Digital Light Processing (DLP) Is A
Digital Light Processing (DLP) Is A
Digital Light Processing (DLP) Is A
From Wikipedia, the free encyclopedia Jump to: navigation, search The DLP Logo Further information: History of display technology Digital Light Processing (DLP) is a trademark owned by Texas Instruments, representing a technology used in some TVs and video projectors. It was originally developed in 1987 by Dr. Larry Hornbeck of Texas Instruments. DLP is used in DLP front projectors (small standalone projection units) and DLP rear projection television sets. It is also one of the leading technologies used in digital cinema projection. DLP, along with LCD and LCoS, are the current display technologies behind rear-projection television, having supplanted CRT rear projectors. These rear-projection technologies compete against LCD and plasma flat panel displays in the HDTV market.[1] The single-chip version of DLP and 3LCD are the two main technologies used in modern color digital projectors, with the two technologies being used in over 95% of the projectors sold in 2008. In March 2008, TI announced the initial production of the DPP1500 chipset, which are micro projectors to be used in mobile devices. Availability for final products would show up in the market early 2009.
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[hide]1 Digital microm irror device 2 Color in DLP projecti on 2 . 1 S i n g l e c h i p p r o j e c t o r s 2.1.
combinations on the screen. The DLP chip is synchronized with the rotating motion of the color wheel so that the green component is displayed on the DMD when the green section of the color wheel is in front of the lamp. The same is true for the red, blue and other sections. The colors are thus displayed sequentially at a sufficiently high rate that the observer sees a composite "full color" image. In early models, this was one rotation per frame. Now, most systems operate at up to 10x the frame rate. [edit] The color wheel "rainbow effect" A single-chip projector alternates between colors and produces separate red, green, and blue images when displaying a moving image, or in this case, illuminating a moving hand. DLP projectors utilizing a mechanical spinning color wheel may exhibit an anomaly known as the "rainbow effect." This is best described as brief flashes of perceived red, blue, and green "shadows" observed most often when the projected content features high contrast areas of moving bright/white objects on a mostly dark/black background. The scrolling end credits of many movies are a common example, and also in animations where moving objects are surrounded by a thick black outline. Brief visible separation of the colours can also be apparent when the viewer moves their eyes quickly across the projected image. Some people perceive these rainbow artifacts frequently, while others may never see them at all. This effect is caused by the way the eye follows a moving object on the projection. When an object on the screen moves, the eye will follow the object with a constant motion, but the projector will display each alternating color of the frame at the same location, for the duration of the whole frame. So, while the eye is moving, it will see a frame of a specific color (red for example). Then, when the next color is displayed (green for example), although it gets displayed at the same location overlapping the previous color, the eye will have moved toward the object's next frame target. Thus, the eye will see that specific frame color slightly shifted. Then, the third color gets displayed (blue for example), and the eye will see that frame's color slightly shifted again. This effect is not perceived only for the moving object, but the whole picture. The effect varies with the rotational speed of the color wheel and the frame refresh rate of the video signal. There is a maximum rotational speed limit for the wheel, typically 10,000 to 15,000 RPM. Video framerate is usually measured in frames per second and must be multiplied by 60 to find the wheel speed, whereas 60 frames/sec equals 3,600 frames/minute. If the color wheel spins 4 times per frame, it is rotating at a speed of 14,400 RPM. (Projector specifications often list the wheel speed at specific framerates as 2x, 3x, 4x, etc.)[3][4] Increasing the video refresh rate to 85 frames per second does not necessarily further reduce the rainbow effect since this rate would increase the wheel speed to 20,400 RPM, potentially exceeding the safe limits of wheel rotation and requiring the projector to drop back to 3x speed, at 15,300 RPM. Multi-color LED-based and laser-based single-chip projectors are able to eliminate the spinning wheel and minimize the rainbow effect since the pulse rate of LEDs and laser are not limited by physical motion.
systems found in digital movie theaters. According to DLP.com, the three-chip projectors used in movie theaters can produce 35 trillion colors. The human eye is suggested to be able to detect around 16 million colors, which is theoretically possible with the single chip solution. However, this high color precision does not mean that three-chip DLP projectors are capable of displaying the entire gamut of colors we can distinguish (this is fundamentally impossible with any system composing colors by adding three constant base colors). In contrast, it is the one-chip DLP projectors that have the advantage of allowing any number of primary colors in a sufficiently fast color filter wheel, and so the possibility of improved color gamuts is available.
