man
who
was
born
in
the
death
of
absolute
tribal
unity
or
in
the
death
of
gender
like
a
god,
a
diabolical
man,
the
very
epitome
of
evil,
the
less
of
a
gender
he
is,
the
more
he
becomes
a
man.“
R. Konstantinović
43.
ME
in
the
hospital
bed,
eating.
MOTHER,
FATHER
and
GRANDMA
are
next
to
the
bed.
MOTHER
and
FATHER
locked
in
an
embrace.
GRANDMA: How do you like these bread rolls, my dear?
GRANDMA: You lost weight... Granny will shape you up as soon as you get home.
MOTHER:
They
say
they’re
letting
you
go
next
week.
There
was
some
luck
in
your
misfortune.
You
could’ve
been
killed
instantly,
or
left
paralyzed.
FATHER: They pressed charges against the driver. They say he was drunk.
ME: And my girlfriend would love me too, even if I were left paralyzed.
MOTHER: Do you think he’ll get what he deserves, my love?
[42]
FATHER:
Your
husband
is
not
an
upstart,
my
dear!
I’ve
pulled
some
strings.
Nobody’s
going
to
harm
my
child
and
remain
unpunished.
MOTHER:
Oh,
how
I
love
you
when
you
are
so
resolute!
That’s
the
man
I
fell
in
love
with.
(They kiss.)
GRANDMA: I have a cake here as well. Would you like some, my pet?
44.
[43]
ME:
Love
can
never
bring
people
close
together
the
way
misfortune
can.
They
all
flourished
next
to
my
hospital
bed,
as
if
the
possibility
of
losing
me
united
them.
I
was
sure
they
had
sex.
After
so
many
years.
No,
seriously.
My
father
and
mother
haven’t
had
sexual
intercourse
for
quite
a
long
time.
My
father’s
been
banging
his
boss’s
wife.
My
mother
occasionally
shags
the
postman.
But
neither
was
really
happy
with
their
sex
life.
Oh,
yes,
I
mustn’t
forget:
please
circle
your
answer
to
the
question
about
the
longest
abstinence
in
your
life.
And
please
be
honest.
Oh,
we’ve
already
done
the
test?
Just
a
few
things
more.
Let
me
get
back
to
my
poor
parents.
My
mom
says
she
stopped
fucking
dad
when
his
mother
moved
in
with
us,
after
my
grandpa
died.
Now,
that
was
even
before
I
arrived.
You
can
count
for
yourself.
However,
the
possibility
of
losing
their
only
son
brought
the
estranged
couple
back
together.
And
what’s
even
more
unbelievable
is
that
it
made
my
grandmother
shut
her
mouth!
Or,
it
might
be
that
the
proximity
of
her
own
death
made
her
shut
it,
I
don’t
know.
Be
that
as
it
may,
nothing
puts
life
back
in
motion
as
the
nearness
of
death.
Death
is
the
greatest
aphrodisiac,
not
love.
While
I’m
looking
at
my
parents,
I
can’t
stop
thinking
exactly
when
and
where
they
had
sex.
Was
it
here,
in
the
hospital?
45.
GRANDMA:
What
would
have
happened
if
the
doctor
had
caught
them?
What
would
people
say?
I
wouldn’t
be
able
to
look
anyone
in
the
eyes.
To
become
a
topic
of
blabbermouths
worse
than
me.
Such
shame!
Parents!
This
won’t
last
long.
A
couple
of
days,
tops.
Their
marriage
has
always
been
like
that:
a
couple
of
days
of
love
followed
by
a
month
of
bitterness.
My
daughter-‐in-‐law
doesn’t
know
how
to
please
a
man.
ME:
Grandma,
I
think
you
might
be
wrong
about
that.
Mom’s
doing
pretty
well.
They
could
easily
make
a
short
movie.
GRANDMA:
Stop
talking
this
instant!
As
if
this
wasn’t
shameful
enough.
[44]
46.
ME,
FATHER,
MOTHER,
GRANDMA
and
Frankenstein’s
monster
sitting
at
the
table.
