SW1000XG DataList - E - Yamaha

DataList-E.
qx 7/31/98 3:17 PM Page 1

DataList-E.qx 8/4/98 4:00 PM Page 2
XG Voice List (Normal voices)

Bank Select LSB = Bank number
Key Scale Panning Stereo Single Slow Fast Decay
Bank Select MSB 0 0 0 0 0 0 0
Bank Select LSB 0 0 1 3 6 8 12
Instrument Pgm # MU SW1000XG
Group (1-128) Basic E Native E E E E E E
Piano 1 GrandPno 1 † GrandP # 1 GrndPnoK 1
2 BritePno 1 † BriteP # 1 BritPnoK 1 † StBrtPno 2
3 El.Grand 2 ElGrPnoK 2
4 HnkyTonk 2 HnkyTnkK 2
5 E.Piano1 2 † EPiano1# 2 El.Pno1K 1
6 E.Piano2 2 † EPiano2# 1 El.Pno2K 1 † ChoEPDcy 2
7 Harpsi. 1 Harpsi.K 1
8 Clavi 2 † Clavi # 2 Clavi K 1
Chromatic 9 Celesta 1
Percussion 10 Glocken 1
11 MusicBox 2
12 Vibes 1 Vibes K 1
13 Marimba 1 MarimbaK 1
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1 † DrawOrg# 2 † StDrawOr 2
18 PercOrgn 1 † PercOrg# 2
19 RockOrgn 2 † RockOrg# 2
20 ChrchOrg 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2 † TangoAc# 2
Guitar 25 NylonGtr 1 † NylonGt# 1
26 SteelGtr 1 † SteelGt# 1
27 Jazz Gtr 1 † JazzGtr# 2
28 CleanGtr 1
29 Mute Gtr 1 † MuteGtr# 2
30 Ovrdrive 1 † Ovrdriv# 2
31 Dist.Gtr 1 † DistGtr# 1 DstRthmG ** 2
32 GtrHarmo 1
Bass 33 Aco.Bass 1 † AcoBass# 1
34 FngrBass 1 † FngrBa # 1
35 PickBass 1
36 Fretless 1 † Frtless# 1
37 SlapBas1 1 † SlapBa1# 2
38 SlapBas2 1 † SlapBa2# 2
39 SynBass1 1
40 SynBass2 2 MelloSBa 1 Seq Bass 2
Strings 41 Violin 1 † Violin # 1 Slow Vln 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1 † TremStr# 2 SlwTrStr 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1 † Strngs1# 1 S.Strngs 2 Slow Str 1
50 Strings2 1 † Strngs2# 1 S.SlwStr 2 LegatoSt 2
51 Syn Str1 2 † Memory 2
52 Syn Str2 2
53 ChoirAah 1 S.Choir 2
54 VoiceOoh 1
55 SynVoice 1
56 Orch.Hit 2 LoFi Hit *** 2
Brass 57 Trumpet 1 † Trumpet# 1
58 Trombone 1 † Trmbone# 1
59 Tuba 1
60 Mute Trp 1 † MuteTrp# 2
61 Fr. Horn 1 FrHrSolo 1
62 BrssSect 1 † BrssSec# 2 StBrsSec *** 2
63 SynBrss1 2 Quack Br 2
64 SynBrss2 1
Continued on page 16
: Same as Bank 0. E: Number of elements
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump.
(Refer to the MIDI Data Format)
2
Double Attack Bright 1 Bright 2 Dark 1 Dark 2 Resonant LFO-Cutoff Freq

0 0 0 0 0 0 0
14 16 17 18 19 20 21
E E E E E E E
MelloGrP 1
† ResoBrtP 1
MelloEP1 2
NylonGt2 1
SteelGt2 1
MelloGtr 1
FingrDrk 2
† CsmicSlp 2
† BrtSlpSp 2
SynBa1Dk 1 FastResB 1 † TL66 2
ClkSynBa 2 SynBa2Dk 1
† SfzStrgs 1
† Zephyr 2
† TradeWnd 2
Ch.Aahs2 2
Trumpet2 1 BriteTrp 2
Trmbone2 2
Tuba 2 1
SfrzndBr ** 2 MildBrss *** 2

RezSynBr 2
Soft Brs 2
3

Vel-cutoff freq Attack Release Sweep Resonant Sweep
Bank Select MSB 0 0 0 0 0 0
Bank Select LSB 0 22 24 25 26 27
Instrument Pgm # MU
Group (1-128) Basic E E E E E E
Piano 1 GrandPno 1
2 BritePno 1
3 El.Grand 2
4 HnkyTonk 2
5 E.Piano1 2
6 E.Piano2 2
7 Harpsi. 1 Harpsi.2 2
8 Clavi 2 ClaviWah 2
11 MusicBox 2
12 Vibes 1
13 Marimba 1
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1
18 PercOrgn 1 70sPcOr1 2
19 RockOrgn 2
20 ChrchOrg 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2
Guitar 25 NylonGtr 1 NylonGt3 2
26 SteelGtr 1
27 Jazz Gtr 1
28 CleanGtr 1
29 Mute Gtr 1
30 Ovrdrive 1
31 Dist.Gtr 1 DistGtr2 ** 2
32 GtrHarmo 1
Bass 33 Aco.Bass 1
34 FngrBass 1 FlangeBa 2
35 PickBass 1
36 Fretless 1
37 SlapBas1 1 ResoSlap 1
38 SlapBas2 1 † Wah Slap 2
39 SynBass1 1 AcidBass 1 ResoBass *** 1
40 SynBass2 2 † Zealot 2
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1 Arco Str 2
50 Strings2 1
51 Syn Str1 2 Reso Str 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceOoh 1
55 SynVoice 1
56 Orch.Hit 2
Brass 57 Trumpet 1
58 Trombone 1
59 Tuba 1
60 Mute Trp 1
61 Fr. Horn 1
62 BrssSect 1
63 SynBrss1 2 PolyBrss 2 SynBrss3 2
64 SynBrss2 1

** : MU80 Extension
4
Muted Complex-FEG Detune 1 Detune 2 Detune 3 Octave 1 Octave 2

0 0 0 0 0 0 0
28 29 32 33 34 35 36
E E E E E E E
† DtndBrtP 2
Det.CP80 2 † Synth CP 2
Chor.EP1 2
Chor.EP2 2 DX Hard 2 DXLegend 2
Harpsi.3 2
Dulcimr2 2
DetDrwOr 2 60sDrOr1 2 60sDrOr2 2 70sDrOr1 2 DrawOrg2 2
DetPrcOr 2 Lite Org 2
ChurOrg3 2 ChurOrg2 2
† ReedOrDt 2
AccordIt 2
Harmo. 2 2
† NylnGtDt 2
† StlGtrDt 2 12StrGtr 2
Jazz Amp 2
ChorusGt 2 † ChoGtrLt 2
† OdrvGtDt 2
DistGtr3 ** 2 PowerGt2 ** 2
† FngrBaDt 2
MutePkBa 1
Fretles2 2 Fretles3 2 Fretles4 2
PunchThm 2
† MtdPulsB 1 † SlwAttck 1 Clv Bass 2

SmthSynB 2
† Pizz Oct 2
60sStrng 2
Syn Str3 ** 2
MelChoir 2
OrchHit2 2
Warm Trp 2
FrHorn 2 1
Tp&TbSec 2 Tp&TbSc2 *** 2
† AnalgSfz 2 JumpBrss 2
5

5th 1 5th 2 Bend Tutti 1 Tutti 2
Instrument Pgm # MU
Piano 1 GrandPno 1 PianoStr 2 Dream 2
2 BritePno 1 † SyPadPno 2
3 El.Grand 2 LayerCP1 2 LayerCP2 2
4 HnkyTonk 2
5 E.Piano1 2 HardEl.P 2
6 E.Piano2 2 DX Phase 2 DX+Analg 2
7 Harpsi. 1 † ElHarpsi 2
8 Clavi 2 † CsmcClav 2
11 MusicBox 2
12 Vibes 1
13 Marimba 1
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1 60sDrOr3 2 Even Bar 2 16+2"2/3 2
18 PercOrgn 1 PercOrg2 2
19 RockOrgn 2
20 ChrchOrg 2 NotreDam 2
21 ReedOrgn 1 Puff Org 2
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2
Guitar 25 NylonGtr 1 † Wayside 2
26 SteelGtr 1 Nyln&Stl 2 Stl&Body 2
27 Jazz Gtr 1 † OrganGtr 2 † OctPlate 2
28 CleanGtr 1
29 Mute Gtr 1 FunkGtr1 2 MuteStlG 2
30 Ovrdrive 1 † Parallel 2
31 Dist.Gtr 1 PowerGt1 ** 2 Dst.5ths ** 2 FeedbkGt 2 FeedbkG2 2
32 GtrHarmo 1
Bass 33 Aco.Bass 1 JazzRthm 2 † PckAcoBa 2
34 FngrBass 1 Ba&DstEG 2
35 PickBass 1 † PkB&MtGt 2
36 Fretless 1
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1 TechnoBa 2 † Kik'n'Ba 2
40 SynBass2 2 ModulrBa 2 DX Bass 2
Strings 41 Violin 1 † Unison 2
42 Viola 1 † VlaDoubl 2
43 Cello 1
44 Contrabs 1
45 Trem.Str 1 Susp.Str 2
46 Pizz.Str 1 † Sleep 2
47 Harp 1 YangChin 2
48 Timpani 1
Ensemble 49 Strings1 1 Orchestr 2 Orchstr2 2
50 Strings2 1 Warm Str 2 Kingdom 2
51 Syn Str1 2 † Monarchy 2 GrandPad *** 2 † SweepStr 2
52 Syn Str2 2 † WormHole 2
53 ChoirAah 1 † Gasp 2 ChoirStr 2 † Dead Sea 2
54 VoiceOoh 1
55 SynVoice 1 SyVoice2 2 Choral 2
56 Orch.Hit 2 † Throne 2
Brass 57 Trumpet 1
58 Trombone 1
59 Tuba 1
60 Mute Trp 1 † Backyard 2
61 Fr. Horn 1 HornOrch 2
62 BrssSect 1 BrssFall ** 1 BrssSec2 2 Hi Brass 2
63 SynBrss1 2 SyBrsSub *** 2
64 SynBrss2 1 SynBrss4 2 ChoirBrs 2

** : MU80 Extension
6
Tutti 3 Velocity Switch Velocity Cross Fade Detune 4 Tutti 4 Tutti 5 Tutti 6
0 0 0 0 0 0 0
42 43 45 48 52 53 54
E E E E E E E
VX El.P1 2
DXKotoEP 2 VX El.P2 2 † ChoEP K 2 † DXMallet 2
HardVibe 2
VelGtHrm 2
FunkGtr2 2 Jazz Man 1

Gt.Pinch 2
† TwinDist 2 RckRthm2 ** 2 RckRthm1 ** 2
† Blink Ba 2 VXUprght 2
FngrSlap 2 FngBass2 2
VeloSlap 2
† NEP 2
† DXBa Brt 2
† Roll&Hit 2
TremOrch 2 Velo.Str 2 † Lento 2
† SwpStOct 2
MelloBrs 2 † Bund 2 † FakeHorn 2 † FkHrnOct 2

AnVelBr1 2
† AnHrnRch 2 AnVelBr2 2
7

Other Waves 1 Other Waves 2 Other Waves 3 Other Waves 4 Other Waves 5
Instrument Pgm # MU
Piano 1 GrandPno 1 † ConGrnd 1 † ConGrndK 1 † DblConGr 2 † MIDIGrd1 2 † MIDIGrd2 2
2 BritePno 1 † BrConGrd 1 † BrConGrK 1 † MIDIGrd3 2 † MIDIGrd4 2 † OldPiano 2
3 El.Grand 2
4 HnkyTonk 2
5 E.Piano1 2 60sEl.P1 1 † Old EP 1 † Tribecca 1 † Diploid1 2 † Flops 1
6 E.Piano2 2 † Shrakawa 2 † OldEP Tn 2 † Flips 1 † FlipsDtd 2 † Flicks 1
7 Harpsi. 1 † SynHrpsi 2
8 Clavi 2 PulseClv 1 PierceCl 2 † ClrClavi 1 † SwpClavi 1 † SynClavi 1
Chromatic 9 Celesta 1 † FMCelsta 1
11 MusicBox 2 Orgel 2 † SmalOrgl 2
12 Vibes 1
13 Marimba 1 SineMrmb 2
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1 Organ Ba 1 70sDrOr2 2 CheezOrg 2 DrawOrg3 2 StdiumOr *** 1
18 PercOrgn 1 JazOrgan *** 1 WarmJzOr *** 2 ClikOrgn *** 2 † Grace 2 † CrnGrace 2
19 RockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2 † GlaclRtr 2
20 ChrchOrg 2 OrgFlute 2 TrmOrgFl 2
21 ReedOrgn 1 † SyReedDk 2
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2 TngoAcd2 2 † TightAcd 1 † TghtAcdD 2
Guitar 25 NylonGtr 1 † EsGuitar 1 † EsGtrHrd 1 † EsGtMllo 1 † EsGtrDcy 1
26 SteelGtr 1 † Nashvlle 1 † NashvllR 1 † Nashvl12 2
27 Jazz Gtr 1 † SuperJzM 1 † SuperJzB 1 † SuperJzD 2 † SuperJzR 1 † DX JzGtr 1
28 CleanGtr 1 CleanGt2 ** 1 MidT.Gtr *** 1 MidTGtSt *** 1 NasalGtr *** 1 NaslGtSt *** 2
29 Mute Gtr 1 † Wrench 1 † WrenchHv 1 † WrnchDbl 2 † Tin 2
30 Ovrdrive 1 † ManhttnM 1 † ManhttnB 1 † ManhttnD 2 † ManhttnP 2
31 Dist.Gtr 1 † Bite 1 † Bite Res 1 † Bite Dtd 2 † Bite + 2 † Burnout 2
32 GtrHarmo 1 AcoHarmo ** 1 GtFeedbk 1 GtrHrmo2 1 † Shimla 2
Bass 33 Aco.Bass 1 † Boston 1 † BostnBrt 1 † Coolth 1 † Coolth B 1
34 FngrBass 1 Jazzy Ba ** 1 Mod.Bass 2 † Chase 1 † ChaseRes 1 † BlueBass 1
35 PickBass 1 † HardPick 1 † HrdPikRs 2 † PkBass + 2
36 Fretless 1 † PwrFrtls 1 † PwrFrtlR 1 † TalkinBa 1 † NoizFrtl 2
37 SlapBas1 1 Slapper *** 1 Thum&Slp *** 2 † GltzySlp 2 † FM Slap 1 † FMSlpDtd 2
38 SlapBas2 1
39 SynBass1 1 Orbiter 2 Sqr.Bass 2 RubberBa 2 Fish *** 1 HardReso *** 1
40 SynBass2 2 X WireBa 2 AtkPulse *** 1 CS Light *** 1 MetlBass *** 1 † FrcOscBa 1
Strings 41 Violin 1 † Cadenza 1 † CadenzDk 1
42 Viola 1 † Sonata 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1 † Fear 1 † Fear Dtd 2 † Apoclyps 2
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1 † SprStrng 1 † SprStrSt 2 † Triste 1 † Basso 2
50 Strings2 1 70s Str 1 Strings3 1
51 Syn Str1 2 Syn Str4 2 Syn Str5 2 † Solitude 2 † Fate 1 † Thulium 1
52 Syn Str2 2 † Hope 2 † Virgo 2 † Platinum 1 † OctavPWM 2 † Taurus 2
53 ChoirAah 1 StrngAah ** 1 Male Aah ** 1 † Scroll 2 † Scroll + 2
54 VoiceOoh 1 VoiceDoo ** 1 † Hmn 1 † WrlChoir 2
55 SynVoice 1 AnaVoice 1 † Aspirate 1 † AsprateD 2 † Facula 2
56 Orch.Hit 2 Impact 2 BrssStab ** 2 DoublHit ** 2 BrStab80 ** 2 Bass Hit *** 1
Brass 57 Trumpet 1 Dark Trp *** 1 DrkTpSft *** 1 † Soft Trp 1 † Blow 1 † Blow Dbl 2
58 Trombone 1 BrghtTrb *** 1 MellowTb *** 1 † JJJ 1
59 Tuba 1
60 Mute Trp 1 MuteTrp2 ** 1 † Bkstairs 1
61 Fr. Horn 1 † Syn Horn 1
62 BrssSect 1 † SprBrass 2 † SprBrCut 1 † SprBrBlw 2 † Pwrd Sfz 2 † PwrSfzBr 2
63 SynBrss1 2 AnaBrss1 2 † SynthThn 1 † SyncBrss 1 † SyncBrSt 2 † AnaHorn1 1
64 SynBrss2 1 AnaBrss2 2 † Soft Cut 1 † AnaHornS 2

** : MU80 Extension
8
Other Waves 6 Other Waves 7 Other Waves 8 Other Waves 9 Other Waves 10 Other Waves 11 Other Waves 12
0 0 0 0 0 0 0
69 70 71 72 73 74 75
E E E E E E E
† Soho 1 † FlopsDtd 2 † Diploid2 2 † Brooklyn 1 † Diploid3 2 PhunkyDX 2 † Nasal DX 1

† FliksDtd † BrightDX 1 † BrtDXDtd 2 † Kitayama 2 † Turnpik1 2 Turnpik2 2 † Cerritos 1
† SprClavi 2 † GtrClavi 2 † HardyPlk 1 † HrdyPlk+ 2 † FMClavDb 2
StdiumO2 *** 2 GospelOr *** 1 ClkGsplO *** 2 ChapelOr *** 2 † DimChors 2 Dawn 1 † Mellorgn 2
† DimClick 2 † Dusk 2 † FM Click 1 † Spoony 1 † SprRotry 2 LoFiOrgn 2 † BeepOrgn 1
† DXJzGt D 2 † PulsJazz 1 † RghcastN 1 † RghcastM 1

† Hammer M 1 † Hammer B 1 † Hammer D 2 † HammerSt 2 † FMChoGtr 2 FMChoGtS 2 † PeskyGtr 1
† Bombay 2 † Bombay S 2 † Jaipur 2
† Wah Saw 1 † Pluto 1 † Pluto + 2 † Stimuli 1 † RunPulse 1 TalkPuls 1 † Node 1

† Cubit 1 † Cubit + 2 † Keel 1 † KeelPwrd 2 † PlnPulse 2 PwrdPuls 1 † PwrPulsB 1
† Brook 1 † Brook St 2
† Frost 2 † Leo 2 † SolPlexs 2
BassHit+ *** 2 6th Hit *** 1 6thHit + *** 2 Euro Hit *** 1 EuroHit+ *** 2 Blowout 2
† Alto&Trp 2 † Tnr&Trp 2 † BrssBros 2 † VagueBro 2

† AnaHorn2 1 † AnHrnOct 2 † SawBrPwr 2
9

Instrument Pgm # MU
Piano 1 GrandPno 1
2 BritePno 1
3 El.Grand 2
4 HnkyTonk 2
5 E.Piano1 2 † NaslDXDt 2 † Din 2
6 E.Piano2 2 † Sunset 1 † Soft DX 2 † Reso DX 1 † PiercnDX 2 † ShvrngDX 1
7 Harpsi. 1
8 Clavi 2
11 MusicBox 2
12 Vibes 1
13 Marimba 1
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1 † Fuzzorgn 2 † FMO 1
18 PercOrgn 1 † Belief 2 † SnapOrgn 1
19 RockOrgn 2
20 ChrchOrg 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2
Guitar 25 NylonGtr 1
26 SteelGtr 1
27 Jazz Gtr 1
28 CleanGtr 1 † ClaviGtr 2
29 Mute Gtr 1
30 Ovrdrive 1
31 Dist.Gtr 1
32 GtrHarmo 1
Bass 33 Aco.Bass 1
34 FngrBass 1
35 PickBass 1
36 Fretless 1
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1 † Stainer 1 † StainAtk 1 † SweepSqr 1 † SwpSqr + 2 † Stinks 1
40 SynBass2 2 † Pwrd Saw 1
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1
50 Strings2 1
51 Syn Str1 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceOoh 1
55 SynVoice 1
56 Orch.Hit 2
Brass 57 Trumpet 1
58 Trombone 1
59 Tuba 1
60 Mute Trp 1
61 Fr. Horn 1
62 BrssSect 1
63 SynBrss1 2
64 SynBrss2 1
** : MU80 Extension
10
0 0 0 0 0 0 0
81 82 83 84 85 86 87
E E E E E E E
† ShvrnDX+ 1 † RattlnDX 1 † RatlnDX+ 2 † TinkerDX 1 † TinkrDX+ 2
† StnksRes 1 † Reso Sqr 1 † Dagger 1 † Zinc 2 † SweePWM 2 † SwPWM St 2 † Slow Wah 1
11

Other Waves 25 Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4
Instrument Pgm # MU
Piano 1 GrandPno 1
2 BritePno 1
3 El.Grand 2
4 HnkyTonk 2
5 E.Piano1 2
6 E.Piano2 2
7 Harpsi. 1
8 Clavi 2
11 MusicBox 2
12 Vibes 1
13 Marimba 1 Balafon ** 2 Balimba 2 Log Drum 2
14 Xylophon 1
15 TubulBel 1 ChrchBel 2 Carillon 2
16 Dulcimer 1 Cimbalom 2 Santur 2
Organ 17 DrawOrgn 1
18 PercOrgn 1
19 RockOrgn 2
20 ChrchOrg 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2
Guitar 25 NylonGtr 1 Ukulele 1
26 SteelGtr 1 Mandolin 2 † MndlnEns 2
27 Jazz Gtr 1 PdlSteel ** 1
28 CleanGtr 1
29 Mute Gtr 1 Mu.DstGt ** 2
30 Ovrdrive 1
31 Dist.Gtr 1
32 GtrHarmo 1
Bass 33 Aco.Bass 1 † WalkSyBa 1 † Dim&Cool 1
34 FngrBass 1
35 PickBass 1
36 Fretless 1 SynFretl 2 SmthFrtl 2
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1 † Crook 2 Hammer 2
40 SynBass2 2
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1 † Vln Harp 1 † VlnHrpDt 2
48 Timpani 1
50 Strings2 1
51 Syn Str1 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceOoh 1 VoiceHmn ** 1
55 SynVoice 1
56 Orch.Hit 2
Brass 57 Trumpet 1 FluglHrn ** 1 † Cornet 2
58 Trombone 1
59 Tuba 1
60 Mute Trp 1
61 Fr. Horn 1
62 BrssSect 1
63 SynBrss1 2
64 SynBrss2 1
** : MU80 Extension
12
Capital Voices on Capital Voices on

Other Instrument 5 Other Instrument 6 MU100 Native Map MU Basic Map
0 0 0 0
100 101 126 127
E E E E
† GrandP # 1
† BriteP # 1
† EPiano1# 2
† EPiano2# 1
† Clavi # 2
† DrawOrg# 2
† PercOrg# 2
† RockOrg# 2
† TangoAc# 2
† NylonGt# 1
† SteelGt# 1
† JazzGtr# 2
† MuteGtr# 2
† Ovrdriv# 2
† DistGtr# 1
† AcoBass# 1
† FngrBa # 1
† Frtless# 1
† SlapBa1# 2
† SlapBa2# 2
† Violin # 1
† TremStr# 2
† Strngs1# 1
† Strngs2# 1
† Trumpet# 1
† Trmbone# 1
† MuteTrp# 2
† BrssSec# 2
13

MODEL EXCLUSIVE VOICE
Timbre Timbre, Poly Timbre, Looped Timbre, Looped , Poly Phrase, Looped Phrase, Looped, Poly SFX, Timbre
Bank Select MSB 0 48 48 48 48 48 48 48
Bank Select LSB 0 0 8 16 24 48 56 64
Instrument Pgm # MU
Group (1-128) Basic E E E E E E E E
Piano 1 GrandPno 1 † MtdClavi 1 † Beeline 1 † Rage 1 † Fuss 1 † Reflex 1 2 † Insanity 2 † DstnFire 2
2 BritePno 1 † Orimba 2 † BlineHrd 2 † TnglCaos 1 † VanAllen 1 † Reflex 2 2 † Habakkuk 2 † BlowNoiz 1
3 El.Grand 2 † Dwarf 2 † Incontnc 1 † Divinity 2 † Prcesion 2 † Fall 1
4 HnkyTonk 2 † Byte 1 † IncntClk 1 † Paranoia 1 † RndmWalk 1 † Chaff 2
5 E.Piano1 2 † Ping 1 † CheapOsc 1 † Vexation 1 † RandmRun 1
6 E.Piano2 2 † NastyCut 1 † CheapOc+ 2 † CalcOrg1 1
7 Harpsi. 1 † NstyCtSt 2 † NstOrSpl 2 † CalcOrg2 2
8 Clavi 2 † Xe 1 † SprClick 1 † CalcOrg3 2
Chromatic 9 Celesta 1 † OrganHit 1 † Boomout 2 † ChoCalcO 2
Percussion 10 Glocken 1 † OrgnHit+ 2 † ChoirSpl 2 † Sodium 2
11 MusicBox 2 † Soft Hit 1 † Veld 2
12 Vibes 1 † Vein 1 † VaporVox 1
13 Marimba 1 † Packet 1 † VoxShoot 2
14 Xylophon 1 † Jolly 1 † SemiacOr 2
15 TubulBel 1 † Jolly + 2
16 Dulcimer 1 † Envy 1
Organ 17 DrawOrgn 1 † EnvyShrt 2
18 PercOrgn 1 † Cough 1
19 RockOrgn 2 † Remark 2
20 ChrchOrg 2 † Potala 2
21 ReedOrgn 1 † Fury 2
22 Acordion 2 † Glocken+ 1
23 Harmnica 1
24 TangoAcd 2
26 SteelGtr 1
27 Jazz Gtr 1
28 CleanGtr 1
29 Mute Gtr 1
30 Ovrdrive 1
31 Dist.Gtr 1
32 GtrHarmo 1
Bass 33 Aco.Bass 1
34 FngrBass 1
35 PickBass 1
36 Fretless 1
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1
40 SynBass2 2
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
50 Strings2 1
51 Syn Str1 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceOoh 1
55 SynVoice 1
56 Orch.Hit 2
Brass 57 Trumpet 1
58 Trombone 1
59 Tuba 1
60 Mute Trp 1
61 Fr. Horn 1
62 BrssSect 1
63 SynBrss1 2
64 SynBrss2 1
: No sound E: Number of elements
** : MU80 Extension
14
SFX, Timbre, Poly SFX, Phrase SFX, Phrase, Poly Rhythm, Timbre Rhythm, Timbre, Poly Rhythm, Phrase, Poly SFX
48 48 48 48 48 48 Bank Select MSB 64
72 80 88 96 104 120 Bank Select LSB 0
Instrument Pgm #
E E E E E E Group (1-128) E
† Litning 2 † Zipzap 1 † Escape 2 † TinKettl 2 † Satya 1 † Vodou 1 1 CuttngNz 1
† Oof 2 † Zigzag 2 † K/S Anlg 2 † Monastry 2 2 CttngNz2 2
† Lust 1 † Scud 2 † K/S Humd 2 † Vinaya 2 3 DstCutNz ** 2
† Lust St 2 † Hinayana 2 † K/S Slap 2 † Prana 2 4 Str Slap 1
† SoftHit+ 2 † Boot 2 † Rvr/Crsh 2 † Delight 2 5 B.Slide ** 2
† Cough + 2 † Anathema 2 † Puja 2 6 P.Scrape ** 1
† Ruin 1 † Germ 1 2 † Bent Tom 2 7
† Ruin St 2 † Germ 2 2 8
† Vein + 2 † Malfnctn 2 9
† Universe 1 10
† UnvrsSwp 2 11
† Xe + 2 12
† Daze 2 13
† Refusal 1 14
† Refusal+ 2 15
† Lie 1 16
† Malice 2 17 Fl.KClik 1
† Doubt 1 18
† DoubtDbl 2 19
20
21
22
23
24
25
26
27
28
29
30
31
32
33 Shower 2
34 Thunder 1
35 Wind 1
36 Stream 2
37 Bubble 2
38 Feed ** 2
39 † Cave 2
40
41
42
43
44
45
46
47
48
49 Dog 1
50 Horse 1
51 Tweet 2 1
52 Kitty ** 1
53 Growl ** 1
54 Haunted ** 2
55 Ghost 2
56 Maou ** 2
57 † Insects 2
58 † Bacteria 2
59
60
61
62
63
64
15

