The Interpretation of Dreams by Sigmund Freud
The Interpretation of Dreams by Sigmund Freud
The Interpretation of Dreams by Sigmund Freud
Commentator: A. A. Brill
Language: English
Transcriber’s Note:
The cover image was created by the transcriber
and is placed in the public domain.
THE INTERPRETATION OF
DREAMS
BY
BY
NEW YORK
THE MACMILLAN COMPANY
1913
INTRODUCTORY REMARKS
A. A. BRILL.
New York City.
CONTENTS
CHAP. PAGE
I. The Scientific Literature on the Problems of the Dream 1
INDEX 501
THE INTERPRETATION OF
DREAMS
I
THE SCIENTIFIC LITERATURE ON THE
[D]
PROBLEMS OF THE DREAM
Cicero (De Divinatione, II) says quite similarly, as does also Maury
much later:—
“Maximeque reliquiae earum rerum moventur in animis et
agitantur, de quibus vigilantes aut cogitavimus aut egimus.”
The contradiction expressed in these two views as to the relation
between dream life and waking life seems indeed insoluble. It will
therefore not be out of place to mention the description of F. W.
Hildebrandt[35] (1875), who believes that the peculiarities of the
dream can generally be described only by calling them a “series of
contrasts which apparently shade off into contradictions” (p. 8). “The
first of these contrasts is formed on the one hand by the strict
isolation or seclusion of the dream from true and actual life, and on
the other hand by the continuous encroachment of the one upon the
other, and the constant dependency of one upon the other. The
dream is something absolutely separated from the reality
experienced during the waking state; one may call it an existence
hermetically sealed up and separated from real life by an
unsurmountable chasm. It frees us from reality, extinguishes normal
recollection of reality, and places us in another world and in a totally
different life, which at bottom has nothing in common with
reality....” Hildebrandt then asserts that in falling asleep our whole
being, with all its forms of existence, disappears “as through an
invisible trap door.” In the dream one is perhaps making a voyage to
St. Helena in order to offer the imprisoned Napoleon something
exquisite in the way of Moselle wine. One is most amicably received
by the ex-emperor, and feels almost sorry when the interesting
illusion is destroyed on awakening. But let us now compare the
situation of the dream with reality. The dreamer has never been a
wine merchant, and has no desire to become one. He has never made
a sea voyage, and St. Helena is the last place he would take as
destination for such a voyage. The dreamer entertains no
sympathetic feeling for Napoleon, but on the contrary a strong
patriotic hatred. And finally the dreamer was not yet among the
living when Napoleon died on the island; so that it was beyond the
reach of possibility for him to have had any personal relations with
Napoleon. The dream experience thus appears as something strange,
inserted between two perfectly harmonising and succeeding periods.
“Nevertheless,” continues Hildebrandt, “the opposite is seemingly
just as true and correct. I believe that hand in hand with this
seclusion and isolation there can still exist the most intimate relation
and connection. We may justly say that no matter what the dream
offers, it finds its material in reality and in the psychic life arrayed
around this reality. However strange the dream may seem, it can
never detach itself from reality, and its most sublime as well as its
most farcical structures must always borrow their elementary
material either from what we have seen with our eyes in the outer
world, or from what has previously found a place somewhere in our
waking thoughts; in other words, it must be taken from what we had
already experienced either objectively or subjectively.”
(b) The Material of the Dream.—Memory in the Dream.—That all
the material composing the content of the dream in some way
originates in experience, that it is reproduced in the dream, or
recalled,—this at least may be taken as an indisputable truth. Yet it
would be wrong to assume that such connection between dream
content and reality will be readily disclosed as an obvious product of
the instituted comparison. On the contrary, the connection must be
carefully sought, and in many cases it succeeds in eluding discovery
for a long time. The reason for this is to be found in a number of
peculiarities evinced by the memory in dreams, which, though
universally known, have hitherto entirely eluded explanation. It will
be worth while to investigate exhaustively these characteristics.
It often happens that matter appears in the dream content which
one cannot recognise later in the waking state as belonging to one’s
knowledge and experience. One remembers well enough having
dreamed about the subject in question, but cannot recall the fact or
time of the experience. The dreamer is therefore in the dark as to the
source from which the dream has been drawing, and is even tempted
to believe an independently productive activity on the part of the
dream, until, often long afterwards, a new episode brings back to
recollection a former experience given up as lost, and thus reveals
the source of the dream. One is thus forced to admit that something
has been known and remembered in the dream that has been
withdrawn from memory during the waking state.
Delbœuf[16] narrates from his own experience an especially
impressive example of this kind. He saw in his dream the courtyard
of his house covered with snow, and found two little lizards half-
frozen and buried in the snow. Being a lover of animals, he picked
them up, warmed them, and put them back into a crevice in the wall
which was reserved for them. He also gave them some small fern
leaves that had been growing on the wall, which he knew they were
fond of. In the dream he knew the name of the plant: Asplenium ruta
muralis. The dream then continued, returning after a digression to
the lizards, and to his astonishment Delbœuf saw two other little
animals falling upon what was left of the ferns. On turning his eyes to
the open field he saw a fifth and a sixth lizard running into the hole
in the wall, and finally the street was covered with a procession of
lizards, all wandering in the same direction, &c.
In his waking state Delbœuf knew only a few Latin names of
plants, and nothing of the Asplenium. To his great surprise he
became convinced that a fern of this name really existed and that the
correct name was Asplenium ruta muraria, which the dream had
slightly disfigured. An accidental coincidence could hardly be
considered, but it remained a mystery for Delbœuf whence he got his
knowledge of the name Asplenium in the dream.
The dream occurred in 1862. Sixteen years later, while at the house
of one of his friends, the philosopher noticed a small album
containing dried plants resembling the albums that are sold as
souvenirs to visitors in many parts of Switzerland. A sudden
recollection occurred to him; he opened the herbarium, and
discovered therein the Asplenium of his dream, and recognised his
own handwriting in the accompanying Latin name. The connection
could now be traced. While on her wedding trip, a sister of this friend
visited Delbœuf in 1860—two years prior to the lizard dream. She
had with her at the time this album, which was intended for her
brother, and Delbœuf took the trouble to write, at the dictation of a
botanist, under each of the dried plants the Latin name.
The favourable accident which made possible the report of this
valuable example also permitted Delbœuf to trace another portion of
this dream to its forgotten source. One day in 1877 he came upon an
old volume of an illustrated journal, in which he found pictured the
whole procession of lizards just as he had dreamed it in 1862. The
volume bore the date of 1861, and Delbœuf could recall that he had
subscribed to the journal from its first appearance.
That the dream has at its disposal recollections which are
inaccessible to the waking state is such a remarkable and
theoretically important fact that I should like to urge more attention
to it by reporting several other “Hypermnesic Dreams.” Maury[48]
relates that for some time the word Mussidan used to occur to his
mind during the day. He knew it to be the name of a French city, but
nothing else. One night he dreamed of a conversation with a certain
person who told him that she came from Mussidan, and, in answer to
his question where the city was, she replied: “Mussidan is a principal
country town in the Département de La Dordogne.” On waking,
Maury put no faith in the information received in his dream; the
geographical lexicon, however, showed it to be perfectly correct. In
this case the superior knowledge of the dream is confirmed, but the
forgotten source of this knowledge has not been traced.
Jessen[36] tells (p. 55) of a quite similar dream occurrence, from
more remote times. Among others we may here mention the dream
of the elder Scaliger (Hennings, l.c., p. 300), who wrote a poem in
praise of celebrated men of Verona, and to whom a man, named
Brugnolus, appeared in a dream, complaining that he had been
neglected. Though Scaliger did not recall ever having heard of him,
he wrote some verses in his honour, and his son later discovered at
Verona that a Brugnolus had formerly been famous there as a critic.
Myers is said to have published a whole collection of such
hypermnesic dreams in the Proceedings of the Society for Psychical
Research, which are unfortunately inaccessible to me. I believe every
one who occupies himself with dreams will recognise as a very
common phenomenon the fact that the dream gives proof of knowing
and recollecting matters unknown to the waking person. In my
psychoanalytic investigations of nervous patients, of which I shall
speak later, I am every week more than once in position to convince
my patients from their dreams that they are well acquainted with
quotations, obscene expressions, &c., and that they make use of these
in their dreams, although they have forgotten them in the waking
state. I shall cite here a simple case of dream hypermnesia because it
was easy to trace the source which made the knowledge accessible to
the dream.
A patient dreamed in a lengthy connection that he ordered a
“Kontuszówka” in a café, and after reporting this inquired what it
might mean, as he never heard the name before. I was able to answer
that Kontuszówka was a Polish liquor which he could not have
invented in his dream, as the name had long been familiar to me in
advertisements. The patient would not at first believe me, but some
days later, after he had realised his dream of the café, he noticed the
name on a signboard at the street corner, which he had been obliged
to pass for months at least twice a day.
I have learned from my own dreams how largely the discovery of
the origin of some of the dream elements depends on accident. Thus,
for years before writing this book, I was haunted by the picture of a
very simply formed church tower which I could not recall having
seen. I then suddenly recognised it with absolute certainty at a small
station between Salzburg and Reichenhall. This was in the later
nineties, and I had travelled over the road for the first time in the
year 1886. In later years, when I was already busily engaged in the
study of dreams, I was quite annoyed at the frequent recurrence of
the dream picture of a certain peculiar locality. I saw it in definite
local relation to my person—to my left, a dark space from which
many grotesque sandstone figures stood out. A glimmer of
recollection, which I did not quite credit, told me it was the entrance
to a beer-cellar, but I could explain neither the meaning nor the
origin of this dream picture. In 1907 I came by chance to Padua,
which, to my regret, I had been unable to visit since 1895. My first
visit to this beautiful university city was unsatisfactory; I was unable
to see Giotto’s frescoes in the church of the Madonna dell’ Arena, and
on my way there turned back on being informed that the little church
was closed on the day. On my second visit, twelve years later, I
thought of compensating myself for this, and before everything else I
started out for Madonna dell’ Arena. On the street leading to it, on
my left, probably at the place where I had turned in 1895, I
discovered the locality which I had so often seen in the dream, with
its sandstone figures. It was in fact the entrance to a restaurant
garden.
One of the sources from which the dream draws material for
reproduction—material which in part is not recalled or employed in
waking thought—is to be found in childhood. I shall merely cite some
of the authors who have observed and emphasized this.
Hildebrandt[35] (p. 23): “It has already been expressly admitted
that the dream sometimes brings back to the mind with wonderful
reproductive ability remote and even forgotten experiences from the
earliest periods.”
Strümpell[66] (p. 40): “The subject becomes more interesting when
we remember how the dream sometimes brings forth, as it were,
from among the deepest and heaviest strata which later years have
piled upon the earliest childhood experiences, the pictures of certain
places, things, and persons, quite uninjured and with their original
freshness. This is not limited merely to such impressions as have
gained vivid consciousness during their origin or have become
impressed with strong psychic validity, and then later return in the
dream as actual reminiscences, causing pleasure to the awakened
consciousness. On the contrary, the depths of the dream memory
comprise also such pictures of persons, things, places, and early
experiences as either possessed but little consciousness and no
psychic value at all, or have long ago lost both, and therefore appear
totally strange and unknown both in the dream and in the waking
state, until their former origin is revealed.”
Volkelt[72] (p. 119): “It is essentially noteworthy how easily infantile
and youthful reminiscences enter into the dream. What we have long
ceased to think about, what has long since lost for us all importance,
is constantly recalled by the dream.”
The sway of the dream over the infantile material, which, as is well
known, mostly occupies the gaps in the conscious memory, causes
the origin of interesting hypermnestic dreams, a few of which I shall
here report.
Maury[48] relates (p. 92) that as a child he often went from his
native city, Meaux, to the neighbouring Trilport, where his father
superintended the construction of a bridge. On a certain night a
dream transported him to Trilport, and he was again playing in the
city streets. A man approached him wearing some sort of uniform.
Maury asked him his name, and he introduced himself, saying that
his name was C——, and that he was a bridge guard. On waking,
Maury, who still doubted the reality of the reminiscence, asked his
old servant, who had been with him in his childhood, whether she
remembered a man of this name. “Certainly,” was the answer, “he
used to be watchman on the bridge which your father was building at
that time.”
Maury reports another example demonstrating just as nicely the
reliability of infantile reminiscences appearing in dreams. Mr. F——,
who had lived as a child in Montbrison, decided to visit his home and
old friends of his family after an absence of twenty-five years. The
night before his departure he dreamt that he had reached his
destination, and that he met near Montbrison a man, whom he did
not know by sight, who told him he was Mr. F., a friend of his father.
The dreamer remembered that as a child he had known a gentleman
of this name, but on waking he could no longer recall his features.
Several days later, having really arrived at Montbrison, he found the
supposedly unknown locality of his dream, and there met a man
whom he at once recognised as the Mr. F. of his dream. The real
person was only older than the one in the dream picture.
I may here relate one of my own dreams in which the remembered
impression is replaced by an association. In my dream I saw a person
whom I recognised, while dreaming, as the physician of my native
town. The features were indistinct and confused with the picture of
one of my colleague teachers, whom I still see occasionally. What
association there was between the two persons I could not discover
on awakening. But upon questioning my mother about the physician
of my early childhood, I discovered that he was a one-eyed man. My
teacher, whose figure concealed that of the physician in the dream,
was also one-eyed. I have not seen the physician for thirty-eight
years, and I have not to my knowledge thought of him in my waking
state, although a scar on my chin might have reminded me of his
help.
As if to counterbalance the immense rôle ascribed to the infantile
impressions in the dream, many authors assert that the majority of
dreams show elements from the most recent time. Thus Robert[55] (p.
46) declares that the normal dream generally occupies itself only
with the impressions of the recent days. We learn indeed that the
theory of the dream advanced by Robert imperatively demands that
the old impressions should be pushed back, and the recent ones
brought to the front. Nevertheless the fact claimed by Robert really
exists; I can confirm this from my own investigations. Nelson,[50] an
American author, thinks that the impressions most frequently found
in the dream date from two or three days before, as if the
impressions of the day immediately preceding the dream were not
sufficiently weakened and remote.
Many authors who are convinced of the intimate connection
between the dream content and the waking state are impressed by
the fact that impressions which have intensely occupied the waking
mind appear in the dream only after they have been to some extent
pushed aside from the elaboration of the waking thought. Thus, as a
rule, we do not dream of a dead beloved person while we are still
overwhelmed with sorrow. Still Miss Hallam,[33] one of the latest
observers, has collected examples showing the very opposite
behaviour, and claims for the point the right of individual
psychology.
The third and the most remarkable and incomprehensible
peculiarity of the memory in dreams, is shown in the selection of the
reproduced material, for stress is laid not only on the most
significant, but also on the most indifferent and superficial
reminiscences. On this point I shall quote those authors who have
expressed their surprise in the most emphatic manner.