required to replace arc lamps. The special patented LEDs used in all of the Samsung DLP TVs are PhlatLight LEDs, designed and manufactured by US based Luminus Devices. A single RGB PhlatLight LED chipset illuminates these projection TVs. The PhlatLight LEDs are also used in a new class of ultra-compact DLP front projector commonly referred to as a "pocket projector" and have been introduced in new models from LG Electronics (HS101), Samsung electronics (SP-P400) and Casio (XJ-A series). Home Theater projectors will be the next category of DLP projectors that will use PhlatLight LED technology. At InfoComm, June 2008 Luminus and TI announced their collaboration on using their technology on home theater and business projectors and demonstrated a prototype PhlatLight LED based DLP home theater front projector. They also announced products will be available in the marketplace later in 2008 from Optoma and other companies to be named later in the year. Luminus Devices PhlatLight LEDs have also been used by Christie Digital in their DLP-based MicroTiles display system.[5] It is a modular system built from small (20 inch diagonal) rear projection cubes, which can be stacked and tiled together to form large display canvasses with very small seams. The scale and shape of the display can be any size, only constrained by practical limits. [edit] Laser-based DLPs The first commercially-available laser-based DLP HDTV was the Mitsubishi L65-A90 LaserVue in 2008, which also eliminated the use of a color wheel. Three separate color lasers illuminate the digital micromirror device (DMD) in these projection TVs, producing a richer, more vibrant color palette than other methods. See the laser video display article for more information.
[edit] Pros
Smooth (at 1080p resolution), jitter-free images Perfect geometry and excellent grayscale linearity achievable Usually great ANSI contrast No possibility of screen burn-in Less "screen-door effect" than with LCD projectors DLP rear projection TVs generally have a smaller form factor than comparable CRT projectors. DLP rear projection TVs are considerably cheaper than LCD or plasma flat-panel displays and can still offer 1080p resolution. The use of a replaceable light source means a potentially longer life than CRTs and plasma displays (this may also be a con as listed below) The light source is more-easily replaceable than the backlights used with LCDs, and on DLPs is often user-replaceable. New LED and laser DLP TVs and projectors eliminate the need for lamp replacement. Using two projectors, one can project full color stereoscopic images using polarized process (because beams can be polarized). Lighter weight than LCD and plasma televisions Unlike their LCD and plasma counterparts, DLP screens do not rely on fluids as their projection medium and are therefore not limited in size by their inherent mirror mechanisms, making them ideal for increasingly larger high-definition theater and venue screens. DLP projectors can process up to 7 separate colors, giving them strong color performance. DLP projectors do not suffer from "color decay", often seen with LCD projectors in which the image on the screen yellows after extended periods of usage.
[edit] Cons
Some viewers are bothered by the "rainbow effect" (explained above). Not as thin as LCD or plasma flat-panel displays (although approximately comparable in weight), although some models as of 2008 are becoming wall-mountable (while still being 10" to 14" thick)[8] Replacement of the lamp / light bulb. The average life span of a TV light source averages 2000 5000 hours and the replacement cost for these range from $99 350, depending on the brand and model. After replacing the bulb a few times, the cost can easily exceed the original purchase price of the television itself. Newer generations' units use LEDs or lasers which effectively eliminate this issue, although replacement LED chips could potentially be required over the extended lifespan of the television set. Some devices may have fan noise. Some viewers find the high pitch whine of the colour wheel very annoying.[9][10][11] Dithering noise may be noticeable, especially in dark image areas. Newer (post ~2004) chip generations have less noise than older ones. Error-diffusion artifacts caused by averaging a shade over different pixels, since one pixel cannot render the shade exactly Response time in video games may be affected by upscaling lag. While all HDTVs have some lag when upscaling lower resolution input to their native resolution, DLPs are commonly reported to have longer delays. Newer consoles such as the Xbox 360 do not have this problem as long as they are connected with HD-capable cables.[12]
Reduced viewing angle as compared to direct-view technologies such as CRT, plasma, and LCD
[edit] References
1. ^ a b "4 styles of HDTV". CNET.com. 2007-03-13. http://www.cnet.com/4520-7874_15108443-3.html. Retrieved 2007-08-13. 2. ^ Laservuetv.com 3. ^ Discussion of color wheel speed as 2x, 3x per frame. Projector.com 4. ^ Ibrahim, K. F.; Trundle, Eugene. Newnes Guide to Television and Video Technology, Edition 4, Newnes, 2007, pp.217218. ISBN 0750681659, ISBN 9780750681650 5. ^ "Luminus Devices PhlatLight LEDs Illuminate Christie MicroTiles New Digital Canvas Display". Businesswire. http://www.businesswire.com/portal/site/home/permalink/? ndmViewId=news_view&newsId=20100609006222&newsLang=en. Retrieved 2010-63-28. 6. ^ Cahiers du cinma, nhors-srie, Paris, April 2000, p. 32. 7. ^ TI (2008-02-15). "European Cinema Yearbook". Mediasalles. http://www.mediasalles.it/yearbook.htm. Retrieved 2008-02-15. 8. ^ Futurelooks.com 9. ^ "DLP TV : Why Is There A Noise Coming From My DLP TV?". 10. ^ "Samsung LNT2653H 26-Inch LCD HDTV forum: High pitched noise". 11. ^ "Ecoustics: Noise with the Samsung DLP HLP series". http://www.ecoustics.com/electronics/forum/home-video/68621.html. 12. ^ "HDTVs and Video Game Lag: The Problem and the Solution.". AVS Forum. 200507-11. http://www.avsforum.com/avs-vb/showthread.php?t=558125. Retrieved 2007-08-13.
Swartz, Charles S., ed. Understanding digital cinema. A professionnal handbook, Elseiver, Oxford, 2005.
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