ME:
This
can’t
be
true.
FATHER:
What
do
you
mean,
this
can’t
be
true?
You
saw
for
yourself.
If
we’d
told
you,
you
wouldn’t
have
believed
us.
ME:
You
should’ve
told
me.
GRANDMA:
We
wanted
to
protect
you,
dear.
ME:
Something
must’ve
happened.
They
would
never
do
this.
If
you
weren’t
hiding
this
from
me,
I
could’ve
stopped
them.
MOTHER:
We
can’t
possibly
know
their
reasons…
Everyone
follows
their
lucky
star.
ME:
How
could
they
leave
town,
both
of
them,
and
tell
me
nothing
about
it?
GRANDMA:
And
the
whole
time
you
were
in
the
hospital,
they
never
came
to
visit
you,
not
once.
FATHER:
Mother,
you
forget
that
they
were
beaten
up
in
that
fight.
Their
families
had
to
go
through
the
whole
ordeal
as
well.
It
isn’t
easy.
MOTHER:
So
true.
This
is
a
small
town
and
everybody
knows
your
name.
(Freeze
frame)
47.
The
hooligans
who
started
the
fight
at
the
prom
and
FATHER.
They
give
him
a
CD,
shake
hands
with
him
and
part.
MOTHER:
When
a
child’s
life
is
at
stake,
no
action
is
immoral.
The
path
he
chose
was
a
bad
one
and
it
was
due
to
bad
influence.
We
had
to
get
him
away
from
them.
Any
parent
would
have
done
the
same.
[45]
The
hooligans
chase
after
the
girl.
HER
tries
to
run
away.
48.
Short
scenes
with
cuts!
4Darkness
after
every
scene.
1.
FATSO
and
HER
are
naked,
sitting
on
a
bed,
facing
each
other.
They
look
at
each
other.
The
hooligans
are
drunk,
aggressive
and
repulsive;
they
are
standing
near
the
bed
with
a
camera.
2.
HER,
half-‐naked,
in
tears,
is
sitting
on
a
chair.
The
hooligans
are
all
around
her,
one
has
a
camera.
GUY1: We could fuck your brains out and nobody would know.
GUY2: And then do the same to your mother, to cure the fuckin’ dike.
GUY3: And nobody would know that either ‘cus nobody gives a fuck about you two.
HER
and
FATSO
are
naked
in
the
bed.
HER
is
crying.
The
hooligans
are
laughing.
The
camera
is
directed
towards
her
face.
She
turns
away,
looks
aside.
One
of
the
hooligans
turns
her
face
back
towards
the
camera
by
putting
his
hand
on
it.
The
hooligans
sing
a
popular
folk
song.
FATSO
hits
the
guy
who
squeezed
the
girl’s
face.
Right
away
the
rest
of
them
attack
FATSO.
HER
tries
to
shield
FATSO.
HER
kicks
and
bites,
one
of
the
guys
punches
her…the
camera
is
on
the
entire
time.
3.
FATSO is sitting on the chair. The hooligans. The camera.
4
movie
edited
sequences.
–B.
[46]
GUY4:
Either
you’ll
do
it,
or
we
will.
If
you
don’t
want
to
fuck
her,
we
will.
It’s
your
call.
GUY1: He’s an imbecile. You have to speak slowly to him.
GUY4: You moron! Of course he‘s never fucked before. He’s a virgin. Show some respect.
GUY1: Wow! We’re about to record the greatest moment of his life!
GUY2: You should be grateful to us. We’re doing you a favor here.
GUY3: The girl’s not bad herself. Your pal was satisfied.
GUY4: What if he can’t get it up. Maybe this illness fucks dicks up.
GUY1:
Well,
if
he
can’t
do
it,
there
are
those
who
can.
We’re
healthy
and
ready.
We’re
willing.
And,
being
true
Serbian
hosts,
it’s
our
duty
to
make
our
guest
feel
welcome.