Hildebrandt[35] (p. 11): “For it is a remarkable fact that dreams do
not, as a rule, take their elements from great and deep-rooted events
or from the powerful and urgent interests of the preceding day, but
from unimportant matters, from the most worthless fragments of
recent experience or of a more remote past. The most shocking death
in our family, the impressions of which keep us awake long into the
night, becomes obliterated from our memories, until the first
moment of awakening brings it back to us with depressing force. On
the other hand, the wart on the forehead of a passing stranger, of
whom we did not think for a second after he was out of sight, plays
its part in our dreams.”
Strümpell[66] (p. 39): “... such cases where the analysis of a dream
brings to light elements which, although derived from events of the
previous day or the day before the last, yet prove to be so
unimportant and worthless for the waking state that they merge into
forgetfulness shortly after coming to light. Such occurrences may be
statements of others heard accidentally or actions superficially
observed, or fleeting perceptions of things or persons, or single
phrases from books, &c.”
Havelock Ellis[23] (p. 727): “The profound emotions of waking life,
the questions and problems on which we spread our chief voluntary
mental energy, are not those which usually present themselves at
once to dream-consciousness. It is, so far as the immediate past is
concerned, mostly the trifling, the incidental, the “forgotten”
impressions of daily life which reappear in our dreams. The psychic
activities that are awake most intensely are those that sleep most
profoundly.”
Binz[4] (p. 45) takes occasion from the above-mentioned
characteristics of the memory in dreams to express his
dissatisfaction with explanations of dreams which he himself has
approved of: “And the normal dream raises similar questions. Why
do we not always dream of memory impressions from the preceding
days, instead of going back to the almost forgotten past lying far
behind us without any perceptible reason? Why in a dream does
consciousness so often revive the impression of indifferent memory
pictures while the cerebral cells bearing the most sensitive records of
experience remain for the most part inert and numb, unless an acute
revival during the waking state has shortly before excited them?”
We can readily understand how the strange preference of the
dream memory for the indifferent and hence the unnoticed details of
daily experience must usually lead us to overlook altogether the
dependence of the dream on the waking state, or at least make it
difficult to prove this dependence in any individual case. It thus
happened that in the statistical treatment of her own and her friend’s
dreams, Miss Whiton Calkins[12] found 11 per cent. of the entire
number that showed no relation to the waking state. Hildebrandt
was certainly correct in his assertion that all our dream pictures
could be genetically explained if we devoted enough time and
material to the tracing of their origin. To be sure, he calls this “a most
tedious and thankless job.” For it would at most lead us to ferret out
all kinds of quite worthless psychic material from the most remote
corners of the memory chamber, and to bring to light some very
indifferent moments from the remote past which were perhaps
buried the next hour after their appearance. I must, however, express
my regret that this discerning author refrained from following the
road whose beginning looked so unpromising; it would have led him
directly to the centre of the dream problem.
The behaviour of the memory in dreams is surely most significant
for every theory of memory in general. It teaches us that “nothing
which we have once psychically possessed is ever entirely lost”
(Scholz[59]); or as Delbœuf puts it, “que toute impression même la
plus insignifiante, laisse une trace inaltérable, indéfiniment
susceptible de reparaître au jour,” a conclusion to which we are
urged by so many of the other pathological manifestations of the
psychic life. Let us now bear in mind this extraordinary capability of
the memory in the dream, in order to perceive vividly the
contradictions which must be advanced in certain dream theories to
be mentioned later, when they endeavour to explain the absurdities
and incoherence of dreams through a partial forgetting of what we
have known during the day.
One might even think of reducing the phenomenon of dreaming to
that of memory, and of regarding the dream as the manifestation of
an activity of reproduction which does not rest even at night, and
which is an end in itself. Views like those expressed by Pilcz[51] would
corroborate this, according to which intimate relations are
demonstrable between the time of dreaming and the contents of the
dream from the fact that the impressions reproduced by the dream in
sound sleep belong to the remotest past while those reproduced
towards morning are of recent origin. But such a conception is
rendered improbable from the outset by the manner of the dream’s
behaviour towards the material to be remembered. Strümpell[66]
justly calls our attention to the fact that repetitions of experiences do
not occur in the dream. To be sure the dream makes an effort in that
direction, but the next link is wanting, or appears in changed form,
or it is replaced by something entirely novel. The dream shows only
fragments of reproduction; this is so often the rule that it admits of
theoretical application. Still there are exceptions in which the dream
repeats an episode as thoroughly as our memory would in its waking
state. Delbœuf tells of one of his university colleagues who in his
dream repeated, with all its details, a dangerous wagon ride in which
he escaped accident as if by miracle. Miss Calkins[12] mentions two
dreams, the contents of which exactly reproduced incidents from the
day before, and I shall later take occasion to report an example which
came to my notice, showing a childish experience which returned
unchanged in a dream.[F]
(c) Dream Stimuli and Dream Sources.—What is meant by dream
stimuli and dream sources may be explained by referring to the
popular saying, “Dreams come from the stomach.” This notion
conceals a theory which conceives the dream as a result of a
disturbance of sleep. We should not have dreamed if some disturbing
element had not arisen in sleep, and the dream is the reaction from
this disturbance.
The discussion of the exciting causes of dreams takes up the most
space in the descriptions of the authors. That this problem could
appear only after the dream had become an object of biological
investigation is self-evident. The ancients who conceived the dream
as a divine inspiration had no need of looking for its exciting source;
to them the dream resulted from the will of the divine or demoniacal
powers, and its content was the product of their knowledge or
intention. Science, however, soon raised the question whether the
stimulus to the dream is always the same, or whether it might be
manifold, and thus led to the question whether the causal
explanation of the dream belongs to psychology or rather to
physiology. Most authors seem to assume that the causes of the
disturbance of sleep, and hence the sources of the dream, might be of
various natures, and that physical as well as mental irritations might
assume the rôle of dream inciters. Opinions differ greatly in
preferring this or that one of the dream sources, in ranking them,
and indeed as to their importance for the origin of dreams.
Wherever the enumeration of dream sources is complete we
ultimately find four forms, which are also utilised for the division of
dreams:—
I perceive that this digression about the abuse of names was only
intended to prepare for this complaint. But let us stop here.... The
purchase at Spalato reminds me of another one at Cattaro, where I
was too cautious, and missed an opportunity for making some
desirable acquisitions. (Missing an opportunity at the breast of the
nurse, see above.) Another dream thought, occasioned in the
dreamer by the sensation of hunger, is as follows: One should let
nothing which one can have escape, even if a little wrong is done;
no opportunity should be missed, life is so short, death inevitable.
Owing to the fact that this also has a sexual significance, and that
desire is unwilling to stop at a wrong, this philosophy of carpe diem
must fear the censor and must hide behind a dream. This now makes
articulate counter-thoughts of all kinds, recollections of a time when
spiritual food alone was sufficient for the dreamer; it suggests
repressions of every kind, and even threats of disgusting sexual
punishments.
II. A second dream requires a longer preliminary statement:
I have taken a car to the West Station in order to begin a vacation
journey to the Aussee, and I reach the station in time for the train to
Ischl, which leaves earlier. Here I see Count Thun, who is again going
to see the Emperor at Ischl. In spite of the rain, he has come in an
open carriage, has passed out at once through the door for local
trains, and has motioned back the gate-keeper, who does not know
him and who wants to take his ticket, with a little wave of his hand.
After the train to Ischl has left, I am told to leave the platform and go
back into the hot waiting-room; but with difficulty I secure
permission to remain. I pass the time in watching the people who
make use of bribes to secure a compartment; I make up my mind to
insist on my rights—that is, to demand the same privilege.
Meanwhile I sing something to myself, which I afterwards recognise
to be the aria from Figaro’s Wedding:
“If my lord Count wishes to try a dance,
Try a dance,
Let him but say so,
I’ll play him a tune.”
The dream thus contains the “lucky (big) throw,” which is not,
however, a wish-fulfilment only. It also conceals the painful
reflection that in his striving after friendship he has often had the
misfortune to be “thrown down,” and the fear lest this fate may be
repeated in the case of the young man next whom he has enjoyed the
performance of Fidelio. This is now followed by a confession which
quite puts this refined dreamer to shame, to the effect that once,
after such a rejection on the part of a friend, out of burning desire he
merged into sexual excitement and masturbated twice in succession.
The other dream is as follows: Two professors of the university
who are known to him are treating him in my stead. One of them
does something with his penis; he fears an operation. The other one
thrusts an iron bar at his mouth so that he loses two teeth. He is
bound with four silken cloths.
The sexual significance of this dream can hardly be doubted. The
silken cloths are equivalent to an identification with a homosexual of
his acquaintance. The dreamer, who has never achieved coition, but
who has never actually sought sexual intercourse with men,
conceives sexual intercourse after the model of the masturbation
which he was once taught during the time of puberty.
I believe that the frequent modifications of the typical dream of
dental irritation—that, for example, of another person drawing the
tooth from the dreamer’s mouth, are made intelligible by means of
the same explanation. It may, however, be difficult to see how
“dental irritation” can come to have this significance. I may then call
attention to a transference from below to above which occurs very
frequently. This transference is at the service of sexual repression,
and by means of it all kinds of sensations and intentions occurring in
hysteria which ought to be enacted in the genitals can be realised
upon less objectionable parts of the body. It is also a case of such
transference when the genitals are replaced by the face in the
symbolism of unconscious thought. This is assisted by the fact that
the buttocks resemble the cheeks, and also by the usage of language
which calls the nymphæ “lips,” as resembling those that enclose the
opening of the mouth. The nose is compared to the penis in
numerous allusions, and in one place as in the other the presence of
hair completes the resemblance. Only one part of the anatomy—the
teeth—are beyond all possibility of being compared with anything,
and it is just this coincidence of agreement and disagreement which
makes the teeth suitable for representation under pressure of sexual
repression.
I do not wish to claim that the interpretation of the dream of
dental irritation as a dream of masturbation, the justification of
which I cannot doubt, has been freed of all obscurity.[CG] I carry the
explanation as far as I am able, and must leave the rest unsolved. But
I must also refer to another connection revealed by an idiomatic
expression. In our country there is in use an indelicate designation
for the act of masturbation, namely: To pull one out, or to pull one
down.[CH] I am unable to say whence these colloquialisms originate,
and on what symbolisms they are based, but the teeth would well fit
in with the first of the two.[CI]
Dreams in which one is flying or hovering, falling, swimming, or
the like, belong to the second group of typical dreams. What do these
dreams signify? A general statement on this point cannot be made.
They signify something different in each case, as we shall hear: only
the sensational material which they contain always comes from the
same source.
It is necessary to conclude, from the material obtained in
psychoanalysis, that these dreams repeat impressions from
childhood—that is, that they refer to the movement games which
have such extraordinary attractions for the child. What uncle has
never made a child fly by running across the room with it with arms
outstretched, or has never played falling with it by rocking it on his
knee and then suddenly stretching out his leg, or by lifting it up high
and then pretending to withdraw support. At this the children shout
with joy, and demand more untiringly, especially if there is a little
fright and dizziness attached to it; in after years they create a
repetition of this in the dream, but in the dream they omit the hands
which have held them, so that they now freely float and fall. The
fondness of all small children for games like rocking and see-sawing
is well known; and if they see gymnastic tricks at the circus their
recollection of this rocking is refreshed. With some boys the
hysterical attack consists simply in the reproduction of such tricks,
which they accomplish with great skill. Not infrequently sexual
sensations are excited by these movement games, harmless as they
are in themselves.[CJ] To express the idea by a word which is current
among us, and which covers all of these matters: It is the wild
playing (“Hetzen”) of childhood which dreams about flying, falling,
vertigo, and the like repeat, and the voluptuous feelings of which
have now been turned into fear. But as every mother knows, the wild
playing of children has often enough culminated in quarrelling and
tears.
I therefore have good reason for rejecting the explanation that the
condition of our dermal sensations during sleep, the sensations
caused by the movements of the lungs, and the like, give rise to
dreams of flying and falling. I see that these very sensations have
been reproduced from the memory with which the dream is
concerned—that they are, therefore, a part of the dream content and
not of the dream sources.
This material, similar in its character and origin consisting of
sensations of motion, is now used for the representation of the most
manifold dream thoughts. Dreams of flying, for the most part
characterised by delight, require the most widely different
interpretations—altogether special interpretations in the case of
some persons, and even interpretations of a typical nature in that of
others. One of my patients was in the habit of dreaming very often
that she was suspended above the street at a certain height, without
touching the ground. She had grown only to a very small stature, and
shunned every kind of contamination which accompanies
intercourse with human beings. Her dream of suspension fulfilled
both of her wishes, by raising her feet from the ground and by
allowing her head to tower in the upper regions. In the case of other
female dreamers the dream of flying had the significance of a
longing: If I were a little bird; others thus become angels at night
because they have missed being called that by day. The intimate
connection between flying and the idea of a bird makes it
comprehensible that the dream of flying in the case of men usually
has a significance of coarse sensuality.[CK] We shall also not be
surprised to hear that this or that dreamer is always very proud of his
ability to fly.
Dr. Paul Federn (Vienna) has propounded the fascinating theory
that a great many flying dreams are erection dreams, since the
remarkable phenomena of erection which so constantly occupy the
human phantasy must strongly impress upon it a notion of the
suspension of gravity (cf. the winged phalli of the ancients).
Dreams of falling are most frequently characterised by fear. Their
interpretation, when they occur in women, is subject to no difficulty
because women always accept the symbolic sense of falling, which is
a circumlocution for the indulgence of an erotic temptation. We have
not yet exhausted the infantile sources of the dream of falling; nearly
all children have fallen occasionally, and then been picked up and
fondled; if they fell out of bed at night, they were picked up by their
nurse and taken into her bed.
People who dream often of swimming, of cleaving the waves, with
great enjoyment, &c., have usually been persons who wetted their
beds, and they now repeat in the dream a pleasure which they have
long since learned to forgo. We shall soon learn from one example or
another to what representation the dreams of swimming easily lend
themselves.
The interpretation of dreams about fire justifies a prohibition of
the nursery which forbids children to burn matches in order that
they may not wet the bed at night. They too are based on the
reminiscence of enuresis nocturnus of childhood. In the Bruchstück
einer Hysterieanalyse, 1905,[CL] I have given the complete analysis
and synthesis of such a fire-dream in connection with the infantile
history of the dreamer, and have shown to the representation of what
emotions this infantile material has been utilised in maturer years.
It would be possible to cite a considerable number of other
“typical” dreams, if these are understood to refer to the frequent
recurrence of the same manifest dream content in the case of
different dreamers, as, for example: dreams of passing through
narrow alleys, of walking through a whole suite of rooms; dreams of
the nocturnal burglar against whom nervous people direct
precautionary measures before going to sleep; dreams of being
chased by wild animals (bulls, horses), or of being threatened with
knives, daggers, and lances. The last two are characteristic as the
manifest dream content of persons suffering from anxiety, &c. An
investigation dealing especially with this material would be well
worth while. In lieu of this I have two remarks to offer, which,
however, do not apply exclusively to typical dreams.
