ArtiosCAD 24 - Complete Documentation
ArtiosCAD 24 - Complete Documentation
ArtiosCAD 24 - Complete Documentation
Complete Documentation
06 - 2024
ArtiosCAD
Contents
1. Location and Copyright.................................................................................................................................................................................................................................45
Third party license information and trademarks - 24.03...................................................................................................................................... 45
2. In This Manual........................................................................................................................................................................................................................................................... 61
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6. Peripherals.................................................................................................................................................................................................................................................................202
Installing a Windows printer............................................................................................................................................................................................................. 202
Output Destinations................................................................................................................................................................................................................................... 203
Starting the ArtiosIO program............................................................................................................................................................................................204
Creating an Output Destination......................................................................................................................................................................................205
Installing CAM Devices...........................................................................................................................................................................................................................206
Getting started....................................................................................................................................................................................................................................206
Preliminaries............................................................................................................................................................................................................................................206
Windows driver or CAM driver?..........................................................................................................................................................................206
Is there a pre-built output and style?.........................................................................................................................................................206
Example 1 - Setting up a Kongsberg XL44 samplemaker....................................................................................................................207
Example 2 - Setting up an Alphamerics RS-232 samplemaker.....................................................................................................209
Example 3 - Adding a Calcomp DrawingBoard III digitizer................................................................................................................ 210
Example 4 - Setting up an i-cut Production Console Output.........................................................................................................214
iPC Output - Copying the Example Output...........................................................................................................................................214
iPC Output - Modifying the ArtiosCAD File Output......................................................................................................................214
iPC Output - Modifying the JDF-V2 Output..........................................................................................................................................214
iPC Output - Modifying the Submit Job-V2 or -V3 Output..................................................................................................215
Advanced digitizer setup...........................................................................................................................................................................................................217
Adding a non-Calcomp digitizer.......................................................................................................................................................................... 217
Adjusting the step size of the digitizer.......................................................................................................................................................220
Configuring the Command Map.........................................................................................................................................................................220
Configuring the menu.....................................................................................................................................................................................................223
Configuring Feedback and Snap........................................................................................................................................................................224
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7. Other tasks.................................................................................................................................................................................................................................................................226
Uninstalling ArtiosCAD.............................................................................................................................................................................................................................226
Removing individual ArtiosCAD Programs............................................................................................................................................................226
Uninstalling SolidWorks separately from ArtiosCAD..................................................................................................................................226
Removing MSDE.................................................................................................................................................................................................................................226
Removing the ArtiosCAD ODBC entry......................................................................................................................................................................226
Uninstalling a patch....................................................................................................................................................................................................................... 227
Modifying and Repairing ArtiosCAD.........................................................................................................................................................................................227
Loading an ArtiosCAD patch............................................................................................................................................................................................................ 227
Working with the ArtiosIO Status program....................................................................................................................................................................... 227
Using Floating Licenses..........................................................................................................................................................................................................................228
Configuring floating licenses...............................................................................................................................................................................................229
Troubleshooting....................................................................................................................................................................................................................................231
Upgrading ArtiosCAD Licenses...................................................................................................................................................................................................... 232
License Manager: keyless........................................................................................................................................................................................................232
Using Microsoft SQL Server Standard Edition with ArtiosCAD Standard Edition..................................................................232
Installing Microsoft SQL Server Standard Edition....................................................................................................................................... 233
Configuring Microsoft SQL Server Standard Edition.................................................................................................................................251
Creating the ArtiosCAD database......................................................................................................................................................................251
Configuring the ODBC driver.................................................................................................................................................................................254
Running the ArtiosCAD database configuration batch file..................................................................................................259
Notes and troubleshooting...................................................................................................................................................................................... 260
Using Oracle with ArtiosCAD Standard Edition............................................................................................................................................................261
Replacing an ArtiosCAD server......................................................................................................................................................................................................262
8. Defaults..........................................................................................................................................................................................................................................................................264
Introduction to Defaults.........................................................................................................................................................................................................................264
Creating defaults............................................................................................................................................................................................................................................264
Changing defaults.........................................................................................................................................................................................................................................265
Saving defaults.................................................................................................................................................................................................................................................265
Searching for Defaults..............................................................................................................................................................................................................................265
Performing a Defaults Search.............................................................................................................................................................................................266
Defaults performance................................................................................................................................................................................................................................269
Parameter sets.................................................................................................................................................................................................................................................. 270
Designer parameter sets.......................................................................................................................................................................................................... 270
Manufacturing parameter sets..........................................................................................................................................................................................270
Counter parameter sets.............................................................................................................................................................................................................274
Tool Angles, Widths tab................................................................................................................................................................................................ 274
Periphery tab............................................................................................................................................................................................................................. 277
Crease End tab.......................................................................................................................................................................................................................278
Partial cut tab...........................................................................................................................................................................................................................278
Cut and Crease tab...........................................................................................................................................................................................................279
Chamfer tab...............................................................................................................................................................................................................................280
Reverse Creases tab..........................................................................................................................................................................................................281
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Subtypes...................................................................................................................................................................................................................................................................373
Plotting Styles.................................................................................................................................................................................................................................................... 374
Working with simple plotting styles.............................................................................................................................................................................375
Creating a new simple plotting style............................................................................................................................................................ 376
Changing the line attributes in a simple plotting style.............................................................................................................377
Creating a new plotting style by copying from another plotting style.................................................................................378
Working with Advanced plotting styles...................................................................................................................................................................379
Creating a new Advanced plotting style.................................................................................................................................................. 379
Converting a simple plotting style to an Advanced plotting style.............................................................................. 385
Special Rule Types....................................................................................................................................................................................................................................... 386
Manufacturing tab for special rules.............................................................................................................................................................................387
Special rule tab for special rules......................................................................................................................................................................................391
Multi-Perf Overview........................................................................................................................................................................................................................392
Designing a multi-perf pattern.............................................................................................................................................................................393
Adding a Multi-Perf Definition to the Special Rule Types Catalog..............................................................................395
Edge band and Tear Tape Overview...........................................................................................................................................................................397
Defining an Edge Band.................................................................................................................................................................................................399
Defining a Tear Tape.........................................................................................................................................................................................................401
Default line type set.................................................................................................................................................................................................................................. 403
CAM Tooling Setup Catalog............................................................................................................................................................................................................. 404
Tool List tab............................................................................................................................................................................................................................................ 404
Tool Processing and Offsets when Outputting................................................................................................................................. 406
Tool Selection tab............................................................................................................................................................................................................................ 407
Optimization tab..................................................................................................................................................................................................................................410
CAM Output of Rubber Sheets...........................................................................................................................................................................................411
CAM Output of Steel Counters......................................................................................................................................................................................... 412
Specifying a rotary die in a press definition.....................................................................................................................................................................414
Changes to Rotary Die Press Defaults....................................................................................................................................................................................414
Hole Catalog......................................................................................................................................................................................................................................................... 417
Adding a hole to the Hole Catalog................................................................................................................................................................................417
Nicks............................................................................................................................................................................................................................................................................... 418
Nick formulas...........................................................................................................................................................................................................................................418
Nick styles...................................................................................................................................................................................................................................................419
Standard Sheet Layout............................................................................................................................................................................................................................422
Sheet Layout Parameters.........................................................................................................................................................................................................422
Standard Sheet Sizes....................................................................................................................................................................................................................424
Configuring Intelligent Layout defaults and Costing/Estimating........................................................................................................... 425
Configuring cost centers..........................................................................................................................................................................................................425
Changing Cost Center expressions..............................................................................................................................................................................427
Creating a table to set the value......................................................................................................................................................................428
Modifiers for cost center expressions....................................................................................................................................................................... 429
Notes on Intelligent Layout Defaults.......................................................................................................................................................................... 431
Overview: Setting up a multi-color printing press cost center using a table..................................................................431
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11. Builder............................................................................................................................................................................................................................................................................825
What is Builder?.............................................................................................................................................................................................................................................. 825
Running a standard.....................................................................................................................................................................................................................................825
Changing Variable Appearance When Running Standards..............................................................................................................826
Running a Canvas Standard..............................................................................................................................................................................................................827
An example of using the Standards Catalog.................................................................................................................................................................830
Running a new standard....................................................................................................................................................................................................................... 832
Running non-ArtiosCAD standards............................................................................................................................................................................................832
Designer WorkBench and LASERPOINT IQ 2-4 Standards................................................................................................................833
INTERACT, LASERPOINT, and LASERPOINT IQ 1 standards.............................................................................................................834
Rebuilding designs.......................................................................................................................................................................................................................................834
Annotations and Dimensions............................................................................................................................................................................................................ 837
Paragraph Text tool........................................................................................................................................................................................................................ 838
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12. Designer.......................................................................................................................................................................................................................................................................891
Introduction to Designer........................................................................................................................................................................................................................ 891
Overview of Designer.................................................................................................................................................................................................................... 891
Creating geometry.........................................................................................................................................................................................................................................891
What is geometry?............................................................................................................................................................................................................................891
Endpoint Offset Mode.................................................................................................................................................................................................................892
Using Endpoint Offset Mode..................................................................................................................................................................................893
Lines................................................................................................................................................................................................................................................................. 898
Lines at an angle..................................................................................................................................................................................................................898
Lines with a known X, Y offset of the end-point..............................................................................................................................899
Lines of a specific length........................................................................................................................................................................................... 899
Line to a known point.....................................................................................................................................................................................................899
Arcs and circles.................................................................................................................................................................................................................................. 899
Arcs using a start angle, radius, end-point offset..........................................................................................................................900
Arcs using an X, Y offset, radius..........................................................................................................................................................................901
Arc Center.....................................................................................................................................................................................................................................901
Arc Through a Point.........................................................................................................................................................................................................902
Circle..................................................................................................................................................................................................................................................902
Circle Diameter...................................................................................................................................................................................................................... 902
Ellipse................................................................................................................................................................................................................................................903
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Rectangles................................................................................................................................................................................................................................................904
Rectangle Horiz/Vert....................................................................................................................................................................................................... 905
Rectangle from Center................................................................................................................................................................................................. 906
Panel from Line......................................................................................................................................................................................................................906
Using a Geometry Macro.............................................................................................................................................................................. 908
Tips for Creating Your Own Panel from Line Geometry Macros...........................................................................911
Using Panel from Line Geometry Macros to Make a Design....................................................................................911
Offset Line.....................................................................................................................................................................................................................................915
Straight-curve and Curve-straight.................................................................................................................................................................................915
Line Join tools........................................................................................................................................................................................................................................917
Line at Angle to a Line tool...................................................................................................................................................................................................918
Beziers............................................................................................................................................................................................................................................................. 918
Changing Beziers to Arcs............................................................................................................................................................................................ 919
Drafting aids........................................................................................................................................................................................................................................... 920
Construction lines............................................................................................................................................................................................................................920
How and when to use construction lines................................................................................................................................................920
Conline Offset/Angle tool............................................................................................................................................................................................921
Conline At Angle From Line tool.........................................................................................................................................................................921
Conline Division tool.........................................................................................................................................................................................................922
Conline Radius tool........................................................................................................................................................................................................... 923
Conline Angle Divide tool...........................................................................................................................................................................................923
Conline Join tools................................................................................................................................................................................................................924
Changing construction lines................................................................................................................................................................................................926
Extend/Measure tools..................................................................................................................................................................................................................927
Changing geometry....................................................................................................................................................................................................................................930
Select tools................................................................................................................................................................................................................................................931
Select Conlines tool..........................................................................................................................................................................................................934
Select by Example tool................................................................................................................................................................................................. 934
Select All tool........................................................................................................................................................................................................................... 934
Nudge mode in the Select tool...........................................................................................................................................................................935
Default nudge distances................................................................................................................................................................................ 936
Nudge with Stretch..............................................................................................................................................................................................936
Nudge by a Fixed Value................................................................................................................................................................................. 939
Nudge in Direction Specified by a Line........................................................................................................................................ 939
Nudge Options and Defaults.................................................................................................................................................................... 940
Changing linear properties..................................................................................................................................................................................................... 941
Changing line type and pointage...................................................................................................................................................................... 941
Foldable line type properties in Single Design.................................................................................................................................. 943
Notes about special rules.......................................................................................................................................................................................... 945
Changing Bridging properties...............................................................................................................................................................................946
Number and position of bridges............................................................................................................................................................948
Changing the number of bridges.........................................................................................................................................................949
Changing the width of bridges...............................................................................................................................................................949
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Synchronizing parts.........................................................................................................................................................................................................1222
Converting a part to Manufacturing........................................................................................................................................................... 1225
Parts management........................................................................................................................................................................................................................ 1225
Making a part active......................................................................................................................................................................................................1225
Changing a part's type................................................................................................................................................................................................1226
Splitting a part...................................................................................................................................................................................................................... 1226
Moving objects to a part.......................................................................................................................................................................................... 1226
Moving a part......................................................................................................................................................................................................................... 1227
Changing properties.......................................................................................................................................................................................................1227
Parts Options...........................................................................................................................................................................................................................1227
Parts database information.....................................................................................................................................................................................1228
Working with read-only parts..............................................................................................................................................................................1230
Making a read-only part writable........................................................................................................................................................ 1231
Making a writable part read-only........................................................................................................................................................ 1231
Breaking the link to a formerly read-only part......................................................................................................................1231
Rebuild in canvases.....................................................................................................................................................................................................................1232
Undo and Redo in canvases..............................................................................................................................................................................................1233
Layers in canvases and parts........................................................................................................................................................................................... 1233
Copying and pasting in canvases................................................................................................................................................................................1234
Changing the boards..................................................................................................................................................................................................................1234
Drafting in canvases.................................................................................................................................................................................................................... 1237
Drafting rules...........................................................................................................................................................................................................................1237
Construction lines in canvases...........................................................................................................................................................................1237
Geometry toolbar tools...............................................................................................................................................................................................1239
Dimension tools....................................................................................................................................................................................................................1239
Adjust tools...............................................................................................................................................................................................................................1239
Adjust Outline tools........................................................................................................................................................................................................ 1239
Annotation tools..................................................................................................................................................................................................................1239
Edit tools..................................................................................................................................................................................................................................... 1240
Graphics tools....................................................................................................................................................................................................................... 1240
Prepare Manufacturing tools...............................................................................................................................................................................1240
Information menu.............................................................................................................................................................................................................................1241
Using geometry macros in canvases.........................................................................................................................................................................1241
Dimensioning the sheet of a layout part..................................................................................................................................................1241
Creating your own canvas geometry macro.......................................................................................................................................1242
Useful variables for sheet dimensions.......................................................................................................................................... 1243
Library functions for canvases.........................................................................................................................................................................................1244
Best practices when designing canvas standards....................................................................................................................................1245
Layouts in canvases.................................................................................................................................................................................................................... 1245
Creating a layout automatically........................................................................................................................................................................1245
Recalculating a job........................................................................................................................................................................................................... 1251
Creating a layout manually....................................................................................................................................................................................1253
Adding parts to a layout........................................................................................................................................................................................... 1255
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Editing a layout....................................................................................................................................................................................................................1258
Selecting parts on a layout.......................................................................................................................................................................1259
Moving parts on a layout............................................................................................................................................................................1260
Copying parts on a layout...........................................................................................................................................................................1261
Rotating parts on a layout...........................................................................................................................................................................1261
Deleting parts from a layout....................................................................................................................................................................1262
Deleting a part from a job.......................................................................................................................................................................... 1262
Renaming a job or layout.........................................................................................................................................................................................1262
Deleting a layout................................................................................................................................................................................................................1262
Deleting a job.........................................................................................................................................................................................................................1262
Part Labels.................................................................................................................................................................................................................................1263
Viewing information about a job or layout........................................................................................................................................... 1263
Converting a canvas layout to manufacturing................................................................................................................................ 1266
Canvas layouts notes and warnings............................................................................................................................................................1268
Using canvas layouts to save material......................................................................................................................................................1269
Preflight....................................................................................................................................................................................................................................................................1277
Starting Preflight for the First Time........................................................................................................................................................................... 1277
Running Preflight.............................................................................................................................................................................................................................1279
Why Is This an Anomaly?.......................................................................................................................................................................................................1284
Inspecting the Outline..............................................................................................................................................................................................................1285
Selecting an Anomaly................................................................................................................................................................................................................1286
Accepting and Unaccepting Anomalies............................................................................................................................................................... 1289
Automatically Fixing Anomalies......................................................................................................................................................................................1289
Automatically Fixing a Single Anomaly.................................................................................................................................................... 1290
Automatically Fixing an Anomaly Category..........................................................................................................................................1291
Automatically Fixing All Anomalies................................................................................................................................................................1292
Example of Using Automatic Fixing..............................................................................................................................................................1293
Example of Fixing Rules Outside Outline..................................................................................................................................1294
Example of Fixing a Sharp Corner.....................................................................................................................................................1296
Undoing Automatic Fixes..........................................................................................................................................................................................1297
Interpreting Slotter Scorer Results.............................................................................................................................................................................1297
Changing the Active Profile...............................................................................................................................................................................................1298
Reviewing Active Profile Settings................................................................................................................................................................................1298
Notes on Specific Situations..............................................................................................................................................................................................1299
Merging Short Lines....................................................................................................................................................................................................... 1299
Parallel Perf..............................................................................................................................................................................................................................1300
Land Length............................................................................................................................................................................................................................1300
13. Manufacturing..................................................................................................................................................................................................................................................1302
Introduction to Manufacturing....................................................................................................................................................................................................1302
Manufacturing prerequisites.......................................................................................................................................................................................................... 1303
Standard Sheet Layout.........................................................................................................................................................................................................................1303
Notes and warnings.....................................................................................................................................................................................................................1307
Further examples............................................................................................................................................................................................................................1308
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14. 3D......................................................................................................................................................................................................................................................................................1572
Introduction to 3D...................................................................................................................................................................................................................................... 1572
Concepts and Ideas in 3D.................................................................................................................................................................................................................1572
Workflow in 3D................................................................................................................................................................................................................................... 1573
Snap................................................................................................................................................................................................................................................................1573
Tools in 3D.............................................................................................................................................................................................................................................. 1574
Notes and warnings in 3D.................................................................................................................................................................................................... 1575
Understanding the Basics of 3D.................................................................................................................................................................................................1576
Creating a new 3D workspace.........................................................................................................................................................................................1576
Opening an existing 3D workspace........................................................................................................................................................................... 1582
Remembered fold angles and base face.............................................................................................................................................................1582
Pre-defined fold angles in designs created from standards......................................................................................................... 1583
Folding all creases in a design at 90 degrees.............................................................................................................................................. 1586
Folding individual angles....................................................................................................................................................................................................... 1587
Adding another design to a 3D workspace.......................................................................................................................................................1587
Add to Open 3D tool.................................................................................................................................................................................................................. 1587
Converting a multi-part design to a 3D workspace................................................................................................................................ 1588
Converting a canvas to 3D................................................................................................................................................................................................. 1589
Changing the view of a workspace in 3D...........................................................................................................................................................1592
Changing the base face.........................................................................................................................................................................................................1593
Printing a folded workspace.............................................................................................................................................................................................. 1593
Saving a workspace in 3D.....................................................................................................................................................................................................1593
Saving fold angles changes................................................................................................................................................................................................1594
Saving part count changes.................................................................................................................................................................................................1594
Copying a 3D workspace to the Windows Clipboard............................................................................................................................1595
Notes and warnings........................................................................................................................................................................................................1595
Exiting 3D................................................................................................................................................................................................................................................ 1596
Moving, duplicating, and rotating objects in 3D......................................................................................................................................................1596
Working with different simultaneous view angles.....................................................................................................................................1596
3D Extend tools................................................................................................................................................................................................................................1596
Select Designs tool.......................................................................................................................................................................................................................1598
Colored axes.........................................................................................................................................................................................................................................1598
Move Point to Point tool.......................................................................................................................................................................................................1600
Move Designs tool........................................................................................................................................................................................................................1600
Fit tolerance............................................................................................................................................................................................................................1606
Move Designs X, Y, Z tool..................................................................................................................................................................................................... 1608
Duplicate Designs tool.............................................................................................................................................................................................................1609
Duplicate Designs X, Y, Z tool.............................................................................................................................................................................................1611
Group tools............................................................................................................................................................................................................................................. 1612
Rotate Designs tool.......................................................................................................................................................................................................................1612
Drag on Plane tool......................................................................................................................................................................................................................... 1615
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Deleting Mates......................................................................................................................................................................................................................1698
Panel Mate concepts.................................................................................................................................................................................................... 1698
Creating a Panel Mate....................................................................................................................................................................................1698
Notes on using Panel Mates.....................................................................................................................................................................1701
Using Edge Mates.............................................................................................................................................................................................................1702
Automatic mate concepts.................................................................................................................................................................................................... 1702
Adding Automatic Mates..........................................................................................................................................................................................1703
Converting a Design with Recognized Mates to 3D..................................................................................................................1705
Erecting a Design with Automatic Mates..............................................................................................................................................1706
Changing Fold Angles in Erected Designs...........................................................................................................................................1709
Notes and Warnings About Recognized Designs...........................................................................................................................1710
Using the Copy Times tool with Mates...................................................................................................................................................................1712
Supported mates.............................................................................................................................................................................................................................. 1719
Undo and Redo.............................................................................................................................................................................................................................................. 1723
Changing how you view the workspace............................................................................................................................................................................1724
Zoom Rectangle tool...................................................................................................................................................................................................................1724
Center-Point Zoom tool...........................................................................................................................................................................................................1725
Zoom Out tool.....................................................................................................................................................................................................................................1725
Zoom In/Out tool.............................................................................................................................................................................................................................1725
Scale to Fit tools..............................................................................................................................................................................................................................1725
Pan/Zoom tool.....................................................................................................................................................................................................................................1725
View Angle tool................................................................................................................................................................................................................................. 1726
3D Quick Views.....................................................................................................................................................................................................................1728
Next and Previous View tools...........................................................................................................................................................................................1729
Rotate View tools........................................................................................................................................................................................................................... 1730
Orthogonal View tool.................................................................................................................................................................................................................1730
Perspective tool................................................................................................................................................................................................................................. 1731
Lighting.......................................................................................................................................................................................................................................................1734
Light Source tool................................................................................................................................................................................................................1734
Light Source Tool Defaults......................................................................................................................................................................... 1737
Ambient light...........................................................................................................................................................................................................................1739
Status bar................................................................................................................................................................................................................................................ 1740
Setting the View mode............................................................................................................................................................................................................ 1740
Advanced mode...................................................................................................................................................................................................................1749
Graphics resolution.............................................................................................................................................................................................1749
Image filter................................................................................................................................................................................................................... 1750
Smooth edges...........................................................................................................................................................................................................1750
Reduce gaps in edges......................................................................................................................................................................................1751
Using a freehand background image..........................................................................................................................................................1752
Using an aligned background image...........................................................................................................................................................1754
Outputs using background images...............................................................................................................................................................1760
Level Designs tool...........................................................................................................................................................................................................................1761
Changing visible properties of objects in 3D..................................................................................................................................................1763
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15. Outputs.....................................................................................................................................................................................................................................................................1949
Introduction to Outputs.......................................................................................................................................................................................................................1949
Concepts and Ideas in Outputs...................................................................................................................................................................................................1951
Sending data to output devices.....................................................................................................................................................................................1951
Notes and warnings when printing bitmaps.....................................................................................................................................................1951
Printing.....................................................................................................................................................................................................................................................................1952
Creating a PDF file.................................................................................................................................................................................................................................... 1954
Setting PDF security options............................................................................................................................................................................................1955
Samplemaking..................................................................................................................................................................................................................................................1957
Note for DieSaw users.............................................................................................................................................................................................................. 1959
Making an Output to i-cut Production Console......................................................................................................................................... 1959
Reports......................................................................................................................................................................................................................................................................1961
What is a report?..............................................................................................................................................................................................................................1961
Making a custom report...........................................................................................................................................................................................................1961
Deciding the contents of the report........................................................................................................................................................... 1962
Defining the size of the report...........................................................................................................................................................................1962
Drawing lines to separate areas....................................................................................................................................................................... 1963
Creating a File Window..............................................................................................................................................................................................1963
Using a Symbol file window......................................................................................................................................................................1966
Using a Cape Palletization file window........................................................................................................................................1968
Adding text to the report.........................................................................................................................................................................................1969
Adding fixed text...................................................................................................................................................................................................1970
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3D Outputs........................................................................................................................................................................................................................................................2022
Outputting a 3D Workspace as a STEP, IGES, ACIS or XCGM File........................................................................................2023
Spatial Export Notes.....................................................................................................................................................................................................2025
Outputting a 3D Workspace as glTF or GLB.................................................................................................................................................2025
Outputting a 3D animation as a Microsoft Word document........................................................................................................2026
Animation tab....................................................................................................................................................................................................................... 2026
Bitmap tab................................................................................................................................................................................................................................2027
General tab............................................................................................................................................................................................................................. 2028
Finishing the Output....................................................................................................................................................................................................2028
Outputting a 3D animation as a PDF document.......................................................................................................................................2029
Outputting a 3D animation as a Microsoft PowerPoint document.........................................................................................2031
Outputting a 3D workspace as a JPEG or PNG bitmap....................................................................................................................2033
Outputting a 3D workspace to an EPSF file, PDF file, or printer.............................................................................................2035
Outputting a 3D workspace to a PDF file with U3D..............................................................................................................................2037
Outputting a 3D workspace to U3D........................................................................................................................................................................2039
Notes and warnings when using U3D......................................................................................................................................................2040
U3D Animation Notes................................................................................................................................................................................................... 2041
Outputting a 3D workspace to a VRML file.....................................................................................................................................................2041
JPEG Images group...................................................................................................................................................................................................... 2042
Creases group......................................................................................................................................................................................................................2043
Background color group.......................................................................................................................................................................................... 2043
Output Units group........................................................................................................................................................................................................2043
Animation group................................................................................................................................................................................................................2043
3D Movie Outputs........................................................................................................................................................................................................................2045
Creating a 3D Movie Output in Defaults..............................................................................................................................................2046
Outputting a Movie from 3D...............................................................................................................................................................................2049
Canvas Outputs...........................................................................................................................................................................................................................................2052
Running a BOM-like Output for a canvas........................................................................................................................................................ 2053
Running a part-by-part Output for a canvas................................................................................................................................................2055
Reports around canvas layouts....................................................................................................................................................................................2058
Deleting a Report Around a Layout Part.............................................................................................................................................. 2059
Notes about Reports Around Canvas Parts.......................................................................................................................................2059
Creating your own Report Around a Canvas Part......................................................................................................................2060
Assembly Instructions Outputs..................................................................................................................................................................................................2063
Making a Header/Footer Report for Assembly Instructions..........................................................................................................2063
Using the Header/Footer Report for Assembly Instructions........................................................................................................2064
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The toolbars.........................................................................................................................................................................................................................................2072
Toolbars in ArtiosCAD Browsers...................................................................................................................................................................... 2072
Toolbar in DataCenter Admin.............................................................................................................................................................................2074
Searching for information.....................................................................................................................................................................................................2074
Servers and resources............................................................................................................................................................................................................. 2079
Configuring DataCenter.....................................................................................................................................................................................................................2080
Working with servers and resources.......................................................................................................................................................................2080
Creating a server............................................................................................................................................................................................................. 2080
Creating a resource........................................................................................................................................................................................................2081
Deleting a server...............................................................................................................................................................................................................2082
Deleting a resource....................................................................................................................................................................................................... 2082
Userfields................................................................................................................................................................................................................................................ 2083
Adding userfields to DataCenter................................................................................................................................................................... 2083
Setting up a restricted userfield.....................................................................................................................................................................2084
Deleting userfields from DataCenter.........................................................................................................................................................2085
Configuring companies.......................................................................................................................................................................................................... 2086
Adding a company......................................................................................................................................................................................................... 2086
Deleting a company......................................................................................................................................................................................................2086
Changing how company identifiers are shown..............................................................................................................................2087
Configuring company types..............................................................................................................................................................................................2087
Adding a company type...........................................................................................................................................................................................2087
Deleting a company type....................................................................................................................................................................................... 2088
Configuring people..................................................................................................................................................................................................................... 2088
Adding a person................................................................................................................................................................................................................2088
Deleting a person’s information.......................................................................................................................................................................2088
Configuring board information...................................................................................................................................................................................... 2089
Creating a paper..............................................................................................................................................................................................................2090
Creating a flute..................................................................................................................................................................................................................2094
Creating a board.............................................................................................................................................................................................................. 2095
Renaming, deleting, moving, and copying board entries......................................................................................................2101
Configuring characteristics..................................................................................................................................................................................................2101
Adding a characteristic.............................................................................................................................................................................................. 2102
Deleting a characteristic...........................................................................................................................................................................................2102
Configuring Design Auto Numbering...................................................................................................................................................................... 2103
Configuring a filename counter........................................................................................................................................................................2103
Configuring Auto Numbering.............................................................................................................................................................................. 2103
Using the Project browser................................................................................................................................................................................................... 2105
Project browser - General pane.......................................................................................................................................................................2106
Project browser - Userfields pane..................................................................................................................................................................2107
Project browser - Documents pane............................................................................................................................................................. 2108
Project browser - Characteristics pane...................................................................................................................................................2108
Searching for Projects................................................................................................................................................................................................. 2109
Modifying information in browsers.............................................................................................................................................................................. 2110
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17. Appendix...................................................................................................................................................................................................................................................................2134
Changed Icons and Toolbars as of Version 14............................................................................................................................................................2134
Single Design Tool Icons.........................................................................................................................................................................................................2134
Manufacturing Tool Icons......................................................................................................................................................................................................2143
3D Tool Icons.......................................................................................................................................................................................................................................2150
Arithmetic functions................................................................................................................................................................................................................................. 2154
Reserved words..............................................................................................................................................................................................................................................2156
List of line types............................................................................................................................................................................................................................................2157
Glossary...................................................................................................................................................................................................................................................................2166
xliv
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All rights reserved. This material, information and instructions for use contained herein are the property of Esko
Software BV. The material, information and instructions are provided on an AS IS basis without warranty of any
kind. There are no warranties granted or extended by this document. Furthermore Esko Software BV does not
warrant, guarantee or make any representations regarding the use, or the results of the use of the software or
the information contained herein. Esko Software BV shall not be liable for any direct, indirect, consequential or
incidental damages arising out of the use or inability to use the software or the information contained herein.
The information contained herein is subject to change without notice. Revisions may be issued from time to time
to advise of such changes and/or additions.
No part of this document may be reproduced, stored in a data base or retrieval system, or published, in any form
or in any way, electronically, mechanically, by print, photoprint, microfilm or any other means without prior written
permission from Esko Software BV.
This document supersedes all previous dated versions.
Correspondence regarding this publication should be forwarded to:
Esko
Raymonde de Larochelaan 13
9051 Gent
Belgium
info.eur@esko.com
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The Esko software may contain an implementation of the LZW algorithm licensed under U. S. Patent 4,558,302
and foreign counterparts.
The Esko software may contain the “RSA Data Security, Inc. MD5 Message-Digest Algorithm.”
Oracle and Java are registered trademarks of Oracle and/or its affiliates. Other names may be trademarks of their
respective owners.
® ®
Strip Clip, Strip Fork and Strip Clip System are products, registered trademarks and patents of Vossen Profitec
GmbH Germany.
OpenGL is a registered trademark of Silicon Graphics, Inc.
The geometry macros contained with this release of ArtiosCAD to facilitate the use of Vossen Profitec
®
components are approved by Vossen Profitec GmbH and are used with their permission. The Vossen Prax
documentation should be consulted and used to ensure correct use and placement of these geometry macros.
The shapes and offsets used are in accordance with Vossen Profitec GmbH specifications. Usage and placement
of these geometry macros to ensure effective stripping performance, however, remains the responsibility of the
user. Vossen Profitec GmbH may be contacted for details of worldwide representation at (49) (7771) 920-136 or
by e-mail at info@vossen-profitec.de.
This software may use libxml2 - Copyright © 1998-2003 Daniel Veillard - All rights reserved.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS"
AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE FOR
ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR
SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY,
OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE
OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
------------------------------------------------------------
Some ICC Profiles were created by FFEI Ltd. (www.ffei.co.uk) using Fujifilm
ColourKit Profiler Suite (www.colourprofiling.com)
------------------------------------------------------------
Some ICC profiles are copyright (C) by European Color Initiative, www.eci.org
------------------------------------------------------------
46
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------------------------------------------------------------
Some ICC profiles are copyright (C) IDEAlliance(R). G7(R), GRACol(R) and
SWOP(R) are all registered trademarks of IDEAlliance(C).
------------------------------------------------------------
PANTONE® and other Pantone trademarks are the property of Pantone LLC.
Pantone is a wholly owned subsidiary of X-Rite, Incorporated.
------------------------------------------------------------
Permission to use, copy, modify, and distribute this software for any purpose
with or without fee is hereby granted, provided that the above copyright
notice and this permission notice appear in all copies.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY RIGHTS. IN
NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM,
DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR
OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE
OR OTHER DEALINGS IN THE SOFTWARE.
Except as contained in this notice, the name of a copyright holder shall not
be used in advertising or otherwise to promote the sale, use or other dealings
in this Software without prior written authorization of the copyright holder.
------------------------------------------------------------
Permission to use, copy, modify, distribute, and sell this software and
its documentation for any purpose is hereby granted without fee, provided
that (i) the above copyright notices and this permission notice appear in
all copies of the software and related documentation, and (ii) the names of
Sam Leffler and Silicon Graphics may not be used in any advertising or
publicity relating to the software without the specific, prior written
permission of Sam Leffler and Silicon Graphics.
------------------------------------------------------------
47
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The above copyright notice and this permission notice shall be included in
all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FIT-
NESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
THE SOFTWARE.
------------------------------------------------------------
------------------------------------------------------------
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS"
AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE
LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF
THE POSSIBILITY OF SUCH DAMAGE.
The above copyright notice and this permission notice shall be included
in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS
48
ArtiosCAD
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OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL
BRIAN PAUL BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN
AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN
CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
The above copyright notice and this permission notice shall be included
in all copies or substantial portions of the Materials.
THE MATERIALS ARE PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY
CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT,
TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE
MATERIALS OR THE USE OR OTHER DEALINGS IN THE MATERIALS.
------------------------------------------------------------
THE DATA FILES AND SOFTWARE ARE PROVIDED "AS IS", WITHOUT WARRANTY OF
ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE
WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND
NONINFRINGEMENT OF THIRD PARTY RIGHTS.
IN NO EVENT SHALL THE COPYRIGHT HOLDER OR HOLDERS INCLUDED IN THIS
NOTICE BE LIABLE FOR ANY CLAIM, OR ANY SPECIAL INDIRECT OR CONSEQUENTIAL
DAMAGES, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE,
DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR OTHER
TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION WITH THE USE OR
PERFORMANCE OF THE DATA FILES OR SOFTWARE.
----------------------------------------------------------------------
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# this list of conditions and the following disclaimer.
# Redistributions in binary form must reproduce the above
# copyright notice, this list of conditions and the following
# disclaimer in the documentation and/or other materials provided with
# the distribution.
# Neither the name of Google Inc. nor the names of its
# contributors may be used to endorse or promote products derived from
# this software without specific prior written permission.
#
#
# THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND
# CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES,
# INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
# MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE
# DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE
# LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
# CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF
# SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR
# BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF
# LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING
# NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
# SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
#
#
# The word list in cjdict.txt are generated by combining three word lists
# listed below with further processing for compound word breaking. The
# frequency is generated with an iterative training against Google web
# corpora.
#
# * Libtabe (Chinese)
# - https://sourceforge.net/project/?group_id=1519
# - Its license terms and conditions are shown below.
#
# * IPADIC (Japanese)
# - http://chasen.aist-nara.ac.jp/chasen/distribution.html
# - Its license terms and conditions are shown below.
#
# ---------COPYING.libtabe ---- BEGIN--------------------
#
# /*
# * Copyright (c) 1999 TaBE Project.
# * Copyright (c) 1999 Pai-Hsiang Hsiao.
# * All rights reserved.
# *
# * Redistribution and use in source and binary forms, with or without
# * modification, are permitted provided that the following conditions
# * are met:
# *
# * . Redistributions of source code must retain the above copyright
# * notice, this list of conditions and the following disclaimer.
# * . Redistributions in binary form must reproduce the above copyright
# * notice, this list of conditions and the following disclaimer in
# * the documentation and/or other materials provided with the
# * distribution.
# * . Neither the name of the TaBE Project nor the names of its
# * contributors may be used to endorse or promote products derived
# * from this software without specific prior written permission.
# *
# * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS
# * "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT
# * LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS
# * FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE
# * REGENTS OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT,
# * INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES
# * (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR
# * SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
# * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,
# * STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
# * ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED
# * OF THE POSSIBILITY OF SUCH DAMAGE.
# */
#
# /*
# * Copyright (c) 1999 Computer Systems and Communication Lab,
# * Institute of Information Science, Academia
# * Sinica. All rights reserved.
# *
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# * Redistribution and use in source and binary forms, with or without
# * modification, are permitted provided that the following conditions
# * are met:
# *
# * . Redistributions of source code must retain the above copyright
# * notice, this list of conditions and the following disclaimer.
# * . Redistributions in binary form must reproduce the above copyright
# * notice, this list of conditions and the following disclaimer in
# * the documentation and/or other materials provided with the
# * distribution.
# * . Neither the name of the Computer Systems and Communication Lab
# * nor the names of its contributors may be used to endorse or
# * promote products derived from this software without specific
# * prior written permission.
# *
# * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS
# * "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT
# * LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS
# * FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE
# * REGENTS OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT,
# * INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES
# * (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR
# * SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
# * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,
# * STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
# * ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED
# * OF THE POSSIBILITY OF SUCH DAMAGE.
# */
#
# Copyright 1996 Chih-Hao Tsai @ Beckman Institute,
# University of Illinois
# c-tsai4@uiuc.edu http://casper.beckman.uiuc.edu/~c-tsai4
#
# ---------------COPYING.libtabe-----END--------------------------------
#
#
# ---------------COPYING.ipadic-----BEGIN-------------------------------
#
# Copyright 2000, 2001, 2002, 2003 Nara Institute of Science
# and Technology. All Rights Reserved.
#
# Use, reproduction, and distribution of this software is permitted.
# Any copy of this software, whether in its original form or modified,
# must include both the above copyright notice and the following
# paragraphs.
#
# Nara Institute of Science and Technology (NAIST),
# the copyright holders, disclaims all warranties with regard to this
# software, including all implied warranties of merchantability and
# fitness, in no event shall NAIST be liable for
# any special, indirect or consequential damages or any damages
# whatsoever resulting from loss of use, data or profits, whether in an
# action of contract, negligence or other tortuous action, arising out
# of or in connection with the use or performance of this software.
#
# A large portion of the dictionary entries
# originate from ICOT Free Software. The following conditions for ICOT
# Free Software applies to the current dictionary as well.
#
# Each User may also freely distribute the Program, whether in its
# original form or modified, to any third party or parties, PROVIDED
# that the provisions of Section 3 ("NO WARRANTY") will ALWAYS appear
# on, or be attached to, the Program, which is distributed substantially
# in the same form as set out herein and that such intended
# distribution, if actually made, will neither violate or otherwise
# contravene any of the laws and regulations of the countries having
# jurisdiction over the User or the intended distribution itself.
#
# NO WARRANTY
#
# The program was produced on an experimental basis in the course of the
# research and development conducted during the project and is provided
# to users as so produced on an experimental basis. Accordingly, the
# program is provided without any warranty whatsoever, whether express,
# implied, statutory or otherwise. The term "warranty" used herein
# includes, but is not limited to, any warranty of the quality,
# performance, merchantability and fitness for a particular purpose of
51
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# the program and the nonexistence of any infringement or violation of
# any right of any third party.
#
# Each user of the program will agree and understand, and be deemed to
# have agreed and understood, that there is no warranty whatsoever for
# the program and, accordingly, the entire risk arising from or
# otherwise connected with the program is assumed by the user.
#
# Therefore, neither ICOT, the copyright holder, or any other
# organization that participated in or was otherwise related to the
# development of the program and their respective officials, directors,
# officers and other employees shall be held liable for any and all
# damages, including, without limitation, general, special, incidental
# and consequential damages, arising out of or otherwise in connection
# with the use or inability to use the program or any product, material
# or result produced or otherwise obtained by using the program,
# regardless of whether they have been advised of, or otherwise had
# knowledge of, the possibility of such damages at any time during the
# project or thereafter. Each user will be deemed to have agreed to the
# foregoing by his or her commencement of use of the program. The term
# "use" as used herein includes, but is not limited to, the use,
# modification, copying and distribution of the program and the
# production of secondary products from the program.
#
# In the case where the program, whether in its original form or
# modified, was distributed or delivered to or received by a user from
# any person, organization or entity other than ICOT, unless it makes or
# grants independently of ICOT any specific warranty to the user in
# writing, such person, organization or entity, will also be exempted
# from and not be held liable to the user for any such damages as noted
# above as far as the program is concerned.
#
# ---------------COPYING.ipadic-----END----------------------------------
----------------------------------------------------------------------
----------------------------------------------------------------------
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----------------------------------------------------------------------
ICU uses the public domain data and code derived from Time Zone
Database for its time zone support. The ownership of the TZ database
is explained in BCP 175: Procedure for Maintaining the Time Zone
Database section 7.
# 7. Database Ownership
#
# The TZ database itself is not an IETF Contribution or an IETF
# document. Rather it is a pre-existing and regularly updated work
# that is in the public domain, and is intended to remain in the
# public domain. Therefore, BCPs 78 [RFC5378] and 79 [RFC3979] do
# not apply to the TZ Database or contributions that individuals make
# to it. Should any claims be made and substantiated against the TZ
# Database, the organization that is providing the IANA
# Considerations defined in this RFC, under the memorandum of
# understanding with the IETF, currently ICANN, may act in accordance
# with all competent court orders. No ownership claims will be made
# by ICANN or the IETF Trust on the database or the code. Any person
# making a contribution to the database or code waives all rights to
# future claims in that contribution or in the TZ Database.
----------------------------------------------------------------------
Google double-conversion
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* Redistributions in binary form must reproduce the above
copyright notice, this list of conditions and the following
disclaimer in the documentation and/or other materials provided
with the distribution.
* Neither the name of Google Inc. nor the names of its
contributors may be used to endorse or promote products derived
from this software without specific prior written permission.
----------------------------------------------------------------------
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA
02111-1307, USA.
----------------------------------------------------------------------
You should have received a copy of the GNU General Public License
along with this program; if not, see <https://www.gnu.org/licenses/>.
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program. This Exception is an additional permission under section 7
of the GNU General Public License, version 3 ("GPLv3").
----------------------------------------------------------------------
Permission to use, copy, modify, distribute, and sell this software and its
documentation for any purpose is hereby granted without fee, provided that
the above copyright notice appear in all copies and that both that
copyright notice and this permission notice appear in supporting
documentation, and that the name of M.I.T. not be used in advertising or
publicity pertaining to distribution of the software without specific,
written prior permission. M.I.T. makes no representations about the
suitability of this software for any purpose. It is provided "as is"
without express or implied warranty.
------------------------------------------------------------
Portions of this product copyrights (C) 2002 Glyph & Cog, LLC.
------------------------------------------------------------
This software is based in part on the work of the Independent JPEG Group.
------------------------------------------------------------
Little CMS
Copyright (c) 1998-2020 Marti Maria Saguer
------------------------------------------------------------
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The above copyright notice and this permission notice shall be included in
all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FIT-
NESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
THE SOFTWARE.
------------------------------------------------------------
------------------------------------------------------------
The copyright in this software is being made available under the 2-clauses
BSD License, included below. This software may be subject to other third
party and contributor rights, including patent rights, and no such rights
are granted under this license.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS `AS IS'
AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE
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LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE
POSSIBILITY OF SUCH DAMAGE.
------------------------------------------------------------
4. The names "OpenSSL Toolkit" and "OpenSSL Project" must not be used to
endorse or promote products derived from this software without
prior written permission. For written permission, please contact
openssl-core@openssl.org.
THIS SOFTWARE IS PROVIDED BY THE OpenSSL PROJECT ``AS IS'' AND ANY
EXPRESSED OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OpenSSL PROJECT OR
ITS CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL,
SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT
NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES;
LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,
STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED
OF THE POSSIBILITY OF SUCH DAMAGE.
------------------------------------------------------------
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The word 'cryptographic' can be left out if the rouines from the library
being used are not cryptographic related :-).
4. If you include any Windows specific code (or a derivative thereof) from
the apps directory (application code) you must include an acknowledgement:
"This product includes software written by Tim Hudson (tjh@cryptsoft.com)"
------------------------------------------------------------
The software uses Qt, licensed under LGPL v3. The Qt Toolkit is Copyright (C) 2019
The Qt Company Ltd.
Portions of this software are copyright (C) 2006-2015 The FreeType Project
(www.freetype.org). All rights reserved.
LICENSE TERMS
DISCLAIMER
------------------------------------------------------------
You may use this file under the terms of the BSD license as follows:
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------------------------------------------------------------
Permission to use, copy, modify, distribute, and sell this software and
its documentation for any purpose is hereby granted without fee, provided
that (i) the above copyright notices and this permission notice appear in
all copies of the software and related documentation, and (ii) the names of
Sam Leffler and Silicon Graphics may not be used in any advertising or
publicity relating to the software without the specific, prior written
permission of Sam Leffler and Silicon Graphics.
------------------------------------------------------------
NOTICE file corresponding to section 4(d) of the Apache License, Version 2.0, in this
case for the Apache Xerces distribution.
------------------------------------------------------------
1. Redistributions of source code must retain the above copyright notice, this
list of conditions and the following disclaimer.
3. Neither the name of the copyright holder nor the names of its
contributors may be used to endorse or promote products derived from
this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS"
AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE
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DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR
SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY,
OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE
OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
------------------------------------------------------------
1. The origin of this software must not be misrepresented; you must not
claim that you wrote the original software. If you use this software
in a product, an acknowledgment in the product documentation would be
appreciated but is not required.
2. Altered source versions must be plainly marked as such, and must not be
misrepresented as being the original software.
3. This notice may not be removed or altered from any source distribution.
------------------------------------------------------------
------------------------------------------------------------
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2. In This Manual
Welcome to ArtiosCAD!
In this manual are instructions for:
• Installing and configuring ArtiosCAD Standard Edition
• Installing and configuring ArtiosCAD Enterprise (the ArtiosCAD side of it, not the WebCenter side except for
things essential to using ArtiosCAD )
• Using ArtiosCAD
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Introduction
The first six chapters of this book describe how to load ArtiosCAD (both editions) and its related components,
both as a new installation and as an upgrade to a previous version, as well as how to add input and output
devices and perform other configuration tasks.
Please note there are differences between ArtiosCAD Standard Edition and ArtiosCAD Enterprise. Chapter titles
are a good place to start when determining which information applies to which edition. If there is no edition
name, the chapter applies to both editions.
For the latest information on system requirements, please go to the Esko website and search for system
requirements.
The remaining chapters describe how to use ArtiosCAD (both editions) once you have installed and configured it.
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symbol needs to be a period and the digit grouping symbol a comma. Unpredictable results might occur if these
settings are not made.
Media contents
The ArtiosCAD media contains:
• The installation program
• Release notes - an overview of changes and enhancements and a list by number of bug fixes
• ArtiosCAD Viewer - a program you can give your vendors and customers. It is a stripped down version of
ArtiosCAD which allows the user to view and print any ArtiosCAD design or 3D file. Viewer users can directly
measure the structure, preview a 3D file with or without graphics from different angles, and fold and unfold it.
Viewer is also available for downloading for free from the Esko website (http://www.esko.com) and can be
loaded on any system which supports ArtiosCAD.
• Reloading (upgrade mode) the current revision from media will overwrite any changes made to files in
InstLib.
• Some of the files in InstLib (sysdflt.zip and its associated files) are used as reference files when doing an
ArtiosCAD version upgrade. These files are checked against the user-modified versions in ServerLib to
determine what and how to move modified information to the new version.
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• It is useful to have a clean set of files to work from. If a file in ServerLib gets corrupted for some reason, you
can recover a clean copy without having to reload ArtiosCAD. (The better solution is to make regular system
backups!)
• There is a searchlist set up for ArtiosCAD which looks at these directories in the order ClientLib, ServerLib,
InstLib. Files that are duplicated in ServerLib, for example, will be used in preference to those in InstLib.
Duplicate files in ClientLib will be found in preference to files in both ServerLib and InstLib.
• The Symbol sub-folder contains samples of common corrugated symbols such as fragile.ard, recycle.ard,
thiswayup.ard.
ServerLib:
• ServerLib contains configurations that have been modified from their initial defaults, standards, logos
and other files (other than user data files) that need to be shared by all of the ArtiosCAD seats on the site
network.
• When Shared Defaults are modified, the changes are saved to ServerLib in a file called sysdflt.zip (and files
that this references).
• New (additional) files that are to be shared by all of the ArtiosCAD seats on the site network should be placed
in ServerLib. For example, reports that need to be used by all of the ArtiosCAD seats on the site network
should be placed here. A copy of the report should be placed in ServerLib and added to the Reports
Catalog in Shared Defaults.
ClientLib:
• This directory stores the defaults created in Options > Defaults > User Defaults in a file called clientdflt.zip.
The defaults and files saved to the ClientLib directory are only available to the particular workstation on
which they were created. It is not intended that they be shared on the network. These defaults are merged
with the Shared Defaults. Client defaults take precedence over Shared Defaults.
• ClientLib is used for local machine defaults only. It is used only if you wish to limit the function or change
to ONE computer. For example, the most common usage is to provide Outputs to equipment like a Laser or
a Counter Cutter to the computer system that is located in the room where this equipment resides. If the
whole design and estimating departments work on the outside of the box, but the die room wishes to view
the layouts Die-side, they might set up a User Default so that layouts are opened Die-side.
• If you are working on a live system and are trying to build new defaults, create them as User Defaults. Once
happy with the results, copy the results into Shared Defaults and delete the User Defaults.
LpLib and DwbLib:
• Contain files that are needed for the support of Standards written using LASERPOINT IQ or The Designer
WorkBench. The standards shipped with these systems are also included. These are loaded during the
installation of ArtiosCAD.
Program:
• This is where the executable programs are stored.
Common:
• On License Server machines, contains and shares the license files for all seats. The license file is stored in
this \Esko\Artios\Common folder. If License Manager is not being used, this directory contains the file that
controls what features are available in ArtiosCAD. This file is called TUNEOPT.TXT or TUNEOPT7.TXT
• This directory also contains some additional programs in the Program folder that are not ArtiosCAD version-
dependent.
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• In addition, this directory contains the default board texture pictures.
DataCenter:
• This is the database folder.
• The English (or language folder) is a sub-folder of the DataCenter program folder. It contains several
important files such as database export and import programs and databaseID.exe.
User Data Files:
• These can be shared, distributed or stored locally at each workstation.
• A DataCenter resource is automatically created for the User Data File destination chosen during installation.
So, for example, if each client chooses a local destination folder during installation, a resource will be created
for each directory in the Resource Browser of DataCenter Admin.
• In new installations, the \Esko\Artios\Designs folder is created as the default folder for user files. The
destination folder selected here is a master resource in DataCenter Admin. If users add sub-folders
underneath this folder after the installation, they automatically become DataCenter Admin resources the first
time files are saved in them.
• If directories are added to other locations, they need to be manually added to DataCenter as resources. Files
saved to these directories will not be recorded in the database unless the directories are resources.
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Introduction
There are four types of installations: Typical, Client, Server/Custom, and Silent. Each can be used as a new
installation or as an upgrade from a previous version of ArtiosCAD.
A Typical installation:
• Installs ArtiosCAD as a standalone installation, meaning it is self-contained
• Installs Microsoft SQL Server Express Edition as the database, along with Microsoft SQL Server Management
Studio. YOU MUST HAVE AN INTERNET CONNECTION FOR THIS AND BE USING 64-BIT MICROSOFT
WINDOWS 10 OR LATER.
• Allows you to set the program installation folder
• If an upgrade, prompts you to copy a previous configuration or use the default configuration.
A Client installation:
• Installs as a client of another system, meaning it uses another system for the database, licensing, and
Defaults.
• If a new installation, asks what the database type will be
• Asks for the names of the Defaults and database servers
• Tests the connection to the Defaults server.
A Server/Custom installation:
• Installs as a client, server, or as a distributed server, meaning it uses different machines for different functions
• If a new installation, asks if the system will host the database, and if yes, asks if you want to install Microsoft
SQL Server Express Edition 64-bit as the database along with Microsoft SQL Server Management Studio.
YOU MUST HAVE AN INTERNET CONNECTION FOR THIS.
• Shares the Artios folder for use by other systems.
• Is the only way to set the features to be installed, the database type, the SQL authentication method, and
the user files folder.
A Silent installation presents no dialog boxes, and all options must be specified on the command line. This is
meant for use only in large corporate WAN environments where one central administrator installs ArtiosCAD on
other computers to which the administrator has remote command access. The silent installation program must
be run on the computer on which ArtiosCAD will be used. The silent installation program may not be run on one
machine resulting in ArtiosCAD being installed on another machine. Contact Support for more information on
performing a Silent installation.
If you are installing a 64-bit version, its shortcuts have 64 appended to their names. Any 32-bit shortcuts remain
until you uninstall the last 32-bit version using them.
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Note: Keep the original ArtiosCAD media in a safe, easily accessible place in case you need to modify or
repair the installation. You must use the same media or network location to repair or modify ArtiosCAD
as when you first installed the software.
Note: If you downloaded ArtiosCAD from mysoftware.esko.com, burn the disc image to a DVD. Store
the DVD in a safe place.
Note: If you are going to use the included database product, find out from your IT department
what the password policy is, as you will need to know it to set the database user passwords.
• If you have downloaded the media from mysoftware.esko.com, find the ISO file in Windows
Explorer, right-click it and mount it, and then right-click the setup.exe in the mounted drive and click
Run as administrator.
4. If you have User Account Control enabled, allow setup.exe to run.
5. The ArtiosCAD Setup dialog box appears.
6. Choose the language in which to run the setup program and install ArtiosCAD in using the Change
Language drop-down. It should automatically match the language of your system but you may change it if
desired. The setup program language will change to the language you selected.
7. Click Typical Installation.
8. Depending on your system configuration prior to loading ArtiosCAD, the setup program may install required
operating system updates. If the system prompts you to reboot, do so; the installation program will resume
automatically when you log in after the system comes up again. Do not postpone rebooting if the system
requests it.
9. The setup program prompts you to enter passwords for the sa and programmer database users. Choose
passwords that comply with your IT security policy. The setup program cannot validate the passwords
beforehand so make sure you know what the policy is. The setup program will inform you if the passwords
you chose did not work and prompt you to choose new ones. Enter compliant passwords in the Password and
Confirm Password fields, record them in a secure place, and click OK.
10. The installer starts installing Microsoft SQL Server Express Edition and then Microsoft SQL Server
Management Studio. This will take a few minutes. If you chose a non-English version of the program, the
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setup program asks if you'd like to download and install a language-specific version of the database engine;
click Yes.
Note: This installs Microsoft SQL Server Express Edition, 64-bit with an instance named ESKO
and programmer and sa account passwords of your own choosing. Make sure to record these
passwords in a secure location as you will need them in the future. The database installer will
also install any needed updates, and it may prompt you to reboot. If you do have to reboot, the
installation process should continue automatically when you log in again. Several dialog boxes
will appear on the screen during the installation but they will disappear automatically. Once the
database is installed, proceed with the steps of the installation as outlined below. The setup process
will automatically configure the database connection.
• YOU MUST HAVE AN INTERNET CONNECTION TO INSTALL THIS AND BE USING 64-BIT
MICROSOFT WINDOWS 10 OR LATER.
• YOU MAY ONLY USE THE LANGUAGE OF YOUR OPERATING SYSTEM OR ENGLISH.
• YOU MUST HAVE .NET FRAMEWORK 3.5 OR 3.5.1 INSTALLED IN ADDITION TO .NET
FRAMEWORK 4. For Windows 7 and later, this is normally installed by Windows Update, but for
Windows Server operating systems, it is a feature that must be installed.
11. The ArtiosCAD installer begins. Click Next in the Welcome dialog box.
12. Read the End User License Agreement in its entirety and choose I accept the terms in the license
agreement if you accept all the terms of the License Agreement. Click Next.
13. In the Destination Folder dialog box, choose the folder where ArtiosCAD will be installed. Click Change to
change the folder, but be mindful that ArtiosCAD should always be installed to the \Esko\Artios folder on a
local drive. Click Next.
14. Review the summary of installation settings. If they are correct, click Install to start installing files. If not, click
Back to go back and change settings.
15. A progress indicator shows the status of the copying process.
16. The Esko Station Information Service will be installed automatically. This service collects information about
your hardware, software, and Esko licenses. If the ArtiosCAD Configuration Manager service is installed on a
machine on your network, it will forward the information collected to ArtiosCAD for use by Support personnel
if you configure it to do so. Several dialog boxes will appear displaying information; you do not need to click
anything as they will automatically continue.
17. In the InstallShield Wizard Completed dialog box, click Finish.
18. The ArtiosCAD Setup program might prompt for a system reboot. Click Yes to reboot the system.
Once the system comes back up, ArtiosCAD and DataCenter Admin will be fully functional.
19. If you are using a network license, click Install License Server Components in the main ArtiosCAD Setup
dialog box, which will install the license server and activate the license file you supply. For more information
on license management, refer to the licensing documents available at http://www.esko.com/support.
20. You are now ready to configure ArtiosCAD. You will enter the licensing information for ArtiosCAD the first time
you start it.
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14. Review the summary of installation settings. If they are correct, click Install to start installing files. If not, click
Back to go back and change settings.
15. A progress indicator shows the status of the copying process.
16. If there is no other Esko software on this system, the Esko Station Information Service will be installed
automatically. This service collects information about your hardware, software, and Esko licenses. If the Esko
Configuration Manager service is installed on a machine on your network, it will forward the information
collected to Esko for use by Support personnel if you configure it to do so. Several dialog boxes will appear
displaying information; you do not need to click anything as they will automatically continue.
17. In the InstallShield Wizard Completed dialog box, if you are using a local license, click Activate Local
Licenses to begin activating your license so that you can start using ArtiosCAD. For more information on
license management, refer to the licensing documents available at http://www.esko.com/support. When
your local license activation is complete, or If you are using a network license, click Finish.
You are now ready to start using ArtiosCAD. You will enter the licensing information for ArtiosCAD the first time
you start it.
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9. If you clicked Yes in the previous step, the setup program asks if you would like to install the free bundled
database, Microsoft SQL Server Express Edition, 64-bit. If you want to use this database:
a) YOU MUST HAVE AN INTERNET CONNECTION TO INSTALL THIS AND BE USING 64-BIT MICROSOFT
WINDOWS 10 OR LATER
b) YOU MAY ONLY USE THE LANGUAGE OF YOUR OPERATING SYSTEM OR ENGLISH
c) YOU MUST HAVE .NET FRAMEWORK 3.5 OR 3.5.1 INSTALLED IN ADDITION TO .NET FRAMEWORK 4.
For Windows 7 and later, this is normally installed by Windows Update, but for Windows Server operating
systems, it is a feature that must be installed.
Clicking Yes will install Microsoft SQL Server Express Edition, 64-bit with an instance named ESKO and sa
account password of your own choosing, along with Microsoft SQL Server Management Studio. If you chose a
non-English version of the program, the setup program asks if you'd like to download and install a language-
specific version of the database engine; click Yes. The setup program prompts you to enter passwords for
the sa and programmer database users. Choose passwords that comply with your IT security policy. The
setup program cannot validate the passwords beforehand so make sure you know what the policy is. The
setup program will inform you if the passwords you chose did not work and prompt you to choose new ones.
Enter compliant passwords in the Password and Confirm Password fields, record them in a secure place, and
click OK. The database installer will also install any needed updates, and it may prompt you to reboot. If you
do have to reboot, the installation process should continue automatically when you log in again. Several
dialog boxes will appear on the screen during the installation but they will disappear automatically. Once
the database is installed, proceed with the steps of the installation as outlined below. The setup process will
automatically configure the database connection. If you will be using a full version of Microsoft SQL Server
or Oracle, click No and proceed with the steps of the installation as outlined below. You will configure the
database connection after installation.
10. Depending on your system configuration prior to loading ArtiosCAD, the setup program may install required
operating system updates. If the system prompts you to reboot, do so; the installation program will resume
automatically when you log in after the system comes up again. Do not postpone rebooting if the system
requests it.
11. The ArtiosCAD installer begins. Click Next in the Welcome dialog box.
12. Read the End User License Agreement in its entirety and choose I accept the terms in the license
agreement if you accept all the terms of the License Agreement. Click Next.
13. In the Setup Type dialog box, choose the type of system this will be according to the choice descriptions.
a) Client performs a client installation just as if you had clicked Client Installation in the main installer.
b) Server performs an installation as if you had clicked Typical Installation in the main installer, except that it
also shares the Artios folder for use by other systems.
c) Advanced performs an installation with all configuration options available. It Is the only way to set the
features to be installed, the database type, the SQL authentication method, and the user files folder.
Going forward, these instructions will assume you chose Advanced. If you made another choice, follow the
instructions in those sections.
14. In the Feature Selection dialog box, choose the features to install on the current machine. For each feature,
click the icon in the drop-down list box next to it and choose the appropriate choice. Do not click Next when
done, but rather proceed to the next numbered step.
a) ArtiosCAD Configuration. Click the plus sign (+) next to this entry to open it. ArtiosCAD Licensing,
ArtiosCAD Defaults, and ArtiosCAD Database can each be installed in any combination on a machine.
For Typical and all Standalone installations, leave them all selected.
b) ArtiosCAD Programs. ArtiosCAD Programs are the program files needed to run ArtiosCAD. You must
install these if you want to run ArtiosCAD on the current machine. Not installing these would create a
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server-only installation provided the servers were selected for installation. You must leave this choice
selected to install ArtiosCAD itself.
c) The ArtiosCAD Programs group controls whether or not ArtiosCAD itself is installed. Optional components
of ArtiosCAD that require purchasing a license for the corresponding modules are contained as
subfeatures in the group. At this time, only ArtiosCAD 3D Data Exchange is a selection. Refer to the
license report from Esko to determine which components to select. Installing software components
without having the corresponding licenses wastes disc space. Not installing the software components but
having the licenses for them results in features that do not function within ArtiosCAD.
d) Esko Configuration Manager collects data from systems running the Esko Station Information Service
and sends the collected data to Esko automatically for use by Support personnel. It sends information
only if you configure it to do so and leave it enabled. It is a great aid to Support personnel as they
will have required information about your hardware and licenses available should you need to call for
assistance. Only one system per site should have the Esko Configuration Manager installed.
15. While still in the Feature Selection dialog box, with one of the components to be installed selected, review
the folder in which ArtiosCAD will be installed, and click Change if desired. In the resulting Change Current
Destination Folder dialog box, change the drive if desired, and click OK to return to the Feature Selection
dialog box. ArtiosCAD should always be installed to the \Esko\Artios folder on a local drive. Click Next.
16. Choose the database program for ArtiosCAD to use. The default and recommended choice is SQL Server
Express Edition, a free desktop database from Microsoft that requires a 64-bit operating system. If this
is a new installation, you must have already installed it to use this choice. MSDE is an older free desktop
database from Microsoft that does not require a 64-bit operating system but that offers less robust
performance. Choosing Microsoft SQL Server or Oracle is appropriate for workgroup or enterprise use
where those databases are already in use. Click Next.
17. In the Server Information dialog box, enter the names of the systems acting as the Defaults server and
Database Server. If the Database Server field is unavailable, the database server must be configured
manually via the ArtiosCAD entry in the ODBC control panel. You can enter the same system name in all
the fields, or you can specify a different system in each field. If you enter remote system names, and those
remote systems do not have ArtiosCAD loaded on them, you will have to manually enter the exact path to the
applicable resources. ArtiosCAD must be loaded on the server you indicated on these remote systems for
ArtiosCAD to work on the current system! It does not have to be loaded at the time of the current system
installation, but should be loaded soon afterward. Click Next.
If you choose Microsoft SQL Server or Oracle, configuration scripts and a batch file for those databases will
be placed in the \Esko\Artios\DataCenter directory. The database administrator MUST run the
appropriate batch file before using ArtiosCAD or ArtiosCAD Enterprise. Other post-installation tasks must be
performed as well.
18. The default location for the storage of user files is shown in the User Files Folder dialog box. To change it,
click Change; to accept it, click Next. If you change the location to another system, use a UNC locator (e. g. \
\system2\designs) instead of a mapped drive letter.
19. In the Advanced Options dialog box:
a) Keep Previous Versions is the default for previous version handling. It means that ArtiosCAD is installed
using a version-specific folder and icon which match the version of the installation, and all previous
versions of ArtiosCAD are kept. All previous installations of language-specific versions will have their
Defaults merged into the multilingual version being installed. To change this setting, click Change. In the
Previous Version Handling dialog box, Overwrite previous versions simply uses ArtiosCAD as the icon
name and ArtiosCAD as the directory with no version number. Once you have chosen the option to use,
click OK to return to the Advanced Options dialog box.
b) If you are using SQL Server Express Edition or Microsoft SQL Server as the database, you have the
choice of database authentication methods. SQL Server Authentication requires each user to have a
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login created within the database; by default, ArtiosCAD uses one database user (programmer) for all
ArtiosCAD users. However, your company may have different requirements. Windows Authentication
passes operating system login credentials to the database. You should use Windows Authentication only
if you have a dedicated database administrator who can perform user maintenance tasks.
c) Enter the SA user password you specified earlier in the SA Password field.
d) Click Next.
20. Review the summary of installation settings. If they are correct, click Install to start installing files. If not, click
Back to go back and change settings.
21. A progress indicator shows the status of the copying process. Click OK if told that the Artios directory has
been shared. Everyone has read-only access to this share; members of the local Administrators group have
read/write access.
22. If there is no other Esko software on this system, the Esko Station Information Service will be installed
automatically. This service collects information about your hardware, software, and Esko licenses. If the Esko
Configuration Manager service is installed on a machine on your network, it will forward the information
collected to Esko for use by Support personnel if you configure it to do so. Several dialog boxes will appear
displaying information; you do not need to click anything as they will automatically continue.
23. In the InstallShield Wizard Completed dialog box, click Finish.
24. The ArtiosCAD Setup program might prompt for a system reboot. Click Yes to reboot the system. Once the
system comes back up, ArtiosCAD and ArtiosCAD will be fully functional
25. If you installed a non-English version of ArtiosCAD, run \Esko\Artios\DataCenter\program\<language>
\dbtranslate.exe to translate phrases in the database.
26. If you are using a network license, click Install License Server Components in the main ArtiosCAD Setup
dialog box, which will install the license server and activate the license file you supply. For more information
on license management, refer to the licensing documents available at http://help.esko.com.
27. You are now ready to configure ArtiosCAD. You will enter the licensing information for ArtiosCAD the first time
you start it.
Note: If you are going from a pre-16 version to 16 or greater, note that the new version of ArtiosCAD will
have language- and version-agnostic Defaults. This means that there will only be one set of Defaults
for all languages and versions of ArtiosCAD version 16 and newer. Older versions of ArtiosCAD on this
computer will continue to use their own Defaults.
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b) If you have downloaded the media from mysoftware.esko.com, find the ISO file in Windows
Explorer, right-click it and mount it, and then right-click the setup.exe in the mounted drive and click
Run as administrator.
4. If you have User Account Control enabled, allow setup.exe to run.
5. The ArtiosCAD Setup dialog box appears.
6. Based on your current installation, choose the type of installation to perform, Typical, Client, or Server/
Custom.
7. Click Next in the Welcome to the InstallShield Wizard for ArtiosCADX.xx dialog box.
8. Read the End User License Agreement in its entirety and choose I accept the terms in the license
agreement if you accept all the terms of the License Agreement. Click Next.
9. In the Configuration Source dialog box, choose to copy the Defaults from a previous version and then click
the previous version whose Defaults you want to use, or choose to use the default configuration which will
install a completely unmodified set of Defaults. You should copy the previous configuration if you customized
ArtiosCAD in any way, such as adding Output devices and making your own Reports. If the previous version
had different languages available, choose from which language to copy Defaults in the Copy configuration
from this language drop-down list box; you may only upgrade from one language. Click Next.
10. Review the settings listed in the Ready to Install the Program dialog box. If they are correct, click Install to
start copying files. If not, click Back to go back and change settings.
11. A progress indicator will show the status of the copying process. Click OK if told that the Artios directory has
been shared.
12. In the InstallShield Wizard Completed dialog box, click Finish. You will enter the licensing information for
ArtiosCAD the first time you start it.
If you are using a network license and received a new license, activate it by using the Network Licenses Manager
in the Esko folder of the Start menu. For more information on license management, refer to the licensing
documents available at http://www.esko.com/support.
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7. Click Update ArtiosCAD Installation.
8. Click Yes when told this will upgrade ArtiosCAD and to continue.
9. Click Next in the Resuming the InstallShield Wizard dialog box.
10. A progress indicator shows the status of the copying process.
11. In the InstallShield Wizard Completed dialog box, click Finish.
12. ArtiosCAD is now updated and ready for use.
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12. When asked about authenticity, select the With SQL Server authentication... choice. For the Connect to
SQL Server... checkbox, enter sa as the Login ID and the password you specified earlier for the sa user. Do
not click Next.
13. Click Client Configuration. The Add Network Library Configuration dialog box appears.
a) Make sure TCP/IP is selected in the Network libraries group and ensure the server name is correct. If
(local) was selected in the Which SQL Server do you want to connect to? field in Step 11, only a period (.)
appears in the Server alias field and Server name field.
b) Ensure that Dynamically determine port is checked and that the Port number is set to 1433. Click OK.
c) Click Next in the Create a New Data Source to SQL Server dialog box.
14. In the next dialog box, leave the Create temporary stored procedures... and Use ANSI... choices selected
and click Next.
15. In the next dialog box, leave Perform translation for character data selected. If the system is using non-U.S.
locale settings, check the Change the language of SQL Server system messages to: checkbox and set the
value to English. Click Finish.
16. The ODBC Microsoft SQL Server Setup dialog box will appear showing a summary of the configuration. Click
Test Data Source; it should succeed. Click OK, and then click OK again.
17. Click OK in the ODBC Data Source Administrator dialog box.
This database server is now ready to be the target of the ArtiosCAD database schema batch file run from a
different machine.
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Note: This migration workflow is not supported for SQL Server Express Edition version X to SQL Server
Express Edition Y. You must use SQL Server's native detach/attach functionality. The shortcuts to these
programs are not installed with versions of ArtiosCAD newer than 14.1.1.
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5. The utility will appear similar to the picture shown below.
6. Enter a sensible file name and location in the Migration Filename and Path: group.
7. Select all the available tables.
8. Click Export. The progress bar indicates the progress of the export.
9. When the export is done, click Exit. If the migration to SQL Server Express Edition is error-free, you can
delete the exported file after the migration if desired.
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If you choose SQL Server Express Edition as the database program and this system is the database server, the
following actions happen:
• A database schema is built or updated as appropriate.
• The existing ArtiosCAD ODBC datasource is renamed to ArtiosCAD_Access or ArtiosCAD_MSDE as
appropriate.
• Empty command prompt windows appear.
• The ArtiosCAD ODBC data source changes to reference the new SQL Server Express Edition database.
• A service called SQL Server (ARTIOSCADEXP2005) is created and started.
If this system is not the database server, the ArtiosCAD ODBC datasource changes to reference the SQL Server
Express Edition database.
If you choose to migrate the data, the setup program tries to export the data from the old database. If the export
is successful, the data is migrated to the SQL Server Express Edition database.
If you do not choose to migrate the data, a blank SQL Server Express Edition database is created and you have
to manually export the data from the old database and manually import the data into SQL Server Express Edition.
Automatic migration
If you choose to have the setup program migrate the data, a series of empty command prompt windows appears
during the installation while the migration tasks are executing. Their duration is directly proportional to the size
of the old database.
If there are errors during the migration process, you must manually migrate the data as instructed in the next
section.
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Signs of a successful migration are:
• Data appearing in the design browsers in ArtiosCAD, and also in DataCenter Admin, provided that the
ArtiosCAD System DSN uses a Microsoft SQL Server driver.
If the automatic migration fails, you must perform a manual migration.
Manual migration
If you do not choose automatic migration, you must perform the data migration manually on the database server
for the old database after the ArtiosCAD installation finishes.
The steps to performing the migration manually are as follows:
1. Export the data.
2. Check the log file for errors.
3. Import the data.
4. Check the log file for errors and try ArtiosCAD.
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The Migration Folder group shows the folder that stores the files created by the export utility. The export files
require the same amount of hard drive space as the Microsoft Access database file, so make sure to choose a
location with enough free space. Click Browse to select a new location.
The Data Source group lists the available data sources. Make sure to select the ArtiosCAD_Access or
ArtiosCAD_MSDE as the data source for this migration.
The Format group selects the format of the migration files. ADTG is the default; if it errors, try XML.
In the Advanced group, Delete design dups deletes duplicate design records in the database; preserving
the newest record and discarding older duplicates. Delete orphans deletes table entries that no longer have
corresponding design records on the hard drive. Both options are enabled by default.
The Migrate group contains the actual commands. Export exports the data from the selected data source in
the format selected to the migration folder. View Log opens the log file of the export. It is stored in the system
temporary directory as ACadFullDbMigrationExportLog.txt. Exit exits the program.
The Migration Process group contains the progress bar showing the table being exported. The length of time
required to export the data is directly proportional to the size of the database. Cancel Migration cancels the
migration. Do not use the migration files created by a cancelled migration.
1. Set the migration folder and format as desired, select the ArtiosCAD_Access or ArtiosCAD_MSDE data
source, and click Export. During the export, all controls in the dialog box are unavailable except for Cancel
Migration.
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2. There should be no errors. If an error appears, delete all the ADTG files created by this migration and try
using XML for the migration format. If there are no errors, the next step is to check the log file.
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Information: [Exporting table] COUNTER
Information: [Exporting table] COST_CENTER
Information: [Exporting table] AUTONUMBER
Information: [Exporting table] UNITS
Information: [Exporting table] USER_FIELD_TYPE
Information: [Exporting table] PREDEFINED_USERFIELDS
Information: [Exporting table] PREDEFINED_USERFIELD_VALUES
Information: [Exporting table] USER_FIELD
Information: [Exporting table] DESIGN
Information: [Exporting table] DESIGN_IMAGE
Information: [Exporting table] DESIGN_STYLE
Information: [Exporting table] DESIGN_USER_FIELDS
Information: [Exporting table] PRINT_ITEM
Information: [Exporting table] LAYOUT
Information: [Exporting table] LAYOUT_USER_FIELDS
Information: [Exporting table] LAYOUT_DESIGN
Information: [Exporting table] PRINT_ITEM_LAYOUT
Information: [Exporting table] LAYOUT_DESIGN_IMAGE
Information: [Exporting table] LAYOUT_DESIGN_STYLE
Information: [Exporting table] LAYOUT_DESIGN_USER_FIELDS
Information: [Exporting table] Projects
Information: [Exporting table] Project_printitem
Information: [Exporting table] User_Group_List
Information: [Exporting table] User_In_Group
Information: [Exporting table] Group_Parent
Information: [Exporting table] Security_Element
Information: [Exporting table] CAD_Permission
Information: [Exporting table] Global_Permission
Information: [Exporting table] Profile_Defaults
Information: [Exporting table] User_Profile
******* The ArtiosCAD full database migration ended at: 10/09/07, 14:44:07
2. Once you have reviewed the log file, close it. If there were errors, delete the XML or ADTG files and AutoLoad
in database recovery mode.
