Vocal Rider
Vocal Rider
Vocal Rider
VOCAL RIDER
User Guide
TABLE OF CONTENTS
1.1 Welcome
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please take a moment to read this user guide.
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Vocal Rider is the first of Waves pioneering new series of Mix tools. As its name implies,
it automatically rides vocal track levels. Instead of manually riding a mixing console
fader, or tediously drawing in every level change on a DAW track, Vocal Rider does it
for you, making it a true timesaver. All you need to do is set the target range of the vocal
level in relation to the rest of the mix. Then, Vocal Rider adjusts the level so it stays
within your target, raising or lowering the vocal volume, in real-time. And unlike
compression, Vocal Rider doesn’t add any additional coloring to your track. From the
recording studio to the concert stage, from the broadcast studio to the post house, Vocal
Rider takes mixing to the next level.
Vocal Rider splits the elements of the mix into two main components: vocals and
playback.
• Vocal: All vocal tracks, with or without effects (as defined by the user)
• Music: The rest of the mix, minus the vocal tracks
1.4 Components
WaveShell technology enables us to split Waves processors into smaller plug-ins, which
we call components. Having a choice of components for a particular processor gives
you the flexibility to choose the configuration best suited to your material.
Insert Vocal Rider as the last plug-in on your vocal or vocal group track.
Send your instrumental tracks, post fader, to a bus, just like a headphone mix.
Set the sidechain input on Vocal Rider to the instrumental bus.
Begin playing your song, then set the Vocal Sensitivity and Attack controls.
Set the Target control by moving the transparent screen to the Vocal range peak.
The main Rider fader will begin to move automatically, leveling your vocal.
In Live situations, if the fader moves when no vocal signal is present, adjust the Spill
control to differentiate unwanted ambient stage noise, for better tracking.
Limit the amount of automatic gain change by setting the range faders.
To correlate the vocal level to the instrumental level, adjust Music Sensitivity.
Arm your host to write automation, then Press Automation Write at any time to send
the Vocal Rider Fader to your host application automation edit lane, make your
manual edits, and then press Read.
Using your ears, find the sweet spot and trim using the output fader.
3.1 Interface
TARGET sets the reference range for vocal mix positioning. Since Gain Riding is relative
to the Target position, changing the Target setting will move the Rider Fader’s ‘0’
calibration, re-focusing the correct level range.
SPILL differentiates between vocal signal and unwanted ambient stage noise, to provide
better tracking. (Vocal Rider Live components only)
VOCAL SENSITIVITY controls the vocal detector sensitivity, which differentiates vocal
content from noise floor, spill, and ambience, and identifies the beginnings and endings
of words.
Please note: To use this control, the instrumental mix bus must be assigned to the Vocal
Rider side-chain input.
MUSIC SENSITIVITY LED indicates when and how much Vocal Rider is affected by
instrumental levels.
When the LED is soft green, vocal riding is less affected by instrumental level; as vocal
riding is more affected by the instrumental level, the LED gets brighter.
Please note: To use this control, the instrumental mix bus must be assigned to the Vocal
Rider side-chain input.
RANGE MAX sets the upper boundary of the Rider Fader movement range, setting the
maximum Rider Fader gain.
IDLE ARROW sets the Rider Fader value when there is no vocal activity. Typically, it is
in the middle of the range, to avoid drastic gain changes between words.
Range: 1 to 24 dB
Default: 12
RIDER FADER is Vocal Rider’s automatic control, which moves according to the internal
detectors’ algorithm to level-out the vocal, similar to manual fader riding. (The TARGET
control is used to set the Rider Fader ‘0’ calibration.)
If touched by the mouse, the Rider Fader allows manual gain adjustment. Once the
mouse is released, the Rider Fader will continue automatic riding.
When using a control surface to manually override the Rider Fader, press the control
surface’s Manual button, then begin riding.
When set to Write, all Rider Fader movements are sent to the host application
automation lane. (DAW host automation must be enabled in write/touch/latch mode, and
the Rider Fader must be armed for automation).
Though the Rider Fader moves automatically, it is treated by the host application as if
automation is being written manually. When set to Read, the Rider Fader uses the
automation lane to define its movement, disregarding Vocal Rider’s internal engine.
OUTPUT trims the vocal output gain, post-auto riding; the CLIP LED shows when output
is clipping.