I. The more one is occupied with the solution of dreams, the more
willing one must become to acknowledge that the majority of the
dreams of adults treat of sexual material and give expression to
erotic wishes. Only one who really analyses dreams, that is to say,
who pushes forward from their manifest content to the latent dream
thoughts, can form an opinion on this subject—never the person who
is satisfied with registering the manifest content (as, for example,
Näcke in his works on sexual dreams). Let us recognise at once that
this fact is not to be wondered at, but that it is in complete harmony
with the fundamental assumptions of dream explanation. No other
impulse has had to undergo so much suppression from the time of
childhood as the sex impulse in its numerous components,[CM] from
no other impulse have survived so many and such intense
unconscious wishes, which now act in the sleeping state in such a
manner as to produce dreams. In dream interpretation, this
significance of sexual complexes must never be forgotten, nor must
they, of course, be exaggerated to the point of being considered
exclusive.
Of many dreams it can be ascertained by a careful interpretation
that they are even to be taken bisexually, inasmuch as they result in
an irrefutable secondary interpretation in which they realise
homosexual feelings—that is, feelings that are common to the normal
sexual activity of the dreaming person. But that all dreams are to be
interpreted bisexually, as maintained by W. Stekel,[CN] and Alf. Adler,
[CO]
seems to me to be a generalisation as indemonstrable as it is
improbable, which I should not like to support. Above all I should
not know how to dispose of the apparent fact that there are many
dreams satisfying other than—in the widest sense—erotic needs, as
dreams of hunger, thirst, convenience, &c. Likewise the similar
assertions “that behind every dream one finds the death sentence”
(Stekel), and that every dream shows “a continuation from the
feminine to the masculine line” (Adler), seem to me to proceed far
beyond what is admissible in the interpretation of dreams.
We have already asserted elsewhere that dreams which are
conspicuously innocent invariably embody coarse erotic wishes, and
we might confirm this by means of numerous fresh examples. But
many dreams which appear indifferent, and which would never be
suspected of any particular significance, can be traced back, after
analysis, to unmistakably sexual wish-feelings, which are often of an
unexpected nature. For example, who would suspect a sexual wish in
the following dream until the interpretation had been worked out?
The dreamer relates: Between two stately palaces stands a little
house, receding somewhat, whose doors are closed. My wife leads
me a little way along the street up to the little house, and pushes in
the door, and then I slip quickly and easily into the interior of a
courtyard that slants obliquely upwards.
Anyone who has had experience in the translating of dreams will,
of course, immediately perceive that penetrating into narrow spaces,
and opening locked doors, belong to the commonest sexual
symbolism, and will easily find in this dream a representation of
attempted coition from behind (between the two stately buttocks of
the female body). The narrow slanting passage is of course the
vagina; the assistance attributed to the wife of the dreamer requires
the interpretation that in reality it is only consideration for the wife
which is responsible for the detention from such an attempt.
Moreover, inquiry shows that on the previous day a young girl had
entered the household of the dreamer who had pleased him, and who
had given him the impression that she would not be altogether
opposed to an approach of this sort. The little house between the two
palaces is taken from a reminiscence of the Hradschin in Prague, and
thus points again to the girl who is a native of that city.
If with my patients I emphasise the frequency of the Oedipus
dream—of having sexual intercourse with one’s mother—I get the
answer: “I cannot remember such a dream.” Immediately afterwards,
however, there arises the recollection of another disguised and
indifferent dream, which has been dreamed repeatedly by the
patient, and the analysis shows it to be a dream of this same content
—that is, another Oedipus dream. I can assure the reader that veiled
dreams of sexual intercourse with the mother are a great deal more
frequent than open ones to the same effect.[CP]
There are dreams about landscapes and localities in which
emphasis is always laid upon the assurance: “I have been there
before.” In this case the locality is always the genital organ of the
mother; it can indeed be asserted with such certainty of no other
locality that one “has been there before.”
A large number of dreams, often full of fear, which are concerned
with passing through narrow spaces or with staying in the water, are
based upon fancies about the embryonic life, about the sojourn in the
mother’s womb, and about the act of birth. The following is the
dream of a young man who in his fancy has already while in embryo
taken advantage of his opportunity to spy upon an act of coition
between his parents.
“He is in a deep shaft, in which there is a window, as in the
Semmering Tunnel. At first he sees an empty landscape through this
window, and then he composes a picture into it, which is
immediately at hand and which fills out the empty space. The
picture represents a field which is being thoroughly harrowed by an
implement, and the delightful air, the accompanying idea of hard
work, and the bluish-black clods of earth make a pleasant
impression. He then goes on and sees a primary school opened ...
and he is surprised that so much attention is devoted in it to the
sexual feelings of the child, which makes him think of me.”
Here is a pretty water-dream of a female patient, which was turned
to extraordinary account in the course of treatment.
At her summer resort at the ... Lake, she hurls herself into the
dark water at a place where the pale moon is reflected in the water.
Dreams of this sort are parturition dreams; their interpretation is
accomplished by reversing the fact reported in the manifest dream
content; thus, instead of “throwing one’s self into the water,” read
“coming out of the water,” that is, “being born.” The place from
which one is born is recognised if one thinks of the bad sense of the
French “la lune.” The pale moon thus becomes the white “bottom”
(Popo), which the child soon recognises as the place from which it
came. Now what can be the meaning of the patient’s wishing to be
born at her summer resort? I asked the dreamer this, and she
answered without hesitation: “Hasn’t the treatment made me as
though I were born again?” Thus the dream becomes an invitation to
continue the cure at this summer resort, that is, to visit her there;
perhaps it also contains a very bashful allusion to the wish to become
a mother herself.[CQ]
Another dream of parturition, with its interpretation, I take from
the work of E. Jones.[95] “She stood at the seashore watching a small
boy, who seemed to be hers, wading into the water. This he did till
the water covered him, and she could only see his head bobbing up
and down near the surface. The scene then changed to the crowded
hall of a hotel. Her husband left her, and she ‘entered into
conversation with’ a stranger.” The second half of the dream was
discovered in the analysis to represent a flight from her husband,
and the entering into intimate relations with a third person, behind
whom was plainly indicated Mr. X.’s brother mentioned in a former
dream. The first part of the dream was a fairly evident birth
phantasy. In dreams as in mythology, the delivery of a child from the
uterine waters is commonly presented by distortion as the entry of
the child into water; among many others, the births of Adonis, Osiris,
Moses, and Bacchus are well-known illustrations of this. The
bobbing up and down of the head in the water at once recalled to the
patient the sensation of quickening she had experienced in her only
pregnancy. Thinking of the boy going into the water induced a
reverie in which she saw herself taking him out of the water, carrying
him into the nursery, washing him and dressing him, and installing
him in her household.
The second half of the dream, therefore, represents thoughts
concerning the elopement, which belonged to the first half of the
underlying latent content; the first half of the dream corresponded
with the second half of the latent content, the birth phantasy. Besides
this inversion in order, further inversions took place in each half of
the dream. In the first half the child entered the water, and then his
head bobbed; in the underlying dream thoughts first the quickening
occurred, and then the child left the water (a double inversion). In
the second half her husband left her; in the dream thoughts she left
her husband.
Another parturition dream is related by Abraham[79] of a young
woman looking forward to her first confinement (p. 22): From a
place in the floor of the house a subterranean canal leads directly
into the water (parturition path, amniotic liquor). She lifts up a trap
in the floor, and there immediately appears a creature dressed in a
brownish fur, which almost resembles a seal. This creature changes
into the younger brother of the dreamer, to whom she has always
stood in maternal relationship.
Dreams of “saving” are connected with parturition dreams. To
save, especially to save from the water, is equivalent to giving birth
when dreamed by a woman; this sense is, however, modified when
the dreamer is a man.[CR]
Robbers, burglars at night, and ghosts, of which we are afraid
before going to bed, and which occasionally even disturb our sleep,
originate in one and the same childish reminiscence. They are the
nightly visitors who have awakened the child to set it on the chamber
so that it may not wet the bed, or have lifted the cover in order to see
clearly how the child is holding its hands while sleeping. I have been
able to induce an exact recollection of the nocturnal visitor in the
analysis of some of these anxiety dreams. The robbers were always
the father, the ghosts more probably corresponded to feminine
persons with white night-gowns.
II. When one has become familiar with the abundant use of
symbolism for the representation of sexual material in dreams, one
naturally raises the question whether there are not many of these
symbols which appear once and for all with a firmly established
significance like the signs in stenography; and one is tempted to
compile a new dream-book according to the cipher method. In this
connection it may be remarked that this symbolism does not belong
peculiarly to the dream, but rather to unconscious thinking,
particularly that of the masses, and it is to be found in greater
perfection in the folk-lore, in the myths, legends, and manners of
speech, in the proverbial sayings, and in the current witticisms of a
nation than in its dreams.[CS]
The dream takes advantage of this symbolism in order to give a
disguised representation to its latent thoughts. Among the symbols
which are used in this manner there are of course many which
regularly, or almost regularly, mean the same thing. Only it is
necessary to keep in mind the curious plasticity of psychic material.
Now and then a symbol in the dream content may have to be
interpreted not symbolically, but according to its real meaning; at
another time the dreamer, owing to a peculiar set of recollections,
may create for himself the right to use anything whatever as a sexual
symbol, though it is not ordinarily used in that way. Nor are the most
frequently used sexual symbols unambiguous every time.
After these limitations and reservations I may call attention to the
following: Emperor and Empress (King and Queen) in most cases
really represent the parents of the dreamer;[CT] the dreamer himself
or herself is the prince or princess. All elongated objects, sticks, tree-
trunks, and umbrellas (on account of the stretching-up which might
be compared to an erection), all elongated and sharp weapons,
knives, daggers, and pikes, are intended to represent the male
member. A frequent, not very intelligible, symbol for the same is a
nail-file (on account of the rubbing and scraping?). Little cases,
boxes, caskets, closets, and stoves correspond to the female part. The
symbolism of lock and key has been very gracefully employed by
Uhland in his song about the “Grafen Eberstein,” to make a common
smutty joke. The dream of walking through a row of rooms is a
brothel or harem dream. Staircases, ladders, and flights of stairs, or
climbing on these, either upwards or downwards, are symbolic
representations of the sexual act.[CU] Smooth walls over which one is
climbing, façades of houses upon which one is letting oneself down,
frequently under great anxiety, correspond to the erect human body,
and probably repeat in the dream reminiscences of the upward
climbing of little children on their parents or foster parents.
“Smooth” walls are men. Often in a dream of anxiety one is holding
on firmly to some projection from a house. Tables, set tables, and
boards are women, perhaps on account of the opposition which does
away with the bodily contours. Since “bed and board” (mensa et
thorus) constitute marriage, the former are often put for the latter in
the dream, and as far as practicable the sexual presentation complex
is transposed to the eating complex. Of articles of dress the woman’s
hat may frequently be definitely interpreted as the male genital. In
dreams of men one often finds the cravat as a symbol for the penis;
this indeed is not only because cravats hang down long, and are
characteristic of the man, but also because one can select them at
pleasure, a freedom which is prohibited by nature in the original of
the symbol. Persons who make use of this symbol in the dream are
very extravagant with cravats, and possess regular collections of
them.[CV] All complicated machines and apparatus in dream are very
probably genitals, in the description of which dream symbolism
shows itself to be as tireless as the activity of wit. Likewise many
landscapes in dreams, especially with bridges or with wooded
mountains, can be readily recognised as descriptions of the genitals.
Finally where one finds incomprehensible neologisms one may think
of combinations made up of components having a sexual
significance. Children also in the dream often signify the genitals, as
men and women are in the habit of fondly referring to their genital
organ as their “little one.” As a very recent symbol of the male genital
may be mentioned the flying machine, utilisation of which is justified
by its relation to flying as well as occasionally by its form. To play
with a little child or to beat a little one is often the dream’s
representation of onanism. A number of other symbols, in part not
sufficiently verified, are given by Stekel,[114] who illustrates them with
examples. Right and left, according to him, are to be conceived in the
dream in an ethical sense. “The right way always signifies the road to
righteousness, the left the one to crime. Thus the left may signify
homosexuality, incest, and perversion, while the right signifies
marriage, relations with a prostitute, &c. The meaning is always
determined by the individual moral viewpoint of the dreamer” (l.c.,
p. 466). Relatives in the dream generally play the rôle of genitals (p.
473). Not to be able to catch up with a wagon is interpreted by Stekel
as regret not to be able to come up to a difference in age (p. 479).
Baggage with which one travels is the burden of sin by which one is
oppressed (ibid.). Also numbers, which frequently occur in the
dream, are assigned by Stekel a fixed symbolical meaning, but these
interpretations seem neither sufficiently verified nor of general
validity, although the interpretation in individual cases can generally
be recognised as probable. In a recently published book by W. Stekel,
Die Sprache des Traumes, which I was unable to utilise, there is a list
(p. 72) of the most common sexual symbols, the object of which is to
prove that all sexual symbols can be bisexually used. He states: “Is
there a symbol which (if in any way permitted by the phantasy) may
not be used simultaneously in the masculine and the feminine
sense!” To be sure the clause in parentheses takes away much of the
absoluteness of this assertion, for this is not at all permitted by the
phantasy. I do not, however, think it superfluous to state that in my
experience Stekel’s general statement has to give way to the
recognition of a greater manifoldness. Besides those symbols, which
are just as frequent for the male as for the female genitals, there are
others which preponderately, or almost exclusively, designate one of
the sexes, and there are still others of which only the male or only the
female signification is known. To use long, firm objects and weapons
as symbols of the female genitals, or hollow objects (chests, boxes,
pouches, &c.), as symbols of the male genitals, is indeed not allowed
by the fancy.
It is true that the tendency of the dream and the unconscious fancy
to utilise the sexual symbol bisexually betrays an archaic trend, for in
childhood a difference in the genitals is unknown, and the same
genitals are attributed to both sexes.
These very incomplete suggestions may suffice to stimulate others
to make a more careful collection.[CW]
I shall now add a few examples of the application of such
symbolisms in dreams, which will serve to show how impossible it
becomes to interpret a dream without taking into account the
symbolism of dreams, and how imperatively it obtrudes itself in
many cases.
1. The hat as a symbol of the man (of the male genital):[CX] (a
fragment from the dream of a young woman who suffered from
agoraphobia on account of a fear of temptation).
“I am walking in the street in summer, I wear a straw hat of
peculiar shape, the middle piece of which is bent upwards and the
side pieces of which hang downwards (the description became here
obstructed), and in such a fashion that one is lower than the other. I
am cheerful and in a confidential mood, and as I pass a troop of
young officers I think to myself: None of you can have any designs
upon me.”