Key Scale Panning Stereo Single Slow Fast Decay
Bank Select MSB 0 0 0 0 0 0 0
Instrument Pgm # MU SW1000XG
Group (1-128) Basic E Native E E E E E E
Continued from page 2

Reed 65 SprnoSax 1 † VgSprnSx 1
66 Alto Sax 1 † AltoSax# 2
67 TenorSax 1
68 Bari.Sax 1
69 Oboe 2 † Oboe # 1
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1 † Flute # 1
75 Recorder 1
76 PanFlute 1 † PanFlut# 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
Synth Lead 81 SquareLd 2 SquarLd2 1 LMSquare 2
82 Saw Ld 2 Saw Ld 2 1 ThickSaw 2
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2 † FifthLdS 2
88 Bass&Ld 2
Synth Pad 89 NewAgePd 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2
Synth Effects 97 Rain 2
98 SoundTrk 2
99 Crystal 2 SynDrCmp 2
100 Atmosphr 2
101 Bright 2
102 Goblins 2
103 Echoes 2 Echoes 2 2
104 Sci-Fi 2
Ethnic 105 Sitar 1
106 Banjo 1
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
Percussive 113 TnklBell 2
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1
Sound Effects 121 FretNoiz 2
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump.
(Refer to the MIDI Data Format)
16
Double Attack Bright 1 Bright 2 Dark 1 Dark 2 Resonant LFO-Cutoff Freq

0 0 0 0 0 0 0
14 16 17 18 19 20 21
E E E E E E E
† ASax Lgt 1
Hollow 1 Shroud 2
Dyna Saw 1 Digi Saw 2 Big Lead 2
Big&Low 2
ThickPad 2 Soft Pad 2 Sine Pad 2
Shwimmer 2
Popcorn 2 TinyBell 2
WarmAtms 2 HollwRls 2
Echo Pan 2
17

Vel-cutoff freq Attack Release Sweep Resonant Sweep
Instrument Pgm # MU

Reed 65 SprnoSax 1
66 Alto Sax 1
67 TenorSax 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
Synth Lead 81 SquareLd 2
82 Saw Ld 2 HeavySyn 2 WaspySyn 2 Mondo *** 1 RezzySaw *** 1
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2 SynthAah 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2 Converge 2
98 SoundTrk 2 Prologue 2
99 Crystal 2
100 Atmosphr 2
101 Bright 2
102 Goblins 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1
106 Banjo 1
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
18
Muted Complex-FEG Detune 1 Detune 2 Detune 3 Octave 1 Octave 2

0 0 0 0 0 0 0
28 29 32 33 34 35 36
E E E E E E E
2 Osc *** 2
DoublSaw *** 2 Toy Lead *** 2 Dim Saw *** 2
Big Five 2
RndGlock 2
DetSitar 2 Sitar 2 2
MuteBnjo 1
19

5th 1 5th 2 Bend Tutti 1 Tutti 2
Instrument Pgm # MU

Reed 65 SprnoSax 1
66 Alto Sax 1 Sax Sect 2
67 TenorSax 1 BrthTnSx 2 SoftTenr 2
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1 † Syn&Clr 2
Pipe 73 Piccolo 1
74 Flute 1 † Brthy Fl 2
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
82 Saw Ld 2 PulseSaw 2 Dr.Lead 2
83 CaliopLd 2 † Novice 2
84 Chiff Ld 2 † SaltLead 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2 † Vishnu 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2 † Tiu 2
96 SweepPad 2
98 SoundTrk 2
99 Crystal 2 GlockChi 2 ClearBel 2
100 Atmosphr 2 Nylon EP 2
101 Bright 2
102 Goblins 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1 † Bhuj 2
106 Banjo 1
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
20
Tutti 3 Velocity Switch Velocity Cross Fade Detune 4 Tutti 4 Tutti 5 Tutti 6
0 0 0 0 0 0 0
42 43 45 48 52 53 54
E E E E E E E
HyprAlto 2
VeloLead 2
ClaviPad 2
ChorBell 2
21

Instrument Pgm # MU

Reed 65 SprnoSax 1 † Mdtation 1 † MdtatnRs 1
66 Alto Sax 1 † ASaxPwrd 1 † FakeAlto 1 † FakeAlt+ 2 † FakeAltD 2
67 TenorSax 1 TnrSax 2 1 † SprTenor 1 † SprTnr + 2 † SprTnrSt 2 † Tnr&Alto 2
68 Bari.Sax 1
69 Oboe 2 † Heinz 1 † HeinzUni 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1 † Boehm 1 † Boehm Br 2 † Pastoral 2 † Shepherd 2
75 Recorder 1 † Piplith 2 † Home 1
76 PanFlute 1 PanFlut2 ** 1 † Meadow 1
77 Bottle 2 † BottlLgt 2
78 Shakhchi 2
79 Whistle 1 † Reverie 2
80 Ocarina 1 † Opalina 1
Synth Lead 81 SquareLd 2 Mellow 2 SoloSine 2 SineLead 1 Pulse Ld *** 1 SyncLead *** 1
82 Saw Ld 2 Digger *** 1 † Dunce 2 † BrassSaw 1 † SawRiver 2 † BrPulsDb 2
83 CaliopLd 2 Vent Syn ** 2 PureLead 2 † ElPrimtv 2
84 Chiff Ld 2 Rubby 2 HardSync *** 1
85 CharanLd 2 DistLead 2 WireLead 2 SynPluck *** 1
86 Voice Ld 2 Vox Lead 2 Br.Layer *** 2 † Cypher 1 1 † Cypher 2 1 † Cypher 3 2
87 Fifth Ld 2
88 Bass&Ld 2 Fat&Prky 2 Soft Wrl 2 † Cant 2 † Mogul 1 † Distance 2
Synth Pad 89 NewAgePd 2 Fantasy 2 † Libra 2
90 Warm Pad 2 Horn Pad 2 RotarStr 2
91 PolySyPd 2 PolyPd80 2 ClickPad 2 Ana. Pad 2 SquarPad 2 Snow Pad *** 2
92 ChoirPad 2 Heaven 2 Lite Pad ** 2 Itopia 2 CC Pad 2 CosmicPd *** 2
93 BowedPad 2 Glacier 2 GlassPad 2 † SqrTwang 2
94 MetalPad 2 Tine Pad 2 Pan Pad 2 † Queever 2
95 Halo Pad 2 † Aries 2
96 SweepPad 2 PolarPad 2 Sweepy ** 2 Celstial 2 † Monsoon 2 † Io 2
Synth Effects 97 Rain 2 HrmoRain 2 AfrcnWnd 2 Carib 2
98 SoundTrk 2 Ancestrl 2 Rave ** 2 Fairy *** 2 † Hermit 2
99 Crystal 2 SynMalet 1 SftCryst 2 LoudGlok 2 ChrstBel 2 VibeBell 2
100 Atmosphr 2 NylnHarp 2 Harp Vox 2 AtmosPad 2 Planet 2 † Lyra 2
101 Bright 2 FantaBel 2
102 Goblins 2 GobSynth 2 Creeper 2 Ring Pad 2 Ritual 2 ToHeaven 2
103 Echoes 2 EchoBell 2 Big Pan 2 SynPiano 2 Creation 2 StarDust 2
104 Sci-Fi 2 Starz 2 Odin ** 2
Ethnic 105 Sitar 1 † Raga Syn 2
106 Banjo 1 † El Banjo 1
107 Shamisen 1
108 Koto 1 † FM Koto 2
109 Kalimba 1 BigKalim ** 2
110 Bagpipe 2 † Thistle 2
111 Fiddle 1
112 Shanai 1 Shanai 2 1
Percussive 113 TnklBell 2 † TcklBell 2
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2 Mel Tom2 1 Real Tom 2 Rock Tom 2
119 Syn Drum 1 Ana Tom 1 ElecPerc 2
120 RevCymbl 1 Rev Cym2 ** 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
22
0 0 0 0 0 0 0
69 70 71 72 73 74 75
E E E E E E E
† ForcdOsc 1 † Accent 1 † Brick 1 † Alum 2 † Query 2 † FMSlwSwp 2 † SyncLdDb 2

† Saw Trp 1 † Hue 1 † StrghtSw 1 † StrtPuls 1 † PWMania 1 † Mod Saw 1 † Toad 1
† SprCyphr 2
† Sync B&L 1
† Pixie 2 † Pisces 2 † Spiral 2
DigiBell 2 AirBells 2 BellHarp 2 Gamelmba 2 † Bounce 2

† Akasaka 2 † DgBermda 2
MilkyWay ** 2 Night 2 Glisten 2 Puffy ** 2 † Mimicry 2 † Parasite 2 † Cicada 2

Reso&Pan 2
23

Instrument Pgm # MU

Reed 65 SprnoSax 1
66 Alto Sax 1
67 TenorSax 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
Synth Lead 81 SquareLd 2 † Curse 2 † OctvBeep 1
82 Saw Ld 2 † FatOctav 1 † Overdose 2 † PWMDecay 1 † SawDecay 1
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2
98 SoundTrk 2
99 Crystal 2
100 Atmosphr 2
101 Bright 2
102 Goblins 2 † Beacon 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1
106 Banjo 1
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
24
0 0 0 0 0 0 0
81 82 83 84 85 86 87
E E E E E E E
25

Other Waves 25 Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4
Instrument Pgm # MU

Reed 65 SprnoSax 1
66 Alto Sax 1
67 TenorSax 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1 BassClar ** 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1 Kawala ** 2
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
82 Saw Ld 2 Seq Ana. 2
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2
98 SoundTrk 2
99 Crystal 2
100 Atmosphr 2
101 Bright 2 Smokey 2
102 Goblins 2 BelChoir 2 Dharma *** 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1 Tambra 2 Tamboura 2
106 Banjo 1 Rabab 2 Gopichnt 2 Oud 2
107 Shamisen 1 Tsugaru ** 2
108 Koto 1 Taisho-k 2 Kanoon 2
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1 Pungi 1 Hichriki 2
Percussive 113 TnklBell 2 Bonang 2 Altair 2 Gamelan 2 S.Gamlan 2
114 Agogo 2 Atrigane ** 2
115 SteelDrm 2 Tablas ** 2 GlasPerc 2 ThaiBell 2
116 Woodblok 1 Castanet 1
117 TaikoDrm 1 Gr.Cassa 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1 RevSnar1 ** 1 RevSnar2 ** 1 RevKick1 ** 1 RevConBD ** 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1

** : MU80 Extension
26
Capital Voices on Capital Voices on

Other Instrument 5 Other Instrument 6 MU100 Native Map MU Basic Map
0 0 0 0
100 101 126 127
E E E E
† AltoSax# 2
† Oboe # 1
† Flute # 1
† PanFlut# 1
Rama Cym 2 AsianBel 2
Rev Tom1 ** 1 Rev Tom2 ** 1
27

MODEL EXCLUSIVE VOICE
Timbre Timbre, Poly Timbre, Looped Timbre, Looped , Poly Phrase, Looped Phrase, Looped, Poly SFX, Timbre
Bank Select MSB 0 48 48 48 48 48 48 48
Bank Select LSB 0 0 8 16 24 48 56 64
Instrument Pgm # MU
Group (1-128) Basic E E E E E E E

Reed 65 SprnoSax 1
66 Alto Sax 1
67 TenorSax 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
82 Saw Ld 2
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2
98 SoundTrk 2
99 Crystal 2
100 Atmosphr 2
101 Bright 2
102 Goblins 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1
106 Banjo 1
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1
: No sound E: Number of elements

** : MU80 Extension
28
SFX, Timbre, Poly SFX, Phrase SFX, Phrase, Poly Rhythm, Timbre Rhythm, Timbre, Poly Rhythm, Phrase, Poly SFX
48 48 48 48 48 48 Bank Select MSB 64
72 80 88 96 104 120 Bank Select LSB 0
Instrument Pgm #
E E E E E E Group (1-128) E

65 PhonCall ** 1
66 DoorSqek 1
67 DoorSlam 1
68 ScratchC 1
69 ScratchS ** 2
70 WindChim 1
71 Telphon2 1
72
73
74
75
76
77
78
79
80
81 CarEIgnt 1
82 CarTSqel 1
83 Car Pass 1
84 CarCrash 1
85 Siren 2
86 Train 1
87 JetPlane 2
88 Starship 2
89 Burst 2
90 Coaster 2
91 Submarin 2
92 † Cnectvty 2
93 † Mystery 2
94
95
96
97 Laugh 1
98 Scream 1
99 Punch 1
100 Heart 1
101 Footstep 1
102 Applaus2 ** 1
103
104
105
106
107
108
109
110
111
112
113 MchinGun 1
114 LaserGun 2
115 Xplosion 2
116 Firework 2
117 † Fireball 2
118
119
120
121
122
123
124
125
126
127
128
29
TG300B Voice List (Normal voices)

Bank Select MSB = Bank number, LSB = 000
Bank Select MSB Bank 0 E Bank 1 E Bank 2 E Bank 3 E Bank 4 E Bank 5 E

Instrument Pgm
Group #
Piano 1 GrandPno 1
2 BritePno 1
3 El.Grand 2 LayerCP1 2 LayerCP2 2
4 HnkyTonk 2
5 E.Piano1 2
6 E.Piano2 2
7 Harpsi. 1
8 Clavi 2
11 MusicBox 2
12 Vibes 1 HardVibe 2
13 Marimba 1
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1 Dulcimr2 2
Organ 17 DrawOrgn 1 70sDrOr1 2
18 PercOrgn 1 70sPcOr1 2
19 RockOrgn 2
20 ChrchOrg 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1 Harmo. 2 2
24 TangoAcd 2
26 SteelGtr 1
27 Jazz Gtr 1 MelloGtr 1
28 CleanGtr 1
29 Mute Gtr 1 Mu.DstGt 2
30 Ovrdrive 1
31 Dist.Gtr 1 DistGtr2 2 DistGtr3 2
32 GtrHarmo 1
Bass 33 Aco.Bass 1
34 FngrBass 1 FngBass2 2 Jazzy Ba 1
35 PickBass 1
36 Fretless 1 Fretles2 2 Fretles3 2 Fretles4 2 SynFretl 2 SmthFrtl 2
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1 SynBa1Dk 1
40 SynBass2 2 ClkSynBa 2 ModulrBa 2 Seq Bass 2
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1 Slow Str 1
50 Strings2 1 70s Str 1
51 Syn Str1 2 Syn Str4 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceDoo 1
55 SynVoice 1
56 Orch.Hit 2 OrchHit2 2
Brass 57 Trumpet 1 Trumpet2 1
58 Trombone 1 Trmbone2 2
59 Tuba 1 Tuba 2 1
60 Mute Trp 1
61 Fr. Horn 2 FrHorn 2 2
62 BrssSect 1
63 SynBrss1 2 PolyBrss 2
64 SynBrss2 1 Soft Brs 2
Same as Bank 0 E: Number of elements
30
Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E
GrndPnoK 1 MelloGrP 1
BritPnoK 1
ElGrPnoK 2
HnkyTnkK 2
Chor.EP1 2 VX El.P1 2
Chor.EP2 2 VX El.P2 2
Harpsi.3 2 Harpsi.K 1
Clavi K 1
Vibes K 1
MarimbaK 1 Balafon 2
ChrchBel 2 Carillon 2
Cimbalom 2
DetDrwOr 2 70sDrOr2 2 60sDrOr1 2
DetPrcOr 2
RotaryOr 2 SloRotar 2
ChurOrg2 2 ChurOrg3 2
AccordIt 2
Ukulele 1 NylonGt3 2
12StrGtr 2 Nyln&Stl 2 Mandolin 2
PdlSteel 1
ChorusGt 2
FunkGtr1 2 FunkGtr2 2
FeedbkGt 2 FeedbGt2 2 PowerGt1 2

GtFeedbk 1 AcoHarmo 1
MutePkBa 1
ResoSlap 1
AcidBass 1 FastResB 1 TechnoBa 2 ResoBass 1

DX Bass 2 X WireBa 2 RubberBa 2
Slow Vln 1
SlwTrStr 1 Susp.Str 2
Orchestr 2 Orchstr2 2 TremOrch 2 ChoirStr 2 S.Strngs 2

LegatoSt 2 Warm Str 2 S.SlwStr 2
Syn Str3 2
S.Choir 2 MelChoir 2
SyVoice2 2
Impact 2 BrssStab 2 DoublHit ** 2 LoFi Hit 2
FluglHrn 1
FrHrSolo 1 HornOrch 2
BrssSec2 2 BrssFall 1
SynBrss3 2 Quack Br 2 AnaBrss1 2
SynBrss4 2 AnaBrss2 2
31


Instrument Pgm
Group #
Piano 1 GrandPno 1
2 BritePno 1
3 El.Grand 2
4 HnkyTonk 2
5 E.Piano1 2 60sEl.P1 1 HardEl.P 2
6 E.Piano2 2 DX Hard 2
7 Harpsi. 1 Harpsi.2 2
8 Clavi 2
11 MusicBox 2
12 Vibes 1
13 Marimba 1 Balimba 2 Log Drum 2
14 Xylophon 1
15 TubulBel 1
16 Dulcimer 1
Organ 17 DrawOrgn 1 60sDrOr2 2 60sDrOr3 2 CheezOrg 2
18 PercOrgn 1
19 RockOrgn 2 FstRotar 2
20 ChrchOrg 2 OrgFlute 2
21 ReedOrgn 1
22 Acordion 2
23 Harmnica 1
24 TangoAcd 2
Guitar 25 NylonGtr 1 VelGtHrm 2
26 SteelGtr 1
27 Jazz Gtr 1
28 CleanGtr 1
29 Mute Gtr 1
30 Ovrdrive 1
31 Dist.Gtr 1 PowerGt2 2 Dst.5ths 2 RckRthm1 2 RckRthm2 2
32 GtrHarmo 1
Bass 33 Aco.Bass 1
34 FngrBass 1
35 PickBass 1
36 Fretless 1
37 SlapBas1 1
38 SlapBas2 1
39 SynBass1 1
40 SynBass2 2 SynBa2Dk 1 MelloSB1 1 SmthSynB 2
Strings 41 Violin 1
42 Viola 1
43 Cello 1
44 Contrabs 1
45 Trem.Str 1
46 Pizz.Str 1
47 Harp 1
48 Timpani 1
Ensemble 49 Strings1 1 Velo.Str 2
50 Strings2 1
51 Syn Str1 2
52 Syn Str2 2
53 ChoirAah 1
54 VoiceOoh 1
55 SynVoice 1
56 Orch.Hit 2
Brass 57 Trumpet 1 BriteTrp 2 Warm Trp 2
58 Trombone 1
59 Tuba 1
60 Mute Trp 1
61 Fr. Horn 2
62 BrssSect 1
63 SynBrss1 2
64 SynBrss2 1 AnVelBr2 2
32
Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E
A-Piano1 2 a.piano1 1
A-Piano4 2 e.piano1 1
MelloEP1 2 El.Pno1K 1 A-Piano5 1 e.piano2 1
El.Pno2K 1 A-Piano6 1 e.piano3 1
A-Piano7 1 e.piano4 1
E-Piano1 2 hnkytnk 2
E-Piano2 2 e.organ1 2
E-Piano3 2 e.organ2 2
A-Guitr1 1 e.organ3 1
A-Guitr2 2 e.organ4 1
A-Guitr3 2 pipeorg1 2
E-Guitr1 2 pipeorg2 2
E-Guitr2 1 pipeorg3 2
Slap-1 2 acordion 2
DrawOrg2 2 Even Bar 2 Organ Ba 1 Slap-2 2 harpsi1 1
PercOrg2 2 Slap-3 2 harpsi2 2
Slap-4 2 harpsi3 1
TrmOrgFl 2 Slap-5 2 clavi1 1
Slap-6 2 clavi2 1
Slap-7 2 clavi3 1
Slap-8 2 celesta1 1
Finger-1 1 celesta2 1
NylonGt2 1 Requinto 1 Finger-2 2 synbras1 2
SteelGt2 1 Picked-1 1 synbras2 2
Picked-2 2 synbras3 2
FretlsBs 1 synbras4 2
A-Bass 2 synbass1 1
Choir-1 1 synbass2 1
Choir-4 2 newagepd 2
Strngs-1 2 synharmo 2
Strngs-2 2 choir pd 2
Strngs-3 2 bowed pd 2
Strngs-4 2 soundtrk 2
E-Organ1 2 atmosphr 2
E-Organ2 2 syn warm 2
E-Organ3 2 synfunny 1
E-Organ4 2 synecho1 2
E-Organ5 2 rain 2
E-Organ6 2 synoboe 2
E-Organ7 2 synecho2 2
E-Organ8 2 synsolo 2
E-Organ9 2 synrdorg 2
SoftTP-1 1 synbell 1
SoftTP-2 1 squareld 2
TP/TRB-1 1 strsect1 2
TP/TRB-4 1 pizz.str 1
Ch.Aahs2 2 TP/TRB-5 2 violin 1 2
TP/TRB-6 2 violin 2 1
Sax-1 1 cello 1 1
Sax-2 1 cello 2 1
Sax-3 1 contrabs 1
Sax-4 2 harp 1 1
Brass-1 1 harp 2 1
Brass-2 1 guitar 1 1
Brass-3 2 guitar 2 1
Brass-4 2 elecgtr1 2
Brass-5 2 elecgtr2 2
Orch-Hit 1 sitar 1
33

Instrument Pgm
Group #
Reed 65 SprnoSax 1
66 Alto Sax 1
67 TnrSax 2 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
Synth Lead 81 SquareLd 2 SquarLd2 1 Hollow 1 Mellow 2 SoloSine 2 Shroud 2
82 Saw Ld 2 Saw Ld 2 1 PulseSaw 2 ThickSaw 2 Big Lead 2 VeloLead 2
83 CaliopLd 2 Vent Syn 2 PureLead 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2 Big Five 2
88 Bass&Ld 2 Big&Low 2 Fat&Prky 2
Synth Pad 89 NewAgePd 2 Fantasy 2
90 Warm Pad 2 ThickPad 2 Horn Pad 2 RotarStr 2 Soft Pad 2
91 PolySyPd 2 PolyPd80 2
92 ChoirPad 2 Heaven 2
93 BowedPad 2
94 MetalPad 2 Tine Pad 2 Pan Pad 2
95 Halo Pad 2
96 SweepPad 2 PolarPad 2
Synth Effects 97 Rain 2 HrmoRain 2 AfrcnWnd 2
98 SoundTrk 2 Ancestrl 2 Prologue 2
99 Crystal 2 SynMalet 1 SftCryst 2 RndGlock 2 LoudGlok 2 GlockChi 2
100 Atmosphr 2 WarmAtms 2 NylnHarp 2 Harp Vox 2 HollwRls 2 Nylon EP 2
101 Bright 2
102 Goblins 2 GobSynth 2 Creeper 2
103 Echoes 2 EchoBell 2 Echo Pan 2 Echoes 2 2 Big Pan 2 Reso&Pan 2
104 Sci-Fi 2 Starz 2
Ethnic 105 Sitar 1 Sitar 2 2 DetSitar 2
106 Banjo 1 MuteBnjo 1
107 Shamisen 1 Tsugaru 2
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1 Shanai 2 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2 Real Tom 2
119 Syn Drum 1
120 RevCymbl 1 Rev Cym2 1
Sound Effects 121 FretNoiz 2 CuttngNz 1 Str Slap 1 CttngNz2 2 DstCutNz 2 B.Slide 2
122 BrthNoiz 2 Fl.KClik 1
123 Seashore 2 Shower 1 Thunder 1 Wind 1 Stream 2 Bubble 2
124 Tweet 2 Dog 1 Horse 1 Tweet 2 1 Kitty 1 Growl 1
125 Telphone 1 PhonCall 1 DoorSqek 1 DoorSlam 1 ScratchC 1 WindChim 1
126 Helicptr 1 CarEIgnt 1 CarTSqel 1 Car Pass 1 CarCrash 1 Siren 2
127 Applause 1 Laugh 1 Scream 1 Punch 1 Heart 1 Footstep 1
128 Gunshot 1 MchinGun 1 LaserGun 2 Xplosion 2
34
Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E
HyprAlto 2
BrthTnSx 2
BassClar 1
Kawala 2
LMSquare 2 SineLead 1
HeavySyn 2 Dyna Saw 1 Dr.Lead 2 WaspySyn 2
DistLead 2
Converge 2 Shwimmer 2 Celstial 2

ClaviPad 2
Rave 2
ClearBel 2 ChrstBel 2 VibeBell 2 DigiBell 2 ChorBell 2
AtmosPad 2
SynPiano 2
Tambra 2 Tamboura 2
Rabab 2 Gopichnt 2
Taisho-k 2 Kanoon 2
Pungi 1 Hichriki 2
Bonang 2 Altair 2 Gamelan 2 S.Gamlan 2 Rama Cym 2
Atrigane 2
Castanet 1
Gr.Cassa 1
Mel Tom2 1 Rock Tom 2
Ana Tom 1 ElecPerc 2
RevSnar1 1 RevSnar2 1 RevKick1 1
P.Scrape 1
ScratchS 2
Train 1 JetPlane 2 Starship 2 Burst 2 Coaster 2
35

Instrument Pgm
Group #
Reed 65 SprnoSax 1
66 Alto Sax 1
67 TnrSax 2 1
68 Bari.Sax 1
69 Oboe 2
70 Eng.Horn 1
71 Bassoon 1
72 Clarinet 1
Pipe 73 Piccolo 1
74 Flute 1
75 Recorder 1
76 PanFlute 1
77 Bottle 2
78 Shakhchi 2
79 Whistle 1
80 Ocarina 1
82 Saw Ld 2
83 CaliopLd 2
84 Chiff Ld 2
85 CharanLd 2
86 Voice Ld 2
87 Fifth Ld 2
88 Bass&Ld 2
90 Warm Pad 2
91 PolySyPd 2
92 ChoirPad 2
93 BowedPad 2
94 MetalPad 2
95 Halo Pad 2
96 SweepPad 2
98 SoundTrk 2
99 Crystal 2 AirBells 2 BellHarp 2 Gamelmba 2
100 Atmosphr 2
101 Bright 2
102 Goblins 2
103 Echoes 2
104 Sci-Fi 2
Ethnic 105 Sitar 1
106 Banjo 1 Oud 2
107 Shamisen 1
108 Koto 1
109 Kalimba 1
110 Bagpipe 2
111 Fiddle 1
112 Shanai 1
114 Agogo 2
115 SteelDrm 2
116 Woodblok 1
117 TaikoDrm 1
118 MelodTom 2
119 Syn Drum 1
120 RevCymbl 1 RevConBD 1 Rev Tom1 1 Rev Tom2 1
122 BrthNoiz 2
123 Seashore 2
124 Tweet 2
125 Telphone 1
126 Helicptr 1
127 Applause 1
128 Gunshot 1
36
Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E