3. Click Exit to exit the ArtiosCAD Database Migration Export utility. The next step is to import the data.
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2. The Migration Folder Path folder is automatically set to the same folder as the one used previously by the
ArtiosCAD Database Migration Export utility.
Make sure to set the option button in the Format group to the same format as that used in the export.
Select the ArtiosCAD data source if it is not already selected.
In the Advanced group, Delete Database deletes the contents of the database before importing the
data stored in the migration file. For example, to make an exact copy of the database from which you are
migrating, select this option, but if you are importing only one table, deselect this option. Stop on Insert
error completely stops the migration when there is a problem adding information. When deselected, the
process continues regardless of errors, and you should read the log file to see if there are errors.
3. Click Import when you have set the options as desired. During the import, all dialog box controls are
unavailable except for Cancel Migration. The progress bar moves to the right as the import progresses.
There should be no errors.
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******* The ArtiosCAD full database migration began at: 10/09/07, 14:52:17
Information: Deleting data from all tables
Information: [Importing data] code_type [C:\Artios\code_type.adtg]
Information: [Importing data] iq_defaults [C:\Artios\iq_defaults.adtg]
Information: [Importing data] code [C:\Artios\code.adtg]
Information: [Importing data] hierarchical_styles [C:\Artios
\hierarchical_styles.adtg]
Information: [Importing data] company [C:\Artios\company.adtg]
Information: [Importing data] person [C:\Artios\person.adtg]
Information: [Importing data] flute [C:\Artios\flute.adtg]
Information: [Importing data] board_folder [C:\Artios\board_folder.adtg]
Information: [Importing data] board [C:\Artios\board.adtg]
.
.
.
Information: [Importing data] cad_permission [C:\Artios\cad_permission.adtg]
Information: [Importing data] global_permission [C:\Artios\global_permission.adtg]
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Information: [Importing data] profile_defaults [C:\Artios\profile_defaults.adtg]
Information: [Importing data] user_profile [C:\Artios\user_profile.adtg]
******* The ArtiosCAD full database migration ended at: 10/09/07, 14:52:19
2. Once you have verified there are no errors, close the log file. If there were errors, delete the XML or ADTG
files and try the complete process again, using the other format for the data files. If that fails as well, delete
the data files and use AutoLoad in database recovery mode.
3. Start ArtiosCAD.
4. Click Database > Browsers > Design browser. The Design Browser should appear normally.
5. If you are upgrading from a version of ArtiosCAD earlier than version 4, run \Esko\Artios
\DataCenter\Program\Buildkeys.exe to convert design styles to hierarchical characteristics.
6. The migration to the new database is complete.
Once you have verified that all the data is in the database, delete the XML or ADTG files from the migration
folder.
Switch Meaning
-i Import data.
-f folder Specifies the folder in which the migration files are located.
The default is whatever is specified in the registry from a previous export else it is
unknown. The registry key is HKLM\Software\Artios\Migration. The registry value is
Migration_FullDB_Folder.
If -c is used, -f should be used if you are unsure the registry value exists.
-d datasource name The default is ArtiosCAD. Note that the Microsoft Access datasource name was
changed to ArtiosCAD_Access when you changed to MSDE.
-t xml or adtg Format for the migration files. ADTG is the default.
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Oracle notes
If you need to change the port number for the Oracle SQL*Net Listener, use the Net Configuration Assistant.
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10. In the Profile dialog box, leave everything selected and click Next.
11. In the Name dialog box, enter a name for this firewall rule (like SQL Server) and click Finish.
12. Click File > Exit to close the Windows Firewall with Advanced Security dialog box.
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• Create custom groups, if desired, for the initial ArtiosCAD Enterprise users.
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Note: Have the WebCenter Complete Documentation manual handy for easy reference. It is available
at http://help.esko.com.
Installing WebCenter for use with ArtiosCAD Enterprise varies from the procedure in the WebCenter manual in
that there are a few more steps required.
Note:
We do not recommend using an Express version of Microsoft SQL Server if you will have more than a few
users. If you plan on this, we recommend using a full version of Microsoft SQL Server or Oracle.
The list below is a general overview to installing WebCenter. Refer to the WebCenter Complete Documentation
manual for specific instructions. In case of a conflict, the information in the steps below takes precedence over
the steps in that manual.
1. Load the database server software (Microsoft SQL Server or Oracle) on the database server if it is not already
present. If you will be using a centralized corporate database server instead of a dedicated WebCenter
database server, you will either need to load database access and management tools on the Application
server, or map a drive to the Application server from the database server, in order to run the database scripts
batch file that builds the database schema.
2. If any users will be using the WebCenter Viewer to look at files, load the On-Board Graphics Engine. Note
that this will require a separate Automation Engine OBGE Server network license to be loaded on the
Application server. For more information, see the WebCenter Complete Documentation manual.
3. On the Application server, do the following steps as a member of the local Administrators group:
a) Load ArtiosCAD Enterprise that is on the same media as WebCenter as an Advanced installation. Do not
load a different version.
b) Load the WebCenter Application server components. It is important to answer all questions correctly to
avoid having to edit files later. You may receive a message about two installation programs running at the
same time. Click OK if you see this message.
c) Run the database scripts batch file appropriate for the type of database software you installed. You
need to have the database access and management tools for your database program loaded on the
Application server, or you need to do this from the database server with a network drive mapped to the
Application server.
If you are using Oracle, you must have write access to the folder containing the database schema batch
file as the batch file creates XML files used to create the database schema. You may want to copy the
entire DatabaseSchema folder to the database server and run it locally to ensure proper schema
creation.
d) Start the WebCenter services (WebCenter App-X Application Container, WebCenter JBOSS Application
Server, WebCenter CAD-X Server, and WebCenter Search Crawler). You may want to set them to start
automatically.
4. On the Web server, do the following steps as a member of the local Administrators group:
a) Make sure that Internet Information Services (IIS) is installed and working correctly. See the next section
for more information.
b) Load the WebCenter Web server components. It is important to answer all questions correctly to avoid
having to edit files later.
c) Start the WebCenter Tomcat service.
d) Log in to WebCenter and change the admin password.
5. On the Application server, start the WebCenter CAD-X Server service.
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If the wizard prompts you to add features required for the web server, do so.
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This installs the IIS 7 Role with the settings you have selected and the default settings.
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The Installation Results screen should show Installation succeeded.
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5. Modify the Maximum allowed content length (bytes): change the value to 2000000000 (a 2 and 9 zeros)
to be able to upload files close to 2GB.
Note:
Even if you do not plan to use WebCenter in combination with ArtiosCAD Enterprise, it is still necessary
to install the Defaults in order for WebCenter to be able to process CAD files properly. Therefore, it is
highly recommended to install the Defaults, even if you do not plan to use CAD files initially.
Note:
The system you use for loading the Defaults must be able to keep the Defaults on it. You will have
to follow the same process to load future Defaults and the new installation will reference the older
version’s Defaults as part of its installation. We recommend using the Application Server for this process.
Note:
This procedure takes a significant amount of time. We recommend starting it and doing other
things until it completes.
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5. A progress bar appears. This step will take a few minutes.
6. Click Close when the installation process is done.
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3. In the Login to Web Browser dialog box, enter your WebCenter server URL, admin username, admin password,
and click OK.
4. In the Defaults Manager, click Migrate user/location defaults.
5. Choose the source version to migrate from in the Version drop-down list box.
6. Choose the language for the source version from the Language drop-down list box.
7. Check Overwrite If Exists if a Defaults Project by the same name already exists in the destination version.
8. In the Location Defaults Found group, check the location Defaults to migrate.
9. In the User Defaults Found group, check the user Defaults to migrate.
10. Click Migrate Defaults. ArtiosCAD Enterprise migrates the Defaults preserving the membership and security
information and displays a progress bar.
11. ArtiosCAD Enterprise displays a results dialog box showing the number of copied Projects, skipped Projects,
failed Projects, and total Projects. Click OK.
12. Repeat the process for other versions if desired. If you are done, click Close to end the tool.
The migrated Defaults are now available for use.
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5. In Step 2: Select Group Members, since you have not created any users yet, click Continue.
6. Is this new group visible to every Project Manager or only to Administrators:
• If yes, click Finish. The group is created.
• If no, click Continue. Then, in Step 3: Assign group visibility to project manager(s), select the Project
Managers who can see this group and click Finish.
Project Managers with Full Visibility is unavailable, as they can see all groups. By default, group members
can see the group but you can still de-select the group members so that they don't know this group
exists.
3. Do you want to use LDAP authentication (single sign-on) for this user?
• If yes, enable the Use LDAP to Authenticate User option. This will allow the user to use his regular
Windows network user name and password to log on to WebCenter. Using LDAP requires additional
configuration in WebCenter. Please see the WebCenter documentation for more information.
• If no, provide the user’s initial Password and confirm it.
For ArtiosCAD Enterprise users, do not enable Require user to change the password at first login.
4. Does the user need guaranteed access by means of a reserved license?
• If yes, enable the option User Has Guaranteed Access.
• If no, leave the option disabled and proceed to the next step.
For more information on guaranteed access and its licensing implications, refer to the WebCenter
documentation.
5. Does the user need special permissions in WebCenter? All ArtiosCAD Enterprise users should be at least
Project Managers with Limited Visibility of Companies and Groups. If they are not, the administrator will
need to do additional configuration work described at the end of this procedure.
If the user needs... Select the option...
Project Manager permissions, but only for Project Manager with Limited Visibility of
Projects and users belonging to his or her own Companies and Groups.
company
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Project Manager permissions on the complete Project Manager with Full Visibility
system
6. Does the user need the ability to create new task types in WebCenter? ArtiosCAD Enterprise users do not
need to create task types.
• If yes, enable the option User Can Create Task Type.
• If no, proceed to the next step.
7. To grant this user the ability to create other users without being a member of the ADMINS group, enable the
option User Can Create User checkbox.
8. In Step 2: Assign to a Company, select a company and location to which you want to assign the user. Note
that this can be very important to filter the content, users, and Location Defaults the new user will be able to
see.
9. If you:
• are creating a Normal User or a Project Manager with Full Visibility, the wizard is complete. Click Finish
to create the user.
• are creating a Project Manager with Limited Visibility, click Continue and proceed to the next step.
10. In Step 3: Assign Visible Companies, select the companies that this user should be able to see, then click
Continue.
The selection you make here filters the list of users in the next step so that this Project Manager can never
see users from the companies you did not select in this step. By default, only the company of the Project
Manager himself (the one you selected in the previous step) will be selected.
11. In Step 4: Assign Visible Groups, select the groups the user should be able to see, then click Finish.
Only groups containing members that belong to one of the companies you assigned in the previous step will
show up in the list. In addition, some groups may be set to be visible to all users (such as the ADMINS group).
A status message saying the user was created will appear. Stay on this page for the next step.
If a new user is not made a Project Manager, the user will not be able to use User Defaults unless the
administrator does the following:
• Creates a Project for this user named ACadDefaults_username (where username is the user’s
WebCenter username).
• Invites the user to the Project.
• Uploads clientdflt.zip to the Project.
• Grants the user View and Download permissions at the Project level. The user will not be able to change the
User Defaults with this level of permissions.
• If the user needs to change the User Defaults, he or she must have Full permission at the Project level.
• Adds the user to the appropriate Location Defaults Project with at least View and Download permissions. If
the user needs to change the Location Defaults, he or she must have Full permission at the Project level.
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1. While still on the Create New User page with the successful creation status message, Click Add user to
group(s).
2. In the Available Groups column, click each group to which you will add this new user. To select more than
one group, hold down CTRL while clicking groups.
3. Click >> to assign the selected available groups to the user.
The user is added to the group(s) immediately.
Note:
All ArtiosCAD Enterprise users must be invited to the Shared Defaults Project. Users who are not invited
to the project will receive a UFANEX error when they launch ArtiosCAD Enterprise.
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5. Choose the language in which to run the setup program and install ArtiosCAD in using the Change
Language drop-down. It should automatically match the language of your system but you may change it if
desired. The setup program language will change to the language you selected.
6. In the ArtiosCAD Setup dialog box, click Install ArtiosCAD Enterprise N.nn, where N.nn is the version
number.
The installer will launch and a few messages may display.
7. In the Welcome to the InstallShield Wizard for ArtiosCAD Enterprise N.nn dialog box, click Next.
8. Read the Software License Agreement in its entirety and choose I accept the terms of the license
agreement if you accept all the terms of the License Agreement. Click Next.
9. Choose a Typical installation and click Next to use the most common configuration; skip to step 14.
10. If you want to keep previous versions of the software or choose features to install, choose Advanced and
click Next.
11. In the Feature Selection dialog box, choose the features to install on the current machine. For each feature,
click the icon in the drop-down list box next to it and choose the appropriate choice. Do not click Next when
done, but rather proceed to the next numbered step.
a) Esko ArtiosCAD Licensing controls whether this machine is a license server or not. For ArtiosCAD
Enterprise, the WebCenter Application server should be the licensing server, so this choice should be set
to This feature will not be available.
b) Esko ArtiosCAD Programs are the program files needed to run ArtiosCAD Enterprise. You must install
these if you want to run ArtiosCAD Enterprise on the current machine. You must leave this choice
selected to install ArtiosCAD itself.
c) Contained within this group are optional components of ArtiosCAD Enterprise that require purchasing
licenses for the corresponding module: ArtiosCAD 3D Data Exchange. Refer to the printed license report
that came with the media to determine which component(s) to select. Installing software components
without having the corresponding licenses wastes disc space, but hinders operation if you purchase a
license in the future. Not installing the software components but having the licenses for them results in
features that do not function within ArtiosCAD.
d) Esko Configuration Manager collects data from systems running the Esko Station Information Service
and sends the collected data to Esko automatically for use by Support personnel. It sends information
only if you configure it to do so and leave it enabled. It is a great aid to Support personnel as they
will have required information about your hardware and licenses available should you need to call for
assistance. Only one system per site should have the Esko Configuration Manager installed.
12. While still in the Feature Selection dialog box, with one of the components to be installed selected, review
the folder in which ArtiosCAD Enterprise will be installed, and click Change if desired. In the resulting
Change Current Destination Folder dialog box, change the drive if desired, and click OK to return to the
Feature Selection dialog box. ArtiosCAD should always be installed to the \Esko\Artios folder on a local drive.
Click Next.
13. If you selected an Advanced installation:
a) In the Advanced Options dialog box, Keep Previous Versions is the default for previous version handling.
It means that ArtiosCAD is installed using a version-specific folder and icon which match the version
and language of the installation, and all previous versions of ArtiosCAD are kept. To change this setting,
click Change. In the Previous Version Handling dialog box, Overwrite previous versions simply uses
ArtiosCAD as the icon name and ArtiosCAD as the directory with no version number. It overwrites the
prior version of ArtiosCAD if this is an upgrade and the previous version was installed to a non-version-
specific directory. Once you have chosen the option to use, click OK to return to the Advanced Options
dialog box.
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b) In the User Files Folder dialog box, click Change to change the location for unmanaged user files from the
location shown. Enter the new location and click OK.
c) Click Next to continue.
14. If you selected a Typical installation, in the Destination Folder dialog box, choose the folder where you will
install ArtiosCAD Enterprise on this user's computer. Click Change to change the folder and click OK when
you have selected the new location. Click Next.
15. In the Ready to Install the Program dialog box, review the settings for correctness. If the settings are
incorrect, click Back and fix them. If they are correct, click Install.
16. If this system has other Esko products on it, you may be prompted to stop their license services. Click Yes to
proceed with the installation.
17. In the InstallShield Wizard Completed dialog box, click Finish. If for some reason you are using only a local
license, click Activate Local Licenses instead and follow the instructions on the screen.
If you are prompted to reboot the system, click Yes. It is very important that you reboot the system if
prompted.
For this user to use ArtiosCAD Enterprise, you should have already followed the major installation steps of
creating new users, assigning them to groups, and inviting them to the Shared Defaults Project. If not, perform
them now. Once done, the user should be ready to use ArtiosCAD Enterprise. Repeat for other users as needed.
You will enter the licensing information for ArtiosCAD the first time you start it.
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Characteristics
Characteristics are descriptive tags that can be assigned to Projects and documents to make them easier to find.
Characteristics are hierarchical. This means there can be different levels of characteristics for various product
lines so that you can drill down through the information to find the exact characteristic desired when searching
the database.
For example, you could create a master characteristic for Electronics, and then various sub-characteristics for
types of appliances, entertainment equipment, or computers, and so forth. They are presented in a tree format
- main categories with expandable branches. The characteristics tree configures the available characteristic
names as well as how they are organized.
Create a Characteristic
1. Click Admin > Characteristics.
2. Do you want to add a primary characteristic (a main category) or a secondary characteristic?
• To add a primary characteristic, select the option button next to Root at the top of the tree and then click
New Characteristic.
• To add a secondary characteristic, select the option button for the characteristic under which to add the
new one, and then click New Characteristic.
There can be up to 17 levels of characteristics or at most 256 characters for the entire characteristics path
from the root characteristic to the deepest-level characteristic.
3. Enter the name of the characteristic in the Name field.
4. Click Create. The new characteristic appears in the list.
Basic concepts
Attributes are a way to assign user-configurable fields and their values to documents and Projects. They can be
restricted to a group of preset values (as Restricted Sets), or can be prompted so that the user has to set a value
each time they are used. The Restricted Sets must exist before you can use them when creating an Attribute.
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Attribute Categories group Attributes together for convenience. An Attribute must be put into an Attribute
Category before it can be used; however, the same Attribute can be in multiple categories. You must create
an Attribute Category before adding Attributes to it. In ArtiosCAD Enterprise, you can define default Attribute
Categories for each type of native design document that are applied to documents as you create them.
Suggested workflow
A suggested workflow is to:
Step Action
• To delete an attribute category, select it, move the mouse over the menu symbol and click Delete
Category on the hover menu.
If there are no dependencies, it is deleted immediately. Note that any sub-attributes of the selected
attribute will also be deleted.
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Create an Attribute
1. Click Admin > Attributes > New Attribute.
2. Enter information in the fields as appropriate:
In the field... Fill in the...
Name name of the attribute (for example, Billable)
Description description of the attribute contents (for example, Indicates whether
work on this project should be billed by finance)
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In the field... Fill in the...
Type data type of the attribute. Floats are numbers containing a decimal point (3.1415)
and integers are whole numbers (42).
Values choose Prompted if you want to allow the user to enter any value, Calculated
to enter an ArtiosCAD formula for calculating the value of the Attribute when
ArtiosCAD opens the document containing the Attribute (the values are read-only
in WebCenter), or select a Restricted Set to limit the possible values. To choose a
Restricted Set, it must be created before defining the Attribute. Make sure that the
type of the Restricted Set is the same as the Attribute type.
3. Click Create.
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2. Click Database > Manage Boards > Flute browser.
The Flute browser opens.
Button Action
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Button Action
You can... Double-click the flute to select it and open the Details pane.
You can...
Click the Details pane toggle on the toolbar and then select the flute.
If the Details pane is already open, simply select a flute to see its details.
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Editing a Flute
To edit a flute, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
2. Click Database > Manage Boards > Flute browser to open the flute browser.
3. Select a flute and view its details.
4. Click Edit.
5. Change the values as desired.
6. Click Save.
Adding a Flute
A flute is defined by four pieces of information:
• A unique code to identify the flute. This code must be four characters or shorter.
• The flute pitch, which is the horizontal distance between the lowest parts of the wave. The pitch must be
greater than 0.
• The flute height. The height must be greater than 0.
• The take-up factor, which is the ratio between the length of the fluted paper and the length of the board. If
the flute were stretched out, it would always be longer than the paper encasing it. The take-up factor must
be greater than 1.
To add a flute, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
2. Click Database > Manage Boards > Flute browser to open the flute browser.
3. Click Insert on the toolbar.
4. In the Details pane, enter the code, the height, the pitch, and the takeup factor in the appropriate fields.
5. Click Insert.
The new flute will appear in the list.
Deleting a Flute
To delete a flute, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
2. Click Database > Manage Boards > Flute browser to open the flute browser.
3. Select the desired flute.
4. Click Delete on the toolbar.
5. Click Yes to confirm the deletion.
The deleted flute is removed from the list.
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To work with boards, you must either be an admin user or be a member of a group that has the CAD Boards right
granted.
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Button Action
You can... Double-click the board to select it and open the Details pane.
You can...
Click the Details pane toggle on the toolbar and then select the board.
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If the Details pane is already open, simply select a board to view its Details.
Editing a Board
To edit a board, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
2. Click Database > Manage Boards > Board browser to open the board browser.
3. Select a board and view its details.
4. Click Edit.
5. Change the values as desired.
6. Click Save.
Creating a paper
Papers are the building blocks of boards so you must create them before you can create boards.
To create a new paper, first examine an existing paper to determine what information you will need to define
the new paper. Papers are in their own folder in the Board browser. Usually the caliper, inside loss, outside gain,
rounding value, basis weight, and basis cost are needed. You may also set inside and outside colors and other
appearance attributes to the paper that appear in the optional 3D module.
To create a new paper, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
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2. Click Database > Manage Boards > Board browser to open the board browser.
3. Open the Artios folder by clicking the plus sign next to it.
4. Click the word Papers to select it.
5. Click Insert on the toolbar.
The Details pane will automatically appear with the fields enabled for editing.
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j) Weight and Cost in the Adhesive group should be set for the complete board definition, not individual
paper and flute definitions.
7. Leave the fields on the Papers tab blank, as they are not relevant.
8. On the Material Properties tab are fields to set the shininess, transparency, and inside and outside colors of
the paper. These properties are only visible in the optional 3D module.
a) Set the Shininess% and Transparency% fields as desired. The Transparency% field is a separate setting
from transparency mode in 3D and is not affected by that setting.
b) Surface colors for papers are split into three components: ambient color, which reflects the ambient
light; diffuse color, which reflects the movable lights in an airy, non-shiny way; and specular color, which
reflects movable lights for a shiny surface, with a shiny surface having a white specular color and a dull
surface a black specular color.
c) By default, the Material Properties tab only displays Diffuse color in Simple color mode. In Simple color
mode, choose a color by clicking Select color. To set the other two colors, click Advanced color, and
then click Select color as desired.
d) The outermost Outside paper color is used to set the Outside board color if no other color has been
manually chosen for the outside of the board. Likewise, the innermost Inside paper color is used to set the
Inside board color if no other color has been manually chosen for the inside of the board.
e) The ... button (Browse) is used in board definitions to calculate the color based on the materials
comprising the board. It is not relevant for papers.
9. On the Texture tab are fields to specify the graphics that may be used to represent the inside, outside, and
edge textures of the paper. These properties are only visible in the optional 3D module. Outside and inside
textures are more relevant for boards, but may also be defined for papers, while board edge textures do not
apply to papers.
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a) To add an inside or outside texture to the paper, click the checkbox for it, and then specify the location
of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it. Some
common textures are stored in the Boards folder of the Shared Defaults Project. The image should be
of the board surface with vertical grain or corrugation direction. If you use a custom image, measure the
sample when you take its picture so that you know its size; you may need to touch up the image in a
graphic editing program so that the edges blend together when the image is tiled.
b) In the Image height field, enter the height of the image. The size needs to be set in order for ArtiosCAD to
scale the picture appropriately. If the height is set to 0, the image will be scaled proportional to the width.
c) Set the value in the Image width as number of flutes drop-down list box to the number of flutes the
image represents. The image should be of a whole number of flutes. It may also be set to Proportional to
height, in which case the height cannot be set to 0.
d) Shown below is boardbrown.jpg from the Boards folder of the Shared Defaults Project, an example board
texture three flutes wide:
10. When you have finished defining the paper, click Insert to add the new paper definition.
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Note:
Foams are defined in the same way as papers, just with larger dimensions.
Adding a Board
To add a board, do the following:
1. Launch ArtiosCAD Enterprise and log in as a member of the ADMINS group.
2. Click Database > Manage Boards > Board browser.
3. Click the plus signs next to folders to open them.
4. Boards are hierarchical. Right-click an item a level above the desired level for the new board (such as Boards
to add the new board at the top level or Artios > Corrugated Boards > C to add a new C flute board) and
click New > Board. (You may also create a new folder in this manner.)
• You may also select the parent item and then click Insert on the toolbar to create a new board. To create
a new folder, you must use the right-click method described above.
The Details pane will automatically appear with the fields enabled for editing.
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c) Caliper is the thickness of the paper.
d) Inside Loss and Outside Gain are the allowances used when folding the paper or when gluing it together
(such as in a glue flap). They are generally half the caliper.
e) Rounding Value sets a value to which dimensions may be set to round to when constructing a
corrugated design. It is more relevant for boards as a whole rather than individual papers.
f) Basis Weight is the weight of the board in the selected system of units of measurement. Clicking the ...
(Browse) button at the end of the field displays the Calculated Basis Weight dialog box. In this dialog box
is an analysis of the calculated weight of the board based on the papers used to make it. To replace a
manually-entered weight with the calculated weight, click Accept.
g) Basis Cost is the cost of the board in local currency and units of measurement. As with the Basis Weight
field, the ... (Browse) button at the end of the field displays an analysis of the calculated cost of the board
based on the papers used to make it. To replace a manually-entered cost with the calculated cost, click
Accept.
h) Test Value is the amount of weight needed to break the material when performing very specific
standardized tests.
i) Test Code is the identifier used in correlation with the Test Value to show the strength of the paper.
j) The Weight and Cost fields in the Adhesive group are the respective weight and cost of the adhesive for
the board as a whole.
6. The Papers tab contains drop-down list boxes to select the liners and mediums that comprise the board.
a) If you know it already, type the flute code of the new board in the Board Flute field. At the end of the
field is a ... (Browse) button that opens the Calculated Flute dialog box. Use this to calculate the flute
code after defining the liners and mediums for the board. If it is a single board, expect a flute code like C.
Double wall could be BC, while triple- and quadruple-wall would comprise four letters.
b) Boards are defined sequentially from the outside inward. For example, you must select Liner 2 before you
may select Medium 2. You may not select Liner 2 and then jump directly to selecting Liner 4.
c) Select liners and mediums in their respective drop-down list boxes. As you select a liner and then a flute,
the Flute drop-down list box for that pair becomes available. You must select a flute before the next liner
becomes available for selection.
d) Complete the paper selection process with a liner.
7. On the Material Properties tab are fields to set the shininess, transparency, and inside and outside colors of
the board. These properties are only visible in the optional 3D module.
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a) Set the Shininess% and Transparency% fields as desired. The Transparency% field is a separate setting
from transparency mode in 3D and is not affected by that setting.
b) Surface colors for papers are split into three components: ambient color, which reflects the ambient
light; diffuse color, which reflects the movable lights in an airy, non-shiny way; and specular color, which
reflects movable lights for a shiny surface, with a shiny surface having a white specular color and a dull
surface a black specular color.
c) By default, the Material Properties tab only displays Diffuse color in Simple color mode. In Simple color
mode, choose a color by clicking Select color. To set the other two colors, click Advanced color, and
then click Select color as desired.
d) The outermost Outside paper color is used to set the Outside board color if no other color has been
manually chosen for the outside of the board. Likewise, the innermost Inside paper color is used to set the
Inside board color if no other color has been manually chosen for the inside of the board.
e) The ... button (Browse) calculates the color based on the materials comprising the board. Click Yes to use
the color of the paper; click No to use the color of the current board definition.
8. On the Texture tab are fields to specify the graphics that may be used to represent the inside, outside, and
edge textures of the board. These properties are visible only in the optional 3D module.
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a) To add an inside or outside texture to the board, click the checkbox for it, and then specify the location
of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it. Some
common textures are stored in the Boards folder of the Shared Defaults Project. The image should be
of the board surface with vertical grain or corrugation direction. If you use a custom image, measure the
sample when you take its picture so that you know its size; you may need to touch up the image in a
graphic editing program so that the edges blend together when the image is tiled.
b) In the Image height field, enter the height of the image. The size needs to be set in order for ArtiosCAD to
scale the picture appropriately. If the height is set to 0, the image will be scaled proportional to the width.
c) Set the value in the Image width as number of flutes drop-down list box to the number of flutes the
image represents. The image should be of a whole number of flutes. It may also be set to Proportional to
height, in which case the height cannot be set to 0.
d) If using a custom board edge texture on a double, triple, or quadruple wall board, the board edge texture
has to be a whole number of all the flutes. The largest flute is used initially, then the smaller flutes are
adjusted by a few percent to align a whole number of the smallest flutes with a whole number of the
largest flute. Knowing how many flutes the image represents is critical. To determine this, start with the
board defined but with no custom edge texture. Export the 3D workspace to VRML and then view the
associated PNG files created. One of those will be of the board edge texture. Count the number of flutes
for the largest board and set the Image width as number of flutes field to the same number.
e) Shown below is boardbrown.jpg from the Boards folder of the Shared Defaults Project, an example board
texture three flutes wide:
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f) To specify a graphic for the board edge texture, check the Board edge texture checkbox, then specify
the filename of the graphic file for the texture, or click ... (Browse) to the right of the filename field and
select it. Some common textures, for example paper corrugated edges, plastic corrugated edges, and
paper hexacomb flutes, are stored in the Boards folder of the Shared Defaults Project. The height of the
image for a corrugated board should be the board caliper, and the width should be a whole number of
flute pitches. Folding carton boards use an image width proportional to the height.
g) If no texture is specified for a corrugated board edge, a default picture based on the height and pitch of
the flutes is used.
h) Stretch like corrugations stretches the picture of the board edge texture depending on its angle to the
grain/corrugation direction. If this option is not selected, the board edge texture is repeated evenly.
i) Shown below is a picture of the default board edge texture with Stretch Like Corrugations turned on in
a design in 3D:
j) Shown below is a picture of the BrownB board in the Textured Corrugated folder with Stretch Like
Corrugations turned off in a design in 3D:
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9. On the Locations tab, set those locations for which this will be a default board. Users at locations that are not
checked in this step will have to click Show All Boards every time they create a design in order to see this
board.
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To delete a folder, first make sure it is empty, and then select it, right-click it, and click Delete on the context
menu. You may not delete a non-empty folder.
To rename a board, edit it and change its description. This change will not be communicated back into
unmanaged documents using this board.
To move a folder or a board, drag it from one location to another.
To copy a board definition, select it, right-click it, and click Copy on the context menu. Right-click the folder into
which it will be pasted and click Paste on the context menu. When the board is pasted into the new folder, the
current system time will be appended to the board code to maintain board code uniqueness.
Defaults
Defaults for ArtiosCAD Enterprise have only a few operational differences from other versions of ArtiosCAD.
• All users must be invited to the Shared Defaults Project for each version and language of ArtiosCAD
Enterprise they will be using. See the major Step 8 section of the installation instructions for more
information.
• For users other than admin to edit Shared Defaults, they must have Full permissions on the Shared Defaults
Project and be members of the ADMINS group. To create or change Location Defaults or User Defaults, they
do not have to be members of ADMINS, but they must have View, Add, Update, and Lock permissions on the
entire Project.
• As a best practice, we strongly recommend that you place new Defaults reference documents into the
ServerLib folder (or a new unique user-defined folder) of the Shared Defaults Project for documents which
need to be shared by all users. Please note that document names must be unique within a Project. For new
Defaults reference documents which will only be used by you, place these in a new user-defined folder of
your User Defaults Project. If you must change an existing ArtiosCAD-installed Defaults reference document,
we recommended that you copy it as a new document to the ServerLib folder and then update the Defaults
to reflect the new document name. Following these recommendations gives ArtiosCAD Enterprise the best
chance of properly managing upgrades.
• If you change the username of a user, you must change the name of that user’s associated Defaults project to
match.
Browser Options
You can set browser options by clicking Options > Defaults > Browser Settings > General Information. As admin
you can change the Shared Defaults, and you may be able to change your Location Defaults, but in most cases
as any user you can change your own User Defaults.
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Note that you will only see the Defaults for the Task Browser if your WebCenter system has Task Management.
Click OK to return to Defaults once you have set the options as desired.
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Show dialog maximized forces the BOM dialog to always be full size.
Choose the columns the BOM dialog box will show in the Available Columns pane. To rename a column, select it
and enter its new name in the Column Title field.
In the BOM dialog box itself, use Save Dialog Configuration and Load Dialog Configuration on the View menu
to save aspects of the dialog box such as size, position, and customized columns and then restore them as the
same user on another computer.
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Click the button corresponding to the type of document you want to have a customized database information
dialog box. For more information, see Designing a custom Database Information dialog box in the Defaults
chapter.
If you design a custom database information dialog box, make sure to set the default attribute category for that
type of document in Database Defaults > Default Attribute Categories so that the dialog box design utility
knows the proper Attributes to use with the document.
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The options in the Database Information Dialog Options group control when you are prompted to enter
database information about a document: when you create it, when you save it, both, or neither. If you do not
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select either option, users must click Database > Information while working on a document to set its database
information.
In the Board Options group, you can choose to check to see if a board code has changed when users open
documents, and you can choose how they are sorted in the Board Catalog.
The options in the Cache Options group control how often ArtiosCAD Enterprise updates the cache. ArtiosCAD
has different timers for Projects, documents, drafts, Defaults Projects, and Defaults documents. See the
discussion on using the cache manager in Using ArtiosCAD Enterprise for more information about the cache.
In the Document Thumbnail Options group, Create document thumbnails on server controls whether
ArtiosCAD Enterprise creates document thumbnails (deselected, the default choice) or if WebCenter creates the
thumbnails (selected).
Choose the thumbnail format in the Design Thumbnail Format group.
The New Project Options group has a Template drop-down list box. Use this to set the default Template
ArtiosCAD will use for new Projects you create through the browser. However, this does not apply to Projects
used for Defaults.
The settings in the Comment Options group control how ArtiosCAD manages comments when saving a
managed document.
To turn on the automatic commenting, check Preseed comment from previous version. This also enables the
options in the Initial Comment group.
Use document description copies the document description to the comment field. If there is no document
description, ArtiosCAD will prompt you for a comment. This will also cause the Project description to seed the
document description when you save a managed document for the first time so that on the next save, the
comment will be able to be seeded from the description.
User defined lets you enter a custom string that ArtiosCAD will use for the first comment.
Save Options
To set options for saving documents, click Options > Defaults > Startup Options > Save Options..
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To choose what happens when you click Save, choose either Save as Draft or Save as New Version.
In the For Save As group, Show Save button as dropdown button and Show “Save” and “Save As Next
Document” button control what happens in the Save As dialog box. This is meant to reduce the number of clicks
for those who prefer to save as the next document.
When you save an unmanaged document, the browser seeds itself to the folder out of which the document
came, and it can be tedious to scroll back the most recent managed location you were using. Enable When
saving unmanaged documents, set the Save As Browser to the Recent Projects node to reduce the amount
of scrolling needed to save the file to a managed location.
The Project grid can take a long time to show if you have many Projects and/or linked documents. Use Show
Project selection grid to turn the grid on and off to improve performance. See the next section for more
information.
When you save a linked document, ArtiosCAD Enterprise only updates the home Project of that document. To
default to always updating all related Projects, check Always turn on Update All Related Projects.
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In the Bill of Materials Options group, Always turn on Add New Revision to Bill of Materials controls the state
of the Add to Bill of Materials checkbox or column when doing a Save As, Publish Version, or Publish Revision.
Always turn on Update New Revision to Bill of Materials similarly controls the default state of the Update Bill
of Materials checkbox or column.
Note that Publish Version allows you to add the document to the BOM but not to update the BOM if the
document is already in it.
Click OK to save your changes and return to Defaults.
Destination Folders
Destination Folders let you configure where ArtiosCAD saves different file types and parts when saving a
document.
• Allow saving to root folder allows ArtiosCAD to save the file in the root level of the Project.
Canvas Parts: As the message says,you can set or change the destination folder for canvas parts under Startup
Defaults > Canvas > Parts Options.
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Default Folder For Saving Parts in the Save Parts Dialog Settings lets you specify a default folder in a Project
for saving parts, which ArtiosCAD Enterprise will create if it does not exist. When you save parts, this folder in the
Project will be the default location
Note:
Because WebCenter supports only one level of folders in a Project, you cannot specify a multi-level
hierarchy such as folder1\folder2\folder3 for the default folder. ArtiosCAD Enterprise would
create a folder with that name.
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ArtiosCAD Enterprise separates the parts of the filename with underscores. First is the name of the managed
document, then the revision letter, and last the version number.
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When you select Output To Project, many options become available for setting Project and document names
and properties. If you choose any of the prompt options, when you run this Output, the Project Browser appears
so you can navigate to the desired Project, set the document and folder names, and enter any prompted
information.
If Automatically Open is selected in an Output that goes to a Project, a temporary version of the Output is
downloaded to your computer and the appropriate program for the type of Output opens it. In the example
above, the PDF file is saved to the Project, and then a temporary copy is downloaded and opened by the
application registered to open PDFs on your system.
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5. In the Create New Project dialog box, change the description and choose a Template, customer name and
location, if desired, and click OK. You may not change the name of the Project, and any invalid characters in
the company or location name are replaced with underscores (_). Invalid characters for Project names are ",
*, :, /, \, ?, <, >, |, =, ;, [, ], ^, @, and a space. See the next section for information about creating a Template to use
with Location Defaults.
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After it creates the new Location Defaults Project, ArtiosCAD changes the Location Defaults Setup dialog box so
that the other commands are available.
Open in Web Browser opens this Location Defaults Project in WebCenter using your default Web browser. You
can then invite members, configure permissions, and so forth.
You can also migrate existing ArtiosCAD Standard Edition Shared Defaults or User Defaults into Location
Defaults. Note that for User Defaults, you must currently be using the machine holding the User Defaults in order
to migrate them.
Now when you open Defaults in ArtiosCAD, you can add items to the Location Defaults pane just as you would
for Shared Defaults or User Defaults.
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6. Save this Project as a Template. It is now ready to be selected when you perform Location Defaults Setup for
a location.
Note:
Migrating existing Shared Defaults or User Defaults to Location Defaults will overwrite any existing
Location Defaults. It is a good idea if your current Location Defaults have data in them to back up your
Location Defaults using the browser. Drag the current Location Defaults Project to a location in the
Explorer node before you begin so that you have them as a backup.
1. Still in the Location Defaults Setup dialog box, click either Migrate Shared Defaults to Location or Migrate
User Defaults to Location. Note that the potential User Defaults must be from the current machine.
2. Click Yes in the warning dialog box to migrate the Location Defaults.
3. in the Defaults Migration Dialog box, choose the version of ArtiosCAD containing the desired Defaults and
click OK. This process may not be canceled or aborted, so proceed with caution if you are unsure and click
Cancel if you have any doubts.
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5. When the upload is complete, you will return to the Location Defaults Setup dialog box. Click Open in Web
Browser to go to the Location Defaults Project in WebCenter, or click Close to return to ArtiosCAD.
Two important notes about the Defaults migration process:
• When you migrate Defaults from ArtiosCAD Standard Edition to Location Defaults in ArtiosCAD Enterprise,
data files that the Shared or User Defaults reference remain on the local computer. The Defaults will continue
to work as long as the files on the local computer exist. To get them fully into Location Defaults without
relying on the local computer, use the Explorer node of the browser to manually drag any referenced files
from ServerLib into the appropriate folders inside the Location Defaults Project, and then update the
references in Location Defaults to point to the correct documents.
• Likewise, if the User Defaults you migrated reference ArtiosCAD Standard Edition Shared Defaults, the
referenced information is not migrated. For example, if you have a custom toolbar defined in User Defaults
that reference Outputs that use files (such as Reports) or geometry macros, the toolbar itself will be migrated
into Location Defaults but the Report files and geometry macros will not be. Use the Explorer node of the
browser to manually drag any referenced files from ServerLib into the appropriate folders inside the Location
Defaults Project, and then update the references in Location Defaults to point to the correct documents.
Note: Users who are not Project Managers do not have this menu command available as since they may
not create their User Defaults Projects themselves. Instead, they must have a member of ADMINS create
their User Defaults Projects, invite them to their User Defaults Projects, and set their permissions to at
least Delete and Upload.
1. Logged in as the appropriate user, click Options > Migrate User Defaults from Conventional ArtiosCAD.
2. Click Yes in the warning dialog box to migrate the User Defaults.
3. in the Defaults Migration Dialog box, choose the version of ArtiosCAD containing the desired Defaults and
click OK. This process may not be canceled or aborted, so proceed with caution if you are unsure and click
Cancel if you have any doubts.
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4. A progress bar will appear as ArtiosCAD uploads the Defaults to WebCenter and will disappear when the
process is complete.
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Turn this option off after you have assigned each location a default board set, else toggling Show All Boards will
not have much effect.
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Note:
Any Defaults categories you clear in this procedure become unavailable in all User Defaults as well.
5. Click Save when you are done checking and clearing checkboxes.
6. Change the mode selector to Set defaults availability for user defaults to make those changes, or click
Close to return to ArtiosCAD.
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Note: If you do not have a company assigned, this option will be unavailable; click Database > Change
Location to set a temporary location before using Defaults Availability.
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6. Click Save when you are done checking and clearing checkboxes.
7. Click Yes in the warning dialog box about overwriting defaults availability.
a) If any the locations you selected do not yet have Location Defaults Projects set up for them, ArtiosCAD
will prompt you to create a Project for each as needed.
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9. Click Close in the Defaults Availability Setup dialog box to return to ArtiosCAD.
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e) In the Counter Length field, enter the length of the incremental counter that will form the body of the
Project/document names between the prefix and suffix. For example, enter 5 for numbers that will be five
digits long.
f) Click Save to make the changes.
3. For documents, click Admin > Preferences > Document Types.
a) Check Apply Automatic Naming to Documents in Blank Projects.
b) In the Automatic Document Naming column, change the drop-down list box from None to Custom for
each desired document type.
c) Enter the building blocks of the prefix and suffix in the appropriate fields. Make sure to use spaces or
other delimiters (not commas) between the fields, else they will run together and the counter will not
increment correctly.
d) For a list of the building blocks you can use for the prefix and suffix, click Help at the top right of the
page. Make sure to read the notes at the bottom of the page for restrictions. The building blocks are
case-sensitive. DO NOT USE COMMAS IN THE PREFIX OR SUFFIX.
e) Click +[ ] to use SmartNames to define the prefix or suffix. If you want to be able to enter your own text in
the name at creation time, use the Edit Field SmartName as a building block.
f) In the Counter Length field, enter the length of the incremental counter that will form the body of the
Project/document names between the prefix and suffix. For example, enter 5 for numbers that will be five
digits long.
g) For Scope of the Counter, choose either Reset per Project to restart the document counter for each
Project or System wide Counter to use the same counter for every document.
h) Repeat for other document types as desired.
i) Click Save to make the changes.
4. For Templates, to use custom autonaming with Projects and documents based on a Template, click Admin >
Project Management > Templates.
a) Click the name of the Template to change.
b) Click Configure.
c) Click Project Creation or Document Creation.
d) For Projects, make sure Use Automatic Naming is selected, and then click Use Custom Automatic
Naming. Configure the options as described above in step 2. For documents, for the desired document
type, change the Automatic Document Naming drop-down list box to Custom. Configure the options as
described above in step 3 and repeat for other document types as desired.
e) Click Save to make the changes.
5. Log out of WebCenter and close your Web browser.
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3. In Shared Defaults, copy an existing PDF Output to an entry with a different name, such as Plot to PDF
using spot colors.
4. Double-click the new entry and click the Device tab.
5. Click ... (Browse) at the end of the Tuning Filename field.
a) In the Project pane of the browser, navigate to the Shared Defaults Project and expand it.
b) Click the Tuning Files folder.
c) Change the filetype selector to All files (*.*).
d) Click Tune.PDF.SpotColors.xml and then click Open. The entry in the Tuning Filename field
should change accordingly.
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To change the ink names, RGB color values, stroke widths or stroke styles used by this method, make the
changes in PDFSpotColorMap.xml.
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5. To customize the Customer Information Field data appearing on Cape Pack Reports, click Customize CIF
Fields in the Report group.
6. Choose a calculated expression or Attribute by clicking the Browse (…) button.
7. Click OK to return to Defaults when you are done setting the CAPE Defaults.
8. Click File > Save to save the changes.
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9. Click Yes to confirm the saving of the changes to Defaults and return to ArtiosCAD.
Exporting Defaults
You can export Defaults to send them to Esko for help, to use them at another site, or for backup.
1. Click Options > Defaults.
2. Click File > Export to ZIP File.
3. Choose how to export them.
a) With Folders is meant for use at another site or as backup.
b) Without Folders is meant for use by Esko for diagnostic purposes.
4. Click the level of Defaults to export - Shared, Location, or User.
5. In the Save As dialog box, choose a folder and enter a filename for the ZIP archive, then click Save.
6. ArtiosCAD Enterprise saves the ZIP archive. If there are many Defaults, it displays a progress bar.
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Migration can be complicated and it takes a fair amount of time. You should have a thorough understanding of
how your current ArtiosCAD Standard Edition database is set up and if you want to preserve that same structure
in WebCenter and thus ArtiosCAD Enterprise.
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$ARTIOSDIR\Migration, and is called ECADMigrationTuning.xml. An XML file is a text file that
can be edited in any text editor.
At the beginning of the file are fields for the default WebCenter site and username, as well as for the default
tolerance for length comparisons, weight comparisons, and the basis weight comparison tolerance.
The contents are then divided into sections containing options for tuning different aspects of the program. Most
of the entries control the relative importance of different fields when the migration tool compares values in the
ArtiosCAD Standard Edition database with any values which may already exist in the WebCenter database. If it
determines that the values do not match, the migration tool makes a new entry in the WebCenter database.
The Match Confidence entry controls how closely the values must correlate in order for the migration tool to
consider them matching. A higher value means the migration tool creates more new entries in WebCenter. A
lower value means the migration tool uses more existing values even if they do not exactly match.
Flute Matching
For flute matching, the migration tool compares case-insensitive flute codes.
Board Matching
For board matching, the migration tool compares case-insensitive board codes and board descriptions. When it
finds a match, it further analyzes board parameters to generate the matching percentage. If there are collisions,
the migration tool appends a suffix that you specify in the migration tool options. You must migrate flutes before
you migrate boards.
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Company Matching
For company matching, the migration tool has features to reduce database pollution from similar database
entries, as companies are usually the type of entity with the most potential problems in a migration. The
migration tool uses a custom fuzzy algorithm for company matching which:
• Uses synonym sets to replace synonyms found with a master token, such as replacing & and + in a company
name with the word and.
• Splits the company name into tokens and converts tokens in to upper case for comparison.
• Strips ignorable tokens such as THE at the beginning of company names and CO, COMP, COMPANY, and so
forth at the end of company names.
You can add or remove tokens as desired by adding or deleting data in the appropriate section of the tuning file.
For token separators, add to or remove from the current XML entry between the quotation marks. For synonyms,
add or remove SYNONYM groups. For ignored tokens, add or remove the appropriate line. If you add an entry,
make sure to use the same exact format as an existing entry.
You can change the default values for the Address and Username in the migration tuning file.
4. The migration tool appears after it initializes its entity cache. For your convenience, it always shows the
connected server and logged-in user at the bottom of the frame.
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Migrating Entities
The migration tool starts and analyzes the existing ArtiosCAD Standard Edition database. It then displays the
Entities tab.
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The goal of this part of the migration process is to match all the entities between the ArtiosCAD Standard Edition
database and the WebCenter database. Each migration attempt is uniquely tied to a particular combination
of ArtiosCAD database ID and destination WebCenter server name. In this way you can migrate data between
varying databases.
The migration tool handles four types of entities:
• Flutes
• Boards
• Companies. The migration tool performs extra analysis on companies to reduce similar database entries.
• Persons
Clicking Analyze activates the matching process per entity type, or you can match them all together by clicking
Analyze All. If you use Analyze All, you still need to review the matched and new entities individually by type.
When entities match, the migration tool creates a persistent mapping between the ArtiosCAD Standard Edition
metadata and the WebCenter metadata, and displays the number of matches in the Matched column. The
migration tool saves the mapping when you exit it so that you do not have to reanalyze the entities the next time
you start the tool.
The Reset button resets the mapping for the entity type and rereads both databases. Use this when other
people make changes to either database while the migration tool is running.
Match Confidence controls how closely entities in both databases must match in order for the entity in the
ArtiosCAD Standard Edition database to not be considered a new entity to be inserted into the WebCenter
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database. A higher number means they must match more closely to not be considered new. One hundred means
they must match exactly to not be considered new.
When an entity in the ArtiosCAD Standard Edition database does not match one in the WebCenter database, it
appears in the New column.
To match entities individually, click Analyze in the row of the desired entity. After a moment, there should be
numbers in the Matched and New columns. These numbers are links that open additional dialog boxes.
Migrating Flutes
The flute migration compares case-insensitive flute codes. Once you have analyzed the flutes to migrate, you
can see which entities have been matched and which will be inserted into the WebCenter database.
1. Analyze the flutes to match.
2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
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3. In the Entities Matched dialog box, the left pane is sorted by match percentage, while the right pane is
sorted by code. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
4. Back in the Entities Matched dialog box, review the other flute matches and change them as desired.
5. Click Done to return to the migration tool.
6. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
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a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
b) Select the matching flute and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the flute entities in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
7. Now you are ready to migrate the flute entities. Click Insert in the Flutes row.
8. After a few moments, the migration tool will update the number in the Matched column, and the number in
the New column and the Insert button will disappear.
Migrating Boards
The migration tool compares case-insensitive board codes and board descriptions. When it finds a match, it
compares more attributes of the boards to calculate a matching percentage.
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The process of migrating boards is similar to that of migrating flutes. Analyze the databases, review matches,
change mappings if desired, and insert non-matching entities into the WebCenter database.
1. Analyze the boards to match.
2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
3. In the Entities Matched dialog box, the left pane is sorted by match percentage, while the right pane is
sorted by code. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
4. Back in the Entities Matched dialog box, review the other board matches and change them as desired.
5. Click Done to return to the migration tool.
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6. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
b) Select the matching board and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the board entities in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
7. Click Insert to insert the new entities into the WebCenter database.
Migrating Companies
Migrating companies is a little more complicated than migrating flutes and boards. Companies are often the part
of the database with the most duplicate entries. The migration tool performs extra analysis on the companies
in the ArtiosCAD Standard Edition database to reduce the number of duplicates before it compares the two
databases. The matches are between ArtiosCAD companies and WebCenter locations. If the WebCenter
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company already exists, then the migration tool adds the ArtiosCAD company as a new location to the
WebCenter company.
1. Analyze the companies.
a) If there are duplicates in the ArtiosCAD Standard Edition database, the migration tool will find them
according to the settings in the migration tuning file. It then displays them in the Duplicate Companies
Found dialog box.
b) Treat Selected Items as a Set causes the migration tool to insert the top entry into the WebCenter
database and the other selected items will point to that mapping. Use the arrows at the side of the list to
move the selected items up or down.
c) Stop Looking for More Duplicates and Continue Looking for More Duplicates do what they say.
d) If you click Treat Selected Items as a Set or Continue Looking for More Duplicates, the tool continues
searching for duplicates and prompts you to resolve any that it finds.
2. When the migration tool finds no more duplicates, or you choose to stop looking for more duplicates, it does
a normal comparison between the revised sets of companies in the two databases.
3. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
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4. In the Entities Matched dialog box, the left pane is sorted by match percentage, while the right pane is
sorted by legal name. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
5. Back in the Entities Matched dialog box, review the other company matches and change them as desired.
6. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
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b) Select the matching company and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the company entities in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
7. Click Insert to insert the new entities into the WebCenter database.
Migrating Persons
The migration tool migrates ArtiosCAD Standard Edition database persons to WebCenter users. The migration
tool case-insensitively compares first names and last names. When it finds a match, the tool uses this mapping.
If the ArtiosCAD persons are real network users, use the WebCenter LDAP migration utility beforehand so that
they can use their network credentials to log in.
2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
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3. In the Entities Matched dialog box, both panes are sorted by last name. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
4. Back in the Entities Matched dialog box, review the other person matches and change them as desired.
5. Click Done to return to the migration tool.
6. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
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a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
b) Select the matching person and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the person entities in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
7. Now you are ready to start migrating the persons. Click Insert in the Persons row.
8. The Insert Persons as Users dialog box appears.
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Hold down CTRL and click users to select more than one user.
a) In the Properties pane, enter the first name, last name, username, and location for the selected person.
You can also choose to make the selected person a Project manager in WebCenter - able to create new
Projects. The initial password for the user is the same as the username. To change the Project manager
status of many new users at once, select them and set the checkbox as desired.
b) In the Usernames pane, you can have the migration tool automatically create usernames for the selected
users. Use standard method causes Automatically Generate Username(s) to create a username for
the selected person(s) out of the first letter of the first name and the entire last name, all in upper case.
For example, the automatic username for the user in the example above would be DDRAFTER. The
username is case-insensitive when logging in, but the password is case-sensitive, so the user could log in
as DDRAFTER or ddrafter, but he would always have to enter his password as DDRAFTER until he
changed it.
c) Also in the Usernames pane, Use external DLL allows a custom dynamically linked library (DLL) to create
the usernames for the selected users when you click Automatically Generate Username(s). Your IT
department or an Esko solution architect would create the custom DLL. Below is a short functional
prototype as an example, along with the parameters for the DLL.
Parameters:
const char* lastname - the user’s last name
const char* firstname - the user’s first name
const char* companyname - the user’s company name
char* usernameRet - (out) - the returned username - must be NULL terminated
int usernameBufLen - the length (int chars) of the usernameRet buffer
Returns:
1 – for success
9. To insert the selected users into the database, click Insert Entity(s) Now. Unlike other entities, this is the only
way to insert users into the WebCenter database.
10. Click Done to return to the migration tool.
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11. The migration tool will update the number in the Matched column, and the number in the New column and
the Insert button will disappear.
2. Assign values in the drop-down list boxes in the Default Attribute Categories and Map to Attributes
groups. In the example below, all the Attributes were created with the same names in WebCenter as the
corresponding fields in ArtiosCAD.
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Save Mapping to Server becomes available after you have migrated the characteristics, restricted sets, and
userfields.
Migrating Characteristics
The next step in the migration is to migrate the characteristics. The migration tool matches the ArtiosCAD
characteristic description to the WebCenter characteristic name. It does not use the code because the same
code can be used in multiple locations in the characteristic tree in the ArtiosCAD Standard Edition database.
1. Analyze the characteristics to match.
2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box. This is
only to see the matches; you cannot change the matches for characteristics.
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The Entities Matched dialog box sorts both panes by the paths in the characteristics trees and shades
matching entities. Click Done to return to the migration tool.
3. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
a) Since you cannot match characteristics manually, do not click Match Entity Manually.
b) To insert the selected entity(s) into the WebCenter database, click Insert Entity Now.
c) To reanalyze the characteristics in case there have been changes, click Re-Analyze.
d) Click Done to return to the migration tool.
4. Now you are ready to start migrating the characteristics. Click Insert in the Characteristics row.
5. A progress bar appears as the tool migrates the characteristics.
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2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
Note that there already was a Storage Area restricted set in WebCenter, so the migration tool appended a
collision suffix as specified in the options to make a unique entry.
3. In the Entities Matched dialog box, both panes are sorted by name. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
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a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
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b) Select the matching restricted set and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the restricted sets in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
5. Now you are ready to start migrating the restricted sets. Click Insert in the Restricted Set row.
6. The migration tool will update the number in the Matched column, and the number in the New column and
the Insert button will disappear.
Migrating Userfields
The next step in the migration is to migrate the userfields, which become Attributes in WebCenter. The migration
tool matches them by name and format type, but does not compare the value type (Prompted, Calculated, or
Restricted).
The migration tool adds prefixes to the list of ArtiosCAD userfields: ARD for single design userfields, MFG for
manufacturing file userfields, and PRJ for Project userfields. It maintains separate mappings for each group of
userfields. More than one userfield can map to the same Attribute.
1. Analyze the userfields to match to Attributes.
2. Click the underlined blue number in the Matched column to open the Entities Matched dialog box.
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3. In the Entities Matched dialog box, both panes are sorted by name. Matching entities are shaded.
a) To change a match, select an entity in the left pane and click Change Match.
b) The ArtiosCAD database entry is shown at the top of the dialog box. Click a new match from the list and
click Done.
c) To undo a match, select the entity on the left and click Undo Match. Use this with care as the only way to
recreate the match is to reanalyze the userfields.
d) Click Done in the Entities Matched dialog box to return to the migration tool.
4. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
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a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
b) Select the matching restricted set and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the restricted sets in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
5. Now you are ready to start migrating the userfields. Click Insert in the Userfields row.
6. A progress bar will appear.
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7. The migration tool will update the number in the Matched column, and the number in the New column and
the Insert button will disappear.
Note: You can only save the mappings after you have migrated the userfields, restricted sets, and
characteristics.
Note: You must save mapping for EVERY INDIVIDUAL LOCATION. Click Save Mapping to Server, select
the first location, click OK, click Save Mapping to Server, select the second location, click OK, click
Save Mapping to Server, select the third location, click OK, and so on.
1. Migrate the userfields, restricted sets, and characteristics if you have not already done so.
2. On the Characteristics and Userfields tab of the migration tool, click Save Mapping to Server.
3. In the Save Mapping to Server dialog box, click a location and click OK to save the mapping to the server.
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4. Repeat steps 2 and 3 for each location with which you have designers associated, or may have designers
associated with in the future, for which you want to use the current mapping you have configured on the
Design Data and Characteristics and Userfields tabs. To use other mappings with locations, change the
mappings as desired and repeat steps 2 and 3.
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The left side of the dialog box shows groups containing the options for Projects, while the right side of the dialog
box contains the options for documents.
In the If Project Exists group, you can have the migration tool Skip creating a new Project, Use the existing
project, or Create new project with the specified name suffix.
When the migration tool creates new Projects, if you want it to use a Template, select it in the Use Template
drop-down list box. It can only use one Template per run; if you want to apply multiple Templates, you have to
run the migration multiple times, each time on a new list of search results. For new Projects it creates, it can
Keep existing project manager or document designer, and allows you to pick a different user or group if that
person is unavailable for any reason. Note that this option overrides the Project manager set in the Template. The
migration tool can make the logged-in user the Project manager if you select Make me the Project manager.
You can also Specify a user or group to set as the Project manager. This is one reason why it is important before
you begin the migration process to decide which user is going to run the migration tool.
Note: These settings for the Project manager also apply when migrating documents that cause the tool
to create new Projects.
In the Map to Attributes group, you can choose either Document Revision Date or Document Saved Date for
the Project Creation Date and Project Modified Date fields. You can also leave the fields blank to not migrate
these two database fields. This information is optional and does not exist in native form in WebCenter.
Suffix to avoid entity collisions is the suffix the migration tool appends to entities to avoid duplicates. This
value seeds the Name Suffix fields in other groups in this dialog box.
In the If Document Exists group, you can choose to have the migration tool Skip - do not migrate or Create new
document with the specified name suffix. Note that this is per Project; the same document name may exist in
different Projects.
Document Folder Options leads to a dialog box where you can specify that documents with certain extensions
go into certain folders within a Project. The migration tool will create folders as needed.
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In the Document Extension(s) field, enter the filename extension(s) for documents to filter into the folder
you specify in the Destination Folder field. Include the leading period in the extension and separate multiple
extensions with commas as shown in the example. Click OK to return to the migration tool.
In the Document Revision Options group, choose to Only migrate latest revision of documents or to Migrate
all revisions. In the Current Revision Scheme group, tell the migration tool if the latest revision is the File with
highest letter or File base name. You can check your ArtiosCAD Standard Edition installation to see which
method it uses by launching it and clicking Options > Defaults > Startup Defaults > Revision Disk File Format.
Don't put revision extension on latest revision would mean File base name and Don't put revision extension
on first revision would mean File with highest letter.
Use existing design thumbnails, when checked, uses the existing thumbnails from the ArtiosCAD database.
When deselected, it causes WebCenter to regenerate the document thumbnails.
Preserve Document Linking in Projects, when checked, keeps linked documents linked. When deselected,
linked documents become individual documents in each Project into which they are migrated.
Migrating Projects
Once you have adjusted the tuning file, migrated all the entities, migrated the characteristics, restricted sets,
and userfields, saved all the mappings to the server, and set the options, you are ready to begin migrating
the data. To migrate Projects, you search for them and then migrate those that appear in the search results.
If desired, you then change the options and search for a different set of Projects to which to apply those
options, and then migrate the results of that search, and so on for another set of Projects. If you do not work with
Projects, skip ahead to the Migrating Documents section.
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1. To search by when a Project was last modified, choose one of the values from the Modified drop-down list
box.
• ---. Use this to not specify a date.
• Modified last day, Modified last 7 days, Modified last 30 days. Choose a more specific time range for
when a Project was last modified.
• More options opens a dialog box in which you can set the exact modification time to search against.
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Modified last lets you enter the exact number of days for which you want to search for modified Projects.
Use the calendar buttons at the end of the fields in Modified on day and Modified between dates to set
either an exact day or a range of days. Click OK to return to the migration tool.
2. In the Name field, specify the name of the Project to search for. Use wildcards as described below to find
more results.
3. In the Description field, specify the description of the Project to search for. Use wildcards as described below
to find more results.
• * and % mean match all characters.
• To search on one of the wildcards, prefix it with a backslash ( \ ), such as “100\% Pure”.
Project_1 All Projects starting with “Project” and then any single character between t
and 1, such as ProjectX1, Project$1, and so forth.
Project\_1 Project_1.
Project\_* All Projects starting with Project_, such as Project_1, Project_X, and
Project_5BD2.
Project\1 Project\1.
4. Choose a customer from the drop-down Customer list box, or leave it empty to search across all customers.
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5. Clicking Append to list will add the results of this search to the list of Projects to migrate. Not selecting this
option and doing another search will overwrite the previous list of Projects to migrate. The migration tool
automatically removes duplicates from the list. Clear resets all the search fields.
6. Click Search. The migration tool will search the database for Projects matching the search criteria you set
and show the results in the Projects to Migrate list.
7. Review the list. You cannot migrate selected Projects; instead, remove the Projects you do not want to
migrate. To remove a single Project from the list, click it and then click Remove from List. Use SHIFT and
CTRL selections to select a range of Projects or multiple Projects respectively, and then click Remove from
List to remove them from the migration list. Click Clear List to remove all Projects from the migration list.
The length of time the migration will take depends on the number of Projects being migrated.
a) As it processes each Project, the migration tool checks to see if it already exists in WebCenter. If the
Project does already exist, the migration tool uses the settings on the General Options tab to determine
the proper actions.
b) The migration tool next updates the Project's metadata, unless the Project already existed and Use
existing project was selected in General Options. The new Project manager can be the existing Project
manager if that same user is a Project manager in WebCenter, or it can be the current WebCenter user
running the migration tool. The migration tool sets the Customer and Salesperson according to how they
are mapped in the entity migration, as well as the Project characteristics. The migration tool maps Project
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characteristics as Attributes as defined during entity migration. The migration tool maps the creation and
modified dates based on the Map to Attributes group settings on the General Options tab.
c) The migration tool next migrates single design documents into the WebCenter Project.
d) Finally, the migration tool updates the Bill of Materials information for the WebCenter Project. This
includes if the design is included in the Bill of Materials and if so, updating the BOM count and BOM
display order.
2. When the migration process finishes, the Migration Results dialog box appears for you to review the status
of the migration. In it, you can add Projects back to the list of Projects to be migrated by clicking the
appropriate checkboxes.
3. Click OK to add any Projects back to the migration list and return to the migration tool, or click Cancel to just
return to the migration tool.
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Clicking Recover on the Project Migration tab of the migration tool causes the tool to analyze these two log files
and regenerate the list of Projects to migrate. It then displays the Migration Results dialog box in which you can
add Projects back into the list of Projects to migrate. Check the checkboxes for Projects that have a count and
click OK.
Migrating Documents
Once you have adjusted the tuning file, migrated all the entities, migrated the characteristics, restricted sets,
and userfields, saved all the mappings to the server, and set the options, you are ready to begin migrating the
data. If you do not use Projects, then you will migrate the ArtiosCAD Standard Edition documents on their own
into new Projects in ArtiosCAD Enterprise using the Document Migration tab of the migration tool.
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The workflow for document migration resembles that of Project migration: search for documents to migrate, add
them to the list, groom the list, and then migrate everything in the list.
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To select one resource, click it. To select multiple resources, hold down CTRL and click each resources.
To select a group of resources, click the first resource, hold down SHIFT, and click the last resource. If
you have nested resources, you do not have to pick each lower-level one, as there is an option to search
in sub-resources and subdirectories. Once you have selected the desired resource(s), click OK to return
to the Find Documents to Migrate dialog box.
b) To search for documents by directory, click Add Directory. The Browse for Folder dialog box appears.
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Click the desired directory and click OK to return to the Find Documents to Migrate dialog box. Repeat
this step to search for documents in more than one directory.
c) To search for documents by customer name independent of location, click By Customer and choose the
customer's company name from the drop-down list box.
2. In the Document Filter group, choose the type of document(s) to search for in the Include documents of type
field and to exclude in the Exclude files of type field. Use comma-separated wildcards in each field, such as
X*.ARD, which would either find or exclude all single design documents whose names start with X. When
searching by customer, only *.ARD and *.MFG are applicable.
3. To search for documents using the time at which they were last modified, check Only include documents
modified on or after or Only include documents modified before, or both. Use the calendar drop-down
to set each date. To search within a certain range, set the modified on or after date and the modified before
date where the modified after date is earlier than the modified before date. To exclude a certain date range,
set the modified on or after to a later date than the modified before date; this option is not supported when
searching by customer.
4. Click Recursively search each Resource/Directory to search down through each subdirectory or child
resource. The migration tool will only add the first instance of a document for which it encounters duplicates.
This option is not supported when searching by customer.
5. The migration tool tracks which documents have been migrated in previous migrations. Check Skip
documents which have already been migrated to not migrate them again.
6. Sometimes there are documents that exist physically but are not saved in the database. To control if these
are migrated or not, check or clear For native documents (*.ARD, *.MFG), only include documents which
exist in the database. This option is not supported when searching by customer.
7. Click Find Documents. The migration tool searches in two passes.
a) First, the migration tool searches the specified directories/resources (or the database is searched by
customer) using the document type and date filters.
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b) Next, it filters the results again to find the highest version of the design documents, and also filters out
documents which do not exist in the database or which have already been migrated (if those options are
selected).
8. Finally, the migration tool displays the search results in the Documents to Migrate list. The list is initially
sorted by filename but you can change the sort order by clicking a column header.
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As all documents in WebCenter must belong to a Project, as you migrate documents into it, the migration tool
has to create a Project for them if that Project does not exist already. In the Project Name group:
• Use resource/directory name as project name creates Projects analogous to your directory or resource
setup in ArtiosCAD Standard Edition. The migration tool uses the last part of the directory path for the name
unless the document is in the root folder of the drive, in which case it uses UNKNOWN.
• Use document name as project name uses the document name (without the extension) for the Project
name.
• Use external DLL lets you use a function in a Windows dynamically linked library exported in standard C-
language style to generate the name of the Project. See the next section for details.
Use workspace metadata if design does not exist in database causes the migration tool to try to use database
information stored in the workspace. This includes Description, Short Description 1, 2, 3, Revision Summary,
Authorization, Revision and Save Date, Characteristics, and Userfields. For Customers, Owners, Salespersons, and
Designers, these will be used only if the database ID in the workspace matches the current ArtiosCAD Standard
Edition database ID (meaning that the workspace was created on a local system using the current database, not
a design you got from some other ArtiosCAD location).
Automatically migrate design metadata for new projects automatically seeds Project-level metadata with the
metadata from the first design added to the Project when a new project is created in WebCenter.
• Designer becomes the Project manager (based on how the When Creating New Projects / Project Manager
option is set on the General Options tab
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extern "C"
{
__declspec (dllexport ) short GetProjectNameFromDocName (…)
}
short
GetProjectNameFromDocName(const char * docName, int rev,
const char* resourceName, const char* fullDocPath,
int* projectNameOption, char* projectNameRet, int projectNameBufLen,
int* folderNameOption, char* folderNameRet, int folderNameBufLen,
int* documentNameOption, char* documentNameRet, int documentNameBufLen)
Parameter Definition
const char* docName The base .ARD or .MFG document name without the
encoded revision.
int rev The revision of the document; only applies to .ARDs
and .MFGs else 0.
const char* resourceName The resource name if a document is in a resource.
const char* fullDocPath The full path to the document, such as C:\Users
\Prod\ABC.ARD.
int projectNameOption (out) Project name option returned. 1 - Project name
returned in projectNameRet. 2 - use document name
as Project name. 3 - use resource/directory as Project
name.
char* projectNameRet (out) The returned Project name; must be NULL
terminated.
int projectNameBufLen The length (int chars) of the projectNameRet buffer.
int folderNameOption (out) The folder name option returned. 1 - folder name
returned in folderNameRet. 2 - use default folder
mapping.
char* folderNameRet (out) The returned folder name; must be NULL
terminated.
int folderNameBufLen The length (int chars) of the folderNameRet buffer.
int documentNameOption (out) Document name option returned. 1 - document
name returned in documentNameRet. 2 - use
default document name.
char* documentNameRet (out) The returned document name; must be NULL
terminated.
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Parameter Definition
int documentNameBufLen The length (int chars) of the documentNameRet
buffer.
Return Meaning
0 Error - the migration tool will log this document as an
error.
1 Success - the migration tool will analyze the return
parameters.
The length of time the migration will take depends on the number of documents being migrated.
The migration tool migrates all single designs before migrating manufacturing documents so that all potential
embedded designs are already migrated when it starts migrating manufacturing documents.
2. For single designs:
a) As it processes each document, the migration tool first looks to see if a target Project already exists or, if
it does not, the migration tool creates or skips the Project per the selected option in the If Project Exists
group on the General Options tab. If the migration tool creates the Project, it does so using the settings in
the When Creating New Projects group on the General Options tab. If it skips the document, it adds it to
the list of skipped documents.
b) Next, the migration tool checks to see if the document already exists in the Project, and if it does, it uses
the settings in the If Document Exists group on the General Options tab.
c) The migration tool next checks the options you set in the Document Folder Options dialog box on the
General Options tab, and processes the document accordingly if it matches one of the directory-folder
destination mappings.
d) For a single design in a resource, the migration tool applies the design's database information to the
new WebCenter document. The design description becomes the document description, the design
characteristics become document characteristics, design userfields become document Attributes, and
the other fields are mapped according to the settings in the Map to Attributes group on the Design Data
tab.
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e) The migration tool next sets the default Attribute category as defined on the Design Data tab.
f) Finally, if the options are set in the Document Revision Options group on the General Options tab, the
migration tool migrates the other revisions of the design.
3. For manufacturing documents:
a) As it processes each document, the migration tool first looks to see if a target Project already exists or, if
it does not, the migration tool creates or skips the Project per the selected option in the If Project Exists
group on the General Options tab. If the migration tool creates the Project, it does so using the settings in
the When Creating New Projects group on the General Options tab.
b) Next, the migration tool checks to see if the document already exists in the Project, and if it does, it uses
the settings in the If Document Exists group on the General Options tab.
c) The migration tool next checks the options you set in the Document Folder Options dialog box on the
General Options tab, and processes the document accordingly if it matches one of the directory-folder
destination mappings.
d) For a manufacturing document, the migration tool applies the document's database information to
the new WebCenter document. The manufacturing description becomes the document description,
manufacturing userfields become document Attributes, and the other fields are mapped according to the
settings in the Map to Attributes group on the Design Data tab.
e) The migration tool then adjusts the path of any embedded single designs. It only adjusts the path to
point to embedded single designs that have already been migrated. It only modifies the manufacturing
document with the new path(s) that it is uploading into WebCenter; it does not change the file(s) on disc.
f) The migration tool next sets the default Attribute category as defined on the Design Data tab.
g) Finally, if the options are set in the Document Revision Options group on the General Options tab, the
migration tool migrates the other revisions of the manufacturing document.
4. The migration tool uploads all other documents (including .A3Ds) physically as there is no database
information to include. It sets the default Attribute category as defined on the Design Data tab.
5. When the migration process finishes, the Migration Results dialog box appears for you to review the status
of the migration. In it, you can add Projects back to the list of documents to be migrated by clicking the
appropriate checkboxes.
6. Click OK to add any documents back to the migration list and return to the migration tool, or click Cancel to
just return to the migration tool.
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Clicking Recover on the Document Migration tab of the migration tool causes the tool to analyze these two log
files and regenerate the list of documents to migrate. It then displays the Migration Results dialog box in which
you can add documents back into the list of documents to migrate. Check the checkboxes for documents that
have a count and click OK.
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• Update every custom Report that previously used a userfield in ArtiosCAD Standard Edition to refer to the
proper Attribute in ArtiosCAD Enterprise. Attributes are in the Calculated expressions dialog box just as
userfields were.
• Update Outputs and geometry macros that refer to specific locations or files to point to their new Projects or
files in the database.
Maintenance Tasks
The options on the Maintenance tab are for those customers who already used WebCenter together with
ArtiosCAD Standard Edition before installing ArtiosCAD Enterprise. There are three tasks:
• Pre-10.2 Conversion. This is for those designers who have been using an older version of WebCenter that
works slightly differently than the one which ArtiosCAD Enterprise uses.
• Pre-12.1 Document Maintenance. This is for those designers who have been using a version of WebCenter
newer than 10.2 but older than 12.1. This option has three sub-tasks which can be performed independently of
each other. Note that if applicable, you must do the Pre-10.2 Conversion before this.
• Legacy CAD Data Migration. This option migrates Short Descriptions 1, 2, and 3 database fields, along with
other legacy CAD data, to WebCenter entities. This also has the Pre-10.2 Conversion as a prerequisite.
Pre-10.2 Conversion
This option is for designers who have single designs and manufacturing documents stored in a pre-10.2 version
of WebCenter who have upgraded that WebCenter to the version that comes with ArtiosCAD Enterprise. These
earlier versions of WebCenter show information that later versions do not. This maintenance task migrates that
older data into Attributes and characteristics so that it is not lost and can continue to be searched.
1. Click Convert. The Server Entity Mapping dialog box opens. This entity mapping works the same way as the
entity mapping for characteristics, restricted sets, and userfields. However, unlike the mapping on the Entities
Mapping tab, this mapping automatically creates any required Attributes. This tool also automatically maps
Attributes to userfields by name. Also unlike the other mapping, you can undo a match and insert it as a new
Attribute.
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Use suffix for new attribute name adds the suffix you specify to any new Attributes the tool creates.
The migration tool will also additionally append the collision suffix as needed, and a number at the end if
needed to make it unique. Note that Attribute names can be a maximum of 40 characters long. Set attribute
category for converted documents assigns the Attribute category you set on the Design Data tab to
documents the tool updates.
2. Analyze the characteristics to match.
3. Click the underlined blue number in the Matched column for characteristics to open the Entities Matched
dialog box.
The migration tool shades matching entries. Click Change Match to change a match, or click Undo Match
to undo it. Undo a match with caution, as that will lead to duplicate Attributes. Click Done to return to the
migration tool.