It’s
up
to
him
to
say
if
he
wants
to
or
not.
4.
HER in sitting on the chair. The hooligans. The camera.
GUY3:
If
he
refuses,
we’ll
smash
him
up
so
hard
his
own
mother
won’t
recognize
him.
And
you
don’t
have
to
worry.
We
won’t
fuck
you.
What
are
we,
fuckin’
animals?
We
won’t
molest
a
poor
girl.
[47]
GUY4:
We’ll
fuck
him.
Just
to
send
a
message.
The
sick
belong
in
special
institutions.
Once
there
used
to
be
some
kind
of
order
in
this
country.
Everyone
knew
their
place.
Now
everything
is
mixed
up,
it’s
the
Western
influence.
GUY1:
Hell,
no!
We’re
no
faggots
so
it’s
gonna
be
heinous
for
us
to
fuck
him.
But
we’ll
have
to
do
it.
Unless
you
do
it
for
us.
5.
HER
and
FATSO
on
the
bed.
The
hooligans.
The
camera.
Silence.
She
looks
at
FATSO.
Moves
her
hand
towards
his
face.
Comes
closer
to
him.
He
cannot
look
at
her.
She
hugs
him.
He
is
unresponsive.
They
don’t
look
at
each
other
while
they
have
intercourse.
The
camera
captures
their
faces
and
averted
looks.
The
hooligans
cheer.
One
of
them
has
the
national
flag
around
his
shoulders.
49.
FATHER,
with
the
CD
in
his
hand.
FATHER:
It’s
easy
to
have
high
morals
when
your
whole
life
you
do
nothing
but
wait
for
things
to
happen.
A
real
man
has
to
make
decisions.
A
real
man
takes
care
of
his
family,
his
kid,
his
house,
and
of
his
nation,
his
country.
A
real
man
can’t
be
a
wimp.
Father’s
boss
comes
in
and
hands
an
envelope
to
FATHER.
The
boss
leaves.
Enter
a
man,
a
woman
and
FATSO
(his
father
and
mother).
FATHER
gives
the
envelope
to
the
man
while
further
behind
him
are
the
woman
and
FATSO
with
suitcases.
The
woman
hugs
FATSO
as
if
to
protect
him.
FATHER
leaves.
The
man
approaches
the
woman
and
FATSO.
He
hugs
them.
He
lifts
takes
the
suitcase.
The
three
go
away
hugging
each
other.
[48]
MOTHER:
It
had
to
be
done.
FATHER:
(holding
the
CD
in
his
hands)
I
had
to
do
it.
50.
Freeze
scene
46.
in
motion.
ME:
Don’t
make
excuses
on
their
behalf!
It’s
inexcusable!
They
could’ve
phoned
me.
Do
you
know
how
many
times
I
called
them?
How
can
they
forget
everything?
51.
ME
in
his
room,
jumping.
FATSO
and
HER
come
in.
They
start
jumping
together.
ME:
Didn’t
we
say
“Friends
for
life”?
Forever!
Answer
me!
HER:
I
can’t,
I’m
a
monster.
FATSO:
Me
neither.
I’m
a
fat
monster.
ME:
Then
I’m
a
monster,
too.
HER:
Me
too!
FATSO:
Me
too!
HER:
We’re
three
monsters!
FATSO:
We’re
three
of
the
most
monstrous
monsters!
ME:
We’re
monsteeeeers!
FATSO:
We’re
monstrous
monsters!!!
HER:
We’re
monstrously
monstrous
MONSTERS!!!
Movie
scenes
with
the
monster
from
the
film
multiply.
ME
stops
jumping
and
watches
them.
ME:
There
are
worse
things
than
becoming
a
monster.
Being
let
down
by
your
friends,
for
example.
[49]
53.
ME,
FATHER,
MOTHER,
GRANDMA.
FATHER
hands
the
CD
to
ME.
He
places
it
in
his
computer.
FATSO
and
the
girl
sex
scene.
They
all
watch.
FATHER
turns
off
the
computer.
Silence.
