RX-V10Natural Sound Stereo Receiver

Récepteur stéréo “Son Naturel”

OWNER’S MANUAL MODE D’EMPLOI

Thank you for selecting this YAMAHA stereo Nous vous remercions pour avoir porté votre
receiver. choix sur ce récepteur stéréo YAMAHA.

CONTENTS TABLES DES MATIERES

Safety Instructions ...............Inside the Front Cover Caractéristiques ............................................37
Caution ............................................................2 Accessoires fournis .......................................37
Supplied Accessories ......................................3 Attention ........................................................38
Features ..........................................................4 Aperçu de cet appareil ..................................39
Profile of This Unit ...........................................5 Installation des enceintes acoustiques ..........40
Speaker Setup ................................................6 Raccordements .............................................41
Connections ....................................................7 Les commandes et leurs fonctions.................46
Controls and Their Functions ........................12 Réglage de la balance des enceintes ............51
Speaker Balance Adjustment ........................17 Fonctionnement de base ...............................54
Basic Operations ...........................................20 Syntonisation .................................................56
Tuning Operations .........................................22 Syntonisation préréglée ................................57
Preset Tuning ................................................23 Réception des station RDS
Receiving RDS Stations <Modèles pour I’Europe et le Royaume-Uni
<Europe and U.K. models only> ..................26 seulement> ...................................................60
Using Digital Sound Field Processor (DSP) Utilisation du processeur de champ sonore
......................................................................31 numérique (DSP) ........................................65
Troubleshooting .............................................35 En cas de difficulté ........................................69
Specifications ................................................36 Caractéristiques techniques ..........................70
SAFETY INSTRUCTIONS
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
CAUTION manufacturer.
RISK OF ELECTRIC SHOCK
DO NOT OPEN 8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
CAUTION: TO REDUCE THE RISK OF
on a bed, sofa, rug, or similar surface, that may block the
ELECTRIC SHOCK, DO NOT REMOVE
ventilation openings; or placed in a built-in installation,
COVER (OR BACK). NO USER-SERVICEABLE
such as a bookcase or cabinet that may impede the flow
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

• Explanation of Graphical Symbols sources such as radiators, stoves, or other appliances
The lightning flash with arrowhead that produce heat.
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous 10 Power Sources – The unit should be connected to a
voltage” within the product’s power supply only of the type described in the operating
enclosure that may be of sufficient instructions or as marked on the unit.
magnitude to constitute a risk of
electric shock to persons.
11 Power-Cord Protection – Power-supply cords should be
The exclamation point within an routed so that they are not likely to be walked on or
equilateral triangle is intended to alert
you to the presence of important pinched by items placed upon or against them, paying
operating and maintenance particular attention to cords at plugs, convenience
(servicing) instructions in the receptacles, and the point where they exit from the unit.
literature accompanying the
appliance.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS 13 Nonuse Periods – The power cord of the unit should be
UNIT TO RAIN OR MOISTURE. unplugged from the outlet when left unused for a long
period of time.

14 Object and Liquid Entry – Care should be taken so that

1 Read Instructions – All the safety and operating objects do not fall into and liquids are not spilled into the
instructions should be read before the unit is operated. inside of the unit.

2 Retain Instructions – The safety and operating instructions 15 Damage Requiring Service – The unit should be serviced
should be retained for future reference. by qualified service personnel when:
A. The power-supply cord or the plug has been
3 Heed Warnings – All warnings on the unit and in the damaged; or
operating instructions should be adhered to. B. Objects have fallen, or liquid has been spilled into the
unit; or
4 Follow Instructions – All operating and other instructions C. The unit has been exposed to rain; or
should be followed. D. The unit does not appear to operate normally or
exhibits a marked change in performance; or
5 Water and Moisture – The unit should not be used near E. The unit has been dropped, or the cabinet damaged.
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc. 16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
6 Carts and Stands – The unit should be used only with a qualified service personnel.
cart or stand that is recommended by the
manufacturer.
17 Power Lines – An outdoor antenna should be located
away from power lines.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause 18 Grounding or Polarization – Precautions should be taken
the unit and so that the grounding or polarization is not defeated.
cart combination to overturn.
 English
19 For US customers only: EXAMPLE OF ANTENNA GROUNDING
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides MAST ANTENNA
LEAD IN
information with regard to proper grounding of the mast WIRE

and supporting structure, grounding of the lead-in wire to

GROUND
an antenna discharge unit, size of grounding conductors, CLAMP

location of antenna discharge unit, connection to

grounding electrodes, and requirements for the grounding ANTENNA
electrode. DISCHARGE UNIT
(NEC SECTION 810–20)

ELECTRIC
Note to CATV system installer: SERVICE
EQUIPMENT
This reminder is provided to call the CATV system GROUNDING CONDUCTORS
(NEC SECTION 810–21)

installer’s attention to Article 820-40 of the NEC that GROUND CLAMPS

provides guidelines for proper grounding and, in POWER SERVICE GROUNDING

particular, specifies that the cable ground shall be ELECTRODE SYSTEM
(NEC ART 250. PART H)
connected to the grounding system of the building, as
NEC – NATIONAL ELECTRICAL CODE
close to the point of cable entry as practical.

SPECIAL NOTES FOR FCC COMPOSITE

DEVICE (for US customers only)
This device is a composite system. The digital device
component may not cause harmful interference.

FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! Compliance with FCC regulations does not guarantee that
This product, when installed as indicated in the interference will not occur in all installations. If this product
instructions contained in this manual, meets FCC is found to be the source of interference, which can be
requirements. Modifications not expressly approved by determined by turning the unit “OFF” and “ON”, please try
Yamaha may void your authority, granted by the FCC, to to eliminate the problem by using one of the following
use the product. measures:
2. IMPORTANT : When connecting this product to Relocate either this product or the device that is being
accessories and/or another product use only high quality affected by the interference.
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Utilize power outlets that are on different branch (circuit
Failure to follow instructions could void your FCC breaker or fuse) circuits or install AC line filter/s.
authorization to use this product in the USA. In the case of radio or TV interference, relocate/reorient the
3. NOTE : This product has been tested and found to antenna. If the antenna lead-in is 300 ohm ribbon lead,
comply with the requirements listed in FCC Regulations, change the lead-in to coaxial type cable.
Part 15 for Class “B” digital devices. Compliance with If these corrective measures do not produce satisfactory
these requirements provides a reasonable level of results, please contact the local retailer authorized to
assurance that your use of this product in a residential distribute this type of product. If you can not locate the
environment will not result in harmful interference with appropriate retailer, please contact Yamaha Electronics
other electronic devices. Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
This equipment generates/uses radio frequencies and, if 90620.
not installed and used according to the instructions
found in the users manual, may cause interference The above statements apply ONLY to those products
harmful to the operation of other electronic devices. distributed by Yamaha Corporation of America or its
subsidiaries.

We Want You Listening For A Lifetime (for US customers only)

YAMAHA and the Electronic Industries Association’s Since hearing damage from loud sounds is often
Consumer Electronics Group want you to get the most out of undetectable until it is too late, YAMAHA and the
your equipment by playing it at a safe level. One that lets the Electronic Industries Association’s Consumer
sound come through loud and clear without annoying blaring Electronics Group recommend you to avoid
or distortion – and, most importantly, without affecting your prolonged exposure from excessive volume levels.
sensitive hearing.
1
 CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference. IMPORTANT
Please record the serial number of this unit in the space
2. Install this unit in a cool, dry, clean place – away from below.
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming Serial No.:
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water. The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
3. Never open the cabinet. If something drops into the set, reference.
contact your dealer.
WARNING
4. Do not use force on switches, controls or connection wires. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
When moving the unit, first disconnect the power plug and DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
the wires connected to other equipment. Never pull the
wires themselves.