Silence a.bass 1 1
Silence a.bass 2 1
Silence e.bass 1 1
Silence e.bass 2 1
Silence slapbas1 1
Silence slapbas2 1
Silence fretles1 1
Silence fretles2 1
Silence flute1 1
Silence flute2 1
Silence piccolo1 1
Silence piccolo2 2
Silence recorder 1
Silence panpipes 2
Silence sax1 2
Silence sax2 1
Silence sax3 1
Silence sax4 1
Silence clarint1 1
Silence clarint2 1
Silence oboe 1
Silence eng.horn 1
Silence bassoon 1
Silence harmnica 1
Silence trumpet1 1
Silence trumpet2 1
Silence trmbone1 2
Silence trmbone2 2
Silence fr.horn1 1
Silence fr.horn2 2
Silence tuba 2
Silence brssect1 1
Silence brssect2 2
Silence vibe1 1
Silence vibe2 1
Silence symallet 1
Silence maletwin 2
Silence glocken 2
Silence tubulbel 1
Silence xylophen 1
Silence marimba 2
Silence koto 1
Silence sho 2
Silence shakhchi 2
Silence whistle1 2
Silence whistle2 1
Silence bottle 2
Silence breath 2
Silence timpani 1
Silence melotom 1
Silence deepsnar 1
Silence e.perc1 1
Silence e.perc2 1
Silence taiko 1
Silence taikorim 1
Silence cymbal 2
Silence castanet 1
Silence triangle 1
Silence orchehit 1
Silence telphone 1
Silence bird 1
Silence jam 1
Silence efctwatr 2
Silence efctjngl 2
37
XG Drum Map (Drum voices)
Bank Select MSB 127 127 127 127 127 127 127 127 127
Bank Select LSB 0 0 0 0 0 0 0 0 0
Program# 1 2 3 4 5 6 7 8 9
Key Alternate
Note# Note Off Group Standard Kit E Standard Kit 2 E Dry Kit *** E Bright Kit *** E Skim Kit **** E Slim Kit **** E Rogue Kit **** E Hob Kit **** E Room Kit E
13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1 Surdo Mute B *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1
14 D -1 3 Surdo Open 1 Surdo Open V *** 1 Surdo Open B *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1
15 D# -1 Hi Q 1 Hi Q B *** 1
16 E -1 Whip Slap 1 Whip Slap B *** 1
17 F -1 4 Scratch H 1 Scratch H B *** 1
18 F# -1 4 Scratch L 1 Scratch L B *** 1
19 G -1 Finger Snap 1 Finger Snap B *** 1
20 G# -1 Click Noise 1 Click Noise B *** 1
21 A -1 Metronome Click 1 Metronome Click B *** 1
22 A# -1 Metronome Bell 1 Metronome Bell B *** 1
23 B -1 Seq Click L 1 Seq Click L B *** 1
24 C 0 Seq Click H 1 Seq Click H B *** 1
25 C# 0 Brush Tap 1 Brush Tap V *** 1 Brush Tap B *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1
26 D 0 O Brush Swirl 1 Brush Swirl V *** 1 Brush Swirl B *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1
27 D# 0 Brush Slap 1 Brush Slap V *** 1 Brush Slap B *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1
28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl V *** 1 Brush Tap Swirl B *** 1 Brush Tap Swirl L **** 1 Brush Tap Swirl L **** 1 Brush Tap Swirl L *** 1 Brush Tap Swirl L *** 1
29 F 0 O Snare Roll 1 Snare Roll 2 1 Snare Roll V *** 1 Snare Roll B *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1
30 F# 0 Castanet 1 Castanet B *** 1 Castanet Sk **** 1 Castanet H **** 1 Castanet H **** 1 Castanet H **** 1
31 G 0 Snare Soft 1 Snare Soft 2 1 Snare Dry Soft *** 1 Snare Soft B *** 1 Snare Dry Q **** 1 Snare Rough Q **** 1 Snare Brass Soft **** 1 Snare Brass Soft H **** 1
32 G# 0 Sticks 1 Sticks B *** 1 Sticks Q **** 1
33 A 0 Kick Soft 1 Kick Dry Soft *** 1 Kick Soft B *** 1 Kick Dry Soft HPF **** 1 Kick Soft Dark **** 1 Kick Soft 2 **** 1 Kick Soft 2 H **** 1
34 A# 0 Open Rim Shot 1 Open Rim Shot H Short 1 Open Rim Shot Dry V *** 1 Open Rim Shot B *** 1 Open Rim Shot Dry HPF **** 1 Open Rim Shot Sl **** 1 Open Rim Shot 2 **** 1 Open Rim Shot H Short 2 **** 1
35 B 0 Kick Tight 1 Kick Tight Short 1 Kick Dry Tight *** 1 Kick Tight B *** 1 Kick Dry Tight Q**** 1 Kick Tight Short L **** 1 Kick Dark 2 **** 1 Kick Dark 2 H **** 1
36 C 1 Kick 1 Kick Short 1 Kick Dry Mute *** 1 Kick B *** 1 Kick Dry Mute HPF **** 1 Kick Short Dark **** 1 Kick Tight 4 **** 1 Kick Tight 4 H **** 1 Kick Room ** 1
37 C# 1 Side Stick 1 Side Stick Dry *** 1 Side Stick B *** 1 Side Stick Dry Q **** 1 Side Stick Q **** 1 Side Stick Tight **** 1 Side Stick Tight H **** 1
38 D 1 Snare 1 Snare Short 1 Snare Dry *** 1 Snare B *** 1 Snare Dry H **** 1 Snare Short HPF **** 1 Snare Snappy Short **** 1 Snare Snappy Short H **** 1 Snare Snappy 1
39 D# 1 Hand Clap 1 Hand Clap B *** 1 Hand Clap Sk **** 1 Hand Clap Dark **** 1
40 E 1 Snare Tight 1 Snare Tight H 1 Snare Dry Mute *** 1 Snare Tight B *** 1 Snare Dry Mute Q **** 1 Snare Tight Mute **** 1 Snare Brass Hard **** 1 Snare Brass Hard H **** 1 Snare Tight Snappy 1
41 F 1 Floor Tom L 1 Floor Tom L Short *** 1 Floor Tom L B *** 1 Floor Tom L Short Sk **** 1 Floor Tom L Tight **** 1 Floor Tom L Tight **** 1 Floor Tom L Tight H **** 1 Tom Room 1 1
42 F# 1 1 Hi-Hat Closed 1 Hi-Hat Closed L B *** 1 Hi-Hat Closed H **** 1 Hi-Hat Closed L Q **** 1 Hi-Hat Closed 3 **** 1 Hi-Hat Closed 3 H **** 1
43 G 1 Floor Tom H 1 Floor Tom H Short *** 1 Floor Tom H B *** 1 Floor Tom H Short Sk **** 1 Floor Tom H Tight **** 1 Floor Tom H Tight **** 1 Floor Tom H Tight H **** 1 Tom Room 2 1
44 G# 1 1 Hi-Hat Pedal 1 Hi-Hat Pedal B *** 1 Hi-Hat Pedal H **** 1 Hi-Hat Pedal Q **** 1 Hi-Hat Pedal 3 **** 1 Hi-Hat Pedal 3 H **** 1
45 A 1 Low Tom 1 Low Tom Short *** 1 Low Tom B *** 1 Low Tom Short Sk **** 1 Low Tom Tight **** 1 Low Tom Tight **** 1 Low Tom Tight H **** 1 Tom Room 3 1
46 A# 1 1 Hi-Hat Open 1 Hi-Hat Open B *** 1 Hi-Hat Open H **** 1 Hi-Hat Open Q **** 1 Hi-Hat Open 3 **** 1 Hi-Hat Open 3 H **** 1
47 B 1 Mid Tom L 1 Mid Tom L Short *** 1 Mid Tom L B *** 1 Mid Tom L Short Sk **** 1 Mid Tom L Tight **** 1 Mid Tom L Tight **** 1 Mid Tom L Tight H **** 1 Tom Room 4 1
48 C 2 Mid Tom H 1 Mid Tom H Short *** 1 Mid Tom H B *** 1 Mid Tom H Short Sk **** 1 Mid Tom H Tight **** 1 Mid Tom H Tight **** 1 Mid Tom H Tight H **** 1 Tom Room 5 1
49 C# 2 Crash Cymbal 1 1 Crash Cymbal 1 V *** 1 Crash Cymbal 1 B *** 1 Crash Cymbal 1 Q **** 1 Crash Cymbal 1 L **** 1 Crash Cymbal 3 **** 1 Crash Cymbal 3 H **** 1
50 D 2 High Tom 1 High Tom Short *** 1 High Tom B *** 1 High Tom Short Sk **** 1 High Tom Tight **** 1 High Tom Tight **** 1 High Tom Tight H **** 1 Tom Room 6 1
51 D# 2 Ride Cymbal 1 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 B *** 1 Ride Cymbal 1 Sk **** 1 Ride Cymbal 1 L **** 1 Ride Cymbal 3 **** 1 Ride Cymbal 3 H **** 1
52 E 2 Chinese Cymbal 1 Chinese Cymbal V *** 1 Chinese Cymbal B *** 1 Chinese Cymbal HPF **** 1 Chinese Cymbal L **** 1 Chinese Cymbal 2 **** 1 Chinese Cymbal 2 H **** 1
53 F 2 Ride Cymbal Cup 1 Ride Cymbal Cup Short *** 1 Ride Cup Q **** 1 Ride Cymbal Cup L **** 1 Ride Cymbal Cup 2 **** 1 Ride Cymbal Cup 2 H **** 1
54 F# 2 Tambourine 1 Tambourine B *** 1 Tambourine Q **** 1 Tambourine H **** 1
55 G 2 Splash Cymbal 1 Splash Cymbal V *** 1 Splash Cymbal B *** 1 Splash Cymbal H **** 1 Splash Cymbal L Short **** 1 Splash Cymbal V *** 1 Splash Cymbal H **** 1
56 G# 2 Cowbell 1 Cowbell L *** 1 Cowbell HPF **** 1 Cowbell Dark **** 1 Cowbell Mid **** 1 Cowbell H **** 1
57 A 2 Crash Cymbal 2 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 B *** 1 Crash Cymbal 2 Dark **** 1 Crash Cymbal 2 L **** 1 Crash Cymbal 4 **** 1 Crash Cymbal 4 H **** 1
58 A# 2 Vibraslap 1 Vibraslap B *** 1
59 B 2 Ride Cymbal 2 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 B *** 1 Ride Cymbal 2 Q **** 1 Ride Cymbal 2 L**** 1 Ride Cymbal 4 Q **** 1 Ride Cymbal 4 **** 1
60 C 3 Bongo H 1 Bongo H V *** 1 Bongo H B *** 1 Bongo H HPF **** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1
61 C# 3 Bongo L 1 Bongo L V *** 1 Bongo L B *** 1 Bongo L HPF **** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1
62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute B *** 1 Conga H Mute HPF **** 1 Conga H Mute V *** 1 Conga H Mute 2 **** 1 Conga H Mute 2 H **** 1
63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open B *** 1 Conga H Open HPF **** 1 Conga H Open V *** 1 Conga H Open 2 **** 1 Conga H Open 2 H **** 1
64 E 3 Conga L 1 Conga L V *** 1 Conga L B *** 1 Conga L HPF **** 1 Conga L H **** 1 Conga L 2 **** 1 Conga L 2 H **** 1
65 F 3 Timbale H 1 Timbale H V *** 1 Timbale H B *** 1 Timbale H HPF **** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1
66 F# 3 Timbale L 1 Timbale L V *** 1 Timbale L B *** 1 Timbale L HPF **** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1
67 G 3 Agogo H 1 Agogo H V *** 1 Agogo H B *** 1 Agogo H HPF **** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1
68 G# 3 Agogo L 1 Agogo L V *** 1 Agogo L B *** 1 Agogo L HPF **** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1
69 A 3 Cabasa 1 Cabasa B *** 1 Cabasa BPF **** 1
70 A# 3 Maracas 1 Maracas B *** 1 Maracas L **** 1 Maracas Q **** 1 Maracas Q **** 1 Maracas Q **** 1
71 B 3 O Samba Whistle H 1 Samba Whistle H V *** 1 Samba Whistle H B *** 1 Samba Whistle H BPF **** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1
72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1 Samba Whistle L B *** 1 Samba Whistle L BPF **** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1
73 C# 4 Guiro Short 1 Guiro Short B *** 1
74 D 4 O Guiro Long 1 Guiro Long B *** 1
75 D# 4 Claves 1 Claves B *** 1
76 E 4 Wood Block H 1 Wood Block H B *** 1
77 F 4 Wood Block L 1 Wood Block L B *** 1
78 F# 4 Cuica Mute 1 Cuica Mute V *** 1 Cuica Mute B *** 1
79 G 4 Cuica Open 1 Cuica Open V *** 1 Cuica Open B *** 1 Cuica Open H **** 1 Cuica Open H **** 1 Cuica Open H **** 1 Cuica Open H **** 1
80 G# 4 2 Triangle Mute 1 Triangle Mute B *** 1
81 A 4 2 Triangle Open 1 Triangle Open B *** 1
82 A# 4 Shaker 1 Shaker B *** 1
83 B 4 Jingle Bells 1 Jingle Bells B *** 1
84 C 5 Bell Tree 1 Bell Tree B *** 1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
: Same as Standard Kit ****: MU800 Extension E: Number of elements

****: MU900 Extension
: No sound ****: MU100 Extension
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
38
Bank Select MSB 127 127 127 127 127 127 127 127 127
Bank Select LSB 0 0 0 0 0 0 0 0 0
Program# 1 10 17 18 25 26 27 28 29
Key Alternate
Note# Note Off Group Standard Kit E Dark Room Kit *** E Rock Kit E Rock Kit 2 *** E Electro Kit E Analog Kit E Analog Kit 2 *** E Dance Kit *** E Hip Hop Kit *** E
13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1
14 D -1 3 Surdo Open 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1
15 D# -1 Hi Q 1
16 E -1 Whip Slap 1
17 F -1 4 Scratch H 1
18 F# -1 4 Scratch L 1
19 G -1 Finger Snap 1
20 G# -1 Click Noise 1
21 A -1 Metronome Click 1
22 A# -1 Metronome Bell 1
23 B -1 Seq Click L 1
24 C 0 Seq Click H 1
25 C# 0 Brush Tap 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1
26 D 0 O Brush Swirl 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1
27 D# 0 Brush Slap 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1
28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl V *** 1 Brush Tap Swirl V *** 1 Reverse Cymbal 1 Reverse Cymbal 1 Reverse Cymbal *** 1 Reverse Cymbal *** 1 Brush Tap Swirl V *** 1
29 F 0 O Snare Roll 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1
30 F# 0 Castanet 1 Hi Q 2 1 Hi Q 2 1 Hi Q 2 *** 1 Hi Q 2 *** 1
31 G 0 Snare Soft 1 Snare Noisy 1 Snare Noisy 5 *** 1 Snare Snappy Electro 1 Snare Noisy 4 1 Snare Analog 3 *** 1 Snare Techno 3 *** 1 Open Rim Shot 2 Soft *** 1
32 G# 0 Sticks 1
33 A 0 Kick Soft 1 Kick Tight 2 1 Kick Tight 3 *** 1 Kick 3 1 Kick Tight 2 1 Kick Techno Soft *** 1 Kick Techno Q *** 1 Kick Dry Soft 2 *** 1
34 A# 0 Open Rim Shot 1 Open Rim Shot Dry V *** 1 Rim Gate *** 1 Open Rim Shot 2 *** 1
35 B 0 Kick Tight 1 Kick Dark *** 1 Kick 2 1 Kick 4 *** 1 Kick Gate 1 Kick Analog Short 1 Kick Techno Tight *** 1 Kick Techno L *** 1 Kick Dim *** 1
36 C 1 Kick 1 Kick Room Gate *** 1 Kick Gate 1 Kick Gate 2 *** 1 Kick Gate Heavy 1 Kick Analog 1 Kick Techno *** 1 Kick Techno 2 *** 1 Kick Boon *** 1
37 C# 1 Side Stick 1 Side Stick Analog 1 Side Stick Analog *** 1 Side Stick Analog *** 1 Side Stick Dry *** 1
38 D 1 Snare 1 Snare Snappy 2 *** 1 Snare Rock 1 Snare Rock 2 *** 1 Snare Noisy 2 1 Snare Analog 1 Snare Techno *** 1 Snare Clap *** 2 Snare Dry Mute *** 1
39 D# 1 Hand Clap 1
40 E 1 Snare Tight 1 Snare Tight Snappy 2 *** 1 Snare Rock Rim 1 Snare Rock Rim Q *** 1 Snare Noisy 3 1 Snare Analog 2 1 Snare Techno 2 *** 1 Snare Dry 2 *** 1 Snare White *** 1
41 F 1 Floor Tom L 1 Tom Room 1 Q *** 1 Tom Rock 1 1 Tom Rock 1 H *** 1 Tom Electro 1 1 Tom Analog 1 1 Tom Analog 1 *** 1 Tom Analog 1 *** 1 Floor Tom L Short *** 1
42 F# 1 1 Hi-Hat Closed 1 Hi-Hat Closed Q *** 1 Hi-Hat Closed 2 *** 1 Hi-Hat Closed Analog 1 Hi-Hat Closed Analog *** 1 Hi-Hat Closed 3 *** 1 Hi-Hat Closed 2 H *** 1
43 G 1 Floor Tom H 1 Room Tom 2 Q *** 1 Tom Rock 2 1 Tom Rock 2 H *** 1 Tom Electro 2 1 Tom Analog 2 1 Tom Analog 2 *** 1 Tom Analog 2 *** 1 Floor Tom H Short *** 1
44 G# 1 1 Hi-Hat Pedal 1 Hi-Hat Pedal Q *** 1 Hi-Hat Pedal 2 *** 1 Hi-Hat Closed Analog 2 1 Hi-Hat Closed Analog 2 *** 1 Hi-Hat Closed Analog 2 *** 1 Hi-Hat Pedal 2 H *** 1
45 A 1 Low Tom 1 Room Tom 3 Q *** 1 Tom Rock 3 1 Tom Rock 3 L Short *** 1 Tom Electro 3 1 Tom Analog 3 1 Tom Analog 3 *** 1 Tom Analog 3 *** 1 Low Tom Short *** 1
46 A# 1 1 Hi-Hat Open 1 Hi-Hat Open L *** 1 Hi-Hat Open 2 *** 1 Hi-Hat Open Analog 1 Hi-Hat Open Analog *** 1 Hi-Hat Open 3 *** 1 Hi-Hat Open 2 L *** 1
47 B 1 Mid Tom L 1 Tom Room 4 Dark *** 1 Tom Rock 4 1 Tom Rock 4 L Short *** 1 Tom Electro 4 1 Tom Analog 4 1 Tom Analog 4 *** 1 Tom Analog 4 *** 1 Mid Tom L Short *** 1
48 C 2 Mid Tom H 1 Tom Room 5 L Dark *** 1 Tom Rock 5 1 Tom Rock 5 L Short *** 1 Tom Electro 5 1 Tom Analog 5 1 Tom Analog 5 *** 1 Tom Analog 5 *** 1 Mid Tom H Short *** 1
49 C# 2 Crash Cymbal 1 1 Crash Analog 1 Crash Analog *** 1 Crash Analog *** 1 Crash Cymbal 1 V *** 1
50 D 2 High Tom 1 Tom Room 6 L Dark *** 1 Tom Rock 6 1 Tom Rock 6 L Short *** 1 Tom Electro 6 1 Tom Analog 6 1 Tom Analog 6 *** 1 Tom Analog 6 *** 1 High Tom Short *** 1
51 D# 2 Ride Cymbal 1 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 V *** 1
52 E 2 Chinese Cymbal 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1 Chinese Cymbal V *** 1
53 F 2 Ride Cymbal Cup 1
54 F# 2 Tambourine 1
55 G 2 Splash Cymbal 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1
56 G# 2 Cowbell 1 Cowbell Analog 1 Cowbell Analog *** 1 Cowbell Analog *** 1
57 A 2 Crash Cymbal 2 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1
58 A# 2 Vibraslap 1
59 B 2 Ride Cymbal 2 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1 Ride Cymbal 2 V *** 1
60 C 3 Bongo H 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1
61 C# 3 Bongo L 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1
62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute V *** 1 Conga Analog H 1 Conga Analog H *** 1 Conga Analog H *** 1 Conga H Mute V *** 1
63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open V *** 1 Conga Analog M 1 Conga Analog M *** 1 Conga Analog M *** 1 Conga H Open V *** 1
64 E 3 Conga L 1 Conga L V *** 1 Conga L V *** 1 Conga Analog L 1 Conga Analog L *** 1 Conga Analog L *** 1 Conga L V *** 1
65 F 3 Timbale H 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1
66 F# 3 Timbale L 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1
67 G 3 Agogo H 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1
68 G# 3 Agogo L 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1
69 A 3 Cabasa 1
70 A# 3 Maracas 1 Maracas 2 1 Maracas 2 *** 1 Maracas 2 *** 1
71 B 3 O Samba Whistle H 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1
72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1
73 C# 4 Guiro Short 1
74 D 4 O Guiro Long 1
75 D# 4 Claves 1 Claves 2 1 Claves 2 *** 1 Claves 2 *** 1
76 E 4 Wood Block H 1
77 F 4 Wood Block L 1
78 F# 4 Cuica Mute 1 Cuica Mute V *** 1 Cuica Mute V *** 1 Scratch H 2 1 Scratch H 2 1 Scratch H 2 *** 1 Scratch H 2 *** 1 Cuica Mute V *** 1
79 G 4 Cuica Open 1 Cuica Open V *** 1 Cuica Open V *** 1 Scratch L 2 1 Scratch L 3 1 Scratch L 3 *** 1 Scratch L 3 *** 1 Cuica Open V *** 1
80 G# 4 2 Triangle Mute 1
81 A 4 2 Triangle Open 1
82 A# 4 Shaker 1
83 B 4 Jingle Bells 1
84 C 5 Bell Tree 1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5

39
Bank Select MSB 127 127 127 127 127 127 127 127 127 127
Bank Select LSB 0 0 0 0 0 0 0 0 0 0
Program# 30 31 32 33 34 41 42 49 65 66
Key Alternate
Note# Note Off Group Jungle Kit *** E Apogee Kit **** E Perigee Kit **** E Jazz Kit E Jazz Kit 2 *** E Brush Kit E Brush Kit2 **** E Symphony Kit E Tramp Kit **** E Amber Kit **** E
13 C# -1 3 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1 Surdo Mute V *** 1
14 D -1 3 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1 Surdo Open V *** 1
15 D# -1
16 E -1
17 F -1 4
18 F# -1 4
19 G -1
20 G# -1
21 A -1
22 A# -1
23 B -1
24 C 0
25 C# 0 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1 Brush Tap V *** 1
26 D 0 O Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1 Brush Swirl V *** 1
27 D# 0 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1 Brush Slap V *** 1
28 E 0 O Brush Tap Swirl V *** 1 Reverse Cymbal *** 1 Reverse Cymbal *** 1 Brush Tap Swirl V *** 1 Brush Tap Swirl L **** 1 Reverse Cymbal *** 1 Brush Tap Swirl L *** 1
29 F 0 O Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1 Snare Roll V *** 1
30 F# 0 Hi Q 2 *** 1 Hi Q 2 *** 1 Castanet H **** 1 Hi Q 2 *** 1
31 G 0 Rim Gate 2 *** 1 Snare Analog 4 **** 1 Snare Analog 4 H **** 1 Brush Slap 2 1 Snare Dry Hard **** 1 Snare Techno 3 Q **** 1 Open Rim Shot 3 Soft **** 1
32 G# 0 Sticks Q **** 1 Sticks Q **** 1
33 A 0 Kick Cough *** 1 Kick Techno 3 **** 1 Kick Techno 3 **** 1 Kick Release **** 1 Kick Soft 2 1 Kick Techno Q 2 **** 1 KickDrySoft3 **** 1
34 A# 0 Rim Gate 3 *** 1 Open Rim Shot L **** 1 Open Rim Shot L **** 1 Open Rim Shot Dry L **** 1 Rim Gate Lo-Fi **** 1 Open Rim Shot Dry **** 1
35 B 0 Kick Zap *** 1 Kick Techno 4 **** 1 Kick Techno 4 H **** 1 Kick Cloudy H **** 1 Gran Cassa 1 Kick Techno L Q **** 1 Kick Comp 1 L**** 1
36 C 1 Kick Dawn *** 1 Kick Techno Tight 2 **** 1 Kick Techno Tight 2 H **** 1 Kick Jazz 1 Kick Jazz L *** 1 Kick Small 1 Kick Cloudy L **** 1 Gran Cassa Mute 1 Kick Techno 2 Gate **** 1 Kick Comp 1 H**** 1
37 C# 1 Side Stick Dry *** 1 Side Stick Analog 2 **** 1 Side Stick Analog 2 H **** 1 Side Stick B 2 **** 1 Side Stick Analog Q **** 1 Side Stick Dry L **** 1
38 D 1 Snare Tin *** 1 Snare Analog 5 **** 1 Snare Analog 5 H **** 1 Snare H *** 1 Brush Slap 3 1 Brush Slap 3 Q **** 1 Band Snare 1 Snare Clap *** 2 Snare Dry Mute L **** 1
39 D# 1 Clap Ambience **** 1 Clap Ambience H **** 1 Hand Clap Dark **** 1 Hand Clap Dark **** 1
40 E 1 Snare Can *** 1 Snare Analog 6 **** 1 Snare Analog 6 H **** 1 Snare Tight L *** 1 Brush Tap 2 1 Brush Snare Loud **** 1 Band Snare 2 1 Snare Dry 2 Gate **** 1 Hip Snare Long **** 1
41 F 1 Floor Tom L Short *** 1 Tom Techno 1 **** 1 Tom Techno 1 H **** 1 Tom Jazz 1 1 Tom Jazz 7 *** 1 Tom Brush 1 1 Tom Brush 7 **** 1 Tom Jazz 1 1 Tom Analog 7 **** 1 Floor Tom Tech L **** 1
42 F# 1 1 Hi-Hat Closed 2 Soft *** 1 Hi-Hat Closed Analog 3 **** 1 Hi-Hat Closed Analog 3 H **** 1 Hi-Hat Closed L *** 1 Hi-Hat Closed 4 **** 1 Hi-Hat Closed 3 Dark **** 1 Hi-Hat Closed Tech **** 1
43 G 1 Floor Tom H Short *** 1 Tom Techno 2 **** 1 Tom Techno 2 H **** 1 Tom Jazz 2 1 Tom Jazz 8 *** 1 Tom Brush 2 1 Tom Brush 8 **** 1 Tom Jazz 2 1 Tom Analog 8 **** 1 Floor Tom Tech H **** 1
44 G# 1 1 Hi-Hat Pedal 2 Soft *** 1 Hi-Hat Closed Analog 4 **** 1 Hi-Hat Closed Analog 4 H **** 1 Hi-Hat Pedal L *** 1 Hi-Hat Pedal 4 **** 1 Hi-Hat Closed Analog 2 L**** 1 Hi-Hat Pedal Tech **** 1
45 A 1 Low Tom Short *** 1 Tom Techno 3 **** 1 Tom Techno 3 H **** 1 Tom Jazz 3 1 Tom Jazz 9 *** 1 Tom Brush 3 1 Tom Brush 9 **** 1 Tom Jazz 3 1 Tom Analog 9 **** 1 Low Tom Tech **** 1
46 A# 1 1 Hi-Hat Open 2 Soft *** 1 Hi-Hat Open Analog 2 **** 1 Hi-Hat Open Analog 2 H **** 1 Hi-Hat Open L *** 1 Hi-Hat Open 4 **** 1 Hi-Hat Open 3 Dark **** 1 Hi-Hat Open 3 Dark **** 1
47 B 1 Mid Tom L Short *** 1 Tom Techno 4 **** 1 Tom Techno 4 H **** 1 Tom Jazz 4 1 Tom Jazz 10 *** 1 Tom Brush 4 1 Tom Brush 10 **** 1 Tom Jazz 4 1 Tom Analog 10 **** 1 Mid Tom Tech L **** 1
48 C 2 Mid Tom H Short *** 1 Tom Techno 5 **** 1 Tom Techno 5 H **** 1 Tom Jazz 5 1 Tom Jazz 11 *** 1 Tom Brush 5 1 Tom Brush 11 **** 1 Tom Jazz 5 1 Tom Analog 11 **** 1 Mid Tom Tech H **** 1
49 C# 2 Crash Cymbal 1 V *** 1 Crash Analog *** 1 Crash Analog H **** 1 Crash Cymbal 4 **** 1 Hand Cymbal 1 Crash Analog Dark **** 1 Crash Cymbal Dark **** 1
50 D 2 High Tom Short *** 1 Tom Techno 6 **** 1 Tom Techno 6 H **** 1 Tom Jazz 6 1 Tom Jazz 12 *** 1 Tom Brush 6 1 Tom Brush 12 **** 1 Tom Jazz 6 1 Tom Analog 12 **** 1 High Tom Tech **** 1
51 D# 2 Ride Cymbal 1 V *** 1 Ride Cymbal Analog 1 **** 1 Ride Cymbal Analog 1 H **** 1 Ride Cymbal 1 V *** 1 Ride Cymbal 1 H **** 1 Hand Cymbal Short 1 Ride Cymbal 1 Dark **** 1 Ride Cymbal 1 Dark **** 1
52 E 2 Chinese Cymbal V *** 1 Chinese Cymbal H **** 1 Chinese Cymbal V *** 1 Chinese Cymbal L **** 1 Chinese Cymbal H2 **** 1
53 F 2 Ride Cymbal Cup Q **** 1 Ride Cymbal Cup H **** 1 Ride Cymbal Cup L *** 1 Ride Cymbal Cup 6 **** 1 Ride Cymbal Cup Dark **** 1 Ride Cymbal Cup Dark **** 1
54 F# 2 Tambourine H **** 1 Tambourine Dark **** 1 Tambourine Dark **** 1
55 G 2 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal H **** 1 Splash Cymbal V *** 1 Splash Cymbal V *** 1 Splash Cymbal L Q **** 1 Splash Cymbal L Q **** 1
56 G# 2 Cowbell Analog L **** 1 Cowbell Analog H **** 1 Cowbell 2 **** 1 Cowbell Analog Q *** 1 Cowbell Lo-Fi **** 1
57 A 2 Crash Cymbal 2 V *** 1 Crash Cymbal 2 V *** 1 Crash Cymbal 2 H **** 1 Crash Cymbal 2 V *** 1 Hand Cymbal 2 1 Crash Cymbal 2 Q **** 1 Crash Cymbal 2 Q **** 1
58 A# 2
59 B 2 Ride Cymbal 2 V *** 1 Ride Cymbal Analog 2 **** 1 Ride Cymbal Analog 2 H **** 1 Ride Cymbal 2 V *** 1 Ride Cymbal 6 **** 1 Hand Cymbal 2 Short 1 Ride Cymbal 2 D **** 1 Ride Cymbal 2 V *** 1
60 C 3 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1 Bongo H V *** 1
61 C# 3 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1 Bongo L V *** 1
62 D 3 Conga H Mute V *** 1 Conga Analog H Long **** 1 Conga Analog H Long H **** 1 Conga H Mute V *** 1 Conga H Mute V *** 1 Conga Analog H Long **** 1 Conga H Mute V *** 1
63 D# 3 Conga H Open V *** 1 Conga Analog M Long **** 1 Conga Analog M Long H **** 1 Conga H Open V *** 1 Conga H Open V *** 1 Conga Analog M Long **** 1 Conga H Open V *** 1
64 E 3 Conga L V *** 1 Conga Analog L Long **** 1 Conga Analog L Long H **** 1 Conga L V *** 1 Conga L 2 **** 1 Conga Analog L Long **** 1 Conga L 2 **** 1
65 F 3 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1 Timbale H V *** 1
66 F# 3 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1 Timbale L V *** 1
67 G 3 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1 Agogo H V *** 1
68 G# 3 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1 Agogo L V *** 1
69 A 3
70 A# 3 Maracas 2 *** 1 Maracas 2 *** 1 Maracas Q **** 1 Maracas 2 *** 1 Maracas Q **** 1
71 B 3 O Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1 Samba Whistle H V *** 1
72 C 4 O Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1 Samba Whistle L V *** 1
73 C# 4
74 D 4 O
75 D# 4 Claves 2 *** 1 Claves 2 *** 1
76 E 4
77 F 4
78 F# 4 Cuica Mute V *** 1 Scratch H 2 *** 1 Scratch H 2 *** 1 Cuica Mute V *** 1 Scratch H 2 *** 1
79 G 4 Cuica Open V *** 1 Scratch L 3 *** 1 Scratch L 3 *** 1 Cuica Open V *** 1 Cuica Open H **** 1 Scratch L 3 *** 1 Cuica Open H *** 1
80 G# 4 2
81 A 4 2
82 A# 4
83 B 4
84 C 5
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
40
Bank Select MSB 127 127 127 127

