Visual Colour-Rendering Experiments
Visual Colour-Rendering Experiments
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INTRODUCTION
LEDs get widespread use, not only as signal lights but for exterior and decorative lighting1,2
automotive lighting3 and start to penetrate into interior lighting4,5 as well. For all white-light applications
an up-to-date mathematical model for calculating colour-rendering index, correlating well with visual
experiments is needed.
CIE introduced the current method for calculating a colour-rending index some thirty years ago6.
During these thirty years several attempts have been made to update this publication and bring it in
line with modern colorimetric practice (see e.g.7), but due to lack of the availability of convincing visual
experimental data this has not taken place to date. Pilot experiments have shown that – in accordance
with anecdotic earlier observations – the colour rendering index does not always describe visual colour
rendering correctly, especially in case of White LEDs (see CIE TC 1-62 interim report8).
VISUAL EXPERIMENT
Experimental method
The CIE Test Method is a mathematical version of a direct comparison of samples illuminated by the
test source and a reference source, and the determination of the colour difference observed for each
sample illuminated by the two sources.
A double booth was constructed, where in one of the compartments a reference lamp illuminated
the samples, in the other compartment different test light sources could be installed. Figure 1 shows a
photo of the experimental booth. Between the lamp-compartments and the test chambers an opal
diffuser was placed, producing a homogeneous illumination at the bottom of the test chambers. The
walls and bottom of both compartments were painted with a medium grey flat paint. Experiments were
conducted at three CCTs, corresponding to Warm White, CoolWhite and Daylight lamp-colour. For
each level of CCT we selected one lamp with good CIE colour rendering index as reference and the
other lamps as test sources.
The illumination level in the plane of the test samples in both chambers of the double booth was set
in all three cases (low, medium and high CCT) to approximately the same value. It was about 250 lx at
2700 K CCT. This was the maximum value we could achieve with our LED cluster; other sources were
dimmed to this value. Illuminance at the plane of the samples was between 350 lx and 400 lx for the
different test sources at 4000 K and 6500K CCT.
During its debates, CIE TC 1-33 came to the conclusion that instead of the original CIE Test
Samples (taken from an early edition of the Munsell Atlas), samples of the Macbeth Colour Checker
Chart (MCC)15 should be used. Two copies of the 24 sample edition of the MCC, placed in the two
chambers of our visual observation booth were used in our experiments (see Figure 1).
The task of the observer was to scale the visual colour difference between the corresponding
chromatic samples of the MCCs. To aid the observer a grey scale was placed in the reference
chamber, so that the observer could estimate the observed colour difference by comparing it to a
given lightness difference of the grey scale. Observers were permitted to look into one or the other
booth several times before they made their judgment. We tried to keep the chromaticity difference
between the test and reference lamps low; so that the chromatic re-adaptation did not take a too long
time.
Figure 1: Double booth for comparing the colour rendering properties of different light sources.
10 young university students took part in the experiment (6 male and 4 female students). All of
them had good colour vision, tested by the FM 100 Hue test. They first participated in a training
session where Munsell color chips of the same tristimulus values than the samples of the MCC were
shown to them, together with chops from the Munsell Atlas differing from the target chip by plus or
minus one step in hue, value and chroma. Subjects had to arrange properly the six samples around
the target sample to understand the difference in the three directions in colour space around the test
sample. Before starting the experiment observers were permitted to accommodate to the otherwise
dark room, observing the test samples in one or the other booth for approximately five minutes. During
this time they got an oral explanation of the experiment. In the experiment they compared one after the
other the 18 chromatic samples of the MCC, taking notes of the estimated colour differences.
Because of the long period of time of the whole experiment, parts of the experimental method -
subjects, calculation methods for evaluation - were not the same in the three parts of the series (at the
three CCTs).
1,0
distribution
0,6
0,4
0,2
0,0
380 430 480 530 580 630 680 730 780
w avelength (nm)
Figure 2: Spectral power distribution of the three sources investigated in the 2700 K experiment.
Table 1: Colorimetric properties of the sources used, 2700 K group
*
We distinguish between two types of LED lamps: if the light of a red, a green and a blue chip is
mixed, we call it “LED cluster”, if the lamp consists a blue chip with yellow phosphor, we call it “White
LED”.
