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Exhibiting artists: Jessica Benzaquen Mary Black Andrea Abarca Coutts Nick Heyl Sarah Jenea
Jones George Manuel Karos Amanda Kralovic Xi Nan (??) Russell K. The uniforms of workers
stretched into canvases that negotiate the intricacies of class dynamics; prints in photographic and
impressed forms abstract punk’s ethos into conceptual acts that point to Jewish cosmographies, and
totemic sculptures abstract the human figure into a cacophony of internal voices. Dequilla’s and
Tayyabi’s media-based art riff on the radical refrain, “the personal is political,” in the exploration of
“the screen” as an extension of the racialized, gendered, and minoritized body. Studio space is
available for all matriculated graduate students in the building at 205 Hudson Street, and students
are required to maintain a studio and work in the building throughout their residency. From within
this portal space, color offers a kaleidoscope of potentiality. Finally, Choi’s artistic practice examines
the personal even further by adapting early photography techniques, which expose (and re-expose)
the fragile, impermanent conditions of modern, urban-sited subjectivity. From its diminished,
waning, side, the viewer is presented with desaturated hues that intentionally suppress their vibrancy.
In another series of paintings tenderly copy recipes from post-it notes to translate hastily scribbled
attempts to connect with home into lasting documents. The resulting works bridge together themes
of emancipatory politics with interventions into machine learning algorithms, systems of
classification with psychoanalysis, and the beyond uncanny encounter of the human and robot
bodies that collapse dualities. By investigating the tensions between institutional and community-
based practice, designers can use this reflective series of prompts to strengthen and shift their work
to create more desirable processes, and thereby futures. She has worked with Video Game Art
Gallery since 2018. This is the first round of 2022 MFA thesis exhibitions. Gallery exhibitions are
open daily in New Bedford from 9:00 am to 6:00 pm and until 9:00 pm during AHA. Middleton,
Mark Phelan, Sara Allen Prigodich, Cuong Abel Sy, Brett Sylvia, Andrew Tedesco, William M. An
opening reception will be held on Saturday, April April 2, from 3 to 5 pm and the exhibition is open
to public through May 14, 2016. Their works resist easy identification and transparency while
simultaneously plumbing the depths of self as an individual in concert with and set against
community affiliations, identity politics, and collective ideologies. Empowered by the short story,
Sultana’s Dream by Begum Rokeya, we gathered in virtual community to reimagine a future inspired
by the women in our past. Each is a stand-in for one aspect of the complex interiority of the self in
all of its manifestations as it meets external reality. Rather than disconnect and decontextualize,
Boglio’s working-class abstraction reveals the economy of things that construct working life and
ethos, aspects that cannot be represented but only described materially. Choi’s works are mainly
based on his moving experiences and developing ideas about the body and space as a memory
container. Schichtel received her Bachelor of Fine Art at the School of the Art Institute of Chicago in
2016 and has shown work at Intersect Art Space, Fluffy Crimes Gallery, and Gene Siskel Film
Center. The 2016 exhibition includes the creative efforts of 18 UMass Dartmouth MFA degree
candidates in the visual arts: Alec H. For Olsen, this tension between vibrancy and fullness,
desaturation, and diminishment speaks to what he describes as “mode-switching”: the situational
need to camouflage one’s identity within spaces of non-acceptance. Growing up in a Jewish
community, in which the written word on paper is of supreme ritual importance, MacKenzie-
Margulies is preoccupied with paper as both a vessel and an excess. Its paradoxical title challenges
the ways in which time, as experienced by humans, presents itself as a sequenced series of events
vis-a-vis photography. Joined by paintings of Timberland boots and a bitter melon, a staple of
Filipino cuisine, Guinto speaks to group belonging as well as cultural dexterity. The artist chooses his
materials because they have tactical relationships to the bodies of working-class people with the
intention of circumventing discard culture and subverting the high prices of traditional art materials
like paint. The exhibition will feature works by: Christopher Aque, Chajana denHarder, Derek
Fordjour, Elektra KB, Andy Macasil, Rachel Schragis, Zorawar Sidhu, Sarah Slappey, Jonathan
Tracy, and Mathew Tucker. Pushing against historical tendencies to represent the self as a physical
and political body defined by experiences shared across demographics, Mark Guinto, Kaia Olsen,
Jacob Boglio, Caleb MacKenzie-Margulies, and Juan Banos Arjona instead choose abstraction to
investigate the materialities of identity. Across three walls of the gallery space, Guinto arranges his
paintings as an altarpiece.