As she could produce no associations to the hat, I said to her: “The
hat is really a male genital, with its raised middle piece and the two
downward hanging side pieces.” I intentionally refrained from
interpreting those details concerning the unequal downward hanging
of the two side pieces, although just such individualities in the
determinations lead the way to the interpretation. I continued by
saying that if she only had a man with such a virile genital she would
not have to fear the officers—that is, she would have nothing to wish
from them, for she is mainly kept from going without protection and
company by her fancies of temptation. This last explanation of her
fear I had already been able to give her repeatedly on the basis of
other material.
It is quite remarkable how the dreamer behaved after this
interpretation. She withdrew her description of the hat, and claimed
not to have said that the two side pieces were hanging downwards. I
was, however, too sure of what I had heard to allow myself to be
misled, and I persisted in it. She was quiet for a while, and then
found the courage to ask why it was that one of her husband’s
testicles was lower than the other, and whether it was the same in all
men. With this the peculiar detail of the hat was explained, and the
whole interpretation was accepted by her. The hat symbol was
familiar to me long before the patient related this dream. From other
but less transparent cases I believe that the hat may also be taken as
a female genital.
2. The little one as the genital—to be run over as a symbol of sexual
intercourse (another dream of the same agoraphobic patient).
“Her mother sends away her little daughter so that she must go
alone. She rides with her mother to the railroad and sees her little
one walking directly upon the tracks, so that she cannot avoid being
run over. She hears the bones crackle. (From this she experiences a
feeling of discomfort but no real horror.) She then looks out through
the car window to see whether the parts cannot be seen behind. She
then reproaches her mother for allowing the little one to go out
alone.” Analysis. It is not an easy matter to give here a complete
interpretation of the dream. It forms part of a cycle of dreams, and
can be fully understood only in connection with the others. For it is
not easy to get the necessary material sufficiently isolated to prove
the symbolism. The patient at first finds that the railroad journey is
to be interpreted historically as an allusion to a departure from a
sanatorium for nervous diseases, with the superintendent of which
she naturally was in love. Her mother took her away from this place,
and the physician came to the railroad station and handed her a
bouquet of flowers on leaving; she felt uncomfortable because her
mother witnessed this homage. Here the mother, therefore, appears
as a disturber of her love affairs, which is the rôle actually played by
this strict woman during her daughter’s girlhood. The next thought
referred to the sentence: “She then looks to see whether the parts can
be seen behind.” In the dream façade one would naturally be
compelled to think of the parts of the little daughter run over and
ground up. The thought, however, turns in quite a different
direction. She recalls that she once saw her father in the bath-room
naked from behind; she then begins to talk about the sex
differentiation, and asserts that in the man the genitals can be seen
from behind, but in the woman they cannot. In this connection she
now herself offers the interpretation that the little one is the genital,
her little one (she has a four-year-old daughter) her own genital. She
reproaches her mother for wanting her to live as though she had no
genital, and recognises this reproach in the introductory sentence of
the dream; the mother sends away her little one so that she must go
alone. In her phantasy going alone on the street signifies to have no
man and no sexual relations (coire = to go together), and this she
does not like. According to all her statements she really suffered as a
girl on account of the jealousy of her mother, because she showed a
preference for her father.
The “little one” has been noted[CY] as a symbol for the male or the
female genitals by Stekel, who can refer in this connection to a very
widespread usage of language.
The deeper interpretation of this dream depends upon another
dream of the same night in which the dreamer identifies herself with
her brother. She was a “tomboy,” and was always being told that she
should have been born a boy. This identification with the brother
shows with special clearness that “the little one” signifies the genital.
The mother threatened him (her) with castration, which could only
be understood as a punishment for playing with the parts, and the
identification, therefore, shows that she herself had masturbated as a
child, though this fact she now retained only in a memory concerning
her brother. An early knowledge of the male genital which she later
lost she must have acquired at that time according to the assertions
of this second dream. Moreover the second dream points to the
infantile sexual theory that girls originate from boys through
castration. After I had told her of this childish belief, she at once
confirmed it with an anecdote in which the boy asks the girl: “Was it
cut off?” to which the girl replied, “No, it’s always been so.”
The sending away of the little one, of the genital, in the first dream
therefore also refers to the threatened castration. Finally she blames
her mother for not having been born a boy.
That “being run over” symbolises sexual intercourse would not be
evident from this dream if we were not sure of it from many other
sources.
3. Representation of the genital by structures, stairways, and
shafts. (Dream of a young man inhibited by a father complex.)
“He is taking a walk with his father in a place which is surely the
Prater, for the Rotunda may be seen in front of which there is a small
front structure to which is attached a captive balloon; the balloon,
however, seems quite collapsed. His father asks him what this is all
for; he is surprised at it, but he explains it to his father. They come
into a court in which lies a large sheet of tin. His father wants to pull
off a big piece of this, but first looks around to see if anyone is
watching. He tells his father that all he needs to do is to speak to the
watchman, and then he can take without any further difficulty as
much as he wants to. From this court a stairway leads down into a
shaft, the walls of which are softly upholstered something like a
leather pocket-book. At the end of this shaft there is a longer
platform, and then a new shaft begins....”
Analysis. This dream belongs to a type of patient which is not
favourable from a therapeutic point of view. They follow in the
analysis without offering any resistances whatever up to a certain
point, but from that point on they remain almost inaccessible. This
dream he almost analysed himself. “The Rotunda,” he said, “is my
genital, the captive balloon in front is my penis, about the weakness
of which I have worried.” We must, however, interpret in greater
detail; the Rotunda is the buttock which is regularly associated by the
child with the genital, the smaller front structure is the scrotum. In
the dream his father asks him what this is all for—that is, he asks him
about the purpose and arrangement of the genitals. It is quite evident
that this state of affairs should be turned around, and that he should
be the questioner. As such a questioning on the side of the father has
never taken place in reality, we must conceive the dream thought as a
wish, or take it conditionally, as follows: “If I had only asked my
father for sexual enlightenment.” The continuation of this thought
we shall soon find in another place.
The court in which the tin sheet is spread out is not to be
conceived symbolically in the first instance, but originates from his
father’s place of business. For discretionary reasons I have inserted
the tin for another material in which the father deals, without,
however, changing anything in the verbal expression of the dream.
The dreamer had entered his father’s business, and had taken a
terrible dislike to the questionable practices upon which profit
mainly depends. Hence the continuation of the above dream thought
(“if I had only asked him”) would be: “He would have deceived me
just as he does his customers.” For the pulling off, which serves to
represent commercial dishonesty, the dreamer himself gives a
second explanation—namely, onanism. This is not only entirely
familiar to us (see above, p. 234), but agrees very well with the fact
that the secrecy of onanism is expressed by its opposite (“Why one
can do it quite openly”). It, moreover, agrees entirely with our
expectations that the onanistic activity is again put off on the father,
just as was the questioning in the first scene of the dream. The shaft
he at once interprets as the vagina by referring to the soft
upholstering of the walls. That the act of coition in the vagina is
described as a going down instead of in the usual way as a going up, I
have also found true in other instances.[CZ]
The details that at the end of the first shaft there is a longer
platform and then a new shaft, he himself explains biographically.
He had for some time consorted with women sexually, but had then
given it up because of inhibitions and now hopes to be able to take it
up again with the aid of the treatment. The dream, however, becomes
indistinct toward the end, and to the experienced interpreter it
becomes evident that in the second scene of the dream the influence
of another subject has begun to assert itself; in this his father’s
business and his dishonest practices signify the first vagina
represented as a shaft so that one might think of a reference to the
mother.
4. The male genital symbolised by persons and the female by a
landscape.
(Dream of a woman of the lower class, whose husband is a
policeman, reported by B. Dattner.)
... Then someone broke into the house and anxiously called for a
policeman. But he went with two tramps by mutual consent into a
church,[DA] to which led a great many stairs;[DB] behind the church
there was a mountain,[DC] on top of which a dense forest.[DD] The
policeman was furnished with a helmet, a gorget, and a cloak.[DE] The
two vagrants, who went along with the policeman quite peaceably,
had tied to their loins sack-like aprons.[DF] A road led from the church
to the mountain. This road was overgrown on each side with grass
and brushwood, which became thicker and thicker as it reached the
height of the mountain, where it spread out into quite a forest.
5. A stairway dream.
(Reported and interpreted by Otto Rank.)
For the following transparent pollution dream, I am indebted to
the same colleague who furnished us with the dental-irritation dream
reported on p. 235.
“I am running down the stairway in the stair-house after a little
girl, whom I wish to punish because she has done something to me.
At the bottom of the stairs some one held the child for me. (A grown-
up woman?) I grasp it, but do not know whether I have hit it, for I
suddenly find myself in the middle of the stairway where I practise
coitus with the child (in the air as it were). It is really no coitus, I only
rub my genital on her external genital, and in doing this I see it very
distinctly, as distinctly as I see her head which is lying sideways.
During the sexual act I see hanging to the left and above me (also as
if in the air) two small pictures, landscapes, representing a house on
a green. On the smaller one my surname stood in the place where the
painter’s signature should be; it seemed to be intended for my
birthday present. A small sign hung in front of the pictures to the
effect that cheaper pictures could also be obtained. I then see myself
very indistinctly lying in bed, just as I had seen myself at the foot of
the stairs, and I am awakened by a feeling of dampness which came
from the pollution.”
Interpretation. The dreamer had been in a book-store on the
evening of the day of the dream, where, while he was waiting, he
examined some pictures which were exhibited, which represented
motives similar to the dream pictures. He stepped nearer to a small
picture which particularly took his fancy in order to see the name of
the artist, which, however, was quite unknown to him.
Later in the same evening, in company, he heard about a
Bohemian servant-girl who boasted that her illegitimate child “was
made on the stairs.” The dreamer inquired about the details of this
unusual occurrence, and learned that the servant-girl went with her
lover to the home of her parents, where there was no opportunity for
sexual relations, and that the excited man performed the act on the
stairs. In witty allusion to the mischievous expression used about
wine-adulterers, the dreamer remarked, “The child really grew on
the cellar steps.”
These experiences of the day, which are quite prominent in the
dream content, were readily reproduced by the dreamer. But he just
as readily reproduced an old fragment of infantile recollection which
was also utilised by the dream. The stair-house was the house in
which he had spent the greatest part of his childhood, and in which
he had first become acquainted with sexual problems. In this house
he used, among other things, to slide down the banister astride
which caused him to become sexually excited. In the dream he also
comes down the stairs very rapidly—so rapidly that, according to his
own distinct assertions, he hardly touched the individual stairs, but
rather “flew” or “slid down,” as we used to say. Upon reference to this
infantile experience, the beginning of the dream seems to represent
the factor of sexual excitement. In the same house and in the
adjacent residence the dreamer used to play pugnacious games with
the neighbouring children, in which he satisfied himself just as he
did in the dream.
If one recalls from Freud’s investigation of sexual symbolism[DG]
that in the dream stairs or climbing stairs almost regularly
symbolises coitus, the dream becomes clear. Its motive power as well
as its effect, as is shown by the pollution, is of a purely libidinous
nature. Sexual excitement became aroused during the sleeping state
(in the dream this is represented by the rapid running or sliding
down the stairs) and the sadistic thread in this is, on the basis of the
pugnacious playing, indicated in the pursuing and overcoming of the
child. The libidinous excitement becomes enhanced and urges to
sexual action (represented in the dream by the grasping of the child
and the conveyance of it to the middle of the stairway). Up to this
point the dream would be one of pure sexual symbolism, and obscure
for the unpractised dream interpreter. But this symbolic
gratification, which would have insured undisturbed sleep, was not
sufficient for the powerful libidinous excitement. The excitement
leads to an orgasm, and thus the whole stairway symbolism is
unmasked as a substitute for coitus. Freud lays stress on the
rhythmical character of both actions as one of the reasons for the
sexual utilisation of the stairway symbolism, and this dream
especially seems to corroborate this, for, according to the express
assertion of the dreamer, the rhythm of a sexual act was the most
pronounced feature in the whole dream.
Still another remark concerning the two pictures, which, aside
from their real significance, also have the value of “Weibsbilder”
(literally woman-pictures, but idiomatically women). This is at once
shown by the fact that the dream deals with a big and a little picture,
just as the dream content presents a big (grown up) and a little girl.
That cheap pictures could also be obtained points to the prostitution
complex, just as the dreamer’s surname on the little picture and the
thought that it was intended for his birthday, point to the parent
complex (to be born on the stairway—to be conceived in coitus).
The indistinct final scene, in which the dreamer sees himself on
the staircase landing lying in bed and feeling wet, seems to go back
into childhood even beyond the infantile onanism, and manifestly
has its prototype in similarly pleasurable scenes of bed-wetting.
6. A modified stair-dream.
To one of my very nervous patients, who was an abstainer, whose
fancy was fixed on his mother, and who repeatedly dreamed of
climbing stairs accompanied by his mother, I once remarked that
moderate masturbation would be less harmful to him than enforced
abstinence. This influence provoked the following dream:
“His piano teacher reproaches him for neglecting his piano-
playing, and for not practising the Études of Moscheles and
Clementi’s Gradus ad Parnassum.” In relation to this he remarked
that the Gradus is only a stairway, and that the piano itself is only a
stairway as it has a scale.
It is correct to say that there is no series of associations which
cannot be adapted to the representation of sexual facts. I conclude
with the dream of a chemist, a young man, who has been trying to
give up his habit of masturbation by replacing it with intercourse
with women.
Preliminary statement.—On the day before the dream he had
given a student instruction concerning Grignard’s reaction, in which
magnesium is to be dissolved in absolutely pure ether under the
catalytic influence of iodine. Two days before, there had been an
explosion in the course of the same reaction, in which the
investigator had burned his hand.
Dream I. He is to make phenylmagnesiumbromid; he sees the
apparatus with particular clearness, but he has substituted himself
for the magnesium. He is now in a curious swaying attitude. He
keeps repeating to himself, “This is the right thing, it is working, my
feet are beginning to dissolve and my knees are getting soft.” Then
he reaches down and feels for his feet, and meanwhile (he does not
know how) he takes his legs out of the crucible, and then again he
says to himself, “That cannot be.... Yes, it must be so, it has been
done correctly.” Then he partially awakens, and repeats the dream
to himself, because he wants to tell it to me. He is distinctly afraid of
the analysis of the dream. He is much excited during this semi-
sleeping state, and repeats continually, “Phenyl, phenyl.”
II. He is in ... ing with his whole family; at half-past eleven. He is
to be at the Schottenthor for a rendezvous with a certain lady, but
he does not wake up until half-past eleven. He says to himself, “It is
too late now; when you get there it will be half-past twelve.” The
next instant he sees the whole family gathered about the table—his
mother and the servant girl with the soup-tureen with particular
clearness. Then he says to himself, “Well, if we are eating already, I
certainly can’t get away.”
Analysis: He feels sure that even the first dream contains a
reference to the lady whom he is to meet at the rendezvous (the
dream was dreamed during the night before the expected meeting).