4. Click the underlined blue number in the New column to open the New Entities To Be Inserted dialog box.
a) If a new entity is not truly new and should be matched to an existing entity, select it and click Match
Entity Manually.
b) Select the matching characteristic and click Done to return to the New Entities To Be Inserted dialog box.
c) To insert this one entity into the WebCenter database, click Insert Entity Now.
d) To reanalyze the characteristics in case there have been changes, click Re-Analyze.
e) Click Done to return to the migration tool.
5. Click Insert to insert the new Attributes.
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6. Repeat steps 2-5 for restricted sets and userfields.
7. Click Start Conversion to begin converting the old data to the new format. A progress bar appears.
The migration tool converts each document one at a time, assigning the default Attribute categories
appropriately. It flags successfully converted documents so if the migration restarts, it can skip them. Once
a document is converted, you can not convert it again. If you click Cancel, the migration ends with nothing
migrated and no mapping saved.
Note: If you have pre-10.2 documents, you must do the pre-10.2 conversion before using any of these
options.
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Clicking Cancel in any of the progress bar dialog boxes stops the update regardless of which options you
chose.
3. The migration tool displays a status dialog box when it is done. Click OK to return to the migration tool.
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Note: If you have pre-10.2 documents, you must do the pre-10.2 conversion before using this command.
You must also do the pre-12.1 document maintenance if applicable.
1. Click Migrate. The CAD Data Migration Options dialog box appears.
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a) Set attribute category for migrated documents uses the settings for the default Attribute categories on
the Design Data tab to overwrite the existing Attribute category for a document being migrated.
b) In the When destination attribute exists and is not empty group, set the action for the migration tool to
take when the Attribute already exists on the WebCenter document - to always overwrite, to overwrite
sometimes, or to not overwrite.
c) In the Restart group, choose what the migration tool does when you restart it - continue from the last
time or start new from the beginning.
2. Click Start. A progress bar appears.
3. When the migration finishes or you cancel it, a results dialog box appears.
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Updated is the number of documents that were migrated. Skipped is the number of documents that have
already been migrated during this migration session. Failed is the number of documents that had errors.
4. Click OK to return to the migration tool.
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6. Peripherals
ArtiosCAD can output to devices that use a standard Microsoft Windows driver and also to devices simply
connected to a port on an ArtiosCAD computer. Devices that do not use a Windows driver use Output
Destinations which are configured in the Output Destinations dialog box in Shared Defaults.
Note: This documentation refers to configuring devices in Shared Defaults for all users to access.
Configuring a device for use on a single machine in User Defaults follows the same procedure,
substituting User Defaults for Shared Defaults.
5. Enter a name for the Output such as the name of the printer; for example, HP DeskJet 560C.
6. Double-click the new Output just created to open its Property page.
7. The Device tab will be selected automatically. Leave the Output type set as Plot and change the Scale to To
fit one page.
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8. Click the Device tab. If a dialog box appears with the message System printer information could not be
read, click OK.
9. Under Windows Driver, click the drop-down list box arrow and select the newly-created printer.
10. Click OK, then File, then Save to accept the printer and save the defaults.
11. Click Yes when asked to overwrite the defaults. The printer is now ready for use.
Output Destinations
Output Destinations enable the ArtiosIO program to carry output data from ArtiosCAD to a serial or parallel port.
The port can be on the local machine or it can be on a remote computer on the network. Output Destinations
also allow a device to communicate information (such as its size) back to ArtiosCAD.
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Output Destinations require the ArtiosIO program to be running on the machine to which the device is
connected.
To start the ArtiosIO program and configure it to start automatically each time the computer is rebooted, do the
following:
1. Open Control Panel by clicking Start > Settings > Control Panel.
2. Double-click the ArtiosIO applet. The ArtiosIO Server dialog box will appear.
4. Click OK.
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5. Do this on each computer which has a port to which a device that does not use a Windows driver will be
attached.
4. Enter a name for the Output Destination. One good way to name it is to use the system name and port name,
e.g. ARTCAD LPT1 or SYSTEM4 COM2.
5. Once you have entered a name for the Output Destination, double-click it to open its Property page.
6. Enter the name of the system the port is on in the Hostname field.
7. Enter the port name in the Port: field. Common port names are COM1, COM2, COM3, and LPT1. The COM
ports are serial ports (also known as RS-232 ports) and LPT ports are parallel ports.
8. If the port you are adding is a serial port, set its characteristics in the RS 232 Parameters group by choosing
the options from the drop-down list boxes. If it is a parallel port, clear the RS 232 Port checkbox.
9. The Short Name: field is the internal-to-ArtiosIO name of the port and can not be changed.
10. Click OK when done.
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11. To save these changes, click File > Save and click Yes to overwrite the Shared defaults.
Getting started
Use the following steps to configure a CAM (Computer Aided Manufacturing) device with ArtiosCAD. Most CAM
devices are equipment such as sampletables, lasers, counter cutters, and so on.
Configuring a CAM device follows this general procedure:
• Pick the output device driver from a master list of known devices. This will tell ArtiosCAD what driver to use
and how to tune it. Also check and set the size of the device.
• Specify how the peripheral will receive its instructions. This could be either by creating a disk file or by
sending the instructions to a parallel or serial port on one of the computers.
• Configure a plotting style or CAM Tooling Setup catalog entry for the device to use that defines which tools
on the device are to be used for each type of line in a design.
You may need to adjust the size and positioning settings copied from the master list.
When this process is complete, you will have an output that can be used by any ArtiosCAD user.
Preliminaries
First, you need answers to the following questions.
• Will you be using a Windows driver or a CAM driver?
• If a CAM driver is being used, what port will the output go to and how will it get there?
• Is there a pre-built output and plotting style/CAM Tooling Setup catalog entry for the plotter / samplemaker
you need to set up?
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7. Double-click the new entry and click the Directories tab. Change the directory entries to the directory that
the Kongsberg front end computer will look in.
8. Click the View tab and note the contents of the Specify Plotting Style group. If the plotting style does
not exist, its name will be surrounded by parentheses. If the plotting style name is not surrounded by
parentheses, click OK and proceed to step 12; otherwise, proceed to step 9.
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Note: DO NOT load operating system drivers for the digitizer! They will prohibit ArtiosCAD from
accessing the digitizer!
Data bits 8
Parity None
Stop bits 0
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6. Make sure the correct Output Destination is selected in the CAM Device Name field.
7. Make sure the settings in the Digitizer Step Size group match the settings on your digitizer.
8. Press buttons 0, 1 and 2 on the puck. The Decoded Data group should look similar to the picture shown
below:
Look carefully at the third character in each line of data. Starting from the top, it should correspond to the
button you pressed on the puck.
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Repeat this for buttons 3-F. Each digit should match up. If it doesn’t, your digitizer uses a different data format.
The digitizing menu to the left is the default digitizing menu for a Calcomp digitizer. Photocopy it at full scale or
plot ..\InstLib\DIGITIZER_MENU.ARD at full size. You will need it for the next step.
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4. Move the cross-hair on the digitizing puck to the bottom left corner of the menu and click any button.
5. The puck position in the dialog box will change. Move the puck to the bottom right corner of the menu and
click any button. The Menu Position and Rotation fields will now have values in them.
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8. Exit Defaults. Your digitizer is now ready for use.
Note: The submit folder on the front end is usually a subfolder of the user who installed the i-cut
Production Console. It also is not shared on the network as part of its installation. YOU MUST KNOW
THE EXACT LOCATION OF THIS FOLDER AND HAVE A PUBLICALLY WRITABLE NETWORK SHARE
CREATED ON THE FRONT END FOR IT.
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2. Double-click the renamed iPC - JDF-V2 to open it.
3. On the Advanced tab, in the iPC System Name field, enter the system name of the Kongsberg front end
running the i-cut Production Console. It can be its hostname, its fully qualified domain name, or its IP
address.
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3. On the Directories tab, in the Directory field in the Output File group, enter the UNC for the watched folder
on the Kongsberg. Also, enable Omit Save-As Filename Dialog if you do not want ArtiosCAD to prompt you
for a filename every time you run the Output.
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• The digitizer must be set to Point mode. This means that only one set of positional data is sent when a puck
button is pressed.
• The data produced when a button on the puck is pressed must contain one or two characters representing
which button was pressed and also strings of numbers indicating the position of the puck when the button
was pressed. The data sent must be ASCII, not binary, and must be separated by a carriage return (CR), line
feed (LF), or both (CR/LF).
While not required, ArtiosCAD is easier to configure if the digitizer data is in a fixed format.
Once you have the digitizer connected, configured, and turned on, do the following:
1. Start ArtiosCAD and then click Options > Defaults.
2. Add an Output Destination for the port the digitizer is connected to.
3. In the Shared Defaults pane, right-click the Digitizer Setup Catalog and click New, and then click Data.
Enter the name of the digitizer, press enter, and then double-click it to open its property page.
4. Select the proper Output Destination in the CAM Device Name: field.
5. Press a few buttons on the digitizer puck. You should see some data appear in the Decoded Data group.
The data format should be similar to one of the entries in the Data String column in the table below. The
letters b and c indicate button data and should always be a digit between 0–9 or a letter between A–F.
2 0 1 F 5 F 5 ID x y
APb1111122222
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2 0 1 F 5 F 5 ID x y
APb 1111 2222
2 1 1 F 6 F 6 ID x y
APbV +1234 -12
2 0 2 F 6 F 6 ID x y
PQbb00012-00034+
PQcc00562+00029+
0 0 1 F 6 F 6 x y ID
123 456 b
197 1276 c
0 0 1 D D ID x y
b 123 345
c 1234 567
0 0 1 D D x y ID
123,456,b
87,10,c
Once you have determined which format the data is in, set the options in the Format group accordingly.
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Press buttons on the digitizing puck and check that the appropriate data is appearing in the Decoded Data
group. If it is not, adjust the format options until they do.
6. Now that the formatting is set correctly, check the Cursor Key Character Map. As you press a button on the
digitizing puck, the corresponding key should appear pressed on screen:
The default configuration assumes the ID character generated matches the name of the button pressed on
the digitizing puck.
In most cases, the button named F always produces character F in the data string, but there are digitizers
that generate characters other than those expected. For example, some generate the characters ; : and > for
keys D, E and F and have a map like the one shown below:
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You can manually set the character map by clicking the on-screen button and replacing the value in the
Current ID field with the one or two characters produced by the digitizer when the button on the digitizing
puck is pressed. Repeat this procedure for each button on the digitizing puck.
You can also set the character map using only the input from the digitizer. First, make sure the formatting is
set correctly. Next, click the on-screen 0 button and then click Input from Digitizer. Click the 0 button on
the digitizing puck to enter the value for 0. The 1 on-screen button will then be automatically selected, so
press the 1 button on the digitizing puck. Repeat for the rest of the buttons. If you make a mistake, simply
click the on-screen button you wish to reprogram, and press the appropriate button on the digitizing puck.
7. Now that the character mapping is configured, test it by clicking Test Map. As you press buttons on the
digitizing puck, the corresponding on-screen buttons should appear pressed.
Using the values stated in the previous paragraph, change the 1000 in the drop-down list box to 1003, click the
Different in Y checkbox, and change the 1000 in that drop-down list box to 1006.
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Item Area to the command. (If you think you will never use some of the commands, you may choose to leave
them unassigned.)
The following abbreviations are used in the table below:
• <c> A coordinate on the digitizer.
• <p> An existing point. These are the end points (and intersection points) of existing lines in the current
design whether just digitized, or part of the original structure. To select such a point, you must digitize a point
on the digitizer within snap distance of one of these points.
• <l> An existing line. To select such a line, you must digitize a point on the digitizer within snap distance of an
existing line in the design.
2 MOVE TO <c>
12 MOVE TO <p>
0 LINE TO <c>
10 LINE TO <p>
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D DELETE <l>
E UNDO
F REDO
CA ZOOM BACK
All of these commands are mapped in the Command Map tab of the digitizer’s property page in Defaults.
To set a key sequence, select the command you wish to assign to the key, and then type the key sequence to use
it with in the Cursor Key Sequence field.
The sequence must be comprised of the characters 0–9 A–F. It may be up to six characters long.
A key sequence must be unique and may not mask another command. For example, if you wish to use the Key
Sequence 2 for a command, no other Key Sequence may start with 2. This is because 2 by itself matches a
command, and therefore masks a key sequence like 21.
The exception to this is when two commands differ only in what is selected — a coordinate, a point, or a line. In
this case the commands may share a command sequence. If this is used, the command will snap to a point if one
is within snap distance, or to a coordinate if one is not.
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While editing this property page, you may temporarily have conflicts as described above. This is so you can easily
change Key Sequences, or swap them to different commands. However, you will be warned about them as they
are created. You may not exit the property page without resolving such conflicts.
Some commands that are not turned on by default might be very useful for your work — for example, gasket
makers may want to turn on the Center tools to make circle creation easier.
The Menu Item Area values for the above menu are shown in the following table.
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Make sure that the Active checkbox is selected or the Menu Item Area will not be active.
Use ArtiosCAD’s drafting features to draw the menu you have programmed. Print it out at full scale and tape it
to the digitizer in the desired position. Then use the Place Menu button on the Command Map tab to place the
menu.
When digitizing a point to satisfy a snap point <p> or a snap line <l>, you need to be within the Snap Tolerance.
If you are working on large corrugated designs, you may wish to set this value to something like a quarter-
inch or five millimeters. Since the command indicates whether a snap point/line is expected, this value can be
considerably larger than the normal screen snap value.
The Default radius field is used by some of the BLEND and CENTER commands. Set a sensible default; it is easily
changed while digitizing.
The Feedback / Sounds group controls the audible feedback generated while digitizing. There are five types of
feedback. Windows Sounds require a sound card in the computer; beeps can be made by most computers.
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Snap Point/Line error You were too far away for a snap point <p> or snap line <l> to be
found.
Command not recognized The key sequence does not match any of those defined.
Geometry Error The command failed because the geometry could not be
performed. (e.g. A blend would not fit.)
The fields in the Windows Sounds column designate which sound to use as defined in the Sounds control panel
applet.
When clicked, the triangle button plays a sample of the sound or beep.
The ellipsis button lets you browse for a different sound file.
The frequency and the duration of the beeps can be set using the appropriate fields.
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7. Other tasks
Uninstalling ArtiosCAD
Uninstall ArtiosCAD by using the Programs and Features applet in Control Panel. Select it in the list of programs
and click Uninstall. You may be prompted that a reboot will be required to complete the uninstallation.
Removing MSDE
Uninstall the ArtiosCAD MSDE database program files by using the Add/Remove Programs applet in Control
Panel. Select Microsoft SQL Server Desktop Engine (ARTIOSCADDB) from the list of installed programs and
click Remove.
Uninstalling the database software does not remove the database data files stored in ..\Esko\Artios
\DataCenter\MSDE. This is intentional in case you want to resume using MSDE. If you will not be using
MSDE again, you may delete the ..\Esko\Artios\DataCenter\MSDE folder and its contents.
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You must remove the existing ArtiosCAD ODBC entry after uninstalling all versions of ArtiosCAD if you wish to
change ArtiosCAD database types in a subsequent installation.
Uninstalling a patch
To uninstall a patch, remove that particular build through Programs and Features in Control Panel.
ArtiosCAD will revert to the build that was present before the patch was loaded.
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To view the connections on a machine, click Query Server and either enter the name of the system to query, or
click the drop-down list button to view a list of available machines on the network. Only machines in the same
domain will be shown.
To close a connection, highlight it and click Close Connection.
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Release licenses by exiting the design, manufacturing file, or 3D workspace which took the license.
If you click Wait for License, a dialog box showing the needed license appears:
When a license becomes available, this dialog box disappears and the desired feature is activated.
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Double-click a license to configure it. A dialog box will appear in which you can reserve and deny licenses:
Reserving a license means that the system you specify will always have the license reserved for it. Denying a
license means that the system you specify will never be able to have a license. To specify a system, click Add.
Enter the short name of the system exactly as it is shown on the Computer Name tab of the System applet in
Control Panel. The short name is the first word up to the period - the full name minus the domain name. For
example, if the full name of the system is ArtCad1.plasticangelcontainers.com, the short name is ArtCad1.
Make sure to match the case exactly, as it will not work otherwise. Once you have entered the name, click OK.
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To remove a system from either the Reserved or Denied lists, select it, click Remove, and click OK.
When you have finished configuring the license as desired, click OK to return to the Floating License
Configuration dialog box, or click Cancel to ignore the changes you made.
To exit the Floating License Configuration dialog box, click License, and then click Exit.
Note: If you have made changes to the configuration, the License Manager will be shut down and
restarted when you exit the Floating License Configuration program. It takes the Elan License
Manager three minutes to restart after shutting down.
Troubleshooting
If you have trouble using a desired feature and get a dialog box like the one below, use either the ArtiosLM
applet in Control Panel or the ArtiosCAD License Management utility on the ArtiosCAD License server to make
sure the server is running.
If the Floating License Utility does not start, it is because there are no floating licenses to configure.
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Note: NO SYSTEM MAY HAVE INSTANCES OF WebCenter, ArtiosCAD, DataCenter Admin, OR SpecLink
OPEN WHEN UPGRADING LICENSES!
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Database Administrator (DBA) is required to administer and maintain the database, and is free to choose options
other than those documented to meet local site requirements.
Note: This section refers to the full version of Microsoft SQL Server, not the Express version which
comes with ArtiosCAD
Make sure to load ArtiosCAD Standard Edition specifying Microsoft SQL Server or Oracle as the database type
before installing Microsoft SQL Server.
After installing ArtiosCAD Standard Edition, the steps to using Microsoft SQL Server with a new installation of
ArtiosCAD Standard Edition are installing Microsoft SQL Server, configuring Microsoft SQL Server, configuring
the ODBC driver, and running the database configuration batch file for ArtiosCAD Standard Edition.
Once all that is done, you can configure servers and resources in DataCenter Admin and start using ArtiosCAD
Standard Edition.
Note:
Before you begin, find out from your IT department what the password policy is, as you will need to
know it to set the database user passwords.
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6. On the left side of the SQL Server Installation Center dialog box, click Installation.
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7. At the top of the content pane, click New SQL Server stand-alone installation or add features to an
existing installation.
8. In the Product Key dialog box, enter the product key and click Next.
9. In the License Terms dialog box, check I accept the license terms and Privacy Statement and click Next.
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10. The setup program will automatically run the Global Rules checks (which you have already done) and
advance to the Microsoft Update dialog box if it finds no issues needing further attention.
11. In the Microsoft Update dialog box, check Use Microsoft Update to check for updates (recommended) and
click Next.
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12. The Install Setup Files dialog box will show an action list and progress bar.
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13. The setup program will check for additional conditions which could affect operation or performance in
the Install Rules dialog box. If any status says Warning, click Warning to see the issue. In this case it was a
reminder to open the appropriate ports in Windows Firewall. Click Next.
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14. In the Setup Role dialog box, click SQL Server Feature Installation and click Next.
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15. In the Feature Selection dialog box, check the checkboxes for the following features. You may have to scroll
down to see all the items in the list. You may also change the installation directories. Click Next when you are
done selecting features.
In the Instance Features group, select the following features in the Database Engine Services group:
• Database Engine Services
• SQL Server Replication
• Full-Text and Semantic Extractions for Search
• Data Quality Services
In the Shared Features group, select the following features:
• Client Tools Connectivity
• Client Tools Backward Compatibility
• Client Tools SDK
• Documentation Components
• Distributed Replay Controller
• Distributed Replay Client
• SQL Client Connectivity SDK
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16. The setup program displays a Please Wait banner while it runs the feature rule checks, and if all the rules
pass, it skips the Feature Rules dialog box.
17. In the Instance Configuration dialog box, you may use the Default instance if desired. To use a
custom instance name, click Named instance and enter a sensible name. Do not use ArtiosCADDB,
ArtiosCADExp2005, or Esko, as these will interfere with the installation of ArtiosCAD. If you use a
custom instance name, make a note of the Instance ID as you will need it for the database scripts batch file
later. Click Next.
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18. In the Server Configuration dialog box on the Service Accounts tab, review the service startup types and
change them if desired.
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On the Collation tab, if you do not want to use the default collation (a group of location-related settings),
click Customize and change it. Make sure to choose one that supports Unicode, is case-insensitive, and is
accent-sensitive.
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Click Next.
19. In the Database Engine Configuration dialog box, click Mixed Mode (SQL Server authentication and
Windows authentication). For the password, enter a password of your own choosing that complies with your
local password policy in both password fields. Make sure to record this password in a secure location as
you will need it later. In the Specify SQL Server administrators group, click Add Current User to add yourself
as a database administrator, or click Add to add other users or groups as database administrators. You must
add at least one account. Click Next.
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20. Click Next in the Distributed Replay Controller and Distributed Replay Client dialog boxes. The setup
program will run the rules in the Feature Configuration Rules dialog box automatically and if everything
successfully passes, will proceed to the Ready to Install dialog box.
21. In the Ready to Install dialog box, scroll down the list of actions and verify them for accuracy. Click Install to
begin installing the software.
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22. In the Complete dialog box, review the list of features to make sure they succeeded. Click Close.
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25. Restart the computer if prompted. If not, close the SQL Server Installation Center.
26. Open Windows Update and install updates for Microsoft SQL Server and related programs if it finds any.
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Microsoft SQL Server Standard Edition is now installed and ready for you to configure it for use with ArtiosCAD.
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4. In the New Database dialog box, for the Database Name, enter ArtiosCADdb. Do not click OK.
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5. Click the 8 in the Initial size (MB) column and change it to 10. Do not click OK.
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6. If this is a normal computer with one hard drive and two hard drive controllers, click OK. If this is a high-end
database server and has multiple hard drives and multiple controllers, use the scroll bar to scroll to the right,
click the Browse (...) button for the ArtiosCADdb Log file, and locate the transaction log on a separate disk on
a separate controller. This will minimize data loss when a hard drive crashes. Click OK when done.
The ArtiosCADdb database should appear in the group of databases as shown below.
The database is now created and the next step is configuring the ODBC driver.
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4. Select SQL Server from the list of available drivers and click Finish.
5. In the Create a New Data Source to SQL Server dialog box, enter ArtiosCAD in the Name and Description
fields and select the server and instance name in the Server drop-down list box. If this is a client, specify the
name of the database server. Click Next.
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6. When asked about authenticity, select the With SQL Server authentication... choice. In that same dialog
box, deselect the Connect to SQL Server ... checkbox. Do not click Next.
7. Click Client Configuration. The Add Network Library Configuration dialog box appears.
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a) Make sure TCP/IP is selected in the Network libraries group and ensure the server name is correct. If
(local) was selected in the Which SQL Server do you want to connect to? field in Step 5, only a period (.)
appears in the Server alias field and Server name field.
b) Ensure that Dynamically determine port is checked and that the Port number is set to 1433. Click OK.
c) Click Next in the Create a New Data Source to SQL Server dialog box.
8. In the next dialog box, leave the Use ANSI... choices selected and click Next.
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9. In the next dialog box, leave Perform translation for character data selected. If the system is using non-U. S.
locale settings, check the Change the language of SQL Server system messages to: checkbox and set the
value to English. Click Finish.
10. The ODBC Microsoft SQL Server Setup dialog box will appear showing a summary of the configuration. Do
not test the configuration; it will most likely fail because it is set to use SQL Server authentication and your
operating system login credentials won’t work. Click OK.
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Build_MSSQLServerSchema “SysP433w0rd**” “RDVMLUDWCDOC01” “C:\Esko
\Artios\datacenter” “C:\Esko\Artios\datacenter\program64\english” “sql” “ArtiosCADDb”
“Programmer!!”
When you have typed the command, press Enter. Comments and commands will appear in the command
prompt similar to example shown below.
4. When the command prompt returns, type exit and press Enter.
The database is now ready for use with ArtiosCAD and DataCenter Admin. Add servers and resources as
described in the Working with servers and resources section of the DataCenter chapter.
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If you notice errors as the script tries to build hierarchical boards, it may be that the programmer user was not
created correctly. Make sure you specified a password that complies with your network’s password policy.
• Install ArtiosCAD Standard Edition on the database server, making sure to do a Server/Custom installation of
type Advanced and selecting Microsoft SQL Server or Oracle as the database choice.
• Set up an ODBC Data Source using the Microsoft ODBC for Oracle driver. Set the
Data Source Name: to ArtiosCAD, the Description: to ArtiosCAD, and the Server: to
TNS:Name_of_database_defined_in_Net_Config-uration_Assistant that you configured when installing
Oracle, such as TNS:orcl. To take advantage of ArtiosCAD language support in versions 18.1 and later, on the
Workarounds tab, check Force SQL_WCHAR Support.
• Run the database configuration batch file to build the database schema.
Start a command prompt and change the directory to \Esko\Artios\DataCenter.
The schema build command is in the form Build_OracleSchema “<sys Password>” “<TNS name>”
“<DataCenter root directory>” “<DataCenter program language directory>”.
If the sys database user has no password, use a double set of quotation marks (“”).
The final command you type at the command prompt should be similar to the one shown below, substituting
your installation information and language as needed.
• Add servers and resources as described in the Working with servers and resources section of the
DataCenter for Standard Edition chapter.
Note: If WebCenter and your production installation of ArtiosCAD (not the one required for
WebCenter’s Application server) are using the same database server with Oracle 9i, and you
upgrade the version of Oracle on the database server, it may break the Microsoft ODBC for
Oracle drivers required by ArtiosCAD. Please note that this is NOT a supported configuration
and you alone are responsible for ensuring that it works. If you upgrade Oracle and start getting
SQLSetConnectAttr errors, try changing two entries in the Registry on the database server.
Specifically, in HKEY_LOCAL_MACHINE > Software > Microsoft > MsDTC > MTxOCI, change the
OracleSqlLib key to orasql9.dll and change the OracleXaLib key to oraclient9.dll.
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• At the prompt, type osql -Usa -P”” -S systemname\ArtiosCADdb and press Enter. (If
the sa password is not blank, insert it between the quotation marks in the -P switch.)
• At the prompt, type osql -Usa -P”” -Ssystemname\ArtiosCADdb and press enter. (If the sa password is
not blank, insert it between the quotation marks in the -P switch.)
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• At the 1> prompt, type sp_detach_db ‘ArtiosCADdb’ and press enter.
• At the 1> prompt, type sp_change_users_login update_one, programmer, programmer, null and press
enter.
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8. Defaults
Introduction to Defaults
Defaults store all the configuration information used by ArtiosCAD. This is where you change options, add
custom standards to the Standards Catalog, define Outputs, and so forth. You access defaults by clicking
Defaults on the Options menu. There are many options in Defaults that are not covered in this chapter; you
should open each Defaults catalog or folder and review its contents.
If you are using ArtiosCAD Enterprise, Defaults specific to it are in the Installing and Configuring ArtiosCAD
Enterprise chapter. If you do not see the information you are looking for in this chapter, look in that one.
There are two types of defaults: Shared defaults and User defaults. Shared defaults are shared by all users
served by the same ArtiosCAD server. User defaults affect only the machine being used.
Creating defaults
There are three ways to create new defaults:
1. In the Shared defaults pane, open the folder containing the Defaults you want to add to and right-click.
Clicking Folder adds a new folder; clicking Data adds a new default setting.
2. In the User defaults pane, make sure nothing is selected, and right-click. Choose the type of default to add
from the pop-up context menu. When naming the new item, do not use a backslash (\).
3. Drag a pre-existing default from one pane into the other and modify as desired.
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Changing defaults
To change a default, open the folder it is in and double-click it. A dialog box will appear showing all the settings
you can change.
If you want to change all the defaults in a folder at once, double-click the folder instead of an individual item,
and a tabbed dialog box will appear containing all the individual items.
Saving defaults
It is very important to save the defaults after you make changes. The option button above the two panes
indicates which set of defaults is being affected by the commands on the File menu. Make sure the option
button is set to the pane of defaults you have changed, click File, and then click Save.
Click the magnifying glass after you have entered your desired terms in the Keyword Search field to perform
the search. You may also press Enter instead of clicking the magnifying glass.
Click Clear Search to erase everything in the Keyword Search field and clear any search results shown in
the Defaults dialog box.
Click or hover over the Information button to see a list of searching syntax.
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ArtiosCAD builds the search index in memory each time you perform a search. It does not store it for future use.
As such, searching speed is directly related to computer performance.
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4. In this example, since you are not working with blanking, the value you want to change must be in the
Manufacturing parameter sets catalog.
5. Keep expanding the highlighted nodes until you see Wood corners in the Die board catalog. Double-click it
to open it.
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6. Change the Chamfer for corner field as desired and click OK to close the dialog box.
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At this point, you could look at the other search results in case you want to change them too.
To restore the regular view, click the red X.
Save and exit Defaults as usual.
Defaults performance
ArtiosCAD loads Defaults into system memory when you launch it for more robust performance.
If you make changes to Defaults, click Options > Clear Defaults Cache to re-read Defaults into memory without
having to restart ArtiosCAD.
ArtiosCAD re-reads the Defaults automatically when you click Options > Defaults, so you only need to clear the
cache when you make a change and exit Defaults and then continue working in ArtiosCAD. Another time to clear
the cache would be when you changed Defaults on one computer and other users were sharing those Defaults
on other computers and did not want to restart ArtiosCAD; they would have to click Clear Defaults Cache to see
your changes.
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Parameter sets
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1. Start ArtiosCAD.
2. Click Options, and then click Defaults.
3. To add a parameter set to Shared Defaults, open the Die Press Parameter Sets or Printing Press Parameter
Sets entry. Right click it, select New, and then click Data.
4. Enter the name of this new parameter set and press Enter.
5. Click the plus sign (+) next to the parameter set you created. The parameter set expands to show the top-
level categories. Click each plus sign to open each category.
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6. Double-click each entry, verify or change the settings within the dialog box that opens, and click OK when
done. Repeat as desired for other settings.
7. Click File, and then click Save to save the changes, clicking Yes to overwrite previous Defaults.
Once the die press and printing press parameter sets are created, they can be incorporated into a
manufacturing parameter set.
To create a manufacturing parameter set, follow the same procedure as creating other parameter sets: right-click
Manufacturing parameter sets, click New, and so forth. Next, do the following:
1. Double-click the name of the parameter set to associate die and printing press parameter sets with it. Click
OK once you have chosen sets.
2. Open the parameter set and enter values for all the fields. Your Defaults pane with all catalogs expanded
should look similar to the picture shown below.
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Note: Changing the default die press parameter set and default printing press parameter set has
no effect when choosing a manufacturing parameter set. To change the die press and printing press
parameter sets used by a manufacturing parameter set, change the manufacturing parameter set itself,
and not the default die press and printing press selections.
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Fields followed by f(x) indicate that the parameter being set is dependent on the board. Clicking f(x) leads to the
Edit Expression dialog box, where the following parameters should be used to build expressions:
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The Maximum Chamfer Diameter is usually the diameter of the chamfer tool head.
Periphery tab
The Periphery tab of the counter parameter set dialog box contains settings which affect the periphery tool. This
tab only appears for plastic counters.
The parameters on this page of the dialog box are all measurements whose functions are illustrated in the
pictures next to them except for the Periphery Tool Angle. The angle specified in the Periphery Tool Angle field,
along with the thickness of the counter material, determines the width of the periphery.
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The options in the Crease End Option group, Use Periphery Tool Only and Use Crease End and Periphery
Tools affect the display of the rest of the tab. If Use Periphery Tool Only is selected, all the pictures change to
omit any reference to the Crease End tool’s existence.
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By default, Partial Cuts are set to be On the counter. Glue assist lines are set conditionally by default. They are
off the counter if the distance between the crease and the closer end of the line is greater than the minimum
specified in the Minimum field. Of course you can specify them to be On or Off all the time.
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For the various Line Types, you can specify how they should be treated:
• Single channel like a crease, which makes one long channel
• No channel
For separate channels, ArtiosCAD can measure the land from the end of the line or the edge of the channel.
ArtiosCAD sets the land at both ends of a cut-crease line the same way as a normal crease.
Learn more in Line Types (Steel) on page 568.
Chamfer tab
The options on the Chamfer tab affect the counter at those places in the design where cut lines and the ends
of crease lines meet. The chamfer mostly follows the periphery except it always stays a specified distance away
from crease channels. This tab only appears for plastic counters.
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The Chamfer Gap is the distance between the inside edge of a chamfer and the crease channel. The Pickup
and No Pickup options control whether the chamfer is continuous around the end of the crease channel.
The Chamfer Tool Angle is the angle of the tool, which, together with the thickness of the counter material,
determines the width of the chamfer channel.
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The Insert option indicates that a piece of foreign material will be attached to the counter to create the reverse
crease. This is shown in the top picture on the tab. Counter material means that an area around the reverse
crease will be milled out so that the board gets pushed into the depressed area. This is shown in the bottom
picture on the tab. The Crease Width field becomes available when this option is selected. Off the counter
disables all the fields.
Geometry macro is available only for steel counters and lets you choose a geometry macro from the Steel
Counters geometry macro catalog. Should you choose to create your own geometry macro, use these guidelines:
• make the horizontal outline of a milling area using line type Counter mill outline
• add the geometry macro to the catalog with Steel counter reverse rule as the placement option
• for an insert, design it with corner relief so that the insert can be easily placed and removed
• for counter material, the macro should make one side.
Note: ArtiosCAD treats curved reverse creases and reverse cuts like straight lines. You will need to
manually edit these areas.
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As with the Reverse Creases tab, Geometry macro appears only for steel counters. When you enable a geometry
macro, all the fields on the tab become unavailable except for Set Back. Follow the same guidelines for using
geometry macros as explained in the Reverse Creases tab section.
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In the Shape group, choose either Round or Square. Land (the distance between the actual end of the channel
and a line meeting it) is available for both round and square shapes, but Tool radius is only available when using
a square tool. Make sure this is accurate so that ArtiosCAD can correctly calculate the land.
In the Creases meet at sharp angle group, the picture changes depending on which option you select. No
Processing lets the channels overlap and is sufficient for most designs. The Priority choices keep channels that
meet from overlapping by shortening them in different ways.
• Priority equal: channels shortened by the same amount so they do not cross
• Priority middle: channels shortened so they do not cross, with the middle channel left closest to the original
length
• Priority side: channels shortened so they do not cross, with the side channels left closest to the original
length
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If only two creases meet, the crease closer to horizontal/vertical is considered the middle crease. When four
or more creases meet, ArtiosCAD sets the priority of the three closest creases and shortens the remainder as
needed so they do not cross; use the Shorten Creases tool to make manual adjustments.
Merge merges them together to avoid sharp corners using the Merge radius for the inside corners. For this to
work properly, the milling tool diameter needs to be smaller than the channel width.
Use Minimum length to set the smallest allowable channel length.
Embossing tab
An area of the board can be embossed by milling out the part of the counter surrounding the embossed area.
This tab only appears for plastic counters. Embossing works differently for steel counters and is not defined by
the parameter set. As with other tabs, the parameters on the Embossing tab are explained in the picture.
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Name tab
The choices on the Name tab affect the output of the Name tool on the Counter toolbar. This tab appears only
for plastic counters. These choices include the font to use, its size, and its position, as shown in the picture.
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• Upper blanker board requirements and wood alignment
If you use BSI frame kits, specify the one to use in the Frame catalog as described further in this section.
For information about configuring the various options, please refer to the Blanking section in the Manufacturing
chapter.
Blanking parameter sets control how ArtiosCAD constructs the blanking tooling for different types of blanking
solutions for any machine. The idea is that you first choose the machine (which will then set the sizes and
tolerances from the blanking machine parameter set) and then the kind of blanking solution you will be using on
that machine (defined by the blanking parameter set). The values set in these parameter sets are for:
• Blank holes
• Frame clearance, construction, and size
• Grid
• Lower blanker board allowances and wood corners
• Non-stop swords
• Pusher details
• Pusher edge
• Tool controls
• Upper blanker board allowances and wood corners
Changes from previous versions include:
• In a Blanking machine parameter set, in the Frame dialog box, Min to Inner and Max to Inner now match
those from BSI software.
• The BSI Flat top blanking parameter set uses the support rail corresponding to the machine and the BSI 5mm
Adhesive Runner (A02019). Other parameter sets use a non-component support rail specified by a width.
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5. Click More Options ( ... ) at the end of the Frame kit # field. This opens an empty Frame Kit Definition dialog
box.
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16. Check Use frame kit, which will make the options in the Hardware group unavailable.
17. Choose an option in the Mounting/scrap rails drop-down list box and check Lateral support bars if your
tooling will use them.
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Rubber types
ArtiosCAD has a default Rubber types catalog. Review its entries and modify or add to them as necessary to
meet your needs.
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A rubber type is defined by its unique name, thickness, and stock sheet size. If there are rubber types defined
that are different thicknesses of the same material, include the thickness in the name, as each name must be
unique.
To edit a rubber type, double-click its name. To create a new rubber type, right-click the Rubber types catalog
and click New > Data on the context menu.
Shown below are the properties for the Red Neoprene rubber type.
Reversible indicates if the top and bottom sides of the rubber are the same, so that a piece of rubber and its
mirror image could be considered the same when making layouts. (This is different from the mirror options in
Auto-Repeat.)
The value in the Rubber code: field is what is used on the Sheet Filename Generation page of the rubber sheets
Output. Use letter and numbers only with no spaces.
Set the Sheet width: and Sheet height: fields to the appropriate sizes of the sheets for this type of rubber.
The Thickness: field is currently unused, but to prepare for its possible use in the future, enter the thickness of
the sheet.
Select color sets the color of the rubber when Rubber Fill is selected in the Rubber View Options dialog box.
Clicking it opens a color palette.
The four option buttons set the type of the rubber.
• Isotropic means it is the same in all directions, so can be rotated as necessary.
• Wave means it is rippled, and the long dimension of the rubber must cross the ripples. This type of rubber is
generally used in long, narrow slots. Wave rubber pieces are put on the sheet with their longest dimension
horizontally regardless of the state of Fill from left.
• Strip/Profile means that it is premanufactured rubber that is not calculated for layouts, but can be drawn on
the dieboard so that it can be placed correctly after manually being cut.
• Plastic cover causes ArtiosCAD to nest the pieces of the plastic cover (if one is used) as if they were rubber.
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Width is the width of the rubber when it is cut.
Offset from side of rule is the distance from the edge of the rule to the edge of the rubber which allows for
pointage.
Once you have finished modifying an existing rubber type or creating a new one, click OK to return to Defaults,
and then click File > Save to save the changes.
Bolt holes
After the rubber is made, it needs to be trimmed to allow for bolt holes, but because of the placement of the
holes, the trimming may affect how pieces are auto-repeated. Therefore, this dialog box controls whether the
trimming is automatic or not by the state of Subtract bolt holes. If bolt holes are not automatically subtracted
from the rubber, the Subtract Bolt Holes tool allows for manual trimming after the rubber is created.
The rest of the fields in the dialog box determine how much rubber will be trimmed.
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If the hole in the dieboard is almost circular and less or equal to the specified size, a circular hole of the specified
size will be made in the rubber. If not, the hole in the dieboard will be copied into the rubber.
Laser position holes can be made using lines of linetype Laser position hole or Unknifed diecut. They can be
triangular, square, hexagonal, octagonal, must be a reasonable size of less than 16mm, and fit around a circular
pin. If a laser position hole is recognized, the hole in the rubber will be offset by the specified offset. If the laser
position hole is not recognized, the hole will be copied without an offset.
Click OK when done to return to Defaults.
Breaker knives
Breaker knives are also known as stripping rules. When used in Rubbering, they are the stripping rules on the
outside of the die. Sometimes they are rubbered to prevent injury to the people handling the dieboard. The
options in the Breaker Knives section of the parameter set control how far the rubber extends past the sheet
edge. Choose the desired option button and click OK to return to Defaults.
Crease Mask
The options in the Crease Mask section of the parameter set control how the rubber is cut back near creases.
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The options in this dialog box are made available or unavailable by the state of Make Plastic Cover in the
General section of the parameter set. When that option is not selected, the controls in the bottom half of this
dialog box are unavailable, and when it is selected, the controls in the top half are unavailable.
For normal areas of the design, the options along the left side of the top quarter of the dialog box are the
distance that is cut back from the crease, and the values on the right side are the angles at which the cuts are
made. Each end of the cutback is the same as it is symmetrical.
For thin areas of the design, the rubber pieces are smaller so there are fewer cutbacks.
When a plastic cover is used, set the offsets from the plastic cover edge and from the edge of the crease rule as
desired.
Click OK when done to return to Defaults.
Cut/Crease
ArtiosCAD can treat cut/crease rules as if they were cuts, or creases, or a mixture of the two. They need to have
different parameters than the standard crease mask so that the angle of the cutbacks can be greater, so these
are set in the Cut/Crease section of the parameter set. Also, rubber pieces for cut/crease rule are made thicker
(to the thickness you specify in this dialog box) so they do not break at the thin points.
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In the Treat cut/crease group, Like cuts, Like creases, and Use parameters below all behave as their names
imply. Use parameters below enables the distance and angle fields for the crease cutback.
Click OK when done to return to Defaults.
General
The General section of the parameter set contains settings that affect the overall creation of the rubber.
Add blend causes the Rubber Area, Add Rubber, and Subtract Rubber tools to add blends to the rubber of the
size specified in the Blend radius: field.
Fixed width, Open out, and Fill set the style of rubber ArtiosCAD makes.
The Open out tack width: sets the width of the connecting piece of rubber left at the end of an open-out.
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In the Make splits group, the title control determines if ArtiosCAD limits the length of pieces of rubber or splits
them. The default is to split them. This option also controls if ArtiosCAD creates pseudo temporary stripping rules
to break up large pieces of rubber for easier manufacture.
• If they are split on bridges, there is better airflow and less suction. If they are split at corners, they nest
better and are easier to replace when worn out. Both creates splits at both locations.
• Maximum length: sets the largest size allowed for pieces of rubber placed outside the designs.
• Maximum length inside: sets the largest size allowed for pieces of rubber placed inside the designs.
• Maximum length straight: is a separate length for straight pieces, and should be set to longer than the
Maximum length: value as straight pieces nest better.
• Split width: sets the size of automatically-created splits and also sets the default value for the Add Split tool.
Minimum length: sets the value at which small pieces of rubber are merged with longer adjacent pieces.
The Trim gap: field sets the size of the gap when two pieces of differing-types of rubber overlap. It can be as
small as 0.001 inch or 0.05mm, but set this to a value larger than 0 so that the Adjust Outline tools can work with
each piece individually.
Trim against counter controls whether the rubber is trimmed against the counter (if one is defined) and if so, the
gap is set in the Counter trim gap: field. If this option is not selected, the rubber can be trimmed later with the
Trim Rubber tool.
Trim lead edge, when selected, makes it so that no rubber goes lower than the lead edge.
Make plastic cover, when selected, causes a plastic cover to be made in its own layer when the Rubber Area
tool is used.
Click OK when done to return to Defaults.
Layout
If you have the Rubber Design and Layout option, ArtiosCAD can automatically group pieces of rubber on the
sheets based on their shapes.
Trim is the distance from the edge of the rubber sheet to the edges of the rubber elements, and Gutter is the
distance between each rubber element.
Increasing the value in the Nesting tries: field causes ArtiosCAD to try more nests, but this takes more time.
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The five choices in the Grouping group control how the instances of each rubber element are grouped together
on the sheets. Manual means that the grouping will be taken from the values set in the List Rubber Elements
dialog box. None means that each item will be considered its own group. Low means only straight items will
be grouped together. Medium will do an intermediate level of grouping, but High will group together as many
instances of the element as possible. These controls are meant to let you find the balance between making
pieces easy to find and wasting the least rubber.
Click OK when done to return to Defaults.
Plastic cover
Some diemakers glue a plastic cover on top of the pieces of rubber to keep the board from sticking to the rubber
as the press operates. The plastic cover pieces are supported by pieces of rubber on all sides, including along
creases. The plastic cover extends slightly past the pieces of rubber underneath. Plastic cover pieces are not
generated for slots.
When Only in waste areas is selected, the plastic cover is used only to cover waste, not designs. When it is not
selected, it covers both waste and designs, but not slots. Also, when it is selected, it is nested as if it were a type
of rubber.
Offset from cut: and Offset from crease: both control how close the plastic cover gets to rule. Remember that it
needs to project slightly over the rubber but not touch the rule.
Subtract bolt holes and its associated fields work the same way as they do in the Bolt holes section of the
parameter set.
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Left allowance:, Right allowance:, Top allowance:, Lead edge:, and the options in the Relative to group all
determine how the plastic cover is positioned in reference to the edges of the layout.
Click OK when done to return to Defaults.
Rubber types
The Rubber types section of the parameter set is how ArtiosCAD determines which type of rubber to use in a
given location and also how to place it.
Rubber is assigned to lines on the basis of line type, knife location, knife side, slots, rule direction, and nicks. Use
this dialog box to modify existing selections, create new selections, or delete existing selections.
The line entries in the Rubber Parameters dialog are applied in order, starting with the first (top) one and moving
down through the list to find a match; each rule is compared with each selection in turn. The first selection that
the rule matches defines the rubber type for that rule. The more critical selections with high shore rubber, such
as for slots and nicks, should be first in the list.
To add a selection list entry, do the following:
1. Select an existing selection and click Insert.
2. A new selection is added to the table with the name of the rule from step 1 with (2) appended to its name.
3. Delete the text in the Selection name: field and enter the name for the new selection.
4. Enter the width of the rubber pieces in the Width: field, and the desired offset in the Offset from side of rule:
field. Select Use selection and set the type of rubber from the drop-down list box. (The type of rubber must
be defined in the Rubber Types catalog before it can be used in the parameter set.)
5. Click Selection. The Rubber Type Selection dialog box opens as shown below.
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In this dialog box you select the conditions that a piece of rule must meet in order to be rubbered by the type of
rubber selected. The checkboxes in the Line types: group and the Knife Location: group use OR logic, but the
two groups together use AND logic: Cut/knife OR Stripping rule OR Scrap knife OR Balance knife, and so forth,
AND of type Leading edge knife OR Exterior waste OR Interior slit, and so forth.
If the type of rubber you are defining is for slots, select Slots and enter the maximum width of the slot in the
Width limit: field. If you define more than one type of rubber for slots, the narrowest slot should be highest in the
list in the Rubber types dialog box, followed by the wider slots.
The other groups allow you to add more conditions to the rules that will receive this type of rubber; set them as
desired. Nicks have the following restrictions: For Short piece centered on nick, the Distance past nick: field
should be more than the width of the rubber. Also, for both of the first two options, the Minimum length should
be less than the remaining length lines which you do not want to have the nick rubber type.
For the Knife Location: group, refer to the picture and table below.
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Table: Knife locations for rubbering types
Number Location
1 Side
2 Trailing edge
4 Interior slit
5 Product side
6 Waste side
7 Common knife
8 Common waste
9 Interior waste
10 Leading edge
Once you have finished selecting the criteria for this rule, click OK to return to the Rubber Types dialog box.
1. Use the arrows at the right end of the list to move the selected rubber type selection either up or down in the
priority list.
2. Repeat the process as desired to add selection list entries.
3. Click OK when done to return to Defaults.
All rule types except crease and balance knife should select a rubber type (rubber on balance knives is optional
because this does not interfere with rubber on other rules). If you want no rubber on a particular rule type,
because you are going to put rubber there manually, you should select rubber type None for this rule type, and
still define an offset and a width, so ArtiosCAD knows how much space to leave for it.
For example, suppose you want no rubber on cut/crease. Copy the Cuts selection on the Rubber types tab,
change the name to Cut/crease, change the rubber to None, and change the selection to select Cut crease
lines. You can adjust the width and offset from rule for the rubber you are going to add manually.
If there are rules on the die with no rubber type defined, ArtiosCAD displays a warning dialog when you start the
Rubber Area tool. You can either show the rules with no rubber type defined, or you can ignore the error, in which
case surrounding rubber along nearby rules will cross the rules for which no rubber type is defined.
Rebuild options
The Rebuild Options entry in the Design defaults catalog lets you change behavior when rebuilding a single
design or running a standard.
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Automatically reinitialize subsequent variables reinitializes variables in subsequent menus which currently
match their default values. When this option is selected and you change a variable, any subsequent variable
depending on that variable which matched its default value before the rebuild started will get updated with the
new value. For example, with this option selected, if you change L, any variable in any subsequent menu which
depends on L gets automatically updated with the new value for L.
When this option is off, dependent variables are not automatically updated and are flagged for review in the
Rebuild Conflicts dialog box
Start rebuild at board menu controls whether you may choose a new board when rebuilding a design instead of
starting at the first visible menu.
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Show full screen sets the Rebuild, Run Standard, and Reports dialog boxes to the maximum size possible. If you
change the size of these dialog boxes manually, ArtiosCAD remembers these changes and uses your custom
sizes instead.
The options in the Variable labels... groups control what is shown to the left of the fields when running a
standard, rebuilding a design, using a geometry macro, or outputting a report. Choose from Variable name only,
Description only, Description and variable name, and Variable name and description. If Description only is
the chosen method and the variable description is blank, the variable name is used in parentheses. If there is no
documentation plot for the menu, the description is shown with the variable name in parentheses. These options
can be changed on the fly in the dialog boxes by clicking the tiny triangle above the variable list and selecting a
different display option.
Click OK to make the changes and return to Defaults, or click Cancel to discard the changes.
3D Hardware Options
To set the default values for the gutters and offsets when using Add Hardware in 3D, open the 3D Hardware
Options dialog box in the Startup defaults catalog.
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Change the values as desired and click OK to return to Defaults.
3D Import Options
Use the options in Startup defaults > 3D Import to control how ArtiosCAD imports solids.
Render both sides shows the inside and the outside of the solid.
Preserve origin on adding new solid keeps the 3D workspace origin set so that when you import solids, they
stitch together properly. When this option is off, ArtiosCAD adds solids centered behind existing solids.
Interactive preview shows the preview window, allowing you to choose which parts of multi-part solids to
import. When this option is off, ArtiosCAD imports all parts of multi-part solids.
Click OK to make the changes and return to Defaults, or click Cancel to discard the changes.
3D Rendering method
The 3D module can use two different rendering (display) methods, OpenGL (the default) and Direct3D. Which
method will perform better for you depends on the display adapter in your system. The main difference between
the two methods is how data is transferred between main system memory and the display adapter. Other
differences include:
• Shininess appears to work better when using Direct3D.
• ArtiosCAD using Direct3D takes longer to open a 3D workspace initially but once open draws it faster than
when using OpenGL.
• Using OpenGL allows the export of bitmaps with more pixels than with Direct3D
• In wireframe view mode, OpenGL seems to be able to display more lines.
• When ArtiosCAD and the Cortona VRML viewer both use Direct3D and are open at the same time, they
compete for resources and unpredictable results may occur. Change the rendering method in one of them
for better results.
To change the rendering method in Defaults, open the Startup Defaults catalog and double-click 3D Rendering
Options.
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Choose the option button for the method to use and click OK.
Use OpenGL for bitmaps enables ArtiosCAD to output bitmaps using OpenGL regardless of the screen
rendering method chosen. OpenGL supports the output of larger bitmaps than Direct3D.
Save and exit Defaults as usual. The change is effective immediately. You can also change it at any time by
clicking Options > 3D Rendering Options.
Database defaults
Database defaults configure the operation of the ArtiosCAD database. Click Options > Defaults, and in the
Shared Defaults pane, click Design Defaults > Database to open the Database dialog box.
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Enable Database, when checked, lets ArtiosCAD save information to the database. When the checkbox is clear,
no new information is saved to the database. Database information that already exists is retained.
Create Thumbnail in Format controls if ArtiosCAD creates thumbnail pictures of workspaces when designs are
saved. The thumbnails are stored in the database and are used by the database browsers.
The drop-down list box next to the checkbox controls the type of thumbnail created.
BMP with RLE compression is the default choice. It creates thumbnails in BMP format using run length
encoding compression.
JPEG Format creates thumbnails in JPG format, which is compressed but lossy (meaning some detail is lost).
Folded JPEG Format first tries to create a folded view for the thumbnail based on saved angles in a single
design. If there are no saved angles, a flat thumbnail is created. In each case JPEG format is used.
ArtiosCAD 3D causes ArtiosCAD to look for an .A3D file by the same name as the workspace being saved in the
same directory, and if found, that is used for the thumbnail. If it is not found, Folded JPEG format is used instead.
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Limit database browser results to controls how many records ArtiosCAD loads into the browser by default. This
is meant to avoid performance degradation for large databases. We encourage you to search for results rather
than scrolling through the available entries.
Use Resource View on Open and Save As, when checked, directs ArtiosCAD to use Resource View when
opening workspaces or saving them using Save As. Directory View is used when this option is not checked.
Show database dialog box when creating a new design, when checked, instructs ArtiosCAD to prompt you for
database information when you create a new design.
Show Create As dialog box when creating a new design, when checked, when checked, instructs ArtiosCAD
to prompt you for the filename and resource or directory in which the design is to be saved when creating a new
design.
Show database dialog box when saving, when checked, tells ArtiosCAD to prompt you for database information
when you save a workspace in a resource.
Synchronize disk file when saving in browsers, when checked, causes ArtiosCAD to modify the disk file for
the record you change in a database browser. This is independent of saving the record, which only affects the
database.
Add new characteristics when synchronizing, when checked, instructs ArtiosCAD to compare the
characteristics in a workspace being opened with those already in the database, and if there are new ones in the
file, prompts you to add them to the database.
Enable Skip DB button, when checked, lets you click Skip DB when saving a workspace so that you can save a
workspace with no corresponding database information.
Reset project document counter when copying projects, when checked, resets the counter for automatic
document naming in the newly copied Project.
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Typically, databases which run over WANs (Wide Area Networks), for example between plants, experience
slower network performance compared to those which run over faster LANs (Local Area Networks). By default,
ArtiosCAD requests a complete set of database entities each time the Database Information dialog box is
activated, which can lead to wait times if there are many records to download from the database server.
To address this, ArtiosCAD can store the Customer, Owner, Designer, Salesperson, Characteristics, and User
Fields entities from the Database Information dialog box in memory, as well as the boards, companies, company
types, and Resources. This is called caching.
Both ArtiosCAD and CAD-X can use this feature, and each will use more memory if it is enabled.
Once the database dialog box entries or other entities are loaded into memory, ArtiosCAD does not re-request
them from the database. If changes are made to the entities in the database itself, ArtiosCAD will not see them
until the cache is refreshed or a new ArtiosCAD session is started. To refresh the cache, click Database > Refresh
cache > Item.
ArtiosCAD can also search the database for specific records which match a pattern thus returning only a few
records instead of thousands. This feature is called pattern searching.
Note: These performance options do not apply to customized database information dialog boxes. To
use them, you must use the standard database information dialog boxes.
Caching
Toggle the Cache dialog box entries checkbox to enable and disable caching.
The table below lists how the fields in the Database Information dialog box behave when database dialog
box entry caching is turned on. The Database Information dialog box behaves the same for Single Design and
Manufacturing.
Table: Dialog box behavior when database dialog entity caching is enabled
Field Behavior
Customer and Owner All Customer and Owner entities are requested when the dialog box is first
accessed, and then they are cached.
Salesperson and Designer All Salesperson and Designer entities are requested when the drop-down list
box arrow for either field is first clicked, and then they are cached. They share
the same cache.
Characteristics button Characteristics are requested the first time the button is clicked, and then
cached. Only applicable to Single Design.
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Field Behavior
In addition to caching Database Information dialog box entries, when caching is enabled, ArtiosCAD also caches
boards, companies, company types, and Resources.
Once the database dialog box entries or other entities are loaded into memory, ArtiosCAD does not re-request
them from the database. If changes are made to the entities in the database itself, ArtiosCAD will not see them
until the cache is refreshed or a new ArtiosCAD session is started. To refresh the cache, click Database > Refresh
cache > Item.
Pattern searching
Another way to ensure robust database performance over a slow Wide Area Network for the Customer, Owner,
Designer, and Salesperson fields is to enable pattern searching by checking the Use pattern searching for
customers and owners and Use pattern searching for designers and salespeople checkboxes. To maintain
compatibility with previous versions, these checkboxes are both cleared by default.
When pattern searching is enabled, the Oneup Design Information and Manufacturing Database Information
dialog boxes change. The drop-down list boxes for the Customer, Owner, Designer, and Salesperson fields
disappear and the fields become disabled. In addition, there are ... buttons leading to dialog boxes which let
you search for records and then display details about the selected records, or display details if there is already
a selected record. Shown below is the Customer dialog box; all four dialog boxes act similarly, but only the
Customer dialog box has the New button.
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Pattern searching works by entering a few letters of a word, or a whole word, or a complete phrase, then
choosing a method of searching, and then clicking Find. The results of the search populate the drop-down list
box.
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These options allow you to choose what happens when entering database information for a single design, layout,
canvas, canvas Part, canvas layout, or Project.
Use standard dialog uses the dialog box that is included with ArtiosCAD.
Use custom dialog definition file enables the Customize button, which in turn leads to the Control Layout
Manager described in the next section. Using this feature requires the Information Enhancement option.
Use custom external application enables a field to specify the path to a custom program (such as an ERM
program) that controls information storage instead of the ArtiosCAD database. This custom application is not
provided or supported by Esko unless Esko provided it. Using this feature requires the Information Enhancement
option.
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On the left is the dialog box itself showing the tabs, groups, labels, fields, and buttons. On the right are the
language selector, size controls, the grid controls, the control catalogs, the Properties fields for the selected
item, and the OK, Test, Cancel, Open, and Save As buttons.
There is no undo functionality in the Control Layout Manager, but you can click Cancel to discard all changes
and then start again. This is especially useful for canvases as there is no option to revert to using the default
dialog box.
Each language of ArtiosCAD can have different customized database information boxes. Choose the language
for the current dialog box in the Language drop-down list box.
To change the size of the dialog box, adjust the values in the Dialog Size: fields, or select the edge of the dialog
box within the definition window and drag it to the desired position. To make a dialog box larger than the current
one, resize the Control Layout Manager dialog box itself using standard Windows methods, and then increase
the size of the dialog box window.
Enable Common Area toggles the common area that ArtiosCAD shows when the dialog box has multiple tabs.
For more information about tabs, see Working with Tabs.
Enable Grid and Spacing(px) control the appearance and spacing of the alignment grid. Turn on the grid to
have controls snap to the nearest point when you drag them. The number in the Spacing(px) field is the number
of pixels.
To add a control, select it from the catalog and drag it to the desired position. You may also double-click it; it will
appear at the top left of the dialog box, and you may then select it and drag it to the desired position.
To select multiple controls at once, hold down SHIFT or CTRL and click each control. Alternately, you may
make a rectangular marquee selection around the desired controls. The selection rectangle must completely
encompass the controls. Be careful about selecting anything too close to the edge of a group box as you might
accidentally select the box and not the objects within it.
To remove a control, select it and press Delete on the keyboard.
To move a control, select it and drag it to the desired position, or select it and use the Position: fields in the
Properties group to adjust its position. You can also select it and use the arrow keys to move it in one-pixel
increments.
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Removing and moving multiple controls work the same way; just select them first.
To resize a control, select it, and use the handle points to change its size as desired, or select it and use the Size:
fields in the Properties group to adjust its size.
To change text in a control, select it, and then change the contents of the Text: field in the Properties group.
To change the translation for a control, select it, and then click More Options (…) at the end of the Properties
field. Enter the desired translations in the appropriate fields in the Text Language Options dialog box. If a field
is empty, ArtiosCAD uses the text in the Default Text field. Click OK when done to return to the Control Layout
Manager.
When editing a field in the Properties group, or a Dialog Size: field, click in another field or select a different
object to activate the changes made to the first object. Do not press Enter as that is interpreted as clicking OK
and will thus close the dialog box.
Click OK to save the changes to the dialog box and close the Control Layout Manager. The single design dialog
box is saved as DBDlgDesignDef.xml, the canvas dialog box is saved as DBDlgCanvasDef.xml,
the canvas Part dialog box is saved as DBDlgPartDef.xml, the canvas layout dialog box is saved as
DBDlgLayoutDef.xml, the manufacturing dialog box is saved as DBDlgMFGDef.xml, and the Project
dialog box is saved as DBDlgProjectDef.xml, both in ServerLib or ClientLib depending on which set of
defaults was changed.
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Click Cancel to discard the changes to the dialog box and close the Control Layout Manager.
Click Test to open a sample dialog box that previews the final result.
Click Save As to save the dialog box layout to a file.
Click Open to open a previously-saved dialog box layout file.
Shown below is a modified Database group in the Control Layout Manager and then in the test dialog box.
Note: Database performance options do not apply to customized database information dialog boxes. To
use them, you must use the standard database information dialog boxes.
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You can only set the Tab key order for fields that you can change in the dialog box. Labels and read-only fields
do not have Tab key order settings.
To change the Tab key order manually, do the following:
1. Select a field or button with a blue number after it by either clicking it in the dialog designer or in the list on
the right.
2. Use the arrows to the right of the list to change its position, or
3. Drag and drop the entry to its new position.
Automatically Calculate Tab Order assigns Tab key orders to elements horizontally from top to bottom of the
dialog box.
Each tab of the dialog box has its own Tab key order. The common area is always after the current tab.
If you have added some controls to the dialog box, you must save those changes, exit the control layout
manager, and re-enter it in order to set the Tab key order on those new controls. ArtiosCAD puts the new
controls at the end of the list.
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If you have upgraded from a previous version of ArtiosCAD, the default database information dialog box uses one
tab and the common area is not enabled.
Adding a Tab
To add a tab, click the plus sign in brackets.
Renaming a Tab
To change the name of a tab, double-click its current name and enter a new name in the field. Press Return
when done.
Tab names are specific to the selected language in the Language drop-down list box. The first name you enter
for a new tab is the default for every language. To change the name of a tab in a different language, first select
the different language, then change the name of the tab.
Deleting a Tab
To delete a tab, click the red X on the tab.
Adding Controls
To add a control to a tab, drag it as usual from the list on the right to the desired position on the tab. Note that
you cannot drag controls between the common area and a tab. In that case, delete the control and re-add it in
the desired position.
Selecting Controls
You may only select controls, either singly or multiply, in either the tabbed area or the common area, but not
both.
Version Interpretation
If you share customized database dialog definition files between system that are different versions, the following
rules apply:
• ArtiosCAD 16.1.1 or later reading a definition created in an earlier version: One tab, no common area.
• ArtiosCAD 16.1.1 or later sending a definition file to an earlier version: Only the controls from the first tab and
common area are shown by the earlier version.
• An ArtiosCAD version earlier than 16.1.1 reading a definition created in 16.1.1 or later: 16.1.1 creates a dual-
format definition file with a tabbed interface section and a flat interface section. An earlier version reads the
flat interface section and ignores the tabbed interface section (but remembers it).
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• An ArtiosCAD version earlier than 16.1.1 writing a definition read by 16.1.1 or later: Writes a flat version. If you
use this to overwrite a tabbed version on a different system, the tab information will be lost.
<UNITS>IMPERIAL</UNITS>
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<DESIGN>
<NAME>BOX1.ARD</NAME>
<REV>0</REV>
<REVNUM>0</REVNUM>
<PATH>D:\Esko\Artios\Designs\</PATH>
<REVDATE>2018-03-21</REVDATE>
<SAVEDATE>2020-02-12</SAVEDATE>
<DESC>Long Description</DESC>
<SHORTDESC1>Short 1</SHORTDESC1>
<SHORTDESC2>Short 2</SHORTDESC2>
<SHORTDESC3>Short 3</SHORTDESC3>
<AUTH>Auth</AUTH>
<REVDESC>Rev Desc</REVDESC>
<LENGTH>9.000000</LENGTH>
<WIDTH>8.000000</WIDTH>
<DEPTH>7.000000</DEPTH>
<GRAINDIR>2</GRAINDIR>
<CAL>0.016000</CAL>
<BLANKLEN>34.718750</BLANKLEN>
<BLANKHEIGHT>25.000000</BLANKHEIGHT>
<AREA>536.480896</AREA>
<RULELEN>236.029770</RULELEN>
<RESOURCE>
<ID>1</ID>
<NAME>ArtiosDesigns</NAME>
<RELPATH>Esko\Artios\Designs</RELPATH>
<PATH>D:\Esko\Artios\Designs</PATH>
<MASTER>1</MASTER>
<ACTIVE>1</ACTIVE>
<INHERITAUTONUM>1</INHERITAUTONUM>
<SERVER>
<ID>1</ID>
<NAME>D-Drive</NAME>
<PATH>D:\</PATH>
</SERVER>
</RESOURCE>
<SIDE>-1</SIDE>
<BOARD>
<ID>86</ID>
<CODE>I-SBS-16</CODE>
<DESC>I-SBS-16</DESC>
<FLUTE></FLUTE>
<TESTCODE></TESTCODE>
<CAL>0.016000</CAL>
<TESTVAL>0.000000</TESTVAL>
<IL>0.008000</IL>
<OG>0.008000</OG>
<CRRV>0.031250</CRRV>
<BASISWEIGHT>64.000000</BASISWEIGHT>
<BASISCOST>72.000000</BASISCOST>
<WORKSPACE>0</WORKSPACE>
<LINER1></LINER1>
<MEDIUM1></MEDIUM1>
<FLUTE1></FLUTE1>
<LINER2></LINER2>
<MEDIUM2></MEDIUM2>
<FLUTE2></FLUTE2>
<LINER3A></LINER3A>
<LINER3B></LINER3B>
<MEDIUM3></MEDIUM3>
<FLUTE3></FLUTE3>
<LINER4></LINER4>
<MEDIUM4></MEDIUM4>
<FLUTE4></FLUTE4>
<LINER5></LINER5>
<TRANSPARENCY>0.000000</TRANSPARENCY>
<OUTCLR_DIFFUSE>13158600</OUTCLR_DIFFUSE>
<OUTCLR_SPECULAR>0</OUTCLR_SPECULAR>
<OUTCLR_AMBIENT>3947580</OUTCLR_AMBIENT>
<INCLR_DIFFUSE>11780038</INCLR_DIFFUSE>
<INCLR_SPECULAR>0</INCLR_SPECULAR>
<INCLR_AMBIENT>3488059</INCLR_AMBIENT>
<OUTTEX_IMAGE></OUTTEX_IMAGE>
<OUTTEX_HEIGHT>0.000000</OUTTEX_HEIGHT>
<OUTTEX_WIDTH>0</OUTTEX_WIDTH>
<INTEXT_IMAGE></INTEXT_IMAGE>
<INTEX_HEIGHT>0.000000</INTEX_HEIGHT>
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<INTEX_WIDTH>0</INTEX_WIDTH>
<FLUTETEX_IMAGE></FLUTETEX_IMAGE>
<FLUTETEX_OPT>0</FLUTETEX_OPT>
<FLUTETEX_WIDTH>0</FLUTETEX_WIDTH>
</BOARD>
<CUSTOMER>
<WORKSPACE>0</WORKSPACE>
<ID>4</ID>
<PUBID>-1</PUBID>
<NAME>Bill55</NAME>
<NUMBER></NUMBER>
<LOCATION>Bill55Bill55Bill55Bill55Bill55Bill55Bill55Bill55B</LOCATION>
<ADDR1>40 westover roadBill55Bill55Bill55Bill55Bill55Bil</ADDR1>
<ADDR2>Bill55Bill55Bill55Bill55Bill55Bill55Bill55Bill55B</ADDR2>
<CITY>ludlow</CITY>
<STATE>ma</STATE>
<ZIP>01056Bill55Bi</ZIP>
<COUNTRY>usa</COUNTRY>
<PHONE>413 583-4134</PHONE>
<FAX>Bill55Bill55Bill55B</FAX>
<TYPE>Converter</TYPE>
</CUSTOMER>
<OWNER>
<WORKSPACE>0</WORKSPACE>
<ID>5</ID>
<PUBID>-1</PUBID>
<NAME>Red Mountain Industries</NAME>
<NUMBER></NUMBER>
<LOCATION></LOCATION>
<ADDR1></ADDR1>
<ADDR2></ADDR2>
<CITY></CITY>
<STATE></STATE>
<ZIP></ZIP>
<COUNTRY></COUNTRY>
<PHONE></PHONE>
<FAX></FAX>
<TYPE></TYPE>
</OWNER>
<SALESPERSON>
<WORKSPACE>0</WORKSPACE>
<ID>4</ID>
<PUBID>-1</PUBID>
<NAME>R. MERIWETHER</NAME>
<FIRSTNAME></FIRSTNAME>
<SHORTNAME></SHORTNAME>
<NAME></NAME>
<NUMBER></NUMBER>
<LOCATION></LOCATION>
<ADDR1></ADDR1>
<ADDR2></ADDR2>
<CITY></CITY>
<STATE></STATE>
<ZIP></ZIP>
<COUNTRY></COUNTRY>
<PHONE></PHONE>
<FAX></FAX>
<TYPE></TYPE>
</SALESPERSON>
<DESIGNER>
<WORKSPACE>0</WORKSPACE>
<ID>3</ID>
<PUBID>-1</PUBID>
<NAME>GELIN</NAME>
<FIRSTNAME>CHRISTOPHE</FIRSTNAME>
<SHORTNAME></SHORTNAME>
<NAME></NAME>
<NUMBER></NUMBER>
<LOCATION></LOCATION>
<ADDR1></ADDR1>
<ADDR2></ADDR2>
<CITY></CITY>
<STATE></STATE>
<ZIP></ZIP>
<COUNTRY></COUNTRY>
<PHONE></PHONE>
<FAX></FAX>
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<TYPE></TYPE>
</DESIGNER>
<CHARACTERISTICDATALIST>
<CHARACTERISTICDATA>
<CODE>DISP</CODE>
<DESC>Displays</DESC>
</CHARACTERISTICDATA>
<CHARACTERISTICDATA>
<CODE>OTH</CODE>
<DESC>Other</DESC>
</CHARACTERISTICDATA>
<CHARACTERISTICDATA>
<CODE>SHIP</CODE>
<DESC>Shipping carton</DESC>
</CHARACTERISTICDATA>
</CHARACTERISTICDATALIST>
<USERFIELDDATALIST>
<USERFIELDDATA>
<ID>101</ID>
<VALUE>07/11/2018</VALUE>
</USERFIELDDATA>
<USERFIELDDATA>
<ID>9909</ID>
<DESC>Sale Date</DESC>
<VALUE>hjgg>>></VALUE>
</USERFIELDDATA>
<USERFIELDDATA>
<ID>99</ID>
<VALUE></VALUE>
</USERFIELDDATA>
<USERFIELDDATA>
<ID>9906</ID>
<DESC>Sale P.O. Number</DESC>
<VALUE></VALUE>
</USERFIELDDATA>
<USERFIELDDATA>
<ID>9914</ID>
<DESC>Pallet Width</DESC>
<VALUE>0.000000</VALUE>
</USERFIELDDATA>
</USERFIELDDATALIST>
</DESIGN>
</ARTIOSDBDOC>
For more information about using a custom application, contact Professional Services.
The folowing table shows which database fields ArtiosCAD processes according to the context of the XML file.
Authorization Owner
RevDescription Salesperson
Designer
ARD X X X X X
MFG X X X
ACD X X X X X
ACD_Part X X X X
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ACD_Sheet_Part X X
Click OK to save the changes made to Database defaults and return to the main Defaults dialog box. Click Apply
to save the changes but remain in the Database defaults dialog box. To discard all changes and return to the
main Defaults dialog box, click Cancel.
Name and Number are fields you set for a company in the Company browser in DataCenter Admin. Note that
Number can be any number you set; it is not calculated. Choose the display format as desired.
Any changes made in this group will not appear in the Default Selections group in this dialog box until you click
OK and then open the Database defaults again.
Shown below is an example in the Oneup Database Information dialog box when Number, Name is the chosen
option in Company Selection Display.
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Spell checking
If you have Microsoft Word installed on your system, ArtiosCAD can use its spell checking functionality in Single
Design and Manufacturing in most places where you enter text using a field in a dialog box. This feature is turned
on by default. You may turn it off in the Paragraph Text tool and in text fields by using the Spelling dialog box in
the Startup Defaults catalog.
Toggle the Enable spell checking checkbox as desired, and click OK to save the change and return to the main
Defaults dialog box.
Note: This setting does not affect document-wide spell check using Tools > Check Spelling. It is
available regardless of the state of this checkbox.
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Show nudge options in select tool controls the availability of the nudge modes. When it is selected, they are
active. When it is cleared, nudge moves by a pixel.
Set the three mode selectors as desired. They determine which nudge modes are active when a tool which
supports nudge is started.
The values in the Fixed values group control the distance used by the Nudge by a Fixed Value mode. Set them
as desired.
Note:
If you change the nudge options or Defaults while a Select tool is active, the tool will be restarted to
update it and the current selection will be lost.
Hatch Defaults
ArtiosCAD stores Defaults for the Hatch tool in three locations: the Hatch Catalog, Property defaults > Hatch,
and Startup defaults > Hatch tool options.
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To add a folder to the catalog, right-click the folder which will contain the new folder, then click New > Folder. To
add a new entry to a folder, right-click the folder and then click New > Data.
To remove a folder or an entry, right-click it and click Delete on the context menu. ArtiosCAD will ask you to
confirm the deletion.
To change an entry, double-click it and change the properties as desired. The Hatch Properties dialog box is the
same as it is in drawing mode.
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The Hatch Properties are the same as in drawing mode; set them as desired and click OK to return to Defaults.
In the Tool select option and Offsets groups, set the options as desired.
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Prompt before changing layers, when checked, makes you confirm changing layers to the layer specified in a
Hatch Catalog entry’s Placement Options dialog box. Restore layer on tool exit, when checked, returns you to
the layer you were in if the layer changed due to using a Hatch Catalog entry with a layer assignment.
When you are done setting the options as desired, click OK to return to Defaults.
Clicking the information icon will describe what happens when you run the standard.
9. Click OK to save the changes.
10. Save and exit Defaults normally.
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b)
Convert the 2D workspace to 3D and set the base face and fold angles. The standard may already
have this information set in it.
c) Close the 3D workspace, making sure to leave Save fold angles and view settings... selected. You may
save or discard the 3D workspace as desired; you do not need it for the standard.
d) Save the 2D workspace.
2. Copy the workspace to the Shared Defaults folder or Project so everyone will be able to use it.
a) For ArtiosCAD Standard Edition, using Windows Explorer, copy the 2D workspace from where you saved it
to ..\Esko\Artios\ServerLib.
b) For ArtiosCAD Enterprise, save or upload the 2D workspace to the Standards subfolder of the Shared
Defaults Project. Depending on how the Shared Defaults Project security is configured, you may need
administrator privileges for this.
3. Add the standard to a Style Catalog.
a) In ArtiosCAD, click Options > Defaults to open Defaults.
b) Scroll down the list of Shared defaults and open the Style catalog catalog.
c) Right-click the folder in which you will place the new standard and click New > Data. To make a new
subfolder, right click its parent folder and click New > Folder.
d) Enter the name of the new standard as you want it shown in the style catalog and press Enter when
done.
e) Double-click the new standard entry to open its Properties dialog box.
f) Make sure the Standard Type is set to ArtiosCAD.
g) Click … (Browse) at the end of the Filename field to navigate to ServerLib for ArtiosCAD Standard
Edition, or the Standards subfolder of the Shared Defaults Project for ArtiosCAD Enterprise, and then
double-click the workspace. Its filename should appear in the Filename field.
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h) Click OK.
