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    Lat Ulajhi

    Uploaded by

    Raj Kumar
    This document provides information about Raag Bihag in 3 sentences: Raag Bihag is a sweet melody from the Kalyan thaat that is popular with both beginners and experts, featuring the notes P M G m G and allowing for both Madhyam Shuddha and Madhyam Teevra. It has an Audhav-Sampurna Jati with Rishabh and Dhaivat as varjya notes in the ascending form. The document also includes lyrics in Hindi set to the raag.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd

    Lat Ulajhi

    Uploaded by

    Raj Kumar
    2K views3 pages
    This document provides information about Raag Bihag in 3 sentences: Raag Bihag is a sweet melody from the Kalyan thaat that is popular with both beginners and experts, featuring the notes P M G m G and allowing for both Madhyam Shuddha and Madhyam Teevra. It has an Audhav-Sampurna Jati with Rishabh and Dhaivat as varjya notes in the ascending form. The document also includes lyrics in Hindi set to the raag.

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    This document provides information about Raag Bihag in 3 sentences: Raag Bihag is a sweet melody from the Kalyan thaat that is popular with both beginners and experts, featuring the notes P M G m G and allowing for both Madhyam Shuddha and Madhyam Teevra. It has an Audhav-Sampurna Jati with Rishabh and Dhaivat as varjya notes in the ascending form. The document also includes lyrics in Hindi set to the raag.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    2K views3 pages

    Lat Ulajhi

    Uploaded by

    Raj Kumar
    This document provides information about Raag Bihag in 3 sentences: Raag Bihag is a sweet melody from the Kalyan thaat that is popular with both beginners and experts, featuring the notes P M G m G and allowing for both Madhyam Shuddha and Madhyam Teevra. It has an Audhav-Sampurna Jati with Rishabh and Dhaivat as varjya notes in the ascending form. The document also includes lyrics in Hindi set to the raag.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 3

    Raag Bihag

    Swar Notations

    Swaras Rishabh and Dhaivat forbidden (Varjya) in Aaroh, Both Madhyam. Rest all Shuddha Swaras.

    Jati Audhav-Sampurna Vakra

    Thaat Kalyan

    Vadi/Samvadi Gandhar/Nishad

    Time (9 PM - 12 AM): 2nd Prahar of the Night : Ratri ka Dwitiya Prahar

    Vishranti Sthan S; G; P; N; - S'; N; P; G;

    Mukhya-Ang ,N S G ; G m G ; P M P G m G ; P M G m G R S;

    Aaroh-Avroh S G m P N S' - S' N DP M P G m G RS, S' N D P M G m G R S;

    Raag Description: This is a very sweet melody equally popular with both the beginners as well as experts. P M G m
    G combination is Raag Vaachak. Madhyam Teevra and Madhyam Shuddha are used as follows: M P G m G or M P D M P G
    m G or P M D P M P G m G.

    In Aaroh, Aalaps or Taans are always started with Madhyam Teevra rather then Madhyam Shuddha like: M P ; M P D G m G
    ; M P N S' N D P ;. But when Aalaps or Taans are started with any other note, Madhyam Shuddha will be used like:  ,N S G
    m P N S'. In Avroh, Teevra Madhyam is used along with Madhyam Shuddha, like: M G m G; P D P M G m G. In Sapaat
    Taans (Straight Taans), only Shuddha Madhyam is used in Avroh, like: S' N D P m G R S.

    As far as the Thaat of Raag Bihag is concerned, in olden days the Thaat was considered as Bilawal, as Madhyam Teevra was
    not used. No doubt the Raag is full of Bilawal Ang, for example D-G sangati, PmG RS etc. However in recent times the use
    of Madhyam Teevra is in practice. It is extensively used in different ways like MPGmG, N DP M P G m G, MPDMP GmG, P
    MGmG mG RS (still keeping Bilawal Ang intact). In view of use of Madhyam Teevra many renowned musician categorized
    Raag Bihag in Kalyan Thaat.

    In Avroh, Rishabh and Dhaivat are not used as resting notes however they are used in Meend. In this Raag, Nishad is a
    prominent note and Aalaps or Taans are generally started from this note. This Raag is full of Shringar Ras. This is a
    Poorvang Pradhan Raag.

    Lat Ulajhi Lyrics
    lat uljhi sulajhaa jaa, balam
    lat uljhi sulajhaa jaa, balam
    lat uljhi sulajhaa jaa, balam
    lat uljhi sulajhaa jaa, balam

    haathan mehandi lagee, more balam


    haathan mehandi lagee, more balam
    lat uljhi sulajhaa jaa

    maathe kee bindiya gir gayi sej pe


    maathe kee bindiya, bindiya, bindiya...
    maathe kee bindiya gir gayi sej pe
    maathe kee bindiya...

    ni sa re sa, ni sa re sa
    ni sa ga re sa
    ni sa re sa ni sa, ni paa maa ga
    ni sa re sa, ni sa re sa
    ni sa ga re sa, sa paa ga

    ni sa re sa, ni sa re sa
    ni sa ga re sa
    ni sa re sa ni sa, ni paa maa ga
    ni sa re sa, ni sa re sa
    ni sa ga re sa, sa paa ga

    maathe kee bindiya gir gayi sej pe


    maathe kee bindiya gir gayi sej pe
    apanae haath sajaa jaa, balam
    apanae haath sajaa jaa, balam

    haathan mehandi lagee, more balam


    haathan mehandi lagee, more balam
    lat uljhi sulajhaa jaa, balam
    lat uljhi sulajhaa jaa, balam

    (ni sa re sa, ni sa re sa) lat uljhi...


    ni sa ga re sa
    ni sa re sa ni sa, ni paa maa ga
    ni sa re sa, ni sa re sa
    ni sa ga re sa, sa paa ga

    ni sa re sa, ni sa re sa
    ni sa ga re sa
    ni sa re sa ni sa, ni paa maa ga
    ni sa re sa, ni sa re sa
    ni sa ga re sa, sa paa ga

    Writer(s): Traditional<br>Lyrics powered by www.musixmatch.com

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