The student to whom he gave the instruction is a particularly
unpleasant fellow; he had said to the chemist: “That isn’t right,”
because the magnesium was still unaffected, and the latter answered
as though he did not care anything about it: “It certainly isn’t right.”
He himself must be this student; he is as indifferent towards his
analysis as the student is towards his synthesis; the He in the dream,
however, who accomplishes the operation, is myself. How unpleasant
he must seem to me with his indifference towards the success
achieved!
Moreover, he is the material with which the analysis (synthesis) is
made. For it is a question of the success of the treatment. The legs in
the dream recall an impression of the previous evening. He met a
lady at a dancing lesson whom he wished to conquer; he pressed her
to him so closely that she once cried out. After he had stopped
pressing against her legs, he felt her firm responding pressure
against his lower thighs as far as just above his knees, at the place
mentioned in the dream. In this situation, then, the woman is the
magnesium in the retort, which is at last working. He is feminine
towards me, as he is masculine towards the woman. If it will work
with the woman, the treatment will also work. Feeling and becoming
aware of himself in the region of his knees refers to masturbation,
and corresponds to his fatigue of the previous day.... The rendezvous
had actually been set for half-past eleven. His wish to over-sleep and
to remain with his usual sexual objects (that is, with masturbation)
corresponds with his resistance.
In relation to the repetition of the name phenyl, he gives the
following thoughts: All these radicals ending in yl have always been
pleasing to him; they are very convenient to use: benzyl, azetyl, &c.
That, however, explained nothing. But when I proposed the radical
Schlemihl[DH] he laughed heartily, and related that during the
summer he had read a book by Prévost which contained a chapter:
“Les exclus de l’amour,” the description in which made him think of
the Schlemihls, and he added, “That is my case.” He would have
again acted the Schlemihl if he had missed the rendezvous.
VI
THE DREAM-WORK
But the host in the poem by Uhland is an apple tree. Now a second
quotation continues the train of thought:
Faust (dancing with the young witch).
There remains not the slightest doubt what is meant by the apple
tree and the apples. A beautiful bosom stood high among the charms
with which the actress had bewitched our dreamer.
According to the connections of the analysis we had every reason
to assume that the dream went back to an impression from
childhood. In this case it must have reference to the nurse of the
patient, who is now a man of nearly fifty years of age. The bosom of
the nurse is in reality a road-house for the child. The nurse as well as
Daudet’s Sappho appears as an allusion to his abandoned
sweetheart.
The (elder) brother of the patient also appears in the dream
content; he is upstairs, the dreamer himself is below. This again is an
inversion, for the brother, as I happen to know, has lost his social
position, my patient has retained his. In reporting the dream content
the dreamer avoided saying that his brother was upstairs and that he
himself was down. It would have been too frank an expression, for a
person is said to be “down and out” when he has lost his fortune and
position. Now the fact that at this point in the dream something is
represented as inverted must have a meaning. The inversion must
apply rather to some other relation between the dream thoughts and
dream content. There is an indication which suggests how this
inversion is to be taken. It obviously applies to the end of the dream,
where the circumstances of climbing are the reverse of those in
Sappho. Now it may easily be seen what inversion is referred to; in
Sappho the man carries the woman who stands in a sexual relation
to him; in the dream thoughts, inversely, a woman carries a man,
and as this state of affairs can only occur during childhood, the
reference is again to the nurse who carries the heavy child. Thus the
final portion of the dream succeeds in representing Sappho and the
nurse in the same allusion.
Just as the name Sappho has not been selected by the poet without
reference to a Lesbian custom, so the elements of the dream in which
persons act above and below, point to fancies of a sexual nature with
which the dreamer is occupied and which as suppressed cravings are
not without connection with his neurosis. Dream interpretation itself
does not show that these are fancies and not recollections of actual
happenings; it only furnishes us with a set of thoughts and leaves us
to determine their value as realities. Real and fantastic occurrences
at first appear here as of equal value—and not only here but also in
the creation of more important psychic structures than dreams.
Much company, as we already know, signifies a secret. The brother is
none other than a representative, drawn into the childhood scene by
“fancying backwards,” of all of the later rivals for the woman.
Through the agency of an experience which is indifferent in itself, the
episode with the gentleman who scolds about the King of Italy again
refers to the intrusion of people of low rank into aristocratic society.
It is as though the warning which Daudet gives to youth is to be
supplemented by a similar warning applicable to the suckling child.
[DJ]
In order that we may have at our disposal a third example for the
study of condensation in dream formation, I shall cite the partial
analysis of another dream for which I am indebted to an elderly lady
who is being psychoanalytically treated. In harmony with the
condition of severe anxiety from which the patient suffered, her
dreams contained a great abundance of sexual thought material, the
discovery of which astonished as well as frightened her. Since I
cannot carry the interpretation of the dream to completion, the
material seems to fall apart into several groups without apparent
connection.
III. Content of the dream: She remembers that she has two June
bugs in a box, which she must set at liberty, for otherwise they will
suffocate. She opens the box, and the bugs are quite exhausted; one
of them flies out of the window, but the other is crushed on the
casement while she is shutting the window, as some one or other
requests her to do (expressions of disgust).
Analysis: Her husband is away travelling, and her fourteen-year-
old daughter is sleeping in the bed next to her. In the evening the
little one calls her attention to the fact that a moth has fallen into her
glass of water; but she neglects to take it out, and feels sorry for the
poor little creature in the morning. A story which she had read in the
evening told of boys throwing a cat into boiling water, and the
twitchings of the animal were described. These are the occasions for
the dream, both of which are indifferent in themselves. She is further
occupied with the subject of cruelty to animals. Years before, while
they were spending the summer at a certain place, her daughter was
very cruel to animals. She started a butterfly collection, and asked
her for arsenic with which to kill the butterflies. Once it happened
that a moth flew about the room for a long time with a needle
through its body; on another occasion she found that some moths
which had been kept for metamorphosis had died of starvation. The
same child while still at a tender age was in the habit of pulling out
the wings of beetles and butterflies; now she would shrink in horror
from these cruel actions, for she has grown very kind.
Her mind is occupied with this contrast. It recalls another
contrast, the one between appearance and disposition, as it is
described in Adam Bede by George Eliot. There a beautiful but vain
and quite stupid girl is placed side by side with an ugly but high-
minded one. The aristocrat who seduces the little goose, is opposed
to the working man who feels aristocratic, and behaves accordingly.
It is impossible to tell character from people’s looks. Who could tell
from her looks that she is tormented by sensual desires?
In the same year in which the little girl started her butterfly
collection, the region in which they were staying suffered much from
a pest of June bugs. The children made havoc among the bugs, and
crushed them cruelly. At that time she saw a person who tore the
wings off the June bugs and ate them. She herself had been born in
June and also married in June. Three days after the wedding she
wrote a letter home, telling how happy she was. But she was by no
means happy.
During the evening before the dream she had rummaged among
her old letters and had read various ones, comical and serious, to her
family—an extremely ridiculous letter from a piano-teacher who had
paid her attention when she was a girl, as well as one from an
aristocratic admirer.[DK]
She blames herself because a bad book by de Maupassant had
fallen into the hands of one of her daughters.[DL] The arsenic which
her little girl asks for recalls the arsenic pills which restored the
power of youth to the Duc de Mora in Nabab.
“Set at liberty” recalls to her a passage from the Magic Flute:
“I cannot compel you to love,
But I will not give you your liberty.”
The second word, which sounds like an Italian name and which
reminds me of our etymological discussions, also expresses my
displeasure on account of the fact that my friend has kept his place of
residence secret from me for so long a time; every member of the
triple suggestion for the first word may be recognised in the course of
analysis as a self-sufficient and equally well-justified starting point in
the concatenation of ideas.
During the night before the funeral of my father I dreamed of a
printed placard, a card or poster—perhaps something like signs in
railway waiting-rooms which announce the prohibition of smoking—
which reads either:
It is requested to shut the eyes
or
It is requested to shut an eye
the
It is requested to shut eye(s).
an
Each of the two variations has its own particular meaning, and
leads us along particular paths in the interpretation of the dream. I
had made the simplest kind of funeral arrangements, for I knew how
the deceased thought about such matters. Other members of the
family, however, did not approve of such puritanic simplicity; they
thought we would have to be ashamed before the mourners. Hence
one of the wordings of the dream requests the “shutting of one eye,”
that is to say, that people should show consideration. The
significance of the blurring, which we describe with an either—or,
may here be seen with particular ease. The dream activity has not
succeeded in constructing a unified but at the same time ambiguous
wording for the dream thoughts. Thus the two main trains of thought
are already distinguished even in the dream content.
In a few cases the division of the dream into two equal parts
expresses the alternative which the dream finds it so difficult to
represent.
The attitude of the dream towards the category of antithesis and
contradiction is most striking. This category is unceremoniously
neglected; the word “No” does not seem to exist for the dream.
Antitheses are with peculiar preference reduced to unity or
represented as one. The dream also takes the liberty of representing
any element whatever by its desired opposite, so that it is at first
impossible to tell about any element capable of having an opposite,
whether it is to be taken negatively or positively, in the dream
thoughts.[DU] In one of the last-mentioned dreams, whose
introductory portion we have already interpreted (“because my
parentage is such”), the dreamer descends over a balustrade and
holds a blossoming twig in her hands. Since this picture suggests to
her the angel in paintings of the Annunciation (her own name is
Mary) carrying a lily stem in his hand, and the white-robed girls
marching in the procession on Corpus Christi Day when the streets
are decorated with green bows, the blossoming twig in the dream is
very certainly an allusion to sexual innocence. But the twig is thickly
studded with red blossoms, each one of which resembles a camelia.
At the end of her walk, so the dream continues, the blossoms have
already fallen considerably apart; then unmistakable allusions to
menstruation follow. But this very twig which is carried like a lily and
as though by an innocent girl, is also an allusion to Camille, who, as
is known, always wore a white camelia, but a red one at the time of
her menstruation. The same blossoming twig (“the flower of
maidenhood” in the songs about the miller’s daughter by Goethe)
represents at once sexual innocence and its opposite. The same
dream, also, which expresses the dreamer’s joy at having succeeded
in passing through life unsullied, hints in several places (as at the
falling-off of the blossom), at the opposite train of thought—namely,
that she had been guilty of various sins against sexual purity (that is
in her childhood). In the analysis of the dream we may clearly
distinguish the two trains of thought, of which the comforting one
seems to be superficial, the reproachful one more profound. The two
are diametrically opposed to each other, and their like but
contrasting elements have been represented by the identical dream
elements.
The mechanism of dream formation is favourable in the highest
degree to only one of the logical relations. This relation is that of
similarity, correspondence, contiguity, “as though,” which is capable
of being represented in the dream as no other can be, by the most
varied expedients. The correspondences occurring in the dream, or
cases of “as though,” are the chief points of support for the formation
of dreams, and no inconsiderable part of the dream activity consists
in creating new correspondences of this sort in cases where those
which are already at hand are prevented by the censor of resistance
from getting into the dream. The effort towards condensation shown
by the dream activity assists in the representation of the relation of
similarity.
Similarity, agreement, community, are quite generally expressed
in the dream by concentration into a unity, which is either already
found in the dream material or is newly created. The first case may
be referred to as identification, the second as composition.
Identification is used where the dream is concerned with persons,
composition where things are the objects of unification; but
compositions are also made from persons. Localities are often
treated as persons.
Identification consists in giving representation in the dream
content to only one of a number of persons who are connected by
some common feature, while the second or the other persons seem to
be suppressed as far as the dream is concerned. This one
representative person in the dream enters into all the relations and
situations which belong to itself or to the persons who are covered by
it. In cases of composition, however, when this has to do with
persons, there are already present in the dream image features which
are characteristic of, but not common to, the persons in question, so
that a new unity, a composite person, appears as the result of the
union of these features. The composition itself may be brought about
in various ways. Either the dream person bears the name of one of
the persons to whom it refers—and then we know, in a manner which
is quite analogous to knowledge in waking life, that this or that
person is the one who is meant—while the visual features belong to
another person; or the dream image itself is composed of visual
features which in reality are shared by both. Instead of visual
features, also, the part played by the second person may be
represented by the mannerisms which are usually ascribed to him,
the words which he usually speaks, or the situations in which he is
usually imagined. In the latter method of characterisation the sharp
distinction between identification and composition of persons begins
to disappear. But it may also happen that the formation of such a
mixed personality is unsuccessful. The situation of the dream is then
attributed to one person, and the other—as a rule the more
important one—is introduced as an inactive and unconcerned
spectator. The dreamer relates something like “My mother was also
there” (Stekel).
The common feature which justifies the union of the two persons—
that is to say, which is the occasion for it—may either be represented
in the dream or be absent. As a rule, identification or composition of
persons simply serves the purpose of dispensing with the
representation of this common feature. Instead of repeating: “A is ill
disposed towards me, and B is also,” I make a composite person of A
and B in the dream, or I conceive A as doing an unaccustomed action
which usually characterises B. The dream person obtained in this
way appears in the dream in some new connection, and the fact that
it signifies both A and B justifies me in inserting that which is
common to both—their hostility towards me—at the proper place in
the interpretation of the dream. In this manner I often achieve a very
extraordinary degree of condensation of the dream content; I can
save myself the direct representation of very complicated relations
belonging to a person, if I can find a second person who has an equal
claim to a part of these relations. It is also obvious to what extent this
representation by means of identification can circumvent the
resisting censor, which makes the dream activity conform to such
harsh conditions. That which offends the censor may lie in those very
ideas which are connected in the dream material with the one
person; I now find a second person, who likewise has relation to the
objectionable material, but only to a part of it. The contact in that
one point which offends the censor now justified me in forming a
composite person, which is characterised on either hand by
indifferent features. This person resulting from composition or
identification, who is unobjectionable to the censor, is now suited for
incorporation in the dream content, and by the application of dream
condensation I have satisfied the demands of the dream censor.
In dreams where a common feature of two persons is represented,
this is usually a hint to look for another concealed common feature,
the representation of which is made impossible by the censor. A
displacement of the common feature has here taken place partly in
order to facilitate representation. From the circumstance that the
composite person appears to me with an indifferent common feature,
I must infer that another common feature which is by no means
indifferent exists in the dream thoughts.
According to what has been said, identification or composition of
persons serves various purposes in the dream; in the first place, to
represent a feature common to the two persons; secondly, to
represent a displaced common feature; and thirdly, even to give
expression to a community of features that is merely wished for. As
the wish for a community between two persons frequently coincides
with the exchanging of these persons, this relation in the dream is
also expressed through identification. In the dream of Irma’s
injection I wish to exchange this patient for another—that is to say, I
wish the latter to be my patient as the former has been; the dream
takes account of this wish by showing me a person who is called
Irma, but who is examined in a position such as I have had the
opportunity of seeing only when occupied with the other person in
question. In the dream about my uncle this substitution is made the
centre of the dream; I identify myself with the minister by judging
and treating my colleague as shabbily as he does.