4. Click File > Save and click Yes to overwrite Shared defaults.
5. Click File > Exit to exit Defaults.
6. To test the standard, do the following:
a) Click File > Run a Standard.
b) Navigate to the new standard and select it.
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c) Click OK to run the standard. Select a board code and set the style choices in the menus.
d) Convert the 2D workspace to 3D. ArtiosCAD will use the saved fold angles you set in step 1.
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e) If everything is correct, you may now start using the standard. If it is not correct, adjust the workspace in
ServerLib or the Shared Defaults Project.
Preparation
Before adding a LASERPOINT IQ standard to ArtiosCAD, it is necessary to locate the LASERPOINT IQ files
needed to run the standard. The name can be determined using Menu Management. Locate the standard to add
and select the Edit option. This will show a standard name which looks like one of the following entries:
• EXE STDMENU WITH ‘XYZ’ This is an entry for a L ASERPOINT IQ 2.0 format standard whose name is XYZ. You
will need the files XYZGEOM and XYZW.
• XYZ. This is an entry for a pre-LASERPOINT IQ 2.0 standard whose name is XYZ. You will need the file XYZ and
there may also be a file called XYZW containing documentation plots.
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The files for the standard you are migrating are probably in your \LP\USER_LIBI directory. Copy them to ..
\Esko\Artios\ServerLib.
Note: Move the standard to sub-folders in your style catalog if desired to give a more structured
organization.
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Missing files
LASERPOINT IQ standards may be created based on other standards or attachments. You must copy the files for
the standards to run in the ArtiosCAD environment. Any missing files will be shown in error dialog boxes when a
standard is run. Remember to copy all the files – for example, if ATTACHGEOM is missing, you will also need the
associated ATTACHW file.
LASERPOINT IQ 2-4 standards may need to be set up using the INTERACT type if they used elements from
before LASERPOINT IQ 2.0. This is set by changing to the standard type INTERACT/LP/IQ1, clicking Advanced,
and selecting the framework Non-standard IQ2-4.
INTERACT/LP/IQ1 standards that fail to run properly can be tried with alternative frameworks by clicking
Advanced and selecting one of:
• LP/IQ1
• INTERACT design standard
• Designer Edition
Preparation
Before you can add Designer WorkBench designs to a Style Catalog, ArtiosCAD needs to be told the location of
the DWB resources. You will need to know the directories used for the DWB resources and then add these to the
ArtiosCAD environment. The steps to do this are:
1. Start DataCenter Admin and double-click Server.
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2. Check that there is a server set up for the drive letter where your DWB designs are located. Add a new server
as necessary. For example, if your DWB designs are on the D: drive, click the Insert icon, give the new server
a name and select D: as the server path. Click Insert to add the server.
3. Double-click Resource.
4. Do the following for each DWB resource:
Click the Insert icon, give the resource a name, pick the server and the path for the resource. Click
Insert to add the resource.
5. When complete, save the changes and close DataCenter Admin.
Note: The standard can be moved to sub-folders in your style catalog, if desired, to give a more
structured organization.
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3. Note the filename in the Workspace field. This is the file to copy out of InstLib into ServerLib or open
and save into the ACadDefaults_Shared Project.
b) If you are using ArtiosCAD Enterprise, use the Explorer node of the Browser to navigate to ..\Esko
\Artios\ArtiosCAD_Enterprise<version>\InstLib. Find the file in the File pane and
double-click it to open it. Next, save it to the ACadDefaults_Shared Project.
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5. Click f(x) at the end of the Formula field to graphically edit the expression.
6. In the Edit Expression dialog box, click the VAL: line in the expression builder.
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8. Close the Advanced StyleMaker dialog box and save the file.
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3. Select a board code and enter the basic dimensions as usual. For this example, we will use 4, 2, and 6 as the
length, width, and height.
4. On the Width flap menu, the Flap Height (FH12) variable, which used to be 1+1/2 based on the old formula,
should now be 1+5/8 based on the changed formula in the modified workspace. Click OK to finish running the
standard.
5. Use the dimensioning tools to verify the flap is the correct height. On the left is a flap based on the delivered
RDT; on the right is a flap based on the customized RDT.
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There are two UNITS branches, one for metric (When UNITS M), and one for Imperial (When UNITS I).
Click the plus signs next to them to open them for examination.
Translating the formula into words, the flap height size is set by a range of sizes of the caliper.
• For metric, if the caliper is less than or 4mm, the tuck flap height is 30mm. If the caliper is between exactly
4mm and 7mm, the tuck flap height is 35mm. If the caliper is more than 7mm, the tuck flap height is 40mm.
• For Imperial, when the caliper is less than 5/32”, the tuck flap height is 1+3/16”. When the caliper is between
5/32” and 9/32”, the tuck flap height is 1+3/8”. If the caliper is more than 9/32”, the tuck flap height is 1+9/16.”
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Since you only work in metric, you can remove the When UNTS I branch by clicking When UNITSI: STEP(CAL)
and then Delete. The contents of the Current Expression field change to match.
Since you always want FL1 to be 35, select When CAL<4:FL1 = 30 and click Delete. Then select Step Otherwise:
FL1 = 40 and click Delete.
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Click OK to return to the Advanced StyleMaker dialog box. The value of field FL1 is now simply 35.
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Double-clicking New Design Template opens the New Design Template dialog box for the current parameter
set. Select the Use Design Template checkbox and choose a standard from one of the catalogs shown.
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Only standards of type ArtiosCAD can be used as new design templates, so only those are listed in the dialog
box. INTERACT, LASERPOINT, and LASERPOINT IQ standards may not be used as design templates.
The design template does not have to draw any geometry - you can simply set default variables, menus, and
layers in it, and they will be copied into each new workspace made by the template.
Settings in the parameter set for the board code, bridging formula, sideness, and property defaults take
precedence over those settings in the template.
The design template is used only when explicitly creating a new single design. It is not used when creating a new
embedded design in Manufacturing or when moving lines to a new design with the Move To Layer tool.
2. Click Add and enter the name of the new default layer in the New Default Manufacturing Layer dialog box.
Click OK when done.
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3. The new layer will appear in the dialog box already selected.
All of the default layers, whether created in the manufacturing file or not, will also be available for selection on
the View tab of any Output when the User Defined layer set selection is active.
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Toolbars
In ArtiosCAD you can change the background of toolbars and create customized toolbars to suit your needs. As
with other Defaults, you can define toolbars either on a per-machine basis (User defaults) or on a server basis
(Shared defaults). Customized toolbars can contain buttons for ArtiosCAD tools, geometry macros, Outputs, and
menu commands.
Customized toolbars
Customized toolbars are managed by the Customized Toolbars catalog in Defaults. ArtiosCAD displays up to 150
customized toolbars in Single Design and canvases and 149 customized toolbars in Manufacturing, with each
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toolbar holding a maximum of 15 items. You can define more than the number of displayed customized toolbars
per module, but ArtiosCAD will display a random assortment in the Customized Toolbars Master Control.
3D does not offer customized toolbars.
Each item on a customized toolbar must have a unique name. If there are items with the same name (for
instance, one in Shared Defaults and one in User Defaults), ArtiosCAD executes the first one it finds when you
click the button on the toolbar.
Shown below is the Customized Toolbars catalog in Shared defaults. The individual folders are empty until you
create customized toolbars within them.
Single designs and canvases share the same customized toolbars, but the position and visibility can be different
between them.
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4. Replace New Data 1 with the name of the new custom toolbar. Press Enter when you have entered the
name and then double-click the new entry to access its Properties dialog box.
5. The Properties dialog box for the custom toolbar will appear.
6. In the top half of the dialog box, choose the tab containing the item that will be replicated on the customized
toolbar. Items from each category can be added to the same customized toolbar.
On the Toolbars tab, select the toolbar to copy from by using the ArtiosCAD Toolbars drop-down list box. On
the Geometry Macros and Outputs tabs, expand the catalogs to access the individual geometry macros and
Outputs. On the Commands tab, simply select the desired command.
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7. Drag the desired tool, geometry macro, Output, or command from the top pane to the Tools in the Custom
Toolbar group. Repeat as desired, putting up to 15 items on the customized toolbar. Shown below is act of
dragging a command to the Tools in the Custom Toolbar group.
8. To change the icon used for this customized toolbar in the Customized Toolbars Master Control, enter the
name of the icon file you created previously and placed in ServerLib in the Toolbar Icon group.
To create a customized toolbar for users of the current machine only, create a new Customized Toolbars catalog
by right-clicking in the User defaults pane, clicking New, selecting Customized toolbars, and following the
procedure above for Shared defaults.
To delete an item from a customized toolbar, drag it to the Recycle Bin icon at the bottom right of the Tools in
the Custom Toolbar group.
To delete a custom toolbar, delete its entry from the catalog.
When adding an Output or a geometry macro to a toolbar, the number ArtiosCAD assigns the button will remain
static and cannot be changed by deleting other buttons.
Note: The title of a customized toolbar may appear incorrectly after you save it. Undock and redock the
toolbar or restart ArtiosCAD to fix it. It will appear correctly thereafter.
Colored toolbars
Each toolbar in ArtiosCAD can have a different background color to make it easier to identify.
Color definitions in User defaults override those set in Shared defaults.
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1. Start ArtiosCAD and click Options > Defaults.
2. Open the appropriate Customized toolbars catalog (either the one in Shared defaults or one in User Defaults)
by clicking the plus sign (+) next to it.
3. Double-click ArtiosCAD Toolbars colors. The ArtiosCAD Toolbars colors dialog box will appear.
4. Click the button of the toolbar to change and click Toolbar color to open the Toolbar color dialog box.
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5. Click the color to set as the toolbar background and click OK.
To reset the toolbar background color to the default, click Set to System Color and then click OK.
6. The Toolbar color button in the ArtiosCAD Toolbars colors dialog box will change to the color you selected.
7. Repeat steps 4 and 5 as desired. When done, click OK to return to Defaults, or click Cancel to discard the
changes.
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6. The Toolbar color dialog box will appear. Click the color to set as the toolbar background and click OK.
To reset the toolbar background color to the default, click Set to System Color and then click OK.
7. The Toolbar color button in the customized toolbar’s Properties dialog box will change to the color you
selected.
8. Repeat as desired for other customized toolbars. When done, click OK to return to Defaults, or click Cancel to
discard the changes.
Clicking Hover color leads to a color palette in which you can choose a new hover color.
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Use Gradient toggles the display of a gradient on the hover color. The gradient is not adjustable.
Shortcuts
Shortcuts are keyboard sequences that activate ArtiosCAD commands, such as pressing CTRL-N for a new
single design workspace. Shortcuts are organized by where they are used: 3D, Design (single designs and
canvases), and Manufacturing. Shortcuts can also be assigned to Outputs and geometry macros.
Every menu command can have a shortcut assigned to it.
Shown below are the categories for menu commands in the Shortcuts Catalog in Shared Defaults.
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To create menu command shortcuts in User Defaults, right-click in the User Defaults pane, click New, and then
click Shortcuts. A Shortcuts Catalog is created with the three entries for the types of menu command shortcuts.
Save the User Defaults after creating the Shortcuts Catalog but before adding to it.
4. Scroll down to the View menu, and double-click Direction under View Options.
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5. An empty Shortcut dialog box appears. Press the key combination to assign to the Direction command. For
this example, press ALT-D. The key sequence and the command to which it will be assigned appear as you
press it. The command is followed by the type of shortcut (system or user) and the area of ArtiosCAD in
which it is active.
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9. Click File > Save to save the Shared Defaults. The new shortcut is now ready for use in Builder and Designer.
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The shortcut at the top of the list has the highest priority and will prevent other shortcuts assigned the same key
sequence in the same module from working. However, if the other key sequences are in other modules, there will
be no conflict when the shortcut is used.
Shortcuts in User Defaults take priority over those in Shared Defaults. Within User Defaults, menu items take
priority over geometry macros, and geometry macros take priority over Outputs. If a shortcut is assigned to the
same command in all three subcatalogs, the one in Design is listed first, then the one in Manufacturing, and
finally the one in 3D.
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Table: Permanent Shortcuts
Command Shortcut
New 3D CTRL-3
Help F1
Next Pane F6
Properties ALT-Enter
Tack Bridging
Tack bridging formulae are stored in the Tack Bridging Catalog.
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Set the distance between tack bridges in the Tack distance: field and set the width of each tack bridge in the
Tack width: field.
The One-sided and Two-sided option buttons control if the tack bridges are cut only toward the interior of the
carton or toward the interior of the carton and the exterior of the carton.
The Simple, 90 degree, 120 degree, 135 degree, and Arc tack bridge option buttons all set the style of tack
bridge as shown in the pictures in the dialog box.
Click OK to save the changes to the Tack Bridging formula and return to Defaults, or click Cancel to return to
Defaults, discarding the changes.
Bridging Formulae
ArtiosCAD’s default bridging formulae are stored in the Artios subfolder of the Bridging Catalog. There are
corrugated and folding carton bridging formulae in Imperial and metric units. Shown below is the Corrugated -
Metric bridging formula set for evenly spaced bridges.
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The drop-down list box controls all the other settings in this dialog box. The No bridges selection removes
all other settings from the dialog box. Evenly spaced and Inset distance from line end are explained in the
following sections.
If the length of the line or arc is less than or equal to the value in the field, the integer to the left of the field is the
number of bridges applied to the line or arc. If the length of the line or arc is greater than the value in the field,
the limit is skipped and the next limit is applied. Click Add limit to add a limit; click Delete limit to delete a limit.
After all the limits are met, the lines and arcs are bridged according to the value shown after then bridge every
X.XX where X.XX is the difference between the last two limits.
There must be at least one limit per group.
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The length of the bridges will be the value on the left if the line or arc length is less than or equal to the length
on the right.
Click Add limit to add a limit; click Delete limit to delete a limit. There must always be at least two limits - one
less than or equal limit, and one if longer limit.
Rules shorter than the Minimum rule length to bridge will not be bridged. Rules whose length is between the
Minimum rule length to bridge value and the Min rule length for full inset distance will have only one bridge.
Rules longer than the value in Min rule length for full inset distance will have the two inset bridges, plus more
bridges if the two inset bridges are further apart than the value in Maximum distance between bridges. The
Inset distance is the distance from the ends of the line to the centers of the inset bridges. Bridge centers can
be no closer than the Minimum distance between bridges, and cannot be further apart than the Maximum
distance between bridges.
The Advanced tab adds two parameters to the group:
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These two fields are used when migrating bridging formulae from The Designer WorkBench into ArtiosCAD. Set
the Inset factor to 0.285. The One Bridge Minimum equals the Minimum distance to bridge. The Inset Factor
Limit is half the Maximum distance between bridges.
The options in the Width of Bridges group work the same for Inset formulae as they do for Evenly spaced
formulae.
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4. In the Shared defaults pane, scroll down the list to Import Tuning Table. Optionally, expand it by clicking the
plus sign (+) next to it.
5. Right-click Import Tuning Table (or a folder underneath it if you expanded the catalog) and click New > Data
on the context menu.
6. In the Select import type list box, select PDF and click OK.
7. Enter a name for the new tuning file and press Enter.
A tuning catalog entry has been created with specified name.
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Create Acrobat Layers from Top-Level Layers option must be selected when saving the file in PDF format,
otherwise the file will be flattened and no layer information will be preserved.
To edit a PDF vector import tuning catalog entry, start ArtiosCAD and follow the instructions in Opening a PDF
vector import tuning catalog entry to open it.
Once you have the tuning catalog entry open, set the options according to the procedure described below.
1. In the Import As group, select either Oneup, Layout, or Auto-Detect. Oneup means that this tuning catalog
entry will always be used with PDF files containing single designs. Layout always processes the PDF files as
if they contain multiple single designs. Auto-Detect reads the geometry of the vectors and process the file
appropriately.
2. Set the Design Side and Die Side list boxes to appropriate values (Inside or Outside and Die Back Side or
Die Knife Side) for the incoming PDF data.
3. In the Flute or Grain group, choose either Vertical or Horizontal for the direction of the material used to
manufacture the workspace.
4. The controls in the Mapping group determine how ArtiosCAD converts vectors from the PDF data into design
lines. The easiest way to set this up is to use an existing PDF file as a template. You may need to do this for
each supplier of PDF files (in separate tuning files) depending on the software they use to create them.
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5. Click Template.
6. Select the PDF file to use as a template and click Open. If the PDF file contains more than one page, select
the page to use as the template.
7. In the preview image, select a line and then set what it should be in the ArtiosCAD Design Attributes group.
In the example below, the edge was selected and set to be cut lines in the Main Design layer at pointage 2.
The Zoom controls above Apply and Help let you change the view so you can select the lines you need to
tune more easily.
8. Continue selecting lines in the preview and defining their properties in the ArtiosCAD Design Attributes
group. If you make a mistake, select a line of tuning and click Delete. ArtiosCAD applies the tuning entries
in a top-down order. In the example above, it will set all the lines with color Artios_cut to be Cut lines, and
then it will set all the lines with color Artios_crease to be Crease lines. Shown below is the same dialog box
as above with more line types tuned. You can change the processing order by selecting a line of tuning and
clicking the up and down arrows at the edge of the group control.
9. After you have finished selecting all the lines in the preview to tune, click Insert to add a final line of tuning.
This final line of tuning will send all lines that are not explicitly tuned to the Annotation layer as 2-point
Annotation lines.
a) For this final line of tuning, set the controls in the PDF attributes group to any, any, and any.
b) In the ArtiosCAD Design Attributes group, set the Layer to Annotation, the Line type to Annotation,
and the Pointage to 2.
10. Click Color Names to change the names of the colors coming in from the tuning template. In the Color
Names dialog box, you can rename an existing color by selecting it and changing the Name: field. For
example, if you have a color defined as 100% magenta, 30% yellow, and 15% black, you could select it and
rename it reddish. You can also insert and delete color definitions as desired using Insert and Delete, but
selecting lines in the template is the intended way of inserting color names initially.
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a) There are two colors with special meaning. White matches all paths that have no color assigned or that
have 0% for all components. Uncolored matches all paths that are not rendered in the PDF file, such as
guides and clipping paths.
11. Click Options to open the PDF Import Options dialog box.
a) Import text as outlines controls if text is imported or ignored and also controls the availability of the
two sub-options. Add to annotation layer adds the text as outlines to an Annotation layer using the
Annotation line type. Add as fills to graphics layer adds the text to a Graphics layer and fills it with the
font color specified in the PDF file.
b) Change beziers to arcs changes beziers to arcs during the import process instead of having to use the
tool later.
c) Unfiltered items to graphics layer sends strokes and fills that were not processed by a tuning entry to
the Graphics layer.
d) Click OK to return to the tuning dialog box.
12. Click OK to complete the editing of the tuning catalog entry and return to Defaults.
13. Click File > Save to save the changes to Defaults.
14. Click Yes to confirm overwriting Defaults.
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2. Set the Design Side and Die Side list boxes to appropriate values (Inside or Outside and Die Back Side or
Die Knife Side) for the incoming PDF data.
3. In the Flute or Grain group, choose either Vertical or Horizontal for the direction of the material used to
manufacture the workspace.
4. The controls in the Mapping group determine how ArtiosCAD converts vectors from the PDF file into design
lines.
a) In the PDF Attributes group, Layer: selects the layer in the PDF file containing the lines to process for
import into ArtiosCAD.
b) Graphic Type: can be a few different choices. Any is any stroke, fill, or bitmap. Any_stroke matches any
stroke and fill matches any fill. Any positive number is a stroke width.
c) The Color Names: field and corresponding dialog box are meant for use when defining tuning using a
template. Ignore them when setting tuning manually.
d) In the ArtiosCAD Design Attributes group, set the Layer:, Line Type:, and Pointage: fields to the type of
ArtiosCAD line that will be created for each line that matches the parameters set in the PDF Attributes
group. Use PDF layer name names the ArtiosCAD layer the same as the PDF layer.
e) The mapping entries are processed in a top-down order. To change the order, select an entry, then use
the up and down arrows at the side of the control to move the selected entry.
5. After you have finished selecting all the lines in the preview to tune, click Insert to add a final line of tuning.
This final line of tuning will send all lines that are not explicitly tuned to the Annotation layer as 2-point
Annotation lines.
a) For this final line of tuning, set the controls in the PDF attributes group to any, any, and any.
b) In the ArtiosCAD Design Attributes group, set the Layer to Annotation, the Line type to Annotation,
and the Pointage to 2.
6. Click Options to open the PDF Import Options dialog box.
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a) Import text as outlines controls if text is imported or ignored and also controls the availability of the
two sub-options. Add to annotation layer adds the text as outlines to an Annotation layer using the
Annotation line type. Add as fills to graphics layer adds the text to a Graphics layer and fills it with the
font color specified in the PDF file.
b) Change beziers to arcs changes beziers to arcs during the import process instead of having to use the
tool later.
c) Unfiltered items to graphics layer sends strokes and fills that were not processed by a tuning entry to
the Graphics layer.
d) Click OK to return to the tuning dialog box.
7. Click OK to complete the editing of the tuning catalog entry and return to Defaults.
8. Click File > Save to save the changes to Defaults.
9. Click Yes to confirm overwriting Defaults.
Line types
Line types:
• Distinguish between rules for flat dies and rules for rotary dies.
• Distinguish between lines which should be burnt on their outer edge (such as the die wood edge) and those
which should be burnt on their inner edge (such as lower stripping holes).
Generic rules Cut, crease, reverse crease, glue assist, Width, bridges, subtype
balance rules, chop knives
Rules 1/8 x 1/8 perf, 1/4 x 1/4 cut/crease, zipper Width, Bridges, Generic type, height, name,
rule, punch hole, side bevel cut, specific rule geometry, rotary teeth spacing
rotary cut rule. Defined in the rule table.
Center edge Unknifed diecut, unknifed lower, unknifed Width, tack bridges, subtype
upper
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Inside edge Lower stripping hole, Die registration hole Tack bridges, subtype. Offset is applied
inward during laser output.
Outside edge Die edge, Lower stripping edge, stripping Tack bridges, subtype. Offset is applied
block outward during laser output.
Etch Die etch, lower stripping etch, upper Subtype. No offset applied during laser
stripping etch output.
Laser output Tool 1, Tool 2, Tool 3, .. increased from 20 to None. Laser output will pass beam width for
30 laser line types. DDES,CFF2
Subtypes
A subtype is a definition to further classify a type of line - it is a label only and is used for sorting the tool
assignment data when performing a CAM Output. Subtypes can have their own entries in Advanced plotting
styles. Up to 100 subtypes can be defined in the Subtype Mapping Catalog.
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To define a subtype, select it, and enter the description of the subtype in the Description: field. Repeat as
desired, and when done, click OK to save the definitions or Cancel to ignore them and return to Defaults.
Plotting Styles
Plotting styles control the appearance of lines on screen and how lines are drawn or made on printers, plotters,
samplemakers, and countercutters. Plotting styles control the colors, widths, and styles used. They also control
which physical tool an output device uses to construct the line.
Note: Plotting styles are not used to configure CAM outputs such as lasers and Kongsberg DieSaws;
output to those types of devices is configured using the CAM Tooling Setup catalog.
Each plotter, samplemaker, and countercutter should have its own plotting style configured as each has a
different tool configuration. Most known output devices have plotting styles defined in the example CAM
Outputs. To view the example CAM Outputs, open the example Defaults by selecting User Defaults, then clicking
File > Open > Example Defaults. Expand the Plotting Style Catalog in the Example defaults pane, find the one
you want, and drag it into the Plotting Style Catalog in the Shared defaults pane. The names may contain CAM,
but rest assured these are for plotters, samplemakers, and countercutters.
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Plotting styles may be either simple (the default) or advanced. Simple plotting styles configure the line
color, line width, line style, and tool number based solely on a line type. Advanced plotting styles do the same
configuration, but can be based on line type, subtype, and pointage instead of just line type. An Advanced
plotting style can not revert to a Simple plotting style.
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On each tab are the line types relevant to each label. For examples, the Design tab lists such types as Cut,
Crease, Partial cut, and so forth. The Manufacturing tab contains line types used in the Manufacturing module,
such as Stripping Rule, Die board edge, and Unknifed blanker. The same is true for the other tabs.
When looking at the line types, shown first is the line type name, then an example of the line type using the
attributes selected in the right pane, and finally the tool number. When creating a new plotting style, all the tool
numbers are set to zero by default.
2. Enter a name for the new plotting style and press ENTER.
3. Double-click the style to access its property page in order to change its defaults. The window should appear
similar to the one shown below.
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On the left is a set of five tabs that correspond to the different categories of lines. Each tab has a control
showing the line name, the line style, the line color, and the currently-assigned tool number. On the right are
controls to set those attributes.
Checking the Output Only checkbox makes this plotting style available only when configuring an Output - it
is hidden when changing the plotting style in the View Mode.
Save as XML saves the plotting style as an XML file for use with the WebCenter Viewer.
For outputs, the tool number applies only when this plotting style will be used in an Output definition using a
CAM driver.
For outputs, the Color and Line Width apply only when this plotting style will be used in an Output definition
using either a Windows driver or a graphic CAM driver such as the PCL driver used for sample printing.
Copy From Style copies attributes of another plotting style into the current one.
4. Click each line style and set the line attributes as desired.
5. Click OK to save the changes to return to Defaults, or click Cancel to discard them and return to Defaults.
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2. Click the tab for the class containing the lines you wish to modify.
3. Select the line to modify in the Line Types group.
4. Select the new attributes - Color, Line Width, Line Style - from their respective lists in the Attributes group.
5. If desired, change the Tool Number.
6. Click OK to save the changes and return to the Plotting Style catalog, or click Cancel to discard the changes.
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8. Click OK to copy the styles and attributes or click Cancel to return to the Plotting Style dialog box.
2. Enter a name for the new plotting style and press enter.
3. Double-click the style to access its property page in order to change its defaults and click the Advanced
checkbox. You will be asked to choose whether to keep the definitions from the simple style or to create a
blank style. For the purposes of this workflow, choose Initialize to blank style and click OK.
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The Attributes group for an Advanced plotting style works in the same way as it does for a Simple plotting
style. The Line Types group, however, works differently as explained below.
5. In a newly-created advanced plotting style, as seen in the Line Types group, all lines are configured to be
shown as solid line style, black color, 1.00 width, and tool 0.
Advanced plotting styles work by assigning line attributes based on conditions defined in a line style
statement. If a line meets a line style condition, it is assigned whatever attributes are assigned in the line
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style statement. The (Remainder) statement applies to line styles which meet none of the conditions. There
will always be a (Remainder) statement; it cannot be deleted, but its attributes can be modified as desired.
6. To add line style statements, do the following:
• Click Insert. A new entry appears in the table and the corresponding ArtiosCAD syntax is shown in the
Selection: field. By default, this new entry is solid line style, black color, 1.00 width, and tool 0.
• Click Types to open the Types dialog box. All line types other than Annotation are selected by default.
Select the line types to designate in this line style condition. Click category tabs (Design, Sample,
Tooling, Counter, and Manufacturing) to choose from lists of line types in those areas of ArtiosCAD.
Select All selects all the line types on each tab. Invert Selection reverses whatever is selected - each
style that is checked becomes cleared and each style that was clear becomes checked. Your selection
will appear in ArtiosCAD syntax in the field below the checkboxes.
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• Click OK to save this selection and return to the Plotting Style properties dialog box or Cancel to ignore
this selection and return to the Plotting Style properties dialog box.
• Once back at the Plotting Style properties dialog box, click Subtypes to open the Subtypes dialog box
and choose which subtypes to include in this line style definition. The ArtiosCAD syntax for your selection
will appear in the field beneath the checkboxes.
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• Click OK to save this selection and return to the Plotting Style properties dialog box or Cancel to ignore
this selection and return to the Plotting Style properties dialog box.
• Click Pointages to open the Pointages dialog box. Check or clear the checkboxes as desired. The
ArtiosCAD syntax for your selection will appear in the field beneath the checkboxes.
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• Click OK to save this selection and return to the Plotting Style properties dialog box or Cancel to ignore
this selection and return to the Plotting Style properties dialog box.
• Do not forget to also change the line attributes (color, line width, line style, and tool number) if you do
not want them to be the default of black, 1.00, solid, and 0. Shown below is an example of crease line
subtypes 0 through 2 and 4 through 5, pointage 0 through 1 and 2 and greater made to be red, have a
line width of 1.00, a style of dot-dash, and output on tool 2.
• If you are familiar with ArtiosCAD syntax, you may edit the Selection: field directly.
7. Repeat step 5 for each line style statement you wish to make. Shown below is the Artios.Pointage style which
is based on line pointage; it uses a different color and tool number for each pointage.
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8. When you have finished adding line style statements, click OK to save the changes to the plotting style or
click Cancel to ignore them and return to Defaults.
9. Save the Defaults by clicking File > Save and clicking Yes when prompted to overwrite the existing Defaults.
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When editing a special rule, the Properties dialog box will have one or two tabs depending on the class of rule.
All special rules have a Manufacturing tab with options such as pointage, subtype, rule height, flat rule or rotary
rule, and so forth. Special rules that require more information to manufacture, such as perf, have a Special Rule
tab in which rule-specific parameters are set, such as length of cut and crease, land length, land options, and so
forth.
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Pointage sets the pointage of the rule. You can either select a value from the drop-down list box or type your
own.
Subtype sets the subtype of the rule. The subtype is used to configure specific manufacturing options in a CAM
Tooling Setup.
Rule height and Rule Cost set the height and cost of the rule respectively. This information is used in line type
legends and DDES-3 files only.
The text in the Rule Label field is printed when rule labels are enabled in the View Mode dialog box or in
Outputs.
The Generic Type field is used to determine if more configuration options are needed on a second tab. For
example, the cut and crease generic types do not require more configuration information, but the perfs and cut &
crease types do.
The options in the Die Representation group determine how the rule is manufactured. Use pointage sets the
slot width to the pointage * 0.014 inches. Design sets the slot in the die so that it follows the design of the
special rule, such as waves in a wave rule. The slot width is the pointage * 0.014 inches. Slot lets you specify a
custom slot width independent of the pointage.
Bridge formula for the rule path tells the rule which bridging formula to use. Bridge on teeth controls whether
or not the rule has teeth, and what the tooth size, tab width, and which bridging formula to use.
Nominal tooth spacing refers to the customary size of the teeth on rotary rule. The Actual spacing is the
distance between each tooth measured around the cylinder at cylinder level. The easiest way to measure this
value is to mark off the distance between 10 teeth on a cylinder, and measure around the cylinder with an
accurate tape measure, making sure to use the same point for the start and end. Divide by 10 to get the Actual
spacing.
The Cylinder diameter is the cylinder for which this rule was made. It is used ONLY to compute tooth spacing
when other-sized cylinders use this rule.
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If you enter a cylinder diameter and an actual spacing value, ArtiosCAD can compute the tooth spacing when
other die cylinders are used. This means that you do not have to enter separate special rules for each diameter
cylinder.
Nominal Actual
Inch
Metric
The tooth spacing is different for different cylinder diameters because when the rule is bent, it bends around the
neutral axis. The neutral axis is the point in the rule that neither gets longer nor shorter when the rule is bent into
a circular arc. The position of the neutral axis will be different for different types of rule. For example, some 6pt or
3pt rule will have the neutral axis a little closer to the top of the rule than simple 3pt rule. This is because the 6pt
part is harder to bend than the 3pt part towards the bottom. Of course, the bottom of the rule has teeth cut out
of it, so it is very easy to bend. Normal 3pt toothed rule would have the neutral axis about half way between the
top of the tooth notch and the top of the rule.
As the cylinder diameter gets smaller, the teeth will get closer together, but the distance along the neutral axis
will remain unchanged. The position of the neutral axis can be computed from the values given. It can then be
used to calculate the tooth spacing for any diameter.
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Length of adjustment for blend is used to calculate tooth positions after bending the rule. The entry in this field
is derived from the table accessed by clicking the f(x) button.
The Flat rule and Rotary rule option buttons designate the kind of rule. When Flat Rule is chosen, click the
Browse button (...) at the end of the Associated rotary rule: field to choose the associated rotary rule.
In the Bend around corner group, Rotary to flat rule and Flat to rotary rule determine which is bent when a rule
path bends around a corner when making a rotary die. Extension past corner sets the amount of rule to keep
after the bend. Angle at which to use rotary rule sets the angle at which to switch from using flat rule to using
rotary rule. The angle is measured from the horizontal axis.
When the option is set to Flat to rotary rule, ArtiosCAD will choose the flat to rotary option provided that the
length of the vertical distance for flat in the picture below is less than the Maximum vertical distance for flat in
the Rule Path Params catalog in the manufacturing parameter set. Note that the Maximum vertical distance for
flat in the rule path parameters may need to be increased to get this desired result.
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For a sufficiently large chamfer, ArtiosCAD will use the Wrap rotary to flat option. The picture below shows the
wrap points for different size blends and chamfers.
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For wave and zig zag rules, the Nick on top option is available:
You probably already know the parameters for the rule you are configuring; enter the values and click OK to save
the changes to the special rule and return to Defaults, or click Cancel to discard the changes.
Multi-Perf Overview
Multi-perf is perforation rule with a repeating pattern of differently sized teeth and gaps. Shown below are some
examples of multi-perf rules.
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Multi-perf1
The vertical annotation line in the 1/8 1/8 perf-in-crease example instructs ArtiosCAD to treat the crease as
the land. For the 1/4 1/4 3/4 perf, the land is the space between the two annotation lines, which ArtiosCAD
uses to center the perf pattern along design lines. The Multi-perf1 pattern is too long for a land, so the vertical
annotation line marks the end of the pattern.
Use the following line types when designing your own pattern defintion workspace:
• Cut
• Partial cut
• Reverse partial cut
• Crease
• Second height crease
• Matrix crease
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Defining the land
An annotation line in the middle of a pattern marks the right end of a land.
If the pattern has a land, ArtiosCAD centers the perf pattern on the line with the same land at both ends. Shown
below is an example of how the pattern is centered on lines of different length.
If the pattern has no land, ArtiosCAD aligns the pattern with the start of the line, and the value in the Minimum
land/pattern offset field of the special rule definition defines the offset of the pattern along the line as shown
below.
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To make the pattern center correctly on the rule, make the land symmetrical, so it has the same cut or gap at
both ends.
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7. On the Special rule tab of the special rule type dialog box, enter or browse for the pattern definition file.
Enter a value in the Minimum land/pattern offset field if the pattern definition workspace does not have a
land defined.
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Tear tape is the thin plastic strip on the inside of box-opening features.
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5. On the Special rule tab, enter the cross-section workspace's name or browse for it.
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To add a line type or special rule type to the default set available at startup, select it and click Add to default
set. To delete a line type or special rule type from the default set, select it in the Default Line Type Set group
and click Delete.
When you have finished modifying the Default Line Type Set, click OK to save your changes and return to
Defaults, or click Cancel to return to Defaults and discard your changes.
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To set up the tool list, choose the tool number to modify and then set the tool type. Set the available options and
enter a name for the tool in the Name: field.
The table below explains the function of each tool type.
slot Width - effective width of the tool Makes a slot of a defined Laser-cut slot for a
width. Will envelope if the rule in a dieboard
Overlap - overlap between multiple
slot width is wider than the
passes of the tool. Available when
tool width.
Partial Depth is selected.
drill Width - effective diameter of the drill Drills a hole at a point whose Mounting holes,
diameter is defined by the leader holes
Full Depth - Depth is the full depth
width in the CAD setup.
value, defined in the output
Partial Depth - Depth is defined in the
CAM setup
any drill Full Depth - Depth is the full depth Drills a hole at a point whose Mounting holes
value, defined in the output diameter is defined by the
diameter of the circle in the
Partial Depth - Depth is defined in the
workspace.
CAM setup
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counter drill Width - effective diameter of the drill Drills a hole with a counter Countersink holes.
sink drill, same as the
Full Depth - Depth is the full depth
drill tool type, but sends
value, defined in the output
different commands to the
Partial Depth - Depth is defined in the Kongsberg driver.
CAM setup
mill Width - Effective diameter of the tool. Mills inside or outside the Holes in a dieboard
outline which is usually a that are too small to
Full depth - Depth is the full depth
loop. saw; the dieboard
value, defined in the output.
alignment notch.
Partial depth - Depth is defined in the
CAM setup.
Include fill (off) - One pass inside or
outside the outline.
Include fill (on) - Multiple loops,
starting in the middle of a hole, and
working outwards
Step height - Amount by which the
tool penetrates into the material if
the tool requires multiple passes at
increasing depth to complete the hole.
saw Width - Effective width of the saw Makes a slot of a specified Lines sawn on a
blade width, same as the slot tool DieSaw.
type, but adds a leader hole.
Lead hole - Which leader hole to use.
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Center edge, fill off If width is less than slot width, cuts envelope, else
unchanged
Center edge, fill on If width is less than pointage or slot width, multipass,
else unchanged
Center edge, fill off If width less than slot width, cuts envelope, else
unchanged
Center Edge, fill on Series of loops starting in the middle and working
outward
Repeats with the next depth necessary depending on the step height
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In the example above, drawn lines, etch lines, and lines with subtype Countersink ID are output first as they are
in group 1. The Countersink ID lines are not actually created on the machine as they are assigned to the Do not
output tool. Once the group 1 lines are output, then the group 10 lines are output, then 20, then 30, and so forth.
The Types, Subtypes, and Pointages buttons lead to dialog boxes where you can select exactly what will be
output in this selection. These dialog boxes are similar to those used for selections in plotting styles.
Note: The Text and dimensions checkbox in Types > Design only applies to text and dimensions that
have not had a color applied. Those with a color applied are considered graphics and are not output to
CAM devices.
By default, all items are turned on when you enter the dialog box for the first time. Click Invert Selection to clear
each checkbox. Clicking Select All selects all the items in the list. If you make selections other than having all
selected or having none selected, the base ArtiosCAD syntax is shown in the field beneath the list. When you
have finished selecting, click OK to return to the Setup dialog box saving your changes or Cancel to return,
ignoring your changes.
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The Slot Width button opens the Slot Width dialog box in which you can specify a minimum slot width and a
maximum slot width. Any line with a slot width between those values will be selected. #I or #M is automatically
appended to the slot width selection to allow for conversion between units of measurement.
The up and down arrows to the side of the selection list move the selected entry either up or down in the list
depending on which button is clicked.
Insert adds a new entry above the current selection; Delete deletes the current selection. The (Remainder)
selection may not be deleted.
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The Tool number: field selects the CAM tool to map to the line selection. Entries for this drop-down list come
from the Tool List tab. The Size only tool is meant to be used for easier registration. Lines sent to the Size only
tool show in a preview and are used to calculate the output size, but are only actually output when outputting to
a layer.
The Width adjustment: field allows you to add to the slot width that is cut. Usually the slot width is defined by
the slot width of the rule if so defined or by the pointage of the rule. However, the preferred way to adjust the
slot width for laser output is to use a special rule with a defined slot width.
The Group number: defines which group the selected lines are put into. Group 1 is output first, then group 2,
group 3, and so on.
If the Separate bridge tool checkbox is checked, another line is added beneath the selection in the list to allow
the processing of bridges for that selection to be defined separately. This means that bridges can be made with
a different tool.
The Number of tools field allows for more than one tool to manufacture the lines selected by a selection criteria
line. Configure the extra lines as you would any of the other selection criteria lines.
Enter the desired name for the selection criteria line in the Name: field.
Note: Wave rules with nick width of 0 are treated as cuts and processed by the GENTYPE 1 tool
selection.
Optimization tab
The Optimization tab controls the internal optimization of the groups of output. Optimizing is on for all groups by
default.
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To turn off optimization for a group, select it and clear the Optimize checkbox. To turn it on, select it and check
the Optimization checkbox.
Separate subroutine controls if each group will be in its own subroutine. If the box is checked, the selected
group is independent. If the box is clear, the selected group shares the same subroutine as the previous group.
Type 220 Rubber inside edge If using different logical tools for the inside edge and the
outside edge. Otherwise make them the same.
Type 222 Rubber name Cuts the numbers in the rubber pieces, if Show element
numbers is selected on the Processing page in the Output.
Type 97 Usable limit of sheet If required, cuts the outline of the sheet area used.
Type 98 Sheet size Map to Size only to see the sheet size.
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To fill the channel with multiple passes, set the Tool type to mill, the actual width of the tool, Partial depth,
Include fill, and a small Overlap of 0.1.
The milling path can be calculated either by ArtiosCAD or the milling machine. To output a mill area as a single
outline, set the Tool type to line.
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To output a mill area as being full of multiple passes, set the Tool type to mill, set a sensible Width, Partial depth,
Include fill, and a slight Overlap.
ArtiosCAD can output the same path with more than one tool. To add another tool, increment Number of tools
for this selection on the Tool Selection tab.
• To mill an interior area with one tool and mill its periphery with another, assign two milling tools with different
widths and the same depth.
• To add a finishing tool to the edge of the mill area, set the finishing tool to Tool type line to trace the outside
of the mill area.
Output sequence is controlled by the group number on the Tool Selection tab, with lower groups being Output
before higher groups. To have the periphery cut last, give it the highest group number.
Note: ArtiosCAD mills areas with curved reverse creases and curved reverse cuts as if they were
straight lines.
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In the Rotary Shrink Stretch Factors dialog box, check the Rotary Dieboard checkbox and fill in the values for
the Wood Thickness, Cylinder Diameter, Design to Wood Level Shrink, and Cylinder to Wood Level Stretch
fields with the proper values.
Once the fields are complete, click OK to return to Defaults or click Cancel to cancel.
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On the Wood Dimensions tab, you can now set:
• Suggested sizes
• Offsets
• Allowances. These allowances may not be negative (which applies for flat dies as well). You can set the
bottom allowance, the minimum bottom allowance, and the minimum top allowance.
All values must be for the design level, not the cylinder or wood levels. These depend on the shrink and stretch
factors defined in the Rotary Shrink Stretch Factor catalog for the press definition in the parameter set. If you
change those factors, you must save Defaults before ArtiosCAD changes these wood dimensions.
On the Hole Patterns tab, you can now set:
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Hole Catalog
Holes are used in manufacturing to attach the boards to the presses. There are three types of holes: General
holes, Drill holes, and Oblong holes. As holes utilize subtypes, configure subtypes before adding holes.
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Nicks
Nick formulas
Nick formulas are stored in the Nick Formulas Catalog. Sample entries are contained in the Artios folder. The
default nick formula is chosen in either the Manufacturing or Single Design parameter set. Shown below is a
Kongsberg nick formula.
The six placement buttons at the upper left of the tab set the default placement option for nicks when the Add
Nick tool is activated.
Offset sets the nicks so that they offset from the nearest endpoint of the line or arc.
At the end of the line places the nick at the end of a line.
Fill line fills the line or arc with evenly spaced nicks with Between sets setting the distance between
groups of nicks if the number is set to more than 1.
Fill path fills a path with nicks as controlled in the Fill Path Options group.
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• Split at corners keeps the nicks out of corners by the Corner offset distance. If a blend is larger than the
Minimum radius, ArtiosCAD considers it a corner.
• Avoid End Points keeps the nicks from being on the shared end-point of two lines.
The fields in the Nick sizes:, Offsets:, and Between nicks: columns set the values for the drop-down list boxes
when the Add Nick tool is activated.
The Number field sets the default number of nicks to add when the Add Nick tool is activated.
Set the default nick size to use by entering either an absolute value or a formula in the Default nick size: field. If
no default size is set, the Add Nick tool and the Bridging properties dialog box default to the first defined size.
Nick styles
ArtiosCAD can represent nicks as a single line, a double line, a text label, a workspace you designate, a centered
line, a centered line with text, or as a parallel line along the nick. You can configure different ways for nicks to be
represented based on their size. Nick Styles are configured in the Nick Styles Catalog. You can either modify the
default nick styles in the Artios folder or you can create your own.
By default, a newly-created nick style has only one entry in it. This one entry defines how all nicks are shown.
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Insert and Delete add conditions for nick sizes. Select an entry in the list before clicking either.
The option buttons in the Nick Output Type group - Single line, Pair of lines, Text, Workspace, Centered line
with text, Centered line, and Parallel along nick - control the type of nick made. Centered line and Parallel
along nick are meant for outputting to a rule bender and display a mark for half split nicks (where there is a nick
straddling the intersection of two end-to-end lines). For the Centered line styles, the line is a fixed length plus a
multiple of the nick width.
The values in the Start and End fields set the length of the line(s) representing the nick. The value in the Start
field sets the distance between the line containing the nick and the start of the line representing the nick. Use a
negative offset to have the nick representation cross the design line. The value in the End field sets the distance
between the line containing the nick and the end of the line representing the nick. The line(s) representing the
nick are always drawn perpendicular to the line containing the nick.
The Workspace name: field is available only when the Nick Output Type is set to Workspace. In this field,
enter the name of the workspace to use to indicate a nick, or use the Browse button (...) to browse for the nick
workspace. The workspace must have the center of the nick representation as the origin of the workspace
(where the two construction line axes meet). The line type used to draw the nick workspace is ignored; the nick is
drawn as a nick line type. Anything other than lines and arcs in the nick workspace is ignored.
Add the size of the nick as text to the nick by using the Text nick output type in a selected Nick Style in Defaults.
Set the size of the text in the Text Size: drop-down list box, which is available only when the Nick output type is
set to Text.
When two nicks are close together, and the nicks are represented by workspaces, if the two workspaces would
overlap, the second nick is shown as a line.
When zooming in on nicks, the mark size and text size increase. If two nicks are closer together than the width of
the text or workspace label, the text or label is shown only once.
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When a text nick style is used in a CAM Output, the text for the nick size may be converted to lines according
to how text is handled by the Output. If the Line text option is selected, the nick size text uses the same tool
number as the nick line type.
To have ArtiosCAD display the nick sizes on a printed or plotted output, make a Nick Style of all workspaces
which are based on the nick size. In each workspace, enter the number, and then convert it to lines using the
Line Text tool.
Workspace
Workspace:
Workspace
Workspace: , Start = 1/16, End = 5/16
Workspace
Workspace:
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When you have finished modifying the nick style, click OK to return to Defaults keeping your changes, or click
Cancel to return to Defaults ignoring your changes.
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In the Trim group, the fields set the trim tolerances at the edge of the sheet. Set them to be less than the
maximum values for the presses used to produce the layout.
Use gutters inserts gutters between designs in the nest when it is checked. When it is clear, the single designs
touch. The values in the X and Y fields set the gutters in X and Y for the first and second rows and columns of
single designs in the layout. The values in the X2 and Y2 drop-down list boxes set the gutters between the
second and third rows and columns. These are repeated as appropriate between all the rows and columns in the
layout.
In the Nest type group, the checkboxes control the kinds of nests made automatically. Select the checkboxes
next to the type of nests to use; clear those next to undesired nests.
Touch bleed outlines controls whether the designs touch using the bleed outlines or the edges of the designs.
If Use gutters is enabled in conjunction with Touch bleed outlines, the gutters are inserted between the bleed
outlines instead of the edges of the designs.
In the Design options group, Allow 90 degree rotation lets designs rotate so they are cross-grain; the sheet
grain runs in the longer direction. Maximum allowable reduction is the maximum distance that could be shaved
off each design in order for another row or column to fit on the sheet. If such a cutback is possible in each
design, a row or column will overlap the edge of the sheet when a layout is suggested and there will be values in
the various Reduction fields of the Sheet Layout Results dialog box.
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Click OK to save the changes, or click Cancel to ignore them and return to Defaults.
To use a sheet for possible layout solutions, check its box in the Use column. To disable its use, clear the
checkbox. To toggle the usage of all sheets at once, click All on/off.
The arrows on the side of the dialog box move the currently-selected sheet up and down in the list of sheets.
The order of sheets on this tab is the same order used to present layout results.
To edit a sheet, select it, and change the fields in the Edit Sheet Properties group. The fields change as soon as
you click another field
To add a sheet, click Insert, and then edit the fields in the Edit Sheet Properties group. Set the checkbox in the
Use column as desired.
To delete a sheet, select it, and click Delete.
To save the changes to the standard sheets, click OK. To discard the changes and return to Defaults, click
Cancel.
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The groups and options shown depend on the option button selected in the Cost specification method
group.
5. Make the desired changes and then click OK to save them or Cancel to ignore them.
The items in the Cost center dialog are explained in the following list:
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Table: Cost Center Dialog Box
Item Explanation
List of cost centers The list of cost centers must be arranged in the order they are used. The output
of one cost center is the input to the next. When the checkbox is off, the cost
center is an option, available to be selected but is not turned on by default.
Up arrow, down arrow Moves the selected cost center up or down in the list
Per sheet The cost center applies to sheets, for example a sheeter.
Printing press Works the same as a sheet cost center, but identifies the printing press cost
center to be reported separately.
Die press Works the same as a sheet cost center, but identifies the die press cost center to
be reported separately.
Per design Cost center such as a folder-gluer, where make ready is needed for each different
design, and a smaller make ready is needed for a different print item of the same
design.
Per print item Cost center such as windowing, if the windows were different on each print item.
There is a separate make ready for each print item.
Use prompted variable Only if a variable is to be associated with this cost center. For example FGD
= folder-gluer degree of difficulty, or NCOL2 = number of colors for a second
printing press, see note. The variable is added to the Prompted Variables tab of
the Quantities and Costs dialog if this cost center is included.
Variable name Name of the prompted variable to be used in expressions. A prompted variable
can be used in expressions such as make ready and speed, inside the PVAR
function. For example, the make ready time of the printing press is defined to be
1+PVAR(NCOLOR)/2, that is, 1 hour plus 1/2 hour for each color. The name of the
variable can use up to 6 letters and digits and must start with a letter.
Make ready time Expression for the make ready time in hours
Sheets/hour The normal speed of the machine when it has reached its optimal speed.
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Item Explanation
The theory is that the machine runs for a while at a slower speed for the first few
sheets while it is brought into alignment, and then the speed is increased to its
optimal speed. For a multi-step ramp up in speed, use the SPEEDSTEP function.
Run waste % The percent waste while running. A machine such as a printing press may
periodically go out of alignment and waste some sheets.
Cost/hour Cost of the machine per hour while running. Does not include the cost of the
machine during make ready, which is separate.
Cost/sheet Additional material cost per sheet apart from the board cost. If the cost
specification method is per print item, this label changes to Cost/carton, for
example the cost of a window in each carton.
This dialog box lets you choose how the value for the selected field is determined - by a table of conditions or by
an expression; in this example, the method is set to table. Only when the method is set to table is there a Table
tab in the dialog box.
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To set the value using an expression, select the Expression option and type the expression in the field. Click the
f(x) button to access the Edit Expression dialog box.
The One parameter and Two parameters option buttons control how many conditions must be met when
setting a value. When One parameter is selected, everything relating to columns is unavailable; you may only
add and delete rows.
The Row parameter and Column parameter drop-down list boxes set what is being used to determine the
conditions of the table. You may type expressions of your own choosing in this box. If ArtiosCAD recognizes the
expression (CAL, for example), it translates the expression to its text equivalent (“Board caliper”).
Add row, Add column, Delete row, and Delete Column do what they say. There can be up to 18 rows and 14
columns. If the cursor is in any of the edit boxes, Delete row deletes that row; otherwise the bottom row is
deleted. Delete Column deletes the column the cursor is in; otherwise, it deletes the rightmost column.
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The f(x) button for the Sheets/hour field leads to an expression configuration dialog box which has three entries
which behave exactly as those described above.
• Subtract a percentage
• Add a value
• Subtract a value
• Multiply by a value
• Divide by a value
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3. Choose a modifier to add to the expression (for this example, choose Large caliper) and click OK. ArtiosCAD
will return to the Modifiers dialog box.
The option buttons in the Condition type group let you quickly change the condition with a single mouse
click. If you select No condition, the Limit value and Condition fields are unavailable. Changing the
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condition type option button automatically updates the expression in the Condition field. The Condition
type and the Limit value combine into the Condition.
The option buttons in the Modification group determine the operation of the modifier. The amount of the
modification is set in the Modification value field.
5. Click OK to accept the changes to the modifier or Cancel to ignore them. ArtiosCAD will return to the
expression configuration dialog box.
Number of colors 2 3 4 5 6 7 8
Make ready time in hours 1.5 1.75 2.0 2.5 2.75 3.5 4.0
Note that you must enter time in hours, not hours:minutes. For example, 2 hours 45 minutes is represented as
2.75 hours.
1. Start ArtiosCAD.
2. Click Options and then click Defaults to open the Defaults dialog box.
3. Click the plus sign next to Intelligent Layout defaults to view its contents.
4. Double-click Cost centers. The first cost center will be selected by default.
5. Click Insert to create a new cost center called New cost center.
6. Change the name in the Name: field from New cost center to My 8 color press.
7. Set the Cost specification method to Printing press.
The Intelligent Layout Defaults dialog should look as follows:
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8. Click f(x) at the end of the Make ready time: field to set up a table of conditions for the number of colors.
The expression configuration dialog box appears:
9. Click the Table option button in the Make ready time group.
10. Click the Table tab.
11. Select One parameter and choose Number of colors for the Row parameter.
12. Enter 2 and 1.5 in the first and second fields, respectively, under Number of colors. ArtiosCAD will change
the 1.5 into 1+1/2.
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13. Click Add row. Enter 3 and 1.75 in the first and second fields of the new row.
14. Repeat for the rest of the values in the table.
15. When the table is complete it should look like this:
16. Click OK to finish configuring the table for the make ready time, and proceed to configuring the rest of the
cost center.
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Note that we would not recommend that a step function be used for the speed of a machine because the run
time of a machine using a step function like this would have discontinuities in its run time:
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Note that to prevent a discontinuity at the last limit, the last two values should be the same, or the last value
might be an expression.
Function Description
#MANSIZEX Design blank size X (manufacturing lines), in current units (inches or mm) of
the current design. If sheet cost center, of the first design.
#MANSIZEY Design blank size Y (manufacturing lines), in current units (inches or mm) of
the current design. If sheet cost center, of the first design.
#MANSIZEWG Design blank size with grain (manufacturing lines), in current units of the
current design. If sheet cost center, of the first design.
#MANSIZEXG Design blank size cross grain (manufacturing lines), in current units of the
current design. If sheet cost center, of the first design.
#AREA Area of design ignoring holes (zero if area fails) in current units (square
inches or square mm) of the current design. If sheet cost center, of the first
design.
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Function Description
#AREAH Area of design minus holes (zero if area fails) in current units (square inches
or square mm) of the current design. If sheet cost center, of the first design.
#RUN (In the Intelligent Layout Parameters dialog). Run length for this cost center/
item in number of sheets or number of cartons.
(In a form or OCX control). Run length of the first cost center, usually the
printing press.
#NUPD (Design, item cost center) How many of this design on the sheet (Sheet cost
center) 0
#NUPP (Item cost center) How many of this print item on the sheet (Sheet or design
cost center) 0
#MKRTA (Design cost center) Make ready time for this cost center/item for additional
items.
(Sheet or item cost center) 0.
RULELEN(“TYPE 1”) (Design or Item cost center) Length of cuts in the design.
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Function Description
(Sheet cost center or die cost) Length of cuts in the layout. Typically used
in estimation of die cost. This calculation is context dependent for item
cost centers. Note that it ignores double knife removal and stripping rules,
because they have not been defined yet.
RULELEN(“TYPE 2”) Length of creases in the layout. Also supports more general selection such
as RULELEN(“TYPE 1,3 RAD ..1/8”)
DESVAR(varname) (Design or item cost center) Value of variable from design, e.g. DESVAR(L)
(Sheet cost center) Value of variable from the first design. (If variable does
not exist) 0
#NCOLOR Number of colors for the printing press set in the Ink Coverage page.
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STEP(PVAR(FGD),240000,2,200000,3,160000)*#I/(#MANSIZEX+#I/2)
To use this, the estimator should enter the “Folder difficulty” for each design along with the number of colors for
the job in the Prompted Variables tab in the Quantities and Costs dialog box:
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Working backwards, the delivered quantity of B is 200000. This is the output from the folder-gluer. The folder-
gluer needs 500 cartons make ready, so the input to the folder-gluer is:
run length = 200000, make ready = 500, total = 200500
There are 8 of B on the sheet, so
Die Press output = 200500/8 = (rounded up) 25063.
To allow for the 2% run time waste, the input to the Die Press is:
run length = 25063 * 100 / (100-2) = 25564, make ready = 3000, total = 28564
To allow for the 4% run time waste, the input to the Printing Press is:
run length = 28564 * 100 / (100-4) = 29754, make ready = 5000, total = 34754
Therefore, the total number of sheets needed for this job is 34754.
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Configuring Outputs
ArtiosCAD provides many ways to configure Outputs to get the results your company’s workflow requires.
The tabs shown on an Output properties dialog box depend on the selection in the Output Type group. For
example, in the picture above, there is no Reports tab, but if you set the Output Type to Plot, the samplemaking-
related tabs disappear and the Report tab appears.
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Note: Do not use a backward slash ( \ ) in any Output name.
Note:
There are many sample Outputs in the Example Defaults catalog, accessed by clicking one of the
panes in Defaults, then clicking File > Open > Example Defaults. For example, to see how to configure
®
ArtiosCAD to make a sample with Re-board , you could look at the Kongsberg XL44 - V-notch sample
cutting entry under Outputs > Artios > Kongsberg XL44 - Corrugated.
When the Output Type is set to Plot, the tabs which appear only for plots become visible.
The selection in the Output Type group also determines what will be on the Output Type page itself. For
example, when the Output Type is set to Grouped Output, the Scale group disappears from the page.
Show In group
The Show In group determines how this Output will be used. At least one of these choices must be selected.
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The Export menu is meant to be used to group commonly-used file exports together.
The Send menu is meant to be used to group together those Outputs which will be emailed.
A Multiple Workspace Output lets the same Output be used on a group of workspaces both in ArtiosCAD and in
the Database browsers.
3D enables you to run this Output from a 3D workspace.
Project-Bill of Materials lets you run this Output iteratively for all objects on a BOM.
Parts Outputs causes this Output to appear on the Parts Outputs menu in a canvas. If you are using ArtiosCAD
Enterprise, make sure to select this and Browser to be able to run this Output from a canvas.
Browser is available only for ArtiosCAD Enterprise and lets you run this Output by right-clicking in the browser.
When the WebCenter checkbox is checked, this Output can be used for downloading files from WebCenter.
This is meant only for file outputs such as DDES, DXF, and EPSF. Outputs for WebCenter must have unique
names; there may not be an Output used with WebCenter with the same name in both Shared Defaults and User
Defaults.
Scale group
The options in the Scale group determine the size of the output.
To fit one page modifies the size of the output so that it fits on one page.
Specify lets you set the size of the output. Setting a scale of one makes a full-sized output. Tiles, which are
individual sections of the design, are printed if necessary.
Differential Scale makes the Vertical Scale field appear and changes the Scale field to Horizontal Scale. You
may use variables in these fields if you regularly want to make shrink sleeves or other types of graphic output
that need different scales.
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Depending on the type of Output this is, you can set the scale when running the Output. If you set the scale to
something other than 1 and the Output creates a workspace, rebuild is not available for that resulting workspace.
Auto Preview, when checked, causes the Output Preview dialog box to automatically open when running the
Output. The options in the Layout Type and Window Size groups determine how the contents of the dialog box
are shown. Shown below is the Output Preview dialog box.
Device tab
The Device tab lets you specify the hardware device (if applicable) to which the Output will be sent.
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When entering this tab for the first time, you may see a dialog box informing you that ArtiosCAD was unable to
find a certain printer. Ignore this and click OK to proceed.
In the Driver Type group, the Windows Driver option instructs ArtiosCAD to send the output information to the
operating system mechanism of driving the device. The CAM Driver option instructs ArtiosCAD to use its internal
methods to drive the device. The selected option in this group determines how the rest of the tab looks. Bitmap
creates a picture file of the output. Workspace Layer creates a new layer in the workspace and draws the output
data in that.
Note: When outputting to a layer, you must re-perform the Output after each rebuild to maintain
correct information in the layer.
Out to file sends the output data to a disc file instead of physically out to a device through a port or network
connection. Some devices such as samplemakers make a network connection to the CAD workstation and pick
up the file automatically.
Number of copies allows you to set the default number of copies made when performing this Output.
The value selected in the High graphics memory use drop-down list box determines how much memory
ArtiosCAD uses when outputting a bitmap image (typically a referenced PDF file when the PDF option has been
purchased). This option is available only for Outputs of type Windows Driver or Bitmap.
A bitmap may have a maximum of 15 million pixels. The size of the bitmap is calculated dynamically during the
output; system performance may be affected if a large bitmap is required. You can set the maximum number
of pixels for the Output to use to balance system speed and output resolution.There are four choices: High
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graphics mode off, Upto 5 million pixels, Upto 10 million pixels, and Upto 15 million pixels. The fewer the
number of pixels used, the coarser the resolution of the output.
Windows driver
When Windows Driver is selected, there is a drop-down list box allowing you to choose the device that will
perform the output. Devices must be set up in the operating system beforehand for ArtiosCAD to list them
here. You can also choose the orientation of the output on the page by choosing the appropriate choice in the
Orientation group: Portrait, which makes the long side of the paper the vertical axis, Landscape, which makes
the long side of the paper the horizontal axis, or Optimum, which sets the orientation based on which one can
output at the largest scale.
You can also set the High graphics memory use when using a Windows driver.
CAM driver
When CAM driver is selected, the Output Device group changes to look similar to the following picture, except
no data will be shown in the various fields:
The Tuning Entry field indicates the type of device receiving the output data from ArtiosCAD. CAM driver
specifies the internal ArtiosCAD method for creating the data. Tuning Filename lets you choose the
configuration file for the device. CAM Device Name lets you set the Output Destination for the data if it is not
going out to file. Refer to the Peripherals chapter for more information about installing CAM devices.
Bitmap outputs
The Bitmap driver type lets ArtiosCAD output a bitmap picture of a workspace.
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The option buttons in the Bitmap Format group set the type of bitmap created. JPEG output (Joint
Photographic Experts Group) makes compressed pictures for efficient use in other programs, but some color
information is lost. PNG output (Portable Network Graphic) is used for vector graphics (lines and arcs) shown on
the World Wide Web. TIFF output (Tagged Image File Format) is uncompressed and is useful for other graphic
programs such as Adobe Photoshop. Note, however, that TIFF files are usually quite large.
The Shrink size to remove white space checkbox, when checked, causes ArtiosCAD to crop the extra white
space around the perimeter of the design upon Output.
The JPEG Quality field adjusts the quality and the file size of the resulting JPG file. A value of 0 makes the
smallest file with the worst quality, while a value of 100 makes the largest file with the best quality. ArtiosCAD
defaults to 70. Set the value in this field between 80 and 90 if you will be making Animations in 3D. This field is
available only when the Bitmap Format is set to JPEG.
High graphics memory use determines how much memory ArtiosCAD uses to render PDF graphics being
processed by the Output.
Getting bitmap outputs just right can take some experimentation.
Output to layer
Workspace Layer writes the results of an Output to a layer in a design.
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For example, you could define a Report output to go to a layer, and send the resulting file to a customer. The
customer could then use the ArtiosCAD Viewer to view both the design and your report.
The Automatically overwrite checkbox controls whether the layer will be overwritten each time the Output is
performed. If the checkbox is cleared, a number will be appended to the layer name in a sequential fashion.
Note: When outputting to a layer, you must re-perform the Output after each rebuild. When a design is
rebuilt, the layer that was output to is automatically deleted as the information that was in it does not
reflect the current state of the workspace.
Output to layer turns on that layer if it was not visible before the Output.
Output to layer honors locked layers.
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Position tab
The settings on the Position tab indicate the physical placement of the output on the output medium.
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Reports tab
The Reports tab lets you specify a report to output using the data in the design. Check the Use Report
checkbox and choose the report to use.
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If the desired Report is not in the Reports Catalog, use the Specify button to browse for it.
Directories tab
The Directories tab lets you specify if the output data is written to a disc file instead of going to the physical
device. The Out to file checkbox on the Device tab must be checked in order for these options to work. The
contents of this dialog box will vary depending on what Output type is selected on the Output Type tab. The
examples shown below are for plots. If the Output Type were set to Sample output, there would be many more
fields for the different kinds of files that sample output can generate.
Make DOS Compatible truncates the filename so that it conforms to the 8.3 file-naming convention used in MS-
DOS. When this checkbox is checked, the Strip front and Strip back option buttons become available. These
control which part of the filename is stripped off to make it eight characters.
Automatically Overwrite controls if you are prompted to overwrite (delete) an old output file with the same
name as the output file you will create when performing the output. This option is usually checked by default in
pre-defined Outputs that create files. If this option is checked for an Output that is added to a Grouped Output,
the current filename with the default extension is used. The current directory is also used; you are not prompted
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to select a directory, You might have to search for the file created by the Output as it may not be where you
expect it. Use this option with care.
Automatically Open opens the file in the associated Windows application after being output. For example, if you
output a .txt file, Windows would recognize it as a Notepad document and open it in Notepad.
File groups
The names and amount of data fields in this dialog box depends on the type of Output selected on the Output
Type tab. When the Output type is set to plot, for example, there is one file group, Plot File, but when the Output
type is set to Sample, there are four file groups - Make Counter File, Partial Cuts File, Make Sample File, and
Print Sample File. In each group, however, the fields and checkboxes are all the same and work the same.
The Extension field lets you use the same filename extension, which is the part of the file name which follows
the last period, each time this Output is performed. By default, the filename is the same as the workspace name.
Leave this field blank to specify an extension when creating an output file.
The Directory field lets you type the location of the directory in which to store the output file. Use the ellipsis
button to browse for a directory.
The Fixed filename checkbox lets you specify the same filename for all files created using this Output. When
this checkbox is on, and the directory specified in the Directory field is valid, the filename selection dialog box is
suppressed.
From command file indicates that the filename is generated by a command file. When this option is checked,
the output file name will be the result of executing the function TLIBRARY(GenSName.txt). Since Fixed
Filename is not checked, the resulting filename is the default filename when the output is run.
View tab
The options on the View tab of the Output dialog box control how the layers and line types are output.
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Current zoomed in view Outputs the objects in the current zoomed in area. In this case the Layer set selection
is set to Current View and the Available Layers list is unavailable.
Current selection uses the currently selected items as the Output. All non-selected items are ignored. If no
items are selected, the Output defaults to the Current View Layer set selection.
The Use selection for report calculations checkbox is only available with Current selection and is only
applicable if the Output uses a Report. This option forces the calculated text commands in the Report to be
evaluated against a temporary document which contains a copy of the selected item.
Choose the layer to output from the Layer Set Selection drop-down list box.
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Choosing a layer set from the drop-down list box toggles different layers in the Available Layers group. Select
or deselect layers as desired. To choose specific layers without starting from a preconfigured layer set, select the
User Defined layer set, and then select layers as desired.
Note: Do not select both the Designs layer and Rule Path layer for any Output.
The options in the Rotary Diemaking View Level group control how the size of the Output is manipulated when
the Layer Set Selection is set to Dieboard. Design Level, Wood Level, and Cylinder Level apply the appropriate
shrink or stretch factors to the output data so that the output is sized correctly.
Processing tab
The commands on the Processing tab control how the data is manipulated between when you click Output and
when the data arrives at the output device or disc file.
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Note: The options on the Processing tab depend on the type of output chosen on the Output Type tab.
Different outputs have different options.
The Browse button at the end of the CAM Tooling Setup field lets you choose the CAM Tooling Setup to
use in this Output. The CAM Tooling Setup maps which line types are mapped to which physical tools on the
output device. Click it to choose an entry from the Select Cam Tooling dialog box.
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No processing ignores bridges and outputs each special rule as a single line.
Design representation means that special rules are output as “actual” lines; for example, a wave rule would be
output as a series of arcs.
Partially-cut bridges instructs the output device to cut into the material at a partial depth to make room for
bridges in the rule.
Leave gaps for bridges splits the line output data into pieces and leaves gaps in the output data for bridges,
meaning that no slot or line is created in the output material where the bridges occur.
Software line styles processes all line styles before they are sent to the driver. For example, when this option is
selected, a perf would be broken up into a series of short cut lines and gaps instead of one line marked perf that
the driver would then process. This option is available only for Plot outputs.
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The Sequence one-ups in layout checkbox determines if ArtiosCAD automatically resequences the single
designs in the layout when they are output. Clear this checkbox if you plan to always use the Layout Manual
Sequencing tool with this Output.
The first group of four buttons sets the starting point for the sequencing. The first button
starts the sequencing at the bottom left of the layout. The second button starts the sequencing at the bottom
right of the layout. The third button starts the sequencing at the top left of the layout. The fourth button starts
the sequencing at the top right of the layout.
The second group of four buttons controls the sequencing direction and is not available
until a button in the first group is pressed.
The first button sequences each horizontal row, starting each row on the same side of the layout so that each
row is sequenced in the same direction, as shown in the picture above, with the starting point at the bottom left.
The second button sequences each vertical column, starting each column on the same side of the layout so that
each column is sequenced in the same direction.
The third button sequences each row, starting on opposite sides of the layout so that each row is sequenced in
the opposite direction, forming a horizontal snake pattern.
The fourth button sequences each column, starting on opposite sides of the layout so that each column is
sequenced in the opposite direction, forming a vertical snake pattern.
Nicks group
Nick gaps controls if ArtiosCAD leaves a gap in the line for a rule bender to interpret as a nick.
The Draw nick style checkbox controls whether nicks are drawn on the output, and the drop-down list box lets
you choose the style to use from the Nick Styles Catalog.
Note: You can make gaps for both bridges and nicks in the same Output, provided that the nicks and
bridges are not on top of each other, which weakens the rule and should be considered an error. The
rule bender would typically consider gaps of hypothetically 1mm or less to be a nick, and wider gaps to
be bridges.
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• Line crossing perpendicular.
• Leave a gap.
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Rubber group
The options in this group affect how rubber is shown on the Output.
If Fill - Color by is selected, the rubber is drawn filled with color; choose to color the rubber by Rubber type or
Element number. ArtiosCAD cycles through about 10 colors when drawing by element number. If Fill - Color by
is not selected, the rubber is drawn as outlines.
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To draw the element number inside each piece of rubber, select Show element numbers, and then set the Size:
field (in points) and Italic checkbox as desired.
Dieboard group
The options in the this group control how the dieboard is created for a relevant Output type.
Ignore die splits (full dieboard) makes a full dieboard regardless of any splits.
Undercut at die splits by instructs the output device to cut back each line leading up to a die split from the split
by the amount specified. Bridge positions are correctly maintained.
Undercut at crease ends by instructs the output device to put a bridge of the size specified at each end of
all creases. If a crease line is bridged, any cutback may not exceed the size of the bridge width. If this option is
chosen, set the minimum size of the line that will be undercut in the Minimum crease length: field.
Plotter font tells the output device to use its built-in font for rendering the text. Use this option for pen plotters
or for a driver that supports simple text entities, but not fonts, such as CFF2, DDES, Elcede DieCAD, and DXF.
Line text converts the text to geometry, which is then affected by transformations on output. Line text is suitable
for etching text on a die. This is particularly useful for Asian languages, because the Name tool in Manufacturing
only supports ASCII characters. To use Line text on a die or stripping tool, add a text item in a suitable font to the
die or stripping board layer, with no color, and use an output configured with Line text. A suitable font for line
text should be simple, have parallel edges, and not be too thick.
Normal text leaves the text alone. Normal text will always be output so that it is readable, regardless of dieboard
orientation. This is suitable for output formats that support fonts, such as all Windows drivers, EPSF, and bitmap
outputs
Text is always output right side up, for all three of the above options. The only way to output text backwards is to
convert the text to lines in the design using the Outline Text or Line Text tools.
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Click Ignore to ignore them and continue the Output, or click Cancel to stop the Output so you can delete them
using Designer's Fix-It.
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On the Processing tab in Outputs, clicking the More Options (...) button opens the Crease Cutback Dimensions
dialog box.
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Draw annotation lines draws a rectangle of annotation lines from the crease cutback to the point you select in
the Measure to group:
• Edge of rule is the point ArtiosCAD calculates so that the crease rule does not overlap any abutting rules.
• Center of rule is the end of the crease as drafted.
• Use end bridge if present measures to the end of the bridge on the crease.
The checkboxes in the Display crease cutback values for group determine if ArtiosCAD flags special conditions in
the Output.
• Conflict is when the estimated rule end is further than the crease cutback. ArtiosCAD shows !!! in this case.
These are line type Annotation3.
• Crease/crease flags creases that intersect other creases with an asterisk *. ArtiosCAD always assumes that
the crease is cut back enough to not touch another rule. When two creases meet, it is not sure which one
takes priority, so flags them for human checking. These are line type Annotation4.
• Perpendicular is when the expected end of the crease is exactly half the width of the cut rule. As this is the
expected case, this option is off by default. This check may not work as expected if the rules in the design are
different pointages. These are line type Annotation5.
• Other is when a crease rule intersects a cut at an odd angle, or any other case. These are line type
Annotation.
Note:
• The size of the text is based on the Text catalog entry in Property Defaults.
• Dimensions display 3 decimal places for Imperial measurements and 4 for metric.
Restrictions
• ArtiosCAD treats special rules as regular lines. There is no way to specify slot or actual.
• ArtiosCAD assumes the crease end is squared, not chamfered or rounded.
• ArtiosCAD does not detect that a crease needs to be split if it is intersected in the middle.
• There is no way to customize the appearance of the dimensions other than the size. The font, color, and
number of decimal places are all fixed.
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• There is no way to customize the shape or type of the annotation lines.
Stripping Areas
Stripping Areas controls whether ArtiosCAD includes the colored Stripping Areas from the View Mode and
station and waste numbers in the Output. Shown below is an example PDF Output of a layout with Stripping
Areas enabled.
Diesaw tab
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The Allowance reduction specifies by how much the edge of the leader hole is offset from the maximum
adjustment of the hole position. The maximum adjustment would position the edge of the leader hole tangent
with the end of the rule path. The Allowance reduction is the distance by which the leader hole is moved away
from that tangent position.
Lines shorter than the length specified in the No hole length field do not have leader holes drilled for them;
rather, they have a lead-in line cut for them with a hole at the beginning of the lead-in line. The length of the
lead-in line is specified in the Length of lead-in field.
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Lines shorter than the value in the One Hole Length field (but longer than the value of the No hole length field)
get only one leader hole drilled.
The value in the Long saw length field sets the minimum length of lines that are optimized for the quickest
sawing time. For lines longer than the long saw length, the direction of the line and the leader hole is determined
by optimizing the sawing time. For lines shorter than this value, the direction of the line is determined to use the
minimum number of leader holes. Connected lines that are longer than this value will not share leader holes.
Tiling tab
The settings on the Tiling tab control what happens when the scale of the output is too big to fit on one sheet of
output medium.
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Skip empty tiles tells ArtiosCAD to not output blank tiles. If you will be assembling all the tiles together into one
big sheet, you may want to leave this option unchecked so as not to confuse the assembler.
Confirmation required for each tile, when outputting directly to a device tells ArtiosCAD to prompt you to
click OK before outputting each tile. This is handy for when you have to reload media on the output device in
between tiles.
Registration cross size is the overall height and width of the cross mark. Setting this option to zero turns off the
drawing of registration crosses in the output. Also, registration crosses are only drawn in the corner of tiles which
align with other tiles; a registration mark will never be drawn in the bottom left corner of the first tile.
Tile overlap is the amount of overlap from one tile to the next. This value will be used for both the horizontal and
vertical overlap. A value of zero means no overlap, and when used with registration crosses, turns the cross marks
into corner marks.