GRANDMA
speaks
first.
GRANDMA:
Your
grandma’s
macaroons
make
all
problems
go
away,
you
know
that.
Let
me
get
them
for
you
right
now.
They
smell
like
heaven.
Just
one
taste
and
you’ll
forget
about
everything.
54.
ME:
If
you
thought
this
story
of
mine
had
a
sad
ending,
you
were
wrong.
It’s
impossible
for
such
a
smart
boy
to
have
a
miserable
life.
When
you’re
young
you
do
foolish
things,
or
so
they
say.
So,
I
grew
up,
put
some
sense
into
my
head
and,
as
my
late
grandma
used
to
say,
“Everything
will
sort
itself
out”.
Yes,
she
did,
she
passed
away
three
years
ago.
Oh,
my
God,
you
should
have
seen
the
funeral!
GRANDMA:
The
beans
prepared
for
the
reception
weren’t
cooked
properly.
After
all
these
years,
she
wasn’t
capable
of
cooking
beans
the
right
way.
It’s
the
same
amount
of
beans
and
onions,
that’s
how
it’s
done.
And
for
the
grave,
a
plain
bannock?
For
me?
I,
who
baked
so
many
“krsnik”
funeral
breads
for
all
those
departed,
to
get
a
bannock
bought
in
a
bakery
for
my
own
funeral?
I
couldn’t
rest
in
peace
for
months.
I
tossed
and
turned
a
thousand
times.
ME:
I
miss
her.
I
think
about
her
often.
I
visit
her
grave,
light
a
candle,
bring
her
a
rose.
I
tell
her
with
pride:
Don’t
worry,
grandma,
your
grandson
hasn’t
become
a
monster.
I
know
she’s
proud
and
happy
when
she
looks
at
me.
This
suit,
these
pearly
white
teeth
are
proof
of
my
success.
In
short,
I
got
a
scholarship
from
my
father’s
company,
I
graduated
from
college,
got
a
job.
It
turns
out
I’m
quite
talented,
so
I
quickly
rose
to
the
managerial
position.
And
that’s
not
all.
You
see
this
ring?
I
got
married.
What?
Thank
you,
thanks.
Six
[50]
months
ago.
To
the
daughter
of
my
father’s
boss.
And
we
have
a
wonderful
marriage.
We
love
each
other;
have
fun,
enjoy
ourselves…
Have
a
lot
of
friends.
My
life’s
become
interesting
once
I
was
done
with
childhood
diseases
and
bad
choices.
My
mother
is
living
with
us.
She
and
father
quarreled
constantly
after
grandma
died,
so
she
came
to
live
with
us.
They’re
not
officially
divorced
yet.
My
father
kept
our
old
apartment.
Still
banging
his
boss’s
wife.
As
a
matter
of
fact,
I
believe
his
sex
life
is
much
better
now.
I
used
to
be
so
judgmental
about
him;
now
I
can
understand
him.
It
isn’t
easy
on
us
men.
Even
I
occasionally
have
a
quickie
with
my
secretary.
It
doesn’t
affect
my
relationship
with
my
wife
though.
She’s
a
wonderful
woman.
And
she
and
my
mother
get
along
so
well.
My
mom,
she’s
also
thrived:
she’s
finally
respected
and
obeyed.
My
friends
and
colleagues
are
talking
me
into
running
for
mayor
in
the
next
elections,
but
I
still
have
second
thoughts.
Politics
is
a
bitch.
It’s
all
dirty
but…
you
know
what?
Life
isn’t
that
hygienic
either.
Sometimes
it
takes
swimming
in
a
pile
of
shit.
The
important
thing
is
that
you
get
out
of
it
and
not
become
a
monster.
Enjoy
your
lives
and
don’t
worry,
everything
will
pass,
and
everything
gets
sorted
out
eventually,
just
like
my
grandma
used
to
say.
Oh,
yes,
I
almost
forgot.
Could
you
please
answer
the
last
question
of
the
test?
About
your
greatest
success
in
life.