It has been my experience—and to this I have found no exception—
that every dream treats of one’s own person. Dreams are absolutely
egotistic. In cases where not my ego, but only a strange person
occurs in the dream content, I may safely assume that my ego is
concealed behind that person by means of identification. I am
permitted to supplement my ego. On other occasions when my ego
appears in the dream, I am given to understand by the situation in
which it is placed that another person is concealing himself behind
the ego. In this case the dream is intended to give me notice that in
the interpretation I must transfer something which is connected with
this person—the hidden common feature—to myself. There are also
dreams in which my ego occurs along with other persons which the
resolution of the identification again shows to be my ego. By means
of this identification I am instructed to unite in my ego certain ideas
to whose acceptance the censor has objected. I may also give my ego
manifold representation in the dream, now directly, now by means of
identification with strangers. An extraordinary amount of thought
material may be condensed by means of a few such identifications.
[DV]
She and her friend remain seated while her younger sister, who
still has opportunities to marry, hands her up the coal “because she
did not know it would last so long.” What would last so long is not
told in the dream. In relating it we would supply “the performance”;
but in the dream we must take the sentence as it is, declare it
ambiguous, and add “until she marries.” The interpretation “secret
love” is then confirmed by the mention of the cousin who sits with
his wife in the parquette, and by the open love-affair attributed to the
latter. The contrasts between secret and open love, between her fire
and the coldness of the young wife, dominate the dream. Moreover,
here again there is a person “in high position” as a middle term
between the aristocrat and the musician entitled to high hopes.
By means of the above discussion we have at last brought to light a
third factor, whose part in the transformation of the dream thoughts
into the dream content is not to be considered trivial; it is the regard
for presentability (German: Darstellbarkeit) in the peculiar psychic
material which the dream makes use of,—that is fitness for
representation, for the most part by means of visual images. Among
the various subordinate ideas associated with the essential dream
thoughts, that one will be preferred which permits of a visual
representation, and the dream-activity does not hesitate promptly to
recast the inflexible thought into another verbal form, even if it is the
more unusual one, as long as this form makes dramatisation
possible, and thus puts an end to the psychological distress caused by
cramped thinking. This pouring of the thought content into another
mould may at the same time be put at the service of the condensation
work, and may establish relations with another thought which would
otherwise not be present. This other thought itself may perhaps have
previously changed its original expression for the purpose of meeting
these relations half-way.
In view of the part played by puns, quotations, songs, and proverbs
in the intellectual life of educated persons, it would be entirely in
accordance with our expectation to find disguises of this sort used
with extraordinary frequency. For a few kinds of material a
universally applicable dream symbolism has been established on a
basis of generally known allusions and equivalents. A good part of
this symbolism, moreover, is possessed by the dream in common
with the psychoneuroses, and with legends and popular customs.
Indeed, if we look more closely, we must recognise that in
employing this method of substitution the dream is generally doing
nothing original. For the attainment of its purpose, which in this case
is the possibility of dramatisation without interference from the
censor, it simply follows the paths which it finds already marked out
in unconscious thought, and gives preference to those
transformations of the suppressed material which may become
conscious also in the form of wit and allusion, and with which all the
fancies of neurotics are filled. Here all at once we come to
understand Scherner’s method of dream interpretation, the essential
truth of which I have defended elsewhere. The occupation of one’s
fancy with one’s own body is by no means peculiar to, or
characteristic of the dream alone. My analyses have shown me that
this is a regular occurrence in the unconscious thought of neurotics,
and goes back to sexual curiosity, the object of which for the
adolescent youth or maiden is found in the genitals of the opposite
sex, or even of the same sex. But, as Scherner and Volkelt very
appropriately declare, the house is not the only group of ideas which
is used for the symbolisation of the body—either in the dream or in
the unconscious fancies of the neurosis. I know some patients, to be
sure, who have steadily adhered to an architectural symbolism for
the body and the genitals (sexual interest certainly extends far
beyond the region of the external genital organs), to whom posts and
pillars signify legs (as in the “Song of Songs”), to whom every gate
suggests a bodily opening (“hole”), and every water-main a urinary
apparatus, and the like. But the group of associations belonging to
plant life and to the kitchen is just as eagerly chosen to conceal
sexual images; in the first case the usage of speech, the result of
phantastic comparisons dating from the most ancient times, has
made abundant preparation (the “vineyard” of the Lord, the “seeds,”
the “garden” of the girl in the “Song of Songs”). The ugliest as well as
the most intimate details of sexual life may be dreamed about in
apparently harmless allusions to culinary operations, and the
symptoms of hysteria become practically unintelligible if we forget
that sexual symbolism can conceal itself behind the most
commonplace and most inconspicuous matters, as its best hiding-
place. The fact that some neurotic children cannot look at blood and
raw meat, that they vomit at the sight of eggs and noodles, and that
the dread of snakes, which is natural to mankind, is monstrously
exaggerated in neurotics, all of this has a definite sexual meaning.
Wherever the neurosis employs a disguise of this sort, it treads the
paths once trodden by the whole of humanity in the early ages of
civilisation—paths of whose existence customs of speech,
superstitions, and morals still give testimony to this day.
I here insert the promised flower dream of a lady patient, in which
I have italicised everything which is to be sexually interpreted. This
beautiful dream seemed to lose its entire charm for the dreamer after
it had been interpreted.
(a) Preliminary dream: She goes to the two maids in the kitchen
and scolds them for taking so long to prepare “a little bite of food.”
She also sees a great many coarse dishes standing in the kitchen
inverted so that the water may drip off them, and heaped up in a
pile. Later addition: The two maids go to fetch water, and must, as it
were, step into a river which reaches up into the house or into the
yard.[EB]
(b) Main dream[EC]: She is descending from a high place[ED] over
balustrades that are curiously fashioned or fences which are united
into big squares and consist of a conglomeration of little squares.[EE]
It is really not intended for climbing upon; she is worried about
finding a place for her foot, and she is glad her dress doesn’t get
caught anywhere, and that she remains so respectable while she is
going.[EF] She is also carrying a large bough in her hand,[EG] really a
bough of a tree, which is thickly studded with red blossoms; it has
many branches, and spreads out.[EH] With this is connected the idea
of cherry blossoms, but they look like full-bloom camelias, which of
course do not grow on trees. While she is descending, she first has
one, then suddenly two, and later again only one.[EI] When she
arrives at the bottom of the lower blossoms they have already fallen
off to a considerable extent. Now that she is at the bottom, she sees a
porter who is combing—as she would like to express it—just such a
tree—that is, who is plucking thick bunches of hair from it, which
hang from it like moss. Other workmen have chopped off such
boughs in a garden, and have thrown them upon the street, where
they lie about, so that many people take some of them. But she asks
whether that is right, whether anybody may take one.[EJ] In the
garden there stands a young man (having a personality with which
she is acquainted, not a member of her family) up to whom she goes
in order to ask him how it is possible to transplant such boughs into
her own garden.[EK] He embraces her, whereat she resists and asks
him what he means, whether it is permissible to embrace her in
such a manner. He says that there is no wrong in it, that it is
permitted.[EL] He then declares himself willing to go with her into
the other garden, in order to show her the transplanting, and he
says something to her which she does not correctly understand:
“Besides this three metres—(later on she says: square metres) or
three fathoms of ground are lacking.” It seems as though the man
were trying to ask her something in return for his affability, as
though he had the intention of indemnifying himself in her garden,
as though he wanted to evade some law or other, to derive some
advantage from it without causing her an injury. She does not
know whether or not he really shows her anything.[EM]
I must mention still another series of associations which often
serves the purpose of concealing sexual meaning both in dreams and
in the neurosis,—I refer to the change of residence series. To change
one’s residence is readily replaced by “to remove,” an ambiguous
expression which may have reference to clothing. If the dream also
contains a “lift” (elevator), one may think of the verb “to lift,” hence
of lifting up the clothing.
I have naturally an abundance of such material, but a report of it
would carry us too far into the discussion of neurotic conditions.
Everything leads to the same conclusion, that no special symbolising
activity of the mind in the formation of dreams need be assumed;
that, on the contrary, the dream makes use of such symbolisations as
are to be found ready-made in unconscious thought, because these
better satisfy the requirements of dream formation, on account of
their dramatic fitness, and particularly on account of their exemption
from the censor.
(e) Examples—Arithmetic Speeches in the Dream
I had culled from this inscription something which suited the one
inimical train of thought in the dream thoughts and which now
intended to mean: “That fellow has nothing to say, he is not living at
all.” And I now recalled that the dream was dreamed a few days after
the unveiling of the memorial to Fleischl in the arcades of the
university, upon which occasion I had again seen Bruecke’s statue
and must have thought with regret (in the unconscious) how my
highly gifted friend P. with his great devotion to science had forfeited
his just claim to a statue in these halls by his premature death. So I
set up this memorial to him in the dream; the first name of my friend
P. is Joseph.[EP]
According to the rules of dream interpretation, I should still not be
justified in replacing non vivit, which I need, by non vixit, which is
placed at my disposal by the recollection of the Joseph monument.
Something now calls my attention to the fact that in the dream scene,
two trains of thought concerning my friend P. meet, one hostile, the
other friendly—of which the former is superficial, the latter veiled,
and both are given representation in the same words: non vixit.
Because my friend P. has deserved well of science, I erect a statue to
him; but because he has been guilty of an evil wish (which is
expressed at the end of the dream) I destroy him. I have here
constructed a sentence of peculiar resonance, and I must have been
influenced by some model. But where can I find similar antithesis,
such a parallel between two opposite attitudes towards the same
person, both claiming to be entirely valid, and yet both trying not to
encroach upon each other? Such a parallel is to be found in a single
place, where, however, a deep impression is made upon the reader—
in Brutus’ speech of justification in Shakespeare’s Julius Cæsar: “As
Cæsar loved me, I weep for him; as he was fortunate, I rejoice at it; as
he was valiant, I honour him; but, as he was ambitious, I slew him.”
Is not this which I have discovered, the same sentence structure and
thought contrast as in the dream thought? I thus play Brutus in the
dream. If I could only find in the dream thoughts, one further trace
of confirmation for this astonishing collateral connection! I think the
following might be such: My friend comes to Vienna in July. This
detail finds no support whatever in reality. To my knowledge my
friend has never been in Vienna during the month of July. But the
month of July is named after Julius Cæsar, and might therefore very
well furnish the required allusion to the intermediary thought that I
am playing the part of Brutus.[EQ]
Strangely enough I once actually played the part of Brutus. I
presented the scene between Brutus and Cæsar from Schiller’s
poems to an audience of children when I was a boy of fourteen years.
I did this with my nephew, who was a year older than I, and who had
come to us from England—also a revenant—for in him I recognised
the playmate of my first childish years. Until the end of my third year
we had been inseparable, had loved each other and scuffled with
each other, and, as I have already intimated, this childish relation
has constantly determined my later feelings in my intercourse with
persons of my own age. My nephew John has since found many
incarnations, which have revivified first one aspect, then another, of
this character which is so ineradicably fixed in my unconscious
memory. Occasionally he must have treated me very badly and I
must have shown courage before my tyrant, for in later years I have
often been told of the short speech with which I vindicated myself
when my father—his grandfather—called me to account: “I hit him
because he hit me.” This childish scene must be the one which causes
non vivit to branch off into non vixit, for in the language of later
childhood striking is called wichsen (German, wichsen—to smear
with shoe-polish, to tan, i.e., to flog); the dream activity does not
hesitate to take advantage of such connections. My hostility towards
my friend P., which has so little foundation in reality—he was far
superior to me, and might therefore have been a new edition of the
playmate of my childhood—can certainly be traced to my
complicated relations with John during our infancy. I shall, however,
return to this dream later.
(f) Absurd Dreams—Intellectual Performances in
the Dream
It was confusing to find half of the second riddle identical with the
first.
The coachman does it
At the master’s behest;
Not everyone has it,
In the cradle does it rest.
(Offspring.)
Among the dreams which I have heard from others there is one
which at this point is especially worthy of our attention. It was told to
me by a female patient who in turn had heard it in a lecture on
dreams. Its original source is unknown to me. This dream evidently
made a deep impression upon the lady, as she went so far as to
imitate it, i.e. to repeat the elements of this dream in a dream of her
own in order to express by this transference her agreement with it in
a certain point.
The essential facts of this illustrative dream are as follows: For
days and nights a father had watched at the sick-bed of his child.
After the child died, he retired to rest in an adjoining room, leaving
the door ajar, however, so as to enable him to look from his room
into the other, where the corpse lay surrounded by burning candles.
An old man, who was left as a watch, sat near the corpse murmuring
prayers. After sleeping a few hours the father dreamed that the child
stood near his bed clasping his arms and calling out reproachfully,
“Father, don’t you see that I am burning?” The father woke and
noticed a bright light coming from the adjoining room. Rushing in,
he found the old man asleep, and the covers and one arm of the
beloved body burned by the fallen candle.
The meaning of this affecting dream is simple enough, and the
explanation given by the lecturer, as my patient reported it, was
correct. The bright light coming through the open door into the eyes
of the sleeper produced the same impression on him as if he had
been awake; namely, that a fire had been started near the corpse by a
falling candle. It is quite possible that on going to sleep he feared that
the aged guardian was not equal to his task.
We can find nothing to change in this interpretation. We can add
only that the contents of the dream must be over-determined, and
that the talking of the child consisted of phrases that it had uttered
while still living, which recalled to the father important events.
Perhaps the complaint, “I am burning,” recalled the fever from which
the child died, and the words quoted, “Father, don’t you see?”
recalled an emotional occurrence unknown to us.
But after we have recognised the dream as a senseful occurrence
which can be correlated with our psychic existence, it may be
surprising that a dream should have taken place under
circumstances which necessitated such immediate awakening. We
also notice that the dream does not lack the wish-fulfilment. The
child acts as if living; it warns the father itself; it comes to his bed
and clasps his arms, as it probably did on the occasion which gave
origin to the first part of the speech in the dream. It was for the sake
of this wish-fulfilment that the father slept a moment longer. The
dream triumphed over the conscious reflection because it could show
the child once more alive. If the father had awakened first, and had
then drawn the conclusion which led him into the adjoining room, he
would have shortened the child’s life by this one moment.
The peculiar feature in this brief dream which engages our interest
is quite plain. So far we have mainly endeavoured to ascertain
wherein the secret meaning of the dream consists, in what way this is
to be discovered, and what means the dream-work uses to conceal it.
In other words, our greatest interest has hitherto centred on the
problems of interpretation. We now encounter a dream, however,
which can be easily explained, the sense of which is plainly
presented; and we notice that in spite of this fact the dream still
preserves the essential features which plainly differentiate our
dreaming from our conscious thinking, and thus clearly demands an
explanation. After clearing up all the problems of interpretation, we
can still feel how imperfect our psychology of the dream is.