Bank Select LSB 0 0 0 0
Program# 1 67 127 128
Key Alternate Standard Kit Standard Kit
Note# Note Off Group Standard Kit E Coffin Kit **** E MU100 Native**** E MU Basic**** E
13 C# -1 3 Surdo Mute 1 Surdo Mute V *** 1
14 D -1 3 Surdo Open 1 Surdo Open V *** 1
15 D# -1 Hi Q 1
16 E -1 Whip Slap 1
17 F -1 4 Scratch H 1
18 F# -1 4 Scratch L 1
19 G -1 Finger Snap 1
20 G# -1 Click Noise 1
21 A -1 Metronome Click 1
22 A# -1 Metronome Bell 1
23 B -1 Seq Click L 1
24 C 0 Seq Click H 1
25 C# 0 Brush Tap 1 Brush Tap V *** 1
26 D 0 O Brush Swirl 1 Brush Swirl V *** 1
27 D# 0 Brush Slap 1 Brush Slap V *** 1
28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl L *** 1
29 F 0 O Snare Roll 1 Snare Roll V *** 1
30 F# 0 Castanet 1 Castanet# 1
31 G 0 Snare Soft 1 Rim Gate 4 **** 1 Snare Soft# 1
32 G# 0 Sticks 1 Sticks Q **** 1
33 A 0 Kick Soft 1 Kick Cough L **** 1
34 A# 0 Open Rim Shot 1 Rim Gate 5 **** 1 Open Rim Shot# 1
35 B 0 Kick Tight 1 Kick Comp 2 L **** 1
36 C 1 Kick 1 Kick Comp 2 H **** 1
37 C# 1 Side Stick 1 Side Stick Dry L **** 1 Side Stick# 1
38 D 1 Snare 1 Snare Tin L **** 1 Snare# 1
39 D# 1 Hand Clap 1 Hand Clap Dark **** 1
40 E 1 Snare Tight 1 Snare Can L **** 1 Snare Tight# 1
41 F 1 Floor Tom L 1 Floor Tom Tech L **** 1
42 F# 1 1 Hi-Hat Closed 1 Hi-Hat Closed Tech **** 1 Hi-Hat Closed# 1
43 G 1 Floor Tom H 1 Floor Tom Tech H **** 1
44 G# 1 1 Hi-Hat Pedal 1 Hi-Hat Pedal Tech **** 1 Hi-Hat Pedal# 1
45 A 1 Low Tom 1 Low Tom Tech **** 1
46 A# 1 1 Hi-Hat Open 1 Hi-Hat Open 3 Dark **** 1 Hi-Hat Open# 1
47 B 1 Mid Tom L 1 Mid Tom Tech L **** 1
48 C 2 Mid Tom H 1 Mid Tom Tech H **** 1
49 C# 2 Crash Cymbal 1 1 Crash Cymbal Dark 2 **** 1 Crash Cymbal 1# 1
50 D 2 High Tom 1 High Tom Tech **** 1
51 D# 2 Ride Cymbal 1 1 Ride Cymbal Hard 2 **** 1 Ride Cymbal 1# 1
52 E 2 Chinese Cymbal 1 Chinese Cymbal Q **** 1 Chinese Cymbal# 1
53 F 2 Ride Cymbal Cup 1 Ride Cymbal Cup 5 **** 1 Ride Cymbal Cup# 1
54 F# 2 Tambourine 1 Tambourine Dark **** 1
55 G 2 Splash Cymbal 1 Tech Splash Cymbal **** 1
56 G# 2 Cowbell 1 Cowbell Lo-Fi **** 1 Cowbell# 1
57 A 2 Crash Cymbal 2 1 Crash Cymbal 2 Q **** 1 Crash Cymbal 2# 1
58 A# 2 Vibraslap 1
59 B 2 Ride Cymbal 2 1 Ride Cymbal 5 **** 1 Ride Cymbal 2# 1
60 C 3 Bongo H 1 Bongo H V *** 1
61 C# 3 Bongo L 1 Bongo L V *** 1
62 D 3 Conga H Mute 1 Conga H Mute V *** 1 Conga H Mute# 1
63 D# 3 Conga H Open 1 Conga H Open V *** 1 Conga H Open# 1
64 E 3 Conga L 1 Conga L 2 **** 1 Conga L# 1
65 F 3 Timbale H 1 Timbale H V *** 1
66 F# 3 Timbale L 1 Timbale L V *** 1
67 G 3 Agogo H 1 Agogo H V *** 1
68 G# 3 Agogo L 1 Agogo L V *** 1
69 A 3 Cabasa 1
70 A# 3 Maracas 1 Maracas Q **** 1
71 B 3 O Samba Whistle H 1 Samba Whistle H V *** 1
72 C 4 O Samba Whistle L 1 Samba Whistle L V *** 1
73 C# 4 Guiro Short 1
74 D 4 O Guiro Long 1
75 D# 4 Claves 1
76 E 4 Wood Block H 1
77 F 4 Wood Block L 1
78 F# 4 Cuica Mute 1
79 G 4 Cuica Open 1 Cuica Open H *** 1
80 G# 4 2 Triangle Mute 1
81 A 4 2 Triangle Open 1
82 A# 4 Shaker 1
83 B 4 Jingle Bells 1
84 C 5 Bell Tree 1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5

41
Bank Select MSB 126 126 126 126 126 126 126
Program# 1 2 17 18 19 33 34
Key Alternate
Note# Note Off Group SFX Kit 1 E SFX Kit 2 E Techno Kit K/S **** E Techno Kit Hi **** E Techno Kit Lo **** E Sakura Kit **** E Small Latin Kit **** E
13 C# -1 3
14 D -1 3
15 D# -1
16 E -1
17 F -1 4
18 F# -1 4
19 G -1
20 G# -1
21 A -1
22 A# -1
23 B -1
24 C 0
25 C# 0
26 D 0 O
27 D# 0
28 E 0 O Insects **** 2
29 F 0 O Bacteria **** 2
30 F# 0
31 G 0
32 G# 0
33 A 0
34 A# 0
35 B 0
36 C 1 Cutting Noise 1 Phone Call ** 1 Heavy Techno Kick 1 **** 1 Hyper Tom H 1 **** 1 Hyper Tom L 1 **** 1 Dora **** 1 Latin Cymbal Short **** 1
37 C# 1 Cutting Noise 2 2 Door Squeak 1 Heavy Techno Kick 2 **** 1 Asian Tom H **** 1 Asian Tom L **** 1 Tsuzumi Pon **** 1 Claves SL 1 **** 1
38 D 1 Distorted Cutting Noise ** 2 Door Slam 1 Psychedelic Kick **** 1 Lo-Fi Tom H **** 1 Lo-Fi Tom L **** 1 Tsuzumi Pu **** 1 Claves SL 2 **** 1
39 D# 1 String Slap 1 Scratch Cut 1 Gate Tekno Kick **** 1 Hyper Tom H 2 **** 1 Hyper Tom L 2 **** 1 Tsuzumi Ta **** 1 Claves SL 3 **** 1
40 E 1 Bass Slide ** 2 Scratch H 3 2 Rap Kick **** 1 Flanged Tom H **** 1 Flanged Tom L **** 1 Tsuzumi Chon **** 1 Claves SL 4 **** 1
41 F 1 Pick Scrape ** 1 Wind Chime 1 Heavy Techno Kick 3 **** 1 Minimal Tom H **** 1 Minimal Tom L **** 1 Tsuzumi Tsu **** 1 Claves SL 5 **** 1
42 F# 1 1 Telephone Ring 2 1 Heavy Techno Kick 4 **** 1 Vox Drum H **** 1 Vox Drum L **** 1 Shimetaiko Ten **** 1 Muted Percussion SL 1 **** 1
43 G 1 Future Kick **** 1 Android Walk 1 H **** 1 Android Walk 1 L **** 1 Shimetaiko Tsu **** 1 Muted Percussion SL 2 **** 1
44 G# 1 1 Asian Kick **** 1 Android Walk 2 H **** 1 Android Walk 2 L **** 1 Yagura Open **** 1 Muted Percussion SL 3 **** 1
45 A 1 Imbalance Kick **** 1 Electro Blip H **** 1 Electro Blip L **** 1 Ohdaiko Rim **** 1 Muted Percussion SL 4 **** 1
46 A# 1 1 Justice Kick **** 1 Wood Percussions H **** 1 Wood Percussions L **** 1 Oriental Tambourine **** 1 Pandiero **** 1
47 B 1 Minimal Kick **** 1 Wood Door Open H **** 1 Wood Door Open L **** 1 Oriental Drum 1 **** 1 Surdo Mute SL 1 **** 1
48 C 2 Reso Noise Burst H **** 1 Reso Noise Burst L **** 1 Oriental Drum 2 **** 1 Surdo Mute SL 2 **** 1
49 C# 2 LFO Metal Attack H **** 1 LFO Metal Attack L **** 1 Oriental Drum 3 **** 1 Surdo Open SL **** 1
50 D 2 Steel Conga H **** 1 Steel Conga L **** 1 Oriental Rim 1 **** 1 Surdo Rim SL **** 1
51 D# 2 Rate Down Snare H **** 1 Rate Down Snare L **** 1 Oriental Rim 2 **** 1 Tamborim Mute **** 1
52 E 2 Flute Key Click 1 Car Engine Ignition 1 Radio Snare **** 1 Pop Ambient H **** 1 Pop Ambient L **** 1 Oriental Rim 3 **** 1 Tamborim Open **** 1
53 F 2 Car Tires Squeal 1 Cold Dry Snare 1 **** 1 Tunnel Ambient H **** 1 Tunnel Ambient L **** 1 Oriental Rim 4 **** 1 TimbaleL Drum **** 1
54 F# 2 Car Passing 1 Slap Snare **** 1 Vibraslap H **** 1 Vibraslap L **** 1 Oriental Metal Rim 1 **** 1 TimbaleH Drum **** 1
55 G 2 Car Crash 1 Cold Dry Snare 2 **** 1 Gun Shot Slap H **** 1 Gun Shot Slap L **** 1 Oriental Metal Rim 2 **** 1 TimbaleL Rim **** 1
56 G# 2 Siren 2 Cold Dry Snare 3 **** 1 Punch Snare H **** 1 Punch Snare L **** 1 Oriental Metal Rim 3 **** 1 TimbaleH Rim **** 1
57 A 2 Train 1 Lo-Fi Metal Snare **** 1 Bomb Snare H **** 1 Bomb Snare L **** 1 Oriental Metal Rim 4 **** 1 Timbale Paila 1 **** 1
58 A# 2 Jet Plane 2 Space Tambourine H **** 1 Space Tambourine L **** 1 Oriental Metal Rim 5 **** 1 Timbale Paila 2 **** 1
59 B 2 Starship 2 Ambient Cow Bell H **** 1 Ambient Cow Bell L **** 1
60 C 3 Burst 2 Chink Hat H **** 1 Chink Hat L **** 1
61 C# 3 Roller Coaster 2 Coal Mine 1 H **** 1 Coal Mine 1 L **** 1
62 D 3 Submarine 2 Coal Mine 2 H **** 1 Coal Mine 2 L **** 1
63 D# 3 Connectivity **** 2 Hammer Hit 1 H **** 1 Hammer Hit 1 L **** 1
64 E 3 Mystery **** 2 Hammer Hit 2 H **** 1 Hammer Hit 2 L **** 1
65 F 3 Hammer Hit 3 H **** 1 Hammer Hit 3 L **** 1
66 F# 3 Insensible Hah H **** 1 Insensible Hah L **** 1
67 G 3 Robot 1 H **** 1 Robot 1 L **** 1
68 G# 3 Shower 2 Laugh 1 Hi Pitch Slap H **** 1 Insensible Fuh H **** 1 Insensible Fuh L **** 1
69 A 3 Thunder 1 Scream 1 Hi Pitch Slap L **** 1 Robot 2 H **** 1 Robot 2 L **** 1
70 A# 3 Wind 1 Punch 1 Rude Loop Cymbal H **** 1 Rude Loop Cymbal L **** 1
71 B 3 O Stream 2 Heart Beat 1 Noise Burst H **** 1 Noise Burst L **** 1
72 C 4 O Bubble 2 Foot Steps 1 Fizzer H **** 1 Fizzer L **** 1
73 C# 4 Feed ** 2 Applause 2 ** 1 Lo-Fi Shaker H **** 1 Lo-Fi Shaker L **** 1
74 D 4 O Cave **** 2 Temple Gong H **** 1 Temple Gong L **** 1
75 D# 4
76 E 4
77 F 4
78 F# 4
79 G 4
80 G# 4 2
81 A 4 2
82 A# 4
83 B 4
84 C 5 Dog 1 Machine Gun 1
85 C# 5 Horse 1 Laser Gun 2
86 D 5 Bird Tweet 2 1 Explosion 2
87 D# 5 Kitty ** 1 Firework 2
88 E 5 Growl ** 1 Fireball **** 2
89 F 5 Haunted ** 2
90 F# 5 Ghost 2
91 G 5 Maou ** 2
42
TG300B Drum Map (Drum voices)
Program# 1 9 17 25 26 33 41 49 57 128
Note# Note Alternate Standard Kit E Room Kit E Power Kit E Electro Kit E Analog Kit E Jazz Kit E Brush Kit E Orchestra Kit E SFX Set E C/M Kit E
assign
25 C# 0 Snare Roll TG 1
26 D 0 Finger Snap TG 1
27 D# 0 Hi Q TG 1 Hi-Hat Closed Orchestra 1
28 E 0 Whip Slap TG 1 Hi-Hat Pedal Orchestra 1
29 F 0 7 Scratch H TG 1 Hi-Hat Open Orchestra 1
30 F# 0 7 Scratch L TG 1 Ride Cymbal 1 Orchestra 1
31 G 0 Sticks TG 1
32 G# 0 Click Noise TG 1
33 A 0 Metronome Click TG 1
34 A# 0 Metronome Bell TG 1
35 B 0 Kick Tight 1 Kick Tight Jazz TG 1 Kick Tight Jazz TG 1 Kick Orchestra 1 Kick Tight CM 1
36 C 1 Kick 1 Kick Room 1 Kick Power 1 Kick Electro TG 1 Kick Analog 1 Kick Jazz 1 Kick Small 1 Gran Cassa Orchestra 1 Kick CM 1
37 C# 1 Side Stick 1 Side Stick Analog 1 Side Stick CM 1
38 D 1 Snare 1 Snare Power 1 Snare Electro TG 1 Snare Analog 1 Brush Tap TG 1 Band Snare TG 1 Snare CM 1
39 D# 1 Hand Clap 1 Brush Slap TG 1 Castanet TG 2 1 Hi Q TG 1 Hand Clap CM 1
40 E 1 Snare Tight 1 Snare Power 2 1 Brush Swirl TG 1 Band Snare TG 1 Whip Slap TG 1 Snare Electro CM 1
41 F 1 Floor Tom L 1 Tom Room 1 1 Tom Room 1 1 Tom Electro 1 1 Tom Analog 1 1 Tom Jazz 1 1 Tom Jazz 1 1 Timpani F 1 Scratch H TG 1 Floor Tom L CM 1
42 F# 1 1 Hi-Hat Closed 1 Hi-Hat Closed Analog 1 Timpani F# 1 Scratch L TG 1 Hi-Hat Closed CM 1
43 G 1 Floor Tom H 1 Tom Room 2 1 Tom Room 2 1 Tom Electro 2 1 Tom Analog 2 1 Tom Jazz 2 1 Tom Jazz 2 1 Timpani G 1 Sticks TG 1 Floor Tom H CM 1
44 G# 1 1 Hi-Hat Pedal 1 Hi-Hat Closed Analog 2 1 Timpani G# 1 Click Noise TG 1 Hi-Hat Open Short CM 1
45 A 1 Low Tom 1 Tom Room 3 1 Tom Room 3 1 Tom Electro 3 1 Tom Analog 3 1 Tom Jazz 3 1 Tom Jazz 3 1 Timpani A 1 Metronome Click TG 1 Low Tom CM 1
46 A# 1 1 Hi-Hat Open 1 Hi-Hat Open Analog 1 Timpani A# 1 Metronome Bell TG 1 Hi-Hat Open CM 1
47 B 1 Mid Tom L 1 Tom Room 4 1 Tom Room 4 1 Tom Electro 4 1 Tom Analog 4 1 Tom Jazz 4 1 Tom Jazz 4 1 Timpani B 1 Guitar Fret Noise 2 Mid Tom L CM 1
48 C 2 Mid Tom H 1 Tom Room 5 1 Tom Room 5 1 Tom Electro 5 1 Tom Analog 5 1 Tom Jazz 5 1 Tom Jazz 5 1 Timpani C 1 Cutting Noise H 1 Mid Tom H CM 1
49 C# 2 Crash Cymbal 1 1 Crash Analog 1 Timpani C# 1 Cutting Noise L 1 Crash Cymbal CM 1
50 D 2 High Tom 1 Tom Room 6 1 Tom Room 6 1 Tom Electro 6 1 Tom Analog 6 1 Tom Jazz 6 1 Tom Jazz 6 1 Timpani D 1 String Slap 1 High Tom CM 1
51 D# 2 Ride Cymbal 1 1 Timpani D# 1 Flute Key Click 1 Ride Cymbal CM 1
52 E 2 Chinese Cymbal 1 Reverse Cymbal TG 1 Timpani E 1 Laugh 1
53 F 2 Ride Cymbal Cup 1 Timpani F' 1 Scream 1
54 F# 2 Tambourine 1 Punch 1 Tambourine CM 1
55 G 2 Splash Cymbal 1 Heartbeat 1
56 G# 2 Cowbell 1 Cowbell Analog 1 Footsteps 1 Cowbell CM 1
57 A 2 Crash Cymbal 2 1 Hand Cymbal H TG 1 Footsteps 1
58 A# 2 Vibraslap 1 Applause 1
59 B 2 Ride Cymbal 2 1 Hand Cymbal L TG 1 Door Squeak 1
60 C 3 Bongo H 1 Door Slam 1 Bongo H CM 1
61 C# 3 Bongo L 1 Scratch Cut 1 Bongo L CM 1
62 D 3 Conga H Mute 1 Conga Analog H 1 Wind Chime 1 Conga H Mute CM 1
63 D# 3 Conga H Open 1 Conga Analog M 1 Ignition 1 Conga H Open CM 1
64 E 3 Conga L 1 Conga Analog L 1 Squeal 1 Conga L CM 1
65 F 3 Timbale H 1 Exhaust 1 Timbale H CM 1
66 F# 3 Timbale L 1 Crash 1 Timbale L CM 1
67 G 3 Agogo H 1 Siren 1 Agogo H CM 1
68 G# 3 Agogo L 1 Train 1 Agogo L CM 1
69 A 3 Cabasa 1 Jet Plane 2 Cabasa CM 1
70 A# 3 Maracas 1 Maracas 2 1 Helicopter 1 Maracas CM 1
71 B 3 2 Samba Whistle H TG 1 Starship 2 Samba Whistle H TG CM 1
72 C 4 2 Samba Whistle L TG 1 Gunshot 1 Samba Whistle L TG CM 1
73 C# 4 3 Guiro Short TG 1 Machine Gun 1 Vibraslap CM 1
74 D 4 3 Guiro Long TG 1 Laser Gun 2
75 D# 4 Claves 1 Claves 2 1 Explosion 2 Claves CM 1
76 E 4 Wood Block H 1 Dog 1 Laugh 1
77 F 4 Wood Block L 1 Horse 1 Scream 1
78 F# 4 4 Cuica Mute TG 1 Bird Tweet 2 Punch 1
79 G 4 4 Cuica Open TG 1 Shower 2 Heartbeat 1
80 G# 4 5 Triangle Mute TG 1 Thunder 1 Footsteps 1
81 A 4 5 Triangle Open TG 1 Wind 1 Footsteps 1
82 A# 4 Shaker 1 Seashore 2 Applause 1
83 B 4 Jingle Bells 1 Stream 2 Door Squeak 1
84 C 5 Bell Tree 1 Bubble 2 Door Slam 1
85 C# 5 Castanet TG 1 Scratch Cut 1
86 D 5 6 Surdo Mute TG 1 Wind Chime 1
87 D# 5 6 Surdo Open TG 1 Ignition 1
88 E 5 Applause 1 Squeal 1
89 F 5 Exhaust 1
90 F# 5 Crash 1
91 G 5 Siren 2
92 G# 5 Train 1
93 A 5 Jet Plane 2
94 A# 5 Helicopter 1
95 B 5 Starship 2
96 C 6 Gunshot 1
97 C# 6 Machine Gun 1
98 D 6 Laser Gun 2
99 D# 6 Explosion 2
100 E 6 Dog 1
101 F 6 Horse 1
102 F# 6 Bird Tweet 2
103 G 6 Shower 2
104 G# 6 Thunder 1
105 A 6 Wind 1
106 A# 6 Seashore 2
107 B 6 Stream 2
108 C 7 Bubble 2
: Same as Standard Kit : No sound
Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously.
43
A/D Input Preset List
A/D1
A/D2
BANK Source PGM CNG# = 0 1 2 3 4 5 6 7 8 9 10 11 12
0 MIC Preset Name Off Mic Reverb Chorus Chorus+Reverb Karaoke1 Karaoke2 Karaoke3 Echo Vocal Studio Oct Up Oct Down
input gain mic mic mic mic mic mic mic mic mic mic mic mic mic
var type - - - - - Karaoke1 Karaoke2 Karaoke3 Echo Stage1 Exciter Pitch Change Pitch Change
1 GUITAR Preset Name Off Guitar Reverb Chorus Chorus+Reverb Tube Stack Flang Gtr Clean Gtr Funk Gtr Tremolo Phaser 5th Guitar
(Note 1) input gain mic mic mic mic mic mic mic mic mic mic mic mic mic
var type - - - - - Amp Sim. Amp Sim. Flanger Celeste Touch Wah Tremolo Phaser Pitch Change
2 KEYBOARD Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX
input gain line line line line line line line line line line line line line
var type - - - - - Phaser Auto Pan Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change
3 AUDIO Preset Name Off Audio Reverb Chorus Chorus+Reverb
(Note 2) input gain line line line line line
var type - - - - -
18 STEREO Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX
KEYBOARD input gain line line line line line line line line line line line line line
(Note 3) var type - - - - - Phaser Auto Pan Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change
19 STEREO Preset Name Off Audio Reverb Chorus Chorus+Reverb
AUDIO input gain line line line line line
(Note 3) var type - - - - -
(Note 1)
Depending on the guitar, the input may be distorted. Adjust the input level from your software or guitar.
(Note 2)
AUDIO sets PAN to Lch for A/D1 and Rch for A/D2.
(Note 3)
The Stereo setting can be selected only for A/D1.
The A/D1 and A/D2 inputs will be handled as the Lch and Rch respectively of a stereo signal.
44
Effect Type List