5. The openings on the cabinet assure proper ventilation of FOR CANADIAN CUSTOMERS
the unit. If these openings are obstructed, the temperature TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
inside the cabinet will rise rapidly. Therefore, avoid placing OF PLUG TO WIDE SLOT AND FULLY INSERT.
objects against these openings, and install the unit in well-
ventilated condition. Make sure to allow a space of at least THIS CLASS B DIGITAL APPARATUS MEETS ALL
10 cm behind, on the both sides and above the top panel REQUIREMENTS OF THE CANADIAN INTERFERENCE-
of the unit. Otherwise it may not only damage the unit, but CAUSING EQUIPMENT REGULATIONS.
also cause fire.

6. Always set the VOLUME control to “0” before starting the

audio source play. Increase the volume gradually to an The apparatus is not disconnected from the AC power
appropriate level after playback has been started. source as long as it is connected to the wall outlet, even if
the apparatus itself is turned off.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.

8. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that
the unit is faulty.

9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.

10. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an
electrical storm.

11. Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not
defeated.

12. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.

2
SUPPLIED ACCESSORIES

English
After unpacking, check that the following parts are included.

AM Loop Antenna Remote Control Transmitter

DELAY/REAR
– LEVEL + /CENTER TEST EFFECT

PROGRAM PROLOGIC ENHANCED ON/OFF

DVD/LD
VCR 2CH/5CH

DIR A DIR B REC/PAUSE PLAY

A/B TAPE

– PRESET + A/B/C/D/E TUNER

DISC PLAY CD

PHONO

POWER VOLUME
SLEEP

Indoor FM Antenna Batteries (size AA, R6, UM-3)

3
 FEATURES
● 5 Speaker Configuration ● 40-Station Random Access Preset Tuning
Front: 45W + 45W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz ● Automatic Preset Tuning
Center: 45W (8Ω) RMS Output Power, ● Preset Station Shifting Capability (Preset
0.1% THD, 1 kHz Editing)
Rear: 15W (8Ω) RMS Output Power,
0.7% THD, 1 kHz ● IF Count Direct PLL Synthesizer Tuning
System
● Digital Sound Field Processor
4 Programs for Digital Sound Field ● Video Signal Input/Output Capability
Processing
2 Programs for Dolby Surround Decoding ● 5-Channel Discrete Input Terminals for
(DOLBY PRO LOGIC and DOLBY PRO Connecting with a Dolby Digital (AC-3)
LOGIC ENHANCED) Decoder

● Automatic Input Balance Control for ● SLEEP Timer

Dolby Pro Logic Surround
● Remote Control Capability
● Test Tone Generator for Easier Speaker
Balance Adjustment
<Europe and U.K. models only>
● Multi-Functions for RDS Broadcast
● 3 Center Channel Modes Reception
(NORMAL/WIDE/PHANTOM)

4
 English
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround
Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced Furthermore, our technicians, armed with sophisticated
sound reproduction technology lets you get extremely close to measuring equipment, have even made it possible to capture
the sound of a live performance, but chances are you’ll still the acoustics of a variety of venues such as an actual concert
notice something missing: the acoustic environment of the live hall, theater, etc. to allow you to accurately recreate one of
concert hall. Extensive research into the exact nature of the several actual live performance environments, all in your own
sonic reflections that create the ambience of a large hall has home.
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar This Dolby Pro Logic Surround Decoder employs a digital
to professional Dolby Stereo decoders used in many movie signal processing system. This system improves the stability of
theaters. By using the Dolby Pro Logic Surround decoder, you sound at each channel and minimizes crosstalk between
can experience the dramatic realism and impact of Dolby channels, so that positioning of sounds around the room is
Surround movie theater sound in your own home. Dolby Pro more accurate compared with conventional analog signal
Logic employs a four channel five speaker system. The Pro processing systems.
Logic Surround system divides the input signal into four levels: In addition, this unit features a built-in automatic input balance
the left and right main channels, the center channel (used for control. This always assures you the best performance without
dialog), and the rear surround sound channels (used for sound manual adjustment.
effects, background noise, and other ambient noises). The
center channel allows listeners seated in even less-than-ideal Manufactured under license from Dolby Laboratories Licensing
positions to hear the dialog originating from the action on the Corporation. “Dolby”, the double-D symbol and “Pro Logic” are
screen while experiencing good stereo imaging. trademarks of Dolby Laboratories Licensing Corporation.
Dolby Surround is encoded on the sound track of pre-recorded
video tapes, laser discs, and some TV/cable broadcasts. When
you play a source encoded with Dolby Surround on this unit,
the Dolby Pro Logic Surround decoder decodes the signal and
distributes the surround-sound effects.

Dolby Pro Logic Surround + DSP

Dolby Surround sound system shows its full ability in a large Yamaha DSP technology made it possible to present you with
movie theater, because movie sounds are originally designed nearly the same sound experience as that of a large movie
to be reproduced in a large movie theater using many theater in your listening room by compensating for lack of
speakers. It is difficult to create a sound environment similar to presence and dynamics in your listening room with its original
that of a movie theater in your listening room, because the digital sound fields combined with Dolby Surround sound field.
room size, materials of inside walls, the number of speakers, The combination of Dolby Pro Logic Surround and DSP is used
etc. of your listening room is much different from those of a on the sound field program “ PRO LOGIC ENHANCED”.
movie theater.

5
 SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the front
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.

SPEAKER CONFIGURATION
5-Speaker Configuration 4-Speaker Configuration
This configuration is the most effective and recommended one. The center speaker is not used in this configuration. If the
In this configuration, the center speaker is necessary as well as program DOLBY PRO LOGIC or DOLBY PRO LOGIC
the rear speakers. If the program DOLBY PRO LOGIC or ENHANCED is selected, the center sound is output from the
DOLBY PRO LOGIC ENHANCED is selected, conversations left and the right front speakers. However, the sound effect of
will be output from the center speaker and the ambience will be other programs can be the same as that of the 5-speaker
excellent. configuration.
• Set the center channel mode to the “NORMAL” or “WIDE” • Be sure to set the center channel mode to the “PHANTOM”
position. (For details, refer to page 18.) position. (For details, refer to page 18.)

Front L Center Front R Front L Front R

Dialogue
Dialogue

Surround sound Surround sound

Rear L Rear R Rear L Rear R

SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Front: In normal position. (The position of your present

Front R
stereo speaker system.)
Center Rear: Behind your listening position, facing slightly inward.
Front L Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
TV set
speaker.)
Rear R

Rear L

6
 English
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Tape deck CD player Monitor TV

LINE IN

LINE OUT

OUTPUT

VIDEO IN
(U.S.A. model)

8ΩMIN.
1 /SPEAKER
CD
FM
ANT OUT
CENTER
75Ω 3

*
UNBAL. TAPE
PB MONITOR
TAPE OUT
SURROUND MAIN
GND GND 4 DVD/LD 5CH DISCRT INPUT REAR CENTER REAR SUBWOOFER
REC
OUT

AM
ANT
IN IN
B
VCR VCR

OUT OUT

A
DVD DVD
/LD /LD
I20V 60Hz
I00W MAX. TOTAL
PHONO SWITCHED
VIDEO
AUDIO SIGNAL SIGNAL SPEAKERS AC OUTLETS
OUTPUT

To AC outlet
GND

AUDIO OUT

AUDIO OUT
VIDEO OUT

VIDEO OUT
AUDIO IN

VIDEO IN

*
Turntable LD player etc. Video cassette recorder

* : Refer to “ABOUT THE ACCESSORY TERMINALS” on page 10.

7
 Connecting with a Dolby Digital (AC-3) Decoder
If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete
outputs can be connected to this unit.