Before entering, however, into this new territory, let us stop and
reflect whether we have not missed something important on our way
hither. For it must be frankly admitted that we have been traversing
the easy and comfortable part of our journey. Hitherto all the paths
we have followed have led, if I mistake not, to light, to explication,
and to full understanding, but from the moment that we wish to
penetrate deeper into the psychic processes of the dream all paths
lead into darkness. It is quite impossible to explain the dream as a
psychic process, for to explain means to trace to the known, and as
yet we do not possess any psychological knowledge under which we
can range what may be inferred from our psychological investigation
of dreams as their fundamental explanation. On the contrary, we
shall be compelled to build a series of new assumptions concerning
the structure of the psychic apparatus and its active forces; and this
we shall have to be careful not to carry beyond the simplest logical
concatenation, as its value may otherwise merge into uncertainty.
And, even if we should make no mistake in our conclusions, and take
cognisance of all the logical possibilities involved, we shall still be
threatened with complete failure in our solution through the
probable incompleteness of our elemental data. It will also be
impossible to gain, or at least to establish, an explanation for the
construction and workings of the psychic instrument even through a
most careful investigation of the dream or any other single activity.
On the contrary, it will be necessary for this end to bring together
whatever appears decisively as constant after a comparative study of
a whole series of psychic activities. Thus the psychological
conceptions which we shall gain from an analysis of the dream
process will have to wait, as it were, at the junction point until they
can be connected with the results of other investigations which may
have advanced to the nucleus of the same problem from another
starting point.
(a) Forgetting in Dreams.
But this is only in compliance with the demand long familiar to us,
that the psychic apparatus must be constructed like a reflex
apparatus. The reflex act remains the model for every psychic
activity.
We have now reason to admit a first differentiation at the sensible
end. The perceptions that come to us leave a trace in our psychic
apparatus which we may call a “Memory trace.” The function which
relates to this memory trace we call the memory. If we hold seriously
to our resolution to connect the psychic processes into systems, the
memory trace can then consist only of lasting changes in the
elements of the systems. But, as has already been shown in other
places, obvious difficulties arise if one and the same system faithfully
preserves changes in its elements and still remains fresh and capable
of admitting new motives for change. Following the principle which
directs our undertaking, we shall distribute these two activities
among two different systems. We assume that a first system of the
apparatus takes up the stimuli of perception, but retains nothing
from them—that is, it has no memory; and that behind this there lies
a second system which transforms the momentary excitement of the
first into lasting traces. This would then be a diagram of our psychic
apparatus:
Fig. 2.
The last of the systems at the motor end we call the foreconscious
in order to denote that exciting processes in this system can reach
consciousness without any further detention provided certain other
conditions be fulfilled, e.g., the attainment of a certain intensity, a
certain distribution of that function which must be called attention,
and the like. This is at the same time the system which possesses the
keys to voluntary motility. The system behind it we call the
unconscious because it has no access to consciousness except
through the foreconscious, in the passage through which its
excitement must submit to certain changes.
In which of these systems, now, do we localise the impulse to the
dream formation? For the Sake of simplicity, let us say in the system
Unc. To be sure we shall find in later discussions that this is not quite
correct, that the dream formation is forced to connect with dream
thoughts which belong to the system of the foreconscious. But we
shall learn later, when we come to deal with the dream-wish, that the
motive power for the dream is furnished by the Unc., and, owing to
this latter movement, we shall assume the unconscious system as the
starting-point of the dream formation. This dream impulse, like all
other thought structures, will now strive to continue itself in the
foreconscious, and thence to gain admission to consciousness.
Experience teaches us that the road leading from the foreconscious
to consciousness is closed to the dream thoughts during the day by
the resistance of the censor. At night the dream thoughts gain
admission to consciousness, but the question arises, in what way and
because of what change. If this admission was rendered possible to
the dream thoughts through the fact that the resistance watching on
the boundary between the unconscious and foreconscious sinks at
night, we should then get dreams in the material of our presentations
which did not show the hallucinatory character which just now
interests us.
The sinking of the censor between the two systems, Unc. and
Forec., can explain to us only such dreams as “Autodidasker,” but not
dreams like the one of the burning child, which we have taken as a
problem at the outset in these present investigations.
What takes place in the hallucinatory dream we can describe in no
other way than by saying that the excitement takes a retrogressive
course. It takes its station, not at the motor end of the apparatus, but
at the sensible end, and finally reaches the system of the perceptions.
If we call the direction towards which the psychic process continues
from the unconscious into the waking state the progressive, we may
then speak of the dream as having a regressive character.
This regression is surely one of the most important peculiarities of
the dream process; but we must not forget that it does not belong to
the dream alone. The intentional recollection and other processes of
our normal thinking also require a retrogression in the psychic
apparatus from any complex presentation act to the raw material of
the memory traces lying at its basis. But during the waking state this
turning backward does not reach beyond the memory pictures; it is
unable to produce the hallucinatory vividness of the perception
pictures. Why is this different in the dream? When we spoke of the
condensation work of the dream we could not avoid the assumption
that the intensities adhering to the presentations are fully transferred
from one to another through the dream-work. It is probably this
modification of the former psychic process which makes possible the
occupation of the system of P to its full sensual vividness in the
opposite direction from thought.
I hope that we are far from deluding ourselves about the
importance of this present discussion. We have done nothing more
than give a name to an inexplicable phenomenon. We call it
regression if the presentation in the dream is changed back to the
perceptible image from which it once originated. But even this step
demands justification. Why this naming, if it does not teach us
anything new? I believe, however, that the name “Regression” will
serve us to the extent of connecting a fact familiar to us with a
scheme of the psychic apparatus which is supplied with a direction.
At this point, for the first time, it is worth the trouble to construct
such a scheme. For, with the help of this scheme, any other
peculiarity of the dream formation will become clear to us without
further reflection. If we look upon the dream as a process of
regression in the assumed psychic apparatus, we can readily
understand the empirically proven fact that all mental relation of the
dream thoughts either is lost in the dream-work or can come to
expression only with difficulty. According to our scheme, these
mental relations are contained not in the first Mem-systems, but in
those lying further to the front, and in the regression they must
forfeit their expression in favour of the perception pictures. The
structure of the dream thoughts is in the regression broken up into
its raw material.
But what change renders possible this regression which is
impossible during the day? Let us here be content with assumption.
There must evidently be some alterations in the charge of energy
belonging to the single systems causing the latter to become
accessible or inaccessible to the discharge of the excitement; but in
any such apparatus the same effect upon the course of excitement
might be brought about through more than one form of such
changes. This naturally reminds us of the state of sleep and of the
many changes of energy this state produces at the sensible end of the
apparatus. During the day there is a continuous coursing stream
from the Ψ-system of the P toward the motility; this current ceases at
night, and no longer hinders a streaming of the current of excitement
in the opposite direction. This would appear to be that “seclusion
from the outer world” which according to the theory of some authors
is supposed to explain the psychological character of the dream (vide
p. 30). In the explanation of the regression of the dream we shall,
however, have to consider those other regressions which originate
during morbid waking states. In these other forms the explanation
just given plainly leaves us in the lurch. Regression takes place in
spite of the uninterrupted sensible current in a progressive direction.
The hallucinations of hysteria and paranoia, as well as the visions
of mentally normal persons, I can explain as actually corresponding
to regressions, being in fact thoughts transformed into images; and
only such thoughts are subjected to this transformation as are in
intimate connection with suppressed or unconscious recollections.
As an example I shall cite one of my youngest hysterical patients—a
boy, twelve years old, who was prevented from falling asleep by
“green faces with red eyes,” which terrified him. The source of this
manifestation was the suppressed, but once conscious, memory of a
boy whom he had often seen during four years, and who offered him
a deterring example of many childish bad habits, including onanism,
which now formed the subject of his own reproach. His mother had
noticed at the time that the complexion of the ill-bred boy was
greenish and that he had red (i.e. red bordered) eyes. Hence the
terrible vision which constantly served to remind him of his mother’s
warning that such boys become demented, that they are unable to
make progress at school, and are doomed to an early death. A part of
this prediction came true in the case of the little patient; he could not
successfully pursue his high school studies, and, as appeared on
examination of his involuntary fancies, he stood in great dread of the
remainder of the prophecy. However, after a brief period of
successful treatment, his sleep was restored, he lost his fears, and
finished his scholastic year with an excellent record.
I may also add here the interpretation of a vision related to me by
an hysteric forty years of age, as having occurred in her normal life.
On opening her eyes one morning she beheld in the room her
brother, whom she knew to be confined in an insane asylum. Her
little son was asleep by her side. Lest the child should be frightened
on seeing his uncle, and fall into convulsions, she pulled the sheet
over the little one; this done, the phantom disappeared. This vision is
the re-casting of one of her infantile reminiscences which, although
conscious, is most intimately connected with all the unconscious
material in her mind. Her nursemaid told her that her mother, who
had died young (the patient was then only a year and a half old), had
suffered from epileptic or hysterical convulsions, which dated back to
a fright caused by her brother (the patient’s uncle), who appeared to
her disguised as a spectre with a sheet over his head. The vision
contains the same elements as the reminiscence, viz. the appearance
of the brother, the sheet, the fright, and its effect. These elements,
however, are ranged in different relations, and are transferred to
other persons. The obvious motive of the vision, which replaces the
idea, is her solicitude lest her little son, who bore a striking
resemblance to his uncle, should share the latter’s fate. Both
examples here cited are not entirely unrelated to sleep, and may
therefore be unsuitable as proof for my assertion. I may therefore
refer to my analysis of an hallucinatory paranoia,[FP] and to the
results of my hitherto unpublished studies on the psychology of the
psychoneuroses in order to emphasize the fact that in these cases of
regressive thought transformation one must not overlook the
influence of a suppressed or unconscious reminiscence, this being in
most cases of an infantile character. This recollection, so to speak,
draws into the regression the thought with which it is connected,
which is prevented from expression by the censor—that is, into that
form of representation in which the recollection itself exists
psychically. I may here mention as a result of my studies in hysteria
that if we succeed in restoring infantile scenes to consciousness
(whether recollections or fancies) they are seen as hallucinations,
and are divested of this character only after reproduction. It is also
known that the earliest infantile memories retain the character of
perceptible vividness until late in life, even in persons who are
otherwise not visual in memory.
If, now, we keep in mind what part is played in the dream thoughts
by the infantile reminiscences or the phantasies based upon them,
how often fragments of these reminiscences emerge in the dream
content, and how often they even give origin to dream wishes, we
cannot deny the probability that in the dream, too, the
transformation of thoughts into visual images may be the result of
the attraction exerted by the visually represented reminiscences,
striving for reanimation, upon the thoughts severed from
consciousness and struggling for expression. Following this
conception, we may further describe the dream as a modified
substitute for the infantile scene produced by transference to recent
material. The infantile cannot enforce its renewal, and must
therefore be satisfied to return as a dream.
This reference to the significance of the infantile scenes (or of their
phantastic repetitions), as in a manner furnishing the pattern for the
dream content, renders superfluous the assumption made by
Scherner and his pupils, of an inner source of excitement. Scherner
assumes a state of “visual excitation” of internal excitement in the
organ of sight when the dreams manifest a particular vividness or a
special abundance of visual elements. We need not object to this
assumption, but may be satisfied with establishing such state of
excitation for the psychic perceptive system of the organs of vision
only; we shall, however, assert that this state of excitation is formed
through the memory, and is merely a refreshing of the former actual
visual excitation. I cannot, from my own experience, give a good
example showing such an influence of infantile reminiscence; my
own dreams are surely less rich in perceptible elements than I must
fancy those of others; but in my most beautiful and most vivid dream
of late years I can easily trace the hallucinatory distinctness of the
dream contents to the sensuous nature of recently received
impressions. On page 368 I mentioned a dream in which the dark
blue colour of the water, the brown colour of the smoke issuing from
the ship’s funnels, and the sombre brown and red of the buildings
which I had seen made a profound and lasting impression on my
mind. This dream, if any, must be attributed to visual excitation. But
what has brought my visual organ into this excitable state? It was a
recent impression uniting itself with a series of former ones. The
colours I beheld were those of the toy blocks with which my children
erected a grand structure for my admiration on the day preceding the
dream. The same sombre red colour covered the large blocks and the
same blue and brown the small ones. Connected with these were the
colour impression of my last journey in Italy, the charming blue of
the Isonzo and the Lagoon, the brown hue of the Alpine region. The
beautiful colours seen in the dream were but a repetition of those
seen in the memory.
Let us review what we have learned about this peculiarity which
the dream has of transforming its content of ideas into plastic
images. We have neither explained this character of the dream-work
nor traced it to known laws of psychology, but we have singled it out
as pointing to unknown connections, and designated it by the name
of the “regredient” character. Wherever this regression has occurred,
we have regarded it as an effect of the resistance which opposes the
progress of the thought on its normal way to consciousness, as well
as a result of the simultaneous attraction exerted upon it by the vivid
memories present. Regression is perhaps facilitated in the dream by
the cessation of the progressive stream running from the sense
organs during the day. For this auxiliary moment there must be
compensation in the other forms of regression through a fortifying of
the other motives of regression. We must also bear in mind that in
pathological cases of regression, as in the dream, the process of
transference of energy must be different from that of the regressions
of normal psychic life, as it renders possible a full hallucinatory
occupation of the perception systems. What we have described in the
analysis of the dream-work as “Regard for Dramatic Fitness” may be
referred to the selective attraction of visually recollected scenes,
touched by the dream thoughts.
It is quite possible that this first part of our psychological
utilisation of the dream does not entirely satisfy even us. We must,
however, console ourselves with the fact that we are compelled to
build in the dark. If we have not altogether strayed from the right
path, we shall be sure to reach about the same ground from another
starting-point, and thereafter perhaps be better able to see our way.
(c) The Wish-Fulfilment.