n The letter “H” shown to the right of each Effect Type’s MSB/LSB value means that the value is hexadecimal.
REVERB
No. MSB LSB Effect Type Remarks
0 00H 00H NO EFFECT Turn off the effect.
1 01H 00H HALL 1
HALL 2 Reverb simulating the acoustics of a hall.
2 01H 01H
3 02H 00H ROOM 1
4 02H 01H ROOM 2 Reverb simulating the acoustics of a room.
5 02H 02H ROOM 3
6 03H 00H STAGE 1
STAGE 2 Reverb appropriate for a solo instrument.
7 03H 01H
8 04H 00H PLATE Reverb simulating a metal plate reverb device.
9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay.
10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right.
11 12H 00H CANYON A hypothetical acoustic space which extends without limit.
12 13H 00H BASEMENT Reverb with distinctive resonance following a slight initial delay.
CHORUS
0 00H 00H NO EFFECT Turn off the effect.
1 41H 00H CHORUS 1
2 41H 01H CHORUS 2
CHORUS 3 A standard chorus effect, adding natural spaciousness to the sound.
3 41H 02H
4 41H 08H CHORUS 4
5 42H 00H CELESTE 1
6 42H 01H CELESTE 2
CELESTE 3 An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.
7 42H 02H
8 42H 08H CELESTE 4
9 43H 00H FLANGER 1
10 43H 01H FLANGER 2 An effect reminiscent of a jet airplane taking off and landing.
11 43H 08H FLANGER 3
12 44H 00H SYMPHONIC A multi-stage version of CELESTE modulation.
13 57H 00H ENSEMBLE DETUNE Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
14 48H 00H PHASER 1 Cyclically changes the phase to modulate the sound.
45
VARIATION
0 00H 00H NO EFFECT Turns off the effect.
1 01H 00H HALL 1
Reverb simulating the acoustics of a hall.
2 01H 01H HALL 2
3 02H 00H ROOM 1
5 02H 02H ROOM 3
6 03H 00H STAGE 1
Reverb appropriate for a solo instrument.
7 03H 01H STAGE 2
9 10H 00H WHITE ROOM Distinctive short reverb with a slight initial delay.
10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right.
11 12H 00H CANYON A hypothetical acoustic space which extends without limit.
12 13H 00H BASEMENT Reverb with distinctive resonance following a slight initial delay.
13 05H 00H DELAY L,C,R Three delay sounds L, R and C (center).
14 06H 00H DELAY L,R Two delay sounds L and R, with two feedback delays.
15 07H 00H ECHO Two delays L and R, with independent feedback delay for L and R.
16 08H 00H CROSS DELAY This effect crosses the feedback of two delays.
17 09H 00H ER 1
This effect isolates only the early reflection components of the reverb.
18 09H 01H ER 2
19 0AH 00H GATE REVERB Simulation of gated reverb.
20 0BH 00H REVERSE GATE Simulation of gated reverb played back in reverse.
21 14H 00H KARAOKE 1
22 14H 01H KARAOKE 2 Echo for karaoke.
24 41H 00H CHORUS 1
25 41H 01H CHORUS 2
Conventional chorus effect which gives natural spaciousness to the sound.
26 41H 02H CHORUS 3
27 41H 08H CHORUS 4
28 42H 00H CELESTE 1
A three-phase LFO is used to give modulation and spaciousness to the sound.
37 58H 00H AMBIENCE An effect which adds spatial breadth by blurring the location of the sound.
38 45H 00H ROTARY SPEAKER Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
39 56H 00H 2WAY ROTARY SPEAKER Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
40 46H 00H TREMOLO An effect which cyclically modulates the volume.
41 47H 00H AUTO PAN An effect which cyclically moves the sound between left/right and front/back.
42 48H 00H PHASER 1
Cyclically changes the phase to modulate the sound.
43 48H 08H PHASER 2
44 49H 00H DISTORTION Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well.
45 49H 01H COMP+DISTORTION Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.
46 4AH 00H OVER DRIVE Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well.
47 4BH 00H AMP SIMULATOR Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well.
48 4CH 00H 3BAND EQ(MONO) Mono EQ with equalization of LOW, MID and HIGH.
49 4DH 00H 2BAND EQ(STEREO) Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
50 4EH 00H AUTO WAH(LFO) Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
51 4EH 01H AUTO WAH+DIST Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
52 4EH 02H AUTO WAH+ODRV Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
53 52H 00H TOUCH WAH 1 Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way.
54 52H 01H TOUCH WAH 2 Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
55 52H 02H TOUCH WAH+DIST Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
56 52H 08H TOUCH WAH+ODRV Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
57 50H 00H PITCH CHANGE 1
This effect changes the pitch of the input signal.
58 50H 01H PITCH CHANGE 2
59 51H 00H HARMONIC ENHANCER This effect adds new overtones to the input signal to make the sound stand out.
60 53H 00H COMPRESSOR Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
61 54H 00H NOISE GATE Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
62 55H 00H VOICE CANCEL Attenuates the vocal part from sources such as CDs.
63 5DH 00H TALKING MODULATOR Adds a vowel sound to the input signal.
64 5EH 00H LO-FI Degrades the audio quality of the input signal.
65 5FH 00H DIST+DELAY DISTORTION and DELAY are connected in series.
66 5FH 01H OVERDRIVE+DELAY OVERDRIVE and DELAY are connected in series.
67 60H 00H COMP+DIST+DELAY COMPRESSOR, DISTORTION and DELAY are connected in series.
68 60H 01H COMP+OVERDRIVE+DELAY COMPRESSOR, OVERDRIVE and DELAY are connected in series.
69 61H 00H WAH+DIST+DELAY TOUCH WAH, DISTORTION and DELAY are connected in series.
70 61H 01H WAH+OVERDRIVE+DELAY TOUCH WAH, OVERDRIVE and DELAY are connected in series.
71 40H 00H THRU Bypass without applying an effect.
46
INSERTION1,2
0 40H 00H THRU Bypass without applying an effect.
1 01H 00H HALL 1
HALL 2 Reverb simulating the acoustics of a hall.
2 01H 01H
3 02H 00H ROOM 1
5 02H 02H ROOM 3
6 03H 00H STAGE 1
STAGE 2 Reverb appropriate for a solo instrument.
7 03H 01H
9 05H 00H DELAY L,C,R Three delay sounds L, R and C (center).
10 06H 00H DELAY L,R Two delay sounds L and R, with two feedback delays.
11 07H 00H ECHO Two delays L and R, with independent feedback delay for L and R.
12 08H 00H CROSS DELAY This effect crosses the feedback of two delays.
14 14H 01H KARAOKE 2 Echo for karaoke.
16 41H 00H CHORUS 1
17 41H 01H CHORUS 2
CHORUS 3 Conventional chorus effect which gives natural spaciousness to the sound.
18 41H 02H
19 41H 08H CHORUS 4
CELESTE 3 A three-phase LFO is used to give modulation and spaciousness to the sound.
22 42H 02H
29 45H 00H ROTARY SPEAKER Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
30 46H 00H TREMOLO An effect which cyclically modulates the volume.
31 47H 00H AUTO PAN An effect which cyclically moves the sound between left/right and front/back.
32 48H 00H PHASER 1 Cyclically changes the phase to modulate the sound.
33 49H 00H DISTORTION Adds distortion with an edge to the sound.
34 4AH 00H OVER DRIVE Adds mild distortion to the sound.
35 4BH 00H AMP SIMULATOR Simulation of a guitar amp.
36 4CH 00H 3BAND EQ(MONO) Mono EQ with equalization of LOW, MID and HIGH.
37 4DH 00H 2BAND EQ(STEREO) Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
38 4EH 00H AUTO WAH(LFO) Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
39 52H 00H TOUCH WAH 1 Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
40 52H 08H TOUCH WAH 2 Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
41 51H 00H HARMONIC ENHANCER This effect adds new overtones to the input signal to make the sound stand out.
42 53H 00H COMPRESSOR Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
43 54H 00H NOISE GATE Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
47
Effect MSB/LSB List

n “DEC” means Decimal and “HEX” means Hexadecimal.
REVERB TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 NO EFFECT
: : :
015 F NO EFFECT
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 NO EFFECT
: : :
127 7F NO EFFECT
NO EFFECT Same as basic effects (LSB = 00)
CHORUS TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 NO EFFECT
: : :
064 40 NO EFFECT
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 NO EFFECT
: : :
071 47 NO EFFECT
072 48 PHASER 1
073 49 NO EFFECT
: : :
086 56 NO EFFECT
087 57 ENSEMBLE DETUNE
088 58 NO EFFECT
: : :
127 7F NO EFFECT
NO EFFECT Same as basic effects (LSB = 00)
48
VARIATION TYPE (MSB=0 - 63)

TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 HALL 1 HALL 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 ER 1 ER 2
010 A GATE REVERB
011 B REVERSE GATE
012 C NO EFFECT or THRU
: : :
015 F NO EFFECT or THRU
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 NO EFFECT or THRU
: : :
063 3F NO EFFECT or THRU
NO EFFECT (for SYS)or THRU (for INS) Same as basic effects (LSB = 00)
VARIATION TYPE (MSB=64 - 127)

TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
064 40 THRU
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1 PHASER 2
073 49 DISTORTION COMP+DISTORTION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3-BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO) AUTO WAH+DIST AUTO WAH+OVERDRIVE
079 4F THRU
080 50 PITCH CHANGE1 PITCH CHANGE2
081 51 HARMONIC ENHANCER
082 52 TOUCH WAH 1 TOUCH WAH+DIST TOUCH WAH+OVERDRIVE TOUCH WAH 2
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 VOICE CANCEL
086 56 2WAY ROTARY SPEAKER
088 58 AMBIENCE
089 59 THRU
: : :
092 5C THRU
093 5D TALKING MODULATOR
094 5E LO-FI
095 5F DIST+DELAY OVERDRIVE+DELAY
096 60 COMP+DIST+DELAY COMP+OVERDRIVE+DELAY
097 61 WAH+DIST+DELAY WAH+OVERDRIVE+DELAY
098 62 THRU
: : :
127 7F THRU
THRU Same as basic effects (LSB = 00)
49
INSERTION TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 THRU
001 1 HALL 1 HALL 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 THRU
: : :
019 13 THRU
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 THRU
: : :
063 3F THRU
064 40 THRU
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1
073 49 DISTORTION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO)
079 4F THRU
080 50 THRU
081 51 HARMONIC ENHANCER
082 52 TOUCH WAH 1 TOUCH WAH 2
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 THRU
086 56 THRU
088 58 THRU
: : :
127 7F THRU
THRU Same as basic effects (LSB = 00)
50
Effect Parameter List

n Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, this
is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.
n Dry/Wet is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.
n Abbreviations used in the effect block diagrams

LPF = Low Pass Filter
HPF = High Pass Filter
LSF = Low Shelving Filter
HSF = High Shelving Filter
PDF = Peak Dip Filter
EF = Envelope Follower
ER = Early Reflection
HALL1, HALL2, ROOM1, ROOM2, ROOM3, WHITE ROOM, TUNNEL, CANYON, BASEMENT
STAGE1, STAGE2, PLATE (Reverb, Variation, (Reverb, Variation block)
Insertion1, 2 block) No. Parameter Display Value See Table Control
1 Reverb Time 0.3~30.0s 0-69 table#4
No. Parameter Display Value See Table Control 2 Diffusion 0~10 0-10
1 Reverb Time 0.3~30.0s 0-69 table#4 3 Initial Delay 0.1~99.3ms 0-63 table#5
2 Diffusion 0~10 0-10 4 HPF Cutoff Thru~8.0kHz 0-52 table#3
3 Initial Delay 0.1~99.3ms 0-63 table#5 5 LPF Cutoff 1.0k~Thru 34-60 table#3
4 HPF Cutoff Thru~8.0kHz 0-52 table#3 6 Width 0.5~10.2m 0-37 table#11
5 LPF Cutoff 1.0k~Thru 34-60 table#3 7 Heigt 0.5~20.2m 0-73 table#11
6 8 Depth 0.5~30.2m 0-104 table#11
7 9 Wall Vary 0~30 0-30
8 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 11 Rev Delay 0~63 0-63 table#5
12 Density 0~4 0-4
11 Rev Delay 0~63 0-63 table#5 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
12 Density 0~4 (reverb, variation block) 0-4 14 High Damp 0.1~1.0 1-10
0~2 (insertion1,2 block) 0-2 15 Feedback Level -63~+63 1-127
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 16
14 High Damp 0.1~1.0 1-10
15 Feedback Level -63~+63 1-127
16
Reverb Bock
L L
+
HPF LPF DELAY/ER
+ REV
HPF LPF DELAY/ER
+
R R
Variation, Insertion block

dry (L)
L L
+
+ HPF LPF DELAY/ER REV
+
R dry (R) R
51
DELAY L, C, R (Variation, Insertion 1, 2 block) ECHO (Variation, Insertion 1, 2 block)

No. Parameter Display Value See Table Control No. Parameter Display Value See Table Control
1 Lch Delay 0.1~1486.0ms (variation block) 1-14860 1 Lch Delay1 0.1~743.0ms (variation block) 1-7430
0.1~742.9ms (insertion1,2 block) 1-7429 0.1~371.4ms (insertion1,2 block) 1-3714
2 Rch Delay 0.1~1486.0ms (variation block) 1-14860 2 Lch Feedback Level -63~+63 1-127
0.1~742.9ms (insertion1,2 block) 1-7429 3 Rch Delay1 0.1~743.0ms (variation block) 1-7430
3 Cch Delay 0.1~1486.0ms (variation block) 1-14860 0.1~371.4ms (insertion1,2 block) 1-3714
0.1~742.9ms (insertion1,2 block) 1-7429 4 Rch Feedback Level -63~+63 1-127
4 Feedback Delay 0.1~1486.0ms (variation block) 1-14860 5 High Damp 0.1~1.0 1-10
0.1~742.9ms (insertion1,2 block) 1-7429 6 Lch Delay2 0.1~743.0ms (variation block) 1-7430
5 Feedback Level -63~+63 1-127 0.1~371.4ms (insertion1,2 block) 1-3714
6 Cch Level 0~127 0-127 7 Rch Delay2 0.1~743.0ms (variation block) 1-7430
7 High Damp 0.1~1.0 1-10 0.1~371.4ms (insertion1,2 block) 1-3714
8 8 Delay2 Level 0~127 0-127
9 9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 11
12 12
13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
14 EQ Low Gain -12~+12dB 52-76 14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
16 EQ High Gain -12~+12dB 52-76 16 EQ High Gain -12~+12dB 52-76
dry (L)
L LSF HSF L L LSF HSF
dry (L)
L
+ DELAY
+ DELAY
L
LPF
LPF C LPF
R
+ DELAY
R LSF HSF dry (R) R
R LSF HSF dry (R) R
DELAY L, R (Variation, Insertion 1, 2 block)

CROSS DELAY (Variation, Insertion 1, 2 block)
No. Parameter Display Value See Table Control
1 Lch Delay 0.1~1486.0ms (variation block) 1-14860 No. Parameter Display Value See Table Control
0.1~742.9ms (insertion1,2 block) 1-7429 1 L->R Delay 0.1~743.0ms (variation block) 1-7430
2 Rch Delay 0.1~1486.0ms (variation block) 1-14860 0.1~371.4ms (insertion1,2 block) 1-3714
0.1~742.9ms (insertion1,2 block) 1-7429 2 R->L Delay 0.1~743.0ms (variation block) 1-7430
3 Feedback Delay 1 0.1~1486.0ms (variation block) 1-14860 0.1~371.4ms (insertion1,2 block) 1-3714
0.1~742.9ms (insertion1,2 block) 1-7429 3 Feedback Level -63~+63 1-127
4 Feedback Delay 2 0.1~1486.0ms (variation block) 1-14860 4 Input Select L,R,L&R 0-2
0.1~742.9ms (insertion1,2 block) 1-7429 5 High Damp 0.1~1.0 1-10
5 Feedback Level -63~+63 1-127 6
6 High Damp 0.1~1.0 1-10 7
7 8
8 9
9 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11
11 12
12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76
14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76
16 EQ High Gain -12~+12dB 52-76
dry (L)
dry (L) L LSF HSF L
L LSF HSF L + DELAY
+ DELAY LPF
L LPF
LPF R
LPF + DELAY
R LSF HSF R R LSF HSF dry (R) R
dry (R)
52
EARLY REF 1, EARLY REF 2 (Variation block) CHORUS 1,2,3,4 CELESTE 1,2,3,4
No.
1
Parameter
Type
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
Value
0-5
See Table Control (Chorus, Variation, Insertion 1, 2 block)
2 Room Size 0.1~7.0 0-44 table#6 No. Parameter Display Value See Table Control
3 Diffusion 0~10 0-10 1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1
4 Initial Delay 0.1~99.3ms 0-63 table#5 2 LFO Depth 0~127 0-127
5 Feedback Level -63~+63 1-127 3 Feedback Level -63~+63 1-127
6 HPF Cutoff Thru~8.0kHz 0-52 table#3 4 Delay Offset 0.0~50.0 0-127 table#2
7 LPF Cutoff 1.0k~Thru 34-60 table#3 5
8 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
9 7 EQ Low Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
9 EQ High Gain -12~+12dB 52-76
11 Liveness 0~10 0-10 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10 11 EQ Mid Frequency 100Hz~10.0kHz (variation block) 14-54 table#3
14 12 EQ Mid Gain -12~+12dB (variation block) 52-76
15 13 EQ Mid Width 1.0~12.0 (variation block) 10-120
16 14
15 Input Mode mono/stereo 0-1
16
GATE REVERB, REVERSE GATE (Variation block) Chorus Block: when input mode = "mono"
1 Type TypeA,TypeB 0-1 L LSF HSF L
2 Room Size 0.1~7.0 0-44 table#6
3 Diffusion 0~10 0-10
4 Initial Delay 0.1~99.3ms 0-63 table#5
6 HPF Cutoff Thru~8.0kHz 0-52 table#3 + CHORUS
7 LPF Cutoff 1.0k~Thru 34-60 table#3
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
R LSF HSF R
11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
14
15
16
Chorus Block: when input mode = "stereo"
L LSF HSF L
dry (L)
L L CHORUS
CHORUS
+ HPF LPF ER
R LSF HSF R
R dry (R) R
Variation, Insertion Block: when input mode = "mono"
dry (L)
L LSF HSF L
KARAOKE1, 2, 3 (Variation, Insertion 1, 2 block)
No.
1
Parameter
Delay Time
Display
0.1~400ms
Value
0-127
See Table
table#7
Control + CHORUS
3 HPF Cutoff Thru~8.0kHz 0-52 table#3
5
6
R LSF HSF dry (R) R
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
Variation, Insertion Block: when input mode = "stereo"
11
12
13 dry (L)
14 L LSF HSF L
15
16
CHORUS
CHORUS
dry (L)
L L
R LSF HSF dry (R) R
+ HPF LPF KARAOKE
R dry (R) R
53
FLANGER 1, 2, 3 (Chorus, Variation, Insertion 1, Variation, Insertion Block

2 block) L LSF HSF
dry (L)
L
1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1
2 LFO Depth 0~127 0-127
3 Feedback Level -63~+63 1-127 + SYMPHONIC
4 Delay Offset 0.0~50.0 0-127 table#2
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 R LSF HSF dry (R) R
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 EQ Mid Frequency 100Hz~10.0kHz (variation block) 14-54 table#3

12 EQ Mid Gain -12~+12dB (variation block) 52-76
13 EQ Mid Width 1.0~12.0 (variation block) 10-120
14 LFO Phase Difference -180~+180deg 4-124 resolution=3deg.
15 ENSEMBLE DETUNE (Chorus, Variation, Insertion
16
1, 2 block)
Chorus Block 1 Detune -50~+50cent 14-114
2 Lch Init Delay 0.0~50.0 0-127 table#2
3 Rch Init Delay 0.0~50.0 0-127 table#2
4
L LSF HSF L 5
6
7
FLANGER 8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
FLANGER
11 EQ Low Frequency 32Hz~2.0kHz (variation, insertion1,2 block) 4-40 table#3
12 EQ Low Gain -12~+12dB (variation, insertion1,2 block) 52-76
R LSF HSF R 13 EQ High Frequency 500Hz~16.0kHz (variation, insertion1,2 block) 28-58 table#3
14 EQ High Gain -12~+12dB (variation, insertion1,2 block) 52-76
15
16
Variation, Insertion Block

dry (L)
Chorus Block
L LSF HSF L
L L
FLANGER
PITCH CHANGE
FLANGER
PITCH CHANGE
R LSF HSF dry (R) R
R R
SYMPHONIC (Chorus, Variation, Insertion 1, 2 Variation, Insertion Block

block) L LSF HSF
dry (L)
L
2 LFO Depth 0~127 0-127 PITCH CHANGE
3 Delay Offset 0.0~50.0 0-127 table#2
4
5
PITCH CHANGE
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 R LSF HSF dry (R) R
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

14
15 AMBIENCE (Variation block)
16
1 Delay Time 0.0~50.0 0-127 table#2
2 Output Phase normal/invers 0-1
Chorus Block 3
4
5
L LSF HSF L 7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
+ SYMPHONIC 11
12
13
14
15
R LSF HSF R 16
54
dry (L) TREMOLO (Variation, Insertion 1, 2 block)

L LSF HSF L
2 AM Depth 0~127 0-127
3 PM Depth 0~127 0-127
+ AMBIENCE 4
5
7 EQ Low Gain -12~+12dB 52-76
R LSF HSF dry (R) R 9 EQ High Gain -12~+12dB 52-76
10

14 LFO Phase Difference -180~+180deg 4-124 resolution=3deg.
ROTARY SPEAKER (Variation, Insertion 1, 2 15
16
Input Mode mono/stereo 0-1
block)
No.
1
Parameter
LFO Frequency
Display
0.00Hz~39.7Hz
Value
0-127
See Table
table#1
Control
When input mode="mono"
2 LFO Depth 0~127 0-127
3
4 L LSF HSF L
5
7 EQ Low Gain -12~+12dB 52-76
9 EQ High Gain -12~+12dB 52-76 + TREMOLO
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

13 EQ Mid Width 1.0~12.0 (variation block) 10-120 R LSF HSF R
14
15
16
When input mode="stereo"

dry (L)
L LSF HSF L L LSF HSF L
TOREMOLO
+ ROTARY SP.
TOREMOLO
R LSF HSF dry (R) R R LSF HSF R
2WAY ROTARY SPEAKER (Variation block) AUTO PAN (Variation, Insertion 1, 2 block)
1 Rotor Speed 0.0Hz~39.7Hz 0-127 table#1 1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1
2 Drive Low 0~127 0-127 2 L/R Depth 0~127 0-127
3 Drive High 0~127 0-127 3 F/R Depth 0~127 0-127
4 Low/High L63>H ~ L=H ~ L<H63 1-127 4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5
5 5
10 10
11 Crossover Frequency 100Hz~10.0kHz 14-54 table#3 11 EQ Mid Frequency 100Hz~10.0kHz (variation block) 14-54 table#3
12 Mic L-R Angle 0deg~180deg 0-60 resolution=3deg. 12 EQ Mid Gain -12~+12dB (variation block) 52-76
13 13 EQ Mid Width 1.0~12.0 (variation block) 10-120
14 14
15 15
16 16
L + L L LSF HSF L
High HSF HORN

+ + AUTO PAN
Low LSF ROTOR
R + R R LSF HSF R
55
PHASER 1 (Chorus, Variation, Insertion 1, 2 DISTORTION, OVERDRIVE (Variation, Insertion 1,

block) 2 block)
1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 1 Drive 0~127 0-127
2 LFO Depth 0~127 0-127 2 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
3 Phase Shift Offset 0~127 0-127 3 EQ Low Gain -12~+12dB 52-76
4 Feedback Level -63~+63 1-127 4 LPF Cutoff 1.0k~Thru 34-60 table#3
5 5 Output Level 0~127 0-127
6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 6
7 EQ Low Gain -12~+12dB 52-76 7 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 8 EQ Mid Gain -12~+12dB 52-76
9 EQ High Gain -12~+12dB 52-76 9 EQ Mid Width 1.0~12.0 10-120
11 Stage 4,5,6 (chorus, insertion1,2 block) 4-6 11 Edge(Clip Curve) 0~127 0-127 mild~sharp
4~12 (variation block) 4-12 12
12 Diffusion mono/stereo 0-1 13
13 14
14 15
15 16
16
Chorus Block
AMP SIMULATOR (Variation, Insertion 1, 2 block)
L LSF HSF L No. Parameter Display Value See Table Control
1 Drive 0~127 0-127
2 AMP Type Off,Stack,Combo,Tube 0-3
4 Output Level 0~127 0-127
+ PHASER 5
6
7
8
9
R LSF HSF R 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Edge(Clip Curve) 0~127 0-127 mild~sharp

12
13
Variation, Insertion Block 14
15
16
dry (L)
L LSF HSF L
Variation Block
+ PHASER dry (L)
L L
R LSF HSF dry (R) R

+ GATE DISTORTION
EF
R dry (R) R
PHASER 2 (Variation block)
1
2
LFO Frequency
LFO Depth
0.00Hz~39.7Hz
0~127
0-127
0-127
table#1 Insertion Block
3 Phase Shift Offset 0~127 0-127
4 Feedback Level -63~+63 1-127 dry (L)
5 L L
7 EQ Low Gain -12~+12dB 52-76
10
9 EQ High Gain
Dry/Wet
-12~+12dB
D63>W ~ D=W ~ D<W63
52-76
1-127
+ DISTORTION
11 Stage 3,4,5,6 3-6
12
13 LFO Phase Difference
14
-180deg~+180deg 4-124 resolution=3deg. R dry (R) R
15
16
dry (L)
L LSF HSF L
PHASER
PHASER
R LSF HSF dry (R) R
56
COMP+DIST (Variation block) 2 BAND EQ (STEREO) (Variation, Insertion 1, 2

No.
1
Parameter
Drive
Display
0~127
Value
0-127
See Table Control block)
2 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 No. Parameter Display Value See Table Control
3 EQ Low Gain -12~+12dB 52-76 1 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3
4 LPF Cutoff 1.0k~Thru 34-60 table#3 2 EQ Low Gain -12~+12dB 52-76
5 Output Level 0~127 0-127 3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
6
7 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 5
8 EQ Mid Gain -12~+12dB 52-76 6
9 EQ Mid Width 1.0~12.0 10-120 7
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 8
9
11 Edge(Clip Curve) 0~127 0-127 mild~sharp 10
12 Attack 1ms~40ms 0-19 table#8
13 Release 10ms~680ms 0-15 table#9 11
14 Threshold -48dB~-6dB 79-121 12
15 Ratio 1.0~20.0 0-7 table#10 13
16
14
15
16
dry (L)
L L
L LSF HSF L
+ COMP DISTORTION
EF
R dry (R) R
R LSF HSF R
3 BAND EQ (MONO) (Variation, Insertion 1, 2

block) AUTO WAH (Variation, Insertion 1, 2 block)
1 EQ Low Gain -12~+12dB 52-76 1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1
2 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 2 LFO Depth 0~127 0-127
3 EQ Mid Gain -12~+12dB 52-76 3 Cutoff Frequency Offset 0~127 0-127
4 EQ Mid Width 1.0~12.0 10-120 4 Resonance 1.0~12.0 10-120
5 EQ High Gain -12~+12dB 52-76 5
7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 7 EQ Low Gain -12~+12dB 52-76
8 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3
9 9 EQ High Gain -12~+12dB 52-76
10 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 11 Drive (Variation block) 0~127 0-127

12 12
13 13
14 14
15 Input Mode mono/stereo 0-1 15
16 16
When input mode="mono" Variation Block
L L L LSF HSF
dry (L) dry (L)
L
AUTO WAH
+ LSF + DISTORTION
PDF HSF
AUTO WAH
R LSF HSF dry (R) dry (R) R

