Serenata Española

No.2 from the 'Impresiones de España'

Guitar arrangement by Music by
Francisco Tárrega (1900) and Billy Rudock (2023) Joaquín Malats
(1872-1912)


   (play when D.C.)
Quasi allegretto

 
V

  
Guitar     
   4       
3 2                 
1 VI V

2 3
 = 105
    


  2
4  1 
 2   0  

          3    2   4      42 

cantando 2


4 VI 3

   3
2  3
 
1


3 1

4
6

  4
 2   0  4  1      2   0   

          

2

 
7 2 3
3 3

  

 
1 1

espress. 4 6 4

4   4
4  3   2  4  3         

VIII

  1 

  2 1 4
VIII 3

2    1 
X 2

 
    2   
   0    2   
1
2

3 3  0 
10


2


3
0
allargando 5 dolce

  1      0  2      2   4   
 1      0

2 4 2 4

3

 0  2   3  1 3 
2 3 2 2 3

    0  2   1 3
2 2 2
14
1

 4 3
 4

Copyright 1956 Ricordi Americana

1
score-46065e097d48eee51ff5077972f2adbd
          2    3 
  
           
VI


3 3 3 2

   
17
2
1
3
0

cresc.


   1  
1.

                    2

al coda
 

2    23  43  1 
2
3 


1

 
20
3 1

  
2

dim.

2.
          2      
0  
2       3   3  2 3  
 0 1  0  4  
2

     1 
IV

 2 1 
24
3


   
2 2 2


14 3
3 3
4 4
5
rit.
rit.

   
    3  1  4  1  4  4 
 VII
  
 3  1   2   3  3        
2
2
28

2
  
 
1
5
a tempo

 
 4
       3  4  4 
   
 4  4            1 2   
VII

     3
2 IX

    
VII

   2
31 4

2
 dolce      43
  
2 3

3
molto espress.


  42    
  
      
2
 VII

1    3       
2
2


 
35


2

  

4

 
Copyright 1956 Ricordi Americana
2
score-46065e097d48eee51ff5077972f2adbd
   

      
 VII
 
            2       
2



38

      
4

 

 
   4
   4
  34  3
  2 3  
3 2

X

4 
1
 2
1   
3
3  2 1  
2

   0
2

 51
4

1
41 2 3


1

0 0


3 3
3 3
appassionato 6

4
  
        0 

     

    
VIII

2 
2 3

3
1

      0  2   3  1 3

44

3 
3

5  4

          
 
             
1 3 2 3 3

   0  2  3 
 
47




                     
  
      
3 3 3

   
50

cresc. dim.

 3  2  1  

      3  3             
 


 0 1  0 4  2    001  
2


2
53

 1
2 3
2

    4
2
3
4
5
rit.
(dim.)
Copyright 1956 Ricordi Americana
3
score-46065e097d48eee51ff5077972f2adbd
    
         4                  4          
VII V

       2 
V VII


4

   
57 2

      
3
3
3  3 3  2
3
a tempo

 
   4      4 4 2 4   2  
 42  

VII

     3   4 
IX


3 2

   2 
2


1 
  
61 4 2 4

 43     3

cantando forte espress.

  
 VII
 2       1    
          4 

         4    0
V 3

 3  
III

 4 2 
1


     0 3  
64

   
5 3 3  3
cresc.

  IX

          
          1    2 

1 4


68 IV


 3  
4
3
5

(cresc.)

2           
3 
   1  2 
IV

1   
3 3 3 3 3 3

 

71

  
 
4

0 4
3


        
 3   1  2  4  1  3  4   1  3   1  0 0 
4

 
V

1 
1

2 0 40
73 5
2 1




30
1 2
2
4 3 5
5
Copyright 1956 Ricordi Americana
4
score-46065e097d48eee51ff5077972f2adbd
 4 1
  4
D.C. al

 2         
   0 1  2  3  4  1  2  3  4  0 3
2
76 3
1

 
2 1

 cresc. sempre
rit.

4    4  4  
IX

 2        3  2        
VII V

   
    
78

0
     
Coda
4

tempo 1o.
6



4
  
         1
1  
 1  1
  3                       1
VI V har 12

1
82

22 
 
5 3
2 3 3 2 1
4 3 3 3 3

  
1   
V

  42    
Fin


85


 

1
3


I have added additional articulation and harmonies from the original piano score.
I have added a D.C. and coda ending which was favored by my teacher, Venancio García Velasco.
Portland, Oregon 18-VI-2023
Revision 29-IV-2024

Copyright 1956 Ricordi Americana

5
score-46065e097d48eee51ff5077972f2adbd