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Samplemaking registration hole diameter is only available for Sample outputs and is the diameter of the hole
cut into the sample material to aid in registering oversized samples. The diameter value must be between zero
and the size of the registration crosses. The hole is centered on the registration mark.
Using sample counter and Just draw registration marks are also only available for Sample outputs. These
options indicate if a counter is being used when this Output is run. If Just draw registration marks is selected,
then the Make Counter button on the main sample output dialog (what you seen when you perform the Output)
is replaced with a Draw Registration button. This button is unavailable if tiling is not required. Selecting this
option will generate output files (using the Make Counter file designations) with just the tile registration marks
drawn using a sample pen.
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To configure how the line type is handled when performing this Output, select the line type in the Line type:
group and choose the tool in the Samplemaking tool: group. There may be settings for the tool that appear in
the bottom right corner; if there are, set them as desired.
As with other tabs, the information displayed on this tab is conditional; that is, the information requested on the
right side of the tab depends on the selected item on the left side of the tab. What you see will not necessarily
look exactly like the picture above.
To make nicks in the sample whose size based on the caliper of the board, enter a multiplier in the field next to +
CAL *.
To cut stripping rules on the sample, check the Cut stripping rules checkbox. Stripping rules are cut outward
from the design to avoid overcuts.
The Size only samplemaking tool is used to calculate the output size. Use it only when outputting to a layer.
®
When using Re-board , samplemakers cannot cut small holes in the material and use a drill tool instead.
Therefore, enter an appropriate value in Drill holes smaller than diameter for holes that are drilled and not cut. If
you will be using drill holes, you should update the Sample drill hole line type on the Sample tab of your plotting
style definition so that it uses a thicker solid line instead of the default.
Plotter font tells the output device to use its built-in font for rendering the text. Use this option for pen plotters
or for a driver that supports simple text entities, but not fonts, such as CFF2, DDES, Elcede DieCAD, and DXF.
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Line text converts the text to geometry, which is then affected by transformations on output. Line text is suitable
for etching text on a die. This is particularly useful for Asian languages, because the Name tool in Manufacturing
only supports ASCII characters. To use Line text on a die or stripping tool, add a text item in a suitable font to the
die or stripping board layer, with no color, and use an output configured with Line text. A suitable font for line
text should be simple, have parallel edges, and not be too thick.
Normal text leaves the text alone. Normal text will always be output so that it is readable, regardless of dieboard
orientation. This is suitable for output formats that support fonts, such as all Windows drivers, EPSF, and bitmap
outputs
Text is always output right side up, for all three of the above options. The only way to output text backwards is to
convert the text to lines in the design using the Outline Text or Line Text tools.
The Make nicks in sample checkbox controls if nicks are made when cutting a sample. Check the box to have
the samplecutter make the nicks as defined in the design being output, or clear it to ignore nicks. When the
checkbox is checked, the Adjustment for nick overcut: field is available. This is the offset distance between the
tip of the blade and the point where the blade exits the material.
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Split lines connecting corners and Automatically round corners may not both be selected.
For Sequence one-ups in layout, see the Layout Sequencing group section for the Processing tab.
When you cut labels on a samplemaker, Join cuts across oneups causes the samplemaker to keep cutting
through the gaps between aligned labels for faster progress instead of having to lift the knife and turn to cut
label by label. Maximum gap to cut through sets the size limit for this behavior.
Note: When you select Join cuts across oneups, Sequence one-ups in layout is unavailable.
Additionally, other features may not work as expected in other products depending on how they
implement combinations of options. At the time of this writing, when Join cuts across oneups is
enabled, options in the Round Slot Method group and Split lines connecting corners in the Overcut
Method group do not work as expected when using iPC.
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If a corner is narrower than the distance defined for the Tear distance, it is a sharp corner. If a corner has an angle
less than the angle specified in Tear angle, it is a sharp corner.
Option A, Continuous cut, cuts all the lines in the slot in one direction.
Option B, Reverse the last line, reverses the last line to cut into the slot.
Option C, Cut short lines last, cuts the long lines first and then the connecting lines.
In the Overcut method group, you can set the overcut method to reverse at perpendicular intersections (called
T-junctions). You can also specify to Split lines connecting corners.
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The Radius: field sets the size of the radius. The shortest lines intersecting to form a corner must be at least the
length specified in the Minimum length: field to replace a corner with a radius.
Over-crease group
Over-crease is when the ceasing wheel makes a continuous crease through gaps and on top of cuts. In the
Over-crease group, specify the maximum sizes of gaps and cuts to run the creasing wheel over without it lifting.
Set the value in the Maximum length of cut to over-crease: field in the Over-crease group to set limits on what
is output as one line and what is output as separate lines.
The value in the Maximum length of cut to over-crease: field sets a limit so that short cuts and creases are
output as a sequence while long cuts and creases are output separately. Adjust this field as needed to result in a
series of short cuts with one long crease.
Set the value in the Maximum gap to over-crease: field to the maximum size of the gap the creasing wheel will
pass through without lifting.
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Single pass creasing and Double pass creasing control the number of times the creasing tool passes over the
material to make a crease. Double pass with grain crease and Double pass cross grain crease only perform
double pass creasing for creases in the specified direction, and use the options in the Double pass crease offset
group.
Double pass reverse crease, Second tool for cross grain , and Second tool for thicker creases enable their
namesake actions when checked.
The Crease cut back is the amount by which creases are shortened at both ends.
The offset can be a fixed distance (in current units), a multiple of the caliper, or an allowance for the pointage, or
any combination of the three.
If Double pass for reverse creases is selected, the same crease offset applies as for creases, but no counter
channel is made for reverse creases.
A fixed offset is specified by checking the Fixed offset checkbox and entering the value. A multiple of the caliper
is entered by checking the Multiple of caliper checkbox and entering the value. To allow different pointage
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creases to have different crease offsets, check the Allow for pointage checkbox and enter the width of the
scoring wheel. This defaults to 0.028 inches = 2 points; this adds (pointage - value) to the crease offset.
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This tab contains the exact same controls as the Position tab.
Send to tab
The commands on the Send to tab let you send the results of the Output via email. The design file itself is
not sent when an Output with this option enabled is run. You must have a MAPI-compliant mail program such
as Microsoft Outlook installed on your computer for this to work. If you do not have a MAPI-compliant email
program installed, you will receive error messages when you attempt any email-related functions.
Advanced tab
The commands on the Advanced tab are meant to be used by people with very specific needs.
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Show Command for Diagnostics displays the instructions ArtiosCAD follows when making the output.
ArtiosCAD then instructs you to click OK to perform the Output or Cancel to cancel it as shown below:
Use prompting report indicates that a special report is used with this Output. Prompting reports prompt you for
workspace variables and do not produce a printed output. Once this report is run, the variables are copied into
the workspace. This is useful for setting variables that you want to track in DataCenter.
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Use post processing command file lets you specify the name of a command file that modifies the geometry in
the :TEMPOUTPUT section. You should only use this feature if you have extensive knowledge of the INTERACT
programming language. The command file you specify must not have any menu windows and must not crash.
Output through command file directs the output data through a command file specified in the EXE field with
parameters specified in the entry box after OUTPT.
Launch Executable and its associated options are meant for use by Esko personnel who design custom
solutions. It launches a program to which you can pass data from ArtiosCAD and pass data from the program
back into ArtiosCAD.
Prompt for Kongsberg Material is covered in the next section.
Run Time Data Set is used with an Output that uses the GNC driver.
Specify path to Material list file lets you enter the default location of the files rather than having to specify it
when the Output runs.
Use Material List from IPC Resource Database allows you to query the i-cut Production Console (IPC) server
running on a Kongsberg front end for a list of materials. In the iPC System Name field, enter either the hostname,
fully qualified domain name, or IP address of that machine. If you use firewalls, open ports 80 and 10003.
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&OUTCM.
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MGBOT
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Note: The settings on this tab supersede any view settings you have set in ArtiosCAD when you select
this Output. This means you may send information you do not mean to send, or vice-versa.
All layers must be turned on for the resulting workspace to be rebuildable. If all the layers are not turned on, the
Parametrics(Rebuild) checkbox is cleared and cannot be checked until all layers are turned on. Click All On to
turn on all the layers. Also, the workspace will not be rebuildable if using a differential scale on the Output Type
tab or if the scale is not set to 1.
If the Manufacturing parameter sets checkbox is not selected, the Information Filter will remove manufacturing
parameter set information from Manufacturing files and copies of parameter sets that are embedded in design
files.
When using the Information Filter to strip prompted text variables from an Output, only those variables defined
in the Prompted Text Catalog are stripped from the Output.
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The output format for an information filter is usually an ArtiosCAD workspace. The allowed formats for an
information filter output are the current version of ArtiosCAD, selected previous ArtiosCAD releases, a
LASERPOINT IQ 3 or 4 workspace, and a LASERPOINT IQ 2 workspace.
The fields in the Tool Widths group are measured in current units and are enabled only when their respective
checkboxes are checked.
When the Multi-Pass checkbox is off, the corresponding field is automatically set to the crease channel width
and disabled. When the Multi-Pass checkbox is on, the edit box is enabled. Enter a tool width greater than zero
and it will multi-pass with this tool.
For the Position Holes tool, the Allow for Tool Diameter checkbox follows the design lines when it is not
selected, and allows for the width of the tool when the checkbox is selected.
If the specified tool width is too large to fit within the programmed lines, it will always cut something rather than
nothing.
If the tool width of the crease tool is wider than the required crease channel it will cut with a single pass.
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If the crease end shape is narrower than the crease end tool, it will cut a path that is the same distance from the
crease end.
The four option buttons in the Milling Direction group control the milling order.
The tools listed in the Tool Cutting Order group cut from the top of the list to the bottom of the list. To change
the cutting order, select a tool to move, and then click the arrows to the right of the list.
The options in the Multi-Pass for Creases group control how the multiple passes for creases are made if that
option is turned on. Optimize Tool Path makes a small rectangular crease channel out of four passes, while
Account for Deflection makes two parallel passes in the same direction.
The value you set in the Milling Overlap field indicates the overlap the milling tools will use when the machine
mills lines close to each other. This is to ensure all material is milled correctly.
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If any of the component Outputs you select go out to a file, they do not need to be configured to automatically
overwrite the file if necessary; ArtiosCAD will prompt for a filename when necessary.
To add an Output to this Grouped Output, click Add and select it from the list of Outputs; to delete it, click
Delete.
Also, the Scale group on the Output Type tab is unavailable for Grouped Outputs as the scales are set for each
component Output.
The Outputs listed are processed in top-down order. To change the position of an Output, select it, and then
move it by using the arrows at the side of the list box.
Save before performing outputs uses the current name of the workspace if one is defined. If it is not defined,
ArtiosCAD prompts for the information needed. Save-As before performing outputs lets you select a new folder
or resource as well as a new filename. ArtiosCAD works with the new file as soon as it is saved, so any Outputs in
this grouped Output will use the new file.
In both cases, any dialog boxes normally opened by the save process will be opened during the Output, such as
the Database Information dialog box. Use caution when using the Save or Save-As options with CAD-X as it may
lead to unpredictable results.
Both Save before performing outputs and Save-As before performing outputs may be checked at the same
time to allow saving the workspace with its original name and then saving it as a new name.
Grouped Outputs can also be added to a compressed archive in ZIP format; select Zip in the Grouped Output
Type group and Insert into Zip archive in the E-mail/Zip options group. If you are working with filenames in
non-English languages, check Use UTF8 characters for filenames so that the filenames are encoded correctly
within the ZIP archive.
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Delete output disk file deletes the working files that the Grouped Output creates after inserting them into the
ZIP archive. In this example, those would be the DXF and DDES files.
As the E-mail and Zip Grouped Output types are mutually exclusive, in order to e-mail a zipped archive, you
have to create a Zip Grouped Output first and then include that in an E-mail Grouped Output.
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No change to destination indicates that the selected individual Output runs without any changes.
Attach to e-mail intercepts the output file for this component Output and embeds it as part of the group mail
output. For example, if the output is to a Kongsberg samplemaker, the .MAP file will be attached to the email
message instead of being sent to the table.
Put contents in e-mail means take the contents of a text file created by this component Output and put it in the
e-mail message rather than attaching the file. It is intended for inserting text such as ordering information in the
message. This should only be used with outputs through command files which generate text files.
Delete output disk file deletes any temporary files needed to add the output to an email message.
Select the option button for the type of sample output you wish to create.
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Checking Require a password to open the document requires the recipient of the file to enter a password
when opening the PDF file using Adobe Acrobat Viewer. Enter this password in the Open password and Repeat
password fields; they must match exactly. There is no way to recover this password if it is lost or forgotten.
Checking Use a password to restrict permissions requires the recipient of the file to enter a password to
change how the file is protected. Enter this password in the Open password and Repeat password fields; they
must match exactly. There is no way to recover this password if it is lost or forgotten.
If both password options are used, the two sets of passwords must be different.
Note: If you forget a password, change the password in Defaults, save the changed Defaults, and then
regenerate the PDF document. It will use the new password.
In the Printing allowed drop-down list box, there are three settings: None, Low Resolution, and High
Resolution. None means the recipient may not print the document. Low Resolution allows printing as a bitmap
up to 150 dpi. High Resolution allows printing the document at any resolution, and to use high-quality vector
output and other advanced printing features if the printer supports them.
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In the Changes allowed drop-down list box, there are three choices: None, Page content changes only, and All
changes allowed. None allows no changes in Adobe Acrobat. Page content changes only restricts changes to
what is shown on the page, but prevents other changes such as page rotation. All changes allowed allows any
change.
The recipient of a PDF file created by ArtiosCAD with security options set must use Adobe Acrobat 5.0 or later to
open the file.
Note: ArtiosCAD cannot open PDF files with an Open password, nor can it open PDF files that have
restricted permissions and that do not have content copying enabled.
Configuring 3D Outputs
3D has its own table in Defaults for Outputs. Shown below is the Artios catalog in Shared Defaults > Outputs-3D.
Learn all about the options available for these output types in the section 3D Outputs in the chapter Outputs.
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4. Press ENTER when you have entered the name and then double-click the new entry to access its Properties
dialog box.
5. On the Output Type tab, choose the type of Output to make. For this example, choose Bitmap.
Note: You may only output a SolidWorks file if you installed the SolidWorks supplemental software
from a pre-12.0.10 version of ArtiosCAD.
6. Click the Bitmap tab.
7. In the Save bitmap as group, choose JPEG. Set the other options as desired.
8. Click the General tab and enter a directory in the Output directory: field. Set the other options as desired.
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• PNG and JPEG in the Include bitmaps as group control how the images are stored. Select JPEG to
enable the quality setting.
• In the Save as group, choose to save Collada files as standalone .DAE files or .ZAE archive files.
6. Click OK when done setting the options to return to Defaults.
7. Click File > Save to save the changes.
8. Click Yes to overwrite the existing Defaults.
Note:
You may want to create additional Collada entries with different options set for ease of output. Make
sure to set the Output Type to Collada on the Output Type tab of the dialog box.
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Rule labels
You can define rule labels for special rules that appear in the design when viewing the design, or when printing
the design, or both. Rule labels display the specific rule type as the generic rule type plus whatever label you
specify.
To configure this, you must add a rule label to the rule definition in the Special Rule Types catalog in Defaults.
Enclosing the fraction in braces causes ArtiosCAD to display it as a real fraction, such as ¼.
To turn on rule labels when working in ArtiosCAD, open the View Mode dialog box, select the Rule labels
checkbox, and click OK.
Shown below is a hanger hole made from ¼ by ¼ perf with rule labels turned off.
Here is the same hanger hole with rule labels turned on:
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To turn on rule labels as a function of an output, check the Rule Labels checkbox on the View tab of the output’s
properties page.
The defaults for the size and default appearance of the rule labels are stored in the Rule Labels entry in Design
defaults.
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The Size: of the rule label is in points. The value in the Space between labels controls how often along the line
the label is repeated. Rotate parallel to line determines if the label is parallel to the rule or always shown so
that it is easily readable. Place above line controls if the label is in the line or above the line. Draw generic type
controls if ArtiosCAD
Shown below is the same hanger hole with Rotate parallel to line and Place above line turned off.
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3. To add a value to the table, click Add and enter the value in the Scale value: field. The value you enter must
be a least 0.005 units of measurement different from any other value.
4. To delete a value from the table, select the value and click Delete. There must always be at least one value in
the table; the last value can not be deleted.
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The Local Temp Directory is configured in the Local Temp Directory default in Startup Defaults.
The system TEMP directory is defined by an environment variable. See your system administrator, or refer to your
operating system documentation for more information on changing the system TEMP directory.
To set your own TEMP directory, select the Specify option and browse for the desired directory. Everyone must
have write access to that directory. The Local Temp Directory must be on the current machine - it may not be set
to a network drive.
The AutoSave timer is NOT active when:
• a dialog box is open
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Check the checkboxes next to each file to recover and click OK. The AutoSave files will be restored for the
selected files; SAVE the workspaces once they are open. AutoSave files that are not selected for restoration are
deleted automatically.
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For example, consider a file called FILE. If you choose the first option, Base filename is latest revision, and
create a new revision, then the latest revision becomes FILE and the original becomes FILE_~. If you then make a
new revision, then the latest file will still be FILE, the original will be FILE_~, and the first revision from the original
will be FILE_A. In this case the latest FILE would also be FILE_B, but the _B extension will not be visible; if you
open other revisions they will warn you that the latest revision is FILE_B.
If you choose the second option, Base filename is earliest revision, then each new revision gets appended in
sequence: the original is and will always be FILE, the second revision will be FILE_A, the third will be FILE_B and
so on. The most recent revision will be the one with the highest extension.
Default to update all projects when saving revisions, when checked, causes ArtiosCAD to update all Projects
that contain the current design when you use Save As Revision. When cleared, ArtiosCAD updates only the
current Project when you use Save As Revision. Also when this option is cleared, If the design is not in a Project,
or the design is not in the active Project, no Projects are updated with information about this revision. This option
is checked by default.
Note:
As of ArtiosCAD 16.1, the default option is the second option to better support canvases. If you have
upgraded from a previous version, the previous setting is preserved.
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There are two reports for each ArtiosCAD browser. The AutoCol Browser List format automatically detects
which data are selected for inclusion in Defaults and includes them on the report.
The SimpleEmb Browser List format presents just the information shown in the browsers.
The reports use three formats:
• CSV - produces a CSV (Comma Separated Values) file suitable for importing into a spreadsheet.
• HTML - makes an HTML (Hyper Text Markup Language) document which can be viewed in a Web browser.
• XML - makes an XML (eXtensible Markup Language) file suitable for delivering data to other applications in a
rich, structured way. Only the Simple reports use this format.
Shown below is the Properties dialog box for the AutoColDesignListHTML report for illustrative purposes. For the
reports with Simple in their name, any modifications made to the data included in the report require modifying
the XSLT transformation file to put that data into the output file. The reports with Auto in the name automatically
recognize the data included so the items in Select Data to Include can be added and removed as desired.
The option buttons in the Selection group control which database records are included in the report when it is
output.
The Template File: field controls which XSLT template is used with the report. For the ArtiosCAD browsers, the
template files are stored in InstLib. For the DataCenter Admin browsers, the template files are stored in the
language directory of the DataCenter program folder.
The options in the Output File group control where the output file is created and how it is treated after it is
created.
The Select Data to Include group controls the data going into the raw XML file before it is translated into the
output file by the XSLT file. If Thumbnail is selected, a JPG thumbnail for each record is saved in the same
directory as the report file.
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DataCenter Admin reports use hard-coded report names with extension .XSL that are in \Esko\Artios
\DataCenter\Program\ <language> .
The reports use XSLT files that are not meant for modification except by the most advanced users who are
already familiar with XSLT and XML. Modifying the catalog entries in Defaults only modifies the information going
into the raw XML file - the XSLT transformation template must also be updated to use the information. It is your
responsibility to edit or create a new XSL template file used to format the data into the output file.
Note: The WebCenter servers must be running version 6.1 or greater.ArtiosCAD can publish to a single
WebCenter site. Change the WebCenter address field in the Publish to WebCenter dialog box in
Defaults as needed to publish to more than one WebCenter site.
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Use ArtiosCAD project name (ARD only) names the WebCenter Project after the ArtiosCAD project name if one
was defined. This option overrides Use document name and Calculate using a library function.
Prompt for project name prompts for the Project name. If any Prompt option is selected, the Publish to
WebCenter dialog box appears when publishing. They all must be deselected in order to hide that dialog box
when publishing.
Create project if it does not exist creates the WebCenter Project named using the options selected in the
previous fields if it does not already exist. If this option is deselected and the WebCenter Project does not exist,
when ArtiosCAD tries to publish a document into that WebCenter Project, an error will occur.
Use template lets you specify the template to use to create the Project. Enter its name in the Name field or
enter the name of the library function used to calculate the name in the TLIBRARY() field.
Use document thumbnail causes WebCenter to use the thumbnail for the single design or 3D document as the
Project thumbnail.
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Create folder if it does not exist creates the folder named using the options selected in the previous fields if it
does not already exist. If this option is deselected and the folder does not exist, when ArtiosCAD tries to publish
a document into that folder, an error will occur.
Note: ArtiosCAD may only publish to the WebCenter site listed in this field. To publish to another
WebCenter site, change this field as needed.
Test tests the connection to the WebCenter server. The test is successful only if you receive a message that the
WebCenter Web-API was properly installed. Any other response means the test failed.
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To change the ink names, RGB color values, stroke widths or stroke styles used by this method, make the
changes in PDFSpotColorMap.xml.
Layered PDFs
You can specify custom PDF Outputs that maps linetypes into layers. PDF Output tuning works using an XML
tuning file. The easiest way to do this is to copy the example Tune.PDF.Layered.xml tuning file in
InstLib and modify it to suit your needs. Save your modified version to ServerLib and add a new Output
using that tuning file.
Shown below is an excerpt from the tuning file.
<!-- Line type 20 is used for Text items - map these to a layer called "Text Layer"-->
<MAP ARTIOSCAD_LINE_TYPE="20">
<PDF_LAYER NAME="Text Layer"/>
</MAP>
<!-- Line type 14 is used for Image and graphics items (strokes and fills).
Map these to a layer called "Image Layer"-->
<MAP ARTIOSCAD_LINE_TYPE="14">
<PDF_LAYER NAME="Image Layer"/>
</MAP>
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Map these to a layer called "Outside Bleeds"-->
<MAP ARTIOSCAD_LINE_TYPE="11">
<PDF_LAYER NAME="Outside Bleeds"/>
</MAP>
For more examples of how you can customize PDF output, refer to the following example files in InstLib.
• Tune.PDF.UsePlottingStyle.xml shows how to use the current plotting style to render PDFs. This
is the default if no tuning is specified or is not found.
• Tune.PDF.UseSpotColors.xml shows how to use technical inks in the PDF.
• Tune.PDF.Layered.xml shows how to map particular line types to PDF layers.
• Tune.PDF.Example.xml is an example tuning using a combination of layers and rendering options.
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b) Set a default case type and board as desired in the Default Case Type and Board group.
c) Choose a default pallet from the drop-down list box in the Default Pallet group.
d) Set the Maximum pallet height and Maximum pallet weight appropriately using inches and pounds or
millimeters and kilograms.
e) To not see the waste areas of the layout and see only the designs in Cape Pack, check Output to CAPE
as stripped.
f) To calculate the caliper from the board elements instead of using the caliper defined by the board code,
check Calculate True Caliper from Medium and Liners.
g) Set an Import pallet tolerance for use when exchanging design data between ArtiosCAD and Cape Pack.
As the outer dimensions of the Cape Pack pack type and the ArtiosCAD standard may not match, the
tolerance will make it easier to generate pallet loads.
h) In the Arrange/Design Options group, set the default amount of slack and the default maximum package
size.
i) In the Number of primary packages group, set the minimum and maximum number of primary packages
in the secondary package.
j) Set Round to nearest 1/16th as desired. This works in Inches mode only.
k) To customize the Customer Information Field data appearing on Cape Pack Reports, click Customize CIF
Fields in the Report group.
In ArtiosCAD Standard Edition, double-click in each field and enter the desired information. Use English
characters only as Cape Pack does not interpret UTF-8 characters. In ArtiosCAD Standard Edition, use
only text or non-database-related calculated expressions; userfields and database expressions are not
available. In ArtiosCAD Enterprise, choose a calculated expression or Attribute by clicking the Browse (…)
button.
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l) Click OK to return to Defaults when you are done setting the CAPE Defaults.
6. Click File > Save to save the changes.
7. Click Yes to confirm the saving of the changes to Defaults and return to ArtiosCAD.
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Import DXF files using third party libraries controls whether or not ArtiosCAD uses a more robust method to
open DWG or DXF files than its built-in method. If you have trouble importing DWG or DXF files, try deselecting
this checkbox.
ArtiosCAD does not display the fonts that DWG or DXF files use. Therefore, those fonts have to be mapped to
the Windows TrueType (TTF) fonts that ArtiosCAD does display. In the default map shown above, Width Factor
means the kerning and Height Factor adjusts the height of the text. To change any of the fields other than
Imported Font, click in the field. ArtiosCAD maps any unmapped fonts using the *Default setting.
If you have a DWG/DXF file containing unmapped fonts (text will be the wrong size), click Get font definitions
from file, then browse for the file. ArtiosCAD scans the file and sets up new map entries with which you can then
configure as desired. It then stores FontMap.XML in ClientLIb which you can copy between machines as
needed.
Note: ArtiosCAD does not use font mapping if Import DXF files using third party libraries is not
checked.
Color Palettes
ArtiosCAD comes with three color palettes that you use to pick colors. A palette can have RGB colors or CMYK
colors. RGB is way of defining colors based on the amount of red, blue, and green in them. CMYK defines colors
based on cyan, magenta, yellow, and black. You can also make custom palettes as desired.
The three default palettes are:
• Artios CMYK Palette. This palette contains some of the colors from the color picker in previous versions of
ArtiosCAD.
Note: Plotting styles and toolbar colors use color choices specifically chosen for clarity. They do not use
palettes.
4. Double-click the new color palette to open its Properties dialog box.
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When you create a new palette, ArtiosCAD sets its type to RGB and initializes the colors to white.
a) Change the palette type to CMYK if you are creating a CYMK palette.
b) Click the square of the palette which will contain the color you are about to define. It will have a
rectangle around it to show it is selected.
c) Define the color by either typing the color values in the input fields for the type of color, or by using the
mouse to set the hue and saturation in the color field and the luminance on the slider, or a combination of
the two methods.
d) ArtiosCAD automatically names the color PaletteType(Values). If you leave the default name and later
change the palette type, the color name changes automatically to reflect the different palette type. You
can give the color a custom name, but it will not change automatically if you change the palette type.
e) Click Update Palette to add the color to the palette. ArtiosCAD then automatically selects the next color
square.
f) Repeat the steps above to add colors as desired. Each palette can have up to 48 colors.
5. Click OK to save the changes to the color palette and return to Defaults. Save and exit Defaults normally.
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Note: If you are adding new colors or palettes to use when setting a board color, you must completely
exit Defaults after you have made the desired changes.
Defaults > Property defaults > Graphics > Fill Color and Stroke Color
Defaults > Property defaults > Text > Color > More colors
Defaults > Property defaults > Hatch > Custom > Line Type > Stroke > Color > More colors
Defaults > Property defaults > Hatch > Custom > Background > Fill > Color > More colors
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CMYK Palettes Only
Defaults > Property defaults > Line type label > Text color > More colors
Defaults > Property defaults > Text > Text color > More colors
Defaults > Startup defaults > Artwork Panels > Font and Color > Text Line 1 color > More colors
Defaults > Startup defaults > Dynamic Art > Label or Text color > More colors
Single Design > Select a filled or stroked object > Edit menu > Properties > Pick Fill Color and Pick Stroke
Color
Single Design > Select > Double-click a filled or stroked object > Properties > Pick Fill Color and Pick Stroke
Color
Single Design > Select a dimension > Edit > Properties > Color > More Colors
Single Design > Select > Double-click a dimension > Color > More Colors
Single Design > Paragraph Text > Color > More Colors
Single Design > Select text > Edit > Properties > Color > More Colors
Single Design > Select > Double-click a piece of text > Color > More Colors
Single Design > Hatch > More Options > Custom > Line Type / Stroke or Background / Fill > Color > More
Colors
Single Design > Select a hatched panel > Edit > Properties > Custom > Line Type / Stroke or Background /
Fill > Color > More Colors
Single Design > Select > Double-click a hatched panel > Custom > Line Type / Stroke or Background / Fill >
Color > More Colors
Single Design > Edit > Property Defaults > Hatch > Custom > Line Type / Stroke or Background / Fill > Color
> More Colors
Single Design > Line Type Label > More Options > Color > More Colors
Single Design > Line Type Label > More Options > Text box > Fill > Color > More Colors
Single Design > Select a line type label > Edit > Properties > Color > More Colors
Single Design > Select > Double-click a line type label > Color > More Colors
Single Design > Select a line type label > Edit > Properties > Text box > Fill > Color > More Colors
Single Design > Select > Double-click a line type label > Text box > Fill > Color > More Colors
Single Design > Edit > Property Defaults > Line type label > Color > More Colors
Single Design > Edit > Property Defaults > Line type label > Fill > Color > More Colors
Single Design > Color Stock > Pick Color
Single Design > Artwork Panels > More Options > Font and Color > Text Line 1 > Color > More Colors
Single Design > Dynamic Art > More Options > Label or Text > Color > More Colors
Single Design > Select a Dynamic Art object > Edit > Properties > Label or Text > Color > More Colors
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CMYK Palettes Only
Single Design > Select > Double-click a piece of Dynamic Art > Label or Text > Color > More Colors
4. In each pane of the Color Palette Options dialog box, select the palette to set as the default for the type of
feature.
5. Click OK to return to Defaults.
Canvas/Parts Options
Defaults for canvases and parts are in the Startup defaults catalog.
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The options in the Save Parts During Canvas Save group control what happens when you save a canvas. You can
choose to save only the canvas itself with Save only canvas, to Automatically save modified parts, or Prompt
to save parts, the default.
When revisioning a canvas, also save parts as revisions keeps parts revised to the same level as their parent
canvas. This is enabled by default.
In the Save Parts Dialog Settings group, choose what happens in the Save Parts dialog box. Use Autoname
for part filenames when available will automatically assign filenames to parts when you have configured the
Project or folder for autonaming. Default to Add to Bill of Materials controls the state of the checkbox when
saving a design, or publishing a new revision or version if you're using ArtiosCAD Enterprise.
In the Part Filename Options group, choose how ArtiosCAD automatically names parts, either based on the
part name, or on the name of the canvas. Use Part Name as Filename sets the filename to that of the part.
Generate Filename from Canvas sets the root of the part name to the canvas name, followed by the Separator
character(s) and a number that is the Number of digits.
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In the Part Creations options group, Horizontal distance between parts and Vertical distance between parts
control the gutter between parts when converting to a canvas and using Auto Space Parts. This gutter applies
to outermost design lines in the part, not the part frames. Empty part default width and Empty part default
height control the size of new parts.
The right half of the dialog box controls how parts appear in the canvas.
Set the colors for the Active Part Frame Color, Inactive Part Frame Color, and Part Name Text Color using the
choosers. You can choose from a group of common colors, or click Other to access more advanced color-setting
options. Click OK when done.
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The options in the Part Frame Borders group control how ArtiosCAD shows part frame borders. No Borders
displays no frame and just the name of the part in its title bar. Corner Marks places small angle brackets around
each corner of the frame. Full Frame Border draws the entire frame around the part.
In the Inactive Part Background Fill group, choose how ArtiosCAD draws the screen behind inactive parts. No
Background Fill keeps just the normal drawing area color behind inactive parts. When you choose this option,
you may turn on Show Corner Marks on Active Part when Frames are Turned Off if desired. Fill Inactive Parts
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shades inactive parts with the color specified in Inactive Part Background Color. Fill Entire Canvas uses the
Inactive Part Background Color to fill in the whole canvas except for the active part.
Note:
ArtiosCAD draws no frames, borders, or shading when in Isolation mode.
When you select a layout part in a job, the other layout parts in that job use the same active part frame
highlight and border color.
The Production part frame highlight color is orange for production parts and gray for all other parts.
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In the Sheet group, set the values for the sheet size, margins, gutter, nesting choices, and quantities. The width
and height must be greater than zero. The gutter and margins must be greater than or equal to zero. Alternately,
you can choose a standard sheet size or a die press by clicking Standard Sheet Sizes or Die Press Parameters,
and use the values from those sources.
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To use formulas to set the sheet size, enter them in Sheet size formula X and Sheet size formula Y. Hover over
the information icon to display examples of suggested formulas and syntax. You may also use a library function.
In the Nesting group, set the options for computing the nest as desired. Rotation can be No rotation, 180
rotation, 90 rotation or Any rotation. This applies to all parts in the layout. Fill direction can be Horizontal or
Vertical. This specifies the basic shape of the layout. If you set this to Horizontal, any unused space in the layout
is horizontal. Search time can be Very fast, Fast, Accurate, or Very accurate. The faster the search, the less
accurate the nest. For the strategy, Minimal waste creates the layout with the least amount of waste. Minimal
layout creates the layout with the least overrun for the parts with a greater job quantity. Priority by size places
the emphasis on making the closest number of larger parts to the job quantity.
Choose the Sheet edge style from the drop-down list. It can be Edge only, Edge and margin, Edge and corner,
or Corner only.
Show part names in layouts controls if ArtiosCAD shows the names of parts in layouts or not. The default setting
is enabled.
Highlight layouts with different grains causes layouts with a grain direction different from the default to appear
with a yellow highlight.
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Preflight Defaults
There are a few different areas containing Defaults for Preflight.
Preflight Profiles
Preflight Profiles let you configure the conditions the Preflight module checks for, along with their tolerances
and severity. ArtiosCAD ships with four Preflight Profiles in Defaults > Preflight Profiles that you should copy
and customize to meet your needs.
When you double-click a Preflight Profile, ArtiosCAD opens a dialog box that shows the filename for the Preflight
Profile, a Browse (…) button to specify a new one, and an Edit Profile button.
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ArtiosCAD stores Preflight Profiles as zipped XML files for sharing with other Esko products. The filename
matches the name shown in the Defaults catalog with underscores replacing spaces. If you rename the catalog
entry, ArtiosCAD creates a new file containing that profile in ClientLib when you save and exit Defaults.
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3. Review each condition on each tab as desired.
a) To enable a condition, check the checkbox before its name. To not check for a condition, clear the
checkbox before its name.
b) To see more detailed information about a condition, hover over the information icon after its name to see
a ToolTip.
c) To set the severity of a condition, change the entry in the drop-down list box beneath its name. You can
choose between Warning, Error, and Critical.
d) Set the tolerances for each condition as desired.
4. Click OK when done to return to the settings dialog box.
5. Click OK to return to Defaults.
6. Save and exit Defaults as usual.
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3. Select each dimension in the Dimension column and enter appropriate minimum and maximum values.
4. Select or deselect Glue flap on width panel and Glue flap on length panel as appropriate.
5. If this machine supports add-in partial dies for small pieces of additional geometry, select Allow inline partial
die.
6. Enter the minimum and maximum angles for the top and bottom of the glue flap.
7. If your glue flaps have a short horizontal line connecting them to the panel, enter their longest allowable
length in Maximum glue flap extend line length.
8. Click OK when done to return to the settings dialog box.
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9. Click OK to return to Defaults.
2. Click the property to move and then click the up arrow to move it up in the sort order or the down arrow to
move it down in the sort order.
3. Click OK to return to Defaults.
4. Save and exit Defaults as usual.
Autopanning Options
Autopanning is the way ArtiosCAD can change the view as you design a single design or canvas. Configure it in
Defaults > Startup defaults > Automatic Panning Options.
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As with all Defaults, ArtiosCAD combines them when you use the software.
To add a new Quick View:
1. Click the plus sign (+).
2. Enter a name for the new Quick View.
3. Set the view angle, elevation, and roll angle as desired by either typing or using the arrows while the Quick
View is selected.
4. To add another Quick View, click the plus sign again.
To remove a Quick View, select it and click the minus sign (-).
To rename a Quick View, double-click it and enter the new name.
Click OK to save the changes and return to Defaults.
Menu Plug-Ins
Menu Plug-Ins allow you to add custom entries to ArtiosCAD menus and the menu toolbar. There are two types,
Automation and Output. Automation plug-ins are meant for integrating with other applications by way of XML
files and require the expertise of your IT department to create and maintain. They have to have a component
supplied by you that connects to ArtiosCAD. Output plug-ins give an easy way to launch an Output.
Automation Plug-Ins
To define a new Menu Plug-In for an automation connection, right-click in Defaults, and click New > Menu
PlugIns. Then right-click that entry in Defaults and click New > Data. Enter a name for the new connection and
double-click it to open its properties.
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The Label is what the menu entry will be. Set the type to Automation.
Check the appropriate checkboxes for the modules in which this menu command will be available. You can also
choose an existing menu to put it on, or to create a new menu. Position Index within Menu controls where on
the command is on the menu. Note that the Product Information page that may appear when ArtiosCAD starts
counts as an open document so if you check Available when no documents are open, the command will not
appear on a menu until you close the Product Information page.
You can choose to save the document before every time this Output executes by enabling Automatically
Save document before executing. ArtiosCAD Enterprise users have an additional option to Run after every
document Save.
The PlugIn Application to Launch is the external program that ArtiosCAD calls when this menu command is
clicked.
Block ArtiosCAD until complete prevents the ArtiosCAD user from doing anything until the external application
completes.
Add Input Parameter causes ArtiosCAD to add a full path to a temporary XML file as a parameter to the
application specified. This is a full path to a temporary XML file that ArtiosCAD creates which contains database
and variable details for the current active document. When you choose this option, ArtiosCAD appends this
parameter when the command is issued. For example, if you specify Notepad as your application to launch and
you select Add input parameter, then ArtiosCAD issues the command notepad C:\...\sometmpfile.tmp. If the
workspace is a canvas, all the canvas XML and XML for every Part is included.
Add and Process Return parameter causes ArtiosCAD to add a full path to a temporary XML file which serves
as the automation XML file coming back to ArtiosCAD. This is the file that ArtiosCAD will process upon the
completion of the executable. As with the Input parameter, when you choose this option, ArtiosCAD appends the
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full path to the return XML file. It is the responsibility of the custom application to accept this parameter on the
command line and populate the file with the Automation XML.
Please note that the two file parameters C:\Temp\Inputfile.xml C:\Temp\Outputfile.xml
are not specified in the Application to Launch fields but are automatically appended by ArtiosCAD when the
command is issued. It is the responsibility of developer of the custom application to accept these two command
line parameters. This application would typically process and act upon the XML contained in the input file and
then generate the automation XML and save it in the output file (second parameter).
The following example shows the XML for how to make a new single design, set the board, run a standard, and
seed the LWD variables.
<ESKO_ARTIOSCAD Units="I">
<DOCUMENT Type="NEW_ARD">
<DOCACTION Type="SET_BOARD" ID="10"/>
<DOCACTION Type="RUN_STD" Wksp="F0200W">
<SEEDVAR Name="L" Value="10"/>
<SEEDVAR Name="W" Value="11"/>
<SEEDVAR Name="D" Value="12"/>
</DOCACTION>
</DOCUMENT>
</ESKO_ARTIOSCAD>
Output Plug-Ins
To define a new menu entry for an Output, right-click in Defaults, and click New > Menu PlugIns. Then right-click
that entry in Defaults and click New > Data. Enter a name for the new connection and double-click it to open its
properties.
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The Label is what the menu entry will be. Set the type to Output.
Check the appropriate checkboxes for the modules in which this menu command will be available. You can also
choose an existing menu to put it on, or to create a new menu. Position Index within Menu controls where on
the command is on the menu. Note that the Product Information page that may appear when ArtiosCAD starts
counts as an open document so if you check Available when no documents are open, the command will not
appear on a menu until you close the Product Information page.
You can choose to save the document before every time this Output executes by enabling Automatically
Save document before executing. ArtiosCAD Enterprise users have an additional option to Run after every
document Save.
Click Browse (…) at the end of the Output to Launch field to choose the Output to run with this menu command.
An example of an Output menu plug-in looks like this.
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Some button actions execute when you press the button; others execute when you release the button.
ArtiosCAD resumes the previous activity on button release.
The available actions are:
• CloseUp with options 1 (the normal CloseUp window)
• CloseUp with options 2 (the larger, more zoomed-in CloseUp window)
• Close all CloseUps
• Pan view
• Zoom in/out
• Change view angle in 3D view
• Unassigned
Not all actions are available for every situation; for example, you can only select Change view angle in 3D view
when changing one of the 3D view options.
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Choose the desired actions from the drop-down list boxes and click OK when done to return to Defaults.
Note: You cannot change the Right mouse button released action as the context menu is core
functionality of ArtiosCAD.
The Annotation Symbols catalog holds the entries for the Annotation Symbols tool. Add and remove entries as
desired. The symbols are ArtiosCAD workspaces.
In the Assembly Instructions catalog, you can set the Defaults for Page and Panel options (as described in the
Changing Instruction Page Properties and Changing Instruction Panel Properties sections in 3D. You can also
add and remove page sizes used by the Add Instruction Page tool in the Page Table.
Frame
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• Bottom Position
• Offset from bottom of sheet
• Offset from first knife
• Offset from offset to bottom of frame
• Pieces
• Vertical Pieces
• Thickness
• Length
• Horizontal Pieces
• Thickness
• Maximum length
• Trim to frame
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• Frame kit #
• Support bar #
• Max Size Restrictions
• Min to inner
• Max to inner
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Non-Stop Swords
Photocells
Pressers
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Tie-Bolt Holes
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• Maximum height
• Maximum width
• Minimum height
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Blanking Defaults
Options in this section are for blanking parameter sets.
Blank Holes
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• Blanker Type
• Lower board
• Grid & board (combo tool)
• Grid (no board)
• Lower board - merged blanks
• Contour
• Trim slots less than
• Offset
• Blend
• Adjusted Offsets
• Use
• Offset
• Single cut horizontal lines on inside panel
• Single cut horizontal lines opposite inside panel
• Single cut horizontal lines
• Single cut vertical lines on inside panel
• Single cut vertical lines opposite inside panel
• Single cut vertical lines
• Single cut diagonal lines
• Layout side vertical lines
• Layout bottom horizontal lines
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• Layout top horizontal lines
• Design top/bottom horizontal lines
• Design side vertical lines
Frame Clearance
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Frame Construction
Frame Size
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Grid
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• Trim/Extend Parameters
• Automatically trim/extend on finish
• Trim to grid
• Grid bar overlap
• Vertical frame overlap
• Horizontal frame overlap
• Width
• Offset
• Bend radius
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• Left allowance
• Right allowance
• Top allowance
• Bottom allowance
• Relative to
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• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
Non-Stop Swords
• Custom
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• Total Width
• # of Prongs
Pusher Details
• Air Hole
• Inset from edge
• Corner blend
• Duplicate in upper board
• Slot blend
• Merged hole
• Reinforce large holes
• Maximum size
• Bar thickness
• Blanker Pusher Pins
• Distance from edge
• Preferred pin-to-pin distance
• Blanker pusher pin
• Pusher Identifier Text
• Font
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• Font size
• Duplicate in upper board
Pusher Edge
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Support Bars
• Defined By
• Width
• Components
• Rail
• From machine
• Adhesive
Tool Controls
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• Photocell
• Width
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• Suggested height
• Suggested width
• Left allowance
• Right allowance
• Top allowance
• Bottom allowance
• Corner relief
• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
Counter Defaults
Options in this section are for plastic / phelonic counters and for steel counters.
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• Type of counter
• Plastic counter
• Steel counter
• Maximum chamfer diameter
• Counter thickness
• Crease channel depth
• Chamfer depth
• Crease channel width
• With grain
• Cross grain
• With grain angle limit
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• Rebuild creases only
• Tool angles
• With grain
• Cross grain
• Type of counter
• Plastic counter
• Steel counter
• Counter thickness
• Crease channel depth
• Crease channel width
• With grain
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• Cross grain
• With grain angle limit
• Tool angles
• With grain
• Cross grain
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Reverse Creases
• Angle
• Width
• Set back
• Shoulder
• Insert
• Counter material
• Off the counter
• Crease width
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• Angle
• Width
• Set back
• Shoulder
• Insert
• Counter material
• Off the counter
• Crease width
• Geometry macro
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Reverse Cuts
• Angle
• Width
• Set back
• Shoulder
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• Angle
• Width
• Set back
• Shoulder
• Geometry macro
Embossing
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Position Holes
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• Workspace Name
• Specify
Tack Bridges
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Name
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• Block
• Fast Block
• Rotation
• Mirror
• Size
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• Shape
• Round
• Square
• Land
• Tool Radius
• Creases meet at sharp angle
• No processing
• Priority equal
• Priority middle
• Priority side
• Merge
• Cutback
• Merge radius
• Minimum channel length
• Minimum length
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• Crease Cutback
• From channel end
• From cut line
• Crease cutback
• Different top and bridge
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When you Create or Rebuild a Counter, the dialog's tab 'Line Types' is where you define the Treatment of
these types of lines:
• Cut and crease
• Perf in channel
• Land
• No channel.
Frame (Steel)
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• Frame
• Relative to
• Lead edge
• Dieboard
• Machine reference point
• X offset
• Y offset
• Rectangle
• Width
• Height
• Geometry macro
• Hanger holes pattern
• Position
• Workspace
• Offset
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• Dieboard registration holes pattern
• Name/logo geometry macro
• Position
• Offset
• Rotate
How many balance knives are added to the dieboard is decided by a formula from Bobst.
From 24.07 on, ArtiosCAD also supports a newer Bobst formula, allowing you to choose between the two.
Learn all about these parameters in the chapter Manufacturing, more specifically in How to add balance knives
on page 1360.
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• Suggested height
• Suggested width
• X offset from ref. pt.
• Y offset from ref. pt.
• Left allowance
• Right allowance
• Top allowance
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• Height specification
• Maximum size
• Suggested size
• Specify allowances
• Width Specification
• Maximum size
• Suggested size
• Specify allowances
• Centered dieboard vertically
• Positioned by
• Stripping rules
• Layout
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• Upper
• None
• Notch
• Mark
• Notch height for center
• Notch width for center
• Mark length for center
• Lower
• None
• Notch
• Mark
• Notch height for center
• Notch width for center
• Mark length for center
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• Upper height
• Lower height
• Left allowance
• Right allowance
• X offset from ref. pt.
• Y offset from ref. pt.
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• Positioned by
• Stripping rules
• Layout
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• Suggested height
• Suggested width
• X offset from ref. pt.
• Y offset from ref. pt.
• Left allowance
• Right allowance
• Top allowance
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• Maximum height
• Maximum width
• Minimum height
• Minimum width
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• Left edge
• Right edge
• Bottom edge
• Top edge
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• Maximum height
• Maximum width
• Minimum height
• Minimum width
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• Maximum height
• Maximum width
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• Minimum height
• Minimum width
• Wood thickness
• Rotary Dieboard
• Rotary Dieboard Properties
• Cylinder diameter
• Design to wood level shrink
• Cylinder to wood level stretch
Note:
Rotary Dieboard is what tells ArtiosCAD that this is a rotary press.
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• Corner offset
• Bend length
• Arc sensitivity
• Minimum bend angle
• Horizontal
• Size
• Vertical
• Size
• Offset
• Minimum size
• Thin pieces
• Length
• Width
• Standard Rules
• Length
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• Hook
• Radius
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• Suggested height
• Suggested width
• X offset from ref. pt.
• Y offset from ref. pt.
• Left allowance
• Right allowance
• Top allowance
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• Maximum height
• Maximum width
• Minimum height
• Minimum width
Manufacturing Defaults
Options in this section are for manufacturing parameter sets that contain settings independent of any specific
die or printing press.
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• Internal
• Use blocks
• Use push pins
• Use rules
• External
• Use blocks
• Use push pins
• Use rules
• Strip Tool settings
• Lower
• Upper
• Internal
• External
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• Internal
• Offset
• External
• Use different offsets
• Offset
• Offset below wing
• Strip sides
• Strip back
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• Fixed width
• Offset from back edge
• Offset from side edge
• Wood strip width
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• Block parameters
• Offset
• Offset from carrier rule
• Minimum block area in square inches
• Slot width
• Use only if strips entire hole
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Burn Name
• Character height
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• Font
• Fast block
• Block
• Rotate
• Horizontal
• Rotate 90
• Rotate -90
• Corner relief
• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
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• Separator
• Upper only
• Upper and lower
• Lower only
• Follow offset
• Use mounting bar
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• Corner relief
• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
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• Corner relief
• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
• Make tabs
• Tab width
• Use separator
• Separator design file
Rubbering
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• Optimization
• No optimization
• Simple optimization
• Merge rule paths
• Optimize rule paths
• Rebridge rule paths
• Rule path direction
• Out from die split
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• Lead → Trail
• Left → Right
• Trail → Lead
• Right → Left
• When rule paths cross
• Favor horizontal
• Favor vertical
• Reduce number of rule paths
• Maximum horizontal distance for rotary
• Maximum vertical distance for flat
• Single rule path for small waste area
• Maximum diameter of circle
• Maximum width to use rotary rule
• Maximum height to use flat rule
• Mark length
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• Options on restore
• Use as is
• Use default
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• Warn if it differs from default
• Default die side
• Knife side up
• Back side up
• Options on restore
• Use as is
• Use default
• Warn if differs from default
• Default flute/grain direction
• Vertical
• Horizontal
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• Options on restore
• Use as is
• Use default
• Warn if differs from default
• Default side
• Inside
• Outside
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• Width
• Bridges
• None
• One
• Two
• At start
• At end
• At start and end
• Default
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• Pointage
• Drag snap angle
• Start point offset
• Strip between design for mounting bar
• Add bend
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• Direction
• Leading
• Trailing
• Length
• Radius
• Angle
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• Hook type
• “L” with radius
• “L” with corner
• “T”
• “T” with corner
• Placement
• None
• Top, sides, none on bottom
• All four sides
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• Left overrun
• Right overrun
• Bottom overrun
• Top overrun
• Stripping edge based on
• Sheet
• Layout
• Die edge
Tack Bridges
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• Die board
• Stripping boards
• Interior formula
• Exterior formula
• Air holes formula
• Blanker
• Interior formula
• Exterior formula
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• Block pin
• Size
• Base size
• Block pin
• Clearance
• Workspace
• Corner style
• Round
• Square
• Chamfer
• Add pin
• Width
• Pin offset
• Push pin
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• Push pin
• Size
• Base size
• Shoulder
• Clearance
• Workspace
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• Corner relief
• Square
• Blend
• Chamfer
• Radius for corner
• Chamfer for corner
Intelligent Layout
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Sheet Edge
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• Left edge
• Right edge
• Bottom edge
• Top edge
Sheet Size
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• Maximum height
• Maximum width
• Minimum height
• Minimum width
Rubber Defaults
Options in this section are for rubber defaults.
Bolt Holes
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Breaker Knives
Crease Mask
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Cut/Crease
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• Treat cut/crease
• Like cuts
• Like creases
• Use parameters below
General
• Add blend
• Fixed width
• Blend radius
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• Open out
• Open out tack width
• Fill
• Make splits
• On bridges
• At corners
• Both
• Maximum length
• Maximum length inside
• Maximum length straight
• Split width
• Minimum length
• Trim gap
• Trim against counter
• Counter trim
• Trim lead edge
• Make plastic cover
Layout
• Trim
• Gutter
• Nesting tries
• Grouping
• Manual
• None
• Low
• Medium
• High
Plastic Cover
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Rubber Types
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• Selection name
• Selection
• Use selection
• Width
• Offset from side of rule
Separators
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Welcome to ArtiosCAD
The fundamental purpose of ArtiosCAD is to turn your creative thoughts into business for your company. Speed,
efficiency, and accuracy are all essential to providing the best product to your customers.
This book is intended for people with experience using the Microsoft Windows family of operating systems who
are just starting to use ArtiosCAD.
For the latest information on system requirements, please go to the Esko website and search for system
requirements.
Your system may not have all of the features described in this publication. Contact your Esko salesperson for
information about purchasing features not installed on your system. Also refer to http://www.esko.com for
more information.
You must have local administrative privileges to fully configure ArtiosCAD.
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3. The language selection tool will change the name of the default shortcuts (the ones in the Start menu in the
ArtiosCAD program folder and on the desktop) as appropriate.
4. Restart ArtiosCAD to run in the new language.
This tool changes the following:
• ArtiosCAD (both Standard Edition and Enterprise)
• DataCenter Admin
• Configure Floating Licenses (only changes the name)
• Migration Tools folder name
• ArtiosCAD Enterprise <Version> Migration
• Defaults Migration
• DWB DataLoader
• DWB Export
• Esko ArtiosCAD Database Export
• Esko ArtiosCAD Database Loader
• Esko ArtiosCAD Database Migration Export
• Esko ArtiosCAD Database Migration IMport
Starting ArtiosCAD
To start ArtiosCAD, log on to your system if necessary and then do the following:
1. Click Start, then point to All Programs.
2. Point to the Esko > ArtiosCAD folder in the Start menu, and then click the version of ArtiosCAD you have
installed.
3. If this is the first time you are starting ArtiosCAD after installing it, it will prompt you for licensing information.
Please refer to the next section for more information.
4. The ArtiosCAD startup screen will appear.
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Click Don’t show this again to hide the Product Information page on subsequent startups. It will appear
again when you install a new version, or after about 100 days to make sure you see the latest information. You
can also access this page in a Web browser by clicking Help > ArtiosCAD News.
If you have hidden the Product Information page, the main window looks like this.
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2. If you chose the HTML file with product key option, the normal Esko Activate Local License wizard starts.
Proceed as instructed on the screen.
For more information, please refer to the Local License Manager documentation available at http://
www.esko.com/support.
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3. If you chose the license server option, enter the name of your license server and click Connect. To specify a
specific network port on the license server, use the syntax port@servername.
If all network licenses are in use, ArtiosCAD displays an error message. Click Show licenses currently in use
to see a list of who is using a license so you can ask another user to release a license. For more information,
please refer to the Network License Manager documentation available at http://www.esko.com/support.
4. If you chose the Esko ID and subscription option:
a) Enter your email address and password for your Esko ID and click Sign In.
b) Once the license is initialized successfully, click anywhere in the dialog box to continue starting
ArtiosCAD.
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For more information, please refer to the Local License Manager documentation available at http://
www.esko.com/support.
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Note:
If you need to change the license location on a system running both 32-bit and 64-bit versions, change
it using the 64-bit version.
Note: You only need to sign out if you want to release your license. You do not need to sign out just to
exit ArtiosCAD.
To sign out of your subscription license and quit ArtiosCAD, do the following:
1. Close all open ArtiosCAD documents.
2. Click Help > Sign Out.
3. In the ArtiosCAD Sign Out dialog box, click Sign Out & Quit.
4. ArtiosCAD releases your subscription license and closes. The next time you start it, ArtiosCAD will prompt you
for license information.
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Note:
A subscription license is considered a local license and will not work if you are using Remote Desktop or
another terminal emulator.
Dashboard
Esko collects anonymous usage data about how you use the licenses and features of ArtiosCAD to continually
improve the software for your benefit. If you want to link this anonymous data to your Esko ID so that you can
see, for example, how many licenses are being used and where in order to prioritize investments and allocations,
click Help > Dashboard and follow the on-screen instructions to create your Dashboard. You have to explicitly
opt in for the data to be linked to your Esko ID.
ArtiosCAD will ask you on first launch if you want a Dashboard.
Click Yes, I want a dashboard and follow the instructions to create one. If you don’t want one now, click Not
now.
If you change your mind later, opting out by clicking Help > Dashboard > Opt Out de-links your Esko ID from the
data collection.
As of this writing, the data collection is always on; opting in or out only changes its identification.
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A typical workflow
The process of creating boxes, either folding carton or corrugated, is usually a logical progression. First you
design the box and embellish it with graphics from your art department, from the customer, or graphics that
you designed yourself. Then you print it on a desktop printer for review. At this point, you may export it to
a different format for use by others. You could also fold the box in 3D to make sure all the dimensions work
together. Sometimes a specification sheet of the folded design is created to send to the customer for approval.
If approved, samples are made. If the samples work and are approved, manufacturing tools for the box are made.
These manufacturing tools then are used in production of the box, and the box is shipped to the customer.
Tools
Work in ArtiosCAD is completed using tools found on toolbars. Select a tool by clicking it with the mouse cursor.
The selected tool will prompt for information in the Status bar and guide you using graphical feedback (drag).
The toolbar master controls determine which toolbars are visible.
Zooming in with the Zoom Rectangle tool means the design is displayed in more detail. Either click and
drag a rectangle to indicate an area to zoom into, or click a coordinate to zoom in on that coordinate.
Zooming out with the Zoom Out tool means the design is viewed in less detail.
The Center-Point Zoom tool, when clicked, prompts you to click the center of an area to be zoomed in
upon, and then to drag to the corner of that same area. Release the mouse button to perform the zoom.
If you zoom in on an imported Adobe Acrobat PDF graphic and you have purchased the PDF option, High
graphics mode in the View Mode dialog box enables sharper resolution as you zoom in. High graphics mode is
covered in depth later in this manual.
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Autopanning
ArtiosCAD has a feature called autopanning that automatically changes the view as you approach the edge of
the design pane.
Autopanning is available when:
• You have the feature enabled in Defaults > Startup defaults > Automatic Panning Options. See the Defaults
chapter for more information about its options and configuration.
There are eight arrows - the four corners, up, down, left, and right.
Hover over the arrow to activate autopanning.
The arrow turns red and ArtiosCAD displays a warning ToolTip if you move too far from the origin.
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The Scale to Fit command on the View menu (and on the View toolbar) zooms in as close as possible
without having any edge of the design outside of the window. This is especially useful when you are either
zoomed way in or zoomed way out and want to see the complete design quickly.
When held down, it activates the Scale to Fit tools flyout toolbar.
Click theScale to Fit with Border tool to put a border around the scaled-to-fit view. The size of the border
is configured in Options > Defaults > Startup defaults > View Tools options.
Pan/Zoom tool
The Pan/Zoom tool lets you grab a location on the screen and drag it as desired in Pan mode, or zooms
in and out according to the direction you drag (up or down) when in Zoom mode. To use it in Pan mode, click it,
click and hold a location on the screen, and drag to the new location. Click the right mouse button or press ESC
to exit the tool and return to the previous tool used. The cursor looks like a clenched hand while dragging.
Note: If you use the Pan/Zoom tool in high graphics mode, you must refresh the screen by pressing F2
to re-render the graphics.
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To use the Pan/Zoom tool in Zoom mode, click it, click Zoom on the Status bar, position the cursor in the desired
area, and then drag the cursor up to zoom in or down to zoom out. Click the right mouse button or press ESC to
exit the tool and return to the previous tool used. Shown below is a design in process of being zoomed in upon.
Press tab on the keyboard to change between Pan and Zoom modes without clicking their respective option
buttons.
To exit the Pan/Zoom tool in either mode, either click the mouse button, press ESC on the keyboard, or activate
another tool. The previously-used tool will resume operation.
If you have a three-button USB mouse with a scroll wheel, using the scroll wheel at any time zooms in or zooms
out as if you were using the Pan/Zoom tool in Zoom mode. Holding the middle mouse button down and dragging
the cursor pans the view as if you were using the Pan/Zoom tool in Pan mode.
The amount of zoom controlled by the scroll wheel is configured in Options > Defaults > Startup defaults > View
tools options.
View mode
The View mode command on the View menu (and on the View toolbar) lets you choose the types of
geometry and graphics ArtiosCAD displays.
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Check or clear the checkboxes as desired. Click the arrow at the end of the Plotting Style field to select a new
plotting style from the drop-down list.
The arrows at the ends of the items in the Attributes group let you choose predefined values from a drop-down
list. You can type your own values (or a range of values by typing starting value .. ending value) in the Pointage
and Number of bridges fields but not in the Line type field.
Part frames only appear in canvases, so the control is available only when a canvas is open. There is also a
toggle for them on the View bar above the Parts List, as well as being on the View > View Options menu.
Nick gaps are gaps in cut lines showing where nicks are positioned. Crease cutbacks are nicks at the ends
of crease lines.ArtiosCAD cannot show bridges and nick gaps simultaneously, so when you turn Bridges on,
ArtiosCAD turns off Nick gaps and Crease cutback. Conversely, turning on Nick gaps or Crease Cutback turns
off Bridges. ArtiosCAD can show bridges and nick styles simultaneously. Crease cutbacks are at the top of the
rule and bridges are at the bottom of the rule. If you turn both on, ArtiosCAD shows the original crease with no
shortening.
The default view mode styles can be set by clicking Options > Defaults > Design Defaults > Default View Mode.
The default screen color is set in the Screen color element of the Design Defaults catalog.
Plotting styles
Plotting styles control the display attributes of all objects on the screen. Using plotting styles, you can control
the width, color, and pattern of design lines, and the tools a samplemaker or other machine uses to cut, burn, or
otherwise create the lines. The current plotting style can be changed in the View Mode menu, and plotting styles
in general are configured in Defaults.
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Construction lines
Construction lines are special guide lines used as drafting aids only. They aid in the construction of geometry
that relies on points not in the actual design. Construction lines are not manufac-tured, and are not exported to
different formats.
Layers
ArtiosCAD uses the concept of layers to build a complete design. Layers are used in single design and
manufacturing. Think of a piece of paper with a drawing of a basic container. Then on top of that, add
transparencies. One transparency could contain dimensions, another could contain art, and yet another could
contain additional design geometry such as a window or an optional flap. A design may have up to 100 layers.
ArtiosCAD works with the layers that are turned on. Only layers that are visible are printed or exported to a file.
However, all layers are saved when the design is saved regardless of their viewing status.
Properties
Most objects in ArtiosCAD have properties associated with them, such as line type, pointage, font, color, and
so forth that can be changed by double-clicking the object(s) with the Select tool. This invokes the Properties
dialog box. If more than one type of object is selected, for instance a line and some text, the Properties dialog
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box will have tabs across the top that allow you to change the properties of each type of item selected. Close
the dialog box to apply the changes to the properties.
Transformations
Transformations such as moving, copying, or rotating design elements are two-step processes. The first step is to
select the item(s) to be transformed; selected items turn magenta. The second step is to select a tool on the Edit
toolbar. The Edit tools (other than Select) are available only when something is selected.
Current position
The current position is the point in a workspace where creation tools start creating. When a new blank design
is created, the current position defaults to the intersection of the construction line axes. When the first line is
drawn from the current position, the current position then moves to the end of that line. Whatever is created
next will begin at the end of the first line. Then when the second object is created, the current position will make
the third object start from the end of the second object.
The current position can be moved by using the Move to Point tool (CTRL-W) on the Geometry Tools
toolbar or Move By (CTRL-Q) on the Tools > Current Point menu. Move to Point moves the current
position to an established point. Move by prompts for an angle and offset at which to move the current position.
Using drag
Drag is a basic concept of ArtiosCAD. Drag is an image and numbers that appear when ArtiosCAD prompts for a
physical dimension, such as specifying the angle at which to move an object. Moving the pointer changes this
image and numbers. Drag can be tuned to use the increments you want in the Snap Options dialog box on the
Options menu.
Freehand dragallows you to move objects by clicking and dragging them. By default, this behavior is enabled
only for text, dimensions, and annotations; however, it can apply to lines, arcs, and beziers by clicking that option
in the Snap dialog box in Options.
You must select a line, arc, or bezier by one of its endpoints in order to use it with freehand drag. This reduces
the potential for accidental moves.
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A small circle appears when you have created an object by aligning it with an established point (called snapping
to a point). If the circle does not appear around the point you think you snapped to, then you did not snap to
that point.
When using the following tools, holding down SHIFT while using drag to set an angle adds perpendicular and
tangential angles to the snap.
• Line Angle/Offset
• Line Horiz/Vert
• Line Angle/Length
• Arc Start Angle
• Arc End Point
• Straight Curve
• Curve Straight
• Conline Offset/Angle
In the examples below, the end of the arc is the point against which the perpendicular and tangential angles are
measured.
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However, since the endpoint is shared, ArtiosCAD also shows the perpendicular and tangential angles for the line
as shown below.
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In the example above, ArtiosCAD displayed the alignment point (the green square) because the cursor was
within the snap tolerance to that point.
In the example below, aligning to the midpoint of the line does not satisfy the Radius prompt of the Circle tool
because the horizontal location of the proposed point is not aligned, so ArtiosCAD shows a dotted line.
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However, in the different example below, because Dynamic Drafting could align the Radius prompt of the Circle
tool to the point defined by the midpoints of both lines, it shows an alignment point.
Dynamic Drafting:
• works with tools that accept points in Single Design only, not in 3D or Manufacturing
• is enabled by default.
If you have already set a value in a Status bar field, ArtiosCAD does not show alignments for those fields.
Dynamic Drafting also:
• works only with layers that are turned on
• ignores geometry that is completely outside of the current view
• ignores construction lines, file windows, and details
• ignores lines created by the Hatch tool
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• chooses the point that is closest to the cursor if the cursor is within 1/4 the snap tolerance distance to
multiple points.
There are some restrictions to using Dynamic Drafting:
• works even if Use Drag Snap is turned off in the Snap Options dialog box.
• works with the center points of arcs if Center points of arcs is turned on in the View mode, even if Extend
Points of Arcs is turned off in the Snap options dialog box
• If Extend Points of Arcs is turned on in the Snap options dialog box, ArtiosCAD considers them even if they
do not appear in the current view
• does not recognize intersections with beziers
• does not recognize points created purely by tool drag, such as bezier start and end points or drag for Create
Rectangle From Line
• does not work with any of the tools on the Advanced Standards toolbar.
Note: if you have difficulty setting the prompts to a value because of ArtiosCAD's create-a-line-with-
one-click behavior, press ENTER to set the value in the highlighted prompt, and press TAB to move
between the prompts.
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4. On the View > Snap Options menu, click Dynamic Drafting.
To turn Dynamic Drafting on or off permanently, click Options > Defaults > Startup defaults > Snap options and
select or deselect Horizontal/Vertical Alignments in the Dynamic Drafting group.
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Scale to Fit CTRL + D Select All (in the Project Bar) CTRL + A
Snap
Snap accommodates non-precision when selecting points. If you click close enough to a point, ArtiosCAD
interprets your click as selecting that point, even if you are a few pixels off. The area around a point that you can
click in and still select it is called Snap Tolerance.
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Some tools, such as the Bezier tool, require Freehand Coordinates to be turned on. If you try to click a point and
Cannot select coord appears in the Status bar, make sure Freehand Coordinates is turned on.
If Middle Points of Lines and Arcs is enabled, once you are within the snap tolerance of a line or arc, the
endpoints and midpoint appear.
Highlighting appears around such a point when the cursor is over it.
Extend Points of Arcs or Bezier causes blue squares to appear around center, corner, and quadrant points
of arcs, and green squares to highlight the start, end, and midpoints of arcs. Blue squares also appear for the
center and quadrant points of a circle. Green squares indicate the ends of beziers while blue squares indicate
their extents. When this checkbox is cleared, only the start, end, and midpoints of arcs appear. Zoom in on small
geometry, else you will see overlapping squares. There are no snap points on construction line circles.
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Text, Arrow or Image Points lets you snap to the edge and center points of those objects. Shown below is
snapping to the top center handle point of a piece of text.
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On the View menu, the Snap Options submenu lets you quickly turn on snapping to middle points, using
overrun/underrun, and Dynamic Drafting. You can also assign these to shortcuts if desired.
If you really do want to snap to an unreliable point, ArtiosCAD lets you if you explicitly click it, but again turns the
feedback red and displays a message in the Status bar. You also can snap to an unreliable point if you are in its
layer, or if the current selection contains an example of the unreliable geometry.
Dynamic Drafting does not snap to unreliable points.
Overrun/Underrun
Also on the View > Snap Options menu is Use overrun, underrun which extends, shortens, or does both to every
line by a set amount and is configured in Options > Over/Underrun.
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The menu bar, view bar, and toolbars all control the action in the drawing area. The status bar displays
information about the tool being used, and if applicable, prompts for specific information.
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You can reposition the View bar and toolbars as desired by clicking and dragging their handles. They can all
float or be docked as you prefer. To make a toolbar float, click its handle and drag it out of the window. To dock it
again, drag it back into the window and stick it to one of the window edges.
Each button on the View bar displays a ToolTip if the pointer hovers over it for a few seconds.
In the first group of controls on the View bar, the first button opens the Open dialog box. The second button
opens the Design browser. The third button saves the current design.
In the second group, the first button rebuilds the current design. The second converts the current design to
a Manufacturing file. The third button converts the current design to a 3D file. The fourth button converts a
single design to a canvas. The fifth button converts the current design to a counter layout, and is available only
when there is a Counter layer in the design. The sixth button marks the current single design as the destination
document when making Assembly Instructions.
The button in the third group creates a print item.
The first button in the fourth group adds, deletes, and modifies layers. It also shows the name of the current
layer.
After the Layers button, the drop-down list boxes control line type and
pointage. They are described in the next section.
The fifth group of buttons on the View bar contains Preflight and
the toolbar master control buttons, after which are the Dynamic Drafting mode toggle and the Show Auto-
Repeat Areas toggle. The toolbar master controls are described after line types; Preflight and the two toggles are
described in the Designer chapter.
In the sixth group of buttons on the View bar, the first button changes
the grain/flute direction. Clicking the drop-down arrow shows a menu with more commands on it:
• Change Grain Direction changes the grain/corrugation direction without rotating the design.
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• Change Grain View with Rotate 90 Right changes the grain direction and rotates the design clockwise by
90 degrees to reflect that change.
• Change Grain View with Rotate 90 Left changes the grain/corrugation direction and rotates the design
counterclockwise by 90 degrees to reflect that change.
The second button displays the current side up (outside/printed or inside/unprinted), and
changes it when clicked. Clicking the drop-down arrow shows a menu with more commands on it.
• Flip Side changes the designation of the side you are looking at.
• Change Print Side and Blade Side flips the design over so that you are looking at the other side of the
design and the other side of the die board.
The third button toggles between Blade Down/Die Back side or Blade Up/Die Knife side. This is
most useful when designing for thick boards with V-notch cuts and creases. For Blade Down, ArtiosCAD cuts the
design as viewed from the top as viewed from the current side. For Blade Up, ArtiosCAD cuts the design from
underneath as viewed from the current side. This setting is synchronized with 3D, but it is not synchronized with
Manufacturing as that setting is controlled by the manufacturing parameter set.
If you are In a canvas, the button has a drop-down menu with the following commands for working with the
current part, all parts, or the canvas as a whole:
• Change Blade Side for Current Part
• Change Blade Side for All Parts
• Change All Parts to Blade Down
• Change All Parts to Blade Up
The Grain, Side, and Blade Side commands are also on the Info menu.
The fourth button displays the units of the current design - In for imperial format and mm for metric
format.
In single designs and canvases, the Line Type pop-up control displays all line types currently in the workspace
and two panes with generic types and special rules. Click the desired line type to change the line type and close
the selector.
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Select the new pointage from the list. It will affect new lines created that are of a generic line type.
If you use a line type from the V-notch folder of the Generic Types catalog, the Pointage drop-down changes to
an Angle field. This is used by the variable angle tool on Kongsberg samplemakers in conjunction with iPC. Set an
angle from 0 to 60 degrees in steps of 0.5 degree.
When you change the line type and then make a line, ArtiosCAD checks to make sure that the line type is
appropriate for the current layer. Listed below is a list of line types and their appropriate layers.
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Table: Line types and appropriate layers
Annotation, print image, dimensions and text, form Any (no warning)
windows, construction lines, Tooling line types
Tear 3D Assist
Side bevel, generic perf, all special and generic rules Main, Manufacturing, Windows and cutouts
Unknifed diecut, Die etch, Die registration hole, Laser Main, Manufacturing, Windows and cutouts
position hole, Die bolt holes
The default line types for layer classes are listed below.
Main, Manufacturing, Windows and cutouts, Horizontal Cut, or last valid line type used
cross section
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3D Assist Tear
The Toolbar Master Controls let you turn toolbars on and off in Designer and Manufacturing. The first
button controls which standard toolbars are shown. The second button controls which customized toolbars are
shown.
Initially the toolbars appear to the left of the drawing area, but each toolbar can be independently detached, or
docked in a different position if desired.
Note: When a toolbar is activated for the first time, it will appear undocked outside the ArtiosCAD
window. Drag it to the desired position inside ArtiosCAD.
Sixteen predefined toolbars are controlled by the Toolbar Master Control for standard toolbars in Designer. Up
to 10 customized toolbars are controlled by the Customized Toolbar Master Control; it depends how many are
defined in Defaults.
To turn a toolbar on or off, click the button preceding the name of the toolbar. Each button depresses when
clicked for the first time to indicate the toolbar is on. Click the button again to return it to its raised position,
indicating the toolbar is turned off.
Availability of toolbars controlled by the Toolbar Master Controls depends on the options purchased. If
you cannot click a toolbar activation button, the tools or features controlled by that toolbar have not been
purchased.
Designer toolbars
Shown below is the Toolbar Master Control for standard toolbars in Design.
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The first button turns the View toolbar on and off. The tools on the View toolbar are used to change the view of
the current window.
The second button turns the Geometry toolbar on and off. The tools on the Geometry toolbar construct lines and
shapes.
The third button turns the Dimension toolbar on and off. The tools on the Dimension toolbar construct and
modify dimensional annotations of lines, angles, and arcs.
The fourth button turns the Adjust toolbar on and off. The tools on the Adjust toolbar change the linear
attributes of existing lines.
The fifth button turns the Construction Lines toolbar on and off. Construction lines are drawing aids that are not
plotted or manufactured. The tools on the Construction Lines toolbar manipulate construction lines.
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The sixth button turns the Edit toolbar on and off. The tools on the Edit toolbar perform physical transformations
on items such as moving or copying them.
The seventh button turns the Annotations toolbar on and off. The tools on the Annotations toolbar add text,
legends, and details to the current design.
The eighth button turns the Undo-Redo toolbar on and off. Tools on the Undo-Redo toolbar undo and redo
actions, and manipulate the list of already-executed actions which can be undone and redone.
The ninth button turns the Adjust Outline toolbar on and off. The tools on the Adjust Outline toolbar adjust the
non-linear physical properties of lines such as parallelism with an axis and direction.
The tenth button turns the Extend toolbar on and off. Tools on this toolbar create construction line extensions
that extend lines into infinity and arcs into circles. These extensions contain points on which you can reference
new geometry.
The eleventh button turns the Advanced Standard toolbar on and off. These tools create geometry based on
other points in the design and are intended for use by the most advanced users.
The twelfth button turns the Graphics toolbar on and off. The tools on the Graphics toolbar manipulate pasted
images from outside sources, the stock color, fills, strokes, and graphic placement.
The thirteenth button turns the Reports toolbar on and off. The tools on the Reports toolbar convert the current
design into a report.
The fourteenth button turns the Assembly Instructions toolbar on and off. These tools are used in conjunction
with their counterparts in 3D.
The fifteen button turns the Counters toolbar on and off. The tools on the Counters toolbar operate the
Intelligent Counters module. This module must be purchased in order for the Toolbar Master Control button to
work.
The sixteenth button turns the Registration Holes toolbar on and off. Registration holes are used by the DieSaw
and other die-making machines to manufacture dies.