ME
leaves.
55.
FATSO:
They
say
he’s
successful
and
that
an
even
brighter
future
is
still
to
come.
He
won’t
become
an
astronaut
and
we
won’t
go
to
the
Moon.
I’d
come
to
visit
him
in
the
hospital
but
they
wouldn’t
let
me
see
him.
His
mother
told
me
he
didn’t
want
to
see
me.
She
told
me
to
stop
meddling
in
his
life;
it
only
brought
him
misery.
And
then
I
was
taken
away.
His
father
gave
an
enormous
amount
of
money
to
my
father,
for
my
medical
treatment
abroad,
allegedly.
There
was
one
condition:
we
had
to
leave
town,
otherwise
everybody
would
see
the
video.
So,
we
moved.
HER:
He
seems
happy
and
content.
I
came
running
the
minute
I
heard
he
got
hit
by
a
car.
His
folks
didn’t
let
me
see
him.
I
sat
outside
that
hospital
for
days.
I
yelled
at
his
parents
when
they
tried
to
get
me
away
from
there.
I
told
them
I
would
lie
down
in
front
of
the
[51]
hospital,
they
couldn’t
make
me
go
away.
His
grandma
also
yelled
at
me:
I
was
to
blame
for
everything,
he
got
into
a
fight
because
of
me,
he
quarreled
with
his
father
because
of
me,
got
hit
by
a
car
on
my
account.
I
bring
misery
and
she
won’t
let
me
ruin
her
grandson.
She
insulted
me
and
my
“Bulgarian”
father,
and
my
mother
whom
she
didn’t
even
know.
And
then,
one
night,
the
same
hooligans
from
our
school
with
whom
we
had
the
fight,
broke
into
our
house,
smashed
all
the
things
and
told
us
we
had
24
hours
to
leave
town
otherwise
they
will
show
us
how
lesbians
are
transformed
into
non-‐lesbians.
My
mother
was
silent;
she
started
packing.
I
wanted
to
stay
and
fight.
I
called
a
friend
of
mine
whose
dad’s
a
cop.
I
wanted
to
ask
him
what
to
do.
How
to
press
charges.
He
told
me
to
get
serious.
That
there
was
a
group
of
powerful
people
behind
these
hooligans.
They
have
connections
in
the
police
and
my
mom
and
I
are
alone.
We
have
no
one
and
we
can
easily
vanish
from
the
face
of
the
Earth.
Nobody
likes
to
vanish
from
the
face
of
the
Earth.
Especially
not
those
who
dream
about
stars
all
their
lives.
I
refused
to
go.
My
mom
pleaded
with
me.
Still
I
didn’t
want
to
go.
And
then
they
kidnapped
me…
and
then
that
video…
showing
nothing
that
happened
to
FATSO
and
me.
54.
Shots
from
a
gun
are
heard.
ME
in
a
torn
shirt,
with
a
cross
on
his
chest,
stands
next
to
his
wife
and
baby.
He
pulls
out
a
gun
and
with
a
shriek
fires
it
in
the
air.
The
wife
is
happy;
she
puts
her
hands
over
her
baby’s
ears
so
the
baby
doesn’t
get
scared.
After
his
gunfire,
the
music
of
the
kolo
is
heard.
Screams,
shrieks
and
howls
are
heard;
the
“soccer
club
fans”
arrive.
The
insignia
of
“the
Serbian
nation
and
Orthodox
Christianity”
adorn
them.
One
of
them
is
wearing
the
Serbian
national
hat,
with
a
cockade.
He
greets
everyone
by
kissing
them.
They
congratulate
him
and
his
wife.
They
give
money
(euros)
to
the
child.
They
start
dancing
the
kolo.
FATHER
and
MOTHER
arrive.
FATHER
is
carrying
the
Serbian
flag.
Kissing,
congratulating.
ME
in
the
kolo
with
the
guys.
It’s
a
kolo
for
men.
FATHER,
MOTHER
and
the
daughter-‐in-‐law
with
the
baby
are
standing
in
the
middle
of
the
circle
created
by
the
kolo.