Across three walls of the gallery space, Guinto arranges his paintings as an altarpiece. Utilizing a
visual language of geometric shapes, layering, and vibrant colors, she’s influenced by traditional
Pakistani textiles, landscapes, and expressionist and gestural art. How can we ensure that our
communities are thoughtfully approached, meaningfully engaged, and actually benefit from the
work. This large-scale exhibition at the Star Store Campus in historic Downtown New Bedford
consists of a wide variety of media including painting, drawing, sculpture, digital and moving
images, software application design, as well as intricately made jewelry that utilizes both text and
unusual contemporary materials. Our presence in the middle of New York’s art world is crucial to our
educational goal: the development of professional artists capable of continued growth once they
leave the relatively structured graduate school environment. The exhibition will feature works by:
Christopher Aque, Chajana denHarder, Derek Fordjour, Elektra KB, Andy Macasil, Rachel Schragis,
Zorawar Sidhu, Sarah Slappey, Jonathan Tracy, and Mathew Tucker. Drawing from his personal,
familial, and cultural experiences, Guinto moves everyday objects from his Filipino-American
household into meditations on the residue of colonialism that continues to structure life. Gallery
exhibitions are open daily in New Bedford from 9:00 am to 6:00 pm and until 9:00 pm during AHA.
This is the first round of 2022 MFA thesis exhibitions. By pushing the limitations of material to their
maximum capacity, Olsen connotes spaces of fluidity and physical embodiment in the process of a
constant state of becoming. This thesis uplifts the shared experience of being in a women’s body and
aims to hold space for the community and conversations that need to exist in order for individual
healing to be done. Ashley graduated from the College of William and Mary with a BFA in Studio
Art and Art History and holds a Post-Baccalaureate certificate in Fine Arts from the Maryland
Institute College of Art. He received his BA from The School of Theater, Film and Television at
UCLA, and will complete his MFA from the University of Illinois Chicago in Spring 2023. Guinto
recuperates the fly as kin through its ability to evade and persist. Slept-on bedsheets and uniforms
work worn by family members are stretched into canvases. Each totem is assembled with its own
cadre of characteristics pulled from the artist’s study of his own dreams, as well as the images
emplaced in him from Catholic iconography. Launching this evening at the ground floor and second
floor spaces in TriBeCa at 205 Hudson Street (entrance on Canal St.) the array of paintings,
performances and mixed media works on view will provide a little something for everyone, as the
exhilarating effort these graduates have put into the final exhibit are fresh and compelling.
Empowered by the short story, Sultana’s Dream by Begum Rokeya, we gathered in virtual
community to reimagine a future inspired by the women in our past. Tayyabi looks at the layering,
movement, and patterning found in these spaces to inform her creative process. This photographic
paper, originally destined for discard, is transformed into a consecrated material that presents itself to
the viewer for our aesthetic and spiritual consideration. By investigating the tensions between
institutional and community-based practice, designers can use this reflective series of prompts to
strengthen and shift their work to create more desirable processes, and thereby futures. In the process
of attenuating us to the experience of the now, he also shifts the temporal landscape of daily life into
a consideration of the cosmic. The annual show is a culmination of intensive study and
experimentation in fulfillment of the thesis requirements for both degree programs. She received a
B.A. in Psychology and Studio Art with concentrations in Art and Technology and Interaction
Design from Northeastern Illinois University (NEIU) in Chicago. Through her practice, Tayyabi
explores the interconnectedness of her female, Muslim, Pakistani, Canadian, and American identity
and its impact on her life experiences, mental health, and creative expression. Encountered from the
side of its full manifestation, the viewer is presented with the vivid chromatics of the rainbow and
invitation to transgress the passageway. Choi keeps questioning limited status and belonging beyond
nationality as well as obscure distinctions between human and non-human beings. Middleton, Mark
Phelan, Sara Allen Prigodich, Cuong Abel Sy, Brett Sylvia, Andrew Tedesco, William M. In 2019,
Tayyabi was awarded the NEIU MakeSpace Fellowship. The resulting works bridge together themes
of emancipatory politics with interventions into machine learning algorithms, systems of
classification with psychoanalysis, and the beyond uncanny encounter of the human and robot
bodies that collapse dualities.