The seventeenth button turns the Prepare for Manufacturing toolbar on and off. This toolbar has tools for
working with bleeds, coating-free areas, bridges, nicks, and shortening creases for steel counters.
The All On and All Off buttons turn on or turn off all the toolbars, respectively.
Manufacturing toolbars
The standard Toolbar Master Control in Manufacturing works similarly to the one in Designer, but it has
additional c;ontrols for the Manufacturing toolbars.
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The first button in the Manufacturing Toolbars group controls the appearance of the Manufacturing toolbar. The
tools on this toolbar select, delete, and repeat elements, as well as creating the dieboard edge, adding a burn
name, and working with bridges and nicks.
The second button controls the Dieboard toolbar. Tools on the Dieboard toolbar make stripping rules, evenly
spaced scrap knives, balance knives, dieboard splits, and so on.
The third button controls the Stripping Board toolbar. Tools on the Stripping Board toolbar make automatic area
stripping, alignment holes, air holes, interference, and so on.
The fourth button controls the Manual Layout toolbar. Tools on this toolbar control which single designs are
used in the layout, the gutter distance between designs, and the position of the layout on the sheet.
The fifth button controls the Edit Layout toolbar. Tools on this toolbar manipulate single designs and their
position on the sheet.
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The sixth button turns the Intelligent Layout toolbar on and off. Tools on this toolbar let you use and configure
Intelligent Layout and Costing/Estimating.
The seventh button controls the Rule Path toolbar. Tools on this toolbar create, manipulate, and delete rule
paths.
The eighth button controls the DieSaw toolbar. Tools on this toolbar control drill holes and other DieSaw-specific
features.
The ninth and tenth buttons control the Rubbering and Rubbering View toolbars respectively. These tools let
you build rubber along the lines in a layout, nest it, and lay it out in sheets for production, as well as letting you
view different aspects of the rubber easily.
The eleventh button controls the Blanking toolbar. Tools on this toolbar create upper and lower blanking boards.
Availability of toolbars controlled by the Toolbar Master Controls depends on the options purchased. If
you cannot click a toolbar activation button, the tools or features controlled by that toolbar have not been
purchased.
Customized toolbars
The Customized Toolbar Master Control works the same way as the standard Master Toolbar Control. It will be
empty until customized toolbars are created in Defaults. Once customized toolbars are created, use this control
to turn them on and off like standard toolbars.
Toolbar positions
ArtiosCAD toolbar positions are saved automatically when ArtiosCAD is exited, but you can save them manually
by clicking View > Save Toolbar configuration. You can then click View > Restore Toolbar configuration if they
ever appear in the wrong place. Toolbar positions are stored in the Registry on a per-user basis.
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Flyout toolbars
Some tool icons have small black triangles in the lower right corner.
This indicates that there are related tools available on a flyout toolbar. Clicking and holding the mouse button
will make the flyout toolbar appear, and dragging and releasing over a tool will select it. Hovering over a tool on a
flyout toolbar displays a ToolTip for that tool.
Shown below is the Line tool with its flyout toolbar activated.
When a tool on a flyout toolbar is selected, it becomes the tool shown on the regular toolbar.
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Set the size of the toolbars by choosing one of the options in the Toolbar Size group.
Show ToolTips on Horizontal and Floating Toolbars adds a label to each button on those types of toolbars.
Enabling this option will significantly increase the size of the toolbars.
Use Windows Display Zoom Level to Set Toolbar Size links the size of the toolbars to the zoom level set in the
Make it easier to read what's on your screen area of the Display control panel applet.
These settings are stored in the Windows Registry on a per-user, per-machine basis. These are not configured in
Defaults.
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The picture of the Status bar above shows the prompts for a Line tool. The angle of the line, the length of the
line, and the X and Y offsets of the endpoint from the current position can all be used to construct the geometry.
Move among the fields using the arrow keys on the keyboard, or click in them with the mouse. Next to each field
is a symbol showing the direction in which the object being prompted for will be constructed.
Also next to each field is a keypad icon . Clicking the keypad displays an angle or length keypad and the
variable keypad. Keypads are further described in the next section.
The Status bar also gives instructions. For example, when the Select tool is active, the Status bar tells you to hold
down shift to add items to the current selection.
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When using drag, the Status bar indicates what the drag will set. In the picture below, the drag is setting the
value for an angle, and the Status bar indicates that by highlighting the field being set and by telling you what to
do – set the angle.
Keypads
In addition to typing values directly into fields on the Status bar, you can use a keypad to click number buttons
or use the field to enter expressions longer than the short fields on the Status bar. ArtiosCAD uses one keypad
for angles and another for lengths, radii, and so on.
The keypads follow the order of operations; expressions are evaluated from left to right, in this order: items in
parentheses, powers, multiplication and division, and then addition and subtraction being computed last.
When entering information in the calculation field by clicking buttons or variables, ArtiosCAD adds the plus sign
automatically if the cursor is at the end of the calculation field. When starting the field or operator by clicking a
denominator button, ArtiosCAD automatically inserts 1 before the slash to act as a numerator.
Shown below is the angle keypad, with a list of current workspace variables and their values in a separate but
attached dialog box to its right.
Common to both keypads, the number keys on the left side of the dialog box enter their numbers in the
calculation field running across the top of the dialog box. Click inside the calculation field to type numbers,
letters, and expressions. del deletes the last number, letter, or operator entered.
In the center group of buttons are the operators and common angle measurements.
Along the right side of the angle keypad are the results field and the special angle measurement buttons. The
result field displays the current results of the expression in the calculation field. If the expression cannot be
evaluated (for example, if it ends with an operator), ArtiosCAD displays err in the results field.
In the following feature descriptions, absolute means measured from the positive X axis in a counterclockwise
direction. Also, using these four buttons replaces any values in the calculation field.
Angle between two lines prompts you to select two lines and then inserts the resulting angle between
them into the calculation field.
Absolute angle between two lines with reference prompts you to select an initial line or point for
reference, and then two lines. The angle of those two lines is either added or subtracted to the reference line’s
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angle depending on which side of the reference point or line was clicked. The concept is that you click a line and
then add the angle of two other lines to it. This added angle is what appears in the calculation field. Note that
the new angle is not absolute to the reference line; it was absolute when it was measured between the two other
lines.
Absolute angle of a line sets the value in the calculation field to the absolute angle of the line or endpoint
clicked.
Absolute angle between two points sets the value in the calculation field to the absolute angle of the
selected two points.
Shown below is the length keypad, with a list of current workspace variables and their values in a separate but
attached dialog box to its right.
As on the angle keypad, the left portion of the keypad has buttons for each numeral and del. The center of
the keypad contains the operators plus commonly-used denominators for fractions. Along the right side of
the length keypad are the results field and the special line measurement buttons. The result field displays the
current results of the expression in the calculation field. If the expression cannot be evaluated (for example, if it
ends with an operator), ArtiosCAD displays err in the results field.
The Absolute length of a line button prompts you to click a line and then enters the expression for its
length in the calculation field. The actual length is shown in the results field.
The Distance between two points button in uses dimensions of existing geometry to set the value of a
new piece of geometry. This is useful when the distance between two points is unknown, or if you want to make a
rebuildable design.
Parameter sets
Parameter sets are collections of settings that govern aspects of the current design or manufacturing file.
The collection can be based on anything – by customers, by machines, or however else you want to group
information.
Single design parameter sets allow you to assign different values to different sets for the following entries:
• Default bridging formulae to use
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• Flute/grain setting
• Side up
The geometric information in the current design or active part is shown in these categories:
• Area
• Calculate Nicked Areas...: When the total line count > 4.000, this button will appear instead of actually
calculating the nicked areas. This is done because calculating these areas can take a significant amount
of time delaying the appearance of this dialog. Click the button to have these values calculated anyway.
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• Blank Size
• Rule Length
• If you have lines selected when you open the dialog box, ArtiosCAD shows their length in the Length of
selected lines field.
• Line Types
• To see the lengths of generic rule types, select Show generic types.
In the design window, ArtiosCAD shows the Area in green and the Area of nicked holes in blue:
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File views
ArtiosCAD’s tight integration with DataCenter lets you open or save files in file system directories or database
resources. There are two tabs in each dialog box that control where the file is saved to or opened from.
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Directory view lets you navigate among the directories, hard drives, and network connections to choose the
location for the file.
Resource view lets you navigate among database resources to choose the location for the file. Configure
resources using DataCenter Admin; see the DataCenter chapter for more information.
Resource view also allows you to view all revisions of a file, or only the most recent version of the file.
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It may take some time for all filenames to display in resource view, particularly if there are Designer WorkBench
files in that resource. If you know the name of a design, you may type it in the File name: field at any point
without having to wait for the full list to appear.
• If ArtiosCAD has an open dialog box or is waiting on a complicated operation like importing a solid, it ignores
the drop.
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Clicking Board Properties shows information about the selected board. Board information is extracted from
the database and thus cannot be changed in ArtiosCAD if the database is available. Only when the database is
unavailable are the fields available for changing. Click OK to close the dialog box.
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Upon opening, the design is initially displayed according to the View Mode defaults in Options > Defaults >
Design Defaults > Default View Mode. In that dialog box are settings for line attributes, nick style, high graphics
mode, screen background color, plotting style, and whether the layers shown as are saved or the default settings.
It is easiest to open Designer WorkBench designs in Resource View. That way you can navigate to the proper
resource and the DWB hexadecimal disc filename will be displayed as the DWB design number.
Designer WorkBench single designs which contain stepping information will use that data to create a layout
when the single design is opened and converted to a manufacturing file.
The Scant variable in workspaces originally created in Designer WorkBench is mapped to either the Outside Gain
(OG) or Inside Loss (IL) variable via the setting in Options > Defaults > Design Defaults > DWB Options.
When you open a single design containing records from another database, the Add Database Entities dialog
box appears. In this dialog box, choose which entities to add to your database by checking the checkbox next to
each available category. The enabled categories depend on which entities are set in the single design.
The Keep project codes in design checkbox controls whether or not ArtiosCAD leaves the Project codes from
the foreign database in the single design or if it strips them out.
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To see the specific entities for each category of database entities, click ... next to the checkbox. All entities
will be added if you check the checkbox; there is no way to choose which specific entities are added to the
database. Specific Project entities are shown below; click OK to return to the Add Database Entities dialog box.
If a later revision of the design exists, you are prompted to choose to open the selected revision, or the latest
revision. Choose the desired choice and click OK.
If the design you are opening is an exported canvas part containing hardware parts, ArtiosCAD puts images
representing the geometry of the hardware parts in the Main Design layer.
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Click Open Read-Only to open the file in read-only mode. Using File > Save on a read-only file generates a
warning message. You must use Save As to save the file with a new name.
Click Cancel to not open the file.
If you open a file as read-only, the ArtiosCAD window title bar displays (READ_ONLY) as a reminder.
ArtiosCAD tracks open files by creating a hidden filename.alck file in the same directory as the open file. If you
do not have write permission in the directory, the lock file cannot be created and the file will not protected
against opening by other sessions.
To open a file directly in read-only mode, click File > Open Read-Only.
Note: If you choose the original filename when doing a Save As, ArtiosCAD will overwrite the original
file with the new file if the file is no longer locked. If the file is still locked by another instance of
ArtiosCAD, you may not save the file with the same name.
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When opening a manufacturing file, ArtiosCAD checks if a disk file exists with the same name as the embedded
single design(s). If such a file exists, its creation date and time are compared with the embedded single design(s).
If the two are different, ArtiosCAD prompts you to select the one to use.
Update all replaces the older embedded single designs with the newer versions. ArtiosCAD checks for double
knives in the manufacturing file, double lines in the single designs, and to see if the single designs have different
origins, sizes, sides up, or grain directions from those they are replacing.
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Ignore all keeps the embedded single designs and ignores the newer versions. The warning will appear again the
next time the manufacturing file is opened.
Ignore this update keeps the embedded single designs and saves the new modification date in the
manufacturing file so no warning occurs the next time the manufacturing file is opened.
4. In the Select Layers dialog box, select the layers to import into the design by checking or clearing the
checkboxes next to the layer names as appropriate. Click OK when you have chosen the layers of the design
to import.
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5. The selected layers of the design will be imported into the current workspace. All of the imported objects will
be selected and the Move tool will be active. Click to set a pick-up point and click again to set a put-down
point. To cancel the move, select another tool.
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If fills do not look correct, click Options > Defaults > Import Tuning Table > Tuning entry > Options and in the
DWG/DXF Import Options dialog box, select or deselect Skip Solid/Gradient Fills.
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Note: If you have trouble importing a DXF file, try clearing Import DXF files using third party libraries
in DWG/DXF Options in Startup defaults.
When importing a DXF file, ArtiosCAD can import C2 and C3 curves, and degree 4 to 7 splines.
If fills do not look correct, click Options > Defaults > Import Tuning Table > Tuning entry > Options and in the
DWG/DXF Import Options dialog box, select or deselect Skip Solid/Gradient Fills.
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When opening a CFF2 layout, ArtiosCAD can base the size of the sheet on the lower left and upper right values
contained within the file. This is configured by the LL/UR values to contribute to sheet size checkbox in
Defaults > Shared defaults > Import Tuning Table > Artios CFF2 > Options. Rotation and mirroring options
are also set in this dialog box, as is the transformation order and the minimum blank area needed to consider
the CFF2 file a layout. The default standard transformation is to rotate and then negate, but you can choose to
negate then rotate in the Elcede style.
You can import only Illustrator 3.2 and Illustrator 8.0 EPSF files. TIFF previews are ignored. Other EPSF file
types are not supported. Some .AI files are supported using EPSF import functionality while others require
the PDF option to open. If you receive a Feature not available message while trying to open an .AI file, the
file is likely in the format that needs the PDF option.
If the EPS file has more than 8 MB of vector data, it will be lost when the design is converted to 3D. Use the JPEG
format or PDF instead of EPS if working with large files.
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Note: ArtiosCAD can not open Diecad files with more than approximately 1000 lines in a section. If you
encounter such a file, export the file from Diecad in CFF2 format, and read the CFF2 file into ArtiosCAD.
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1. In the Tuning Files group, select the tuning file to use for this PDF file. The preview of the design may change
depending on the tuning file you choose.
2. In the Design Side group, choose whether the side up is the Inside or Outside.
3. Set the options similarly in the Die Side, Import as, Flute or Grain, and Design Units groups.
4. Click OK.
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6. Click Open.
7. In the Single Design Settings dialog box, select the desired parameter set and board code, then click OK.
ArtiosCAD opens the file and you can work on the file as you would any other design.
• ArtiosCAD maps bridges on ellipses onto the arcs as closely as possible to the original file, but ArtiosCAD tries
to keep the count and position of the bridges even across the series of arcs forming an ellipse.
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layers in the Score! file go into layers of the same name in ArtiosCAD of layer class Annotation. If there is a
layer named Dimensions in the Score! file, ArtiosCAD makes a Dimensions layer of class Dimensions in the
ArtiosCAD workspace.
When ArtiosCAD opens a Vellum (.vlm) file containing multiple models, those models are imported into separate
layers.
Score! line type and name ArtiosCAD line type and name
0, Annotation 0, Annotation
10, Crosses
113, Chopper
115, Tester
Score! bridging
A Score! file may have one of two different types of bridging: simple or complex.
For a file with simple bridging, ArtiosCAD takes the number of bridges specified and their width and uses those
as the parameters for applying its Evenly spaced bridging formula.
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For a file with complex bridging, ArtiosCAD uses the Specify bridge positions bridging formula. The first bridge
width defined in the Score! file sets the width for all the bridges in the ArtiosCAD workspace. If the Score! file
contains any double-width bridges, they are converted to two bridges separated by a slight gap.
Score! text
ArtiosCAD imports text from Score! files as text with the following limitations:
• Line wrap is ignored; a line will be extended as long as necessary.
• Text color is ignored.
• Line spacing is ignored.
• Underlined text is not supported.
Score! dimensions
ArtiosCAD imports the following types of basic dimensions from Score! files: Horizontal, Vertical, Parallel,
Radial, Diameter, and Angle. Arc Length dimensions will be ignored.
Score! uses # to represent the real value of a dimension; ArtiosCAD changes this to {V} (also the real value of the
dimension) except in the following cases:
• For a Distance or Angle dimension with just # in the dimension text.
• For a Radius dimension with exactly R # in the dimension text,ArtiosCAD will not show any dimension text,
but the format will be set to R50.
• For a Diameter dimension with exactly 0 # in the dimension text, ArtiosCAD will not show any dimension
text, but the format will be set to Ø50.
The table below shows how ArtiosCAD imports other aspects of Score! dimensions.
Internal dimension extension lines Not drawn when dimension text is outside the measured object
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Note:
if there are gaps in the design perimeter, ArtiosCAD cannot automatically convert the design to 3D.
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Files saved using Save As use the date and time at save for the creation date and revision date in the database
record, regardless of the date and time at which the original file was created.
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Enter a description of the file, and enter any authorization message, such as Approved by Mike or OK
per JG. If desired, enter a revision description indicating what changed from the previous revision. Migrate the
Projects information to the new revision by selecting the checkbox next to the Project name. To keep the Project
information in the old revision, clear the checkbox next to the Project name. Click OK to save the file.
When it is time to open the design again, use Resource view. Resource view also allows you to view all revisions
of a file, or only the most recent.
Click to view only the most recent revision in the list of files.
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When the parametric design is rebuilt by the recipient, embedded components take precedence over local files
with the same name as the embedded component.
To delete an embedded component and use the local version (if one exists - it must have the same name as the
embedded component), select it and click Delete Embedded. You can only delete an embedded component if
there is a workspace with the same name in the ArtiosCAD program directories. When you delete an embedded
component, the EMBEDDED designation is replaced by the location of the component on the local system.
Self-contained parametric designs may be added to a Style Catalog and run as a standard. Any embedded
components in the standard will be embedded in the resulting single design.
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Click OK if the settings are correct. You may want to go through all the property sheets (by clicking Properties)
to make sure the settings are appropriate for your needs.
After you have clicked OK, you will be prompted for a name for the file in the Save As dialog box. Enter a name
without spaces and click Save. The file will be created according to the settings in the Outputs dialog box.
When exporting a DDES file, the Job Name is set to the first 7 characters of the file name, and A for the first
subroutine, B for the second, and so on. When exporting a DDES3 file, print items are not supported, and decimal
places should be set to 4 or less to ensure accuracy.
ArtiosCAD can output DXF files in different ways:
• DXF. This option uses the built-in method to create a DXF file.
• DXF Binary. This option creates a binary DXF file using a third-party library that has more features than the
built-in method.
• DXF-New. This option creates a text DXF file using the third-party library.
When exporting an EPSF file, you can either export it as an Illustrator 3-compatible file or an Illustrator 8-
compatible file. Exporting it as version 3 or 8 makes those respective versions of Illustrator treat it as a native file.
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To lock a layer in EPSF files when they are output, copy ..\InstLib\tune.epsf.txt to ..
\ServerLib and change the ninth parameter of each group of lines to 1. The tuning file may not have a ninth
parameter; in that case, simply add the numeral 1 to the end of each layer’s line pair if necessary. Other values
such as the line color, layer name, stroke width, and so forth are controlled by the EPSF tuning file, not by the
plotting style. The plotting style affects only the Output preview.
To export an EPSF file with all elements colored black, on the Device tab of the Properties dialog box of the
Output, browse for the \Esko\Artios\ArtiosCADn.nn\InstLib\ TUNE.EPSF.BLACK.TXT
tuning file in the Tuning Filename: field.
When exporting a 3D workspace to Illustrator 8, and there are imported PDF graphics on the design, and you
have the PDF option, you can set the resolution of the bitmaps in the High graphics memory use drop-down list
box on the Device tab of the Properties dialog box for the Illustrator export.
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to this:
3. Check the driver for the DXF or DWG output you are using. On the Device tab, CAM Driver in the Tuning
Entry group must be set to DXF-New or DWG.
You only need to check items 2 and 3 once.
If all the conditions are met, you should have a successful spline output.
New Installations
New installations using the included database engine:
• Will be Unicode-capable
• Will have a collation ending in _SC
• Will use NVARCHAR as the string column type
New installations using SQL Server (the full version installed, supported, and maintained by your IT department):
• Use whatever collation desired but append _SC to the end
• Must use NVARCHAR as the string column type
• Versions after 2012 automatically support Unicode
New installations using Oracle (installed, supported, and maintained by your IT department):
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• Set the database character set to AL32UTF8
• Turn on Force SQL_WCHAR Support on the Workaround tab of the ODBC entry
• Create the schema using VARCHAR string columns
Existing Installations
There is no automatic database conversion of existing installations.
• Only characters that exist in the operating system code page are stored properly; others are represented as
?. This will be handled by the database collation itself.
• Your IT department’s SQL Server and Oracle DBAs are responsible for using the correct datatype when
running the scripts and/or converting those databases
• All versions of SQL Server, including Express ones, must use the Management Studio tools to perform a
conversion.
File Formats
CFF2, DDES, EPS, and pre-2007 versions of DXF all do not support Unicode characters.
Post-2007 DXF/DWG formats support them. The DXF-New and DXF-Binary entries in the Export to Common File
Formats catalog of Outputs in Defaults can use either 2007, 2010, or 2013 formats to support Unicode characters.
Collada files support Unicode characters.
IGES does not support Unicode characters. Non-ASCII filenames will cause the Output to fail. For canvases,
ArtiosCAD converts non-ASCII part names to underscores.
STEP does not support Unicode characters in filenames. It uses a proprietary format to encode non-ASCII
filenames during export that ArtiosCAD does not read.
XCGM allows the output of non-ASCII filenames and part names, but ArtiosCAD cannot import them.
If there are questionable characters in file or part names when saving or exporting, ArtiosCAD shows a grid with
suggested new names and allows you to adjust them.
For Outputs made using the GNC driver, Use Unicode (UTF-8) for text output is available on the Unicode tab
of the Output definition. This option is off by default as most systems reading the result only support multi-byte
characters.
PDF has an option in Startup defaults > PDF Options. Use outlines for characters missing in font when
exporting. ArtiosCAD outlines text for which all characters do not exist in the desired font, and warns that some
characters will be missing from the resulting file.
Limitations
If you make a design with Unicode characters in version 18.1 or later, versions earlier than 18.1 will not render the
text correctly.
Going forward, all characters must be in the same code page of the design. If there are characters outside of the
code page of the design when it was first created, ArtiosCAD will not show them correctly.
For a design created in earlier versions of ArtiosCAD that uses characters outside of the design’s code page
(which render incorrectly), ArtiosCAD 18.1 and later will still show those characters incorrectly as it assumes all
characters are from the design’s code page.
For existing databases, characters will appear correctly in ArtiosCAD but will not be stored correctly in the
database.
Tuning files do not change format and use the current operating system code page to write characters. This
means that layer names, special rule names, and other text will not be in Unicode.
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Workspace variable names cannot use multilingual characters. Use lowercase and uppercase English letters,
numbers, and $ at the end (if desired) as before. The naming restriction applies to Stylemaker menu names and
tool prompts as well.
Single Design
In Single Design, the first click of the right mouse button ends the current tool and activates the Select tool. If
there is an object under the cursor, the second click of the right mouse button selects the object and opens a
context menu as shown below.
The Paste command appears only if something has been previously cut or copied.
If there is nothing under the mouse cursor when the right mouse button is clicked, and nothing is selected, a
general context menu is opened similar to the one shown below.
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Plotting styles which have the Output only checkbox selected in their definition in Defaults will not appear in
this context menu.
Canvases
Canvases have four context menus whose contents depend on the location of the mouse cursor. Commands on
these menus act on what is beneath the cursor.
When it is in the canvas, not over any part:
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Manufacturing
Clicking the right mouse button in Manufacturing stops the current tool but does not automatically start the
Select tool.
When the Select tool is active in Manufacturing, clicking the right mouse button has the same functionality as it
does in Single Design.
3D
Clicking the right mouse button in 3D when the cursor is over a design line stops the current tool, selects the
object under the cursor, and opens the context menu shown below.
When there is no current selection and the cursor is not over a design line, a context menu for accessing
common commands appears as shown below.
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The first time you activate a tool or dialog box in ArtiosCAD that supports spell check, ArtiosCAD launches
Microsoft Word in the background and communicates with it as needed during the ArtiosCAD session. This initial
launch of Microsoft Word may cause the ArtiosCAD dialog box to take a few extra moments to open, depending
on the speed of your system. Once Microsoft Word is running in the background, dialog boxes supporting spell
check appear at their usual speed.
When you right-click a field and choose Spell, the standard Microsoft Word Spelling dialog box appears as shown
below.
The unrecognized word is shown in the Not in dictionary: field. The Suggestions: field contains the list of
suggested words, and the top one is selected and seeded to the Change to: field. If there are no suggestions,
the unrecognized word is repeated. You can edit the contents of the Change to: field as desired.
Ignore and Ignore All respectively ignore this instance and all subsequent instances of the unrecognized word
for this invocation of the spell checker. The next unrecognized item is then displayed.
Change changes the unrecognized word to the selected suggestion or the word you entered in the Change to:
field. Change All changes all subsequent instances of the unrecognized word in the workspace to the selected
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suggestion or the word entered in the Change to: field; previously-ignored instances are not changed. The next
unrecognized item is then displayed for review.
Add adds the unrecognized word to the ArtiosCAD custom dictionary file so that it will be recognized in the
future. The next unrecognized item is then displayed. This command is disabled if the custom dictionary is not
installed or is not editable.
Close closes the Spelling dialog box.
The options in this dialog box work the same way as described in the previous section.
Once you ignore, change, or add an unrecognized word, the next text item is checked. When all text items have
been checked, Close is the only available option in the Spelling dialog box.
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Check(number).doc as being available for auto-recovery as shown below. No such temporary files need to
be recovered or saved, and you may delete them from the hard drive.
These temporary files are the means by which ArtiosCAD interfaces with Microsoft Word to check spelling. If
you are using Microsoft Word at the same time that ArtiosCAD is running, the temporary file may be shown on
the Window menu in Microsoft Word. Do not open the temporary file, as this will break the connection between
ArtiosCAD and Microsoft Word, and spell checking in ArtiosCAD will be disabled until you reactivate the tool
which invoked it.
The custom dictionary file CUSTOM.DIC is stored in \ArtiosCAD installation folder\Common
\Proof. To edit it, close ArtiosCAD and use WordPad (not Notepad) to edit it. Put each word on a separate line
and save the file as type Text Document. Do not change this file while ArtiosCAD is running, as it will not reflect
the changes.
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Before you can publish to WebCenter, the ArtiosCAD system administrator must have configured an WebCenter
site in the WebCenter catalog in Defaults, and the WebCenter system administrator must have created a user
account with sufficient permissions for you to use. When ready, publish to WebCenter by doing the following:
1. Open the desired document in ArtiosCAD.
2. Click WebCenter > Publish to WebCenter.
3. If ArtiosCAD is configured to prompt for information, the Publish to WebCenter dialog box appears. If
prompted, enter the WebCenter username and password supplied to you by the WebCenter system
administrator. The Document, Project, and Folder fields are completed by default to be based on the name
and type of the ArtiosCAD document.
The ArtiosCAD system administrator can define the Publish to WebCenter entry in Defaults so that all, some,
or none of these fields are pre-completed.
Click OK to publish the document to WebCenter once all the fields are completed.
4. If the document already exists in the specified Project, you will be prompted to enter a comment about the
new version as shown below. Enter a comment and click OK.
5. The Publish to WebCenter dialog box should change to match the one below.
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Clicking Go To Project opens the Project in WebCenter. You must log in to WebCenter if you are not already
logged in.
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Clicking Go To Document opens the document. You must log in to WebCenter if you are not already logged
in.
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Portable Workstation mode, ArtiosCAD copies necessary elements from the network servers to the local machine
(called synchronizing) and disables the database.
Note: Detaching ArtiosCAD from the network servers does not actually break the network connection
for other applications in the operating system.
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• Tasks with an asterisk (*) before their names must complete successfully for the workstation to enter
portable mode.
• Tasks have different default states for the first time they are run versus being run after a successful
detach.
In general, there are two kinds of tasks, copy tasks and back up tasks. Copy tasks copy data from the network
servers to the local machine. Back up tasks make backups of the copied data on the portable workstation in
case it becomes corrupted and unusable. Each copy task has a corresponding backup task. The Disable the
portable workstation’s access to the database task neither copies nor backs up.
Copy the ServerLib Copies the Shared Defaults and shared files (such You have recently synchronized
folder from the as custom Reports) from the Configuration server. and you are confident it meets
configuration server If the portable workstation is configured as its own your needs.
to the portable standalone Configuration server, the information
workstation ArtiosCAD is installed
as standalone or as a
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and files are copied to another location on the Configuration server and thus
portable workstation. uses its own set of Defaults and
shared files.
Copy the Common Copies the files from ..\Artios\Common on You have recently synchronized
folder from the the License server to the portable workstation. and you are confident it meets
LM server to This copies licensing information and board your needs.
the portable textures. This task must be selected if the
workstation workstation is not its own License server and ArtiosCAD is installed as
uses a security key. No subdirectories are copied. standalone or as a License
Previous copies are deleted each time this task server and thus uses its own set
runs. of Common files.
Disable the portable Ensures no database connection is attempted You have a local database you
workstation’s when opening or saving a workspace, and want to use after detaching
access to the disables all database-related fields and dialog from the network, which would
database boxes except for boards. This includes the require changing the ArtiosCAD
Database dialog box in Defaults, the Database System DSN ODBC entry.
Information dialog box in Single Design, Layout,
and Manufacturing modules, AutoLoad, the three
database browsers, Projects, Search on the File
menu, and the Resource View tab in the Open
dialog box.
Copy board list Copies the boards, board hierarchy, mediums, and You have recently synchronized
to the portable flutes from the Database and License servers to and you are confident it meets
workstation the portable workstation. your needs.
ArtiosCAD is installed as
standalone or as a License
server and a Database server.
Copy site Copies custom User Defaults used for “site” You do not use networked User
configuration defaults that are stored in a network location to Defaults in such a manner.
to the portable the portable workstation.
workstation
Back up... Makes a backup copy of the information being You have previously
copied from the network. These backups can successfully synchronized and
then be used in the event of a failure of a future backed up the copy tasks.
synchronization. Each time there is successful
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Beneath the list of tasks is a progress indicator for the current task.
Beneath the task progress indicator are four buttons.
• Synchronize and Detach performs the selected tasks and prepares ArtiosCAD for the network to be
disconnected. Note that the actual network connection is not changed; that you must do outside of
ArtiosCAD. We strongly recommend running all the selected tasks the first time you enter Portable
Workstation.
• Synchronize performs the selected tasks but does not prepare ArtiosCAD for the network to be
disconnected. This command is available only after the first Synchronization and Detach.
• Detach detaches the computer from the network. You must perform a Synchronize before using Detach.
• Close closes the dialog box. Close changes to Cancel when a task is running. If you click Cancel, all tasks
are cancelled and the state of ArtiosCAD is rolled back to how it was when the dialog box opened.
7. Click Synchronize and Detach once you have reviewed the tasks to run. The selected tasks will run and
result indicators will appear next to each task similar to those shown below.
8. ArtiosCAD is now running in Portable Workstation mode. Use it as desired. To use a local database, change
the ArtiosCAD ODBC entry and restart ArtiosCAD.
Some tasks may have different result indicators than those shown in the preceding example.
Icon Meaning
A red X means the required task failed and the workstation cannot enter Portable Workstation
mode.
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Icon Meaning
A red exclamation mark means a non-required task failed, but the workstation can enter Portable
Workstation mode. This is mostly used for back up tasks.
A yellow exclamation mark means a task succeeded, but there is a note. Click the plus sign (+)
next to the task to see what happened. This is mostly used when a task is not selected.
A green exclamation mark means a non-required task succeeded, but there is a note. Click the
plus sign (+) next to the task to see what happened. This is mostly used when a back up task has
succeeded.
A yellow question mark means the task is in an unknown state. This is mostly used when a task is
not selected for synchronization.
If a task was successfully synchronized for a Detach, it will always succeed for subsequent Detaches.
Backup tasks that fail synchronization do not prevent the workstation from entering Portable Workstation mode.
If a required task fails, the workstation can still enter Portable Workstation mode provided its corresponding
backup task has been synchronized in a prior Detach.
If a task fails to synchronize, a future Detach will not allow it to Detach until it is successfully synchronized.
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5. Click Attach to reconnect ArtiosCAD to its networked resources. The tasks will run and result indicators will
appear next to the tasks similar to those shown below.
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If you are confident that no network information has changed since you last Synchronized, you can Detach
without performing a Synchronize first. Correspondingly, if you want to update the local copies of the network
information, you can Synchronize without performing a Detach. Shown below are the results of Detach without a
Synchronize with all the information shown.
Attaching to the network in subsequent uses of Portable Workstation mode is the same as it was the first time. To
attach to the network, do the following:
1. Reconnect the physical network connection.
2. Start ArtiosCAD.
3. Click Options > Portable Workstation > Attach to Network.
4. In the Portable Workstation Tasks dialog box, click Attach to reconnect ArtiosCAD to its networked resources.
The tasks will run and result indicators will appear next to the tasks.
5. In the Portable Workstation Tasks dialog box, click Close.
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6. Open any workspaces you made while in Portable Workstation mode and resave them into resources,
entering database information as necessary.
7. Resume working with ArtiosCAD as desired.
Limits in ArtiosCAD
ArtiosCAD has the following overall limits:
Item Limit
Number of layers in designs 251 (including Main Design)
Number of layers in manufacturing workspaces 100
Number of parts in canvases 250 (149 when using Convert to Canvas)
Number of unique parts per layout sheet 99
Copies per production part in a canvas (note that this 250
is independent of all other functions and is meant only
to facilitate faster layout-making)
Copies of a layout part (more sheets) unlimited
Layouts per job in a canvas 20
Items per layout in a canvas 300
Copies of a one-up per sheet in a canvas or 300
manufacturing workspace
Unique one-ups per sheet 99
Print items per workspace 250
Special rules per workspace 39
Colors per workspace 999
Fonts per workspace 39
Number of variables per workspace 260,000
Field variables per workspace 200,000
Number of duplicated designs to which you can add 40 or fewer
holes using Add Hardware in 3D
Number of holes per panel Add Hardware can create 500
in 3D
Total number of holes per design created by Add 1,000
Hardware
Cumulative hardware part counts per canvas 250,000,000
Customized toolbars 150 in for single designs and canvases, 149 for
manufacturing files
Number of punch holes per design recognized as 5000
anomalies in Preflight
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Item Limit
Number of Assembly Instructions panels with different 100 to 200
images per workspace
Number of Assembly Instructions panels with few About 500
images per workspace
Outputs Up to 50 pages
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Concepts
For Project and file management, ArtiosCAD Enterprise works with managed files, which are stored in Projects in
WebCenter. Managing your design files with ArtiosCAD Enterprise helps you to reach your business goals faster
with less error.
Note:
You can also work with unmanaged files that are saved directly on a hard drive instead of through the
managed file interface.
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2. Using the information given to you by your system administrator, enter the type of login, the address of the
server, and your username and password if using them as shown below. If you are using Single Sign On (SSO),
you can choose to try to automatically log in next time. Click Log in.
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3. ArtiosCAD Enterprise prompts you to select a license method. See the next section for more information.
4. Since this is your first login, ArtiosCAD Enterprise prompts you to build your local Defaults cache for faster
performance. Click Yes.
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ArtiosCAD Enterprise builds the Defaults cache. This process only takes a few minutes depending on your
connection speed. If your system administrator did not invite you to the Shared Defaults project, you will get
a permission denied error message.
5. If you have a previous version of ArtiosCAD loaded on this machine, and you are a Project Manager,
ArtiosCAD may ask if you want to migrate the User Defaults of a previous Standard Edition version loaded on
this machine into this Enterprise version.
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a) If you click Yes, select the version’s User Defaults to migrate and click OK. Clicking No will skip copying
any User Defaults from ArtiosCAD
6. If this is the first time you are starting ArtiosCAD Enterprise, it will show the Product Information page. You
may be prompted to accept cookies.
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Click Don’t show this again to hide the Product Information page on subsequent startups. It will appear
again when you install a new version, or after about 100 days to make sure you see the latest information. You
can also access this page in a Web browser by clicking Help > ArtiosCAD News.
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2. If you chose the HTML file with product key option, the normal Esko Activate Local License wizard starts.
Proceed as instructed on the screen.
For more information, please refer to the Local License Manager documentation available at http://
www.esko.com/support.
3. If you chose the license server option, enter the name of your license server and click Connect. To specify a
specific network port on the license server, use the syntax port@servername.
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If all network licenses are in use, ArtiosCAD displays an error message. Click Show licenses currently in use
to see a list of who is using a license so you can ask another user to release a license. For more information,
please refer to the Network License Manager documentation available at http://www.esko.com/support.
4. If you chose the Esko ID and subscription option:
a) Enter your email address and password for your Esko ID and click Sign In.
b) Once the license is initialized successfully, click anywhere in the dialog box to continue starting
ArtiosCAD.
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For more information, please refer to the Local License Manager documentation available at http://
www.esko.com/support.
Note:
If you need to change the license location on a system running both 32-bit and 64-bit versions, change
it using the 64-bit version.
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To sign out of your subscription license and quit ArtiosCAD, do the following:
1. Close all open ArtiosCAD documents.
2. Click Help > Sign Out.
3. In the ArtiosCAD Sign Out dialog box, click Sign Out & Quit.
4. ArtiosCAD releases your subscription license and closes. The next time you start it, ArtiosCAD will prompt you
for license information.
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To add another location to the list, clear the Address field, enter a new address, and click Add.
To remove a location from the list, select it from the Address drop-down list box and click Remove.
ArtiosCAD Enterprise is in online mode when it can connect to WebCenter, and is in offline mode when it cannot
connect to WebCenter. You can use offline mode with few differences from online mode; your work will be
synchronized with the server the next time you enter online mode. The Status bar indicates which mode you are
in.
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Changing Location
To change your location for the current session of ArtiosCAD Enterprise, do the following:
1. With no documents open, click Database > Change Location.
2. The contents of the Change Location dialog box depends on your privilege level as defined in WebCenter.
If you are a member of ADMINS, you automatically see all companies and locations, as shown below. If you
are a Project Manager with Full Visibility, you will initially see only your company, but Show All Companies/
Locations will be available for you to select. If you are a Project Manager with Limited Visibility or a normal
user, you will only see your location.
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3. To filter the results, enter a filter term in either filter field. ArtiosCAD updates the results as you type.
4. Click the desired location.
5. Click OK to return to ArtiosCAD
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6. In the Change Location dialog box, select your location and click OK.
You will now have the Defaults you need from the other location combined with your own so you can complete
your work.
• Press CTRL-B.
•
If a design or manufacturing document is already open, click the Browser button on the toolbar.
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Area Function
1 The menu bar, toolbar, and display bar, where you use commands and tools, search for
Projects and documents, and control what is shown in the document list.
2 Tree control where you select which Project or folder to view, either managed or
unmanaged. ArtiosCAD also shows search results and Tasks here. Drag the bar between
the tree and the document list to adjust the size as desired.
3 List of documents and folders in the selected Project or folder, or search results,
recent Projects, or Tasks depending on the node you select in the tree. If you have the
document preview and properties pane turned on, drag the horizontal bar between the
document list and the preview and properties pane to adjust the size as desired. The
sort order is the BOM, then Tasks (if available), then folders, then documents.
4 Preview and properties pane which you hide or show by clicking the chevron button.
The contents of the properties pane depend on what you select in the tree - when
you select a Project, ArtiosCAD shows Project-related information, when you select a
document, ArtiosCAD shows design-related information, and when you select a Task
(if available), ArtiosCAD shows Task-related information. The properties pane is blank
when you select multiple items.
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Area Function
To save your browser configuration (such as which panes are visible and their sizes), click View > Save Browser
Configuration. To restore it, click View > Load Browser Configuration.
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Search Controls
Use the search controls to search for Projects and documents.
Area Function
1 Search Type drop-down list box with which you choose what to search for
2 Keyword entry field where you enter the terms to search for
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Note:
THIS CONTROL DETERMINES THE DOCUMENTS YOU SEE IN THE DOCUMENT LIST. IF YOU ARE
LOOKING FOR A DOCUMENT AND CANNOT FIND IT, MAKE SURE THIS CONTROL IS SET PROPERLY.
Paging Controls
The paging controls let you navigate search results. The browser displays 25 documents per page of search
results.
ArtiosCAD Enterprise shows 25 lines of results at a time by default. Click Read More to show more lines.
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You can change the number of default lines shown by clicking Options > Defaults > Browser settings > General
Information > Search options and changing the number to your preference.
Tree Control
The tree control lets you work with Projects, folders, searches, documents (both managed and unmanaged), and
Tasks (if your WebCenter system has that option).
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Note:
ArtiosCAD displays the My Tasks node only when both of these are true:
• Your WebCenter system has task management (either a pre-2017 task management license or at
least WebCenter Essentials)
Projects Node
The Projects node of the tree control contains several nodes itself.
Recent Projects shows the four most recent Projects you have modified. You can change this number in
Defaults.
Favorite Projects shows those Projects you have designed as favorites. One way to designate a Project as a
favorite is to right-click it and click Add to Favorite Projects. Another way is to drag it into Favorite Projects.
Projects I Manage shows Projects you manage. ArtiosCAD Enterprise does not show this node if you are not a
Project Manager.
Projects I Am Invited To shows those Projects of which you are a member.
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Projects on My Computer shows Projects whose database and design information you have copied to your
computer for use in offline mode. When you reconnect to the database, the database information and files are
updated. These Projects are not truly stored on your computer. There is more information about offline mode
later in this chapter.
All Projects shows all Projects you have permission to see.
As you click items in the tree and load them into the browser, ArtiosCAD Enterprise displays a count after them.
For Projects, the count is the number of documents in the root level of the Project followed by the total number
of documents in the Project. For a BOM, the count is the number of documents in the BOM. For Tasks, it is the
number of tasks assigned to the Project. For a folder, the count is the number of documents in the folder.
Note: The numbers in the counts reflect the documents you have permission to see. If there are items
in the Project for which you do not have View permission, those items are excluded from the counts.
When you right-click a Project, the context menu shows items appropriate for the object in the node in which
you clicked it. For example, when you right-click a Project in Recent Projects that also is in Projects on My
Computer, the context menu does not show the commands it would show if you clicked the Project instance in
Projects on My Computer. Shown below is the context menu for a Project in Recent Projects.
Shown below is the different context menu for a Project in Projects on My Computer.
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BOM Node
The browser shows the Bill of Materials node inside every Project when you expand it or click it to provide
easy access to the BOM. ArtiosCAD Enterprise shows the BOM node regardless of the BOM's existence. This is
configurable in Defaults (Options > Defaults > Browser Settings > General Information).
On the context menu, you can open all the documents in the BOM, go to the Project Bill of Materials to configure
it, or output a Report.
Likewise, when you highlight the Project in the tree, the Bill of Materials is the first item in the document list
(provided it is sorted by name). If you right-click it there, the same context menu appears.
Open All Documents opens all the documents in the BOM in ArtiosCAD Enterprise if it can open them. It is also
on the Project drop-down list box at the end of the document tab bar in ArtiosCAD Enterprise
Project Bill of Materials leads to the Project Bill of Materials Documents dialog box where you configure the
BOM.
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Tasks Node
Within each Project is a Tasks node, similar to the Bill of Materials. When you click it, the browser displays the
documents assigned to tasks in the Project. Note that you still do most task configuration and management
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actions themselves in WebCenter; the interface in ArtiosCAD is designed to provide easier access to tasks from a
structural design perspective. In ArtiosCAD, you can mark task checklist items as completed.
As with other nodes, control the size of the icons in the list using List Style on the toolbar. You can customize the
columns by right-clicking on the head of the list control.
The Details pane shows general information about the selected task, its documents, its specifications, and its
checklist. Select a document on the Documents tab to see its preview.
If you select a specific task in the tree control, the documents list shows the documents assigned to that task.
Select a document in the document list to show its details in the Details pane.
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ArtiosCAD shows due dates for on-time tasks in green, due dates for tasks with a close due date in orange, and
due dates for tasks past their due date in red.
If there is a view in the Attribute category of the document that has the same name as the task type of the task
with which this document is associated, the Attributes tab heading changes to Specifications, and ArtiosCAD
shows only those Attributes that are part of that view.
My Tasks Node
Note:
This node is optional and appears only if your WebCenter system has a task management license and
ArtiosCAD is in Online mode.
The My Tasks node of the tree control contains several nodes itself.
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Tasks Assigned to Me shows the tasks assigned to you.
Tasks Assigned to Me or My Groups shows tasks assigned to you or any group of which you are a member.
Tasks Assigned to My Groups shows tasks assigned to any group of which you are a member.
ArtiosCAD updates the task count shown after each node as you expand them. It also updates the three lists
automatically once a minute when the browser is active (except when it is showing the Save As dialog box).
When you select a main node in the tree and then a task in the Document pane, ArtiosCAD shows the details
about the selected task itself on the General, Documents, Specifications, and Checklist tabs in the Details pane.
Search Node
The Search node shows the results of the current search and also shows saved searches you can run when
desired.
Documents Node
The Documents node contains My Locked Documents, which shows the managed documents you currently have
open in ArtiosCAD Enterprise based on the same server.
In the example below, My Locked Documents was selected in the tree control. Note that DESIGN2.ARD, the tray,
is not open in this session of ArtiosCAD Enterprise; rather, it is open on another workstation.
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Explorer Node
The Explorer node of the Project tree shows drives and folders on the current workstation (including networked
drives), allowing you to open and save unmanaged files.
When you select a folder in the Explorer node, the document list shows the contents of that folder using the
Windows Explorer settings for hidden and system files. Use List Style on the toolbar to change how the contents
are shown. You can also change the contents of the list with the Files of type drop-down list box.
Note:
Since the designs are unmanaged, there is no database information for ArtiosCAD Enterprise to display
on the information tabs next to the preview.
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You can create, rename, and delete documents and folders in the Explorer node using the tools on the toolbar
and the commands on the context menu (when you select an object and right-click the mouse). When you
delete a folder, ArtiosCAD moves its contents to the Recycle Bin.
4. To change the displayed column label, select it and enter the new title in the Column Title field.
5. Click OK when done to return to the browser.
List Style controls the appearance of icons to the left of the name.
All columns are sortable. Drag the column headers to arrange them in the desired order.
You can make these changes permanent by saving the browser configuration as described in Browser Window
Elements.
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Note that the Creator column will show data for only those Projects created with WebCenter 18.1 or later.
Edit Controls
The Edit controls to the right of the information fields let you edit certain items about the selected object in the
tree control or document list.
Click the pencil Edit icon to enter Edit mode. Fields that you can change become available for editing. Once
you have made a change, the check mark turns green to show you have made a change. Click different tabs to
edit the available fields on them. Some fields are not available and must be changed in other places such as the
Database Information dialog box when saving or publishing a new version or revision.
Some considerations for Edit mode are:
• You can only edit a single managed item at a time. The controls are unavailable when you have multiple items
selected.
• You can only edit managed items. Unmanaged items (such as those in the Explorer node) are not editable.
• The selected item must not be open in ArtiosCAD Enterprise.
Save saves the changes and exits edit mode. If you try to exit edit mode without saving, ArtiosCAD Enterprise
prompts you to save the changes.
Cancel exits edit mode without saving changes.
There are a few restrictions to working in Edit mode:
• Changes to mandatory fields in Defaults while you are in Edit mode will take effect only when you select
something else.
• Other users can change the same data at the same time.
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• The current selection in the Attributes or characteristics list changes when switching between Edit mode
and View mode.
Projects
Creating a Project
Note:
You may only create a Project if you are a Project manager or have the Project Creator permission in
WebCenter.
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You are the only member of this new Project unless you based it on a Template containing more members. To
add more members, see the section on inviting members to a Project.
If the Template on which you are basing this new Project has a Project Manager defined, you will not be
prompted to assign one. You may also set Attributes for the new Project if they are set in the Template and Set
Attributes is enabled on the Project Creation subtab of the Configure tab of the Template in WebCenter.
Opening a Project
To open a Project in the browser, simply select it in any of the nodes in the Projects tree. Its top-level documents
will appear in the document list and its list of folders (if any) will be expanded in the Project tree.
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ArtiosCAD Enterprise will launch your default Web browser, automatically log you into WebCenter using your
ArtiosCAD Enterprise username and password, and show the Project.
Renaming a Project
You can only rename a Project if:
• you are a member of the ADMINS group or you manage that Project, and
• no documents in that Project are open.
To rename a Project, do the following:
1. Select the desired Project.
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2.
Click Rename Project on the toolbar.
The Rename Project dialog box opens.
Deleting a Project
You can only delete a Project if:
• you are a member of the ADMINS group or you manage that Project, and
Note:
When you delete a Project, all documents within that Project are also deleted with no recovery method.
Copy documents to other Projects if needed before you delete a Project. Use this command with
caution!
Copying a Project
If you are a Project manager, copy a Project by using either the button on the toolbar or the command on the
context menu.
To copy a Project, do the following:
1.
Select a folder or document in the desired Project and click Copy Project on the toolbar. Alternately,
right-click the Project and click Copy Project on the context menu.
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2. Enter a name and description for the new Project in the Create New Project dialog box. The name and
description of the existing Project pre-fill the fields already. You must change the name for the new Project. If
you use autonaming, ArtiosCAD Enterprise uses the autoname settings of the original Project.
3. Click OK.
4. In the Project Information dialog box, set the fields as desired.
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Note:
You will not be able to perform certain functions while working on this Project in offline mode.
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Folders
Folders let you store documents in different places within a Project. If desired, you can set individual or group
permissions on folders through WebCenter.
Creating a Folder
To create a folder in a Project, do the following:
1. Select the Project in which you want to create the folder.
2.
Click Create Folder on the toolbar.
3. Enter a name for the new folder and press Enter.
ArtiosCAD Enterprise creates the folder in the Project.
Note:
As of this writing, a Project can have only one level of folders.
Renaming a Folder
You can only rename a folder when no documents in the Project are open.
To rename a folder, do the following:
1. Ensure all documents in the Project are closed.
2. Select the folder to rename.
3.
Click Rename Folder on the toolbar.
4. Type the new name of the folder and press Enter.
ArtiosCAD Enterprise renames the folder.
Deleting a Folder
You can only delete a folder when no documents in the Project are open.
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Note:
Deleting a folder also deletes all the documents in it with no way to recover them. Use this procedure
with caution.
Templates
Templates are Projects upon which you can base other Projects. You can define the members, security settings,
folder structure, and Project properties once and then base future Projects on the same Template. You save
them as Templates in WebCenter.
Note:
Templates may only be created by members of the ADMINS group. However, as an admin can open any
Project to save it as a Template, an admin does not have to create the Project upon which a Template is
based.
Creating a Template
To create a template, do the following:
1. Create the Project as desired in either ArtiosCAD Enterprise or WebCenter, inviting members, setting
permissions (WebCenter only), and creating any folders as desired. Any documents in the Project will be
copied into the Template as well.
2. Log in to WebCenter as a member of the ADMINS group.
3. Open the Project created in step 1.
4. Click Save as Template in the Project Actions menu.
5. Enter the name of the template and a description in the appropriate fields.
To use a custom thumbnail for use in WebCenter, click Specify New Thumbnail and enter the complete path
and filename in the associated field or Browse for it. To use the default thumbnail, leave that choice selected.
6. Click Finish.
The Template is created.
Deleting a Template
To delete a template, do the following:
1. Log in to WebCenter as a member of the ADMINS group.
2. Click Admin > Project Management > Templates.
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3. Click the checkbox next to the name(s) of the Template(s) to delete.
4. Hover over the menu symbol and click Delete from the pop-up menu.
5. Click OK to confirm the deletion(s).
WebCenter deletes the template(s).
Changing a Template
To change a template, do the following:
1. Log in to WebCenter as a member of the ADMINS group.
2. Click Admin > Project Management > Templates.
3. Click the name of the Template to change.
4. Change any of the Template properties as desired.
Changing documents in a Template, other than deleting them or moving them between folders, is not possible
and is best accomplished by creating a new Project based on the original Template, adding the desired
documents, and saving the Project as a new Template.
Tasks
You can perform basic task-related functions in ArtiosCAD that are relevant for a structural designer. Use
WebCenter for most task configuration and administration.
If you are dropping the document onto a task in a different Project, the default action is to move the
document to the new Project. To copy the document instead into the Project containing the target task,
hold down either SHIFT or CTRL. To link it, hold down ALT. The drag cursor changes to a plus sign, a
move arrow, or a link arrow to indicate the action ArtiosCAD takes.
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b) Right-click the document and click Copy Documents on the context menu. Then right-click the task
and click Link Documents to Task. If the target task is not in the same Project, you can either Link
Documents to Task as Copy or Link Documents to Task as Link. In either case, that document you
assign to a task in a different Project now appears in that different Project as well.
ArtiosCAD copies the document to the Project containing the task and makes it a managed document.
b) Right-click the document and click Copy Documents on the context menu. Then right-click the task and
click Link Documents to Task as Copy. ArtiosCAD copies the document to the Project containing the
task and makes it a managed document.
Starting a Task
There are three ways to start a task which has not yet been started.
1. To start a task from the tree control, do the following:
a) Select the task in the tree.
b) Right-click the task and click Start Task.
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Note:
Changing the status of a task starts a task if it is not already started.
1. Right-click the task on the tree control and click Change Status on the context menu. Choose the new
status from the resulting context menu. ArtiosCAD shows the current task in bold.
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2. Select the task in the documents list, right-click it, and click Change Status on the context menu. Choose
the new status from the resulting context menu. ArtiosCAD shows the current task in bold.
3. Select the task in the documents list and edit the Status field on the General tab in the Details pane. Make
sure to save the changes after you have changed the status.
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Note:
For either of the context menu methods, you can also click Complete Task to more directly mark the
task complete.
b) In the Task Assignee dialog box, choose the new assignee. You can select either a person or a group.
ArtiosCAD shows the entries in the same order as WebCenter.
c) Click OK.
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2. Select the task in the documents list and right-click it.
a) On the context menu, click Assign To.
b) In the Task Assignee dialog box, choose the new assignee. You can select either a person or a group.
ArtiosCAD shows the entries in the same order as WebCenter.
c) Click OK.
3. Select the task in the documents list, and edit the fields on the General tab.
a) Click the More Options button at the end of the Assigned To field.
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b) In the Task Assignee dialog box, choose the new assignee. You can select either a person or a group.
ArtiosCAD shows the entries in the same order as WebCenter.
c) Click OK.
Note:
Even though you can reassign a task to someone else, if the document in that task is open, it will need
to be manually unlocked by an administrator or the Project manager before the new assignee can work
on it.
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a) Click Assign To Me on the context menu.
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5.
Click Save to submit the changes to WebCenter, or click Cancel to cancel your changes.
6. ArtiosCAD submits the changes to WebCenter and updates the checklist.
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This means that if these items are checked in WebCenter, if you mark all the checklist items as completed,
WebCenter will complete the task, and that you will not be able to edit the checklist if you are not the Task
Assignee.
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Completing a Task
There are four ways to complete a task. A task does not have to be started in order to be completed.
1. To complete a task from the tree control, do the following:
a) Select the task in the tree.
b) Right-click the task and click Complete Task.
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Note:
If you save this document in any way other than using Save As to the Task, all Attribute-related
information on the new version comes from however you set them in ArtiosCAD.
Documents
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Note:
You can also save it as an unmanaged document by using the Explorer node in the browser.
Note:
When you decide a filename for a managed document, do not use any of these characters: \ / :
* ? " < >.
5. In the Database Information dialog box, fill in the fields as appropriate and click OK.
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If your WebCenter administrator has configured multi-value prompted Attributes and you have made
customized Database Information dialog boxes containing them, check their values as desired.
If your WebCenter administrator has configured cascading Attributes based on a list and you have made
customized Database Information dialog boxes containing them, the values of the child Attributes depend on
the parent Attributes you select. In the examples below, the Attributes chosen for the Type control what you
can choose for the Name.
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Select All and Deselect All select and deselect all the Attributes. Click Other Value to specify a value that
is not in the list. Set a Filter to reduce the number of Attributes available to select; the comparison is case-
sensitive.
After you have saved a managed document, by default when you click Save again, ArtiosCAD saves a draft. This
behavior is customizable in Defaults > Startup defaults > Save Options.
If you select Save as New Version, the Save Draft command appears on the File menu so that you can still save
drafts, and Publish Version disappears since it is replaced by Save.
You can also set shortcuts to the different save and publish commands in the Shortcuts catalogs in Defaults.
Note:
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ArtiosCAD Enterprise uses the Default Attribute category view from WebCenter Also, cascading Attributes are
not supported in Offline mode.
Save Next Document uses the automatic name generation feature configured in WebCenter to assign the next
available name to the document and save it in the selected folder and Project. It is available only when you have
selected a managed path in the browser. If the autonaming is configured to prompt you for a suffix, the Suffix
field appears in the Database Information dialog box.
Save Next Document into New Project prompts you to create a new Project before saving the document with
the next available name into it. If automatic naming is available, use it by checking Use Automatic Naming.
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Enter the name (if you are not using automatic naming) and a description in the fields provided. Choose a
Template if desired and click OK to continue saving the document.
ArtiosCAD will prompt you for information about the new Project.
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• publish it as a new version
It is up to you to decide if it is a draft, revision, or version according to your company’s best practices. Some
people publish minor changes as revisions and major changes as versions; others do the opposite, and yet others
just save drafts.
Note:
New versions of documents do not affect Bills of Materials. To have your changes reflected in Bills of
Materials, publish a new revision instead.
a) If the document is in more than one Project, you can choose the checkbox of each Project to update
with this new version, and whether to add this version to or update that Project’s Bill of Materials. Use the
checkboxes at the top of each column to toggle all the checkboxes in the column.
2. Enter a comment if that field is blank and click OK to continue the process of publishing the managed
document.
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a) For a single design, the Database Information dialog box appears similar to the one shown below. Enter
information in the fields as desired and click OK to complete the publishing process.
b) For a manufacturing document, the Database Information dialog box appears similar to the one shown
below. Enter information in the fields as desired and click OK to complete the publishing process.
c) For a 3D design, the Database Information dialog box appears similar to the one shown below. Enter
information in the fields as desired and click OK to complete the publishing process.
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a) If you select it, Update all Bill of Materials updates all Bills of Materials containing this document.
b) If the document is in more than one Project. you can choose the checkbox of each Project to update with
this new revision, and whether to add this revision to or update that Project’s Bill of Materials. Use the
checkboxes at the top of each column to toggle all the checkboxes in the column.
3. Click OK to continue the process of saving the managed document.
a) For a single design, the Database Information dialog box appears similar to the one shown below. Enter
information in the fields as desired and click OK to complete the publishing process.
b) For a manufacturing document, the Database Information dialog box appears similar to the one shown
below. Enter information in the fields as desired and click OK to complete the publishing process.
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c) For a 3D design, the Database Information dialog box appears similar to the one shown below. Enter
information in the fields as desired and click OK to complete the publishing process.
Opening a Document
To open a document in ArtiosCAD Enterprise, do the following:
1. If the browser is not already open, open it by:
a) clicking its button on the toolbar
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4.
Either double-click the document to open it, or click Open on the toolbar.
ArtiosCAD Enterprise opens the document for editing.
Open Document in Web Browser opens the document in WebCenter using your system’s default Web browser
and your current login credentials.
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Open With lets you choose the program to edit an unmanaged temporarily downloaded version of the selected
document(s). Choose the desired program and click OK to launch it and open the document(s).
To actually edit a non-native document in another application and have it be a managed document, do the
following:
1. Use Open With to open the document in another application as described previously.
2. Edit the document as desired.
3. Save it to a local folder in the filesystem.
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4. To save it as the same managed document, delete the managed document, and either copy and paste or
drag and drop the unmanaged document from the Explorer node of the browser into the Project.
5. To save it as a new version of the managed document, in the ArtiosCAD Enterprise browser, right-click the
managed document and select Open in Web Browser. In WebCenter, select Upload New Version and follow
the instructions, clicking Finish when done. Refresh the ArtiosCAD Enterprise browser to see the changes.
2. To use the board anyway, click OK. Otherwise, click Show All Board Details to see the information about the
board, or click Select Board to open the Board Information dialog box. If ArtiosCAD found a board to suggest,
it pre-selects the board in the dialog box. If it does not find a match, open the board tree and select a new
board to use. The Current Board Definitions pane shows the board information saved in the document, and
the Suggested Board Definitions pane likewise shows the information about the board you selected in the
tree.
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3. To edit the board information saved in the document, click Edit Board Definition Locally on the Board tab
in the Current Board Definitions pane. To use this changed information, click Keep Current Board. Note that
since this board still does not exist in the database, ArtiosCAD will continue to warn you when you open it.
4. To replace the board information saved in the document with a board definition from your database, select
the board entry from the tree, click Accept Suggested, and save the document.
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4. More than one Project name appears when you hover over a document.
Renaming a Document
To rename a document, do the following:
1. Make sure the document is closed, as you cannot rename an open document.
2. In the browser, navigate to the Project and folder containing the document and select it.
3. Right-click the document and click Rename on the context menu.
4. In the Rename Document dialog box, enter a new unique name for the document in the Name field.
Autonaming is unavailable when renaming a document.
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5. Click OK.
ArtiosCAD Enterprise renames the file.
Deleting a Document
To delete a document, do the following:
1. Make sure the document is closed, as you cannot delete an open document.
2. In the browser, navigate to the Project and folder containing the document and select it.
3. Right-click the document and click Delete on the context menu.
4. Click Yes to confirm deleting the document.
Use this command with caution, as there is no way to restore a deleted document.
Moving Documents
To move a document to another folder or another Project, do the following:
1. Make sure the document is closed, as you cannot move an open document.
2. In the browser, navigate to the Project and folder containing the document and select it.
3. Drag it from its current location and drop it in the new folder or Project.
You may also drag a managed document from the root level of a Project to a folder or BOM node in the
Document pane. If a BOM, you must have the Change BOM permission, and ArtiosCAD sets the initial count to 1,
specifies no print item, and replicates the version/revision of the document to the BOM.
You can drag to copy or copy and paste managed documents to unmanaged locations. ArtiosCAD includes
the revision letter and version number based on the setting in Options > Defaults > Startup Defaults > Export
Document Name Format.
Copying Documents
To copy documents between folders and Projects, do the following:
1. In the browser, navigate to the Project and folder containing the document(s) and select it/them.
2. Next:
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Method Action
Keyboard Press CTRL-C to copy the documents, then select the destination Project, folder,
BOM, or task and press CTRL-V to paste them.
Mouse 1 Drag and drop managed documents to unmanaged locations. You can also drag and
drop unmanaged documents between unmanaged locations.
Additionally, you can drag unmanaged documents into managed locations;
ArtiosCAD assigns the document the appropriate Attribute Category.
You can copy managed documents into folders or Projects in the tree by dragging
them while holding down SHIFT.
Mouse 2 Right-click the selected document(s) and click Copy Documents on the context
menu, then right-click the destination Project, folder, BOM, or task and click Paste
Documents. You can also do this with unmanaged documents between unmanaged
locations.
Mouse 3 Hold down SHIFT or CTRL as you drag the document(s) from the source folder
and drop it/them on the destination Project, folder, BOM, or task.
Note:
Document names in Projects must be unique, even if the documents are in different folders.
You can copy unmanaged documents from the Explorer node into the Projects or My Tasks nodes to make them
managed documents.
You can also drag a document from the Documents pane into a Project or folder in the Projects I Manage,
Projects I Am Invited To, and Favorite Projects nodes in the tree.
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Embedded designs
Single designs saved inside of manufacturing documents are called embedded designs. When you have
a manufacturing file selected in the browser, you can see which single designs are embedded in it on the
Embedded Designs tab in the Properties pane.
To open an original design document to make changes, select the desired document and click Open Original
Design.
Conversely, when you have a single design selected in the browser, you can see which manufacturing
documents use it by right-clicking it and then clicking Show Associated Manufacturing Documents, or by
selecting the same command on the Documents menu of the browser.
When you are viewing the Print Items tab of a design document in the browser, you can select a print item and
click Show Layouts Using This Print Item.
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Canvases
Canvases contain parts that can exist solely in canvases or can be saved as independent workspaces. When you
select a canvas in the browser, a Parts tab appears in the information pane.
The tab lists the parts in the selected canvas. It lists the part name, filename, revision, and location in which
the part is saved. If only the Part Name column has information in it, that means the parts exist only within the
canvas.
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Open Canvas Part opens the selected part workspace, if you have saved parts to independent workspaces for
that canvas.
Searching
There are two ways to search in the browser. The first is to use the keyword search field above the tree control.
The second is to use the Advanced button to search for more specific items.
Keyword Searching
Keyword searching lets you search the names of Projects and documents for a specific word or part of a word.
Refer to the Search Controls topic for a picture of the keyword search controls in the browser and an explanation
of what they do.
To perform a keyword search, do the following:
1. Click the Search Type drop down-list box and choose the type of object to search for: Projects, All
Documents, Designs, Manufacturing, ArtiosCAD 3D, or Canvas.
2. In the keyword entry field, enter the word to search for. To search on part of a word, use an asterisk to replace
the other part(s) of the word. If there is already text in the field, ArtiosCAD selects it so your new search term
overwrites it.
3. Click the magnifying glass button to start the search.
4. Depending on what you searched for, results will appear in the node tree, the document list, or both.
If you open a linked document from the document list of a search result, ArtiosCAD Enterprise will prompt you to
select the Project containing the linked document.
Keyboard shortcut CTRL-F jumps to the keyword search field when the browser is open.
Advanced Searching
Using the Advanced button to search lets you search many more fields than keyword searching.
Note:
All of the advanced search dialog boxes are customizable in Options > Defaults > Browser Settings >
Advanced Search Dialogs in the same way as the Database Information dialog boxes, including aligning
objects to a grid. For instructions on using the Control Layout Manager, please see Designing a custom
Database Information dialog box in the Defaults chapter.
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Note: To be able to search for revisions, your WebCenter system administrator must enable Index
Document Revisions in Admin > Configuration > Search Crawler Setup. If that option is not enabled,
the Revision Options are unavailable in the Advanced Search dialog boxes.
Searching Syntax
Use the syntax described below to compose effective search queries. An example of the syntax is at the end of
the section.
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Terms
A search query is broken up into terms and operators. There are two types of terms: single terms and phrases.
A single term is a single word such as box or corrugated.
A phrase is a group of words surrounded by double quotes such as "corrugated box". Multiple terms can
be combined together with Boolean operators to form a more complex query (see below).
Wildcard Searches
ArtiosCAD Enterprise supports single and multiple character wildcard searches. ArtiosCAD Enterprise supports
modifying query terms to provide a wide range of searching options.
To perform a single character wildcard search, use the ? symbol.
To perform a multiple character wildcard search, use the * symbol.
The single character wildcard search looks for terms that match the single character replaced. For example, to
search for text or test you can use the search:
te?t
Multiple character wildcard searches look for 0 or more characters. For example, to search for test, tests or
tester, you can use the search:
test*
You can also use wildcards in the middle of a term:
te*t
Boolean Operators
Boolean operators allow terms to be combined through logical operators. ArtiosCAD Enterprise supports AND, +,
OR, NOT and - as Boolean operators.
Note:
Boolean operators must be ALL CAPS.
OR. The OR operator is the default conjunction operator. This means that if there is no Boolean operator
between two terms, the OR operator is used. The OR operator links two terms and finds a matching Project/
document if either of the terms exist in a Project/document. The symbol || can be used instead of OR.
To search for Projects/documents that contain either box company or just box, use the query:
“box company” box
or
"box company" OR box
AND. The AND operator matches Projects/documents where both terms exist anywhere in the text of a single
Project/document. The symbol && can be used instead of AND.
To search for Projects/documents that contain box company and box products, use the query:
"box company" AND "box products"
+. The +, or required operator, requires that the term after the + symbol exists somewhere in a field of a single
Project/document.
To search for Projects/documents that must contain box and may contain products, use the query:
+box products
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NOT. The NOT operator excludes Projects/documents that contain the term after NOT. The symbol ! can be
used instead of NOT.
To search for Projects/documents that contain box company but not box products, use the query:
"box company" NOT "box products"
Note:
Note: The NOT operator cannot be used with just one term. For example, the search terms used below
will return no results:
NOT "box company"
-. The -, or prohibit operator, excludes Projects/documents that contain the term after the - symbol.
To search for Projects/documents that contain box company but not box products, use the query:
"box company" -"box products"
Grouping
ArtiosCAD Enterprise supports using parentheses to group clauses to form sub-queries. This can be very useful if
you want to control the Boolean logic for a query.
To search for either company or products and box, use the query:
(company OR products) AND box
This eliminates any confusion and makes sure that box must exist and either term company or products
may exist.
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Saving Searches
You can save search queries for your own future use as personal searches. If you are a member of the ADMINS
group, you can also save searches globally for anyone to use.
To save a search, do the following:
1. Compose a search query using one of the advanced search dialog boxes.
2. In the advanced search dialog box, click Save As.
The Save Search dialog box appears.
3. In the Name field, enter a name for the search. You can replace an existing search with this one by using the
same name.
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4. Set the search scope. Global is available only for members of the ADMINS group, while Personal is available
for all users.
5. Click OK to save the search.
6. Click OK when ArtiosCAD Enterprise successfully saves the search.
Once the search is saved, click Run to run it or Cancel to close the dialog box.
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WebCenter deletes the selected items.
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When you first open the BOM Documents dialog box, it displays all of the documents in the Project with nothing
selected.
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To add an item to the list that will appear on the BOM Report, click the checkbox at the beginning of its row.
Enter the number of items required in the Count field.
To add a print item for the selected design, change Add another print item to the desired print item, which then
appears in the list of documents. To add the document to the BOM with no print item, select <none> from the
drop-down list box. To remove the current print item from the list, select it and click Remove.
To change the order of how items list on the BOM Report, select an item and use the up and down arrows to the
right of the item list.
To change the revision of a document, select it and click Change Document Revision. Next, choose the new
revision in the Document History dialog box and click OK.
To change the relative sizes of the document list and the preview pane, click to the right of the ordering arrows
and drag the separator bar.
To customize the columns shown in the document list, right-click one of the column headers and click
Customize. Use the checkboxes to turn columns on and off. To rename a column, select it, then enter a new
value in the Column Title field. Click OK to return to the BOM Documents dialog box.
Use Save Dialog Configuration and Load Dialog Configuration on the View menu to save aspects of the
dialog box such as size, position, and customized columns and then restore them as the same user on another
computer.
To Output a BOM Report, right-click a BOM node and click Bill of Materials Reports, and then choose the
Report.
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Offline Mode
Offline mode lets you perform certain database-related activities in ArtiosCAD Enterprise when you are not
connected to the database either accidentally or on purpose. Offline mode uses the cache, which is a per-user,
per-server, per-version invisible database that sits between ArtiosCAD Enterprise and WebCenter.
When you are in offline mode, the status indicator at the bottom right of the ArtiosCAD Enterprise will show it, as
will the title bar of the browser.
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Note:
You must log in at least once in online mode for the cache to be created. At the time of the login, click
Yes to have ArtiosCAD Enterprise create the cache.
When ArtiosCAD Enterprise can connect to the database, it will give you a choice of what information to
synchronize from the cache during your time in offline mode.
Note:
Structural tools work normally in offline mode.
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• When you save a document, you may only save it as a draft, not a new revision, and Generate Next Name/
Save as Next Name is unavailable (but you can generate it when you synchronize upon returning to online
mode).
• You can create and rename new folders only. You cannot rename or delete existing folders.
• You can copy documents between Projects, but you cannot copy them as links.
• You can perform simple searches without wildcards on Project and document names and comments.
• You may not have one instance of ArtiosCAD Enterprise running in online mode and another running in
offline mode. If you are running two instances of ArtiosCAD Enterprise in online mode and lose your network
connection, you will not be able to enter offline mode in those instances, as one instance being in online
mode will prevent the other from changing to offline mode.
• in 3D, if you change the 3D rendering mode (Options > 3D Rendering Options) while in offline mode, you will
have to reapply the change after you return to online mode and restart ArtiosCAD Enterprise.
1. When you are ready to return to online mode, you can do it in two ways:
a) Re-establish your network connection. ArtiosCAD Enterprise periodically checks to see if it can connect
to the database and will display the following dialog box when it can do so. Leave Yes selected and click
OK to return to online mode.
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a) The Name column shows the names of Projects and documents you created in offline mode.
b) The Use Autoname column lets you choose which Projects and documents get automatically-generated
names (if available) as they are uploaded to the WebCenter database when you exit offline mode. Clear
the checkbox to use the original Project name you specified while offline. You can only change the state
of this checkbox if automatic naming is turned on and you have not selected a Template. Make sure that
you do not select this option for linked documents, as that will break the link.
c) The Suffix field appears only if automatic naming is available for Projects and documents, and if a user-
entered suffix is required, double-click the field to enter one.
d) The Discard columns lets you choose individual Projects or documents to not upload to the database
and thus delete them. You will have to individually confirm each discard when you click Sync.
e) If you worked on an existing document in offline mode, Save As lets you choose between saving a draft or
a new revision.
f) If you want to show other users that you are still working on a document, Keep Locked lets you lock the
document so that they get a warning if they try to work on it.
g) Select Template is a drop-down list box of available Templates you can apply to the Project.
h) If the Template has a customer and/or location set, click the More (...) button to set them.
i) Status shows the status of each item in the list as the cache synchronizes with the main database.
j) For those columns containing checkboxes, you can right-click the column header and click Check All or
Check None on the context menu.
3. Click either Sync to accept and upload all changes you made in offline mode or Discard All to lose them.
If you encounter errors while synchronizing (for example, you lose your network connection), ArtiosCAD
Enterprise will revert to offline mode, and unsynchronized changes are left to be synchronized again. If the
synchronization fails for some other reason, the reason will be displayed in the Status column and you will need
to manually upload any new files to WebCenter. The files to synchronize are in %LocalAppData%\Esko\
Offline_Online_Recovery\%Sync_Date_Time% where %Sync_Date_Time% is the timestamp
from when you attempted to synchronize.
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3. Choose the number of weeks to delete Projects older than, meaning that ArtiosCAD will keep Projects saved
to your computer within the interval. The default is 4 weeks. You can either type a number (less than or up to
1000) in the field, or choose a number from the drop-down list box. Set the number to 0 to delete all locally
cached Projects except Defaults Projects.
4. Click OK to purge the Projects and compress the local cache. ArtiosCAD displays a progress bar.
Note that this procedure only removes Projects from your local database cache used for offline mode. It does not
remove them from the main database.
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Other Features
After the other user clicks OK, the document is opened as read-only. Additionally, the title bar of the other user’s
ArtiosCAD Enterprise session shows the file as being locked and the user who has it locked.
Locking a document also gives you the exclusive right to create a new version of the document.
Unlocking a document that has a draft saved will remove the draft. ArtiosCAD Enterprise will ask you to confirm
removing the draft before unlocking the document.
When you unlock an open document, it becomes read-only until you re-lock it or save it as a new document.
To lock or unlock a document, do the following:
1. To lock a document, open it. If it has been unlocked, click Database > Lock Document.
2. To unlock a document that you have opened, either close it or click Database > Unlock Document.
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If the document owner had it open in ArtiosCAD Enterprise, it becomes read-only in that instance.