Enters
GRANDMA
and
with
a
white
handkerchief
in
her
hand
takes
the
leading
position
in
kolo.
[52]
GRANDMA:
Yiiiiiiii!
Grandma
loves
you!!
My
dear
children!
May
you
live
to
be
a
hundred!
May
you
love
each
other
and
have
many
kids!
Grandma’s
dream
has
come
true!
A
great
grandchild!
Yiiiiii!
FATHER
and
MOTHER
start
dancing
the
kolo;
it
goes
faster
and
faster.
ME
comes
and
holds
hands
with
GRANDMA.
For
a
moment
everything
stands
still.
GRANDMA
kisses
ME.
GRANDMA:
Have
I
kept
my
promise?
You
haven’t
become
a
monster;
you’ve
become
a
true
Serbian
head
of
the
family!
Grandma’s
pet!
The
kolo
continues.
55.
A
scene
from
“Frankenstein”
in
which
people
with
torches
come
to
burn
down
the
monster’s
hideout.
(The
end
of
the
movie).
FATSO
and
HER,
who
were
watching
the
previous
scene
the
whole
time.
FATSO:
The
course
of
the
illness
has
been
slowed
down,
but
I
can’t
be
healed.
Anyway,
I’m
used
to
the
fact
that
I’m
fat
and
have
cerebral
palsy.
Other
people
have
more
serious
problems
than
me…
They
have
no
friends.
Sometimes
when
the
sky
is
clear
and
full
of
stars…
I
don’t
want
to
talk
about
that
night.
I’ve
always
known
that
life’s
a
fucked
up
condition
with
no
cure.
HER:
So
we
left.
My
mom
and
I.
Two
years
later
mom
died
of
cancer.
I
was
alone.
His
grandmother’s
words
stuck
with
me.
About
how
I
bring
bad
luck.
What’s
the
point
in
living
if
by
loving
we
make
people
miserable?
I
don’t
want
to
talk
about
that
night.
I
never
saw
Fatso
again.
It
was
really
hard.
And
then….six
months
ago
I
took
a
handful
of
pills…
and
it
worked.
They
say
it
rarely
works
with
pills,
but
with
me
it
did.
One
time
in
my
life
I
was
lucky.
He
didn’t
come
to
the
funeral
either.
He’s
happy…
[53]
FATSO:
That
test
you’ve
been
doing,
it’s
useless
now.
The
three
of
us
came
up
with
it
to
discover
monsters
within
us
early
on.
HER:
He
was
so
afraid
of
becoming
a
monster
that
he
transferred
that
fear
to
us.
Nobody
wants
to
become
a
monster.
FATSO:
It
was
important
that
we
do
the
test
every
month
so
we
could
detect
the
slightest
sign
of
a
monster
coming
on.
Now
it
seems
like
kids’
stuff.
HER:
Go
ahead,
tear
it
to
pieces.
There
are
so
many
things
in
this
world
that
are
far
worse
than
monsters.
When
I
look
at
some
people,
I
realize
that
maybe
we
need
monsters.
THE
END
[54]
TEST
FOR
DETERMINING
YOUR
MONSTER
POTENTIAL
1. If
you
could
choose,
where
would
you
like
to
be
born?
a)
hospital
b)
field
c)
birthing
pool
2. Which
of
the
three
couples
would
you
choose
to
be
your
parents?
a)
childish
b)
disinterested
c)
aggressive
3. Which
room
color
would
you
never
pick
for
your
child’s
bedroom?
a) yellow
b) green
c) red
4. On
which
planet
you
would
choose
to
live?
a) Mars
b) Kepler
22b
c) GJ
667
C
5. How
old
were
you
when
you
had
your
first
kiss?
a) 10
to
15
b) Less
than
10
c) After
your
15th
birthday
6. How
many
times
have
you
felt
the
wish
to
kill
your
parents?
a) Once
b) More
than
once
c) Never
[55]
7. My
high
school
graduation
was:
a) fantastic
b) so-‐and-‐so
c) I
never
went
8. The
longest
period
of
abstinence
in
your
life
lasted:
a) Several
weeks
b) Several
months
c) Several
years
9. Your
biggest
failure
so
far
is
in
the
domain
of:
a) work
b) love
c)
family
[56]
If
you
mostly
answered
b):
You’re
an
emotional
person
prone
to
falling
in
love
.