Spilled coffee, a liquid that fuels labor, and bleach, a liquid that erases the first as well as any other
agents, become pigments that carry their significance in daily life into painted space and exhibition
space. For Olsen, this tension between vibrancy and fullness, desaturation, and diminishment speaks
to what he describes as “mode-switching”: the situational need to camouflage one’s identity within
spaces of non-acceptance. Middleton, Mark Phelan, Sara Allen Prigodich, Cuong Abel Sy, Brett
Sylvia, Andrew Tedesco, William M. In her process, Schichtel utilizes code and digital image
making techniques typically used for mainstream mass media projects. This show features the work
of artists who have spent years honing their artistic vision and skills; it offers visitors the opportunity
to see new cutting-edge art in a variety of mediums and styles. Choi keeps questioning limited status
and belonging beyond nationality as well as obscure distinctions between human and non-human
beings. The range of themes is equally diverse; explorations of personal and cultural identity, feelings
of loss, intimacy, memories and dreams as well as examinations of formal and conceptual space. In
another series of paintings tenderly copy recipes from post-it notes to translate hastily scribbled
attempts to connect with home into lasting documents. Clark uses photography and video to explore
his personal experience of barriers, identity, and familial history. Utilizing a visual language of
geometric shapes, layering, and vibrant colors, she’s influenced by traditional Pakistani textiles,
landscapes, and expressionist and gestural art. Its paradoxical title challenges the ways in which time,
as experienced by humans, presents itself as a sequenced series of events vis-a-vis photography.
Cobbled from the idiosyncracies of discarded materials, these archetypal representations assemble
themselves from the world of late capitalism posed on the edge of collapse. Twenty-one students
working in a wide range of media including drawing, painting, photography, video, sculpture,
performance and installation will present their art. Dequilla’s and Tayyabi’s media-based art riff on
the radical refrain, “the personal is political,” in the exploration of “the screen” as an extension of the
racialized, gendered, and minoritized body. Facilities include a woodshop, a metal shop, clay studio,
printmaking studio, computer lab, audio and video editing facilities, black-and-white and color photo
darkrooms, a flexible performance space, and a 5,000-square-foot gallery, which houses the MFA
thesis shows each semester in addition to exhibitions curated by Hunter College curatorial staff and
faculty. The 2016 exhibition includes the creative efforts of 18 UMass Dartmouth MFA degree
candidates in the visual arts: Alec H. MFA students work with Hunter’s exceptional full-time faculty
both individually in tutorials and in small seminars focusing on student work and contemporary
practice, as well as in classes in the theory, criticism and history of art. Selections from this exhibition
will be shown this summer at the Bromfield Gallery in Boston from June 1 to June 26, with an
opening reception on Friday, June 3, 6:00 - 8:30 pm. She is project coordinator for public art-focused
nonprofit More Art, working to put meaningful. This work is an altar to youth-led movements and
freedom fighters across space and time, the young people who guide us as ancestors and the young
people rising up today for the spaces they want and need, right now. An opening reception will be
held on Saturday, April April 2, from 3 to 5 pm and the exhibition is open to public through May 14,
2016. The annual show is a culmination of intensive study and experimentation in fulfillment of the
thesis requirements for both degree programs. He has worked at The Block Museum of Art as
Communications Media Coordinator and the social media company we are mitu as video producer.
Across three walls of the gallery space, Guinto arranges his paintings as an altarpiece. He received
his BA from The School of Theater, Film and Television at UCLA, and will complete his MFA from
the University of Illinois Chicago in Spring 2023. Tayyabi looks at the layering, movement, and
patterning found in these spaces to inform her creative process. The uniforms of workers stretched
into canvases that negotiate the intricacies of class dynamics; prints in photographic and impressed
forms abstract punk’s ethos into conceptual acts that point to Jewish cosmographies, and totemic
sculptures abstract the human figure into a cacophony of internal voices. In 2019, Tayyabi was
awarded the NEIU MakeSpace Fellowship. How can we ensure that our communities are
thoughtfully approached, meaningfully engaged, and actually benefit from the work.