OUTPUT Dolby Digital (AC-3) Decoder unit

MAIN CENTER SURROUND

SUBWOOFER

AC-3 RF
IN

1
CD
FM
ANT CENTER
75Ω 3
UNBAL. TAPE
PB MONITOR
TAPE OUT
SURROUND MAIN
GND GND 4 DVD/LD 5CH DISCRT INPUT
REC
OUT

AM
ANT
IN IN

VCR VCR

OUT OUT

DVD DVD
/LD /LD

PHONO
AC-3 RF
VIDEO
AUDIO SIGNAL SIGNAL SPEAKERS OUT
VIDEO OUT
AUDIO OUT

Laserdisc player with AC-3 RF output or

another unit with AC-3 RF output

Notes
• The laserdisc player with AC-3 RF output (or another unit
with AC-3 RF output) must be also connected to the DVD/LD
AUDIO SIGNAL input terminals of this unit for playing a
source with the Dolby Pro Logic Surround decoded or in
normal stereo (or monaural).
• The discrete signals input to this unit cannot be recorded by
a tape deck or VCR. To record a source played on the
laserdisc player with AC-3 RF output (or another unit with
AC-3 RF output), it must be connected to the DVD/LD
AUDIO/VIDEO SIGNAL input terminals of this unit.

8
 English
CONNECTING SPEAKERS
Note Note on a subwoofer connection:
Use speakers with the specified impedance shown on the rear You may wish to add a subwoofer to reinforce the bass
of this unit. frequencies.
Connect the SUBWOOFER OUT terminal of this unit to the
Note on front speaker connections: INPUT terminal of the subwoofer amplifier, and connect the
One or two speaker systems can be connected to this unit. If speaker terminals of the subwoofer amplifier to the subwoofer.
you use only one speaker system, connect it to either the With some subwoofers, including the Yamaha Active Servo
SPEAKERS A or B terminals. Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
* The SUBWOOFER OUT terminal is for output to a monaural
amplifier driving a subwoofer. Only frequencies below 200
Hz from the front and center channels are output.

Center speaker

Rear speaker Rear speaker

Subwoofer system
Right Left
Front speakers B

8ΩMIN.

Left Right /SPEAKER

OUT

SURROUND MAIN
DVD/LD 5CH DISCRT INPUT REAR CENTER REAR SUBWOOFER Front speakers A

A
Left Right
I00W MAX TOTAL

SPEAKERS

9
 How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage
this unit and/or speakers.

For connecting to the FRONT SPEAKERS terminals For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–) Red: positive (+)
Black: negative (–)

➀ Unscrew the knob.

2 ➁ Insert the bare wire. ➀
1 [Remove approx. 5mm ➀ Press the tab.
(1/4”) insulation from ➂ ➁ Insert the bare wire.
the speaker wires.] [Remove approx. 5mm
3 ➂ Tighten the knob and ➁ (1/4”) insulation from
secure the wire. the speaker wires.]
➂ Release the tab and
secure the wire.

<U.S.A. and General models only>

Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.

ABOUT THE ACCESSORY TERMINALS

AC OUTLET(S) (SWITCHED) GND terminal (For turntable use)
(U.S.A., Europe and General models) Connecting the ground wire of the turntable to the GND
.......................................................... 2 SWITCHED OUTLETS terminal will normally minimize hum, but in some cases better
(U.K. model) ........................................ 1 SWITCHED OUTLET results may be obtained with the ground wire disconnected.
Use these to connect the power cords from your components Note
to this unit. Even if you make this connection, never fail to make other wire
The power to the SWITCHED outlets is controlled by this unit’s connections to this terminal. (See page 11.)
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLET(S) is 100 watts.

10
 English
ANTENNA CONNECTIONS
● Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
● Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.

Outdoor FM antenna Outdoor AM antenna

Indoor FM
antenna
(included)

AM loop
1 antenna
FM
CD
(included)
75-ohm/300-ohm ANT
75Ω
UNBAL.
3
TAPE
antenna adapter PB
TAPE
GND GND 4
REC
OUT

75-ohm coaxial cable AM

ANT
IN

VCR

OUT

DVD
/LD

PHONO
AUDIO SIGNAL
75-ohm/300-ohm
antenna adapter

300-ohm feeder

Ground

Connecting the AM loop antenna

1 2 3
➀

➂
Orient so that the best
reception is obtained.
➁
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal Notes

● When connecting the indoor
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is FM antenna, insert its
a metal stake driven into moist earth. connector into the FM ANT
terminal firmly.
● If you need an outdoor

FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.
11
 CONTROLS AND THEIR FUNCTIONS
FRONT PANEL

1 23 4 5 6
INPUT VOLUME
DVD-LD/VCR/TAPE/CD/TUNER/PHONO
NATURAL SOUND STEREO RECEIVER RX–V10 5CH/2CH

POWER

PTY SELECTOR 0 I0

PRESET STATIONS
PHONES SPEAKERS RDS MODE/FREQ EON A/B/C/D/E TUNING KEY MODE BASS TREBLE BALANCE
0 0
B
EDIT
ON OFF
TUNING CENTER
PTY SEEK FM/AM MODE MEMORY MODE PROGRAM

A – + – + L R
MODE START AUTO/MAN’L MONO MAN’L/AUTO FM

7 89 = ABC DEF GHI J K L M

Parts in the shaded areas are provided for Europe and U.K. models only.
The power indicator (2) is provided for Europe, U.K. and General models only.

1 POWER switch 6 VOLUME control

Press this switch to switch the power on. Press it again to Used to raise or lower the volume level.
switch the power off.
7 Control door
2 Power indicator See page 13 for how to open and close the control door.
<Europe, U.K. and General models only>
Lights up fully while the power is on. 8 PHONES jack
* Standby mode When you listen with headphones, connect the headphones to
While the power is on, pressing the POWER key on the the PHONES jack. You can listen to the sound to be output
remote control transmitter switches the unit to the standby from the front speakers through headphones.
mode. In this mode, the power indicator is half illuminated. When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
3 Remote control sensor off the digital sound field processor (so that no DSP program
Receives signals from the remote control transmitter. name is illuminated on the display) by pressing the EFFECT
key.
4 Display panel PHONES

Shows station frequencies and various information. (Refer to

page 16 for details.)

5 INPUT selector
Selects a program source to listen to and/or watch. When
turned, the name of a selected source appears on the display.

PTY SELECTOR
<Europe and U.K. models only> 9 SPEAKERS switches
When this unit is in the PTY SEEK mode, turning this control Set the switch A or B (or both A and B) for the front speaker
changes the currently selected program type. system (connected to this unit) you will use to the ON position.
Set the switch for the front speaker system you will not use to
the OFF position.

12
 English
0 RDS MODE/FREQ button H PRESET STATIONS/TUNING button
<Europe and U.K. models only> Functions as the PRESET STATIONS button when “PRESET”
When an RDS station is received, pressing this button changes is illuminated on the display, and functions as the TUNING
the display mode into the PS mode, PTY mode and/or RT button when “PRESET” is not illuminated on the display.
mode (if the station employs those RDS data services), and
frequency display in turn. PRESET STATIONS:
Selects a preset station number (from 1 to 8) whenever the left
A PTY SEEK MODE button or the right side of this button is pressed.
<Europe and U.K. models only>
When this button is pressed, the unit turns into the PTY SEEK TUNING:
mode. Used for tuning. Press the side to tune in to higher
frequencies, and press the side to tune in to lower
B PTY SEEK START button frequencies.
<Europe and U.K. models only>
Press this button to begin searching for a station after the I CENTER MODE button
desired program type is selected in the PTY SEEK mode. Selects a center channel output mode (NORMAL, WIDE or
PHANTOM). (For details, refer to page 18.)
C EON button
<Europe and U.K. models only> J PROGRAM button
Press this button to select a desired program type (NEWS, Whenever this button is pressed, the built-in digital sound field
INFO, AFFAIRS, SPORT) when you want to call a radio processor turns on and the currently selected DSP program
program of that program type automatically. changes sequentially and then the digital sound field processor
turns off, and those are repeated.
D FM/AM buttons
Press this button to switch the reception band to FM or AM. K KEY MODE/EDIT button
Whenever this button is pressed, “PRESET” appears and
E A/B/C/D/E button disappears on the display alternately. This is for switching the
Press this button to select a desired group (A–E) of preset function of the PRESET STATIONS/TUNING button.
stations. This button is also used to exchange the places of two preset
stations with each other.
F TUNING MODE (AUTO/MAN’L MONO) button
Press this button to switch the tuning mode to automatic or L Tone controls
manual. To select the automatic tuning mode, press this BASS
button so that “AUTO” lights up on the display. To select the Used to increase or decrease the low frequency response.
manual tuning mode, press this button so that “AUTO” goes The 0 position produces flat response.
off. TREBLE
Used to increase or decrease the high frequency response.
G MEMORY (MAN’L/AUTO FM) button The 0 position produces flat response.
When this button is pressed, the MEMO indicator flashes for
about 5 seconds. During this period, select a desired preset M BALANCE control
station number by pressing the PRESET STATIONS button Adjusts the balance of the output volume to the left and right
once or more, and then press the MEMORY button once again speakers to compensate for sound imbalance caused by
to enter the displayed station into the memory. speaker location or listening room conditions.
When this button is pressed and held for about 3 seconds, the
automatic preset tuning begins. (Refer to page 24 for details.)