R R
When input mode="stereo" Insertion Block

dry (L)
L LSF PDF HSF L L LSF HSF L
AUTO WAH
AUTO WAH
R LSF PDF HSF R R LSF HSF dry (R) R
57
AUTO WAH+DIST, AUTO WAH+ODRV (Variation TOUCH WAH 1 (Variation, Insertion 1, 2 block)
block) TOUCH WAH+DIST (Variation block)
1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 1 Sensitive 0~127 0-127
2 LFO Depth 0~127 0-127 2 Cutoff Frequency Offset 0~127 0-127
3 Cutoff Frequency Offset 0~127 0-127 3 Resonance 1.0~12.0 10-120
4 Resonance 1.0~12.0 10-120 4
5 5
11 Drive (Variation block) 0~127 0-127 11 Drive (Variation block) 0~127 0-127
12 12
13 13
14 14
15 15
16 16
Variation Block: TOUCH WAH 1

dry (L) dry (L)
L LSF HSF L L LSF HSF
dry (L) dry (L)
L
AUTO WAH TOUCH WAH

+ DISTORTION + EF + DISTORTION
AUTO WAH TOUCH WAH
R LSF HSF R R LSF HSF dry (R) dry (R) R

dry (R) dry (R)
Insertion Block: TOUCH WAH 1

dry (L)
L LSF HSF L
TOUCH WAH
+ EF
TOUCH WAH
R LSF HSF dry (R) R
Variation Block: TOUCH WAH+DIST

dry (L) dry (L)
L LSF HSF L
TOUCH WAH
+ EF + DISTORTION
TOUCH WAH
58
TOUCH WAH 2 (Variation, Insertion 1, 2 block) PITCH CHANGE 1 (Variation block)

TOUCH WAH+ODRV (Variation block) No.
1
Parameter
Pitch
Display
-24~+24
Value See Table
40-88
Control
2 Initial Delay 0.1~400.0 0-127 table#7

3 Fine 1 -50~+50 14-114
1 Sensitive 0~127 0-127
4 Fine 2 -50~+50 14-114
2 Cutoff Frequency Offset 0~127 0-127
3 Resonance 1.0~12.0 10-120
6
4
7
5
8
9
7 EQ Low Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Pan 1 L63~R63 1-127
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
12 Output Level 1 0~127 0-127
13 Pan 2 L63~R63 1-127
11 Drive 0~127 (Variation block) 0-127
14 Output Level 2 0~127 0-127
12 EQ Low Gain(distortion) -12~+12dB (Variation block) 52-76
15
13 EQ Mid Gain(distortion) -12~+12dB (Variation block) 52-76
16
14 LPF Cutoff 1.0kHz~thru (Variation block) 34-60 table#3
16 Release 10~680ms 52-67
Variation Block: TOUCH WAH 2 PITCH CHANGE 2 (Variation block)

dry (L) dry (L)
L LSF HSF L 1 Pitch -24~+24 40-88
2 Initial Delay 0.1~400.0 0-127 table#7
3 Fine 1 -50~+50cent 14-114
TOUCH WAH 4 Fine 2 -50~+50cent 14-114
+ EF + DISTORTION 5 Feedback Level -63~+63 1-127
TOUCH WAH 6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Pan 1 L63~R63 1-127

12 Output Level 1 0~127 0-127
Insertion Block: TOUCH WAH 2 13 Pan 2 L63~R63 1-127
14 Output Level 2 0~127 0-127
dry (L) 15
L LSF HSF L 16
TOUCH WAH
+ EF
TOUCH WAH
dry (L)
L L
R LSF HSF dry (R) R
PITCH CHANGE
+
Variation Block: TOUCH WAH+ODRV PITCH CHANGE
dry (L) dry (L)

L LSF HSF L R dry (R) R
TOUCH WAH
+ EF + DISTORTION
TOUCH WAH
59
HARMONIC ENHANCER (Variation, Insertion 1, 2 COMPRESSOR (Variation, Insertion 1, 2 block)

block) No.
1
Parameter
Attack
Display
1~40ms
Value
0-19
See Table
table#8
Control
2 Release 10~680ms 0-15 table#9

3 Threshold -48~-6dB 79-121
1 HPF Cutoff 500Hz~16.0kHz 28-58 table#3
4 Ratio 1.0~20.0 0-7 table#10
2 Drive 0~127 0-127
3 Mix Level 0~127 0-127
6
4
7
5
8
6
9
7
10
8
9
11
10
12
13
11
14
12
15
13
16
14
15
16
Variation Block
Variation Block
L L
L + L
COMP
+ EF
H.ENHANCER COMP
+ EF
H.ENHANCER
R R
R + R
Insertion Block
Insertion Block
L L
L + L
+ COMP
+ H.ENHANCER EF
EF R R
R + R
60
NOISE GATE (Variation, Insertion 1, 2 block) VOICE CANCEL (Variation block)

1 Attack 1~40ms 0-19 table#8 1
2 Release 10~680ms 0-15 table#9 2
3 Threshold -72~-30dB 55-97 3
4 Output Level 0~127 0-127 4
5 5
6 6
7 7
8 8
9 9
10 10
11 11 Low Adjust 0~26 0-26

12 12 High Adjust 0~26 0-26
13 13
14 14
15 15
16 16
Variation Block
L + L
L L
VOICE CANCEL
GATE
+ EF VOICE CANCEL
GATE
R + R
R R
Insertion Block TALKING MODULATOR (Variation block)

L L 1 Vowel a,i,u,e,o 0-4
2 Move speed 1~62 1-62
3 Drive 0~127 0-127
4 Output level 0~127 0-127
5
+ GATE 6
7
EF 8
9
10
R R
11
12
13
14
15
16
L L
+ EXCITER + TALK MOD.
EF
R R
61
LO-FI (Variation block) COMP+DIST+DELAY (Variation block)

No.
1
Parameter
sampling freq control
Display
44.1kHz~345Hz
Value See Table
0-127
Control COMP+ODRV+DELAY (Variation block)
2 word length 1~127 1-127 No. Parameter Display Value See Table Control
3 output gain -6~+12dB 0-18 1 Delay Time 0.1~1486.0ms 1-14860
4 LPF Cutoff 63Hz~thru 10-60 2 Delay Feedback Level -63~+63 1-127
5 filter type Thru,PowerBass,Radio,Telephone,Clean,Low 0-5 3 Delay Mix 0~127 0-127
6 LPF resonance 1.0~12.0 10-120 4 Dist Drive 0~127 0-127
7 bit assign 0~6 0-6 5 Dist Output Level 0~127 0-127
8 emphasis off/on 0-1 6 Dist EQ Low Gain -12~+12dB 52-76
9
7 Dist EQ Mid Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 8
9
11
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
12
13
11 Comp. Attack 1ms~40ms 0-19 table#8
14
12 Comp. Release 10ms~680ms 0-15 table#9
15 Input Mode mono/stereo 0-1 13 Comp. Threshold -48dB~-6dB 79-121
16
14 Comp. Ratio 1.0~20.0 0-7 table#10
15
16
When input mode="mono"

dry (L)
L L dry (L)
L + L
+ Lo-Fi + +
COMP DISTORTION DELAY
EF LPF
R R R dry (R)
+ R
dry (R)
When input mode="stereo"
L
dry (L)
L
WAH+DIST+DELAY (Variation block)
WAH+ODRV+DELAY (Variation block)
Lo-Fi No. Parameter Display Value See Table Control
1 Delay Time 0.1~1486.0ms 1-14860
Lo-Fi 2 Delay Feedback Level -63~+63 1-127
3 Delay Mix 0~127 0-127
4 Dist Drive 0~127 0-127
5 Dist Output Level 0~127 0-127
R dry (R) R 6 Dist EQ Low Gain -12~+12dB 52-76
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Wah Sensitive 0~127 0-127

12 Wah Cutoff Freq Offset 0~127 0-127
DIST+DELAY (Variation block) 13 Wah Resonance 1.0~12.0 10-120
14 Wah Release 10~680ms 52-67
OVERDRIVE+DELAY (Variation block) 15
16
1 Lch Delay Time 0.1~1486.0ms 1-14860
2 Rch Delay Time 0.1~1486.0ms 1-14860
3 Delay Feedback Time 0.1~1486.0ms 1-14860
4 Delay Feedback Level -63~+63 1-127 dry (L) dry (L)
+
L L
5 Delay Mix 0~127 0-127
6 Dist Drive 0~127 0-127
7 Dist Output Level 0~127 0-127
8
+ TOUCH WAH + DISTORTION + DELAY
Dist EQ Low Gain -12~+12dB 52-76
EF LPF
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
R dry (R)
+ R
dry (R)
11
12
13
14
15
16
dry (L)
L + L
+ GATE DISTORTION + DELAY

L
EF LPF
R
R dry (R)
+ R
62
Explanation of Effect Parameters
Parameter name Effect types in which the parameter exists Explanation of parameter
AM Depth TREMOLO Depth of volume modulation
AMP Type AMP SIMULATOR Select the type of amp to be simulated
Attack COMPRESSOR type Time until the compressor effect begins to apply
NOISE GATE Time until the gate begins to open
Bit Assign LO-FI Adjust the word length of the audio data
Cch Delay DELAY L,C,R Length of the center channel delay
Cch Level DELAY L,C,R Volume of the center channel
Crossover Frequency 2WAY ROTARY SPEAKER Crossover frequency between the high-range and low-range speakers
Cutoff Frequency Offset WAH type Frequency offset value that will control the wah filter
Delay Mix DIST+DELAY,OVERDRIVE+DELAY, Mixing amount of delay sound
COMP+DIST+DELAY,COMP+ODRV+DELAY,
WAH+DIST+DELAY,WAH+ODRV+DELAY
Delay Offset CHORUS type Offset value of delay modulation
Delay Time KARAOKE1,2,3 Spacing of reflections for karaoke echo
AMBIENCE Delay length
Delay2 Level ECHO Volume of second delay
Density REVERB type, EARLY REF type Density of reflections. Higher values produce closer spacing
Depth REVERB type Depth of the simulated room
Detune ENSEMBLE DETUNE Amount of pitch shift
Diffusion REVERB type, EARLY REF type, PHASER Control the spaciousness
Drive DISTORTION type Depth of distortion
HARMONIC ENHANCER Depth at which the exciter effect is applied
TALKING MODULATION Depth at which the exciter effect is applied
Drive High 2WAY ROTARY SPEAKER Depth of modulation caused by rotation of the low-range speaker
Drive Low 2WAY ROTARY SPEAKER Depth of modulation caused by rotation of the high-range speaker
Dry/Wet All types Balance between dry sound and effect sound
Edge(Clip Curve) DISTORTION type Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)
Emphasis LO-FI Modify the character of the high range
EQ High Frequency All types Frequency at which the EQ will boost/cut the high range
EQ High Gain All types Gain amount by which the EQ will boost/cut the high range
EQ Low Frequency All types Frequency at which the EQ will boost/cut the low range
EQ Low Gain All types Gain amount by which the EQ will boost/cut the low range
EQ Mid Frequency All types Frequency at which the EQ will boost/cut the mid range
EQ Mid Gain All types Gain amount by which the EQ will boost/cut the mid range
EQ Mid Width All types Width of the area boosted/cut by the mid-range EQ
Er/Rev Balance REVERB type Level balance between the early reflections and the reverberation
F/R Depth AUTO PAN Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)
Feedback Delay DELAY L,C,R Length of feedback delay
Feedback Delay 1 DELAY L,R Length of feedback delay 1
Feedback Delay 2 DELAY L,R Length of feedback delay 2
Feedback Level REVERB type Feedback amount of initial delay
DELAY type,EARLY REF type,PITCH CHANGE type Feedback amount
KARAOKE type Setting for repeated reflections
CHORUS type, FLANGER type Level at which delay output is again returned to the input (negative values invert the phase)
PHASER type Level at which phaser output is again returned to the input (negative values insert the phase)
Filter Type LO-FI Select the type of tonal effect
Fine 1 PITCH CHANGE type Fine adjustment to pitch of first sound
Fine 2 PITCH CHANGE type Fine adjustment to pitch of second sound
Height REVERB type Height of simulated room
High Adjust VOICE CANCEL Adjust the upper limit of the mid-frequency range that will be attenuated
High Damp REVERB type,DELAY type,EARLY REF type Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)
HPF Cutoff REVERB type,EARLY REF type,KARAOKE type,HARMONIC ENHANCER Frequency at which the high pass filter will cut the low range
Initial Delay REVERB type Delay time until the early reflections
EARLY REF type Delay length until ER (GateReverb) sounds
PITCH CHANGE type Delay length
Input Mode All types Mono/stereo switch for input
Input Select CROSS DELAY Input select
L/R Depth AUTO PAN Depth of left/right panning
L->R Delay CROSS DELAY Delay time from left (input) to right (output)
Lch Delay DELAY type Length of left channel delay
Lch Delay1 ECHO Length of first left channel delay
Lch Delay2 ECHO Length of second left channel delay
Lch Feedback Level ECHO Amount of left channel feedback
Lch Init Delay ENSEMBLE DETUNE Length of left channel delay
LFO Depth CHORUS type,FLANGER type,SYMPHONIC Depth of delay modulation
ROTARY SPEAKER Depth of modulation caused by speaker rotation
PHASER type Depth of phase modulation
WAH type Depth at which the wah filter will be controlled
LFO Frequency CHORUS type,FLANGER type,SYMPHONIC Frequency of delay modulation
ROTARY SPEAKER Frequency at which the speaker will rotate
TREMOLO Modulation frequency
AUTO PAN Autopan frequency
PHASER type Phase modulation frequency
WAH type Frequency at which wah filter will be controlled
63
Parameter name Effect types in which the parameter exists Explanation of parameter
LFO Phase Difference PHASER type,FLANGER type L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)
Liveness EARLY REF type ER decay. Lower values cause faster decay.
Low Adjust VOICE CANCEL Adjust the lower frequency limit of the mid-range that will be attenuated
Low/High 2WAY ROTARY SPEAKER Volume balance between the high-range and low-range speakers
LPF Cutoff All types Frequency at which the low pass filter will cut the high frequency range
LPF Resonance LO-FI Add character to the low pass filter of the input
Mic L-R Angle 2WAY ROTARY SPEAKER L/R angle of the mic that picks up the output
Mix Level HARMONIC ENHANCER Level of the effect sound that is mixed into the dry sound
Move Speed TALKING MODULATOR Time over which the sound specified by Vowel is reached
Output Gain LO-FI Output gain
Output Level All types Output level
Output Level 1 PITCH CHANGE type Output level for first unit
Output Level 2 PITCH CHANGE type Output level for second unit
Output Phase AMBIENCE Swap phase of the effect sound between L/R
Pan 1 PITCH CHANGE type Pan of first unit
Pan 2 PITCH CHANGE type Pan of second unit
PAN Direction AUTO PAN Autopan type (L<->R is sine wave, L/R is square wave)
Phase Shift Offset PHASER type Offset value for phase modulation
Pitch PITCH CHANGE type Pitch setting in semitones
PM Depth TREMOLO Depth of delay modulation
R->L Delay CROSS DELAY Delay time from right (input) to left (output)
Ratio COMPRESSOR type Compression ratio of the compressor
Rch Delay DELAY type Length of right channel delay
Rch Delay1 ECHO Length of first right channel delay
Rch Delay2 ECHO Length of second right channel delay
Rch Feedback Level ECHO Amount of right channel feedback
Rch Init Delay ENSEMBLE DETUNE Length of right channel delay
Release COMPRESSOR type Time until the sound is released from the compressor effect
NOISE GATE Time until the gate closes
TOUCH WAH2, TOUCH WAH+ODRV Time until the center frequency of the wah filter returns to normal
Resonance WAH type Bandwidth of the wah filter
Rev Delay REVERB type Delay time between the early reflections and the reverberation
Reverb Time REVERB type Length of reverb
Room Size EARLY REF type Size of room. Increasing this value will lengthen ER.
Rotor Speed 2WAY ROTARY SPEAKER Frequency at which the speaker rotates
Sampling Freq Control LO-FI Sampling frequency control
Sensitive WAH type Sensitivity with which the wah filter will change in response to changes in the input
Stage PHASER type Number of steps for the phase shifter
Threshold COMPRESSOR type Input level at which compression will begin
NOISE GATE Input level at which the gate will begin to open
Type EARLY REF type Type selection
Vowel TALKING MODULATOR Vowel selection
Wah Release WAH+DIST+DELAY,WAH+ODRV+DELAY Time until the center frequency of the wah filter returns to normal
Wall Vary REVERB type Condition of the walls of the simulated room (higher values produce more random reflections)
Width REVERB type Width of the simulated room
Word Length LO-FI Specify the roughness of the sound
Additional note:
In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types.
CHORUS type CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4
COMPRESSOR type COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY
DELAY type DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,
COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
DISTORTION type DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,
COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
EARLY REF type EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER type FLANGER1,FLANGER2, FLANGER3
KARAOKE type KARAOKE1, KARAOKE2, KARAOKE3
PHASER type PHASER1, PHASER2
PITCH CHANGE type PITCH CHANGE1, PITCH CHANGE2
REVERB type HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,
WHITE ROOM,TUNNEL,CANYON,BASEMENT
WAH type AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
64
Effect Data Assign Table
Table#1 Table#2
LFO Frequency Modulation Delay Offset
Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value
0 0.00 32 1.34 64 2.69 96 8.41 0 0.0 32 3.2 64 6.4 96 9.6
1 0.08 33 1.43 65 2.77 97 8.74 1 0.1 33 3.3 65 6.5 97 9.7
2 0.08 34 1.43 66 2.86 98 9.08 2 0.2 34 3.4 66 6.6 98 9.8
3 0.16 35 1.51 67 2.94 99 9.42 3 0.3 35 3.5 67 6.7 99 9.9
4 0.16 36 1.51 68 3.02 100 9.75 4 0.4 36 3.6 68 6.8 100 10.0
5 0.25 37 1.59 69 3.11 101 10.0 5 0.5 37 3.7 69 6.9 101 11.1
6 0.25 38 1.59 70 3.19 102 10.7 6 0.6 38 3.8 70 7.0 102 12.2
7 0.33 39 1.68 71 3.28 103 11.4 7 0.7 39 3.9 71 7.1 103 13.3
8 0.33 40 1.68 72 3.36 104 12.1 8 0.8 40 4.0 72 7.2 104 14.4
9 0.42 41 1.76 73 3.44 105 12.7 9 0.9 41 4.1 73 7.3 105 15.5
10 0.42 42 1.76 74 3.53 106 13.4 10 1.0 42 4.2 74 7.4 106 17.1
11 0.50 43 1.85 75 3.61 107 14.1 11 1.1 43 4.3 75 7.5 107 18.6
12 0.50 44 1.85 76 3.70 108 14.8 12 1.2 44 4.4 76 7.6 108 20.2
13 0.58 45 1.93 77 3.86 109 15.4 13 1.3 45 4.5 77 7.7 109 21.8
14 0.58 46 1.93 78 4.03 110 16.1 14 1.4 46 4.6 78 7.8 110 23.3
15 0.67 47 2.01 79 4.20 111 16.8 15 1.5 47 4.7 79 7.9 111 24.9
16 0.67 48 2.01 80 4.37 112 17.4 16 1.6 48 4.8 80 8.0 112 26.5
17 0.75 49 2.10 81 4.54 113 18.1 17 1.7 49 4.9 81 8.1 113 28.0
18 0.75 50 2.10 82 4.71 114 19.5 18 1.8 50 5.0 82 8.2 114 29.6
19 0.84 51 2.18 83 4.87 115 20.8 19 1.9 51 5.1 83 8.3 115 31.2
20 0.84 52 2.18 84 5.04 116 22.2 20 2.0 52 5.2 84 8.4 116 32.8
21 0.92 53 2.27 85 5.21 117 23.5 21 2.1 53 5.3 85 8.5 117 34.3
22 0.92 54 2.27 86 5.38 118 24.8 22 2.2 54 5.4 86 8.6 118 35.9
23 1.00 55 2.35 87 5.55 119 26.2 23 2.3 55 5.5 87 8.7 119 37.5
24 1.00 56 2.35 88 5.72 120 27.5 24 2.4 56 5.6 88 8.8 120 39.0
25 1.09 57 2.43 89 6.05 121 28.9 25 2.5 57 5.7 89 8.9 121 40.6
26 1.09 58 2.43 90 6.39 122 30.2 26 2.6 58 5.8 90 9.0 122 42.2
27 1.17 59 2.52 91 6.72 123 31.6 27 2.7 59 5.9 91 9.1 123 43.7
28 1.17 60 2.52 92 7.06 124 32.9 28 2.8 60 6.0 92 9.2 124 45.3
29 1.26 61 2.60 93 7.40 125 34.3 29 2.9 61 6.1 93 9.3 125 46.9
30 1.26 62 2.60 94 7.73 126 37.0 30 3.0 62 6.2 94 9.4 126 48.4
31 1.34 63 2.69 95 8.07 127 39.7 31 3.1 63 6.3 95 9.5 127 50.0
65
Table#3 Table#4
EQ Frequency Reverb time
Data Value Data Value Data Value Data Value Data Value
0 THRU(20) 32 800 0 0.3 32 3.5 64 17.0
1 22 33 900 1 0.4 33 3.6 65 18.0
2 25 34 1.0k 2 0.5 34 3.7 66 19.0
3 28 35 1.1k 3 0.6 35 3.8 67 20.0
4 32 36 1.2k 4 0.7 36 3.9 68 25.0
5 36 37 1.4k 5 0.8 37 4.0 69 30.0
6 40 38 1.6k 6 0.9 38 4.1
7 45 39 1.8k 7 1.0 39 4.2
8 50 40 2.0k 8 1.1 40 4.3
9 56 41 2.2k 9 1.2 41 4.4
10 63 42 2.5k 10 1.3 42 4.5
11 70 43 2.8k 11 1.4 43 4.6
12 80 44 3.2k 12 1.5 44 4.7
13 90 45 3.6k 13 1.6 45 4.8
14 100 46 4.0k 14 1.7 46 4.9
15 110 47 4.5k 15 1.8 47 5.0
16 125 48 5.0k 16 1.9 48 5.5
17 140 49 5.6k 17 2.0 49 6.0
18 160 50 6.3k 18 2.1 50 6.5
19 180 51 7.0k 19 2.2 51 7.0
20 200 52 8.0k 20 2.3 52 7.5
21 225 53 9.0k 21 2.4 53 8.0
22 250 54 10.0k 22 2.5 54 8.5
23 280 55 11.0k 23 2.6 55 9.0
24 315 56 12.0k 24 2.7 56 9.5
25 355 57 14.0k 25 2.8 57 10.0
26 400 58 16.0k 26 2.9 58 11.0
27 450 59 18.0k 27 3.0 59 12.0
28 500 60 THRU(20.0k) 28 3.1 60 13.0
29 560 29 3.2 61 14.0
30 630 30 3.3 62 15.0
31 700 31 3.4 63 16.0
Table#5 Table#6
Delay Time(200.0ms) Room Size
Data Value Data Value Data Value Data Value
0 0.1 32 50.5 0 0.1 32 5.1
1 1.7 33 52.0 1 0.3 33 5.3
2 3.2 34 53.6 2 0.4 34 5.4
3 4.8 35 55.2 3 0.6 35 5.6
4 6.4 36 56.8 4 0.7 36 5.7
5 8.0 37 58.3 5 0.9 37 5.9
6 9.5 38 59.9 6 1.0 38 6.1
7 11.1 39 61.5 7 1.2 39 6.2
8 12.7 40 63.1 8 1.4 40 6.4
9 14.3 41 64.6 9 1.5 41 6.5
10 15.8 42 66.2 10 1.7 42 6.7
11 17.4 43 67.8 11 1.8 43 6.8
12 19.0 44 69.4 12 2.0 44 7.0
13 20.6 45 70.9 13 2.1
14 22.1 46 72.5 14 2.3
15 23.7 47 74.1 15 2.5
16 25.3 48 75.7 16 2.6
17 26.9 49 77.2 17 2.8
18 28.4 50 78.8 18 2.9
19 30.0 51 80.4 19 3.1
20 31.6 52 81.9 20 3.2
21 33.2 53 83.5 21 3.4
22 34.7 54 85.1 22 3.5
23 36.3 55 86.7 23 3.7
24 37.9 56 88.2 24 3.9
25 39.5 57 89.8 25 4.0
26 41.0 58 91.4 26 4.2
27 42.6 59 93.0 27 4.3
28 44.2 60 94.5 28 4.5
29 45.7 61 96.1 29 4.6
30 47.3 62 97.7 30 4.8
31 48.9 63 99.3 31 5.0
66
Table#7 Table#8 Table#9

Delay Time (400.0ms) Compressor Attack Time Compressor Release Time
Data Value Data Value Data Value Data Value Data Value Data Value
0 0.1 32 100.9 64 201.6 96 302.4 0 1 0 10
1 3.2 33 104.0 65 204.8 97 305.5 1 2 1 15
2 6.4 34 107.2 66 207.9 98 308.7 2 3 2 25
3 9.5 35 110.3 67 211.1 99 311.8 3 4 3 35
4 12.7 36 113.5 68 214.2 100 315.0 4 5 4 45
5 15.8 37 116.6 69 217.4 101 318.1 5 6 5 55
6 19.0 38 119.8 70 220.5 102 321.3 6 7 6 65
7 22.1 39 122.9 71 223.7 103 324.4 7 8 7 75
8 25.3 40 126.1 72 226.8 104 327.6 8 9 8 85
9 28.4 41 129.2 73 230.0 105 330.7 9 10 9 100
10 31.6 42 132.4 74 233.1 106 333.9 10 12 10 115
11 34.7 43 135.5 75 236.3 107 337.0 11 14 11 140
12 37.9 44 138.6 76 239.4 108 340.2 12 16 12 170
13 41.0 45 141.8 77 242.6 109 343.3 13 18 13 230
14 44.2 46 144.9 78 245.7 110 346.5 14 20 14 340
15 47.3 47 148.1 79 248.9 111 349.6 15 23 15 680
16 50.5 48 151.2 80 252.0 112 352.8 16 26
17 53.6 49 154.4 81 255.2 113 355.9 17 30
18 56.8 50 157.5 82 258.3 114 359.1 18 35
19 59.9 51 160.7 83 261.5 115 362.2 19 40 Table#10
20 63.1 52 163.8 84 264.6 116 365.4 Compressor Ratio
21 66.2 53 167.0 85 267.7 117 368.5
Data Value
22 69.4 54 170.1 86 270.9 118 371.7
0 1.0
23 72.5 55 173.3 87 274.0 119 374.8
1 1.5
24 75.7 56 176.4 88 277.2 120 378.0
2 2.0
25 78.8 57 179.6 89 280.3 121 381.1
3 3.0
26 82.0 58 182.7 90 283.5 122 384.3
4 5.0
27 85.1 59 185.9 91 286.6 123 387.4
5 7.0
28 88.3 60 189.0 92 289.8 124 390.6
6 10.0
29 91.4 61 192.2 93 292.9 125 393.7
7 20.0
30 94.6 62 195.3 94 296.1 126 396.9
31 97.7 63 198.5 95 299.2 127 400.0
Table#11
Reverb Width; Depth; Height
Data Value Data Value Data Value Data Value
0 0.5 32 8.8 64 17.6 96 27.5
1 0.8 33 9.1 65 17.9 97 27.8
2 1.0 34 9.4 66 18.2 98 28.1
3 1.3 35 9.6 67 18.5 99 28.5
4 1.5 36 9.9 68 18.8 100 28.8
5 1.8 37 10.2 69 19.1 101 29.2
6 2.0 38 10.4 70 19.4 102 29.5
7 2.3 39 10.7 71 19.7 103 29.9
8 2.6 40 11.0 72 20.0 104 30.2
9 2.8 41 11.2 73 20.2
10 3.1 42 11.5 74 20.5
11 3.3 43 11.8 75 20.8
12 3.6 44 12.1 76 21.1
13 3.9 45 12.3 77 21.4
14 4.1 46 12.6 78 21.7
15 4.4 47 12.9 79 22.0
16 4.6 48 13.1 80 22.4
17 4.9 49 13.4 81 22.7
18 5.2 50 13.7 82 23.0
19 5.4 51 14.0 83 23.3
20 5.7 52 14.2 84 23.6
21 5.9 53 14.5 85 23.9
22 6.2 54 14.8 86 24.2
23 6.5 55 15.1 87 24.5
24 6.7 56 15.4 88 24.9
25 7.0 57 15.6 89 25.2
26 7.2 58 15.9 90 25.5
27 7.5 59 16.2 91 25.8
28 7.8 60 16.5 92 26.1
29 8.0 61 16.8 93 26.5
30 8.3 62 17.1 94 26.8
31 8.6 63 17.3 95 27.1
67
MIDI Data Format 1.2.3 Portamento Time