MFA students work with Hunter’s exceptional full-time faculty both individually in tutorials and in
small seminars focusing on student work and contemporary practice, as well as in classes in the
theory, criticism and history of art. Andersen, Amy Araujo, Calvin Arterberry, Kendra Conn, Kelly
Lynn Daniels, Yinan Dong (???), Meaghan Gates, Marcia Goodwin, Kyungsun “Ariel” Lee (???),
John A. This large-scale exhibition at the Star Store Campus in historic Downtown New Bedford
consists of a wide variety of media including painting, drawing, sculpture, digital and moving
images, software application design, as well as intricately made jewelry that utilizes both text and
unusual contemporary materials. How can we ensure that our communities are thoughtfully
approached, meaningfully engaged, and actually benefit from the work. Finally, Choi’s artistic
practice examines the personal even further by adapting early photography techniques, which expose
(and re-expose) the fragile, impermanent conditions of modern, urban-sited subjectivity. In
strengthening our creative, cultural intuition to gather, tell stories, and make, we began the work of
intergenerational healing as daughters and as ancestors. She is the two-time recipient of the UIC
Award for Graduate Research. If designers are facilitators of process, how do their own practices of
equity, justice, and liberation show up to ultimately shape or shift our systems (of oppression). She
has worked with Video Game Art Gallery since 2018. Middleton, Mark Phelan, Sara Allen
Prigodich, Cuong Abel Sy, Brett Sylvia, Andrew Tedesco, William M. Studio space is available for
all matriculated graduate students in the building at 205 Hudson Street, and students are required to
maintain a studio and work in the building throughout their residency. An opening reception will be
held on Saturday, April April 2, from 3 to 5 pm and the exhibition is open to public through May 14,
2016. In another series of paintings tenderly copy recipes from post-it notes to translate hastily
scribbled attempts to connect with home into lasting documents. He has worked at The Block
Museum of Art as Communications Media Coordinator and the social media company we are mitu
as video producer. This show features the work of artists who have spent years honing their artistic
vision and skills; it offers visitors the opportunity to see new cutting-edge art in a variety of mediums
and styles. Joined by paintings of Timberland boots and a bitter melon, a staple of Filipino cuisine,
Guinto speaks to group belonging as well as cultural dexterity. By pushing the limitations of material
to their maximum capacity, Olsen connotes spaces of fluidity and physical embodiment in the
process of a constant state of becoming. I wish everyone a Happy Mother's Day as my peers and I
move forward with a MFA in our hands. Through her practice, Tayyabi explores the
interconnectedness of her female, Muslim, Pakistani, Canadian, and American identity and its impact
on her life experiences, mental health, and creative expression. Upgrade to a different browser or
install Google Chrome Frame to experience this site. Exhibiting artists: Jessica Benzaquen Mary
Black Andrea Abarca Coutts Nick Heyl Sarah Jenea Jones George Manuel Karos Amanda Kralovic
Xi Nan (??) Russell K. These exhibitions will include work of graduate students in Combined Media,
Painting, Works on Paper, Photography and Sculpture. Drawing from his personal, familial, and
cultural experiences, Guinto moves everyday objects from his Filipino-American household into
meditations on the residue of colonialism that continues to structure life. Its paradoxical title
challenges the ways in which time, as experienced by humans, presents itself as a sequenced series
of events vis-a-vis photography. Growing up in a Jewish community, in which the written word on
paper is of supreme ritual importance, MacKenzie-Margulies is preoccupied with paper as both a
vessel and an excess. The works of other exhibition participants comprise the background. Thesis
work from Artisanry, Design, and Fine Arts CVPA UMass Dartmouth. Her work deals with the
pervasive influences of pseudo-historical aesthetics in digital media. I was born tomorrow is a large
spill of photographic, inkjet paper that swirls in voluminous curves in a pile. Launching this evening
at the ground floor and second floor spaces in TriBeCa at 205 Hudson Street (entrance on Canal St.)
the array of paintings, performances and mixed media works on view will provide a little something
for everyone, as the exhilarating effort these graduates have put into the final exhibit are fresh and
compelling.