1,2 Tungsten Halogen
LED cluster 2
1,0 LED cluster 1
0,4
0,2
0,0
380 430 480 530 580 630 680 730 780
w avelength(nm)
0,6
0,4
0,2
0,0
380 430 480 530 580 630 680 730 780
w a ve le ngth(nm)
0,6
0,4
0,2
0,0
380 430 480 530 580 630 680 730 780
w ave length(nm)
LED cluster 2
relative spectral power distribution
1,0
W hite LED 2
0,8
0,6
0,4
0,2
0,0
380 430 480 530 580 630 680 730 780
w a ve length(nm)
Figure 4a, 4b: Spectral power distribution of the 6500 K group of lamps.
Table 3: Colorimetric data of test and reference sources, 6500 K group
Lamp type – 6500 K CCT Ra
Toshiba D65 (reference) 5869 97,9
6500 K daylight comp. fl. lamp 6085 86,4
White LED 2 7076 80,8
LED cluster 1 5867 50,3
LED cluster 2 5867 11,9
3,5
2,5
colorimetric scalings
2,0
1,5
1,0
0,5
0,0
0,0 0,2 0,4 0,6 0,8 1,0 1,2 1,4 1,6 1,8 2,0
visual scaling
Figure 5: Averaged colorimetric colour differences using three colour difference formulae for the
fluorescent lamp and the LED cluster taken against an incandescent lamp. : ∆Eab*, : ∆ECIECAM97sR*, U:
∆EU*V*W*; full signs: difference of tri-band lamp to incandescent lamp, open signs: difference of LEDs to
incandescent lamp.
Table 4: R2 correlation coefficients of the six colour difference scenarios: CIELAB, CIECAM97sR, CIE
U*V*W* colour differences, incandescent lamp - fluorescent lamp/LED cluster
Table 6: Visual and calculated average colour differences, 6500 K lamp group
6500 K Visual CIE 13.3 CIECAM02 CIE-LAB
6500 K daylight comp. fl. lamp 0,20 4,33 4,17 4,73
White LED 2 0,38 7,22 8,47 11,71
LED cluster 1 0,79 17,28 12,67 12,91
LED cluster 2 1,04 31,19 23,22 24,76
As can be seen, at the 4000 K group there are huge differences in ordering the lamps according to
visual or calculated colour difference. The exceptionally good visual performance of the traditional
CoolWhite lamp is hard to understand, one reason might be that most of the test samples contained
only very little long wave radiation. It is also of interest that the small peak wavelength difference of the
two LED clusters produced a large difference in Ra. The rank order for the 6500 K series is the same
for all four methods of evaluation.
As a next step we wanted to test which colour difference formula describes the observed colour
difference best. We depicted for the single lamps and each test sample the calculated colour
differences in relationship of the visual one. As an example Figure 6 shows this, together with the best
fit linear regression lines for the CoolWhite fluorescent lamp, as this is a traditional fluorescent lamp
from the times when the original colour rendering index was designed.
1,0
0,8
0,6
0,4
0,2
0,0
0,0 0,2 0,4 0,6 0,8 1,0 1,2 1,4 1,6 1,8 2,0
Figure 6: Calculated colour differences versus observed ones for the Cool White Fluorescent lamp.
As can be seen the trends are rather similar, therefore we tried to analyse the observed and
calculated colour differences for the single samples. From the statistical analysis it turned out that the
visual observations become increasingly uncertain as the colour rendering of the lamp becomes
better. The reason may be that the observer is unable to scale very small colour differences accurately
and consistently. Therefore here we will show only the results of the 4000 K and 6500 K fluorescent
lamps that showed larger colour differences and of the LED sources. The correlation between the
observed and calculated colour differences for the three colour space models are seen in Table 7 and
Table 8.
In each case where the colour differences showed large values mostly by LED sources the CIECAM02
model worked best.
Table 7: Correlation between the visually observed colour differences and the calculated ones for the
4000 K lamps with larger colour differences.
Table 8: Correlation between the visually observed colour differences and the calculated ones for the
6500 K LED clusters with larger colour differences.
FURTHER INVESTIGATIONS
Checking chromaticity distortions and changes in gamut area in a chromaticity diagram is a possibility
to investigate colour rendering properties. We used this principle adapted to modern colour spaces for
both our 4000 K and 6500 K CCT sources. Three groups of colour samples were used:
1. The first eight samples (TCS01-08) from the samples of the original CIE Test Method (TCS01-
14)6. These are moderate in saturation, and are approximately of the same lightness; will be
called in the following “original”.