This message controls the degree of Portamento (refer to 1.2.9).
Control# Parameter Data Range

1. Channel messages 5 Portamento Time 0...127
When Portamento (control number 065) is ON, this regulates the speed of
1.1 Note on / Note off the pitch change.
These messages convey keyboard performance data. A value of 0 is the shortest portamento time, and 127 is the longest porta-
Note-on is transmitted when a note is pressed, and note-off is transmitted mento time.
when a note is released. If the receive channel is a drum part, Portamento Time is not received.
These messages contain a “note number” which indicates the key that was
played, and a “velocity” which indicates how strongly it was played.
When a note-on of velocity “0” is received, it has the same effect as a note-
1.2.4 Data Entry
off.
This message sets the value of the parameter which was specified by RPN
MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21).
Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)
Velocity range = 1...127 (Velocity is received only for note-on)
6 Data Entry MSB 0...127
When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will 38 Data Entry LSB 0...127
not receive these messages.
For a drum part*, key-off is not received if the DrumSetup parameter Rcv
NOTE OFF = OFF. 1.2.5 Main Volume
For a drum part, key-on is not received if the DrumSetup parameter Rcv
This message controls the volume of each part.
NOTE ON = OFF.
This is used to adjust the volume balance between parts.
* Drum Part indicates that the Multi Part parameter PART MODE is “set to Control# Parameter Data Range
DRUM or DRUMS1...4.” 7 Main Volume 0...127
When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive
1.2 Control changes Main Volume.
These messages control volume or pan etc. With a value of 0 there will be no sound, and a value of 127 will be the maxi-
Their functions are differentiated by the control number (Ctrl#). mum volume.
If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not
receive control changes.
1.2.6 Panpot
This message control the panning (stereo location) of each part.
1.2.1 Bank Select This will be the location of the sound when heard in stereo.
This message selects the voice bank.
The voice bank is selected by the combination of two control change mes- Control# Parameter Data Range
sages: MSB and LSB. 10 Pan 0...64...127
The function of the MSB and LSB will differ depending on the sound module
mode. When the Multi Part parameter Rcv PAN = OFF, that part will not receive
In the case of “XG,” the MSB value will specify the major division of voices, Panpot.
and the LSB value will specify the detailed division. 0 is left, 64 is center, and 127 is right.
In the case of “TG300B,” the LSB value is fixed, and only the MSB value will
specify the detailed voice division.
1.2.7 Expression
Control# Parameter Data Range This message controls expression (dynamics within a musical line) for each
0 Bank Select MSB 0...127 part.
32 Bank Select LSB 0...127 It is used to create volume changes during a song.
The Bank Select data will be processed only after a Program Change is Control# Parameter Data Range
received, and then voice bank will change at that time. 11 Expression 0...127
If you wish to change the voice bank as well as the voice, you must transmit
Bank Select and Program Change messages as a set, in the order of Bank If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive
Select MSB, LSB, and Program Change. Expression.
With a value of 0 there will be no sound, and with a value of 127 the volume
will be maximum.
1.2.2 Modulation
This message is used primarily to control the depth of vibrato, but the depth
of the following 7 types of effect can be controlled. 1.2.8 Hold1
The effect of this message can be changed by the following parameters. This message controls sustain pedal on/off.
The notes that are sounding while the pedal is pressed will be sustained.
• Multi Part Parameter
1. MW PITCH CONTROL Control# Parameter Data Range
2. MW FILTER CONTROL 64 Hold1 0...63,64...127
3. MW AMPLITUDE CONTROL (OFF, ON)
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH For data of 0...63 the sustain pedal will be OFF (released), and for data of
6. MW LFO AMOD DEPTH 64...127 it will be on (pressed).
• Effect1 Parameter When this is ON, currently-sounding notes will continue to sound even if
7. MW VARIATION CONTROL DEPTH note-off messages are received.
(Valid when Variation Effect is assigned to a part as Insertion) If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive
Hold1.
By default, an LFO Pitch Modulation (PMOD) effect will apply.

1 Modulation 0...127
If the Multi Part parameter Rcv MODULATION = OFF, that part will not
receive Modulation.
If the receive channel is a drum part, effects 5 and 6 will not apply.
68
1.2.9 Portamento 1.2.14 Attack Time

This message controls portamento pedal on/off. This message adjusts the EG attack time that was specified by the sound
When the pedal is pressed, a portamento effect will be applied. data.
The value of 0...127 is taken as -64...+63, and added to the original sound
Control# Parameter Data Range data as an offset value to modify the attack time.
65 Portamento 0...63,64...127
(OFF, ON) Control# Parameter Data Range
73 Attack Time 0...64...127
For data of 0...63 the portamento pedal will be OFF (released), and for (-64...0...+63)
64...127 it will be ON (pressed).
When this is ON, the pitch will change smoothly between notes. The time Since this is a relative change parameter, it specifies an increase or
over which the pitch changes is adjusted by Portamento Time (see 1.2.3). decrease relative to 64.
Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone Increasing this value will make the attack more gradual, and decreasing this
will also change smoothly (legato) if Portamento = ON. value will make the attack sharper.
If any of the following Multi Part parameter settings apply, that part will not
receive Portamento.
• Rcv PORTAMENTO = OFF 1.2.15 Brightness
• PART MODE = DRUM, DRUMS1...4 This message adjusts the cutoff frequency of the low pass filter specified by
the sound data.
1.2.10 Sostenuto data as an offset value to modify the cutoff frequency.
This message controls sostenuto pedal on/off.
Notes which were already pressed when the pedal was pressed will be sus- Control# Parameter Data Range
tained. 74 Brightness 0...64...127
(-64...0...+63)
66 Sostenuto 0...63,64...127 Since this is a relative change parameter, it specifies an increase or
(OFF, ON) decrease relative to 64.
Lower values will produce a more mellow sound.
For data of 0...63, the sostenuto pedal will be OFF (released), and for For some sounds, the effective range may be less than the possible range
64...127 it will be ON (pressed). of settings.
If sostenuto is turned on while a note is sounding, that note will be sustained
until sostenuto is turned OFF.
If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive 1.2.16 Portamento Control
Sostenuto. This message specifies the portamento source key number (the key number
at which portamento will begin).
Data of 0...127 specifies the portamento source key.
1.2.11 Soft Pedal When Portamento Control is received, the currently-sounding pitch will
This message controls soft pedal on/off. change at a Portamento Time of 0 to the key of the next-received note-on of
The sound will become more mellow while the pedal is pressed. the same channel.
Control# Parameter Data Range Control# Parameter Data Range

67 Soft Pedal 0...63,64...127 84 Portamento Control 0...127
(OFF, ON) (C-2...G8)
For data of 0...63, the soft pedal is OFF (released), and for 64...127 it is ON This is received even if Rcv PORTAMENTO = OFF.
(pressed).
If any of the following Multi Part parameter settings apply, that part will not
receive the Soft Pedal. 1.2.17 Effect1 Depth (Reverb Send Level)
• Rcv SOFT PEDAL = OFF This message specifies the send level for the reverb effect.
• PART MODE = DRUM, DRUMS1...4
91 Effect1 Depth 0...127
1.2.12 Harmonic Content
This message adjusts the resonance of the filter that is specified for the Increasing this value will produce a richer reverb. The effect of the value will
sound. depend on the state of the reverb effect.
The value of 0...127 is taken as -64...+63, and added as an offset value to
the original sound data to modify the resonance.
1.2.18 Effect3 Depth (Chorus Send Level)
Control# Parameter Data Range This message specifies the send level for the chorus effect.
71 Harmonic Content 0...64...127
(-64...0...+63) Control# Parameter Data Range
93 Effect3 Depth 0...127
Since this is a relative change parameter, it specifies a boost or cut relative
to 64. Raising this value will increase the modulation or spaciousness. The effect of
Higher values will produce a more distinctive sound. the value will depend on the state of the chorus effect.
For some sounds, the effective range may be less than the possible range
of settings.
1.2.19 Effect4 Depth (Variation Effect Send Level)
This message specifies the send level for the variation effect.
1.2.13 Release Time
This message adjusts the EG release time that was specified by the sound Control# Parameter Data Range
data. 94 Effect4 Depth 0...127
data as an offset value to modify the release time. However, this is not received if the Variation Effect parameter Variation
Connection = 0 (Insertion).
72 Release Time 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or

decrease relative to 64.
Increasing this value will lengthen the release that follows a note-off.
69
1.2.20 Data Increment / Decrement (for RPN) 22 rr mm — Drum EG attack rate

After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend rr: drum instrument note number
mm: 00 - 64 - 127
Sensitivity, Fine Tune, or Coarse Tune, this message is used to increment or
(-64...0...+63)
decrement the respective parameter value in steps of 1.
23 rr mm — Drum EG decay rate
Control# Parameter Data Range rr: drum instrument note number
96 RPN Increment — mm: 00 - 64 - 127
97 RPN Decrement — (-64...0...+63)
The effect will apply both to
The data byte is ignored. Decay1 and 2.
24 rr mm — Drum instrument pitch coarse

1.2.21 NRPN (Non-registered parameter number) rr: drum instrument note number
This message is used to specify a sound parameter (such as vibrato, filter, mm: 00 - 64 - 127
(-64...0...+63)
EG, drum setup etc.) as an offset value.
Use NRPN MSB and NRPN LSB to specify the parameter that you wish to 25 rr mm — Drum instrument pitch fine
modify, and then use Data Entry (see 1.2.4) to set the value for the specified rr: drum instrument note number
parameter. mm: 00 - 64 - 127
(-64...0...+63)
98 NRPN LSB 0...127 26 rr mm — Drum instrument level
99 NRPN MSB 0...127 rr: drum instrument note number
mm: 00 - 127
If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN. (0...maximum)
The following NRPN messages can be received. 28 rr mm — Drum instrument panpot

rr: drum instrument note number
mm: 00, 01-64-127
NRPN Data Entry*1 (RND, L63...C...R63)
MSB LSB MSB LSB Parameter name and value range
29 rr mm — Drum instrument reverb send level
01 08 mm — *2 Vibrato rate rr: drum instrument note number
mm: 00 - 64 - 127 mm: 00 - 127
(-64...0...+63) (0...maximum)
01 09 mm — Vibrato depth 30 rr mm — Drum instrument chorus send level

mm: 00 - 64 - 127 rr: drum instrument note number
(-64...0...+63) mm: 00 - 127
(0...maximum)
01 10 mm — *3 Vibrato delay
mm: 00 - 64 - 127 31 rr mm — Drum instrument variation send
(-64...0...+63) level
01 32 mm — Low pass filter cutoff frequency mm: 00 - 127(0...maximum)
mm: 00 - 64 - 127 (when Variation Connection
(-64...0...+63) = SYSTEM)
mm: 00, 01-127 (OFF,ON)
01 33 mm — Low pass filter resonance (when Variation Connection
mm : 00 - 64 - 127 = INSERTION)
(-64...0...+63)
36 rr mm — Drum high pass filter cutoff
01 36 mm — High pass filter cutoff frequency frequency
mm: 00 - 64 - 127 mm: 00 - 64 - 127
(-64...0...+63) (-64...0...+63)
01 48 mm — *4 EQ bass gain 48 rr mm — Drum EQ bass gain

mm: 00 - 64 - 127 mm: 00 - 64 - 127
(-64...0...+63) (-64...0... +63)
01 49 mm — *4 EQ treble gain 49 rr mm — Drum EQ treble gain

mm: 00 - 64 - 127 mm: 00 - 64 - 127
(-64...0...+63) (-64...0...+63)
01 52 mm — *4 EQ bass frequency 52 rr mm — Drum EQ bass frequency

mm: 04 - 40 mm: 04 - 40
(32...2.0k [Hz]) (32...2.0k [Hz])
01 53 mm — *4 EQ treble frequency 53 rr mm — Drum EQ treble frequency

mm: 28 - 58 mm: 28 - 58
(500...16.0k [Hz]) (500...16.0k [Hz])
01 99 mm — EG attack time
mm: 00 - 64 - 127 MSB 20-53 (for drums) is received when Multi Part parameter PART MODE =
(-64...0...+63) DRUMS1...4.
01 100 mm — EG decay time *1 Refer to 1.2.4

mm: 00 - 64 - 127 *2 ‘—’ indicates that the setting value is ignored.
(-64...0...+63) *3 Adjusts the time after the note is played until vibrato begins to take
effect. The effect will begin more quickly for lower values, and more
01 102 mm — EG release time
mm: 00 - 64 - 127 slowly for higher values. No effect if Bank Select MSB=127 is selected.
(-64...0...+63) *4 No effect if Multi Part parameter PART MODE = DRUM, DRUMS1...4.
20 rr mm — Drum low pass filter cutoff

frequency
mm: 00 - 64 - 127
(-64...0...+63)
21 rr mm — Drum low pass filter resonance

mm: 00 - 64 - 127
(-64...0...+63)
70
1.2.22 RPN (Registered parameter number) 1.3.2 Reset All Controllers

This message is used to specify part parameters such as Pitch Bend This message resets the following controllers to their default values.
Sensitivity or Tuning etc. as an offset value.
Use RPN MSB and RPN LSB to specify the parameter that you wish to modi- Controller Value
fy, and then use Data Entry (see 1.2.4) to set the value of the specified
parameter. Pitch bend change +/-0 (center)
Channel pressure 0 (off)
Control# Parameter Data Range Polyphonic key pressure 0 (off)
100 RPN LSB 0...127 Modulation 0 (off)
101 RPN MSB 0...127 Expression 127 (maximum)
Hold 0 (off)
Portamento 0 (off)
If the Multi Part parameter Rcv RPN = OFF, that part will not receive this Sostenuto 0 (off)
message. Soft pedal 0 (off)
Portamento control Reset the portamento source note
The following RPN messages can be received. number that was received
RPN Number unset,
internal data is not affected.
RPN Data Entry*1 NRPN Number unset,
MSB LSB MSB LSB Parameter name and value range internal data is not affected.
00 00 mm — *2 Pitch bend sensitivity

mm: 00-24 The following data is not changed
(0...+24 semitones) Parameter values specified by program change, bank select MSB/LSB, vol-
Specify up to 2 octaves in
ume, pan, effect send levels 1, 3, 4, RPN and NRPN.
semitone steps
00 01 mm ll Fine tuning
121 Reset All Controllers 0
mm ll: 00 00 (=-100) cents
: :
mm ll: 64 00 (=0) cents
: : 1.3.3 All Note Off
mm ll: 127 127 (=+100) cents This message turns off all notes which are currently on for the corresponding
[Note] part.
mm ll: 00 127 (=-87.5) cents However, if Hold 1 or Sostenuto are on, notes will continue to sound until
is followed by these are turned off.
01 00 (=-87.4) cents.
00 02 mm — Coarse tuning
123 All Note Off 0
mm: 40 - 64 - 88
(-24...0...+24 semitones)
127 127 — — RPN Null 1.3.4 Omni Off

This sets RPN and NRPN numbers Perform the same processing as when All Note Off is received.
to an unset state.
Internal data is not affected. Control# Parameter Data Range
124 Omni Off 0
*1 Refer to 1.2.4
*2 ‘—’ indicates that the setting value is ignored. 1.3.5 Omni On
Perform the same processing as when All Note Off is received.
1.2.23 Assignable controller Control# Parameter Data Range

By assigning a control change number of 0...95 to a part, the specified 125 Omni On 0
effect can be controlled.
This device allows two control change numbers (AC1 and AC2) to be speci-
fied for each part. 1.3.6 Mono
The following parameters specify the effect of AC1 and AC2. Perform the same processing as when All Sound Off is received, and if the
value (mono number) is in the range of 0...16, set the corresponding chan-
• Multi Part Parameter nel to Mode4* (m = 1).
1. AC1, AC2 PITCH CONTROL
2. AC1, AC2 FILTER CONTROL Control# Parameter Data Range
3. AC1, AC2 AMPLITUDE CONTROL 126 Mono 0...16
4. AC1, AC2 LFO PMOD DEPTH
5. AC1, AC2 LFO FMOD DEPTH * Mode4 is a state in which only channel messages on the specified
6. AC1, AC2 LFO AMOD DEPTH channel will be received, and notes will be sounded individually (mono-
• Effect1 Parameter phonically).
7. AC1, AC2 VARIATION CONTROL DEPTH
(Valid if Variation Effect is assigned to a part as Insertion)
1.3.7 Poly
The AC1 control change number is specified by the Multi Part or AudioPart Perform the same processing as when All Sound Off is received, and set the
parameter AC1 CONTROLLER NUMBER, and the AC2 control change num- corresponding channel to Mode3*.
ber is specified by the Multi Part or Audio Part parameter AC2 CON-
TROLLER NUMBER. Control# Parameter Data Range
127 Poly 0
* Mode3 is when channel messages will be received only on the specified

1.3 Channel mode messages
channel, and will be sounded polyphonically.
These messages specify the basic operation of a part.
1.3.1 All Sound Off 1.4 Program change

This message silences all currently-sounding notes on the corresponding This message is used to select voices.
channel. When this is transmitted in conjunction with Bank Select (see 1.2.1), voices
However, the state of channel messages such as Note-on and Hold-on will can be selected not only from the basic voice bank but also from the
be maintained. extended voice bank.
If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not
Control# Parameter Data Range receive program changes.
120 All Sound Off 0
71
1.5 Pitch bend 2. System exclusive messages

This message conveys movements of the pitch bender.
This message is generally used to modify the pitch of a part, but the depth 2.1 Parameter changes
of the following seven effects can be controlled.
This device uses the following parameter changes.
The effect of this message can be modified by the following parameters.
[UNIVERSAL REALTIME MESSAGE]
• Multi Part Parameter 1) Master Volume
1. BEND PITCH CONTROL
2. BEND FILTER CONTROL [UNIVERSAL NON REALTIME MESSAGE]
3. BEND AMPLITUDE CONTROL 1) General MIDI System On
4. BEND LFO PMOD DEPTH
5. BEND LFO FMOD DEPTH [XG PARAMETER CHANGE]
6. BEND LFO AMOD DEPTH 1) XG System on
• Effect1 Parameter 2) XG System parameter change
7. BEND VARIATION CONTROL DEPTH 3) Multi Effect1 parameter change
4) Multi EQ parameter change
(Valid when Variation Effect is assigned to a part as Insertion)
5) Multi Effect2 parameter change
6) Multi Part parameter change
By default, the Pitch Control effect is applied. 7) Audio Part parameter change
If the receive channel is a drum part, effects 5 and 6 will not apply. 8) Audio Part Configuration parameter change
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will 9) Drums Setup parameter change
not receive pitch bend messages.
[SW1000XG NATIVE PARAMETER CHANGE]
1) System parameter change
1.6 Channel aftertouch [Others]
This message conveys the pressure which is applied to the keyboard after 1) Master tuning
playing a note in order to create tonal changes (for an entire MIDI channel). 2) TG300 System parameter change
The pressure can be controlled for each part. This message will affect the 3) TG300 Multi Effect parameter change
currently-sounding notes. 4) TG300 Multi Part parameter change
The effect of this message will be determined by the settings of the following
parameters.
2.1.1 Universal realtime messages
• Multi Part Parameter
1. CAT PITCH CONTROL
2. CAT FILTER CONTROL
2.1.1.1 Master Volume
3. CAT AMPLITUDE CONTROL
11110000 F0H Exclusive status
4. CAT LFO PMOD DEPTH 01111111 7FH Universal Real Time
5. CAT LFO FMOD DEPTH 01111111 7FH ID of target device
6. CAT LFO AMOD DEPTH 00000100 04H Sub-ID #1 = Device Control Message
• Effect1 Parameter 00000001 01H Sub-ID #2 = Master Volume
7. CAT VARIATION CONTROL DEPTH * 0sssssss SSH Volume LSB
(Valid when the Variation Effect is assigned to a part as Insertion) 0ttttttt TTH Volume MSB
11110111 F7H End of Exclusive
By default, there will be no effect.
If the receive channel is a drum part, effects 5 and 6 will not apply. or,
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part 11110000 F0H Exclusive status
01111111 7FH Universal Real Time
will not receive Channel Aftertouch.
0xxxnnnn XNH Device Number, xxx = don’t care
00000100 04H Sub-ID #1 = Device Control Message
00000001 01H Sub-ID #2 = Master Volume
1.7 Polyphonic aftertouch 0sssssss SSH Volume LSB
This message conveys the pressure that is applied to the keyboard after 0ttttttt TTH Volume MSB
playing a note (for individual note numbers). 11110111 F7H End of Exclusive
The pressure can be controlled independently for each note. This message
will affect currently-sounding notes. When this is received, the Volume MSB will be reflected by the System
The effect of this message is determined by the following Multi Part parame- parameter MASTER VOLUME.
ters.
* The binary expression 0sssssss is expressed in hexadecimal as SSH.
1. PAT PITCH CONTROL The same applies elsewhere.
2. PAT FILTER CONTROL
3. PAT AMPLITUDE CONTROL
4. PAT LFO PMOD DEPTH 2.1.2 Universal non-realtime messages
5. PAT LFO FMOD DEPTH
6. PAT LFO AMOD DEPTH 2.1.2.1 General MIDI System On
By default, there will be no effect. 11110000 F0H Exclusive status

The effect will apply to note numbers 36...97. 01111110 7EH Universal Non-Real Time
In the case of either of the following Multi Part parameter settings, that part 01111111 7FH ID of target device
will not receive Polyphonic Aftertouch. 00001001 09H Sub-ID #1 = General MIDI Message
Rcv CHANNEL AFTER TOUCH = OFF 00000001 01H Sub-ID #2 = General MIDI On
PART MODE = DRUM, DRUMS1...4
or,
01111110 7EH Universal Non-Real Time
0xxxnnnn XNH N:Device Number, X:don’t care
00001001 09H Sub-ID #1 = General MIDI Message
00000001 01H Sub-ID #2 = General MIDI On
When this message is received, the SOUND MODULE MODE is set to XG,
and all MIDI messages defined by GM will be received.
All data except for MIDI Master Tuning will be restored to the default value.
However this message will not be received in any of the following cases.
• XG Model System Parameter (see table 2-2) Rcv SYSTEM ON MES-

SAGE= OFF
Since approximately 50[ms] is required in order to process this message, be

sure to allow an appropriate interval before sending the next message.
72
2.1.3 XG parameter change 2.1.4 SW1000XG native parameter change

This message sets XG-related parameters. Each message can set a single This message sets parameters unique to the SW1000XG. Each message
parameter. sets a single parameter.
The message format is as follows. As indicated below, the message format is in common with the MU50,
MU80, and MU90.
01000011 43H YAMAHA ID 11110000 F0H Exclusive status
0001nnnn 1NH N:device Number 01000011 43H YAMAHA ID
01001100 4CH Model ID 0001nnnn 1NH N:Device Number
0ggggggg GGH Address High 01001001 49H Model ID
0mmmmmmm MMH Address Mid 0ggggggg GGH Address High
0lllllll LLH Address Low 0mmmmmmm MMH Address Mid
0sssssss SSH Data 0lllllll LLH Address Low
: : 0vvvvvvv VVH Data
11110111 F7H End of Exclusive : :
For parameters whose Data Size is 2 or 4, the appropriate amount of data
will be transmitted as indicated by Size. For parameters whose Data Size is 2 or 4, the number of data bytes indicat-
ed by Size are transmitted.
2.1.3.1 XG System On
This system exclusive message causes the SW1000XG to function as an 2.1.4.1 System parameter change
“XG”-compatible tone generator. This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).

01000011 43H YAMAHA ID
0001nnnn 1NH N:device Number 2.1.5 Other parameter changes
01001100 4CH Model ID
00000000 00H Address High
00000000 00H Address Mid
01111110 7EH Address Low 2.1.5.1 Master tuning
00000000 00H Data This message simultaneously modifies the tuning of all channels.
When On is received, the SOUND MODULE MODE will be set to XG, and all 01000011 43H YAMAHA ID
MIDI messages defined by XG such as NRPN or bank select etc. can be 0001nnnn 1NH N:device Number
received. 00100111 27H Model ID
Since approximately 50[ms] are required in order to execute this message, 00110000 30H Address High
00000000 00H Address Mid
please allow an appropriate interval before transmitting the next message.
00000000 00H Address Low
0000mmmm 0MH Master Tune MSB
0000llll 0LH Master Tune LSB
2.1.3.2 XG System parameter change 0xxxxxxx XXH don’t care
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). 11110111 F7H End of Exclusive
Normally, the XG SYSTEM message MASTER TUNE should be used (refer to

2.1.3.3 Multi Effect1 parameter change table <1-2>).
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 -
3>).
2.2 Bulk dump
This device uses the following bulk dump messages.
2.1.3.4 Multi EQ parameter change
This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>). [XG BULK DUMP]
1) XG System bulk dump
2) Multi Effect1 bulk dump
3) Multi EQ bulk dump
2.1.3.5 Multi Effect2 parameter change 4) Multi Effect2 bulk dump
This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 - 5) Multi Part bulk dump
5>). 6) Audio Part bulk dump
7) Drums Setup bulk dump
2.1.3.6 Multi Part parameter change [SW1000XG NATIVE BULK DUMP]

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 1) System bulk dump
2.1.3.7 Audio Part parameter change 2.2.1 XG bulk dump

This message sets the AUDIO PART block (refer to tables <1 - 1> , <1 - 7>). This message sets XG-related parameters. Unlike parameter change mes-
sages, a single message can modify multiple parameters. The message for-
mat is as follows.
2.1.3.8 Audio Part Configuration parameter change
This message sets the AUDIO PART CONFIGURATION block (refer to tables 01000011 43H YAMAHA ID
<1 - 1>, <1 - 8>). 0000nnnn 0NH N:Device Number
01001100 4CH Model ID
0sssssss SSH ByteCountMSB
2.1.3.9 Drums Setup parameter change 0ttttttt TTH ByteCountLSB
This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 0ggggggg GGH Address High
9>). 0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0vvvvvvv VVH Data
: :
0kkkkkkk KKH Check-sum
Address and Byte Count are given in tables 1-n. Byte Count is indicated by
the total size of the Data in tables 1-n.
Bulk dump and dump request messages are received when the beginning
of the block is specified as the ‘Address’.
‘Block’ indicates the unit of the data string that is indicated in tables 1-n as
‘Total size’.
Check sum is the value that produces a lower 7 bits of 0 when the Start
Address, Byte Count, Data, and the Check-sum itself are added.
73
2.2.1.1 XG System bulk dump

This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).
2.2.1.2 Multi Effect1 bulk dump

3>).
2.2.1.3 Multi EQ bulk dump

This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>).
2.2.1.4 Multi Effect2 bulk dump

5>).
2.2.1.5 Multi Part bulk dump

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>).
2.2.1.6 Audio Part bulk dump

This message sets the Audio PART block (refer to tables <1 - 1>, <1 - 7>).
2.2.1.7 Drums Setup bulk dump

This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 -
9>).
2.2.2 SW1000XG native bulk dump

This message modifies parameters unique to the SW1000XG. Unlike param-
eter change messages, a single message will modify multiple parameters.