Each is a stand-in for one aspect of the complex interiority of the self in all of its manifestations as it
meets external reality. Selections from this exhibition will be shown this summer at the Bromfield
Gallery in Boston from June 1 to June 26, with an opening reception on Friday, June 3, 6:00 - 8:30
pm. Choi’s works are mainly based on his moving experiences and developing ideas about the body
and space as a memory container. An opening reception will be held on Saturday, April April 2, from
3 to 5 pm and the exhibition is open to public through May 14, 2016. Our presence in the middle of
New York’s art world is crucial to our educational goal: the development of professional artists
capable of continued growth once they leave the relatively structured graduate school environment. I
want to thank all the people that made it out to opening, a thank you to Jonathan Burke for making
a purchase on one of my paintings, Bather, a huge thank you to Andrea Harris-McGee who was our
champion as we installed the show, a thank you to Serena Stevens for making our names look pretty,
and a warm thank you to Amber Orosco who is always in our corner at the MFA. Bricks, lottery
tickets, and other ephemera of working-class life are reconfigured into sculptural installations and
artist’s books. In another series of paintings tenderly copy recipes from post-it notes to translate
hastily scribbled attempts to connect with home into lasting documents. Her work deals with the
pervasive influences of pseudo-historical aesthetics in digital media. The uniforms of workers
stretched into canvases that negotiate the intricacies of class dynamics; prints in photographic and
impressed forms abstract punk’s ethos into conceptual acts that point to Jewish cosmographies, and
totemic sculptures abstract the human figure into a cacophony of internal voices. Andersen, Amy
Araujo, Calvin Arterberry, Kendra Conn, Kelly Lynn Daniels, Yinan Dong (???), Meaghan Gates,
Marcia Goodwin, Kyungsun “Ariel” Lee (???), John A. On one side, the painted bodies of a living
and dead fly flank the tool of its demise: a fly swatter. Cindy Bernhard, Zara Feeney, Zoey Frank,
Kari Dunham, and Dylan Weiler. Middleton, Mark Phelan, Sara Allen Prigodich, Cuong Abel Sy,
Brett Sylvia, Andrew Tedesco, William M. Facilities include a woodshop, a metal shop, clay studio,
printmaking studio, computer lab, audio and video editing facilities, black-and-white and color photo
darkrooms, a flexible performance space, and a 5,000-square-foot gallery, which houses the MFA
thesis shows each semester in addition to exhibitions curated by Hunter College curatorial staff and
faculty. Middleton, Mark Phelan, Sara Allen Prigodich, Cuong Abel Sy, Brett Sylvia, Andrew
Tedesco, William M. Choi becomes an examiner around various boundaries with linguistic and visual
differences through his research, which is Identifying himself as a transnational wanderer. The
exhibition will feature works by: Christopher Aque, Chajana denHarder, Derek Fordjour, Elektra
KB, Andy Macasil, Rachel Schragis, Zorawar Sidhu, Sarah Slappey, Jonathan Tracy, and Mathew
Tucker. The traditional photograph captures these events and transforms them into documents. The
range of themes is equally diverse; explorations of personal and cultural identity, feelings of loss,
intimacy, memories and dreams as well as examinations of formal and conceptual space. How can we
ensure that our communities are thoughtfully approached, meaningfully engaged, and actually
benefit from the work. Joined by paintings of Timberland boots and a bitter melon, a staple of
Filipino cuisine, Guinto speaks to group belonging as well as cultural dexterity. Dequilla’s and
Tayyabi’s media-based art riff on the radical refrain, “the personal is political,” in the exploration of
“the screen” as an extension of the racialized, gendered, and minoritized body. Guinto recuperates
the fly as kin through its ability to evade and persist. Vanaria Lillian E. Webster Will Wolf Exhibition
Curator: Viera Levitt The UMass Dartmouth 2016 MFA Thesis Exhibition is a much anticipated and
celebrated annual event showcasing the artwork of graduating students from the College of Visual
and Performing Arts. Growing up in a Jewish community, in which the written word on paper is of
supreme ritual importance, MacKenzie-Margulies is preoccupied with paper as both a vessel and an
excess. By investigating narratives of exploration and discovery and by distorting the established
conventions of landscape art, his work manifests how images have mediated the telling of history by
veiling ideologies of colonization. The reflective panels on his father’s construction vest or the blue
expanse of his sister’s uniform come to signify “art” when detached from their context and read
primarily through form with the effect of transgressing the classed divides of the exhibition space. In
this case, photographic paper is imprinted through cutting and its real-time relationship with the ever-
changing light in the space. In strengthening our creative, cultural intuition to gather, tell stories, and
make, we began the work of intergenerational healing as daughters and as ancestors.