To unlock the document from the ArtiosCAD browser if you are a member of ADMINS, reassign the document to
yourself, wait for the draft to become visible, and then unlock the document.
• has View, Download, Lock, and Update permissions on the document to save or publish it.
To reassign a document to another designer, do the following:
1. Launch ArtiosCAD and log in as a member of ADMINS.
2. Open the browser and navigate to the folder containing the locked document.
3. Right-click the locked document and click Reassign Document on the context menu. Alternately, select the
document and click Documents > Reassign Document.
4. In the Select designer dialog box, select the last name of the new designer and click OK. You can sort each
column by clicking its header.
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Revision History
To view the history of a document, right-click it in the document list and click Select Revision on the context
menu.
The second enhancement is the Required field for Attributes. Use this to force a user to set an Attribute when
setting database information.
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Note:
You must have Attributes defined in WebCenter in order to be able to add them to a Database
Information dialog box in ArtiosCAD Enterprise.
Note:
The ability to launch custom external applications from Database Information dialog boxes does not
exist in ArtiosCAD Enterprise.
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The checkboxes to the left of the table names control which tables are affected by clicking Update or Rebuild.
Update requests only new or changed entities from the database since the timestamp in the Last Updated On
column. Rebuild clears the cached entities and retrieves the complete tables.
Note:
You can only use Update and Rebuild when you are in online mode.
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After you use Remove from My Computer on many Projects in the browser, click Compress to compress the
cache and improve performance.
Save new document View, Add, Change File menu - Save, Save as Next
Name if Project or folder selected
Save, Save as Next Name buttons in
browser
Save when an Output goes to a
Project
Save new version of document View, Change, Lock File menu - Save if document
selected
Typing the document name in the
Name field when saving
Move document from source View, Delete Drag and drop document from
Project or folder folder to folder or Project to
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Move document to destination View, Add, Change Drag and drop document from
Project or folder folder to folder or Project to
Project. Permissions checked when
dropped.
Copy document as link from source View, Add, Download Document menu - Copy as Link
Project or folder Documents. Context menu - Copy
as Link.
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Note:
ArtiosCAD download format permissions set in WebCenter have no effect in ArtiosCAD Enterprise; they
only affect what users can download from WebCenter.
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To turn on the automatic commenting, check Preseed comment from previous version. This also enables the
options in the Initial Comment group.
Use document description copies the document description to the comment field. If there is no document
description, ArtiosCAD will prompt you for a comment. This will also cause the Project description to seed the
document description when you save a managed document for the first time so that on the next save, the
comment will be able to be seeded from the description.
User defined lets you enter a custom string that ArtiosCAD will use for the first comment.
When automatic commenting is enabled and you save a managed document without a description for the first
time, ArtiosCAD copies the Project description to the managed document's Description field to seed future
comments. You can change this field in the Database Information dialog box as you save the document if you
have Show database information dialog on save enabled in the same General Options dialog box in Database
Defaults.
Note:
If you are working on an unsaved new document, and a document of the same name (usually
DESIGN1) exists in the managed location you select when you save it, ArtiosCAD will consider the
new document to be version 2 of the existing document and thus seed the version comment from the
existing document, rather than using a user-defined comment from Defaults or the Project/document
description.
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11. Builder
What is Builder?
Builder is the component of ArtiosCAD which allows you to create new designs based on standards. By itself,
Builder does not allow you to modify the geometry of the created design by changing existing lines or creating
new lines.
Running a standard
Use these steps to create a design from a standard style. A more detailed example follows.
1. Start ArtiosCAD.
2. Click Run a Standard on the File menu.
3. Choose a style from the Standards Catalog. Click OK.
4. Select a parameter set and board code. Click OK. Use the search field in the board control to search inside
board codes and descriptions.
5. Enter the inside dimensions of the new design. Click Next.
6. At this point, each standard is different. Choose style options and enter values for variables if appropriate. A
variable is a way to store a value so it can be changed in the future. Click the Next and Previous buttons to
move between menus, or click the title of the desired menu to move to in the tree control. If you know that
the options and variables in future menus are set correctly, click OK to view the completed design.
7. Usually there is a diagram displayed to the left of the tree control to show where the variables in the current
menu are used in the design.
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8. Position the mouse cursor over the name of a variable and wait a moment. A ToolTip will appear showing the
description of the variable.
9. If you try to enter a value that does not meet a variable’s check condition, you will be prompted to enter a
more reasonable value. A check condition limits the values that can be assigned to a variable.
10. The Next button is unavailable when the current menu is the final menu of a style. Click OK to view the
completed design.
11. The basic design is now structurally complete.
Two options in Defaults control the orientation of the design you just created based on a standard. They are both
in Options > Defaults > Single design parameter sets > <parameter set> > Startup defaults. The first is in the
Flute/grain catalog. For designs based on standards, rotate the result if needed to match your default flute/
grain causes the designs created from standards to be rotated to respect the default flute/grain direction. A
similar option in the Side catalog, For designs based on standards, mirror the result if needed to match your
default side, flips the design if needed to respect the default side.
3. Adjust the width of the variable pane (if needed) by sliding the separator between it and the diagram.
ArtiosCAD also displays the variable description in a ToolTip when you hover over a variable.
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• If it still does not find a match, it looks for a board with the same caliper, outside loss, and inside gain.
• If there still is no match, it uses the first board in the table. If there is another board with no match, it uses the
second board in the table, and so on.
• If there are no boards in the board list, ArtiosCAD copies the board information from the standard.
• ArtiosCAD Enterprise honors the state of the Show All Boards checkbox and only shows matching boards in
the board list.
• Change the board for a specific part in the new canvas document by making it the active part and clicking
Info > Board information.
1. Start ArtiosCAD and click File > Run a standard.
2. Select the desired canvas standard from the Standards Catalog and click OK.
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3. In the Canvas Settings dialog box, select a parameter set for the new canvas, along with boards for the
canvas and different parts. To change the board a part uses, select that part and choose a new board. Click
OK.
4. In the middle pane are the menus of variables organized by the part containing them.
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5. Set variables and navigate through the menus as normal. For greater clarity, click the tiny triangle above the
list of variables to show their descriptions as well. If there are variable names in the dimension text in the
documentation plot, ArtiosCAD automatically updates them to match the remapped variable names in the
new canvas.
6. Click OK when done to make the design.
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3. Click the plus sign (+) next to the FEFCO Catalog to show its contents, then click the plus sign next to the
200 Series folder to show its contents. Click the F0200 style and then click OK.
4. In the Single Design Settings dialog box, choose the parameter set to use and board which will be used to
make the carton. Click OK to continue.
5. In the Inside Dimensions dialog box, enter the inside dimensions of the design. Click OK to complete the
design using default values. Clicking Next takes you through menus of additional choices and values so
you can review or alter the defaults of the standard, or you can progress by clicking the next menu lower
in the tree control. In the last menu for a standard, the Next button is unavailable and you must click OK to
complete the standard.
To change the display format of the variable labels, click the tiny triangle above the list of variables and select
a different option. These options may be set in Defaults in Options > Defaults > Design Defaults > Rebuild
Options.
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The standard libraries from INTERACT, LASERPOINT, LASERPOINT IQ (all versions), and The Designer WorkBench
standards are optionally loaded when ArtiosCAD is installed.
Variables and style choice menus work the same way for these standards as they do for native ArtiosCAD
standards. Run them as you would normally run any other ArtiosCAD standard.
Designer WorkBench standards run with the same default values for variables that they had when they were
run in Designer WorkBench. However, the #in the name of the variable in DWB is converted to DWB when the
standard is run in ArtiosCAD.
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To run INTERACT standards, you must enter information in the same format as the prompt used to request it. In
the picture shown above, you are prompted to Give Length Width and Depth. This means you must enter
the dimensions on the same line with nothing but spaces between them – e.g. 5 2 5. When you have finished
entering data, press Enter.
Note:
When running an INTERACT standard, do not click inside the black-background window. This will be
interpreted as an Enter keystroke and the window will close. ArtiosCAD will issue an error message and
you will have to start over.
LASERPOINT and LASERPOINT IQ 1 standards also run using a black window for data input. Enter a value in each
field underlined with a yellow line. Click ACCEPT to proceed through the menus. Click OVERVIEW to go to a
menu of all menus. Click REINIT to reset the variables in the current menu to their default values.
Rebuilding any of these standards will bring up the appropriate black-background window.
Rebuilding designs
To rebuild a design, click the Rebuild button on the Toolbar. The same dialog boxes which appeared when
you built the design will reappear. Change the values to change the dimensions of the final design.
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Most variables you change from their default values are flagged with yellow triangles as soon as you click
something else. Variables which have both a default formula and a default value that fails a check condition
(such as W with a default formula of 0 and the check condition being W>0) are not flagged with yellow
triangles. Style choice variables with default formulae are also not flagged.
Four buttons and one option in the Rebuild dialog box change the values of the variables as you rebuild the
design:
Reinit reinitializes the currently-selected variable to its default value as defined in StyleMaker.
Reinit all reinitializes all variables in the current menu to their default values as defined in StyleMaker.
Edit opens the Edit Variable dialog box where you can edit the formula used by the variable, the variable’s check
condition, the description of the variable, the variable type, the current value of the variable, and the rounding
method and amount.
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Reset resets the variable to the value it had when the menu was accessed last. For example, if you change a
variable from 5 mm to 10 mm, go to the next menu, realize you made a mistake and go back, change the variable
to 7 mm and click Reset, the variable will change to 10 mm, which is what it was when you entered the menu. If
you wanted to change it back to 5, click Reinit instead of Reset.
Automatically reinitialize subsequent variables reinitializes variables in subsequent menus which currently
match their default values. When this option is selected and you change a variable, any subsequent variable
depending on that variable which matched its default value before the rebuild started will get updated with the
new value. For example, with this option selected, if you change L, any variable in any subsequent menu which
depends on L gets automatically updated with the new value for L.
When this option is off, dependent variables are not automatically updated and are flagged for review in the
Rebuild Conflicts dialog box.
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The checkbox to the left of the variable name controls if the variable is reinitialized to its current default value
when you click Reinitialize Selected Variables To Their Current Default Values. Variables with yellow triangles
are not automatically selected, while those with red triangles are automatically selected for reinitialization.
Variables with yellow triangles are those which did not initially match their default values at the start of the
rebuild. Variables with red triangles did match their default values, but currently do not.
Click Reinitialize Selected Variables To Their Current Default Values to reinitialize the checked variables and
continue the rebuild. Clicking Ignore All Conflicts ignores the conflicts and continues the rebuild process.
Note: This value-checking procedure only works for variables which have default values set. There is no
checking for variables which have no default set but instead depend on other variables.
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Note: Some of the tools on the Annotation toolbar are only available if you have Designer in addition to
Builder.
The first button on the Annotation toolbar lets you add a paragraph of text. Click the tool, indicate the
position for the text, and enter the desired text in the Paragraph Text dialog box.
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As you enter text in the dialog box, it appears as drag text at the put-down point in ArtiosCAD. Changes are
immediately reflected in the drag in the design window, and they apply to all the text entered in the dialog box.
Set the font and font size using the drop-down list boxes at the top of the dialog box. You may also change the
font size manually by typing the new size in the drop-down list box field.
Note: PCIQ fonts may appear incorrectly in drag text but should appear correctly when the text is
placed.
The color under the A indicates the color of the text. A bright blue indicates that the plotting style color is
being used. When you click the button, a control appears. Click the desired color. Use plotting style sets the text
to the color defined by the plotting style. Below that are standard color swatches. More Colors lets you choose a
new color from a palette or define a new one to use this time.
Note: If you assign a color to text, it is considered graphics and will not be output to a CAM device
using an internal ArtiosCAD driver. If you need to output text to a CAM device, do not change its color.
However, define a color when planning to convert the design to 3D and export it to VRML.
The Justification button shows how the text is currently justified to the put-down point. When clicked,
it shows 9 buttons corresponding to different placement options; click the desired button to change the
justification.
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The controls in the Rotate: field let you rotate the text as desired. Either select the
desired degree of rotation from the drop-down list box, enter it in the field manually, or click the keypad icon and
use the keypad to input the degree.
While the Paragraph Text dialog box is open, reposition the text as desired by clicking in different places.
Update Property Defaults sets the current font and size values in the dialog box for use in future instances of
this dialog box in the same ArtiosCAD session.
Once you have entered the text in the Paragraph Text dialog box, click OK to place it.
After you have added text, double-click it with the Select tool to access its Properties dialog box. Use the
commands in the Properties dialog box to change the attributes of the text, such as font, color, size, rotation,
kerning, etc. Click OK to make the changes, or click Cancel to discard them.
The controls in the Properties dialog box are the same as the controls in the Paragraph Text dialog box, except
Calculated for report lets you modify the properties of calculated text on Reports.
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To spell check the unrecognized word(s), either right-click and click Spell on the context menu, or click Spell.
The standard Microsoft Word Spelling dialog box appears similar to the one shown below.
The unrecognized word is shown in the Not in dictionary: field. The Suggestions: field contains the list of
suggested words, and the top one is selected and seeded to the Change to: field. You may edit the word in the
Change to: field as desired.
Ignore and Ignore All respectively ignore this instance and all subsequent instances of the unrecognized word
for this invocation of the spell checker. The next unrecognized item is then displayed.
Change changes the current instance of the unrecognized word to the contents of the Change to: field.
Change All changes all subsequent instances of the unrecognized word in the workspace to the contents of the
Change to: field; previously-ignored instances are not changed. The next unrecognized item is then displayed.
Add adds the unrecognized word to the custom ArtiosCAD dictionary file so that it will be recognized in the
future. The next unrecognized item is then displayed.
Close closes the Spelling dialog box and returns to the Paragraph Text tool.
The Align Left tool aligns the selected items along their left edge.
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The Align Horizontal Centers tool aligns the selected items along their horizontal centers.
The Align Right tool aligns the selected items along their right edge.
The Align Bottom tool aligns the selected items along their bottom edges.
The Align Vertical Centers tool aligns the selected items along their vertical centers.
The Align Top tool aligns the selected items along their top edges.
To use these tools, do the following:
1. Select one or more items of text, and click the desired Align Text tool. The drag will show a common
alignment line.
2. Indicate a pick-up point, and then use the drag to set the put-down point. Shown below is the drag for the
Align Left tool.
3. The text will be aligned in the manner consistent with the tool chosen.
Arrow tool
The third button on the Annotation toolbar activates the Arrow tool. To make an arrow, click the Arrow tool,
click the start point of the arrow, and then click the end point of the arrow. The head of the arrow will be drawn at
the end point of the arrow.
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Note: You cannot change the actual name of the color.
Detail tool
The fourth button on the Annotation toolbar activates the Details flyout toolbar. Details are magnifications
of a designated area of the design.
The first button on the Detail toolbar, and the default Detail tool shown on the Annotation toolbar, is the Detail
tool. The Detail tool, when clicked, prompts for the first corner of the clipping window. The clipping window
(window 1 below) defines the area of the design to magnify. Indicate the corner, keep depressing the mouse
button, and indicate the second corner of the clipping window. ArtiosCAD then prompts for the first corner of
the detail window. The detail window (window 2 below) is where the magnified view appears. Click the mouse
button at the first corner, and drag the mouse to the diagonally opposite corner of the detail window.
Double-click any item inside the detail window to change the properties of that detail. Click the Detail tab in the
Properties dialog box to view the properties of the detail.
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The clipping and detail windows will update as their properties are changed. The Adjust Detail button closes the
Properties dialog box and starts the Adjust Detail tool.
When you Output a design with a detail, sometimes the design may flip depending on the settings of the Output,
which can cause confusing behavior for details. Starting with version 16.1.1, the following rules apply to details
when you Output them:
• If a piece of text or a dimension is entirely within the clip outline, ArtiosCAD copies it whole so it will match
the Output.
• If the dimension text is outside the clip outline, ArtiosCAD does not copy the dimension.
• If the dimension text is inside the clip outline, but some of its lines are clipped, ArtiosCAD copies the text
from the dimension as a text item and clips the lines of the dimension, making it all the same copy as the
original item. This will not mirror if the design flips on Output.
• If a text item is partially inside the clip outline, ArtiosCAD converts it to outlines and clips it. These outlines
will mirror if the design flips on Output.
• ArtiosCAD clips strokes and fills.
• ArtiosCAD does not copy images.
Regarding these rules, when you open a design created in an earlier version of ArtiosCAD, ArtiosCAD will behave
as it always has. However, if you rebuild the design or create a new detail, the above rules will apply.
The second button on the Detail flyout toolbar activates the Adjust Detail tool. The Adjust Detail tool
modifies the size and position of the clipping window and the detail window.
The Adjust Detail tool has three modes: Move Clip, Move Detail, and Move Side. Move Clip lets you move the
clipping window to another location. Use this option by selecting the Move Clip option button, clicking inside
the clipping window, and clicking at the new location of the clipping window.
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Move Detail lets you move the detail window to another location. This option works the same way as Move Clip,
except click in the detail window instead of the clipping window.
Move Side lets you drag a side of either the clipping window or the detail window to a new location, thereby
changing the size of the window.
The Outline Text tool, which is the fifth button on the Annotation toolbar, activates the Outline Text tool
when clicked, and when held down, activates the Outline Text Tools flyout toolbar.
This tool converts text into print image lines. The lines comprising letters or numbers are placed in separate
groups. Shown below is text before and after being converted to outlines.
Use this tool by selecting the text to convert and then click the button on the toolbar.
The second button on the Outline Text tools flyout toolbar activates the Line Text tool.
This tool converts text into geometric lines which can be manufactured. To use this tool, click it, and then click
the block of text to change. The text will change to lines with the closest possible appearance to the original
font. Shown below is a block of text in the Georgia TrueType font before using the Line Text tool:
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The sixth button on the Annotation toolbar activates the Line Type Label tool. This tool creates a piece of
text and an arrow pointing to a particular line.
The following controls appear on the Status bar when this tool is active:
The Size: drop-down list box changes the size of the line type label you are about to make.
More Options (...) opens the Line Type Label Properties dialog box as shown below.
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Standard font controls are arranged along the top of the dialog box. Expand Kerning: increases or decreases the
space between letters. Horiz. Scaling: increases or decreases the overall width of the text. Rotate allows you to
place the text at an angle.
In the Arrow group, choose an Arrowhead type: and overall Arrow size: from their respective drop-down list
boxes. Arrow thickness: adjusts the arrow thickness in points.
With extension creates a short horizontal line out from the label text using the value in the Extension length:
field before the start of the arrow. Without extension places the end of the arrow directly next to the label text.
In the Text box group, Border and Fill each create their namesakes around the label text. The border has the
same color as the label text, but the fill color is set using the button that becomes available when Fill is checked.
Update Property Defaults makes subsequent line type labels made in this session of ArtiosCAD use the same
Properties as those set in the current dialog box.
Returning to the Status bar, Update Property Defaults sets the size of the current line type label to be the
default for the session.
Text: is the text that will become the line type label. If this field is blank, ArtiosCAD will automatically fill it in with
the selection in the Initial text: field as you drag across lines.
The Initial text: drop-down list box lets you choose what ArtiosCAD automatically inserts in the Text: field as
you drag. You can choose the Line type name, the Line type name and label, and the Line type label. The Line
type label only applies for special rules, and is defined in the Rule label: field on the Manufacturing tab of the
Properties dialog box for a special rule; rule labels may also be defined for special rules in Defaults.
To make a line type label, do the following:
1.
Click the Line Type Label tool.
2. If automatic layer switching is on, ArtiosCAD moves to a valid layer or creates one. If it is off, and the current
layer is not appropriate for a line type label, ArtiosCAD prompts you to change to an appropriate layer or
confirm using the current layer.
3. As you drag, the cursor will show the name of the nearest rule or special rule. If you do not click close enough
to a rule, enter the text for the label in the Text: field on the Status bar; the input focus is set to that field if
ArtiosCAD does not fill it in automatically and the drag will show the text you entered. Click at the point or
coordinate which will be the end of the arrow.
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5. If desired, change the options on the Status bar. The drag will remain active.
6. Click to set the final position of the label.
7. The tool remains active in order to add more line type labels. Either make more line type labels or activate
another tool.
You can use drag to move the line type label (or elements of it) after it is created. If you use the Select tool and
click near the text box, you can move the text box.
Click near the end of the arrow to move the end of the arrow.
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The default initial text option can be changed in Options > Defaults > Startup defaults > Line type label
options. Text defaults for this tool are in Options > Defaults > Property defaults > Line type label.
Note: Avoid using the Select tool in Selection ignoring groups mode to delete individual parts of a line
type label, as this will lead to unpredictable results.
If you change the line type of a line which has a line type label associated with it, ArtiosCAD now automatically
updates the line type label to match the new line type according to the table of conditions below.
Condition for the existing line type label Result after changing the line type
Line type label has custom text entered in the Text No result; the label is not changed.
field.
Label initial text is set to Line type label. Changed to match new line type.
Label initial text is set to Line type label (defined on Changed to match the new Manufacturing name if
the Manufacturing tab of the properties of a special one is defined for that special rule, else changed to
rule type). match new line type.
Label initial text is set to Line type name and label. Both are changed.
Line type label is in a turned-off layer. The line type label is changed and the layer is turned
on.
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Condition for the existing line type label Result after changing the line type
Line type label is in a locked layer. The line type label is not updated and a warning
appears.
Line type label is in a single design embedded in a The undo history is cleared and a warning appears
manufacturing document. that this action cannot be undone.
Hatch tool
The Hatch tool fills an area of the design with either a pattern of lines or a custom pattern you have
designed and added to the Hatch Catalog.
• It uses a catalog of entries to use different hatches. ArtiosCAD displays a catalog control on the Status bar
when the Hatch tool is active.
• You can design custom hatch patterns, including those that do not use lines, to form any fill pattern desired.
• You can Output a Hatch Legend, which shows up to 7 hatches used in the current single design.
The first control on the Status bar is the toggle for Select a Panel mode. When the tool is in this mode,
ArtiosCADit hatches the panel you click inside.
The second control on the Status bar is the toggle for Select Lines mode. When the tool is in this mode,
ArtiosCAD prompts you to select the lines forming a loop that, when complete, will be hatched.
Hatch Lines, the third control, is available only when a complete loop of lines is selected when the tool is in
Select Lines mode. It hatches the area within the loop.
Use the fourth control on the Status bar to select an entry from the Hatch catalog. Click the drop-down list
activator and click the desired entry.
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The fifth control on the status bar, ..., opens the Hatch Properties dialog box. If the catalog selection is set to a
specific selection, the Hatch Properties dialog box for that selection opens showing the entry selected in the
catalog. Click a different catalog entry to change the hatch style.
Clicking the Custom option button with a catalog entry selected changes the dialog box to show the properties
for the selected entry. This same dialog box appears when <custom> is selected in the drop-down list box on
the Status bar and you open the Hatch Properties dialog box, except the properties for the selected entry are
shown, not the default non-cataloged hatch of green lines at 45 and 135 degrees. Refer to the next section for
more information about this dialog box.
The values in Offset from cuts and Offset from creases, the sixth and seventh controls on the Status bar, both
control how far away the hatch stays from the lines defining the panel or area being hatched.
When you start in Catalog mode and click Custom, the properties of the catalog entry appear.
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In Custom mode with no catalog entry selected, you can specify a pattern workspace or line style to use, along
with other properties such as line type and background fill.
When you view the properties for an existing hatch by double-clicking its edge with a Select tool, the Properties
dialog box does not display a preview of the hatch, because the hatch in the workspace is updated as you
change values in the dialog box. In addition, the placement options and related fields are hidden when viewing
the properties of an existing hatch.
Enter a name for these hatch properties, if desired, in the Name field.
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The controls in the Options group define the construction of the hatch. If Show outline is checked, a border
is drawn around the hatch that is a scaled-down copy of the lines defining the hatch area. Hatch controls the
construction of the hatch lines made at the value specified in the Angle field. Crosshatch makes a second set
of lines at the angle defined in Crosshatch angle. Deselecting Hatch turns off the crosshatch and makes its
checkbox unavailable.
The Pattern group controls determine if the hatch is made of Straight lines or is based on a design file you
specify by choosing From design and then browsing for the design in the File field. If you choose straight lines,
set the distance between them using the Width between field. If you choose a design file, set the scale of the
pattern using Scale.
In the Line Type group, to use just structural lines, choose Lines and set the Line type, Pointage, and Subtype
fields appropriately. To use stroked structural lines, choose Stroke and set the Stroke Width, Join, and End Cap
as desired.
To set the color of the stroke, click the paintbrush and then choose the desired color from the pop-up
dialog box. Change the palette by clicking More Colors.
In the Background group, to have a fill behind the hatch, choose Fill and set the color with the standard
Windows color control. To have no fill, choose None. Fill will cover the background regardless of the layer it is in.
Placement Options is described in the next section.
Update Property Defaults updates the current design’s Defaults so that future hatches you make in this design
will use these same properties. Clicking this button does not affect hatches you have already made.
Prompt before changing layers controls whether ArtiosCAD asks you to confirm changing layers if you are in
a different layer than the one specified in the Placement Options dialog box. If you do change layers for hatch,
Restore layer on tool exit, when checked, returns you to the layer that you were in before you started the Hatch
tool.
Choose the larger Preview size option to see the preview from further away; choose the smaller option to see
the preview more closely.
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To create the hatch in a specific layer other than the current one, check the Layer checkbox, enter a name for
the layer in the Name field, and choose the layer class in the Class drop-down list box. Plot under the main
design draws the hatch and fill (if any) beneath the structure.
To create a gap between the hatch and any cuts or creases in the design, check Offsets and enter the offset
values in the fields.
When either checkbox is checked, the Placement Options button in the Hatch Properties dialog box changes to
include the icon as shown below.
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The length of the vertical annotation line is defined by variable PATD. The annotation line sets the distance
between the wavy lines when the pattern is stepped and repeated at 45 degrees as shown below.
In the example workspace, variable WLEN sets the horizontal distance for each arc and variable WFIN sets the
start angle of the arcs.
To make a custom hatch pattern workspace, do the following:
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1. Start ArtiosCAD and create a new single design.
2. To make the pattern resizable, you must have StyleMaker. If so, define the variables you will need to construct
the geometry.
3. Draw the desired pattern at 0 degrees horizontally. Use an Annotation line connected to the start of the
pattern to define the distance between the pattern repetitions.
4. Save the workspace to ServerLib or ClientLib.
5. Add an entry to the Hatch Catalog in Defaults that uses this pattern workspace.
6. Use the catalog entry as desired.
To make different versions of the same resizable pattern, do the following:
1. Resize the pattern workspace as desired.
2. Save each version to ServerLIb or ClientLib with a unique name.
3. in Defaults, create a Hatch Catalog entry for each iteration of the pattern workspace.
4. Use the new Hatch Catalog entries as desired.
Dimensions
Dimensions are measurements added to the design so that someone looking at the design knows the length,
angle, and radii of the geometric elements of the design. Shown below is the Dimensions toolbar.
Before creating dimensions, ensure there are design lines in the Main Design, Windows and Cutouts, or
Manufacturing layer of the design. If there are no design lines in any of those layers, you will get a warning
dialog box when attempting to add dimensions. To work around this warning, move design lines to the
appropriate layers and either change the dimension size or toggle Scale size upon rebuild in Edit > Property
Defaults for Dimensions.
If you are not in a layer with class Dimensions or Overall Dimensions, the first time you click a dimension-
creation tool you are asked if you want to create such a layer.
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Click Yes to create a Dimension layer or No to keep working in the current layer. If you click No, and then
proceed to make dimensions, you are not asked this question again. If you click No and do not make any
dimensions, you are asked the question again the next time a dimension-creating tool is clicked.
If you click Yes, and there is no layer of class Dimensions or Overall Dimensions already in the design, the Use
Dimension Layer dialog box appears.
To create a layer with a custom name, click Create New, enter the layer name, choose its class, and click OK.
Or, to use a Dimensions layer, select it and click Add To. You can also use Add To to add to selected already-
existing layers shown in the list.
Use Delete to delete the selected layer. Clicking Cancel completely stops the tool.
The first button on the Dimensions toolbar activates Temporary Dimensions mode. Dimensions made in
this mode:
• Are not subject to any layer creation issues.
• Are made with light green extension lines to distinguish them from regular dimensions.
• Are not selectable, and thus may not be changed or deleted.
• Are not affected by a Select tool’s Nudge by Stretch mode or by the Stretch Point tool.
• May be moved or stretched by the Stretch by Polygon tool. If only one of the end-points of a temporary
dimension is within the selection polygon, the dimension is stretched instead of moved.
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• Are shown only on the screen, and are not printed, Output, or exported to other file formats.
• Are deleted on Rebuild.
• Are in existence only until Temporary Dimensions mode is turned off by clicking the Temporary Dimensions
button again.
• Are not saved when the single design is saved.
If Temporary Dimensions mode is active while in a Dimensions or Overall Dimensions class layer, when the
Layers dialog box is opened, the pencil icon is dimmed to indicate Temporary Dimensions mode. It returns to
normal when Temporary Dimensions mode is turned off.
The second button on the Dimension toolbar, and the default tool on the Distance Dimension flyout toolbar,
activates the Distance Dimension tool. This tool measures the distance between two lines or points. To use this
tool, do the following:
1.
Click to activate the tool.
2. To adjust the text position of the dimension after setting the line or point to measure to, select Adjust text
position on the Status bar.
3. Click the line or point to measure from.
4. Click the line or point to measure to.
5. Click the extend position (where the measurement is to be placed).
6. If you selected Adjust text position on the Status bar previously, click to set the desired position of the text.
If, when making dimensions next to each other, the arrows overlap the text, the overlapping arrows are replaced
by a diamond.
The second tool on the Distance Dimension flyout toolbar is the Auto-Aligned Distance Dimension tool.
This tool constructs a series of distance dimensions between consecutive lines and then prompts for a common
extension point. To construct auto-aligned distance dimensions, do the following.
1. Click the tool.
2. Click the line to measure from.
3. Drag across the line(s) to include in the aligned dimensions.
4. When you have made as many measurements as desired, indicate the extension point for the dimensions by
using the drag and clicking.
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5. All the dimensions will then have the same extension point.
The third tool on the Distance Dimension flyout toolbar is the Aligned Distance Dimension tool. Use this
tool to construct consecutive dimensions whose extend positions are collinear. Click the first line to measure,
then the second line to measure, and so forth, and then click to set the extension point for all the dimensions.
The fourth tool on the Distance Dimension flyout toolbar is the Cumulative Distance Dimension tool. This
tool creates cumulative dimensions from a start point along a straight line, measuring the distance from the start
point at each intersection. To use it, do the following:
1. Click the tool.
2. Click the point or line to start measuring from.
3. Set the angle at which to measure.
4. Use the drag to intersect all the lines and points to measure.
5. Click to set the number of dimensions; the dimensions are inserted. You may need to adjust their positions to
aid clarity.
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The third tool on the Dimensions toolbar, and the default button on the Angle Dimension flyout toolbar, is
the Angle Dimension tool. This tool measures the angle between two lines. Click this tool, indicate the first leg
of the angle, then indicate the second leg of the angle, and then indicate the position of the measurement. The
format of the measurement depends on where you position it.
The other tools on the Angle Dimension flyout toolbar are the Angle From Horizontal tooland Angle
From Vertical tool.
The Angle From Horizontal tool measures the angle at which a line is offset from the horizontal axis. To use this
tool, click it, indicate the line to measure, indicate the point on the line to measure, and then set the position of
the measurement.
The Angle From Vertical tool measures the angle at which a line is offset from the vertical axis. This tool works
the same way as the Angle From Horizontal tool except that it measures from the vertical axis.
The fourth button on the Dimensions toolbar, and the default button on the Radius Dimension flyout
toolbar, activates the Radius Dimension tool. This tool measures the radii of arcs and circles. To use this tool,
click it, indicate the arc or circle to measure, and then indicate the location of the measurement.
The second tool on the Radius Dimension flyout toolbar is the Radius To Circle Dimension tool. This tool
measures the distance from an arc or circle to its center. To use this tool, click it, indicate the arc or circle to
measure, and then indicate the location of the measurement.
The third tool on the Radius Dimension flyout toolbar is the Diameter Dimension tool. This tool measures
the diameter of a circle or arc. To use it, click it, then click the circle or arc to measure, and then click the
extension point for the measurement.
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The fourth tool on the Radius Dimension flyout toolbar is the Diameter to Circle Dimension tool. This tool
measures the diameter of a circle or arc through the center so that the arrows on the extension lines are on the
circumference of the arc or circle. To use this tool, click it, then click the circle or arc to measure, and then click
the extension point for the measurement.
The fifth button on the Dimensions toolbar activates the Change Dimension Alignment tool. This tool lets
you align dimensions with each other. This tool is available only when one or more dimensions are selected. To
use this tool, select the dimensions to align, click the tool, and indicate the new alignment point. A drag image of
the selected dimensions will appear to guide you in selecting the new alignment point.
You can align parallel dimensions by selecting them with the Select tool. When you use the drag to move
them, they will all change to have the same extension point. You cannot use freehand drag to align non-parallel
dimensions. When freehand dragging a single dimension, press the SHIFT key to keep the text position in line
with its original position.
You can align the selected dimensions with an existing dimension by clicking the existing dimension to snap to.
A snap circle will appear around the dimension text used to align the dimensions.
Shown below are dimensions before they are aligned and after they are aligned.
The sixth button on the Dimensions toolbar activates the Change Text Position tool. This tool lets you
move the position of text in a dimension. To use it, select the dimension whose text position you want to change,
click the tool, and indicate the new text position. If you try to use this tool with more than one dimension
selected, all the text will be moved together and the results will not be what you had anticipated.
The seventh button on the Dimensions toolbar activates the Change Extension Line Length tool. Use this
tool to move the end of the selected extension lines for a dimension, or for a series of parallel dimensions.
Shown below is a series of parallel dimensions whose extension lines all come close to touching the panels of the
box.
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2.
Click the Change Extension Line Length tool. Drag will appear, enabling you to change the length of
the extension lines.
3. Release the mouse button and the lines’ length will be changed to meet the point where you set the drag.
To reset extension lines to their default positions, drag the extend point back toward the design, or set the
Extension length: field in the Properties dialog box to a large value. The extension lines will stop short of
intersecting any design lines.
The eighth button on the Dimensions toolbar, and the default button on the Automatic Dimensions flyout
toolbar, is the Auto Dimension tool. As the name implies, this tool creates automatic dimensions. It finds the
longest horizontal and vertical lines and uses those to define the main panels. Dimensions for the main panels
are aligned with the extension point you specify. Other dimensions are then added for the rest of the geometry,
avoiding dimensioning identical flaps. The tool avoids making overlapping dimensions as much as possible, but in
some cases dimensions may require manual adjustment.
Note: If the dimension property default for text position is set so the number is at the end of the line,
the Automatic Dimensioning tools will put the numbers in the middle of the lines instead.
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The second tool on the Automatic Dimensions flyout toolbar is the Auto Dimension Window tool. It works
similarly as the Auto Dimension tool, but only on the portion of a design you indicate.
To use this tool, do the following:
1. Construct the desired geometry.
2.
Click Auto Dimension Window. If you are not in a dimension layer, ArtiosCAD prompts you to create one
or stay in the current layer.
3. Click and drag to indicate the portion of the design to auto dimension.
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4. Dimensions are created for every point in the window and every line crossing the window boundary.
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Blends are dimensioned from their corners, not from the ends of the arcs.
The automatic dimensioning tools measure all structural lines except for zero-length lines. Avoid using them with
Auto-Trace or digitized shapes with many short lines.
The automatic dimensioning tools are unavailable in Manufacturing.
Dimension properties
You can change the properties of dimensions, as with other ArtiosCAD entities, by double-clicking them.
In addition to being able to change the standard text attributes (text size, color, bold, and italic), you can also set
these attributes:
• The kind of units displayed (imperial, metric, or a combination) and the format in which they are displayed.
If you show Imperial dimensions in sixteenths, you can choose between ` and : as the separator character
in Options > Defaults > Shared defaults > Startup defaults > Units and formatting > Sixteenths format
character.
• The value by which to round the dimension.
• The number of decimal places.
• The inclusion of trailing zeros.
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• The orientation of the text relative to the extension lines.
• The format for the radius and diameter text styles (if a radius or diameter dimension is selected).
• The length of the extension lines (if a dimension with extension lines is selected).
• The length of the gap between the extension lines and the design edge. If the extension line ends at an angle
or close to an arc, ArtiosCAD measures the gap from the nearest perpendicular line.
• Whether or not to add a tolerance to the text of the dimension, as controlled by Use tolerance. Enter the
desired tolerance in the Tolerance field. Select Use different tolerances to specify two tolerances. You can
also change the separator between them if desired.
Tolerances are available for regular distance dimensions. They are not available for angle dimensions,
dimensions in 3D, or dimensions using format overrides.
• The text actually shown as the dimension in the Text: field. To create a dimension including the distance
that changes automatically as the design is rebuilt, enter {V} desired text, such as {V} typ. 4 places. If
tolerances are enabled, they are included with {V}.
Update Property Defaults sets all dimensions created after this one in the current ArtiosCAD session to use the
values you specify in this dialog box before clicking it. Extension Length is included in this setting only if you
changed the entry in the field manually.
When the Scale text size upon rebuild checkbox is checked, the dimensions you selected when you opened
the Properties dialog box will change size relative to the overall size of the design when it is rebuilt. Their position
relative to the edge of the design will also be maintained. Turn this option off to create dimensions and avoid
warnings when there are no design lines in the Main Design, Windows and Cutouts, and Manufacturing layers.
The Extension length: field allows you to set the length of the extension lines for all selected dimensions at
once. The length is measured from the dimension toward the design.
All these properties can be set for the current ArtiosCAD session by clicking Edit > Property Defaults and then
clicking the Dimensions tab.
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Text horizontal when rotate is an additional property for Dimensions in the Properties Defaults dialog box that
is not available in the usual Properties dialog box when a dimension is selected. When enabled, this option keeps
the text of the dimensions horizontal when the design is rotated using the rotate and mirror tools in Designer and
Manufacturing.
This option is enabled by default. To set the default, click Options > Defaults > Property Defaults > Dimensions
and change it there. You may also change the other defaults as desired. When in Defaults, you can set the size of
the design on which dimension size is calculated in the Scale text size upon rebuild group; the default design
size used for this calculation is 40 inches or 1000 mm.
Note: Dimensions created by the Copy Times and Copy Times Rotate tools are not affected by this
option.
Draw extension lines close to parallel lines helps keep dimensions tidy.
Note: If you change the color of a dimension from the default, it is considered graphics when changing
the View Mode.
Rounded dimensions
Use the Round to checkbox in the Inches format: group with caution. It will cause the selected dimension to
round up or round down as appropriate and not match its actual value.
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If there are rounded dimensions in the design, or the dimensions are rounded by a dimension format override,
and there are smaller dimensions that add up to larger dimensions, the values of the larger dimensions will be
adjusted to match the sum of the rounded values of the smaller dimensions.
The default for rounding is in Defaults > Shared Defaults > Startup defaults > Dimension Format Override.
If you use overall dimensions, they may not match the sum of individual rounded dimensions. You can ensure
that they match for the current design by checking the Consistent overall rounded dimensions checkbox
in Options Dimension Formatting. This can also be set in Defaults in Defaults > Shared Defaults > Startup
defaults > Dimension Format Override. It affects horizontal and vertical dimensions only; it does not affect
diagonal dimensions.
If you set Consistent overall rounded dimensions, it affects all aspects of ArtiosCAD, not just the viewing of
dimensions in Builder, Designer, and Manufacturing. It affects dimensions in outputs (regardless if it uses a
Report), blank size on Reports, and the Blank Size dialog box on the Info menu.
If you want to use rounded dimensions with a report made in a pre-5.x version of ArtiosCAD, and have blank sizes
defined on the report, delete and re-add the blank size variables from the Calculated Expressions Catalog.
You can check for rounded dimensions when a single design or an embedded single design is opened by
checking the Warning if design contains rounded dimensions checkbox in Defaults > Shared Defaults >
Startup defaults > Dimension Format Override.
When that checkbox is checked, the Rounded Dimensions Warning dialog box appears as shown below.
Reset to Actual un-rounds the selected dimensions. Select more than one dimension in the list by holding down
ctrl and clicking the desired entries.
Reset All un-rounds them all.
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These commands change the current Property Defaults of the workspace to the Property Defaults specified in
Defaults, and then apply the new Property Defaults to all the dimensions and/or text in visible, unlocked layers of
the workspace depending on the menu item you clicked. Elements in turned-off layers and/or locked layers are
not changed by this command.
To use these tools, do the following:
1. Click Edit > Apply Defaults or right-click and click Apply Defaults (as shown below).
2. Click the desired option for those elements to change: Dimensions and Text, Dimensions, or Text.
3. ArtiosCAD may prompt you to confirm the change. Click Yes to confirm.
4. ArtiosCAD applies the settings in Defaults to the current Property Defaults and changes the appropriate
workspace elements to match those settings.
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Note:
If you Undo any of these commands, only the workspace elements are changed back to their prior
formatting. The Property Defaults of the workspace remain at their current settings.
Palletization in Builder
If you use Cape Pack or TOPS palletization software, you can export data from them and have ArtiosCAD create a
package from that data.
You can also create secondary packaging in them from 3D and view pallet loads in 3D from them. See the 3D
chapter for more information.
For answers to some frequently asked questions about palletization, see Palletization FAQ in the Outputs
chapter.
Note:
Before using these features for the first time, make sure you have mapped Cape Pack or TOPS styles
and materials to ArtiosCAD standards and boards as described in the Builder chapter. You may also
want to set Cape Pack or TOPS defaults as described in the Defaults chapter.
The workflow for palletization in ArtiosCAD is the same regardless of which palletization application you
are using.
Mapping styles
To map the styles between Cape Pack/TOPS and ArtiosCAD, do the following:
1. Launch ArtiosCAD.
2. Click Options > CAPE/TOPS to ArtiosCAD.
The Map CAPE/TOPS to ArtiosCAD dialog box appears.
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5. In the Length, Width, and Height fields, set the number of folds in each direction.
6. Repeat as desired by double-clicking another style to map.
7. Click OK when done.
Mapping boards
To map the boards between Cape Pack/TOPS and ArtiosCAD, do the following:
1. Launch ArtiosCAD.
2. Click Options > CAPE/TOPS to ArtiosCAD.
The Map CAPE/TOPS to ArtiosCAD dialog box appears.
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3. In the Map CAPE/TOPS to ArtiosCAD Standard dialog box, click the MATERIAL_BOARD tab.
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5. Open the Artios catalog and select the desired board. Click OK when you have selected the desired board. If
you cannot find a corresponding definition, open DataCenter Admin and create one, close this dialog box and
its parent, and resume at step 2.
6. Repeat as desired by double-clicking another board to map.
7. Click OK when done.
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4. Choose the type of package to make and enter the appropriate values for your package.
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5. Cape Pack/TOPS will use its default pallet. To change it, click the next tab on the screen (in the example
above, it is labelled 48x40) and choose a new one. To not change the pallet, skip to the next step. You can
also change the truck size on the last tab but ArtiosCAD does not use that information.
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6. For Cape Pack, click File > Calculate Only. For TOPS, click OK.
Click Yes or No to any alerts as desired.
7. For Cape Pack, use the Goto Next Solution and Goto Previous Solution arrows to find the best solution.
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For TOPS, scroll through the list of solutions in the UnitLoad window and click a solution to view it.
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8. For Cape Pack, when you have found the best solution, click Export > Export to ESKO > Send to ArtiosCAD.
For TOPS, when you have found the best solution, click Export > Send to ArtiosCAD. Choose which elements
to export and click Export, and click Cancel in the Analysis Save As dialog box.
If you do not have either the style or board mapped as described previously, ArtiosCAD will prompt you to
choose the missing elements.
9. ArtiosCAD displays the standard it constructed using the Cape Pack/TOPS data. Work with the single design
as you would any other workspace.
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Arranging/Designing a group
The Arranging/Designing a Group workflow between Cape Pack/TOPS and ArtiosCAD is similar to that of
creating a shipper for use on a pallet, but at the end there are two designs in ArtiosCAD.
If you are using Cape Pack, follow the instructions below. For TOPS, the workflow is similar in that you select more
than one element to create, create them, and then use the Send to ArtiosCAD command on the Export menu.
1. Cape Pack will use the last-launched version of ArtiosCAD. If your last-launched version was not 12 or later,
launch it and leave it open.
2. Launch Cape Pack.
3. In Cape Pack, in the Arrange/Design Group, make your selections as desired and click Go.
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4. In the Data Input window, click the three tabs to choose the packages and pallet and enter values in the
fields as appropriate.
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7. When you have found the best solution, click Export > Export to ESKO > Send to ArtiosCAD.
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If you do not have either the styles or boards mapped as described previously, ArtiosCAD will prompt you to
choose the missing elements.
8. ArtiosCAD displays the standards it constructed using the Cape Pack data in cascaded windows. Work with
the single designs as you would any other workspaces.
If pallet information exists in the ArtiosCAD session, a pallet appears in the 3D workspace when you convert
the design to 3D.
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12. Designer
Introduction to Designer
There will be times when you need to create a design from scratch instead of using an entry from a Standards
Catalog. ArtiosCAD handles those situations by providing sophisticated design tools that empower you to
quickly and easily turn your ideas into reality.
These tools are available on systems with the Designer option. Certain other modules provide access to some of
the tools. Systems with only the Builder option cannot use these tools.
Overview of Designer
All the tools work the same way. Click the tool and satisfy the drag prompts by moving the pointer and clicking
the mouse button. The geometry is created when enough prompts are satisfied.
Examples of tasks completed using Designer are:
• Creating original designs and modifying existing designs.
• Creating and deleting lines, arcs, circles, rectangles, curves, and beziers.
• Adjusting and transforming the linear and physical properties of elements in the design such as line type,
number of bridges, or physical placement in the design.
Creating geometry
What is geometry?
In Designer, geometry is any item that is on a die press manufacturing tool. Dimensions, annotations, and
graphics are not considered geometry. Create geometry with the tools on the Geometry toolbar.
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Endpoint offset mode lets you create geometry when you don't know the exact endpoint, but you know
that you want it to be offset by a certain distance from an existing line or point. You can offset from a line or a
point. The way it works is that you activate it while you are setting a prompt for a tool.
To activate it, either click the toggle button on the Status bar, or hold down ALT and click the line or point from
which to start the offset.
You can start an offset from:
• An endpoint
• An extend point
• A dynamic point (one created by Dynamic Drafting)
• An intersection
• A line
• A construction line
• An arc
• A construction arc
You can use Endpoint offset mode in:
• Geometry tools (Line, Arc, Circle Diameter, and so forth)
• Rotate tools
• Copy Rotate tools
• Mirror tools
• Copy Mirror tools
• Move By
Note: The rotate and mirror tools require two Undo commands to return to the previous state.
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You can offset from either a line (click the line) or a point as listed above. Offsetting from a line prompts for Offset
1 and Offset 2. Offsetting from a point prompts for Offset X and Offset Y.
Most tools allow either method, but:
• If you set the Length prompt in a tool, you can only use this mode to offset from a line, not from a point.
• Rectangle Horiz/Vert, Rectangle from Center, Ellipse, and Circle Diameter only support offsetting from a
point, not a line.
When you use the offset from a point method,
• Use the same reference point for each offset
• Set either offset to continue the geometry
• Complete one more field on the Status bar to finish the geometry.
If you do a combination of offset from a line and offset from a point, ArtiosCAD displays the controls on the
Status bar in the order in which you chose offsets.
To change the reference point or to start the offset again, click the Endpoint offset mode toggle on the Status
bar again or CTRL-click the point or line.
To exit Endpoint offset mode, either click the button on the Status bar to turn it off, or press ESC to restart the
tool.
c) ALT-click the crease forming the left side of the panel and set Offset 2 to W/4.ArtiosCAD now has enough
information and moves the current position to the starting point for the window.
4. Set the width of the window as follows:
a) Drag toward the crease forming the right side of the panel.
b) ALT-click the midpoint of the crease to create an offset from the right side of the panel. You have to click
the midpoint because Rectangle Horiz/Vert only supports offsetting from a point.
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c) Drag left and set the offset at ½ inch or 13 mm.
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This window will remain in the same distance away from the right edge and bottom of the panel no matter how
you rebuild it. No construction lines were needed.
Before resizing, with the carton dimensions of 2" x 2" x 5" or 50 mm x 50 mm x 127 mm:
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After resizing, at 3" x 3" x 9" or 76 mm x 76 mm x 229 mm. Note how the right side and bottom of the window are
the same distance away from the edges of the panel even though the window size has changed dramatically.
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Lines
Lines are one of the basic building blocks of ArtiosCAD. Any shape can be made out of lines and arcs. There
are three Designer tools to create lines: the Line Angle/Offset tool, the Line Horiz/Vert tool, and the Line Angle/
Length tool.
The first button on the Geometry toolbar activates the Line tools. The Line tools are used to make straight lines.
When you click and hold a Line tool button on the toolbar, the Line flyout toolbar appears.
Lines at an angle
To make a line at an angle, click the Line Angle/Offset tool. The line will begin at the current position. The
Status bar will prompt for the angle of the line and the offset of the end-point. Set the prompts using drag and
the line will be drawn. Use the arrow keys to move among the fields on the Status bar – the highlighted field is
the one being set by the drag.
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If you click an established point when prompted for the offset, the line being drawn will end at the point you
clicked if possible. If the end-point and the point you clicked are not collinear, the endpoint will be aligned with
the point you clicked.
You may use any Line tool to construct a line at an angle. Simply change the Status bar prompts being set by the
drag. The toolbar buttons only specify which prompts are selected when the tool is activated.
When using this tool, holding down CTRL while clicking performs a Move By.
To make a line from the current position with a known X,Y offset of the end-point, click the Line Horiz/Vert
tool. Set the prompts. If the end-point is a known point, simply click that point, and the line will be created.
To make a line at a specific length, use the Line Angle/Length tool. Set the angle and length fields using
drag, or if you prefer, type the desired values.
To make a line from the current position to a known point, click the Line Angle/Offset tool, then click the
point that is the end-point of the line. The angle and length will be set automatically. A small temporary circle will
appear around the point that was snapped to.
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3. Once the start angle is set, use the drag to set the radius of the arc.
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4. Set the Y offset of the end-point using the drag. To set the X offset instead, use the arrow keys to move the
highlight to the X offset field.
5. As ArtiosCAD now has the pieces of information it needs to construct the arc, the arc is made.
Arc Center
The third tool on the Arc flyout toolbar is the Arc Center tool. This tool makes an arc when any 3 of its 5
data fields are set: the radius, the X value for the center of the arc, the Y value for the center of the arc, the X
value for the end-point, or the Y value for the end-point.
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The fourth tool on the Arc flyout toolbar is the Arc Through Point tool. The arc starts at the current
position. To use this tool, click it, indicate the point the arc will go through, and then click the end-point of the
arc.
In the picture above, the end-point of the arc has a small snap circle around it.
If the start point is on a construction circle or arc, the drag is constrained to follow the arc.
Note: This tool can only be made using drag. There are no status bar prompts.
Circle
The Circle tool is the third button on the Geometry toolbar, and when held down, activates the Circle flyout
toolbar.
To make a circle, click the Circle tool and then set the radius of the circle either by using drag or by typing a
value in the prompt on the Status bar.
Once you set the radius, ArtiosCAD constructs the circle using the current position as the center of the circle. As
with other tools, you can snap the radius drag to a point; a temporary circle will appear around the snapped-to
point.
Circle Diameter
The Circle Diameter tool is the second tool on the Circle flyout toolbar. To make a circle using this tool, do
the following:
1.
Click the Circle Diameter tool.
2. Drag and click to set the angle from the current position of the line forming the diameter of the circle.
3. Drag and click to set the diameter of the circle. Alternately, press Tab on the keyboard to choose a different
field on the Status bar to set with the drag - either the X offset or the Y offset of the end-point of the
diameter.
4. Once you have set the end-point of the diameter, ArtiosCAD constructs the circle.
The tool remains active and the current position does not move so that you may continue drawing circles.
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Ellipse
The third tool on the Circle flyout toolbar is the Ellipse tool. To make an ellipse, click the Ellipse tool and
use drag to set the X and Y offsets of the edge of the ellipse from the center point. Angle refers to the angle
at which the ellipse is viewed. It does not affect the construction of the ellipse. Setting the X and Y offsets are
shown below.
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When both the X and Y offsets are set, ArtiosCAD constructs the ellipse.
Rectangles
Instead of making you draw four lines to construct a rectangle, ArtiosCAD makes the construction of rectangles
easy by providing a tool for that purpose. You can make a rectangle from scratch, or you can expand a line into a
rectangle. You can also expand a line into a complete panel using a geometry macro.
The fourth button on the Geometry toolbar activates the Rectangle tool, and when held down, activates the
Rectangle tools flyout toolbar. The Rectangle tools are used to create rectangles.
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Rectangle Horiz/Vert
Use the Rectangle Horiz/Vert tool to create rectangles in two easy steps. To make a rectangle, click the
Rectangle Horiz/Vert tool and indicate the X offset of the point diagonally opposite from the current position as
shown in the picture below.
To construct the rectangle with blended corners, enter a value in the Blend: field on the Status bar before
setting the X offset. Press Enter once you have entered the value to lock it in.
Once the X offset of the corner point is set, set the Y offset using the drag as shown in the picture below.
When the X and Y offsets have been set, ArtiosCAD constructs the rectangle and the current position moves to
the corner of the rectangle whose offsets were set. Shown below is the completed rectangle.
The Rectangle Horiz/Vert tool remains active so that another rectangle may be made.
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The third button on the Rectangle flyout toolbar is the Panel From Line tool. This tool creates a rectangle
using drag from a line you select, or lets you run a geometry macro to replace the line. This tool prompts you to
select a line, and then uses the selected line as the base of a rectangle created using drag.
When you use this tool, the following initial controls appear on the Status bar:
Use crease type, when checked, causes the connecting line to be changed to the crease type you specify in the
Type drop-down list box. Defaults for these settings are in Startup defaults.
If the opposite line is within the perimeter of the design, it is also changed to a crease; if it is not, the other sides
of the rectangle are changed to creases. Be careful of this when using this feature in rectangular holes, as the
specified line and the opposite line will both be inside the and thus will both change to creases.
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Once the offset of the opposite edge of the rectangle is set, ArtiosCAD constructs the rectangle. The tool
remains active to create another rectangle from the one just created.
Note:
The change of the line type depends on whether or not the line is inside the design at the time when
the rectangle was created; it will not change depending on the geometry when you rebuild. For
example, if you make a flap with offset 4 and the line is changed to crease, if you then rebuild with -4 or
0 the line will still be a crease even though it is no longer supposed to be.
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Hover over a catalog entry to see a pop-up preview of the geometry it makes.
If you choose a geometry macro, ArtiosCAD makes Use crease type and the line type selector unavailable.
3. Use drag to set its size and click to set the offset. ArtiosCAD determines which orientation to use for the drag
by which end of the line you clicked closer to.
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If you move the mouse toward the opposite end, ArtiosCAD flips the drag lines.
4. The variables for the geometry macro will appear in the Geometry Macro Variables dialog box. If the first
menu of variables only contains L and H, ArtiosCAD skips it and starts with the second one. If you do see L
and H, L is unavailable and is always the length of the line you clicked, and H is the value you set with drag.
Set the variables as desired. ArtiosCAD updates the drag immediately as you change variables. Click Next> to
go to the next menu, or click OK to finish.
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5. ArtiosCAD replaces the line with the result of the geometry macro.
6. The tool remains active with the same geometry macro, prompting you to select another line to extend. If you
exit the tool and restart it, ArtiosCAD remembers the last-used geometry macro and selects it.
ArtiosCAD checks the geometry macro before it runs it. L must be defined and L and H must be distance or
angle/offset variables. There also must be room in the design for the layers from the geometry macro if Move
lines to layers is enabled in its catalog entry in Defaults.
If you use the same geometry macro repeatedly and its L and H match the last ones used, ArtiosCAD will use the
same variable values for the other variables. If L and H do not match, ArtiosCAD reinitializes all variables to their
default values. If ArtiosCAD keeps the variables, it compares them to the first run's values and records them with
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the first run's expressions if they match. The allows all copies of this geometry macro to rebuild based upon the
same formula.
ArtiosCAD embeds the geometry macro in the workspace for portability between systems.
If you are working with consecutive Seal End 4 and Seal Tuck 4 geometry macros that need to be the same size
to align properly, in the first one, copy variable S6, the slit length, using Copy Variable in the Geometry Macro
Variables dialog box. Then in the next geometry macro, type S6 for the slit length. The same is applicable to the
Seal End 5 and Seal Tuck 5 geometry macros with a hairpin curve between them. Copy Hairpin Depth H1 and
Hairpin Radius R1 from one to the next so they align properly.
When working with Panel from Line geometry macros, do not do a double line removal until after you are done
constructing the design and have added dimensions if desired. This avoids the potential for lines not existing
after a rebuild.
Tips for Creating Your Own Panel from Line Geometry Macros
The following guidelines apply when you create your own Panel from Line geometry macros.
• Create L, H, and any other variables before you begin construction. L is always the length of the macro and
H is the height.
• Put L and H in the first menu alone so you can reference them in subsequent menus.
• Always start at the origin and design up and to the right. ArtiosCAD will automatically rotate the geometry as
needed when running the geometry macro.
• Draw the base line of the geometry using L for the size along the X axis. Design the height to use H along the
Y axis.
• The board code you select for the workspace does not matter.
• Use delete under line types to trim nearby lines but use them sparingly if you intend to rebuild the
destination design after running the geometry macro.
• Use Edit Expression to make a Units branch for static values – such as UNITS(1.5,1/16) so that the
geometry macro works well in both systems of measurement.
• In Defaults, add your geometry macro to the Geometry Macro catalog using type Panel from Line. Check
Use in design and deselect Use in manufacturing. If your geometry macro has dimensions, check Move
lines to layers to move them to the Dimensions layer after you run the geometry macro.
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3.
Use Panel from Line in Rectangle from a line mode to make three additional panels of size L, W, and L.
Set L to 2. Check Use crease type and set the drop-down list box to Crease.
4.
Use Panel from Line with the Slit Lock Tuck geometry macro to make a tuck from the top of the second
panel. Set the Offset to W.
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7.
Use Panel from Line with the Slit Lock Side Flap geometry macro to make the flap, and snap its height
to the conline intersection with the side of the tuck. Make sure to drag close to the tuck so that the flap is
oriented properly.
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10.
Use Panel from Line with the Glue Flap geometry macro to add the glue flap.
11. Click OK to accept its variables.
12.
Use Stretch by Polygon to shrink the first panel's size by 1/32" or 1 mm for the glue flap reduction. The
design is now complete.
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Offset Line
The fourth button on the Rectangle flyout toolbar activates the Offset Line tool. Use this tool to offset a
parallel copy of a line from another. To use this tool, click it, click the line to copy, and then indicate the offset
using drag.
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In the picture below, item A is a straight curve. Item 1 indicates the start of the straight curve. Item 2 shows the
drawing direction. Item B is a curve straight, and item 3 is the start of the curve straight.
The first button on the Straight-Curve flyout toolbar, and the default Straight-Curve button on the Geometry
toolbar, is the Straight-Curve tool. To make a Straight-Curve, do the following:
1. Click the Straight-Curve tool on the Geometry toolbar.
2. Set the X and Y offsets of the end-point of the Straight-Curve.
4. Set the radius of the Curve portion of the Straight-Curve with the drag.
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5. Once ArtiosCAD knows 4 of the 5 pieces of information in the Status bar, it constructs the Straight-Curve.
The second button the Straight-Curve flyout toolbar is the Curve-Straight tool. It works the same way as the
Straight-Curve tool, but the arc is made at the beginning of the line, not the end.
The sixth button on the Geometry toolbar activates the Line Join tool, and when held down, activates the
Line Join tools flyout toolbar.
This tool joins two points, two circles, or a point and a circle with a straight line. It also works with construction
line circles.
To use this tool, click it, indicate the first point, arc, or circle, and then indicate the second point, arc, or circle.
When one of the objects being joined is a circle, the line is made tangent to the circle.
If you click an arc or a circle as the first object, to make a line tangent to that arc or circle, use the drag to set the
angle and then either set the length or set the X and Y prompts for the end-point of the line. If you click close
enough to a line or arc, it will snap to that line or arc.
The second button on the Line Join tools flyout toolbar activates the Arc Join tool. As its name implies, it
joins a point, line, arc, or circle to another point, line, arc, or circle with an arc. If two lines are being joined, they
cannot be parallel. To use this tool, click it, indicate the first object to join, then the second object to join, and
then finally the radius of the arc used to join the two objects. Depending on the points chosen, it is possible that
the arc joining the two objects will intersect them.
Depending on how you set the drag, the points at which the arc joins the two objects could be different. The
same happens when two circles are joined together with an arc – the points of tangency switch depending on
the radius of the arc.
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The third button on the Line Join tools flyout toolbar is the Tangent Arc tool. This tool makes an arc
tangent to three lines. To use this tool, click it, and then indicate the three lines to which the arc is to be tangent.
The seventh button on the Geometry toolbar activates the Line at Angle to a Line tool. This tool draws
a line at the desired angle from the current position. To use it. click it, select a line or arc to measure the angle
from, and then use the drag to make a line at the desired angle.
Beziers
The eighth button on the Geometry toolbar activates the Bezier tool. A bezier, also called a French curve, is
a curve defined by four points: the start point, the endpoint, and two control points.
Freehand coordinates in the Snap Options dialog box must be checked for this tool to function. Click Options >
Snap and then look in the Snap to Point group. If you see an error message in the Status bar Cannot select
coord when trying to use this tool, Freehand coordinates is turned off and you must turn it on.
To make a bezier, do the following:
1.
Click the Bezier tool on the Geometry toolbar.
2. The bezier will begin at the current position. Click the desired position for the endpoint.
3. Use the drag to set the position of the first control point. In the example below, the first control point is at the
top of the left dashed line.
4. Use drag to set the position of the second control point. In the example below, the second control point is at
the bottom of the right dashed line.
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5. ArtiosCAD constructs the bezier once the second control point is set.
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4. ArtiosCAD performs the change. Shown below is the former bezier as a series of arcs.
Drafting aids
ArtiosCAD provides three sets of tools to help create geometry – Dynamic Drafting, construction lines,
and extensions. Dynamic Drafting finds alignment points in surrounding geometry; see Chapter 1 for more
information. Construction lines create non-manufacturable geometry. Extensions extend existing lines into
infinity and existing arcs into circles.
Construction lines
Construction lines are special lines used as drafting aids. They are not considered geometry, but they are used to
make geometry.
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Creating construction lines is accomplished by using the tools on the Conlines toolbar, or the command on the
Conlines submenu of the Tools menu.
The first button on the Conlines toolbar is the Conline Offset/Angle tool. When activated, this tool prompts
you to select a point or a line. If you select a line, you are then prompted for the offset between the line and the
new construction line. If you select a point, you are prompted for the angle at which the construction line will be
created.
The second button on the Conlines toolbar activates the Conline At Angle From Line tool. When activated,
this tool prompts for a line to measure from and a point that the construction line will pass through.
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In the picture shown above, the line used to measure from is the line at the bottom of the glue flap, and the point
passed through is the intersection of the bottom and side of the glue flap.
The third button on the Conlines toolbar activates the Conline Division/Midpoint tool. When activated,
this tool prompts for the number of divisions and a line or arc to divide. Click the line, first point of the line, or arc
to divide, enter the number of divisions to make in the field on the Status bar, and press Enter.
Note: To divide an arc, click the arc itself, not its endpoints, else the arc will be treated as a line and the
dividing lines will be parallel instead of meeting at the center of the arc.
The default number of divisions is two. If you activate the tool and click a line or arc, it will automatically be
divided in two by a construction line. Note that the object being divided is not split; for that, you must use the
Split Line tool and click the points created by the construction lines.
The number of construction lines created by this tool will be one less than the number specified in the Number
of Divisions field.
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The fourth button on the Conlines toolbar activates the Conline Radius tool. When activated, this tool
prompts you to indicate the center of the circle. As long as Freehand Coordinates is checked in the Snap
options dialog box, the center can be anywhere; it does not have to be on a point. Once you have indicated
the center, ArtiosCAD prompts for the radius, which you can set either with drag or by typing in the Status bar.
ArtiosCAD constructs a construction line circle once the radius has been entered.
The fifth button on the Conlines toolbar activates the Conline Angle Divide tool. This tool works similarly
to the Conline Division/Midpoint tool, but instead of dividing a line into line segments, it divides an angle into
smaller angles.
To use this tool, click it, enter the desired number of divisions, indicate one leg of the angle, and then indicate
the other leg. The tool will remain active once it has made the divisions.
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The sixth button on the Conlines toolbar activates the Conline Join flyout toolbar.
The first button on the Conline Join flyout toolbar, and the default Conline Join button on the Geometry
toolbar, is the Conline Join tool. This tool joins two points, two circles, or a point and a circle with a straight
construction line. To use this tool, click it, indicate the first point, arc, or circle, and then indicate the second
point, arc, or circle
Note: When one of the objects being joined is a circle, the construction line is made tangent to the
circle.
The second button on the Conline Join flyout toolbar activates the Conline Join With Concircle tool. As its
name implies, it joins a point, line, arc, or circle to another point, line, arc, or circle with a construction line circle.
If two lines are being joined, they cannot be parallel. To use this tool, click it, indicate the first object to join, then
the second object to join, and then finally the radius of the circle used to join the two objects. Depending on the
points chosen, it is possible that the construction line circle joining the two objects will intersect them.
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Depending on how you set the drag, the points at which the construction line circle joins the two objects could
be different.
The same happens when two circles are joined together with a construction line circle – the points of tangency
switch depending on the radius of the construction line circle.
The third button on the Conline Join flyout toolbar is the Conline Tangent Concircle tool. This tool makes a
circle tangent to three lines. To use this tool, click it, and then indicate the three lines to which the circle is to be
tangent.
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You may select construction lines with the Select Conlines tool on the Select tools flyout toolbar, or by
using the normal Select tool with either of the construction line options on the Status bar.
Each plotting style contains three construction line definitions.
Double-click a construction line with the Select Conlines tool to change its type in its Properties dialog box. To
change the type of many construction lines at once, select them all and then press ALT-Enter to open the
Properties dialog box.
Shown below is a construction line before its type is changed and after its type is changed.
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Extend/Measure tools
The tools on the Extend/Measure toolbar work in conjunction with construction lines by making geometry that is
not manufactured.
The first button on the Extend/Measure toolbar activates the Extend tool. The Extend tool extends lines
into infinity and arcs into circles. This is useful when you want to align objects with a line segment or an arc
because the extended geometry provides extra points.
To use the Extend tool, click it, and then indicate a line or an arc to extend. Normally the Extend tool is a one-
use tool and does not remain active after it extends the line or arc, but if you hold down SHIFT as you click the
first item, the tool remains active and you can click other items to extend. Make sure to continue holding down
SHIFT for the tool to continue. Hold down CTRL to use the Extend tool ignoring groups.
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The points displayed using the Extend tool can be used as snap points and measure points.
If the cursor is over an item when the Extend tool is started using a keyboard shortcut, the item is extended
automatically.
When you use an extended point geometrically, such as creating a line to it or moving it, the extend points are
cleared after the tool completes.
The second button on the Extend/Measure toolbar activates the Clear Extend tool. The Clear Extend tool
deletes all extensions. This is the only way to delete extensions.
The third button on the Extend/Measure toolbar activates the Measure tool. In Measure mode, the
Measure tool displays pertinent measurements of arcs, lines, and the relationship between two points. In
Attributes mode, the Measure tool displays information about the object under the mouse cursor. Change modes
by selecting the appropriate button on the status bar, or by pressing Tab, or by using the left and right arrow
keys.
To use the Measure tool in measure mode, click it, and then click an arc, line, circle, or set of two points to
measure. Shown below are different types of measure tool information dialog boxes. To view just pop-ups, hover
over any desired object.
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Hold down CTRL while using this tool to measure between pixels. Move the mouse after selecting the second
pixel to see the snap. If you measure between pixels, you might have to refresh the view when using high
graphics mode.
Attributes mode shows various bits of information about the object under the mouse cursor such as length, line
type, pointage, the number and width of bridges and nicks, etc. Only geometric elements can be viewed using
the Measure tool.
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Click the mouse button to make the measurements remain on the screen. To close a single measurement dialog
box, click the Close button in its title bar. To delete all the measurement dialog boxes, click Delete all measures
on the status bar.
The Measure tool also functions as a tape measure. Click a point, and drag to another point; the measurement is
displayed. Click the second point to make the measurement stay on the screen.
To exit the Measure tool, click Exit Measure Tool on the status bar.
Changing geometry
You can change geometry in many ways once it is created. For instance, you can change the type or thickness
of rule used on the die, the location of a piece of geometry, and so forth. There are two ways that geometry can
be changed: linearly or physically. To change a piece of geometry’s linear properties means you are changing an
aspect of the geometry without moving it on the die. Types of linear changes include the line type and pointage.
Types of physical changes include moving geometry, copying it, stretching it, rotating it, and mirroring it.
Use the commands on the Edit and Adjust toolbars shown below to change geometry.
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Select tools
The first button on the Edit toolbar activates the Select tool, and when held down, activates the Select flyout
toolbar.
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The Select tools are used to select objects so that they may be changed.
The first button on the Select flyout toolbar, and the default Select button on the Edit toolbar, activates the
Select tool. Use this tool to select items in the drawing area – lines, text, dimensions, graphics, and anything else.
You can use the Select tool to move items by selecting them and dragging them to the desired position as long
as the checkboxes for the objects you select are turned on in the Snap Options dialog box (click Options >
Snap).
You can resize and drag any item or group in the Dimensions, Overall Dimensions, Annotation, Print Registration,
Graphics, Full Graphics, Inside graphics, Label graphics, Doc plot layers with the Select tool. This is not valid for
Main Design or manufacturing layers to prevent accidental changes to geometry.
To resize an item, click inside its bounding box and then drag one of the handle points to resize.
To move an item, click inside its bounding box and drag it to the new location.
Hold down the CTRL key while using the Select tool to make a copy of the item(s) selected. Release the mouse
button to put the copies down.
Hold down the SHIFT key to restrict the Select tool to vertical and/or horizontal movement only.
The Select tool has 17 modes of operation. The mode is selected by clicking the appropriate button on the
Status bar.
The first button indicates normal selection mode. This mode is the default mode and is how the Select tool
has worked in the past. When you select an item which is a member of a group, the entire group is selected.
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The second button indicates that the Select tool will ignore groups. In this mode, if you select a member of
a group, only it is selected, not all members of the group. Do not use this mode to select fills and strokes.
The third button indicates that the Select tool will select connected lines, even if they pass through
intersections.
The fourth button indicates that the Select tool will select connected lines, stopping at the first
intersection.
Whichever Select mode is selected in the first group of four buttons is remembered for this document in the
current ArtiosCAD session. These four modes are also on the More Select submenu of the Edit menu, and may
have associated shortcuts for single designs and canvases.
The fifth button indicates that the Select tool will select only design lines.
The sixth button indicates that the Select tool will select only design and construction lines.
The seventh button indicates that the Select tool will select only construction lines.
The eighth button indicates that the Select tool will select only text items.
The ninth button indicates that the Select tool will select only dimensions. Note that if you change the
color of a dimension, it is considered graphics, not a dimension.
The tenth button indicates that the Select tool will select only graphics.
For any of the above selection modes, if the objects being affected by the mode are turned off in the current
view, activating the Select tool in that mode turns the appropriate objects on in the View Mode. For example, if
dimensions are turned off in the View Mode, choosing the dimension-selecting mode turns dimensions on in the
View Mode.
The eleventh button selects all items that are contained within or cross the selection rectangle or polygon.
This is the default mode.
The twelfth button selects only those items with bounding boxes or clipping paths that are completely
contained within the selection rectangle or polygon.
The thirteenth button lets you construct an irregularly-shaped polygon to select items. Click to set the
start point, and then drag and click to make sides of the polygon. To delete the last side of the polygon, click
Undo next to the tool. To complete the polygon, join the end of the last side to the start point.
The fourteenth button selects all visible objects that would be selected using the current Select mode set
by buttons five through ten.
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The fifteenth button turns on Nudge with stretch mode. More information about using nudge mode
appears later in this section.
The second button on the Select flyout toolbar activates the Select Conlines tool. Use this tool to select
construction lines.
The second button on the Edit toolbar activates the Select by Example tool. Use this tool to select items
with the properties you define in the Select by Example dialog box.
Once you have selected the attributes of the items to be selected, click Apply to see the results of your
selection, or click OK to select the objects and dismiss the dialog box. When the items are selected, double-click
them while still holding down SHIFT or CTRL to change their properties (or press ALT-Enter). You can also
use any of the Edit tools.
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Note:
Regarding Undo and Redo, nudges are consolidated into one action. If you nudge too far, nudge back
instead of using Undo. When using Nudge in Direction Specified by a Line, nudges in a direction are
grouped together into one Undo action.
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CTRL-SHIFT-arrow key 10 1
The Nudge by Stretch mode works with a rectangle selection window. Items fully inside the selection
rectangle are moved, while items crossing the border of the selection rectangle are stretched. Note that other
Select tool controls affect what is selected when using a window to select items.
To use this mode, do the following:
1.
Start the Select tool in an open single design or manufacturing file.
2.
Click the Nudge with stretch button on the Status bar.
3. Click and drag a rectangle selection window around the items to nudge.
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4. Use a combination of CTRL, SHIFT, and the arrow keys to nudge the selection in the desired direction. Arcs
and beziers are always stretched using the distance option (as opposed to angle or radius).
5. The items remain selected for you to continue to adjust.
Shown below is the nudged glue flap with the nudge exaggerated for effect.
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Note:
Nudge with Stretch will not move or stretch images, and will only move (not stretch) text items.
Note:
Nudge with Stretch cannot be used immediately after an Undo or Redo, as Undo and Redo clear the
current selection and restart the Select tool.
Note:
When Nudge with Stretch cannot be used, such as when the Select tool is restarted while there is
a current selection, a do-not-use symbol (circle with a slash through it) appears on its button and the
nudge will move the selection rather than stretching it.
Note:
This mode is not available in the Select Conline, Select by Example, and Select Oneup tools.
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The Nudge by a Fixed Value mode works with the current selection and moves the selected items by a
fixed distance depending on the keys you press. It is similar to the nudge functionality in previous versions of
ArtiosCAD. Refer to the Default nudge distances section for more information on distances and modifier keys.
To use this mode, do the following:
1.
Start the Select tool in an open single design or manufacturing file.
2. Select the items to nudge.
3.
Click the Nudge by a Fixed Value mode selector on the Status bar. If you hover over the button,
ArtiosCAD shows the current nudge distances in a message on the Status bar.
4. Use a combination of CTRL, SHIFT, and the arrow keys to nudge the selection in the desired direction. Arcs
and beziers are always stretched using the distance option (as opposed to angle or radius).
5. The items remain selected for you to continue to adjust.
The Nudge in Direction Specified by a Line mode nudges the current selection in a direction at 90
degrees (or a multiplier of 90 degrees) to a line. When you hover over a line in this mode, the drag changes to a
four-direction display of arrows with a large arrow indicating the nudge direction of the up arrow key.
To use this mode, do the following:
1.