Open/close the control door

When it is not necessary to operate controls inside the control door, close the door.

To open the door To close the door

13
 REMOTE CONTROL TRANSMITTER
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this
remote control transmitter will also control various functions of each component.

For Control of This Unit

1 DELAY/REAR/CENTER and LEVEL +/– keys
9 Adjust the delay time (DELAY), the rear channel output level
(REAR) and center channel output level (CENTER).
(For details, refer to page 33 and 34.)

– LEVEL +
DELAY/REAR
/CENTER TEST EFFECT
2 Program selector keys
1 8 PROGRAM:
PROGRAM PROLOGIC ENHANCED ON/OFF

2 DVD/LD
When the built-in digital sound field processor is on, this key
VCR 2CH/5CH
changes the currently selected DSP program whenever the
DIR A DIR B REC/PAUSE PLAY right or left side of this key is pressed.
1 A/B TAPE
PROLOGIC:
– PRESET + A/B/C/D/E TUNER 7 Directly selects the PRO LOGIC program.
3
DISC PLAY CD
ENHANCED:
2 PHONO
Directly selects the PRO LOGIC ENHANCED program.

SLEEP
POWER VOLUME
3 Tuner keys
4 Controls tuner.
+: Selects higher preset station number.
–: Selects lower preset station number.
5 6 A/B/C/D/E: Selects the group (A – E) of preset station
numbers.

4 SLEEP timer key

The power to this unit is automatically turned off one hour after
this key is pressed (so that “SLEEP” lights up on the display).

5 POWER key
Turns the power on/off.
* <Europe, U.K. and General models only>
While the power is on, pressing the POWER key on the
remote control transmitter switches the unit from the
power-on mode to the standby mode, and vice versa. (In
the standby mode, the power indicator on the front panel is
half illuminated.)

6 VOLUME +/– keys

Turns the volume level up/down.

7 Input selector keys

Selects input source.

8 EFFECT ON/OFF key

Switches on/off the digital sound field processor (DSP).

9 TEST key
Used for speaker balance adjustment. (For details, refer to
page 17, 18 and 19.)

14
 English
For Other Component Control
Identify the remote control transmitter keys with your
component’s keys. If these keys are identical, their functions
will be the same. On each key function, refer to the
corresponding instruction on your component’s manual.

1 Tape deck keys

Controls tape deck.
* DIR A, B and A/B are applicable only to double
cassette tape deck.
* For a single cassette deck with automatic reverse
function, pressing DIR A will reverse the direction of
tape running.

2 CD player keys
Controls compact disc player.
* DISC is applicable only to compact disc changer.

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Battery installation Remote control transmitter operation range

2
Remote control
1 sensor

3
Within approximately
6 m (19.7 feet)

30° 30°

Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
Notes
● Use only AA, R6, UM-3 batteries for replacement.
● There should be no large obstacles between the remote
● Be sure the polarities are correct. (See the illustration inside
control transmitter and the main unit.
the battery compartment.) ● If the remote control sensor is directly illuminated by strong
● Remove the batteries if the remote control transmitter will
lighting (especially an inverter type of fluorescent lamp etc.),
not be used for an extended period of time.
it might cause the remote control transmitter not to work
● If batteries leak, dispose of them immediately. Avoid
correctly. In this case, reposition the main unit to avoid direct
touching the leaked material or letting it come in contact with
lighting.
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.

15
 DISPLAY PANEL

1 2 3 4 5 6

MEMO PRESET ST
AUTO
PTY H
PTY FM MHz 0 l00
PS RT
EON INFO SPORT PRO LOGIC CONCERT MONO ROCK CONCERT NORMAL WIDE TEST SLEEP
NEWS AFFAIRS ENHANCED VIDEO MOVIE CONCERT HALL PHANTOM

7 89 < A B C D

Indicators in the shaded area are provided for Europe and U.K. models only.

1 AUTO indicator 8 RDS mode indicators

Lights up when this unit is in the automatic tuning mode. <Europe and U.K. models only>
The name(s) of RDS mode(s) employed by the currently
2 MEMO indicator received RDS station light(s) up. Illumination of the indicator on
When the MEMORY button is pressed, this indicator flashes for the head of a name shows that the corresponding RDS mode
about 5 seconds. During this period, the displayed station can is now selected.
be programmed to the memory by using the A/B/C/D/E button
and the PRESET STATIONS button. 9 EON indicator
<Europe and U.K. models only>
3 Preset station number indicator Lights up when an RDS station that employs the EON data
Shows the selected group (A–E) and preset station number service is received.
(1–8).
0 Program type name indicators
4 Multi-information display <Europe and U.K. models only>
Displays various information, for example station frequency The name selected in the EON mode lights up.
and name of the selected source.
A DSP program indicators
5 STEREO indicator The name of a selected DSP program lights up when the built-
Lights up when an FM stereo broadcast with sufficient signal in digital sound field processor is on.
strength is received.
B Center channel mode indicators
6 Signal-level meter The name of a selected center channel mode lights up only
Indicates the signal level of the received station. when the DOLBY PRO LOGIC or DOLBY PRO LOGIC
If multipath interfernce is detected, the indication decreases. ENHANCED program is selected.

7 PTY H (HOLD) indicator C TEST indicator

<Europe and U.K. models only> Flashes when the built-in test-tone generator is functioning
Lights up while the search is performed in the PTY SEEK (when the test-tone is output from speakers).
mode.
D SLEEP indicator
Lights up while the built-in SLEEP timer is functioning.

16
 English
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.

4 1
DELAY/REAR
– LEVEL + /CENTER TEST EFFECT

ENHANCED ON/OFF

5
PROGRAM PROLOGIC

DVD/LD
VCR 2CH/5CH

DIR A DIR B REC/PAUSE PLAY

A/B TAPE

– PRESET + A/B/C/D/E TUNER

DISC PLAY CD

2 3
PHONO

POWER VOLUME

1 VOLUME
4 Turn the power on.

POWER

0 I0

Set to the “0” position.

2 Select the front speakers to be used. 5 Select the PRO LOGIC or PRO LOGIC
ENHANCED program, so that the corresponding name
SPEAKERS lights up on the display.
B

ON OFF

A
PROLOGIC ENHANCED

* If you use two front speaker systems, press both the A

and B switches.

3
BASS TREBLE
0 0
BALANCE
CONTINUED

– + – + L R

Set to the “0” position.

17
 DELAY/REAR
– +

7
LEVEL /CENTER TEST EFFECT

PROGRAM PROLOGIC ENHANCED ON/OFF

DVD/LD
VCR 2CH/5CH

DIR A DIR B REC/PAUSE PLAY

A/B TAPE

– PRESET + A/B/C/D/E TUNER

DISC PLAY CD

PHONO

6 9
POWER VOLUME
SLEEP

6 Select the center channel output mode suitable for your

speaker configuration.
8 Turn up the volume.

(Refer to “SPEAKER CONFIGURATION” on page 6.)