Joined by paintings of Timberland boots and a bitter melon, a staple of Filipino cuisine, Guinto
speaks to group belonging as well as cultural dexterity. Middleton, Mark Phelan, Sara Allen
Prigodich, Cuong Abel Sy, Brett Sylvia, Andrew Tedesco, William M. Her research examines popular
media that exists at the intersection of the historical and the digital, or rather, media that utilizes
contemporary image-making technology to depict varying historical periods and fantasy landscapes.
The opening was hosted by Arena 1 Gallery in Santa Monica the space was perfect for the work. The
range of themes is equally diverse; explorations of personal and cultural identity, feelings of loss,
intimacy, memories and dreams as well as examinations of formal and conceptual space. Thesis work
from Artisanry, Design, and Fine Arts CVPA UMass Dartmouth. The 2016 exhibition includes the
creative efforts of 18 UMass Dartmouth MFA degree candidates in the visual arts: Alec H. Studio
space is available for all matriculated graduate students in the building at 205 Hudson Street, and
students are required to maintain a studio and work in the building throughout their residency. Choi
keeps questioning limited status and belonging beyond nationality as well as obscure distinctions
between human and non-human beings. By returning the mestizo voice with an agential utterance,
her work reckons with the Philippines and its diaspora’s inability to conceive of an actualized post-
colonial state. Cobbled from the idiosyncracies of discarded materials, these archetypal
representations assemble themselves from the world of late capitalism posed on the edge of collapse.
In another series of paintings tenderly copy recipes from post-it notes to translate hastily scribbled
attempts to connect with home into lasting documents. Dequilla’s and Tayyabi’s media-based art riff
on the radical refrain, “the personal is political,” in the exploration of “the screen” as an extension of
the racialized, gendered, and minoritized body. The reflective panels on his father’s construction vest
or the blue expanse of his sister’s uniform come to signify “art” when detached from their context
and read primarily through form with the effect of transgressing the classed divides of the exhibition
space. This is the first round of 2022 MFA thesis exhibitions. These exhibitions will include work of
graduate students in Combined Media, Painting, Works on Paper, Photography and Sculpture. She
received a B.A. in Psychology and Studio Art with concentrations in Art and Technology and
Interaction Design from Northeastern Illinois University (NEIU) in Chicago. I want to thank all the
people that made it out to opening, a thank you to Jonathan Burke for making a purchase on one of
my paintings, Bather, a huge thank you to Andrea Harris-McGee who was our champion as we
installed the show, a thank you to Serena Stevens for making our names look pretty, and a warm
thank you to Amber Orosco who is always in our corner at the MFA. Schichtel received her Bachelor
of Fine Art at the School of the Art Institute of Chicago in 2016 and has shown work at Intersect
Art Space, Fluffy Crimes Gallery, and Gene Siskel Film Center. The traditional photograph captures
these events and transforms them into documents. Middleton, Mark Phelan, Sara Allen Prigodich,
Cuong Abel Sy, Brett Sylvia, Andrew Tedesco, William M. Utilizing a visual language of geometric
shapes, layering, and vibrant colors, she’s influenced by traditional Pakistani textiles, landscapes, and
expressionist and gestural art. The works featured include sculpture, painting, photography, digital
video, ceramics, and illustration. In her process, Schichtel utilizes code and digital image making
techniques typically used for mainstream mass media projects. By investigating the tensions between
institutional and community-based practice, designers can use this reflective series of prompts to
strengthen and shift their work to create more desirable processes, and thereby futures. Launching
this evening at the ground floor and second floor spaces in TriBeCa at 205 Hudson Street (entrance
on Canal St.) the array of paintings, performances and mixed media works on view will provide a
little something for everyone, as the exhilarating effort these graduates have put into the final exhibit
are fresh and compelling. This show features the work of artists who have spent years honing their
artistic vision and skills; it offers visitors the opportunity to see new cutting-edge art in a variety of
mediums and styles. Andersen Amy Araujo Calvin Arterberry Kendra Conn Kelly Lynn Daniels
Yinan Dong (???) Meaghan Gates Marcia Goodwin Kyungsun “Ariel” Lee (???) John A. As a
community organizer, Ashley works in the realm of gender violence survivor advocacy and Philippine
human rights and cultural production.