01000011 43H YAMAHA ID
0000nnnn 0NH N:Device Number
01001001 49H Model ID
0sssssss SSH ByteCountMSB
0ttttttt TTH ByteCountLSB
0ggggggg GGH Address High
0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0vvvvvvv VVH Data
: :
0kkkkkkk KKH Check-sum
Details are the same as for 2.2.1 XG Bulk Dump. However, refer to table 2-n
for the address, byte count, and block.
2.2.2.1 System bulk dump

This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).
3. Realtime messages
3.1 Active sensing
a) Transmission
not transmitted.
b) Reception
Once FE has been received, failure to receive any MIDI message for an
interval longer than approximately 300 msec will cause processing to be
performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET ALL
CONTROLLERS messages were received, and the unit will reset to a
condition in which FE was never received.
74
< Table 1 - 1 >

Parameter Bass Addres
Model ID = 4C
Parameter Description
Address
(H) (M) (L)
XG SYSTEM 00 00 00 System
00 00 7D Drum setup Reset
00 00 7E XG System On
00 00 7F All Parameter Reset
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )
02 40 00 Multi EQ
EFFECT 2 03 00 00 Insertion Effect 1
03 01 00 Insertion Effect 2
MULTI PART 08 00 00 Multi Part 1
:
08 0F 00 Multi Part 16
08 10 00 Multi Part 17
:
08 1F 00 Multi Part 32
MULTI PART 0A 00 00 Multi Part 1
(additional) :
0A 0F 00 Multi Part 16
0A 10 00 Multi Part 17
:
0A 1F 00 Multi Part 32
Audio PART 10 00 00 Audio Part 1
:
10 0D 00 Audio Part 14
Audio Config 11 00 00 Audio Config 1
:
11 0D 00 Audio Config 14 Address Parameter
DRUM 30 0D 00 Drum Setup 1 3n 0D 00 note number 13
31 0D 00 Drum Setup 2 3n 0E 00 note number 14
32 0D 00 Drum Setup 3 : :
33 0D 00 Drum Setup 4 3n 5B 00 note number 91
< Table 1 - 2 >

MIDI Parameter Change table ( XG SYSTEM )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
00 00 00 40 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00
01 00 - 0F 1st bit3-0→bit15-12
02 00 - 0F 2nd bit3-0→bit11-8
03 00 - 0F 3rd bit3-0→bit7-4
4th bit3-0→bit3-0
04 1 00 - 7F MASTER VOLUME 0...127 7F
05 1 00 - 7F MASTER ATTENUATOR 0...127 00
06 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40
7D 1 N DRUM SETUP RESET N:Drum setup number(receive only) —
7E 1 00 XG SYSTEM ON 00=XG system ON (receive only) —
7F 1 00 ALL PARAMETER RESET 00=ON (receive only) —
TOTAL SIZE 07
< Table 1 - 3 >

MIDI Parameter Change table ( EFFECT 1)
(H) (H) (H) (H)
02 01 00 2 00 - 7F REVERB TYPE MSB refer to Effect Program List 01(=HALL1)
00 - 7F REVERB TYPE LSB ″ 00
02 1 00 - 7F REVERB PARAMETER 1 ″ 12(depends on reverb type)
03 1 00 - 7F REVERB PARAMETER 2 ″ 0A(″)
04 1 00 - 7F REVERB PARAMETER 3 ″ 08(″)
05 1 00 - 7F REVERB PARAMETER 4 ″ 0D(″)
0A 1 00 - 7F REVERB PARAMETER 9 ″ 00(″)
0B 1 00 - 7F REVERB PARAMETER 10 ″ 00(″)
0C 1 00 - 7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) 40
0D 1 01 - 7F REVERB PAN L63...C...R63 40
TOTAL SIZE 0E
02 01 10 1 00 - 7F REVERB PARAMETER 11 refer to Effect Parameter List 00(depends on reverb type)

TOTAL SIZE 06
75
02 01 20 2 00 - 7F CHORUS TYPE MSB refer to Effect Program List 41(=CHORUS1)

00 - 7F CHORUS TYPE LSB ″ 00
22 1 00 - 7F CHORUS PARAMETER 1 ″ 06(depends on chorus type)
23 1 00 - 7F CHORUS PARAMETER 2 ″ 36(″)
24 1 00 - 7F CHORUS PARAMETER 3 ″ 4D(″)
25 1 00 - 7F CHORUS PARAMETER 4 ″ 6A(″)
27 1 00 - 7F CHORUS PARAMETER 6 ″ 1C(″)
29 1 00 - 7F CHORUS PARAMETER 8 ″ 2E(″)
2A 1 00 - 7F CHORUS PARAMETER 9 ″ 40(″)
2B 1 00 - 7F CHORUS PARAMETER 10 ″ 40(″)
2C 1 00 - 7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) 40
2D 1 01 - 7F CHORUS PAN L63...C...R63(1...64...127) 40
2E 1 00 - 7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) 00
TOTAL SIZE 0F
02 01 30 1 00 - 7F CHORUS PARAMETER 11 refer to Effect Parameter List 2E(depends on chorus type)

32 1 00 - 7F CHORUS PARAMETER 13 ″ 0A(″)
TOTAL SIZE 06
02 01 40 2 00 - 7F VARIATION TYPE MSB refer to Effect Program List 05(=DELAY L,C,R)

00 - 7F VARIATION TYPE LSB ″ 00
42 2 00 - 7F VARIATION PARAMETER 1 MSB ″ 1A(depends on variation type)
00 - 7F VARIATION PARAMETER 1 LSB ″ 05(″)
44 2 00 - 7F VARIATION PARAMETER 2 MSB ″ 0D(″)
46 2 00 - 7F VARIATION PARAMETER 3 MSB ″ 27(″)
4A 2 00 - 7F VARIATION PARAMETER 5 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 5 LSB ″ 4A(″)
4C 2 00 - 7F VARIATION PARAMETER 6 MSB ″ 00(″)
4E 2 00 - 7F VARIATION PARAMETER 7 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 7 LSB ″ 0A(″)
56 1 00 - 7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) 40
57 1 01 - 7F VARIATION PAN L63...C...R63(1...64...127) 40
58 1 00 - 7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...96...127) 00
59 1 00 - 7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...96...127) 00
5A 1 00 - 01 VARIATION CONNECTION INSERTION , SYSTEM 00
5B 1 00 - 7F VARIATION PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
5C 1 00 - 7F MW VARIATION CONTROL DEPTH -64...0...+63 40
5D 1 00 - 7F BEND VARIATION CONTROL DEPTH -64...0...+63 40
5E 1 00 - 7F CAT VARIATION CONTROL DEPTH -64...0...+63 40
5F 1 00 - 7F AC1 VARIATION CONTROL DEPTH -64...0...+63 40
60 1 00 - 7F AC2 VARIATION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 21
02 01 70 1 00 - 7F VARIATION PARAMETER 11 refer to Effect Parameter List 00(depends on variation type)

71 1 00 - 7F VARIATION PARAMETER 12 ″ 3C(″)
72 1 00 - 7F VARIATION PARAMETER 13 ″ 1C(″)
73 1 00 - 7F VARIATION PARAMETER 14 ″ 40(″)
74 1 00 - 7F VARIATION PARAMETER 15 ″ 2E(″)
75 1 00 - 7F VARIATION PARAMETER 16 ″ 40(″)
TOTAL SIZE 06
76
< Table 1 - 4 >

MIDI Parameter Change table ( MULTI EQ )
(H) (H) (H) (H)
02 40 00 1 00 - 04 EQ TYPE flat, jazz, pops, rock, classic 00
01 1 34 - 4C EQ GAIN1 -12...0...+12[dB] 40(depends on EQ type)
02 1 04 - 28 EQ FREQUENCY1 32...2.0k[Hz] 0C(″)
03 1 01 - 78 EQ Q1 0.1...12.0 07(″)
04 1 00 - 01 EQ SHAPE1 shelving , peaking 00(″)
05 1 34 - 4C EQ GAIN2 -12...0...+12[dB] 40(″)
06 1 0E - 36 EQ FREQUENCY2 100...10.0k[Hz] 1C(″)
07 1 01 - 78 EQ Q2 0.1...12.0 07(″)
08 1 NOT USED —
09 1 34 - 4C EQ GAIN3 -12...0...+12[dB] 40(″)
0A 1 0E - 36 EQ FREQUENCY3 100...10.0k[Hz] 22(″)
0B 1 01 - 78 EQ Q3 0.1...12.0 07(″)
0C 1 NOT USED —
0D 1 34 - 4C EQ GAIN4 -12...0...+12[dB] 40(″)
0E 1 0E - 36 EQ FREQUENCY4 100...10.0k[Hz] 2E(″)
0F 1 01 - 78 EQ Q4 0.1...12.0 07(″)
10 1 NOT USED —
11 1 34 - 4C EQ GAIN5 -12...0...+12[dB] 40(″)
12 1 1C - 3A EQ FREQUENCY5 0.5k...16.0k[Hz] 34(″)
13 1 01 - 78 EQ Q5 0.1...12.0 07(″)
14 1 00 - 01 EQ SHAPE5 shelving , peaking 00(″)
TOTAL SIZE 15
< Table 1 - 5 >

MIDI Parameter Change table ( EFFECT 2)
(H) (H) (H) (H)
03 00 00 2 00 - 7F INSERTION EFFECT1 TYPE MSB refer to Effect Program List 49(=DISTORTION)
00 - 7F INSERTION EFFECT1 TYPE LSB ″ 00
02 1 00 - 7F INSERTION EFFECT1 PARAMETER1 ″ 28(depends on insertion effect1 type)
03 1 00 - 7F INSERTION EFFECT1 PARAMETER2 ″ 14(″)
08 1 00 - 7F INSERTION EFFECT1 PARAMETER7 ″ 2B(″)
09 1 00 - 7F INSERTION EFFECT1 PARAMETER8 ″ 4A(″)
0A 1 00 - 7F INSERTION EFFECT1 PARAMETER9 ″ 0A(″)
0B 1 00 - 7F INSERTION EFFECT1 PARAMETER10 ″ 7F(″)
0C 1 00 - 7F INSERTION EFFECT1 PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
0D 1 00 - 7F MW INSERTION CONTROL DEPTH -64...0...+63 40
0E 1 00 - 7F BEND INSERTION CONTROL DEPTH -64...0...+63 40
0F 1 00 - 7F CAT INSERTION CONTROL DEPTH -64...0...+63 40
10 1 00 - 7F AC1 INSERTION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 12
20 1 00 - 7F INSERTION EFFECT1 PARAMETER11 refer to Effect Parameter List 78(depends on insertion effect1 type)
TOTAL SIZE 06
30 2 00 - 7F INSERTION EFFECT1 PARAMETER1 MSB refer to Effect Parameter List 00(depends on insertion effect1 type)
00 - 7F INSERTION EFFECT1 PARAMETER1 LSB ″ 28(″)
32 2 00 - 7F INSERTION EFFECT1 PARAMETER2 MSB ″ 00(″)
3A 2 00 - 7F INSERTION EFFECT1 PARAMETER6 MSB ″ 00(″)
3C 2 00 - 7F INSERTION EFFECT1 PARAMETER7 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER7 LSB ″ 2B(″)
3E 2 00 - 7F INSERTION EFFECT1 PARAMETER8 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER8 LSB ″ 4A(″)
00 - 7F INSERTION EFFECT1 PARAMETER10 LSB ″ 7F(″)
TOTAL SIZE 14
When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not
received.
When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received.
Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires
the MSB, parameters of addresses 02...0B are not received even for bulk reception.
77
03 01 00 2 00 - 7F INSERTION EFFECT2 TYPE MSB refer to Effect Program List 49(=DISTORTION)

00 - 7F INSERTION EFFECT2 TYPE LSB ″ 00
02 1 00 - 7F INSERTION EFFECT2 PARAMETER1 ″ 28(depends on insertion effect2 type)
08 1 00 - 7F INSERTION EFFECT2 PARAMETER7 ″ 2B(″)
09 1 00 - 7F INSERTION EFFECT2 PARAMETER8 ″ 4A(″)
0A 1 00 - 7F INSERTION EFFECT2 PARAMETER9 ″ 0A(″)
0B 1 00 - 7F INSERTION EFFECT2 PARAMETER10 ″ 7F(″)
0C 1 00 - 7F INSERTION EFFECT2 PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
0D 1 00 - 7F MW INSERTION CONTROL DEPTH -64...0...+63 40
0E 1 00 - 7F BEND INSERTION CONTROL DEPTH -64...0...+63 40
0F 1 00 - 7F CAT INSERTION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 12
20 1 00 - 7F INSERTION EFFECT2 PARAMETER11 refer to Effect Parameter List 78(depends on insertion effect2 type)
TOTAL SIZE 06
30 2 00 - 7F INSERTION EFFECT2 PARAMETER1 MSB refer to Effect Parameter List 00(depends on insertion effect2 type)
3A 2 00 - 7F INSERTION EFFECT2 PARAMETER6 MSB ″ 00(″)
3C 2 00 - 7F INSERTION EFFECT2 PARAMETER7 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER7 LSB ″ 2B(″)
3E 2 00 - 7F INSERTION EFFECT2 PARAMETER8 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER10 LSB ″ 7F(″)
TOTAL SIZE 14
When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not
received.
When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received.
Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires
the MSB, parameters of addresses 02...0B are not received even for bulk reception.
< Table 1 - 6 >

MIDI Parameter Change table ( MULTI PART )
(H) (H) (H) (H)
08 nn 00 1 00 - 40 ELEMENT RESERVE 0...64 part10, 26=0
other parts =2
nn 01 1 00 - 7F BANK SELECT MSB 0...127 part10,26=7F
other parts=0
nn 02 1 00 - 7F BANK SELECT LSB 0...127 00
nn 03 1 00 - 7F PROGRAM NUMBER 1...128 00
nn 04 1 00-1F,7F Rcv CHANNEL A1...A16, B1...B16, OFF Part No.
nn 05 1 00 - 01 MONO/POLY MODE MONO , POLY 01

nn 06 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, INST(for DRUM) 01
KEY ON ASSIGN
nn 07 1 00 - 05 PART MODE NORMAL, DRUM, DRUMS1...4 Part10=2, Part26=4
other parts=0
nn 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40
nn 09 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00
nn 0A 00 - 0F 1st bit3-0→bit7-4
2nd bit3-0→bit3-0
nn 0B 1 00 - 7F VOLUME 0...127 64
nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40
nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40
nn 0E 1 00 - 7F PAN RND, L63...C...R63 40
nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 00
nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F
nn 11 1 00 - 7F DRY LEVEL 0...127 7F
nn 12 1 00 - 7F CHORUS SEND 0...127 00
nn 13 1 00 - 7F REVERB SEND 0...127 28
nn 14 1 00 - 7F VARIATION SEND 0...127 00
nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40
nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40
nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40
nn 18 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 40
nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40
nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40
nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40
nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40
nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40
nn 1E 1 00 - 7F MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100...0...+100[%] 40
nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A
nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00
nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 00
78
nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42

nn 24 1 00 - 7F BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100...0...+100[%] 40
nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 00
nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00
nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 00
TOTAL SIZE 29
nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 01

nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01
nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 01
nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 01
nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01
nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 01
nn 36 1 00 - 01 Rcv RPN OFF, ON 01
nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00
nn 38 1 00 - 01 Rcv MODULATION OFF, ON 01
nn 39 1 00 - 01 Rcv VOLUME OFF, ON 01
nn 3A 1 00 - 01 Rcv PAN OFF, ON 01
nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 01
nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 01
nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 01
nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 01
nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01
nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00
nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40
nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40
nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40
nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40
nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40
nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40
nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40
nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40
nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40
nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40
nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40
nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40
nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40
nn 4E 1 00 - 7F CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100...0...+100[%] 40
nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 00
nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 00
nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 00
nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40
nn 54 1 00 - 7F PAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100...0...+100[%] 40
nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 00
nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 00
nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 00
nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10
nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40
nn 5B 1 00 - 7F AC1 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] 40
nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 00
nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 00
nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 00
nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11
nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40
nn 62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100...0...+100[%] 40
nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 00
nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 00
nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 00
nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 00
nn 68 1 00 - 7F PORTAMENTO TIME 0...127 00
nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40
nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40
nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40
nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40
nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 01
nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F
TOTAL SIZE 3F
nn 70 1 NOT USED —
nn 72 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40
nn 73 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40
TOTAL SIZE 04
nn 76 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C
nn 77 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36
nn 7A 1 NOT USED —
nn 7B 1 NOT USED —
nn 7C 1 NOT USED —
nn 7D 1 NOT USED —
nn 7E 1 NOT USED —
nn 7F 1 NOT USED —
TOTAL SIZE 0C
0A nn 10 1 00,08,09,0A OUTPUT SELECT 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00

28,29,2A,2B, 10:indiv5+6,40:indiv1,41:indiv2,42:indiv3,
2C,2D 43:indiv4, 44:indiv5,45:indiv6
TOTAL SIZE 01
If data other than the above is received, 0:stereo out will be selected.
Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0.
79
0A nn 20 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63 40

TOTAL SIZE 02
nn = PART NUMBER
In the case of a DRUM PART, the following parameters will have no effect.
• BANK SELECT LSB
• MONO/POLY MODE
• SCALE TUNING
• PORTAMENTO
• PITCH EG
• FILTER MODULATION DEPTH (FMOD DEPTH)
• AMPLITUDE MODULATION DEPTH (AMOD DEPTH)
• OUTPUT SELECT
< Table 1 - 7 >

MIDI Parameter Change table ( Audio PART )
(H) (H) (H) (H)
10 0n 00 1 00 - 01 INPUT GAIN MIC , LINE
(Effective only for Analog Device) 00
01 1 00 - 7F BANK SELECT MSB 0...127 00
02 1 00 - 7F BANK SELECT LSB 0...127 00
03 1 00 - 7F PROGRAM NUMBER 1...128 00
04 1 00-1F, 7F Rcv CHANNEL A1...A16,B1...B16, OFF 7F
05 1 NOT USED —
06 1 NOT USED —
07 1 NOT USED —
08 1 NOT USED —
09 1 NOT USED —
0A 1 NOT USED —
0B 1 00 - 7F VOLUME 0...127
(Default value for Analog Device is 0) 64
0C 1 NOT USED —
0D 1 NOT USED —
0E 1 01 - 7F PAN L63...C...R63 40
0F 1 NOT USED —
10 1 NOT USED —
11 1 00 - 7F DRY LEVEL 0...127 7F
12 1 00 - 7F CHORUS SEND 0...127 00
13 1 00 - 7F REVERB SEND 0...127 00
14 1 00 - 7F VARIATION SEND 0...127 00
TOTAL SIZE 15
10 0n 30 1 NOT USED —
31 1 NOT USED —
32 1 00 - 01 Rcv PROGRAM CHANGE OFF , ON 00
33 1 00 - 01 Rcv CONTROL CHANGE OFF , ON 01
34 1 NOT USED —
35 1 00 - 01 MUTE ON, OFF 01
36 1 NOT USED —
37 1 NOT USED —
38 1 NOT USED —
39 1 00 - 01 Rcv VOLUME OFF , ON 01
3A 1 00 - 01 Rcv PAN OFF , ON 01
3B 1 00 - 01 Rcv EXPRESSION OFF , ON 01
3C 1 NOT USED —
3D 1 NOT USED —
3E 1 NOT USED —
3F 1 NOT USED —
40 1 00 - 01 Rcv BANK SELECT OFF , ON 00
41 1 NOT USED —
42 1 NOT USED —
43 1 NOT USED —
44 1 NOT USED —
45 1 NOT USED —
46 1 NOT USED —
47 1 NOT USED —
48 1 NOT USED —
49 1 NOT USED —
4A 1 NOT USED —
4B 1 NOT USED —
4C 1 NOT USED —
4D 1 NOT USED —
4E 1 NOT USED —
4F 1 NOT USED —
50 1 NOT USED —
51 1 NOT USED —
52 1 NOT USED —
53 1 NOT USED —
54 1 NOT USED —
55 1 NOT USED —
56 1 NOT USED —
57 1 NOT USED —
58 1 NOT USED —
59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10
5A 1 NOT USED —
5B 1 NOT USED —
5C 1 NOT USED —
5D 1 NOT USED —
5E 1 NOT USED —
5F 1 NOT USED —
60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11
TOTAL SIZE 31
80
12 nn 10 1 00,08,09,0A OUTPUT SELECT 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00

TOTAL SIZE 01
If data other than the above is received, 0:stereo out will be selected.
Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0.
n:Audio Part number( 0 - D )
< Table 1 - 8 >

MIDI Parameter Change table ( Audio Part Configuration )
(H) (H) (H) (H)
11 0n 00 1 00 - 01 Stereo/Monaural Switch between Stereo and Monaural 00
(Effective only for even numbered
parts)
TOTAL SIZE 01
11 0n 01 3 00 - Input Category Indicate input type, 00

depending on the shape of
the connector.
0:No Connection
1∼63:Connection to external device
1:Analog,others: Reserve
64∼126:Connection to internal Bus
64:PCI,others: Reserve
127:Reserve
00 - Input Sub Category Indicate input sub-type. 00
Not used at present. Set to 0.
00 - Input Serial Number Serial number in the same 00
input category.
TOTAL SIZE 03
n:Audio Part number( 0 - D )
< Table 1 - 9 >

MIDI Parameter Change table ( DRUM SETUP )
(H) (H) (H) (H)
3n rr 00 1 00 - 7F PITCH COARSE -64...0...+63 40
01 1 00 - 7F PITCH FINE -64...0...+63[cent] 40
02 1 00 - 7F LEVEL 0...127 depend on the note
03 1 00 - 7F ALTERNATE GROUP OFF,1...127 ″
04 1 00 - 7F PAN RND,L63...C...R63 ″
05 1 00 - 7F REVERB SEND 0...127 ″
06 1 00 - 7F CHORUS SEND 0...127 ″
07 1 00 - 7F VARIATION SEND 0...127 7F
08 1 00 - 01 KEY ASSIGN SINGLE , MULTI 00
09 1 00 - 01 Rcv NOTE OFF OFF , ON depend on the note
0A 1 00 - 01 Rcv NOTE ON OFF , ON 01
0B 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...63 40
0C 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...63 40
0D 1 00 - 7F EG ATTACK RATE -64...0...63 40
0E 1 00 - 7F EG DECAY1 RATE -64...0...63 40
0F 1 00 - 7F EG DECAY2 RATE -64...0...63 40
TOTAL SIZE 10
3n rr 20 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40

21 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40
22 1 NOT USED —
23 1 NOT USED —
24 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C
25 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36
26 1 NOT USED —
27 1 NOT USED —
28 1 NOT USED —
29 1 NOT USED —
2A 1 NOT USED —
2B 1 NOT USED —
2C 1 NOT USED —
2D 1 NOT USED —
TOTAL SIZE 0E
3n rr 40 1 00,08,09,0A OUTPUT SELECT 0:stereo out, 8:indiv1+2, 9:indiv3+4, 00

TOTAL SIZE 01
When data other than the above is received, 0:stereo out will be selected.
3n rr 50 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...63 40

51 1 NOT USED —
TOTAL SIZE 02
3n rr 60 1 30 - 50 VELOCITY SENSE PITCH -16...0...16 depend on the note

61 1 30 - 50 VELOCITY SENSE LPF CUTOFF -16...0...16 ″
TOTAL SIZE 02
n:Drum Setup Number(0 - 3)

rr:note number(0D - 5B)
In the following cases, the SW1000XG will initialize all Drum Setups.
XG SYSTEM ON received
GM SYSTEM ON received
DRUM SETUP RESET received (when in XG mode)
81
[Note]
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is
assigned.
< Table 2 - 1 >

Parmeter Bass Address
Model ID = 49
Parameter Description
Address
(H) (M) (L)
SW1000XG SYSTEM 00 00 00 System
< Table 2 - 2 >

MIDI Parameter Change table ( SYSTEM )
(H) (H) (H) (H)
00 00 00 1 00 - 01 MUTE LOCK OFF , ON 00
01 1 00 - 01 Audio LOCK OFF , ON 00
02 1 00 - 01 EQ LOCK OFF , ON 00
03 1 00 - 01 Rcv SYSTEM ON MESSAGE OFF , ON 01
04 1 00 - 01 Rcv BANK SELECT OFF , ON 01
05 Not Used
06 Not Used
07 Not Used
08 Not Used
09 Not Used
TOTAL SIZE 0A
00 00 10 1 00 - 01 DRUM EDIT Rcv NOTE OFF , ON 01

TOTAL SIZE 01
00 00 11 1 00 - 01 OUTPUT SELECT LOCK OFF , ON 00

TOTAL SIZE 01
00 00 12 1 00 - 01 Voice Map MU Basic/SW1000XG Native Voice 00

TOTAL SIZE 01
82

SW1000XG DataList - E - Yamaha

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DataList-E.

qx 7/31/98 3:17 PM Page 1

XG Voice List (Normal voices)

Double Attack Bright 1 Bright 2 Dark 1 Dark 2 Resonant LFO-Cutoff Freq

SfrzndBr ** 2 MildBrss *** 2

XG Voice List (Normal voices)

: Same as Bank 0. E: Number of elements

Muted Complex-FEG Detune 1 Detune 2 Detune 3 Octave 1 Octave 2

† MtdPulsB 1 † SlwAttck 1 Clv Bass 2

XG Voice List (Normal voices)

: Same as Bank 0. E: Number of elements

FunkGtr2 2 Jazz Man 1

MelloBrs 2 † Bund 2 † FakeHorn 2 † FkHrnOct 2

XG Voice List (Normal voices)

: Same as Bank 0. E: Number of elements

† Soho 1 † FlopsDtd 2 † Diploid2 2 † Brooklyn 1 † Diploid3 2 PhunkyDX 2 † Nasal DX 1

† SprClavi 2 † GtrClavi 2 † HardyPlk 1 † HrdyPlk+ 2 † FMClavDb 2

† DXJzGt D 2 † PulsJazz 1 † RghcastN 1 † RghcastM 1

† Bombay 2 † Bombay S 2 † Jaipur 2

† Wah Saw 1 † Pluto 1 † Pluto + 2 † Stimuli 1 † RunPulse 1 TalkPuls 1 † Node 1

† Alto&Trp 2 † Tnr&Trp 2 † BrssBros 2 † VagueBro 2

XG Voice List (Normal voices)

† ShvrnDX+ 1 † RattlnDX 1 † RatlnDX+ 2 † TinkerDX 1 † TinkrDX+ 2

† StnksRes 1 † Reso Sqr 1 † Dagger 1 † Zinc 2 † SweePWM 2 † SwPWM St 2 † Slow Wah 1

XG Voice List (Normal voices)

Capital Voices on Capital Voices on

XG Voice List (Normal voices)

XG Voice List (Normal voices)

Continued from page 2

: Same as Bank 0. E: Number of elements

Double Attack Bright 1 Bright 2 Dark 1 Dark 2 Resonant LFO-Cutoff Freq

Continued from page 3

ThickPad 2 Soft Pad 2 Sine Pad 2

XG Voice List (Normal voices)

Continued from page 4

: Same as Bank 0. E: Number of elements

Muted Complex-FEG Detune 1 Detune 2 Detune 3 Octave 1 Octave 2

Continued from page 5

XG Voice List (Normal voices)

Continued from page 6

: Same as Bank 0. E: Number of elements

Continued from page 7

XG Voice List (Normal voices)

Continued from page 8

: Same as Bank 0. E: Number of elements

Continued from page 9

† ForcdOsc 1 † Accent 1 † Brick 1 † Alum 2 † Query 2 † FMSlwSwp 2 † SyncLdDb 2

† Pixie 2 † Pisces 2 † Spiral 2

DigiBell 2 AirBells 2 BellHarp 2 Gamelmba 2 † Bounce 2

MilkyWay ** 2 Night 2 Glisten 2 Puffy ** 2 † Mimicry 2 † Parasite 2 † Cicada 2

XG Voice List (Normal voices)

Continued from page 10

: Same as Bank 0. E: Number of elements

Continued from page 11

XG Voice List (Normal voices)

Continued from page 12

: Same as Bank 0. E: Number of elements

Capital Voices on Capital Voices on

Continued from page 13

SfrzndBr 2 MildBrss * 2

MilkyWay 2 Night 2 Glisten 2 Puffy 2 † Mimicry 2 † Parasite 2 † Cicada 2

Rev Tom1 1 Rev Tom2 1