VOLUME

CENTER
MODE NORMAL

WIDE

PHANTOM
You will hear a test tone (like pink noise) from the left front
speaker, then the center speaker, then the right front
On the feature of each mode, refer to the “Note” shown speaker, and then the rear speakers, for about two seconds
below. each. The display changes as shown below.

7
TEST

TEST

Flashes continuously.
(L and R)

Note
In step 6, when you select the center channel output mode,
note the following. * The test tone from the left rear speaker and the right
For 5 speaker configuration) rear speaker will be heard at the same time.
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front 9 Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speakers.
speaker are the same.
WIDE: Select this mode when you use the center speaker
approximately same sized as the front speakers.
BALANCE

For 4 speaker configuration)

PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers. L R

18
 English
11

DELAY/REAR

10
– LEVEL + /CENTER TEST EFFECT

PROGRAM PROLOGIC ENHANCED ON/OFF

DVD/LD
VCR 2CH/5CH

DIR A DIR B REC/PAUSE PLAY

A/B TAPE

– PRESET + A/B/C/D/E TUNER

PLAY

10 Adjust the sound output levels of the center

speaker and the rear speakers by using the
11 Cancel the test tone.

LEVEL key so that they become almost as same

as that of the front speakers. TEST

TEST

– LEVEL +
Stops flashing and disappears

Notes
● Once you have completed these adjustments, you can
adjust whole sound level on your audio system by
● When the test tone is output from the center speaker, using the VOLUME control (or the VOLUME keys on
pressing the LEVEL key changes the output level of the remote control transmitter) only.
the center speaker. ● If you use external power amplifiers, you may also use
their volume controls to achieve proper balance.
● In step 10, if the center channel mode is in the
“PHANTOM” position, the sound output level of the
center speaker cannot be adjusted. This is because in
WIDE TEST
this mode, the center sound is automatically output
from the left and right front speakers.
Adjustable ● If the selected input source mode is “DVD 5cH”, the
test tone generator will not function.

● When the test tone is output from the rear speakers,

pressing the LEVEL key changes the output level of
the rear speakers.

WIDE TEST

Adjustable

* Pressing the + side raises and the – side lowers the

level.

19
 BASIC OPERATIONS
TO PLAY A SOURCE
2 3 1, 6

4 7
1 VOLUME 5 Play the source. (For detailed information on the
tuning operation, refer to page 22.)

VOLUME

6
0 I0

Set to the “0” position. 0 I0

Adjust to the desired output level.

2 Turn the power on. POWER

7 If desired, adjust the BASS, TREBLE, BALANCE

controls, etc. (refer to page 21) and use the digital
sound field processor. (Refer to page 32.)

To listen to a decoded source using Dolby Digital

3 Select the desired input source by turning the INPUT
selector so that the name of the source appears on the
(AC-3) by reproducing the signals input to the
DVD/LD 5CH DISCRT INPUT terminals of this unit
display.
(For video sources, turn the TV/monitor ON.) In step 3, turn the INPUT selector on the front panel or press
the DVD/LD (2CH/5CH) key on the remote control transmitter
INPUT
DVD-LD/VCR/TAPE/CD/TUNER/PHONO
5CH / 2CH
once or twice so that “DVD 5cH” appears on the display. To
cancel it, select another input source mode.

DVD/LD
2CH/5CH

PTY SELECTOR

4 Select the front speakers to be used. Note

When you switch to this “DVD 5cH” mode, the built-in Digital
Sound Field processor will not work and adjustment of delay
SPEAKERS
time cannot be made.
B

ON OFF

To turn off the power

* If you use two front speaker systems, press both the A and Press the POWER switch again.
B switches.

20
 English
TO RECORD A SOURCE TO TAPE (OR DUB
FROM TAPE TO TAPE) Selecting the SPEAKER system
Because one or two speaker systems (as front speakers)
1 2 can be connected to this unit, the SPEAKERS switches
allow you to select speaker system A or B, or both at once.

SPEAKERS

ON OFF

Adjusting the BALANCE control

1 Select the source to be recorded. Adjust the balance of the output volume to the left and right
INPUT
speakers to compensate for sound imbalance caused by
DVD-LD/VCR/TAPE/CD/TUNER/PHONO
5CH / 2CH speaker location or listening room conditions.

BALANCE

PTY SELECTOR
L R

Note
This control is effective only for the sound from the front
2 Play the source and then turn the VOLUME control up
to confirm the input source. (For detailed information
speakers.
on the tuning operations, refer to the page 22.)
Adjusting the BASS and TREBLE
VOLUME controls
BASS TREBLE
0 0

0 I0 – + – +

BASS : Turn this clockwise to increase (or counter-

clockwise to decrease) the low frequency
3 Begin recording on the tape deck or VCR connected to
this unit.
response.

TREBLE : Turn this clockwise to increase (or counter-

clockwise to decrease) the high frequency
Notes response.
● The settings of DSP and the VOLUME, BASS, TREBLE
and BALANCE control settings have no effect on the
material being recorded. Note
● In step 1, do not make an input source selection so that These controls are effective only for the sound from the
“DVD 5cH” appears on the display. Signals input to this front speakers.
unit’s DVD/LD 5CH DISCRT INPUT terminals cannot be
recorded by a tape deck or a VCR.

21
 TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

1 2 4 3
AUTOMATIC TUNING MANUAL TUNING

1 Select the reception band (FM or AM) confirming it on 1 Select the reception band (FM or AM) confirming it on
the display. the display.
FM/AM FM/AM

FM or AM FM or AM

2 TUNING
2 TUNING
MODE MODE
AUTO
Turn “AUTO ” off.
AUTO/MAN’L MONO AUTO/MAN’L MONO

3 If “PRESET” is illuminated on the display, press the 3 If “PRESET” is illuminated on the display, press the
KEY MODE button to turn it off. KEY MODE button to turn it off.

KEY MODE KEY MODE

EDIT EDIT

4 4 Tune to a desired station manually.

PRESET STATIONS
TUNING
PRESET STATIONS
TUNING

To tune to a higher frequency, press the right side once. * To continue tuning search, press and hold the button.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again. Notes
* If the tuning search does not stop at the desired station • If you tune to an FM station manually, it is received in
(because the signals of the station are weak), change to monaural mode automatically to increase the signal quality.
the MANUAL TUNING method. • <Europe and U.K. models only>
When tuned in to a station, the frequency of the received
station is shown on the display. If an RDS station that
employs PS data service is received, the frequency is then
replaced by the station name. Refer to page 28 for details.

22
 English
PRESET TUNING
MANUAL PRESET TUNING
This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only
selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.

3, 1 4, 3 2

To store stations 2, 5 To recall a preset station

1 Tune to a desired station.

(Refer to the previous page for tuning procedure.)
1 Select the group of preset stations.

A/B/C/D/E

2 MEMORY
MEMO
AUTO
PRESET

MAN’L/AUTO FM

Flashes on and off

2 If “PRESET” is not illuminated on the display, you
cannot recall the preset stations. Press the KEY MODE
for about 5 seconds. button to turn it on.

3 Select a desired group (A – E) of preset stations

confirming it on the display.
KEY MODE

EDIT

A/B/C/D/E MEMO PRESET

AUTO

3 Select the preset station number.

4 Select a preset station number (1–8) where you want to

program the station before “MEMO” goes off from the
PRESET STATIONS
TUNING

display.
PRESET STATIONS
TUNING

Notes
• A new setting can be programmed in place of the former
5 MEMORY one.
• For presets, the setting of the reception mode (stereo or
MAN’L/AUTO FM
monaural) is stored along with the station frequency.

PRESET Memory back-up

The memory back-up circuit prevents the programmed data
FM MHz 0 l00
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
Shows the displayed station has been cut for more than one week, the memory may be erased. If
programmed to A1. so, it can be re-programmed by simply following the PRESET
TUNING steps.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to preset station numbers
on other groups in the same way by selecting other groups
in step 3.
23
 AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic
tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 23.
* <Europe and U.K. models only>
Only RDS stations can be stored by this function.