Garnier, 20
Gastric sensations, 30
General and specific sensations, 30
Goblot quoted, 454
Goethe, 486
Gregory, 19
Griesinger, 76, 113
Gruppe, O., quoted, 2
Gschnas, 183
Guislain, 75
Hagen, 75
Hallam, Miss Florence, 13, 113
Hallucinations, 4, 43, 44, 49, 74, 76, 187, 424, 446
— auditory, 26
— hypnogogic, 25, 40
— ideas transformed into, 41
— of hysteria, 432
— of paranoia, 432, 433
Hallucinatory dreams, 430
— paranoia, 77
— psychoses, 447
— regression, 448
Harmless dreams, 155, 157
Hartman, Edward von, 113
Hauffbauer, 18
Headache dreams, 71, 189
Healing properties of dreams, 66
Helmholtz, 486
Herbart quoted, 63
Hildebrandt, F. W., 53, 55, 59, 60, 138;
quoted, 6, 7, 11, 13, 15, 20, 21, 47, 51, 57, 58
Hilferding, Mrs. M., 376
Historical significance of dreams, 487
Hohnbaum, 74
Homer, 208
Homosexuality, 233, 248, 304
Human character, complication of, 493
Hunger dreams, 113
Hypermnesia of the dream, 465
Hypermnesic dreams, 9, 11
Hypnogogic hallucinations, 25, 40
— sensory images, 185
Hypocritical dreams, 122, 376
Hysteria, 283, 418
— hallucinations of, 432
— study of, 456
— theory of, 473
Hysterical counter-reaction, 220
— identification, 126, 127
— imitation, 126
— paralysis, theory for, 444
— phantasy, 127
— phobias, 83, 220, 486
Hysterical symptoms, theory of, 449
— — formation of, 481, 482, 487
— vomiting, 449
Kant, 58;
quoted, 75
Keller, G., quoted, 208
Keys to voluntary mobility, 429
Keystone of the dream, 415
Kleinpaul, 246
Koenigstein, Dr., 264
Koerner, 85
Kontuszówka, 10
Krauss, A., 30, 77;
quoted, 75
Macnish quoted, 19
Maeder, A., 246
Manifestations of pain, 453
Manifest dream content, 114, 138, 159, 166, 173, 181, 240, 243
Manifold determination of the dream content, 285
Mantic power of dreams, 3
Masochistic wish-dreams, 135
Material of the dream, 7–16, 138–259
Maury, A., 19–21, 25, 28, 49, 53, 64, 74, 75, 158, 396, 397, 420, 454;
quoted, 5, 9, 12, 46, 51, 60, 61
Means of representation in the dream, 288
Mechanism of dream formation, 297
— of psychoneuroses, 172
Medical theory of dream life, 77
Meier, 18
Memory, fading, 457
— in the dream, 7–16, 38, 48
— traces, 426, 430, 446
Mental diseases, relations between dreams and, 73–79
Mental disturbance and dreams, 77
— stimuli, 34
Method of dream interpretation, 80–102, 203
Meyer, C. F., 374
Meynert, 187, 212
Misunderstanding of the dream content, 205
Moral nature of man, 55
Moreau, J., 75
Motor impulses, 220
— paralysis in sleep, 311, 312
— stimuli, 189
Müller, J., 25
Muscular sensations, 30
Muthmann, 78
Myers, 9
Näcke, 240
Names and syllables, play on, 280, 281
Nelson, J., 13
Nerve-exciting dreams, 34
Nerve stimuli, 185, 186, 196
Nervous excitements, 306
Neuron excitement, 428
Neuropathology, 481
Neuropsychology, 489
Neuroses, 315
— etiology of, 281
— infantile etiology of the, 373
— psychoanalysis of the, 438
— psychological explanation of the, 385
— — investigation of the, 439
— psychology of the, 443, 460
— psychotherapy of the, 439
— study of the, 456
Neuroses, theory of the, 374
Neurotic fear, 136
Neurotics, psychoanalysis of, 420
Nightmare, 2
Night terrors, 462, 463
Nocturnal excitations, 440
— sensations, 155
Nordenskjold, O., 111
Novalis quoted, 69
Salzstangeln, 183
Scaliger’s dream, 9
Scherner, R. A., 30, 31, 33, 69–71, 80, 189–191, 310, 434, 467, 486
Scherner’s method of dream interpretation, 319
Schelling, school of, 3
Schiller, Fr., quoted, 85, 86, 361
Schleiermacher, Fr., 40, 59, 85
Scholz, Fr., 48, 112;
quoted, 15, 55
Schopenhauer, 29, 54, 75
Scientific literature on dreams, 1–79
— theories of the dream, 80
Secondary elaboration, 355, 389–402, 454, 461
Self-analyses, 87, 380
Self-correction in dreams, 411
Sensational intensity, 285
Sensations, gastric, 30
— muscular, 30
— nocturnal, 155
— of falling, 466
— of flying, 466
— of impeded movement, 311
— peripheral, 30
— physical, 30
— pneumatic, 30
— sexual, 30
Senseful psychological structures, 1
Sensory images, 186
— — hypnogogic, 185
— intensity, 306
— organs, psychic, 491
— stimuli, 17–27, 187, 189, 454
— — (objective), 185
— — (organic), 71
— — (outer and inner), 66
— — (subjective), 185
Sexual anamnesis, 281
— dreams, 240
— etiology, 281
— — for psychoneuroses, 347
— organs and dreams, 185
— sensations, 30
— symbolism, 319
— symbols, 246, 248
— wish feelings, 480
Shakespeare quoted, 333
Siebeck, A., quoted, 48
Silberer, H., 41
Simon, B. M., 24, 27, 28, 31, 32, 112
Sleep, problems of, 4
— psychic state of, 468
Sources of affects, 382
— of dreams, 138–259
Somatic dream stimuli, 33
— exciting sources, 53
— origin of dreams, 64
— sources of dreams, 184
— theory of stimulation, 185
Spitta, W., 28, 41, 47, 50, 55, 75, 406;
quoted, 39, 46, 48, 58
Stekel, W., 78, 232, 241, 248, 251, 298, 313
— accidental stimuli, 185, 186
Stimuli of dreams, 16–35
— of perception, 426
— pain, 453
— physical, 71, 77
Stimuli, pleasure, 453
— psychic, 34
Strangeness of the dream, 1
Stricker, 364;
quoted, 48, 61
Structure of dream thoughts, 431
Strümpell, L., 16, 31, 36, 42, 47, 138, 154, 186, 188, 191;
quoted, 4, 5, 11, 14, 23, 27, 37, 45, 49
Study of the neuroses, 456
Stumpf, E. J. G., 81
Subjective sensory stimuli, 24–27, 185
Supernatural dream content, 466
— origin of dreams, 3
Suppressed wishes, 199, 209
Suppression of the affects, 371, 372, 375
Sway of the dream, 11
Swimming in dreams, 239
Swoboda, H., 79, 140–142
Symbolic concealment, 310
— dream formations, 310
— — interpretation, 81, 316
— methods of interpreting dreams, 83
Symbolisation of bodily stimuli, 190
— of the body, 319
Symbolism in dreams, application of, 249–259
— sexual, 319
Symbols in the dream content, 246
— sexual, 246, 248
Synthesis of syllables, 278
EU. Note the resemblance of Geseres and Ungeseres to the German words for salted
and unsalted—gesalzen and ungesalzen; also to the German words for soured and unsoured
—gesauert and ungesauert. (Translator.)
EV. This dream also furnishes a good example for the general thesis that dreams of the
same night, even though they be separated in memory, spring from the same thought
material. The dream situation in which I am rescuing my children from the city of Rome,
moreover, is disfigured by a reference to an episode belonging to my childhood. The
meaning is that I envy certain relatives who years ago had occasion to transplant their
children to another soil.
EW. This German expression is equivalent to our saying “You are not responsible for
that,” or “That has not been acquired through your own efforts.” (Translator.)
EX. The injunction or purpose contained in the dream, “I must tell that to the doctor,”
which occurs in dreams that are dreamed in the course of psychoanalytical treatment,
regularly corresponds to a great resistance to the confession involved in the dream, and is
not infrequently followed by forgetting of the dream.
EY. A subject about which an extensive discussion has taken place in the volumes of the
Revue Philosophique—(Paramnesia in the Dream).
EZ. These results correct in several respects my earlier statements concerning the
representation of logical relations (p. 290). The latter described the general conditions of
dream activity, but they did not take into consideration its finest and most careful
performances.
FA. Stanniol, allusion to Stannius, the nervous system of fishes; cf. p. 325.
FB. The place in the corridor of my apartment house where the baby carriages of the
other tenants stand; it is also otherwise several times over-determined.
FC. This description is not intelligible even to myself, but I follow the principle of
reproducing the dream in those words which occur to me while I am writing it down. The
wording itself is a part of the dream representation.
FD. Schiller was not born in one of the Marburgs, but in Marbach, as every graduate of
a Gymnasium knows, and as I also knew. This again is one of those errors (cf. p. 165) which
are included as substitutes for an intended deception at another place—an explanation of
which I have attempted in the Psychopathologie des Alltagslebens.
FE. As analogy to this, I have since explained the extraordinary effect of pleasure
produced by “tendency” wit.
FF. It is this fancy from the unconscious dream thoughts which peremptorily demands
non vivit instead of non vixit. “You have come too late, he is no longer alive.” The fact that
the manifest situation also tends towards “non vivit” has been mentioned on page 334.
FG. It is striking that the name Joseph plays such a large part in my dreams (see the
dream about my uncle). I can hide my ego in the dream behind persons of this name with
particular ease, for Joseph was the name of the dream interpreter in the Bible.
FH. Rêve, petit roman—day-dream, story.
FI. I have analysed a good example of a dream of this kind having its origin in the
stratification of several phantasies, in the Bruchstück einer Hysterie Analyse, 1905.
Moreover I undervalued the significance of such phantasies for dream formation, as long as
I was working chiefly with my own dreams, which were based rarely upon day dreams, most
frequently upon discussions and mental conflicts. With other persons it is often much easier
to prove the full analogy between the nocturnal dream and the day dream. It is often
possible in an hysterical patient to replace an attack by a dream; it is then obvious that the
phantasy of day dreams is the first step for both psychic formations.
FJ. See the Psychopathology of Everyday Life, 4th ed., 1912. (English translation in
preparation.)
FK. Concerning the object of forgetting in general, see the Psychopathology of
Everyday Life.
FL. Translated by A. A. Brill, appearing under the title Selected Papers on Hysteria.
FM. Jung has brilliantly corroborated this statement by analyses of Dementia Praecox.
(The Psychology of Dementia Praecox, translated by F. Peterson and A. A. Brill.)
FN. The same considerations naturally hold true also for the case where superficial
associations are exposed in the dream, as, e.g., in both dreams reported by Maury (p. 50,
pélerinage—pelletier—pelle, kilometer—kilogram—gilolo, Lobelia—Lopez—Lotto). I know
from my work with neurotics what kind of reminiscence preferentially represents itself in
this manner. It is the consultation of encyclopædias by which most people pacify their desire
for explanation of the sexual riddle during the period of curiosity in puberty.
FO. The above sentences, which when written sounded very improbable, have since
been justified experimentally by Jung and his pupils in the Diagnostische
Assoziationsstudien.
FP. Selected Papers on Hysteria and Other Psychoneuroses, p. 165, translated by A. A.
Brill (Journal Mental and Nervous Disease Publishing Co.).
FQ. The German word “Dutzendmensch” (a man of dozens) which the young lady
wished to use in order to express her real opinion of her friend’s fiancé, denotes a person
with whom figures are everything. (Translator.)
FR. They share this character of indestructibility with all psychic acts that are really
unconscious—that is, with psychic acts belonging to the system of the unconscious only.
These paths are constantly open and never fall into disuse; they conduct the discharge of the
exciting process as often as it becomes endowed with unconscious excitement. To speak
metaphorically they suffer the same form of annihilation as the shades of the lower region in
the Odyssey, who awoke to new life the moment they drank blood. The processes depending
on the foreconscious system are destructible in a different way. The psychotherapy of the
neuroses is based on this difference.
FS. Le Lorrain justly extols the wish-fulfilment of the dream: “Sans fatigue sérieuse,
sans être obligé de recourir à cette lutte opiniâtre et longue qui use et corrode les
jouissances poursuivies.”
FT. This idea has been borrowed from The Theory of Sleep by Liébault, who revived
hypnotic investigation in our days. (Du Sommeil provoqué, etc.; Paris, 1889.)
FU. The German of the word bird is “Vogel,” which gives origin to the vulgar expression
“vöglen,” denoting sexual intercourse. (Trans. note.)
FV. The italics are my own, though the meaning is plain enough without them.
FW. The italics are mine.
FX. Cf. the significant observations by J. Breuer in our Studies on Hysteria, 1895, and
2nd ed. 1909.
FY. Here, as in other places, there are gaps in the treatment of the subject, which I have
left intentionally, because to fill them up would require on the one hand too great effort, and
on the other hand an extensive reference to material that is foreign to the dream. Thus I
have avoided stating whether I connect with the word “suppressed” another sense than with
the word “repressed.” It has been made clear only that the latter emphasizes more than the
former the relation to the unconscious. I have not entered into the cognate problem why the
dream thoughts also experience distortion by the censor when they abandon the progressive
continuation to consciousness and choose the path of regression. I have been above all
anxious to awaken an interest in the problems to which the further analysis of the dream-
work leads and to indicate the other themes which meet these on the way. It was not always
easy to decide just where the pursuit should be discontinued. That I have not treated
exhaustively the part played in the dream by the psychosexual life and have avoided the
interpretation of dreams of an obvious sexual content is due to a special reason which may
not come up to the reader’s expectation. To be sure, it is very far from my ideas and the
principles expressed by me in neuropathology to regard the sexual life as a “pudendum”
which should be left unconsidered by the physician and the scientific investigator. I also
consider ludicrous the moral indignation which prompted the translator of Artemidoros of
Daldis to keep from the reader’s knowledge the chapter on sexual dreams contained in the
Symbolism of the Dreams. As for myself, I have been actuated solely by the conviction that
in the explanation of sexual dreams I should be bound to entangle myself deeply in the still
unexplained problems of perversion and bisexuality; and for that reason I have reserved this
material for another connection.
FZ. The dream is not the only phenomenon tending to base psychopathology on
psychology. In a short series of unfinished articles (“Monatsschrift für Psychiatrie und
Neurologie” entitled Über den psychischen Mechanismus der Vergesslichkeit, 1898, and
Über Deckerinnerungen, 1899) I attempt to interpret a number of psychic manifestations
from everyday life in support of the same conception. These and other articles on
“Forgetting,” “Lapse of Speech,” &c., have since been published collectively under the title of
Psychopathology of Everyday Life, 1904 and 1907, of which an English translation will
shortly appear.
GA. “The Conception of the Unconscious in Psychology”: Lecture delivered at the Third
International Congress of Psychology at Munich, 1897.
GB. Cf. here (p. 82) the dream (Σα-τυρος) of Alexander the Great at the siege of Tyrus.
GC. Professor Ernst Oppenheim (Vienna) has shown me from folk-lore material that
there is a class of dreams for which even the people drop the expectation of future
interpretation, and which they trace in a perfectly correct manner to wish feelings and wants
arising during sleep. He will in the near future fully report upon these dreams, which for the
most part are in the form of “funny stories.”
Printed by Ballantyne, Hanson & Co.
Edinburgh & London.
TRANSCRIBER’S NOTES
1. Silently corrected typographical errors and variations in
spelling.
2. Archaic, non-standard, and uncertain spellings retained as
printed.
3. Not all numbered items in the Literary Index have
corresponding crossreferences in the text.
4. Footnotes were re-indexed using letters and collected together
at the end of the last chapter.
*** END OF THE PROJECT GUTENBERG EBOOK THE
INTERPRETATION OF DREAMS ***