“There’s
no
such
thing
as
too
much
love”
is
your
motto.
You
need
a
stable
environment
and
people
who
are
like
you.
An
eternal
optimist.
You
can’t
stand
those
who
constantly
complain
about
something.
Cautionary
questions
to
be
asked
are
as
follows:
How
many
times
have
I
failed
to
hear
someone’s
call
for
help,
didn’t
listen
to
someone’s
problem,
or
plea?
To
what
extent
I
am
ready
to
step
away
from
those
that
are
sad,
troubled
or
unhappy?
Do
I
notice
those
who
are
victims
of
abuse
in
my
vicinity?
Do
I
react
to
that?
Explain
to
your
children
that
life
is
not
a
fairy
tale,
and
that,
for
some,
it
is
a
serious
nightmare.
Explain
to
your
children
that,
although
they
are
happy,
they
need
to
learn
about
other
people’s
misery.
That
those
children
who
grow
up
under
less
fortunate
circumstance
are
no
less
emotional
and
that
they
also
crave
love.
BECAUSE
EVERYONE
CAN
BECOME
A
MONSTER
AND
EVERYONE
CAN
CREATE
A
MONSTER,
EVEN
THOSE
WHO
ARE
HIGHLY
EMOTIONAL!
If
you
mostly
answered
c):
Your
life
isn’t
all
moonlight
and
roses.
You’ve
been
through
a
lot.
You
know
life
can
be
harsh
and
that’s
way
you
prefer
seclusion.
You
do
not
bother
anyone,
and
you
do
not
allow
anyone
to
bother
you.
Your
motto
is
“If
you
want
to
get
things
done,
do
it
yourself”.
You
don’t
trust
people
until
they
prove
worthy
of
your
trust.
Cautionary
questions
are
as
follows:
How
many
times
have
I
been
so
focused
on
my
own
problems
that
I
missed
the
opportunity
to
help
others
who
were
in
greater
need?
Do
I
see
myself
as
a
victim?
Do
I
start
hating
everyone
around
me?
Explain
to
your
children
that
there
will
always
be
those
who
are
better
off,
but
also
those
who
are
worse
off.
Explain
to
them
that
the
world
isn’t
to
blame
for
their
problems.
Tell
them
not
to
become
negligent
of
other
children’s
unhappiness
because
of
their
own
problems.
To
show
solidarity.
BECAUSE
EVERYONE
CAN
BECOME
A
MONSTER
AND
EVERYONE
CAN
CREATE
A
MONSTER!
EVEN
THE
MOST
UNFORTUNATE!
Cautionary
questions
for
all:
[57]
Are
you
capable
of
ruining
the
happiness
of
other
people’s
families
for
the
sake
of
your
own?
Are
you
capable
of
ruining
someone’s
family
for
the
well-‐being
of
you
own?
Are
you
capable
of
killing
someone
if
your
family’s
survival
depends
on
it?
Would
you
sacrifice
someone’s
child
for
the
sake
of
your
own?
Do
you
think
you’re
special?
Do
you
think
that
your
way
of
life
is
the
only
right
way?
That
only
your
model
of
a
family,
and
your
worldview
are
correct?
Are
you
bothered
by
others,
and
by
everything
that
is
different?
BECAUSE
EVERYONE
CAN
BECOME
A
MONSTER
AND
EVERYONE
CAN
CREATE
A
MONSTER.
EVEN
THE
CLEVEREST!
Translated
from
the
Serbian
by
Ivana
Djuric
Paunovic
ivanadjuricpaunovic@gmail.com
[58]