1 2
To store stations
When the automatic preset tuning is finished
1 FM/AM
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
FM following the procedure of the section “To recall a preset
station” on page 23.

To recall a preset station

Simply follow the procedure of the section “To recall a preset
2 MEMORY
Press and hold for
station” on page 23.
* <Europe and U.K. models only>
about 3 seconds.
MAN’L/AUTO FM
A recalled station is shown by the frequency or station name
on the display.

Notes
• You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 23.
<U.S.A. and General models only>
• If the number of received stations is not enough to be stored
MEMO PRESET
AUTO up to E8, the search will be finished automatically after
Flashes. searching all frequencies.
• With this function, only FM stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
The automatic preset tuning begins from A1. Received section “To store stations” on page 23.
stations are programmed to A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
<Europe and U.K. models only>
programmed to the preset station numbers on other
• The automatic preset tuning search is performed through all
RDS network frequencies until stations are stored up to E8.
groups (B, C, D and E) in that order.
If the number of received stations is not enough to be stored
up to E8, the search will be finished automatically after
searching all frequencies.
• With this function, only RDS stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 23.
* There may be a case that this function cannot receive a
station which could be received by the automatic tuning
method. This is because this function receives a large
volume of PI (Program Identification) data along with the
station.

24
 English
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.

2, 4

Example)
If you want to shift the preset station on E1 to A5, and vice
versa.

1 Recall the preset station on E1 (by following the method

of “To recall a preset station” on page 23).
4
KEY MODE

2 KEY MODE
EDIT

MEMO PRESET
AUTO
EDIT

Press and hold for

about 3 seconds.
Flashes.

3 Next, recall the preset station on A5 by following the

same method with step 1.

Shows the exchange of stations is completed.

MEMO PRESET
AUTO

Flashes.

25
 In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 26 to
page 30 are not necesssary.)

RECEIVING RDS STATIONS

Europe and U.K. models only
RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations
using this system transmit an inaudible stream of data in addition to the normal radio signal.
RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT
(Radio Text), EON (Enhanced Other Networks), etc.
RDS function is carried out among the network stations.
* This unit utilizes PI, PS, PTY, RT and EON to receive RDS broadcast stations.

Displaying RDS data

ST
AUTO
PTY 0 l00
PS RT
EON SPORT

This unit can be turned into the following four modes to display
RDS data.

PS (Program Service name) mode: RT (Radio Text) mode:

Displays the name of the RDS station now being received Displays information about the program (such as title of the
instead of the frequency. song, name of the singer, etc.) on the RDS station now being
received.

PTY (Program Type) mode: EON (Enhanced Other Networks)

Displays the type of the program on the RDS station now being mode:
received. There are 15 program types to classify RDS Automatically receives a program of the designated program
stations. Refer to the next page for details. type when its broadcast starts, in place of the program now
being received. When the broadcast of the called program
ends, the previously received program (or another program on
the same station) is recalled.

26
 English
Program types in the PTY mode

NEWS News: VARIED Varied:

Short accounts of facts, events and publicly Used for mainly speech-based programs
expressed views, reportage and actuality. usually of light-entertainment nature, not
covered by above categories. Examples are:
AFFAIRS Current affairs: quizzes, panel games, personality interviews,
Topical program expanding or enlarging comedy and satire.
upon the news, generally in different
presentation style or concept, including POP M Pop:
documentary debate, or analysis. Commercial music, which would generally be
considered to be of current popular appeal,
INFO Information: often featuring in current or recent record
Program whose purpose is to impart advice sales charts.
in the widest sense, including meteorological
reports and forecasts, consumer affairs, ROCK M Rock:
medical help, etc. Contemporary modern music, usually written
and performed by young musicians.
SPORT Sport:
Program concerned with any aspect of sport. M.O.R. M M.O.R.:
(Middle of the Road Music). Common term to
EDUCATE Education: describe music considered to be “easy-
Program intended primarily to educate, of listening”, as opposed to Pop, Rock or
which the formal element is fundamental. Classical. Music in this category is often but
not always, vocal, and usually of short
DRAMA Drama: duration (<5 min.)
All radio plays and serials.
LIGHT M Light classics:
CULTURE Culture: Classical Musical for general, rather than
Programs concerned with any aspect of specialist appreciation. Examples of music in
national or regional culture, including this category are instrumental music, and
religious affairs, philosophy, social science, vocal or choral works.
language, theatre, etc.
CLASSICS Serious classics:
SCIENCE Science: Performances of major orchestral works,
Programs about the natural sciences and symphonies, chamber music etc., and
technology. including Grand Opera.

OTHER M Other music:

Musical styles not fitting into any of the above
categories. Particularly used for specialist
music, of which Jazz, Rhythm & Blues, Folk,
Country, and Reggae are examples.

27
 Changing the RDS modes
When an RDS station is received, “PS”, “PTY” and/or “RT” that correspond to the RDS data services employed by the station light
up on the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS
modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be
selected.) Illumination of the indicator on the head of a name of RDS mode shows that the corresponding RDS mode is now
selected.
* When an RDS station is received, do not press the RDS MODE/FREQ button until one or some names of RDS modes light up on
the display. If the button is pressed before one or some names light up on the display, the mode cannot be changed. This is
because the unit has not received all of the RDS data on the station yet.
* If no name of RDS mode lights up on the display, the mode cannot be changed.

PS mode The name of the station being received is displayed.

If the station does not employ the PS data service, this mode
will not be selected.

PTY mode The type of the program on the station being received is
displayed. If the station does not employ the PTY data
service, this mode will not be selected.
(You can make this unit search for a station which is
RDS MODE/FREQ broadcasting a program of your desired program type. For
details, refer to the next page.)

RT mode Information about the program on the station being received

is displayed. Information is displayed by a maximum of 64
Roman Alphabets including umlaut sign. If other characters
are used on the RT data, they are displayed with under-bars.
If the station does not employ the RT data service, this mode
will not be selected.

Frequency The frequency of the station being received is displayed.

display mode

Notes
• RDS data service cannnot be utilized by this unit if the received signal is not strong enough. Especially, the RT (Radio Text mode)
needs much data to be received, so it may occur that RT mode cannot be displayed even if other RDS modes (PS, PTY, etc.) are
displayed.
• There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press the TUNING MODE
button so that “AUTO” goes off from the display. Though the reception mode is changed to monaural by this operation, when you
change the display to an RDS mode, RDS data may be displayed.

28
 English
Calling a program of your desired program type
from among preset RDS stations (PTY SEEK)
By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program of
that program type.
* There are 15 program types to classify RDS stations. For details, refer to page 27.

1 3
1 Turn the unit into the PTY SEEK mode. 3 Begin searching all preset RDS stations.

PTY SEEK

PTY SEEK
MODE START

MODE START

Flashes.
* The program type of the station now being received or
“NEWS” flashes on the display.
AUTO
PTY H
PTY
PS RT

2 Select the desired program type.

Flashes.
INPUT
DVD-LD/VCR/TAPE/CD/TUNER/PHONO
5CH / 2CH

* “PTY H” lights up on the display.

• If a station which broadcasts a program of the program

type is found, the unit stops at the station and displays the
frequency of the station.
PTY SELECTOR
• If the called station is not the desired one, press the PTY
SEEK START button once more.
The unit begins searching for another station which
brodcasts a program of the same program type.
• To stop the search, press the PTY SEEK START button
once more.

To cancel this function

If the PTY SEEK MODE button is pressed once more, the
PTY SEEK mode is canceled.

29
 Making this unit call a program of your desired program type automatically
when its broadcast starts
This function uses the EON (Enhanced Other Networks) data service on the RDS station network.
By only selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDS
stations for a station that broadcasts a program of that program type in the background, and, if found, receives a program when its
broadcast starts in place of the program now being received.
* This function can be used only when an RDS station that employs the EON data service is received. (When such a station is
received, “EON” lights up on the display.)