2. Ten samples recommended by the TC 1-33 (TCS01*-10*) instead of the CIE Munsell test
samples, because the original ones did not cover the colour gamut sufficiently7; will be called
in the following “selected”.
3. A real representation of the eight Macbeth Colour Checker Chart samples + TCS09* and
TCS10* for the two skin tones; will be called in the following “real”.
For the first two groups of samples we used the original, tabulated spectral radiance factor βi(λ)
data and for the realization of the real MCC patches their measured values made by using a PR-705
spectro-radiometer. For the graphical representation we used only the first eight samples. For
calculating the general colour rendering index we used the 8 samples in the first case, and the 8 MCC
samples + 2 skin samples in the other two cases. In each case the size of the gamut area covered by
the original Munsell samples is almost 3-4 times smaller than in case of the other group of samples,
this is the consequence of the smaller chroma of the original Munsell samples. The first eight samples
of group 3 should be nominally equal to those of group 2. We have found that the samples we have
had showed a slightly smaller gamut area. This was probably due to the slight fading of the two-three
years old samples, but this has negligible effect on our finding. Figure 7 shows the gamut area
represented by each group in the a*,b* plane of CIELAB space for the reference source selected
according to the CIE Test Method (line with full sign ) and illuminated by the real reference source
used in our experiment (line with full sign U) at 4000 K level of CCT. It can be seen from the three
diagrams that the and U lines overlap almost completely, which proves that our reference source
renders colours almost exactly as the theoretical reference source of CIE 13.3, and that the difference
between the “selected” and “real” samples can also be neglected. So in the future we only plot the
gamut area with the original and real samples.
Original CIE samples Selected MCC samples Real MCC samples
100 100 100
80 80 80
60 60 60
40 40 40
20 20 20
0 0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20 -20
CIE 13.3: Tungs te n Haloge n CIE 13.3: Tungs te n Haloge n CIE 13.3: Tungs te n Haloge n
Figure 7: Gamut area for the 4000 K reference source in an a*, b* plane.
Figure 8 shows the gamut area of the samples illuminated by the CoolWhite traditional fluorescent
lamp and the reference source selected according to the CIE Test Method.
100 100
80 80
60 60
40
40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20
-20
-40
-40
-60
-60
CIE 13.3: CoolW hite fl. lamp CIE 13.3: CoolWhite fl. lam p
Figure 8: Gamut area for the CoolWhite fl. lamp test source in an a*, b* plane.
A noticeable lateral distortion on the left and right side (in the direction of green and red) can be seen,
while the size of the gamut area of our test source decreased to 80% of the area of the related
reference source.
Figure 9 (LED cluster 2) shows an extremely big distortion in the direction of yellow and blue (in the
opposite direction than for CoolWhite fl. lamp), while the size of the gamut area increases up to 120%
of the gamut area of the related reference source. A similar distortion can be seen when one plots the
colour co-ordinates of the samples illuminated by LED cluster 1 (Figure 10), however the distortion is
not so spectacular, while the size of the plotted area is 27% larger than the area of the related
reference source. The larger gamut means that these sources can render more colours, despite of the
fact that their general colour rendering indexes are very low.
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -80 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
Figure 9: Gamut area of the LED cluster 2 test source in a*, b* plane.
Original CIE samples Real MCC samples
100 100
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
Figure 10: Gamut area of the LED cluster 1 test source in a*, b* plane.
The examined White LED 2 light source (a kind of new development) has a very impressive Ra value,
and its gamut can be seen in Figure 11.
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
Figure 11: Gamut area of the White LED 2 test source in a*, b* plane.
We have calculated Ra values using the CIE 13.3 test method, but using the group of test samples as
described at the beginning of this section under item 2 and 3. Table 9 contains all the Ra values of the
light sources for each group of samples. For CIE 13.3 Test Method, Ra value was generated from the
average of the colour rendering indices of the 8 colour samples, and for the other cases from the
average of the colour rendering indices of the 8 MCC + 2 skin colour samples.