1 Make sure that “EON” is illuminated on the display. 3 When the broadcast of the called program ends, the
previously received program (or another program on
the same station) is recalled.

PTY
PS RT
EON

PTY
PS RT
EON

* If “EON” is not illuminated on the display, receive an (or

another) RDS station so that “EON” lights up on the display.

To cancel this function

2 Select a desired program type, NEWS, INFO, AFFAIRS Press the EON button once or more, so that no program type
or SPORT. name lights up on the display.
EON

PTY
PS RT
EON
NEWS

Lights up.
Press once or more.

The search is performed among all preset RDS stations in

the background. If a program is found, the program is
automatically received when its broadcast starts.

PTY
PS RT
EON
NEWS

Flashes.

30
 English
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. This unit has a total of 6 digital sound field processor (DSP) programs. You can create an excellent audio sound field
by selecting a suitable sound field (this will, of course, depend on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with
Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP
program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround.

Brief Overview of Digital Sound Field Programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

PROGRAM FEATURE

This program is used for playback of sources encoded with Dolby Surround.
PRO LOGIC The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers
the sound source more smoothly and precisely, as compared to conventional types.

This program is also used for playback of sources encoded with Dolby Surround.
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
PRO LOGIC
systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the
ENHANCED
sound stage with an improved presence image. This program is used for musical based movies, as well as
drama and comedy based movies.

This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
CONCERT VIDEO
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.

This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
MONO MOVIE
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.

ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.

In this program, the center will appear to be deep behind the front speakers, creating an expansive large
CONCERT HALL
hall ambience. Orchestra and opera music are suited for this sound field.

31
 To play a source with the digital sound field processor

2
DELAY/REAR
– LEVEL + /CENTER TEST EFFECT

3 PROGRAM PROLOGIC

VCR
ENHANCED ON/OFF

DVD/LD
2CH/5CH
2
DIR A DIR B REC/PAUSE PLAY

A/B TAPE

2, 3 – PRESET + A/B/C/D/E TUNER

1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on

page 20.
4 If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 33 and 34.)

2 Turn the DSP on, so that a program name appears on

the display. Notes
PROGRAM ● If you prefer to cancel the DSP, press the EFFECT key.
EFFECT

or The sound will be the normal 2-channel stereo without

ON/OFF
surround sound effect.
● When CONCERT VIDEO, MONO MOVIE, ROCK
CONCERT or CONCERT HALL is selected, no sound is
* Pressing the PROLOGIC or ENHANCED key turns heard from the center speaker.
the DSP on and selects the corresponding program
directly. (If you press either of these buttons, you can skip ● When a monaural sound source is played with DOLBY
step 3.) PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no
sound is heard from the front speakers and the rear
speakers. Sound is heard only from the center speaker.
PROLOGIC ENHANCED However, if the center channel mode is in PHANTOM, the
front speakers output the sound of the center channel.
● When this unit’s Dolby Pro Logic Surround system is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE control, the
relationship between the center and rear channels may
3 Select the desired program that is suitable for the
source.
produce an unnatural effect.

PROGRAM PROGRAM

or

PRO LOGIC

The selected program name is shown on the display.

32
 English
Adjustment of the CENTER LEVEL
If desired, you can adjust the sound output level of the center Notes
speaker even if the output level is already set in “SPEAKER ● This adjustment can be made only when the digital sound
BALANCE ADJUSTMENT” on page 19. field program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, or the “DVD 5cH” input source
1 Press once or more so that “CNTR” appears on the mode is selected.
display.
● Once the output level is adjusted, the level value will be the
same in the DOLBY PRO LOGIC and DOLBY PRO LOGIC
ENHANCED programs.
DELAY/REAR
/CENTER

OGIC WIDE

2 By continuously pressing the “+” or “–” side of the LEVEL

key, the level value changes continuously.

– LEVEL +

WIDE

Adjustable

Adjustment of the REAR LEVEL

If desired, you can adjust the sound output level of the rear Notes
speakers even if the output level is already set in “SPEAKER ● This adjustment can be made only when the built-in digital
BALANCE ADJUSTMENT” on page 19. sound field processor is on, or the “DVD 5cH” input source
mode is selected.
1 Press once or more so that “REAR” appears on the display.
● Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.

DELAY/REAR
/CENTER

WIDE TEST

2 By continuously pressing the “+” or “–” side of the LEVEL

key, the level value changes continuously.

– LEVEL +
WIDE TEST

Adjustable

33
 Adjustment of DELAY TIME
You can adjust the time difference between the beginning of 1 Press once or more so that “DELAY” appears on the
the source sound and the beginning of the effect sound. display.
This adjustment can be made to all programs individually.
By applying more or less delay, sound effects, background
noise, and ambient noise coming at you from the rear speakers DELAY/REAR
/CENTER mS
can be enhanced or subdued for extra effect.
C WIDE

1. PRO LOGIC : from 15 to 30 milliseconds

(Preset value: 20 milliseconds)
2. PRO LOGIC : from 15 to 30 milliseconds
ENHANCED (Preset value: 20 milliseconds)
3. CONCERT VIDEO : from 1 to 100 milliseconds 2 By continuously pressing the “+” or “–” side of the LEVEL
(Preset value: 28 milliseconds) key, the value changes continuously.
4. MONO MOVIE : from 1 to 100 milliseconds The value stops changing momentarily at the preset point.
(Preset value: 20 milliseconds)
5. ROCK CONCERT : from 1 to 100 milliseconds
(Preset value: 17 milliseconds)
6. CONCERT HALL : from 1 to 100 milliseconds – LEVEL + mS

(Preset value: 30 milliseconds) WIDE

Adjustable

Notes
● Adding too much delay will cause an unnatural effect with

some sources.
● When the LEVEL key is pressed, sound is momentarily
interrupted.

Note
The values of the delay time, center level and rear level you set
the last time will remain memorized even when the power of
this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.

34
TROUBLESHOOTING

English
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.

SYMPTOM CAUSE REMEDY

The unit fails to turn on when the POWER Power cord is not plugged in or is not completely Firmly plug in the power cord.
switch is pressed. inserted.
No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists,
the cords may be defective.
Appropriate input source is not selected. Select an appropriate input source with the INPUT
selector.
The SPEAKERS switches are not set properly. Set the SPEAKERS switch which corresponds to
the speakers to be used to the ON position.
Speaker connections are not secure. Secure the connections.
The sound suddenly goes off. The protection circuit has been activated because Turning the unit off and then on will reset the
of short circuit etc. protection circuit.
The SLEEP timer has functioned. Cancel the SLEEP timer function.
Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Adjust it to the appropriate position.
Incorrect cord connections. Connect the cords properly. If the problem persists,
the cords may be defective.
Amplifier

Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the problem
persists, the cords may be defective.
No connection from the turntable to the GND Make the GND connection between the turntable
terminal. and this unit.
The volume level is low while playing a record. The record is being played on a turntable with an The player should be connected to the unit through
MC cartridge. the MC head amplifier.
The volume level cannot be increased, or The power to the component connected to the REC Turn the power to the component on.
sound is distorted. OUT terminals of this unit is off.
No sound from the rear speakers. The sound output level to the rear speakers is set Raise the sound output level to the rear speakers.
to 0.
The monaural sound source is played in DOLBY Select another program suitable for the monaural
PRO LOGIC or DOLBY PRO LOGIC ENHANCED sound source.
mode.
No sound from the center speaker. The sound output level to the center speaker is set Raise the sound output level to the center speaker.
to 0.
The center channel mode is in PHANTOM mode. Select NORMAL or WIDE.
Incorrect sound field program selection. Select the appropriate program.
FM stereo reception is noisy. Because of the characteristics of FM stereo Check the antenna connections.
broadcasts, this is limited to cases where the Try using a high quality directional FM antenna.
transmitter is too far away or the antenna input is Set the TUNING MODE button to the manual tuning
poor. mode.
There is distortion and clear reception cannot There is multipath interference. Adjust antenna placement to eliminate multipath
FM

be obtained even with a good FM antenna. interference.

A desired station cannot be tuned in with the The station is too weak. Use the manual tuning method.
automatic tuning method. Use a high quality directional FM antenna.
Previously preset stations can no longer be This unit has been unplugged for a long period. Repeat the presetting procedure.
tuned in.
A desired station cannot be tuned in with the Weak signal or loose antenna connections. Tighten the AM loop antenna connections and
automatic tuning method. rotate it for best reception.
Use the manual tuning method.
AM

There are continuous crackling and hissing Noises will result from ligtning, fluorescent lamps, Use an outdoor antenna and a ground wire. This
noises. motors, thermostats and other electrical equipment. will help somewhat but it is difficult to eliminate all
noise.
There are buzzing and whining noises A television set is being used nearby. Relocate this unit away from the TV.
(especially in the evening).
The remote control transmitter does not work. Direct sunlight or lighting (of an inverter type of Change the position of the main unit.
Remote control

flourescent lamp etc.) is striking the remote control

transmitter

sensor of the main unit.

The batteries of this remote control transmitter are Replace the batteries with new ones.
too weak.
The sound is degraded when listening with the The power to this unit is off. Turn the power to this unit on.
Others

headphones connected to the compact disc

player or cassette deck that are connected with
this unit.

35
 SPECIFICATIONS
AUDIO SECTION Channel Separation (Vol. MAX, EFFECT OFF) Stereo Separation (1 kHz)
Minimum RMS Output Power per Channel PHONO MM [U.S.A. and General models] ................50 dB
Front L, R (Input Shorted, 1 kHz) .......................60 dB [Europe and U.K. models (40 kHz Dev.)]
8 ohms, 20 Hz to 20 kHz, 0.04% THD CD/TAPE/DVD·LD/VCR .............................................................50 dB
...................................................45W+45W (Input 5.1 k-ohms Terminated, 1 kHz)
Frequency Response
Center ..........................................................60 dB
30 Hz to 15 kHz .............................0 ±0.5 dB
8 ohms, 1 kHz, 0.1% THD ......................45W Tone Control Characteristics
Rear BASS: Boost/cut ................±10 dB (50 Hz) AM SECTION
8 ohms, 1 kHz, 0.7% THD .....................15W Turnover Frequency .........(350 Hz) Tuning Range
Dynamic Power per Channel TREBLE: Boost/cut...........±10 dB (20 kHz) [U.S.A. and General models]
(by IHF Dynamic Headroom measuring Turnover Frequency.....(3.5 kHz) .............................................530 to 1,710 kHz
method) [Europe and U.K. models]
Gain Tracking Error (0 to –60 dB) ............3 dB
[U.S.A. model] .............................................531 to 1,611 kHz
8/6/4/2 ohms.......................65/80/95/115W VIDEO SECTION Usable Sensitivity .............................100 µV/m
[Europe, U.K. and General models] Video Signal Level..................1 Vp-p/75 ohms
8/6/4/2 ohms.......................65/75/95/105W Selectivity ...............................................32 dB
Maximum Input Level............1.5 Vp-p or more
DIN Standard Output Power per Channel Signal-to-Noise Ratio .............................50 dB
4 ohms, 1 kHz, 0.7% THD Signal-to-Noise Ratio ................50 dB or more
Image Response Ratio...........................40 dB
[Europe model only] ............................60W Monitor Out Frequency Response
Spurious Response Ratio.......................50 dB
IEC Power ..................................5 Hz to 10 MHz, –3 dB
8 ohms, 1 kHz, 0.1% THD Harmonic Distortion (1 kHz) ....................0.3%
[Europe model only] ............................50W FM SECTION AUDIO SECTION
Tuning Range
Power Band Width Output Level/Impedance
[U.S.A. model] ...................87.5 to 107.9 MHz
8 ohms, 22.5W, 0.1% THD FM (100% mod., 1 kHz)
[Europe, U.K. and General models]
..........................................10 Hz to 50 kHz [U.S.A. and General models]
..........................................87.5 to 108.0 MHz
......................................500 mV/2.2 k-ohms
Maximum Power [General model only] 50 dB Quieting Sensitivity (IHF, 75 ohms) [Europe and U.K. models (40 kHz Dev.)]
Front L, R (1 kHz, 10% THD, 8 ohms) Mono .................................1.55 µV (15.1 dBf) ......................................400 mV/2.2 k-ohms
.....................................................65W+65W Stereo...................................21 µV (37.7 dBf) AM (30% mod., 1 kHz)
Center (1 kHz, 10% THD, 8 ohms) .........................................150 mV/2.2 k-ohms
...............................................................65W Usable Sensitivity (75 ohms)
(30 dB S/N Quieting, 1 kHz, 100% mod.)
Input Sensitivity/Impedance GENERAL
[U.S.A. and General models]
PHONO MM .....................2.5 mV/47 k-ohms Power Supply
............................................0.8 µV (9.3 dBf)
CD/TAPE/DVD·LD/VCR [U.S.A. model].......................AC 120V, 60 Hz
DIN, Mono (S/N 26 dB)
........................................150 mV/47 k-ohms [U.K. model] ..........................AC 240V, 50 Hz
[Europe and U.K. models] .................0.9 µV
[Europe model]......................AC 230V, 50 Hz
Maximum Input Signal (1 kHz, 0.1% THD) DIN, Stereo (S/N 46 dB)
[General model]
PHONO MM......................................100 mV [Europe and U.K. models] ..................24 µV
....................AC 110/120/220/240V, 50/60 Hz
Output Level/Impedance Image Response Ratio
Power Consumption ...............................160W
REC OUT .....................150 mV/0.75 k-ohms [U.S.A. and General models].................45 dB
[Europe and U.K. models] .....................80 dB AC Outlets
Headphone Jack Rated Output/Impedance 2 SWITCHED OUTLETS
Output Level (8 ohms, 0.04% THD).......0.5V IF Response Ratio ...................................80 dB
[U.S.A., Europe and General models]
Impedance.....................................330 ohms Spurious Response Ratio ........................70 dB ..........................................100W max. total
Frequency Response (20 Hz to 20 kHz) 1 SWITCHED OUTLET
AM Suppression Ratio .............................55 dB
CD/TAPE/DVD·LD/VCR ..................0±0.5 dB [U.K. model] ......................100W max. total
Capture Ratio..........................................1.5 dB
RIAA Equalization Deviation Dimensions (W x H x D)
PHONO MM....................................0±0.5 dB Alternate Channel Selectivity ........................................280 x 119 x 389 mm
[U.S.A. and General models].................85 dB (11” x 4-11/16” x 15-5/16”)
Total Harmonic Distortion
PHONO MM to REC OUT Selectivity (two signals, 40 kHz Dev.) Weight .............................7.3 kg (16 lbs. 1 oz.)
20 Hz to 20 kHz, 1V..........................0.02% [Europe and U.K. models] .....................70 dB
Accessories ..........................AM loop antenna
CD/TAPE/DVD·LD/VCR to SP OUT Signal-to-Noise Ratio Indoor FM antenna
20 Hz to 20 kHz, 22.5W/8 ohms.......0.02% (IHF) Mono/Stereo Remote control transmitter
Signal-to-Noise Ratio (IHF-A Network) [U.S.A. and General models] Batteries
PHONO MM to REC OUT .................................................80 dB/75 dB
(5 mV Input Shorted) ...........................82 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo Specifications are subject to change without
CD/TAPE/DVD·LD/VCR to SP OUT (Shorted) [Europe and U.K. models] ........74 dB/69 dB notice.
.............................................................95 dB Harmonic Distortion
Residual Noise (IHF-A Network) Mono/Stereo (1 kHz)
FRONT L/R........................................140 µV [U.S.A. and General models] .........0.1/0.2%
Mono/Stereo (40 kHz Dev.)
[Europe and U.K. models]..............0.1/0.2%

36
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA VU86880