Table 9: Ra values of the light sources for each group of samples at 4000 K CCT
4000 K Original Selected Real
Tungsten Halogen (reference) 94,2 88,5 88,9
De Luxe CoolWhite comp. fl. lamp 93,2 87,3 88,0
White LED 1 88,8 79,9 80,1
3-band Polylux XL fl. lamp 84,2 69,4 72,3
CoolWhite comp. fl. lamp 82,0 66,4 69,8
CoolWhite fl. lamp 60,6 22,3 24,8
LED cluster 1 41,5 -6,1 0,7
LED cluster 2 5,3 -73,1 -66,2
Table 10: Ra values of the light sources for each group of samples at 6500 K CCT
6500 K Original Selected Real
Toshiba D65 (reference) 88,3 91,2 91,1
6500 K daylight comp. fl. lamp 81,8 76,5 77,0
White LED 2 79,2 67,7 68,2
LED cluster 1 52,3 -1,7 4,6
LED cluster 2 13,1 -73,6 -66,8
Similar calculations were made for the 6500 K group of lamps. Table 10 shows similar general colour
rendering indices for the 6500 K group as shown in Table 9 for the 4000 K group.
In Figure 12 a*, b* colour coordinates of the different colour samples illuminated by 6500 K CCT
lamps are plotted. As in the case at 4000 K CCT, our reference source has a very impressive fit with
the related reference source, so it has very good colour rendering properties according to the
presently used method, because the colour differences between the colour samples are just
perceptible. The LED clusters show also in this case similar distortions of the colour sample
chromaticities than seen in case of 4000 K. The very big chromaticity distortions produced by LED
cluster 2 compared with illumination with the reference source is seen here too. We examined a
6500 K, commercially available “daylight” compact fluorescent lamp and it can be seen that the colour
differences when samples are illuminated by the White LED 2 are noticeably bigger than those
illuminated by the daylight compact fluorescent lamp, however the Ra values of both sources are
almost the same.
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
CIE 13.3: Tos hiba D65 CIE 13.3: Tos hiba D65
a.)
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
b.)
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
c.)
Original CIE samples Real MCC samples
100 100
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
d.)
80 80
60 60
40 40
20 20
0 0
-60 -40 -20 0 20 40 60 80 100 -60 -40 -20 0 20 40 60 80 100
-20 -20
-40 -40
-60 -60
CIE 13.3: daylight com p. fl. lam p CIE 13.3: daylight com p. fl. lam p
e.)
Figure 12: Colour coordinates plotted in a*,b* plane at 6500 K CCT: a.) Toshiba D65
reference source, b.) LED cluster 1, c.) LED cluster 2, d.) White LED 2, e.) Daylight compact
fluorescent lamp.
DISCUSSION
Figure 13 and Figure 14 represents the ranking order of the investigated lamps at 4000 K and 6500 K
CCT against their Ra values calculated by the presently used CIE 13.3 Test Method, but using the
three different groups of samples. It can be seen that the ranking order does not change using
different colour sample sets. The plotted U and curves follow each other very closely, but this is not
surprising due to the fact that the 3rd group is the real representation of the tabulated values of the 2nd
group.
4000 K
120
100
80
60
40
CIE 13.3 Ra index
20
0
0 1 2 3 4 5 6 7 8 9
-20
-40
-60
-80
-100
Nr . of the Lights our ce
Figure 13: Ranking order of the 4000 K CCT sources using different colour samples.
6500 K
100
80
60
40
0
0 1 2 3 4 5 6
-20
-40
-60
-80
-100
Nr . of the Lights our ce
Figure 14: Ranking order of the 6500 K CCT sources using different colour samples.
The original Munsell samples provide higher Ra values (see also Table 9 and Table 10, except for our
reference source at 6500 K CCT) the the other two groups of samples, the new samples are more
saturated, and thus more selective. In our experiments we have not found so large differences as
described in17, when changing from the printed MCC patches to laser printer or ink-jet printed
metamers had an influence on the rank-order of some lamps using the traditional CRI calculation
method.
Table 11 and Table 12 summarize the size of the gamut area in pixels (P(Test),P(Ref)) represented
by the three colour sample groups. P(Test) is the size of the gamut area for the test source, P(Ref) is
the size of the gamut area for the reference source calculated according to the CIE Test Method.
TCS01-08, TCS01*-08* and MCC 01-08 relate to the first eight colour samples of the “original”,
“selected” and “real” colour sample groups, respectively.
Table 11: Size of the gamut area for 4000 K sources
4000 K
TCS01-08 TCS01*-08* MCC 01-08
P(Test) P(Ref) P(Test) P(Ref) P(Test) P(Ref)
Tungsten Halogen (reference) 2453,5 2528,5 8234,6 8439,0 7612,5 7807,4
3-band Polylux XL fl. lamp 2630,3 2530,6 8369,5 8447,4 7698,3 7815,3
CoolWhite fl. lamp 2018,8 2531,4 6737,4 8451,5 6226,9 7819,3
LED cluster 2 3076,0 2528,4 10084,9 8438,6 9311,8 7807,1
LED cluster 1 3257,4 2528,4 10784,1 8438,9 9825,7 7807,4
White LED 1 2444,9 2488,8 8302,9 8296,9 7614,2 7676,8
CoolWhite comp. fl. lamp 2712,7 2530,2 8625,2 8445,7 7940,1 7813,7
De Luxe CoolWhite comp. fl. lamp 2603,8 2525,4 8402,9 8427,6 7785,5 7796,9
Table 12: Size of the gamut area for 6500 K sources
6500 K
TCS01-08 TCS01*-08* MCC 01-08
P(Test) P(Ref) P(Test) P(Ref) P(Test) P(Ref)
Toshiba D65 (reference) 2486,5 2426,9 8273,3 8223,2 7677,6 7606,4
LED cluster 1 3185,4 2427,1 10788,2 8223,7 9820,8 7606,8
LED cluster 2 3126,9 2427,1 10412,9 8223,6 9575,2 7606,8
White LED 2 2121,4 2372,1 7290,3 8029,5 6660,6 7430,1
6500 K daylight comp. fl. lamp 2559,9 2416,7 8316,9 8186,5 7670,7 7573,0
A ranking order using these values gives a totally different order between lamps than the presently
used CIE Test Method as seen in Table 13, where we compare the visual colour differences with the
Ra index of the 4000 K lamps calculated for the “real” samples and with the ratio between P(Test) and
P(Ref). The correlation coefficient has a value of R2=0.85 between visual colour differences and the
lamps’ Ra index at 4000 K, but P(Test)/P(Ref) do not correlate with Ra . Similar trend can be seen for
the 6500 K group in Table 14.
Table 13: Comparing the visual colour difference values with the Ra index of the lamps and
the ratio between P(Test) and P(Ref) at 4000 K
4000 K Visual Ra P(Test) / P(Ref)
3-band Polylux XL fl. lamp 0,49 72,26 119,27%
De Luxe CoolWhite comp. fl. lamp 0,52 87,99 98,50%
CoolWhite fl. lamp 0,66 24,77 99,18%
CoolWhite comp. fl. lamp 0,71 69,82 125,85%
LED cluster 1 0,85 0,66 101,62%
LED cluster 2 1,65 -66,15 99,85%
Table 14: Comparing the visual colour difference values with the Ra index of the lamps and
the ratio between P(Test) and P(Ref) at 6500 K
6500 K Visual Ra P(Test) / P(Ref)
6500 K daylight comp. fl. lamp 0,20 77,01 101,29%
White LED 2 0,38 68,23 89,64%
LED cluster 1 0,79 4,62 129,11%
LED cluster 2 1,04 -66,76 125,88%
It can be seen from the above investigation that colour rendering properties of a given light source can
be divided into two major groups. First, if one defines colour rendering according to the CIE definition -
scaling and averaging colour differences between numbers of colour samples – one should use a
CIECAM02 based colour appearance model to make ranking between different types of lamps, which
correlates well with visual observations. But, if one considers colour rendering as the maximum
realizable number of colours, one should use the size of the gamut area represented by the
illuminated samples for ranking between sources.
CONCLUSIONS
From the investigations we can conclude that the visual colour rendering is not well described by the
CIE Test Method. As an interim solution one could recommend the use of the CIECAM02 model, or a
CIECAM02 based colour difference formula18. But a more fundamental re-thinking of the concept of
colour rendering seems to be appropriate19. All these might point into a direction that colour rendering
calculation has to be based on a quite different evaluation of colour appearance, taking large colour
difference, i.e. colour harmony and colour complementarity break into consideration.
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