Start the Select tool in an open single design or manufacturing file.
2. Select the items to nudge.
3.
Click the Nudge in Direction Specified by a Line mode selector on the Status bar.
4. Hover over the line to use to set the direction of the nudge. The drag will change to 4 arrows as shown below.
5. Use a combination of CTRL, SHIFT, and the arrow keys to nudge the selection in the desired direction. Arcs
and beziers are always stretched using the distance option (as opposed to angle or radius).
6. The items remain selected for you to continue to adjust.
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Note:
This nudge mode always uses the current angle of a line. Unanticipated results might occur when you
use this tool on a parametric line in a resizable design.
Show nudge options in select tool controls the availability of the nudge modes. When it is selected, they are
active. When it is cleared, nudge moves by a pixel.
Set the three mode selectors as desired. They determine which nudge modes are active when a tool which
supports nudge is started.
The values in the Fixed values group control the distance used by the Nudge by a Fixed Value mode. Set them
as desired.
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Note:
If you change the nudge options or Defaults while a Select tool is active, the tool will be restarted to
update it and the current selection will be lost.
On the Geometry tab of the Properties dialog box, you can change the type of a line, its pointage, and its
subtype. You can change other properties on additional tabs if they are available.
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Lines which are already used in the workspace are listed in the Type: group. Clicking Others... in the Type: group
opens the Set Current Line Type dialog box, which lets you change to a line type which is not listed in the Type:
group, but you can do the same thing using one of the other panes in the dialog box.
If the name of the line type contains Inside or Outside, use it in a corresponding Inside or Outside layer class.
Inside types and classes are used on the unprinted side of a design, while Outside types and classes are used on
the printed side.
Note:
If you are using one of the Generic v-notch line types meant for use with the variable angle tool on a
Kongsberg samplemaker in conjunction with iPC, the Pointage field changes to an Angle field. Set an
angle from 0 to 60 degrees in steps of 0.5 degrees.
If your selection contains multiple lines, they must all be the same type of Generic v-notch for the Angle
field to be available.
The Bridging tab is unavailable when using Generic v-notch line types.
Generic v-notch line types are not supported for use by the Rule Path tool if they are in embedded
designs in Manufacturing workspaces.
Once you have chosen a new line type in this dialog box, click OK to set it, or Cancel to ignore your selection.
Either click will return to the Properties dialog box.
After making the desired property changes, click OK to apply the changes or Cancel to discard them.
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Normal creases fold or bend in 3D as they should.
Knock-down creases are creases that are only used for shipping the carton, and are not part of the structural
integrity of the carton. They are shown as indentations in 3D.
Cuts / broken creases appear and function as cuts. These are used where creases meet at a point and
ArtiosCAD does not know how to set all the fold angles correctly so that they meet. In the example below, set
one of the three creases at the corner to be a broken crease.
Tears are creases, special rules, or nicked lines that tear. If you have a shape in a panel that is nicked, it shows as
indented.
Then use Select Tear-Away Part in 3D to select it and Move Designs to tear it away.
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Tear and fold special rules both tear and fold. Note that curved creases can either tear or fold, but not both.
Indent only perfs make an indentation on the panel but do not fold or tear.
You may also set or change the Fold angle of this line in 3D in this dialog box.
Click OK to change the properties of the line and return to ArtiosCAD.
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When a design containing the same name for differently-defined special rules is opened, the duplicate special
rule name will be changed to COPY<number> of <special rule name>, such as Copy1 of 3mm x 3mm perf.
If you change one of the relevant dimensions of a V-notch special rule, ArtiosCAD prompts you to either create a
new rule with the new properties, or convert it to a generic V-notch line type.
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Default bridges regenerates the bridges of the selected geometry based on the current default bridging
formula.
Default with at least 1 is used in the construction of a standard when the size of the line in the final design is not
known but requires at least one bridge.
Select bridge formula lets you choose the bridging formula to apply to the selected geometry. The current
bridging formula is selected by default.
Bridge at rule start adds a bridge at the start of each selected line and removes all other bridges in the selected
geometry.
Bridge at rule end adds a bridge at the end of each selected piece of geometry and deletes all the other
bridges in the selected geometry.
Bridge at both ends places a bridge at both ends of each line in the selected geometry.
Bridge at rule start, Bridge at rule end, and Bridge at both ends places one or two bridges at the half bridge
with from either end of the line. That is, ArtiosCAD indents a half bridge width from the end of the line and then
places the bridge.
You can also type an integer in the field if the desired value is not shown.
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The Default width is the width defined by the current bridging formula. The other choices on the list are the
widths of other bridges in the design. You may type a new bridge width in the field.
If a line needs to have bridges of different widths on it, simply add bridges of another size.
Note: If you use two or more different bridge sizes on the same line and will be sending this workspace
to someone using a pre-12.1 version of ArtiosCAD, you must export it as an ArtiosCAD 12.x workspace
using File > Export > ArtiosCAD 12.x.
Shown below is an arc with Corner Off, and below that is Corner On.
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Blend tool
A blend is an arc connecting two lines. Blends are used to round corners. They can be used on any non-
parallel lines - if the lines don’t share an endpoint, they will both be extended to a point where they can be
blended. The Blend tool is the first button on the Adjust toolbar. It prompts for the radius of the blend, and then
prompts you to click the two lines forming the corner to be rounded. Corners can be rounded as long as this tool
is active.
Chamfer tool
The Chamfer tool is the second button on the Blend tools flyout toolbar. Chamfers are bevelled corners.
The Blend tools flyout toolbar is shown below.
The Chamfer tool has three modes of operation, each controlled by a button on the Status bar. The availability of
the fields on the Status bar is controlled by the current mode selection button.
The first button on the Status bar turns on Chamfer Equal Distances mode. This causes the Chamfer tool
to cut each line of the corner back the same distance and then connect them to form the chamfer. To use the
Chamfer tool in this mode, do the following:
1.
Click the Chamfer tool. The Chamfer Equal Distance mode selection button is selected by default.
2. Enter the length of the cutback in the Length along first line: field, for example ¼ inch or 6 mm.
3. Click the first line that forms the corner to be chamfered. It will turn magenta to indicate it is selected.
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4. Click the second line that forms the corner to be chamfered. The chamfer will be made. Shown below is a
corner before creating a ¼ inch chamfer and then the same corner after chamfering.
The second button on the Status bar turns on Chamfer 2 Distances mode. This causes the Chamfer tool
to cut each line of the corner back a different distance and then connect them to form the chamfer. To use the
Chamfer tool in this mode, do the following:
1.
Click the Chamfer tool, and then click the Chamfer 2 Distances mode selection button on the
Status bar
2. Enter the length of the first line’s cutback in the Length along first line: field, and enter the amount of
cutback for the second line in the Length along second line: field, for example 12 mm for the first and 9 mm
for the second.
3. Click the first line that forms the corner to be chamfered. It will turn magenta to indicate it is selected.
4. Click the second line forming the corner to be chamfered. The chamfer will be made. Shown below is a
chamfer 12 mm cut back on the first line and cut back 9 mm on the second.
The third button on the Status bar turns on Chamfer Distance/Angle mode. This causes the Chamfer tool
to cut back a set distance along the first line of a corner and then make a line at the specified angle to meet
the second line of the corner, thereby creating the bevelled edge. To use the Chamfer tool in this mode, do the
following:
1.
Click the Chamfer tool, and then click the Chamfer Distance/Angle mode selection button on the
Status bar.
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2. Enter the length of the first line’s cutback in the Length along first line: field, and enter the angle for the
chamfer in the Angle to first line: field, for example 12 mm for the cutback and 70 for the angle.
3. Click the first line that forms the corner to be chamfered. It will turn magenta to show it is selected.
4. Click the second line forming the corner to be chamfered. The chamfer will be made. Shown below is a
chamfer 12 mm cut back and at 70 degrees.
The Blend 3 Lines tool is the third button on the Blend tools flyout toolbar. Use it to blend 3 lines or arcs
together; the geometry does not have to touch. The middle line or arc is changed to a blend and the end lines or
arcs are shortened to meet the blend. ArtiosCAD determines the needed radii settings automatically. If the lines
or arcs are not able to be blended, ArtiosCAD displays a message that line construction is not possible.
Shown below is an example of some geometry before it is blended:
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The second button on the Adjust toolbar activates the Split Line tool. This tool divides a line into two lines
anywhere along the line where you click the mouse. Activate the tool, click the line to split, and then click the
split point. The Direction view mode is automatically turned on when you select this tool, and automatically
turned off when you select a different tool. This tool behaves as if the Freehand Coordinates checkbox in the
Snap Options dialog box is turned on.
The picture below shows a circle after being split into 3 arcs. There are now 3 points and 3 direction indicators.
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Trim/Extend tools
The third button on the Adjust toolbar activates the Trim/Extend Two Lines tool, and when held down,
activates the Trim/Extend flyout toolbar.
The first tool on the Trim/Extend flyout toolbar, and the default Trim/Extend tools button on the Adjust
toolbar, is the Trim/Extend Two Lines tool. It makes two lines that are not parallel extend to meet each other. It
also makes one line that intersects another end at the intersection. When clicked, this tool prompts for the first
line to extend, and then prompts for the second line to extend. Arcs may be trimmed against as well.
An example of trimming two lines:
When trimming two lines against each other, select the portions of the lines to keep.
An example of extending two lines:
The second tool on the Trim/Extend flyout toolbar activates the Trim/Extend One Line tool. This tool works
the same way as the Trim/Extend Two Lines tool, except it only trims or extends one line.
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The third tool on the Trim/Extend flyout toolbar activates the Trim Interior tool. This tool trims a segment
of a line, arc, or bezier which intersects with at least one other item. It trims along the item you click in both
directions. If only one intersection is found, the item is trimmed back to that intersection. If an intersection is
found in both directions, the segment between the intersections is deleted. The resulting lines are rebridged
using the default bridging formula. This tool works for lines, arcs, and beziers.
To use this tool, click it, and then click the segment to delete.
Shown below is a construction before using the Trim Interior tool.
The Trim Interior tool is used to remove the segment at the slot opening in the picture shown below.
The fourth tool on the Trim/Extend flyout toolbar is the Trim Against Selection tool. This tool trims or
extends multiple lines against the current selection at the same time. You must select at least one line, arc, or
bezier before starting this tool. This selection is called the trim against selection.
This tool now has two modes: Limited mode and Full mode. The mode is determined by how the lines trimmed
against or extended to are connected. If the lines are connected so that there is a two-sided path, the tool can
operate in Full mode, and all commands on the Status bar are available:
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If the trim-against lines are not connected, or are connected or intersect in such a way that ArtiosCAD cannot
follow them and clearly identify which side is which, the tool operates in Limited mode, and no commands on the
Status bar are available. This functionality is equivalent to how the tool worked in previous versions.
There are a few considerations to keep in mind when using this tool:
• Only lines and arcs are extended. Beziers cannot be extended because it takes more information than is
available to define their curves precisely.
• The Reverse trim checkbox is available only when an item to be trimmed or extended crosses the trim
against selection.
• If an item cannot be trimmed or extended to meet the trim against selection, it is not deleted.
• Right-clicking the mouse stops the tool and resets the current selection.
To use the Trim Against Selection tool in Limited mode, do the following:
1.
Use the Select tool to select the lines, arcs, or beziers to trim against.
2.
Click Trim Against Selection. The message in the Status bar should indicate that the trim against lines
do not form one continuous path.
3. Click the object to trim on the part that you want to keep.
4. ArtiosCAD trims the object against the trim selection.
If you have selected a two-sided path of lines, arcs, or beziers, when you start the Trim Against Selection tool, it
starts in Full mode with the controls on the Status bar enabled.
The Offset: field lets you specify a distance from the trim against lines that the lines will be trimmed back or
extended past instead of being trimmed or extended flush with the trim against lines. When you specify an
Offset, a red path appears at the designated distance next to the trim-against lines indicating where items will
be trimmed or extended.
Reverse trim toggles the side of the selected the items to trim or extend. The parts to be kept are highlighted
magenta, while the parts to be trimmed are turned grey.
Note:
Reversing the trim does NOT change the offset, however! The selected items still meet the same offset
line. You must change the side on which you are selecting the items in order to change the offset line
they meet.
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1.
Use the Select tool to select the trim-against lines. These lines are connected and form a two-sided
path, so the Trim Against Selection tool can use Full mode.
2.
Click Trim Against Selection.
3. Set an offset of 5 mm in the Offset: field on the Status bar.
4. Use a window selection to select the lines inside the polygon. Once the lines are selected, the red offset
border appears, the lines to be kept turn magenta, and the lines to be trimmed turn grey.
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6. The tool remains active. Right-click the mouse to end it and see the result of trimming the lines.
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Trim Against Selection, in Full mode, can also extend lines and arcs as well as trimming lines, arcs, and
beziers. Shown below is an example of how it can trim and extend arcs at the same time.
1. Shown below is the geometry before it is changed.
2.
Use the Select tool to select the lines forming the polygon to be the trim-against lines.
3.
Click Trim Against Selection.
4. Use a window to select all the arcs inside the polygon.
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5. The parts to be trimmed turn grey, and the parts to be extended turn magenta. Note how some arcs stay the
same; they are neither trimmed nor extended because before trimming, they do not touch one of the trim-
against lines, and after extending, they still would not touch one of the trim-against lines.
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The fifth tool on the Trim/Extend flyout toolbar is the Extend Line tool. This tool extends the current line or
arc by a given distance. Specify a negative length in order to trim the line or arc.
The following options are on the Status bar when this tool is active:
The X|Y option button extends the line or arc in either the X or Y axis depending on whether the geometry is
closer to being horizontal or closer to being vertical.
Length extends the object by the length in the Extend distance: field.
To use this tool, do the following:
1.
Click the Extend Line tool.
2. On the Status bar, choose either the X|Y option or the Length option.
3. Enter a value in the Extend distance: field. (Enter a negative value to perform a trim.)
4. Click near the end of the item to change.
5. The item is extended or trimmed.
Note: ArtiosCAD reduces the number of bridges on the object as needed if they do not fit. If you specify
a larger negative value than the length or radius of the line or arc, ArtiosCAD creates a zero-length line
or arc. You cannot extend a full circle by a positive value. Extending an arc by a large positive value only
extends it enough to form a full circle.
Stretch point
The Stretch Point tool on the Adjust toolbar moves a point and any lines, arcs, or beziers that use that point
as an endpoint. It can also adjust the end of a line when you activate the tool and click close to the end of the
line. Turning on End points in the View Mode dialog box makes this tool easier to use.
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After selecting a point to stretch, ArtiosCAD prompts for the angle at which to move the point.
Then ArtiosCAD prompts for the distance to move the point. Use the pointer to align the drag with the bottom
point. The completed view of the moved point is shown below.
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Stretch by Polygon
The fifth button on the Adjust toolbar activates the Stretch by Polygon tool, which moves lines while
keeping them attached to connected lines, and is also used to move connected endpoints. Stretch by Polygon
works with lines, arcs, beziers, arrows, and distance dimensions (both temporary and permanent). Use this tool by
activating it, defining an area to stretch with a polygon, selecting the point to stretch from (the reference point),
selecting the point to use as a handle while stretching, and then indicating the put-down point. The tool works
by moving the lines or connected endpoints in the direction you set, given the requirements to preserve angles
or radii and the requirement to keep common endpoints.
The stretch behaves differently depending on the option chosen in the drop-down list box on the Status bar. The
reference point and the pick-up point can be the same.
If one end of a line, arc, bezier, arrow, or dimension is selected, ArtiosCAD moves the selected end and not
the other. If both ends of an object are fully contained within the selection window, but its endpoints are not
connected to any other selection, the object is moved in the direction you specify.
The Distance, Angle and Radius options in the drop-down list box on the Status bar modify the way ArtiosCAD
stretches lines, arcs and arrows that cross the selection window or polygon. Distance preserves the distance
between objects that are fully within the selection window or polygon. Angle preserves the angle of lines and
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arcs that cross the selection window. Radius preserves the angles of lines and the radii of arcs that cross the
selection window or polygon. ArtiosCAD updates other lines fully inside the selection window or polygon that
connect to these as needed.
Note: ArtiosCAD does not maintain angles when one end of a line is selected and this line is
perpendicular to the stretch direction, because preserving the angle is not possible in this situation.
Note:
ArtiosCAD does not update radius and angle dimensions changed by this tool.
After the tool is activated, click in many locations to make a custom-shaped polygon to define the area to
stretch, or hold down the mouse button and drag a rectangular polygon.
ArtiosCAD stretches dimensions if one end or an extension line is within the selection window or polygon and
updates their values. Text is moved but not stretched.
This tool does not affect construction lines.
The default preservation option (Distance, Angle, or Radius) is set in Options > Defaults > Startup defaults >
Stretch by polygon options.
Shown below is a seal-end container that is not resizable. This tool can change the size of the flaps while
preserving their angles.
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4. Click the reference point. This is the point used as the anchor for the stretch. In this example, the bottom left
corner of the leftmost flap is the reference point.
5. Click the handle point. This is the point that you pick up to stretch.
8. ArtiosCAD stretches the lines and preserves their angles. Note how the top flaps are larger than the bottom
flaps.
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Follow
The sixth button on the Adjust toolbar activates the Follow tool. This tool is used to trace existing geometry
and copy its outline. It is useful when making bleed outlines or when something needs to be reduced or enlarged
by a specific distance rather than a scale.
The Follow tool works by prompting for a start point. It then prompts for more points along the path to be
followed. The points do not need to be on the same line; the Follow tool will turn corners to reach the point you
indicate.
The first four buttons on the Status bar control how Follow reaches points.
The first button, Follow Left, has the tool turn left at every intersection to reach the point indicated.
The second button, Follow Right, has the tool turn right at every intersection.
The third button, Direct Path to Point, sends the tool directly to the point indicated
The fourth button, Arc Path to Point, makes an arc from the current position through the through point you
indicate to the end point you indicate.
The Offset: field is used to specify the distance away from the original lines the path
will be placed when complete.
The fifth and sixth buttons control the offset of the new lines from the lines being followed. If you are
following in a counter-clockwise (anti-clockwise) direction, the first button offsets them to the left or outside
of the original lines (a negative offset) and the second button offsets them to the right or inside of the original
lines (a positive offset). If you are following in a clockwise direction, the first button does a positive offset and the
second button does a negative offset.
When selected, the Round Corner checkbox uses blends to connect lines instead of them meeting end-to-end.
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3. Make sure the system is in metric mode by checking the state of the Units button on the View bar at the
top of the window. Enter 12 in the Offset field and click the Negative Offset button. A magenta outline will
appear of the followed shape.
4. In the Follow Properties dialog box, set the Type and Pointage and Bridging options to Copy from the lines
followed. Click OK. The cutout should now look like the picture below.
If your design has areas with congruent geometry, you can clone changes to lines, arc, and beziers from
one area to the others using Auto-Repeat. For example, you could change the radius on the corner of one flap,
and have ArtiosCAD clone that change to matching flaps. Or you could add a crease to an ear and it would
repeat to the congruent ears.
Auto-Repeat mode:
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• works with tools that edit geometry, not tools that change other items such as details or graphics, and not
with tools that affect the design as a whole (such as Bleed).
• does not copy lines that would overlap if copied
• does copy lines in areas that overlap, but without overlapping lines themselves, such as nested bottle shapes
• updates more than one layer by placing changed or added lines into the same layer as they are in as the
primary auto-repeat area
• works with canvases but in one part at a time, meaning it works within the same part but does not work
across different parts.
b) Make sure to select more than one line so that ArtiosCAD does not have any ambiguity as to what to
rotate. One line looks identical at 180 degrees rotation.
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c) Also make sure to select an asymmetrical construction so that ArtiosCAD mirrors it properly. In the
example below, the four cut lines of the upper slot are selected, along with the crease going up toward
the cut line.
d) Lastly, your selection should not contain lines that would overlap into another potential auto-repeat area.
Shown below is a primary area that has an extra cut selected on the left side that prevents it from having
an autorepeat area as shown.
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2.
Click Show Auto-repeat Areas on the Stage bar or Edit > Auto-Repeat Areas. ArtiosCAD enters auto-
repeat mode and displays congruent areas to the one formed by the lines you selected. ArtiosCAD shows the
primary auto-repeat area (the one you selected) in blue, and the areas in which it will repeat your changes in
green (secondary areas). It also shades one corner of each area to show the effect of rotation and mirroring.
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3.
Auto-repeat mode is in selection mode where you pick the secondary areas to use. Deactivate an
auto-repeat area by clicking its edge; reactivate it by clicking its edge again. Selection mode ends when you
activate another tool.
4. Now you can make any desired changes in the primary area using standard workflows of selecting items and
adjusting them. You can only change those items you originally selected before entering auto-repeat mode;
ArtiosCAD dims all the other geometry.
a) You can use the Selection Ignoring Groups mode of the Select tool, but any new lines you create will not
be in a group. Only lines in the original selection will be available for selection.
b) If you want to trim or extend lines, if it's two lines, both must be in the original selection. If it's one line,
only the first line must be in the original selection as ArtiosCAD is not changing the second line. If you
want to trim against a selection, both lines must be in the original selection for them to be available for
selection in auto-repeat mode.
c) If you want to use an Edit tool, the Select tool is already active, so select the items and then activate the
tool. If you want to use an Adjust tool, you do not need to select the items first.
d) You can also add geometry in the primary area. It either has to overlap the primary area, or it must be
closer to the primary area than any of the secondary areas.
5.
For this example, we will use Shrink by Polygon to make the slots slightly narrower. Click Shrink by
Polygon.
a) Click and drag a rectangle around the top cut, right cut, and bottom cut of the slot in the primary auto-
repeat area.
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b) Select the reference point of the middle of the left cut.
c) Select the handle point of the middle of the right cut.
d) Set the angle to 0.
e) Set the distance to 5/16 or another smaller number depending on the width of your slot.
6. ArtiosCAD repeats the change of the primary area to the secondary areas.
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Exit auto-repeat mode by clicking its button on the Stage bar or Edit > Auto-Repeat Areas.
Note:
If you Undo a command while in auto-repeat mode and then make a change such as adding or
removing a line, ArtiosCAD exits auto-repeat mode.
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Bleed tool
Bleeds are used to define the area of ink bleed when the sheet moves through the printing press. To use
the Bleed tool, create the design that will have a Bleed outline, and click the Bleed tool. If you are not in a Bleed
Outline layer and there are none already created, you will be asked if you wish to create one.
If you are not in a bleed layer and one already exists, you will be asked which layer to use:
Choose the layer to create, or choose the current layer, and click OK. The inside or outside layer type option
button is initially set according to the current side of the design.
A default bleed is automatically created, but you can modify it as desired as described below. The final bleed is
not created until you click OK on the Status bar.
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Click inside any panel to exclude it from the bleed. The right flap below is excluded from the bleed.
To change the distance between the bleed and the perimeter of the design, change the value in the Offset field
on the Status bar.
Clicking More Options (...) opens the Bleed Parameters dialog box.
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The checkboxes to the left of the optional offsets enable or disable them. If you enable the internal offset, the
Status bar changes to have External and Internal fields.
If you enable a separate coating offset, you can also set the Join tolerance to control the smoothness of how
the coating lines join the bleed lines.
In the Panel Tolerance group, Fix gaps up to and Extend creases up to tell ArtiosCAD to fix small gaps up to
the size indicated and to extend creases through gaps of up to the size indicated. This helps the tool find panels
when creases do not touch cuts or there is a small gap in a panel's periphery. The defaults for these values are in
Startup defaults > 3D Tools Options.
Use 3D flap overlap uses the flap information from Flap Priority and Update 2D in the 3D module to determine
the bleed outline.
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Click the Undo button to undo a bleed action. Click OK to finish using the tool and create the final bleed.
The second tool on the Prepare for Manufacturing toolbar is the Coating Free Area tool. The Coating
Free Area tool defines panels on the box that will not receive a coating as the sheet passes through the printing
press.
As with the Bleed tool, when you click the Coating Free Area tool, if you are not in a layer of class Coating,
ArtiosCAD asks the kind to create, or to use the current one.
If a layer of class Coating already exists, the same layer-creation questions and dialog boxes appear as for the
Dimension tools. You are asked to add to an existing layer, or to create a new one. Select an already-existing layer
and click Add To, or click Create New to create a new coating layer.
Once the layer management is decided, the tool activates. Click the panels of the box to be coating-free. The
coating free area outlines will appear using the tolerances set in the fields on the Status bar. The External
field controls how far the outline extends from the perimeter of the design, while the Internal field controls the
distance from the outline to any internal lines in the panel.
Click the Undo button to undo a varnish action. Click OK to finish using the tool.
Shown below is a picture of panels which are coating free areas.
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The third tool on the Prepare for Manufacturing toolbar activates the Add Bridge tool.
ArtiosCAD automatically turns on the display of bridges in the View Mode when the Add Bridges tool is
activated. Bridges are also on the right-click context menu in Single Design.
To add a bridge to a line, activate the Add Bridge tool, set the width of the bridge in the Bridge Width: field in
the Status bar, and click the location of the center point of the new bridge.
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The value entered in the Bridge Width: field will be the default value for the current session of ArtiosCAD.
If you try to add a bridge that is a different size than other bridges on the line, the Different Bridge Sizes dialog
box appears. In it, you can choose to change the old bridges to the new size, to add a new bridge using the
old size, or to use both sizes. Choose the desired option and click OK to add the bridge, or Cancel to return to
Designer without adding the bridge.
Note: If you change the nick size to a bigger size, some bridges may be removed to avoid overlapping.
Note: If you choose Use both sizes and will be sending this workspace to someone using a pre-12.1
version of ArtiosCAD, you must export it as an ArtiosCAD 12.x workspace using File > Export > ArtiosCAD
12.x.
The fourth button on the Prepare for Manufacturing toolbar activates the Add Tack Bridge tool.
To use this tool to add a tack bridge to a wood edge line type, simply activate it and click the position for the new
tack bridge.
If size of the tack bridge differs from tack bridges already on the line, a warning dialog box will appear. Choose
the desired option and click OK to change the size of the tack bridges.
To change the tack bridge formula, click Options > Change Tack Bridge formula and select the new formula.
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When a tack bridge is viewed in a Preview for an output that cuts or mills, the allowance for the tool diameter will
make it appear larger than it would for a laser output.
The fifth button on the Prepare for Manufacturing toolbar activates the Add Nick tool. This tool places a
nick on the line that you select after activating the tool. By default, nicks appear as short lines perpendicular to
the selected line, but this can be configured in Defaults in the Nick Styles catalog.
When active, this tool has configuration options on the Status bar as shown below.
The Between nicks: field appears only when the value in the Number: field is 2 or greater.
The six buttons on the status bar control the placement of the nick.
The first button offsets the nick by the distance specified in the Offset field from the start or end of a line
depending on which is closer to where you click.
The second button places the nick at the center of the line clicked.
The third button places the nick anywhere on the line you indicate. If you click within the snap tolerance of
a point such as an intersection with a construction line, the nick snaps to the intersection.
The fifth button fills the line with nicks. Each nick is separated from the others by the distance in the
Spacing: field.
The sixth button fills a path with nicks. For more information about this aspect of the tool, see the next
section.
The Nick size control sets the size of the nick. Either specify a value in the field or select a value from the drop-
down list box.
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The Offset control sets the distance used in conjunction with the Offset placement method.
This control changes to the Spacing control when the Fill Line or Fill Path placement method is selected.
The Number control sets the number of nicks added when you click. A line may have up to 120 nicks. Either type
the desired number of nicks in the field or select the value from the drop-down list box.
When the Number control is set to more than 1, the Between nicks control appears. This control sets the
equidistant spacing between nicks. Either type the desired distance in the field or select the value from the
drop-down list box.
Nicks may move if they are added before removing double knives.
When making a multiple selection, the Properties page for that selection will now show nick controls if any of the
items selected have nicks. If you change nicking options, only those items already having nicks change.
Note: When using the default nick size, if you change the board in the Board Information dialog box,
and thus change the caliper, actual nick sizes are not updated unless the design is rebuilt.
As with bridges, if you try to add nicks to a line of a different size than nicks already along the line, the Different
Nick Sizes dialog box appears. Choose the desired option and click OK to add the nicks, or click Cancel to return
to Designer.
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Note: If you choose Use both sizes and will be sending this workspace to someone using a pre-12.1
version of ArtiosCAD, you must export it as an ArtiosCAD 12.x workspace using File > Export > ArtiosCAD
12.x.
Fill Path mode of the Add Nick tool is available only in Single Design because of the double knife removal
and embedded designs considerations in Manufacturing. For this tool, a path is a sequence of lines of the same
pointage and type with common end-points. You can define the path beforehand using the Group Sequence
tool, or you can select the path while using the tool by selecting the first line in the path and then the last line in
the path. If the path has any intersecting or meeting cuts, define the path beforehand.
When this mode is active, the Status bar has three additional controls for more options for adding nicks, the
number of sets with which to fill the path, and the distance between the sets of nicks.
Clicking More options (...) opens the Add Nick Options dialog box.
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Centered keeps the nicks centered on the line and Offset defines the distance from the beginning of the line
(and the end when Centered is checked). To enable a different offset at the end of the line, deselect Centered to
make Offset from end available.
When there are corners, ArtiosCAD fits sets of nicks as best it can using the between nicks distance or number of
nicks you specified.Split at corners keeps nicks away from corners by the amount specified in Corner offset. If
a blend is larger than the Minimum radius, ArtiosCAD considers it a corner. Note that the distance between nick
sets will not be exactly the same on each segment of the path comprising the corner.
Avoid End Points keeps the nicks from being on the shared end-point of two lines.
Note: If you rebuild a resizable design so that this path changes length, the distance between the nicks
will be the same but the number of nicks will change.
5. Adjust the fields on the Status bar as desired for the offset, number of nicks, distance between nicks, number
of nick sets, or the distance between nick sets. They will change accordingly.
The sixth button on the Prepare for Manufacturing toolbar activates the Delete Bridge tool. When this tool
is clicked, bridges are turned on in the View Mode if they are not on already.
To delete a bridge, click this tool, and then click the bridge to delete.
To delete many bridges, click this tool, and then click and drag to do a marquee selection around the bridges to
delete. ArtiosCAD deletes the bridges when you release the mouse button.
The seventh tool on the Prepare for Manufacturing toolbar activates the Move Bridge tool which has these
controls on the Status bar.
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Note: If you plan on rebuilding this design, it would be more prudent to offset from the middle of the
line instead of an endpoint in case the rebuild uses smaller dimensions.
Note: If you use this tool in Manufacturing, if Auto-Repeat is turned on, ArtiosCAD will also move all
congruent bridges.
The eighth button on the Prepare for Manufacturing toolbar activates the Conline Through Bridge tool.
This tool creates a construction line which passes through the center of a bridge. To use this tool, click it, choose
one of the placement options on the Status bar, and then click the bridge.
The placement options are:
• Perpendicular to the line, which creates a construction line at 90 degrees to the line, regardless of the
orientation of the line;
• Vertical, which creates a vertical construction line (parallel to the Y axis of the design);
• Horizontal, which creates a horizontal construction line (parallel to the X axis of the design).
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The ninth button on the Prepare for Manufacturing toolbar activates the Delete Nicks tool. To use this tool,
click it, and the click the nick(s) to delete. This tool remains active until another tool is selected.
To delete many nicks, click this tool, and then click and drag to do a marquee selection around the nicks to
delete. ArtiosCAD deletes the nicks when you release the mouse button.
Delete all nicks on a line at once by clicking Delete All Nicks on the Bridging tab of that line’s Properties dialog
box.
The tenth button on the Prepare for Manufacturing toolbar activates the Move Nick tool which has these
controls on the Status bar.
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Note: If you plan on rebuilding this design, it would be more prudent to offset from the middle of the
line instead of an endpoint in case the rebuild uses smaller dimensions.
The Conline Through Nick tool is the eleventh button on the Prepare for Manufacturing toolbar. It places a
construction line through a nick either perpendicular to the line containing the nick, vertical through the nick, or
horizontal through the nick depending on which option is selected on the Status bar.
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The Nick size: drop-down list box lets you choose a new size for all the nicks on the line. The Left and Right
option buttons in the Nick side: field set the side of the line the nicks are on. (Check the Direction checkbox in
the View Mode dialog box, and follow the direction of the line to determine which is the left side and which is the
right side.)
Delete All Nicks deletes all the nicks on the currently selected line(s).
The twelfth button on the Prepare for Manufacturing toolbar activates the Shorten Creases tool used
for steel counters. It is available only in Single Design; if you turn on the Adjust toolbar in Manufacturing, this
tool will not be available, but you can use it in an embedded design (via Tools > Adjust) and when you return to
manufacturing, all instances of the embedded design are updated. When you activate this tool, ArtiosCAD turns
on Crease cutbacks in the View mode. Shown below are its fields on the Status bar in Formula mode.
•
Drag mode lets you adjust an individual crease or channel end by clicking it and dragging it by the
desired distance.
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To use Shorten Creases, do the following:
1. Make a single design as desired.
2.
Click Shorten Creases.
3. Choose Formula or Drag mode on the Status bar.
4. For formula mode, select the objects to offset from, what to change, and the cutbacks (the amount by which
ArtiosCAD will shorten the creases).
a) Click More Options (...) to set more options for the tool. The cutback amounts are seeded from any values
you entered on the Status bar previously.
Click OK when you have set the options as desired to return to the tool.
b) Click Shorten All to shorten all the creases in the design.
5. For drag mode, select the objects to offset from and what to change, and then start clicking creases and
dragging them by the desired offset. If you choose to change Bridge or Top and Bridge, ArtiosCAD turns on
Bridges in the View mode.
Delete tool
The Delete tool is the third tool on the Edit toolbar. Use this tool to remove unwanted elements from your
design. There must be a current selection for this tool to be available.
When possible, use Undo rather than Delete.
If you delete something that you should not have deleted, use Undo to reverse the deletion.
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The fourth button on the Edit toolbar activates the Move To Layer tool. At least one object must be
selected for this tool to be available.
This tool has two modes of operation - one for Single Design, and another for Manufacturing. For the
Manufacturing version of this tool, see the Manufacturing chapter.
To use this tool in Single Design, select at least one object, then click the tool. The Move To Layer dialog box will
appear.
The existing unlocked layers of the design are shown in the Destination Layer list. If the desired layer is locked,
cancel the tool, unlock the layer, and then reactivate the tool. If the layer into which you want to move the item
does not yet exist, click Create, and the Create Layer dialog box will appear. Enter the name of the new layer,
choose its class, and click OK to return to the Move To Layer dialog box.
To change the line type of the object(s) being moved, click Line Type and choose the new line type. You may
select any line type, but it will be checked for layer appropriateness upon clicking OK to return to the Move to
Layer dialog box. Click OK to return to the Move To Layer dialog box.
Once you have chosen the destination layer and have optionally changed the line type, click OK to move the
object(s) into the destination layer, or click Cancel to cancel the operation. When you click OK, ArtiosCAD
checks the layer appropriateness and warns if necessary, performs the move, and makes the new layer the active
layer.
Move tools
The fifth button on the Edit toolbar activates the Move tool.
Use this tool to move the current selection to a different location. There must be a current selection for this tool
to be available.
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When clicked, the Move tool prompts for a pick-up point. This is the handle you want to use to move the current
selection – everything in the current selection is moved in reference to the pick-up point. Once a pick-up point
is selected, ArtiosCAD prompts for the put-down point. This is the point around which the current selection is
arranged identically to the way it was around the pick-up point. Use the fields on the Status bar to choose the
drag method.
Rotate tools
The sixth button on the Edit toolbar activates the Rotate Right 90 tool, and when held down, activates the
Rotate flyout toolbar. If you click a point in any item while a Rotate tool is active, you can move it using standard
Move tool functionality.
The first button on the Rotate flyout toolbar, and the default Rotate button on the Edit toolbar, activates
the Rotate Right 90 tool. This tool rotates the selected object 90 degrees clockwise around its center. The
Rotate Right 90 tool has no prompts; it works instantly.
The second button on the Rotate flyout toolbar activates the Rotate Left 90 tool, which rotates the
current selection 90 degrees counterclockwise around its center.
Rotate Left 90 has no prompts; it is instantaneous.
The third button on the Rotate Tools flyout toolbar activates the Rotate 180 tool. This tool rotates the
selected objects 180 degrees around the horizontal axis.
The fourth button on the Rotate flyout toolbar activates the General Rotate tool. When activated, this tool
prompts for a fixed point around which to rotate the current selection and a handle point (where the push is
applied to perform the rotation).
Note: The points you choose do not have to be in the object being rotated - they can be any points in
any part of the design.
The drag extend line goes through the fixed point and the handle point.
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Mirror tools
The seventh button on the Edit toolbar activates the default Mirror tool, and when held down, activates
the Mirror flyout toolbar.
There are two types of tools on this flyout toolbar. Those with arrows in the icons perform a move on the
selection after mirroring it. Those without the arrows do not perform a move; rather, they mirror the selection
about its center without moving it.
To use a tool which does not perform a move, select the item(s) to mirror, and then click one of the tools. The
item will be mirrored in-place.
The first button on the Mirror flyout toolbar activates the Mirror About Vertical tool; this tool mirrors the
selection about the Y axis and then performs a move.
The second button on the Mirror flyout toolbar activates the Mirror about Horizontal tool. This tool
mirrors the selection about the X axis and then performs a move.
The third button on the Mirror flyout toolbar activates the Vertical Mirror About Center tool. This tool
flips the current selection around on the Y axis.
The fourth button on the Mirror flyout toolbar activates the Horizontal Mirror About Center tool. This
tool flips the current selection around on the X axis.
The fifth button on the Mirror flyout toolbar activates the Mirror About Line tool. This tool flips the
current selection around any line or construction line you indicate.
Scale tools
The eighth button on the Edit toolbar activates the Scale Tools flyout toolbar.
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The first button on the Scale flyout toolbar, and the default Scale tool on the Edit toolbar, activates the
Scale tool.
The Scale tool prompts for a fixed point, prompts for a handle point, and then changes the size of the current
selection proportionally in all directions using the value you drag or type in the Scale field. To set a specific offset
(or size of the selected items), drag or type values in the X and Y fields.
Note: If the handle point and the fixed point are both on the X or Y axis, the opposite X or Y field is
unavailable.
The second button on the Scale flyout toolbar activates the Differential Scale tool. The Differential Scale
tool prompts for a fixed point and a handle point, but then lets you set the X scale and the Y scale independently.
Copy tools
The ninth button on the Edit toolbar activates the Copy tool, and when held down, activates the Copy
Tools flyout toolbar.
Distribute to Layers
The Distribute to Layers checkbox on the Status bar of most of the Copy tools controls whether the copies of
the items selected go into the same layers as the originals automatically or if they are placed in the current layer.
If Distribute to Layers is deselected and some of the selected items have inappropriate line types for the
current layer, ArtiosCAD prompts you to select the desired action. Make the choice as desired and click OK to
perform the copy or Cancel to cancel it.
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If an appropriate layer for the copy does not exist, a new appropriate layer is shown in green with New next to its
name, and it will be created when you click OK. If the appropriate layer exists but is locked, its name is shown in
red with must unlock first next to its name. You must cancel the copy and unlock the layer in order to use it for
the copy.
Do not show me this again, when checked, tells ArtiosCAD to use the action you select to answer future
instances in the same session and to not ask again.
This same dialog box appears when you use Copy and Paste on the Edit menu.
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If there are too many layers, a red warning appears saying the maximum number of layers has been reached, and
Distribute to layers becomes unavailable. The maximum number of layers is 250.
Layer distribution is available only with the tools in Single Design and canvases; it is not available with the same
tools in Manufacturing.
To set defaults for Distribute to Layers, click Options > Defaults > Design defaults > Distribute to Layers. You
may set whether the checkbox is selected or deselected by default, and to prompt if there is an inappropriate
layer or switch to an appropriate layer automatically. If you choose to automatically switch, ArtiosCAD will use
the Annotation layer class if no other is appropriate. If there is more than one appropriate layer, ArtiosCAD will
use the one that was created first.
The second button on the Copy tools flyout toolbar activates the Repeated Copy tool when clicked. This
tool lets you make copies of selected objects repeatedly until you activate another tool. This tool is available
only when there is a current selection. When this tool is active, seven buttons appear on the Status bar.
The two Placement buttons control the put-down points. The first button allows only a point (an intersection
between two lines, an endpoint of another line, and so forth) to be used as a put-down point. The second button
allows any coordinate to be used as a put-down point.
The first two Rotate buttons rotate the copy by 90 degrees - the first 90 degrees to the right; the second, ninety
degrees to the left. The third button rotates the copy by 180 degrees.
The two Mirror buttons mirror the copy vertically and horizontally, respectively.
There are no drag prompts in the Status bar to aid placing the copied objects. The copied objects can be placed
using the mouse only.
The tenth tool on the Edit toolbar activates the Copy Rotate Right 90 tool, and when held down, activates
the Copy Rotate tools flyout toolbar.
As with the other Copy tools, there must be a current selection for this tool to be available.
To use this tool, select the item(s) to be copied, and click the tool. The selected items will be copied and rotated
90 degrees to the right using the center of the selected item(s) as the handle point. Clicking the tool again
makes another copy, but adds 90 degrees to the angle of the copy. Click the tool once, and one copy is made
at 90 degrees; click the tool again, and another copy is made, but this time the copy is at 180 degrees from the
original. Clicking the tool a third time results in another copy at 270 degrees, and clicking the tool a fourth time
makes a copy at 360 (or 0) degrees.
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The second button on the Copy Rotate tools flyout toolbar activates the Copy Rotate Left 90 tool. This
tool works similarly to the Copy Rotate Right 90 tool, but it rotates left instead of right. As with the Copy Rotate
Right 90 tool, successive clicks are cumulative - each copy is rotated by 90 degrees more than the last copy.
The third button on the Copy Rotate tools flyout toolbar activates the Copy Rotate 180 tool. This tool
works similarly to the Copy Rotate Left 90 and Copy Rotate Right 90 tools, but it rotates 180 degrees.
The fourth button on the Copy Rotate tools flyout toolbar activates the Copy General Rotate tool. As with
the other Copy Rotate tools, there must be a current selection for this tool to be available.
To use this tool, do the following:
1. Select the item(s) to copy.
2.
Click the Copy General Rotate tool.
3. Click the fixed point around which the item(s) will rotate.
4. Click the handle point. This is where the rotational force is applied.
5. Set the angle for the copy by using drag or by entering a value in the Angle: field in the Status bar.
6. Once the angle is set, the copy is made. The copy becomes the current selection.
The eleventh button on the Edit toolbar activates the Copy Mirror about Vertical tool, and when held
down, activates the Copy Mirror tools flyout toolbar. As with the other Copy tools, these tools are available only
when there is a current selection.
The Copy Mirror about Vertical tool copies the current selection and mirrors the copy about the vertical (Y) axis.
It then activates the Move tool with the copy selected so that you can easily move the copy. To use this tool, do
the following:
1. Select the item(s) to be copied and mirrored.
2. Click the Copy Mirror about Vertical tool. The item(s) will be copied and mirrored but not offset from the
original - the mirrored copy will appear on top of the current selection.
3. Click the pick-up point for the copy.
4. Click the put-down point to place the copy.
The second button on the Copy Mirror tools flyout toolbar activates the Copy Mirror about Horizontal
tool. This tool works similarly to the Copy Mirror about Vertical tool described previously but mirrors about the
horizontal (X) axis instead of the vertical (Y) axis.
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The third button on the Copy Mirror tools flyout toolbar activates the Vertical Copy Mirror About
Center tool. This tool copy-mirrors the current selection about the vertical (Y) axis passing through its center. It
does not perform a move. Distribute to Layers is unavailable when using this tool.
The fourth button on the Copy Mirror tools flyout toolbar activates the Horizontal Copy Mirror About
Center tool. This tool copy-mirrors the current selection about the horizontal (X) axis passing through its center.
It does not perform a move. Distribute to Layers is unavailable when using this tool.
The fifth button on the Copy Mirror tools flyout toolbar activates the Copy Mirror about Line tool. This
tool makes a mirrored copy of the selected items around the line or construction line you select. It does not
activate the Move tool afterward. As with the other Copy tools, this tool is available only when there is a current
selection. Distribute to Layers is unavailable when using this tool.
To use this tool, do the following:
1. Select the item(s) to be copied and mirrored.
2.
Click the Copy Mirror About Line tool.
3. Click the line or construction line to use as the axis around which the copy will be mirrored. The copy is made
when you click.
4. The copy becomes the current selection so that other tools may be used on it.
The twelfth button on the Edit toolbar is the Complete design from half/quarter tool. Use this tool to
quickly construct a symmetrical design from just a quarter or half of the design. This tool copies the lines and
joins them appropriately so that the proper bridging is made.
If there is no current selection, the tool automatically selects all the lines in the layer; to only copy selected lines,
select them before activating this tool.
Note: Lines are merged only if they join and can be replaced by a single line. Beziers are not merged.
Lines on the mirror axis are not copied.
When this tool is active, three mode selectors are on the Status bar as well as an OK button.
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The third mode selector copies the design or selection both horizontally and vertically.
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Next, choose the mode selector and drag in the direction of the duplication.
Finally, click OK to accept the duplication and join the lines. Note how the bridges span the axes instead of the
lines butting against them as they would when using the Copy Mirror tools.
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The thirteenth button on the Edit toolbar activates Copy Times Tools flyout toolbar. The Copy Times tools
are used to make multiple copies of the current selection and either offset them from the original by a regular
distance or rotate the copies around a common point.
The first button on the Copy Times flyout toolbar, and the default Copy Times tool on the Edit toolbar,
activates the Copy Times Offset tool. There must be a current selection in order for this tool to be available.
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3. Choose the point at the bottom of the hole as the pickup point. Set the angle to 0.
4. Choose the offset distance between the pick-up point and the put-down point.
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5. Press Enter to confirm the number of second copies on the Status bar.
7. Set the offset for the second copy and click to set the put-down point.
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The second button on the Copy Times flyout toolbar is the Copy Times Rotate tool. There must be a
current selection for this tool to be available. This tool prompts for the number of copies, the fixed point (the
point around which the selection is rotated), and the handle point (the point from which rotation is initiated).
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2. Use Move to Point to move the current position to the center of the circle.
3. Draw a line from the center of the circle to the edge of the circle.
4. Use the Select tool to select the line created in Step 3.
5.
Click the Copy Times Rotate tool on the Copy Times flyout toolbar.
6. Enter 11 in the Number of copies: field.
7. Click the point at the center of the circle as the fixed point.
8. Click the point on the edge of the circle as the handle point.
9. Set the angle to 30 in Quadrant I and click to set the drag angle.
10. Delete the circle and draw a series of straight lines connecting the ends of the radial lines. Change these
lines to creases.
11. The starburst opening is now complete.
An example of the design after it has had graphics added and brought into 3D:
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Group tools
The fourteenth button on the Edit toolbar activates the Group Tools flyout toolbar.
The first button on the Group Tools flyout toolbar, and the default Group tool on the Edit toolbar, activates
the Ungroup tool. When clicked, the Ungroup tool removes a level of grouping, making available the individual
components or nested groups that comprise the current group.
The second button on the Group Tools flyout toolbar activates the Ungroup All tool. This tool ungroups
all items in the current selection, including nested groups, so that the individual components at every level are
available.
The third button on the Group Tools flyout toolbar activates the Group tool. The Group tool makes
ArtiosCAD treat multiple objects as one object. A group shows nine handle points when it is selected Multiple
groups may be nested together to form one large group.
The fourth button on the Group Tools flyout toolbar is the Group Sequence tool. You must have a current
selection for this tool to be available, and the selected lines should be the same line type. When clicked, this tool
groups the selected sequential lines together. To use this tool, select the lines to group, click Group Sequence,
and optionally check Reverse on the Status bar to reverse the line direction.
If your current selection includes more than one path, ArtiosCAD groups each path separately.
If your current selection contains mirrored special rules, ArtiosCAD converts them to the same line type.
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The fifteenth button on the Edit toolbar activates the Offset Lines tool. This tool moves or copies offset
lines from the current selection, which much be a selection of end-to-end lines. Shown below are its controls on
the Status bar.
Copy copies the current selection. When it is off, the current selection is moved by offset.
Round corners inserts blends on corners where the offset is outward from the corner. No blends are added when
the offset is inward.
Offset sets the amount of the offset.
To use this tool, select the lines to offset, activate the tool, check Copy or Round Corners as desired, and set the
drag either using the mouse or by entering the offset directly in the field. The current selection will be moved or
copied accordingly.
Horizontal/Vertical tools
The first button on the Adjust Outline toolbar activates the Horizontal/Vertical flyout toolbar.
The first button on the Horizontal/Vertical flyout toolbar, and the default Horizontal/Vertical tool on the
Adjust Outline toolbar, activates the Make Horizontal/Vertical tool. The Make Horizontal/Vertical tool makes the
line you select either horizontal or vertical depending on which axis forms an acute angle in conjunction with the
selected line.
The second button on the Horizontal/Vertical flyout toolbar activates the Align Horizontal/Vertical
tool. Using this tool, you can align a series of points and the lines between them. Click the tool, drag a window
that encompasses all the points to align, and then indicate the alignment point. Once the window is defined, all
the lines and points in the window turn magenta to indicate they are selected.
The second button on the Adjust Outline toolbar activates the Merge Lines flyout toolbar.
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The first button on the Merge Lines flyout toolbar, and the default Merge Lines tool on the Adjust Outline
toolbar, activates the Merge Lines Straight tool. This tool merges a series of connected lines, arcs, or beziers into
one straight line. Click the tool, indicate the first line in the series, and then indicate the last line in the series. The
various lines will merge into one line.
The second button on the Merge Lines flyout toolbar activates the Merge Lines Into Arc tool. This tool
merges a series of connected lines, arcs, or beziers into an arc. Click the tool, indicate the first line in the series,
indicate the last line in the series, and set the radius of the arc. The various lines will merge into an arc.
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The third button on the Merge Lines flyout toolbar activates the Merge Lines Into Bezier tool. This tool
merges a series of connected lines, arcs, or beziers into a bezier. Click the tool, indicate the first line in the series,
indicate the last line in the series, and then set the control points for the bezier. The various lines will merge into
a bezier.
The fourth button on the Merge Lines flyout toolbar activates the Merge Lines to Intersection tool. This
tool merges a series of selected lines, arcs, or beziers into two lines that intersect. Click the tool, indicate the
first line in the series, and then indicate the last line in the series. The first and last lines will intersect and any
intermediate lines will be deleted.
The third button on the Adjust Outline toolbar activates the Adjust Arc flyout toolbar.
The first button on the Adjust Arc flyout toolbar, and the default Adjust Arc tool on the Adjust Outline
toolbar, activates the Adjust Arc tool. Use the Adjust Arc tool to adjust the radius of any arc. Straight lines may be
converted into arcs using this tool.
The second tool on the Adjust Arc flyout toolbar activates the Straighten tool. This tool prompts for the
selection of an arc or bezier and then replaces it with a straight line.
The third tool on the Adjust Arc flyout toolbar activates the Adjust Bezier tool. This tool converts a line or
arc into a bezier, or lets you adjust the control points of an existing bezier. The control point of the bezier you
adjust using this tool is determined by which end of the object you clicked closer to when selecting the object to
adjust.
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Direction tools
The fourth tool on the Adjust Outline toolbar activates the Reverse Direction tool. This tool reverses the
cutting direction of objects selected after activating this tool. Activate the tool and then indicate the line, arc, or
bezier whose direction is to be reversed.
The fifth button on the Adjust Outline toolbar activates the Sequence tool. This tool:
• Lets you manually specify the cutting order of lines and groups in the design.
• Works in any non-empty layer in Designer, but only works in user-defined or output layers in Manufacturing.
• Does not work with graphics or file windows, or with counter layouts.
• Disables the ability of a design to be rebuilt when used in a layer other than an output layer.
Note: There are important notes and warnings regarding using this tool and Outputs in the next
section. Please read them carefully before using this tool.
If there are either graphics or file windows in the current layer, a dialog box asks you to either delete the graphics
or exit the feature. Click OK after making your choice.
The standard Disable Rebuild dialog box appears if the design is rebuildable.
Once all the warning dialog boxes have been dismissed, the tool is active. All items not in the current layer turn
gray, and line direction arrows and line numbers are turned on.
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The following buttons controlling the current selection and the sequencing method appear on the Status bar:
This tool works on the concept of there being different levels of items to resequence. Initially, everything in the
current layer is thought of being at the same level - that there is one item number for each line in the layer.
You can create subgroups of items that have a different cutting order than the items would if they were not
grouped together. Groups and subgroups can be nested together in a hierarchy of levels. For example, you
could resequence a complicated assembly of arcs and beziers based on the tolerances and abilities of your
samplemaker or laser.
The first group of buttons on the Status bar controls the selection of items to group, ungroup, or reverse. They
work the same way as the normal Select tool, except only items in the current group can be selected. Hold down
CTRL to select more than one item.
The third button selects connected lines and continues the selection through intersections.
The fourth button selects connected lines and stops the selection at intersections.
The fifth button makes a subgroup out of the current selection and enters the subgroup to facilitate the
sequencing of the lines within the group. The subgroup can then be sequenced as a single entity with other lines
in the design. Item numbers for groups under the current selection level or group are shown in bold.
The sixth button ungroups the currently-selected group and moves its items up a level. It is available only
when a group is currently selected.
The second group of buttons on the Status bar controls the current level of groups.
The seventh button enters a group to let you resequence the items it contains. It is available only when a
group is currently selected.
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The eighth button leaves a subgroup and resumes working in the level above it.
The third group of buttons on the Status bar controls the sequencing in the current level.
The ninth button sequences all the items and subgroups in the current group. Click the first item to
sequence and click the rest of the items in the desired sequence.
The tenth button sequences a range of items. Click the item which immediately precedes the first
item to resequence, and then click the rest of the items in the desired sequence.
The eleventh button automatically sequences all the items and subgroups in the current group, and
also makes subgroups out of connected items.
The third group of buttons on the Status bar controls the direction of lines and options for the tool.
The twelfth button reverses the lines in the current selection, or all the items in the group if there is no
current selection.
The thirteenth button opens the Sequence Tool Options dialog box as shown below.
Show moves, when checked, shows a green dotted line between the end of one item and the start of the next. If
the items are in a subgroup, it draws light blue dotted lines.
Separate by line type, when checked, causes the Auto Sequence button to separate the lines by type and
pointage into groups, and then sequence each group. If text, arrows, or dimensions are present, they are moved
into one group, and numbered in light green. When the option is not checked, lines are sequenced together
regardless of type and pointage.
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Reverse lines as necessary, when checked, reverses lines as needed to yield the best sequence. For the
Sequence All and Sequence Range buttons, the first item selected is not reversed. When the second item is
selected, both the first and second items may be reversed depending on the position of their start and end
points. When the third and subsequent items are selected, they may be reversed, but the preceding items
will not be reversed. For the Auto Sequence button, a new subgroup is created for each move, replacing any
subgroups. When this option is not checked, the direction of lines does not change. However, the order of
existing lines and subgroups changes, but the items within the subgroups do not change order.
Layers
ArtiosCAD uses the concept of layers to build a complete design. Think of a piece of paper with a drawing of a
basic container. Then on top of that, add transparencies. One transparency could contain dimensions, another
could contain art, and yet another could contain additional design geometry such as a window or an optional
flap. A design may have up to 100 layers. All designs have one layer called Main Design. Designs made using
standards may have many layers depending on the complexity of the standard.
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Use layers to keep different parts of the design from interfering with each other. For example, if you are doing
intricate design work, dimensions might clutter the workspace. Putting the geometry in one layer and the
dimensions in another allows you to turn the dimensions off when desired.
Another reason to use layers is to control the flow of information. When exporting data from ArtiosCAD into a
different format, only the layers that are turned on are exported. This way you can put sensitive data in one layer,
turn it off, and then export the geometry to a file for your diemaker.
ArtiosCAD works with the layers that are turned on. Only layers that are visible are printed or exported to a file.
However, all layers are saved when the design is saved regardless of their viewing status.
The layers that are displayed when a design is opened depends on the setting in Options > Defaults > Shared
Defaults > Design Defaults > Default View Mode. You can choose to display the layers as they were when the
design was saved, or you can choose to always display the same set of layers.
Layers are controlled by the Layer button on the View bar. The Layer button shows the name of the current layer
- it is not labelled “Layer.”
Clicking the Layer button activates the Layers dialog box. Shown below is a sample Layer dialog box.
The current layer is highlighted and has a pencil icon at the right end of the highlight. Empty layers have
dimmed names. Click the name of a layer to switch to it.
By default, the Layers dialog box in Single Design lists layers in the order in which they were created. To change
the list order, change the default in Options > Defaults > Design defaults > Layers Dialog Display Order
between Show layers in the order they were created and Show layers in the order they are drawn. The
Layers Properties dialog box shows layers in the order in which they are drawn.
At the far left of the dialog box is the Visibility column. An eye icon in the box indicates the layer is turned on.
Click the box to turn the layer on or off. The eye button at the top of the column turns all layers off except the
current layer.
Between the Visibility column and the layer name is the Lock column. A padlock icon indicates the layer is
locked and its contents may not be selected or changed. Click the box to lock or unlock the layer. The padlock
button at the top of the column locks or unlocks all layers.
If Temporary Dimensions mode is active while in a Dimensions or Overall Dimensions class layer, when the
Layers dialog box is opened, the pencil icon for the layer is dimmed to indicate Temporary Dimensions mode. It
returns to normal when Temporary Dimensions mode is turned off.
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If you have items selected when turning a layer on or off, if those items reside in the layer whose status is
changing, the selection is cleared; otherwise, the items remain selected.
Locked layers
If you try to modify a locked layer with a tool that uses drag, the cursor changes to a pen with a red line through
it as shown below, and no tools work. You must unlock the layer before attempting to modify it.
Attempting to use tools without drag in a locked layer results in Current layer is locked in the Status bar.
When you click a tool which requires a layer selection, ArtiosCAD indicates in various ways that a layer is locked
and must be unlocked before it can be selected for use with the tool. Several examples of the different types of
dialog boxes are shown below.
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If you have items selected when locking or unlocking a layer, if those items reside in the layer whose status is
changing, the selection is cleared; otherwise, the items remain selected.
For canvases, ArtiosCAD respects part-specific locks. The layer selection dialog box will allow you to go to layers
that are locked in the active part but not for all parts, because most tools allow you to change the active part
while in the tool.
Appropriate layers
When changing layers, ArtiosCAD checks that the current line type is appropriate for the layer class. For
example, when switching to a Dimensions layer, ArtiosCAD checks the current line type, and if it is inappropriate
(such as Cut or Perf), ArtiosCAD changes it to a type appropriate for the layer class (such as Annotation).
After changing layers, if you try to change the current line type to an inappropriate type for the layer and then
activate any of the line-drawing tools on the Geometry toolbar, ArtiosCAD warns you as shown below.
Select a different layer lets you choose a different layer in which to work, or to create a new layer. The list of
layers shown contains only layers of those classes appropriate for the chosen line type. Choose a layer from the
list and click OK, or click Create New to create a new layer.
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Continue in this layer keeps the line type you selected. Once one formerly inappropriate line is placed into a
layer, ArtiosCAD will not warn again for that type in that layer.
Change to line type: line type changes to the line type ArtiosCAD suggests for this layer class.
Don’t warn me again turns off all inappropriate layer warnings for the current ArtiosCAD session.
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If you choose to specify the name and class of the new layer, ArtiosCAD displays controls for doing so. When you
choose to switch to an existing layer, you can then click the target layer name and choose to delete its contents
or not. Whatever you choose, the message above OK and Cancel changes to show the action ArtiosCAD will take
when you click OK.
For canvases, ArtiosCAD respects part-specific locks. The layer selection dialog box will allow you to go to layers
that are locked in the active part but not for all parts, because most tools allow you to change the active part
while in the tool.
For counters, ArtiosCAD does not automatically switch layers.
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Adding layers
To add a layer, click the Layer button on the View bar. Then click the Create button to activate the Create Layer
dialog box. Click the class for the new layer. The class name will be used as the name of the new layer by default.
If you want to name the layer something else, erase the contents of the Name: field and enter the desired name.
Click OK to create the layer or Cancel to cancel the creation. When you create a new layer, you are placed in it
automatically. The Layers dialog box will remain open after you create a layer.
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Manipulating layers
To turn a layer on, check the checkbox next to its name in the Layers dialog box.
To turn a layer off, clear the checkbox next to its name in the Layers dialog box.
The current layer is the one showing a pencil to the right of its name. You cannot turn off the current layer. To
change the current layer, click the name of a different layer.
To change the name or class of a layer, select it in the Layer dialog box and click Properties. The Layer
Properties dialog box will appear.
The names of the layers correspond to their position in the design. The layer at the top of the list is drawn first;
the layer at the bottom of the list is drawn last. Layers toward the bottom of the list mask those toward the top of
the list. Click the two arrows at the side of the list to re-order the selected layer.
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Deleting layers
To delete a layer, do the following:
1. Click the Layer button on the View bar.
2. Click Properties in the Layers dialog box.
3. Select the layer to delete.
4. Click Delete. The name of the layer disappears from the list.
When you delete a layer, the current selection is reset, any extended items are reset, and the current tool is
restarted after the layer is deleted. If you delete a layer while using a tool that requires a specific layer such as a
bleed layer or coating layer, that tool will be finished and the Select tool will be activated.
Note: Deleting most layer types removes them from the layers listed in the Layers and Layer Properties
dialog boxes and also removes the contents of the layer. However, any variables associated with the
layer remain.DocPlot layers (made with Advanced StyleMaker) and Output to Layer layers (made with
an Output) are physically deleted from the workspace. Opening a workspace containing deleted layers
in an earlier version of ArtiosCAD will warn about unknown commands, but you may safely ignore that
warning.
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5. Click Reuse.
6. Set the Class: field appropriately for the content of the layer.
7. Click OK.
8. Change the contents of the layer as desired.
Note: Items copied and pasted between layers are not checked for appropriate line types.
Graphics
Graphics add color and excitement to your designs. Anyone can view ArtiosCAD designs containing graphics,
but you must have the ArtMaker module in order to add graphics to a design and manipulate them. Graphics are
manipulated using the tools on the Graphics toolbar.
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Adding graphics
One way to add a graphic to your design is to open it in your drawing application (such as Adobe Illustrator or
Microsoft Paint), copy it to the Windows clipboard, and use the Paste command in ArtiosCAD.
Another way is to use the Import File command on the File menu and choose the file.
Another way to add a graphic to your design is to use the Add Graphics tool on the Graphics toolbar. This
prompts you for the filename of the bitmap image you want to add.
Whichever method you use, ArtiosCAD adds the graphic to the current side of the design. Use the Side control
on the View bar to change the side of the design to the desired side before adding a graphic.
When you click Add Graphics, ArtiosCAD opens the last directory accessed. To add graphics from a file not in
this directory, navigate to the desired directory, select the file, and click Open.
ArtiosCAD can import TIFF, BMP, JPEG and PNG files in 24-bit color, 8 bits each for Red, Green, Blue.
It can also import Adobe Acrobat PDF (Portable Document Format) files as graphics, which is the default file type
when you add a graphic.
For JPEG files, ArtiosCAD can import JPEG files up to 6000 by 6000 pixels. Likewise, ArtiosCAD can import PNG
files up to 6000 by 6000 pixels.
TIFF has several different compression tags, but ArtiosCAD can only import uncompressed color data. When
ArtiosCAD imports a CMYK TIFF, it converts it internally to RGB. The maximum image size that can be plotted
at a reasonable speed is about 28MB less than the memory in the computer. The uncompressed image size is
calculated as width multiplied by height (in pixels) multiplied by 3 bytes per pixel.
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When saving the TIFF file for use in ArtiosCAD, use an integer for the number of pixels per unit of measurement,
for example, 72 dots per inch, not 72.5 dpi.
Note: If the desired graphic file has more than one period in the name, rename it so there is only one
period in the name.
Regardless of which method you use, once the image is in your design, ArtiosCAD automatically selects it and
starts the Move tool. Click the pick-up point, set the drag, and then click the put-down point.
The Edit tools work on graphics – use them to fine-tune the appearance of the graphic. When using the Select
tool to select a graphic, click the graphic’s edge. The edge of the graphic should turn magenta and handle points
should appear.
Any graphics are compressed when the design is saved. If you will be sending files to other people using versions
of ArtiosCAD earlier than 6.5x, you must export them using the appropriate entries in the File > Export menu.
Register bitmap
The Register Bitmap tool, the second button on the Graphics toolbar, is used to align a bitmap precisely
with the design. Use this tool when you get artwork for the entire design from an outside source. The bitmap will
be associated with the current print item; change to another print item if desired before using this tool.
To use Register Bitmap, do the following:
1. Add the graphic, then click Register Bitmap.
2. Click the edge of the bitmap to register.
3. A dialog box appears asking what to clip against, the side of the design the bitmap will be on, whether to clip,
and whether to scale to fit. If you set the Side to Outside, the graphic is added to the Outside Graphics layer;
if you set the Side to Inside, the bitmap is added to the Inside Graphics layer. If a layer is locked, you may not
choose it until you unlock it.
4. Click OK and the bitmap will be scaled to fit within the edges of the design or outline selected in the Clip
against group.
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To replace a registered bitmap and change the clipping and scale options, double-click the graphic to access
its Properties. In the Properties dialog box, click Browse and select the new graphic. The Position Image dialog
box appears as shown below. Use same scale as old image disables all options except the Position group and
replaces the graphic at the same size. Set the options as desired and click OK.
When registering a bitmap to a multi-piece single design, use this workflow: To register to the design, add the
image to the design. Use the Select tool to select the manufacturing lines for a piece (without the bleed). To
register to the bleed, select the bleed lines, without the manufacturing lines, selecting a connected loop of lines.
Click the Register Bitmap tool. In the Register Bitmap dialog box, the Clip Against option button will seed
to Outside Bleed Outline, Inside Bleed Outline, or Design Outline depending on the selection. Click OK to
register the bitmap.
Clip graphics
The third button on the Graphics toolbar activates the Clip Graphics tool. Use this tool to trim the edges of
a graphic against a loop of lines in the design (called a clipping path). Click this tool, indicate the graphic to clip,
indicate the clipping path, and click OK on the Status bar.
Replace graphics
The fourth button on the Graphics toolbar activates the Replace Graphics tool. This tool replaces one
graphic in the design with another graphic in the design. The replacement graphic must already be in the design
before activating this tool. Click the tool, indicate the graphic to be replaced, and then indicate the graphic
doing the replacing. If the replacement graphic is a different size than the original, a dialog box will appear
showing the difference in size and the necessary scale factor for the replacement graphic to be the same size as
the original.
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The MBC logo is to replace the existing graphic. After you activate the Replace Graphics tool and indicate the
two graphics, ArtiosCAD prompts for confirmation of the replacement.
Move Graphics
The Move Graphics tool moves a graphic from one place to another.
To use this tool, ensure there is a graphic in the workspace, and then do the following:
1.
Click the Move Graphics tool.
2. Click the location to use as the pick-up point. It can either be on the edge of the graphic or within the
boundaries of the graphic.
3. Move the mouse cursor to the desired put-down location and click the mouse button. Unlike the pick-
up point, the put-down location will snap to points as well as a plain coordinate. The graphic will move
appropriately.
AutoTrace bitmap
The AutoTrace Bitmap tool on the Graphics toolbar converts a bitmap image (such as a TIFF or BMP file)
into lines and arcs that can be manipulated in ArtiosCAD. AutoTrace works best on line art drawings.
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The Color to Vectorize option lets you choose the color that ArtiosCADwill convert to lines and arcs. Drag Color
is the color of the lines used to show the lines that will be created. Brightness Threshold % controls how much
will be vectorized in relation to the brightness of the color selected to vectorize. Size Threshold sets the size
limit of items to vectorize. Smoothing Threshold controls the jaggedness of the new lines created. The Dynamic
checkboxes, when checked, tell ArtiosCAD to update the screen as you drag the slider.
Below is shown a bitmap imported from another program which has been AutoTraced. The bitmap can be
deleted and the remaining lines can be manipulated by all ArtiosCAD tools.
The seventh button on the Graphics toolbar activates the Color Stock tool. This tool adds a uniform color
to all panels of the design. Choose the side of the design to color, and then click Pick Color to open the color
palette, or enter the CMYK values for the desired color.
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You may have only one stock color per side per print item. To change the current stock color, click the Color
Stock tool and choose the new color.
Fill
The Fill tool on the Graphics toolbar lets you fill an area with color that is formed by a closed loop of design
lines. To use this tool, select the lines that form a closed loop, and then click the Fill tool. The default fill color (FC
Orange 021) will fill the area. To change the fill color, double-click one of the lines that forms the loop and choose
the new color from the Graphics tab of the Properties dialog box.
You can change the default fill color on the Graphics tab of the Property Defaults control in Defaults. When
an item is filled, the lines forming the closed loop are changed to type print image, and the lines are grouped
together.
Stroke
The Stroke tool on the Graphics toolbar adds a ribbon of color around the edge of a line or group of lines
you select.
The stroke evenly straddles the selected lines.
When applying a stroke, there are several options for how strokes meet and how they turn corners.
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The options in the Join group control how strokes that meet are connected. Miter makes the inside and outside
angles of the intersection the same. Round blends the outside corner of the stroke. Bevel chamfers the outside
edge. Shown below is the junction of two stroked lines, with a mitered corner, a rounded corner, and a bevelled
corner.
The options in the End Cap group control the ends of the stroke. Flat ends the stroke at the same point as the
end of the object being stroked. Round makes a semicircle at the end of the stroke that projects beyond the end
of the object being stroked. Square extends the end of the stroke half a stroke-thickness beyond the end of the
object being stroked. Shown below is a flat stroke, a rounded stroke, and a squared stroke end. In the examples,
the line being stroked is shown selected to clarify the stroke option.
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Fill panel
The Fill Panel tool on the Graphics toolbar fills the panel you indicate with the default fill color.
To use this tool, click it. The cursor will change to a paint bucket pouring paint. Click inside the panel you want to
fill. ArtiosCADwill automatically exclude any cutouts that exist inside the panel.
Send to front moves the selected graphic to the top of the stack so that it is visible in front of all other
graphics occupying the same area in the design.
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In 3D, use the 3D Rendering and Image Quality slider on the View toolbar to set the level of detail shown. It
is also available in the View Mode dialog box.
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Use of this feature is very dependent on the performance and amount of memory on your system-specific
display adapter.
Shown below is a design with a PDF graphic at preview resolution when high graphics mode is off. Notice the
pixelation and jagged edges of the graphic.
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Shown below is the same graphic with high graphics mode turned on. Notice the smoothness of the curves.
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Note: When scrolling, you may have to refresh the screen using F2 or the Refresh command for high
graphics mode to re-render the bitmap.
Note: The quality of the PDF file directly influences the quality of the zoom in ArtiosCAD. If the PDF file
is downsampled or compressed, the effect of high graphics mode is limited compared with importing
the graphic in another format such as TIFF or BMP.
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Troubleshooting
After adding the PDF file to the design, if the PDF file is not found, no error message is displayed, and the
preview image is used instead. When the file is not found, the Pathname field in the Properties dialog box will
change to File not found and will be in red. Click Browse to find and reselect the file.
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Note:
Auto-registering PDF files cannot be added to a 3D workspace using Add a Design. Instead, open the
auto-registering PDF and then use Add to Open 3D.
• Use ArtiosCAD to open the single design workspace, then click File > Open and select the normalized PDF
file.
In the first method, ArtiosCAD searches for the single design workspace in the following locations:
1. The location specified in the embedded XMP data of the PDF file;
2. The same folder as the PDF file;
3. A relative folder from the folder containing the PDF file, specified in the embedded XMP data, such as
\data or ..\graphics.
If ArtiosCAD cannot find the single design workspace to which to register the PDF file, it will open the PDF file
using the vector import workflow.
In the second method, ArtiosCAD always places the PDF file in the Outside Graphics layer. If there is an existing
Outside Graphics layer containing a PDF file with the same name as the one being opened, the layer is reused,
else ArtiosCAD creates a new Outside Graphics layer.
Shown below is an example of an Illustrator workspace that has had a single design imported into it using the
Structural Design Import plug-in and then has had graphics applied:
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The Illustrator document exported as a normalized PDF file and combined with the single design workspace:
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Print items
Print items are groupings of layers into logical units. For example, if the same carton is to be printed in green and
in red, instead of making two copies of the same design, you can create two print items and associate different
overlays with each item. Then you can design a set of manufacturing tools that uses both print items. There may
be up to 100 print items in a design.
The Print Item button on the View bar controls print items. The name of the current print item, if any,
appears next to the icon.
To create a print item, click the Print Item button. If this is the first print item in the design, enter the name
for the print item when prompted. If this is not the first print item in the design, click Create in the Print Item
Properties dialog box and enter the name of the new print item.
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The current print item is highlighted in the Print Item: pane. The layers associated with the selected print item
have eye icons in the Layers: pane. In the example above, the Main Design, Outside Graphics (2), and Inside
Graphics layers are part of the Cornbread Stuffing print item.
The Main Design layer is always associated with every print item; its checkbox cannot be cleared.
To delete a print item, click Delete in the Print Items Properties dialog box.
Artwork Panels
Artwork panels are a way for you, the structural designer, to label which panels are visible and should
therefore contain artwork to others in the supply chain such as a graphic desginer. The panels are normally
labeled Front, Back, Left, Right, Bottom, and Top. You can also indicate the Principal panel.
You can define artwork panels in three ways:
• In 3D, you can fold the design, position it as desired, export the information back to 2D, and have Artwork
Panels automatically create the labels.
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• If you do not have 3D, you can easily label the panels manually within Artwork Panels.
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• You can also create a custom panel based on lines that form an outline.
When you click Artwork Panels, ArtiosCAD first prompts you to create an Artwork Panels layer if one does
not already exist. Click OK to create the layer.
It then labels the panels of the design with their function if you have used the Update 2D tool in 3D. It gets
information about panel positioning from 3D, or you can designate the panels manually.
Artwork Panels has the following controls on the Status bar:
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Offset controls how far the panel label edges are from the design lines.
The drop-down list box showing Copy free sets the type of label created by your next click. If a panel is defined
already, changing the selected item in the list changes a panel to that type when you click inside it. The default
panel types and uses are:
Label Purpose
Copy area Can have copy text, but is not a front, back, left, right,
top, or bottom panel
Rotate front Rotates the front panel label between the front, right,
back, and left panels so that a different panel is front.
If you have 3D, you do this by changing the view angle.
Front Make this a front panel
Back Make this a back panel
Left Make this a left panel
Right Make this a right panel
Top Make this a top panel
Bottom Make this a bottom panel
Principal Display Panel Make this the Principal Display Panel independent of
the front, back, left, right, top, or bottom panel
Partial copy area Make a copy outline from the outline of the visible part
of the panel
Copy free Make this a copy free panel
Partial copy free Make a copy free area from the outline of the invisible
part of the panel
Ink free Make this an ink free panel, such as a glue flap
Clear Deletes the label in the panel
A copy area is where the graphic artist may place copy text that is visible to the customer.
A copy free area is where the graphic artist should not place copy text because it cannot be seen or is hidden
by a flap or the product. However, graphics may go in copy free areas.
An ink free area may not be printed.
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On the Font and Color tab are the standard font and color controls for the label, as well as controls to control the
creation and appearance of an arrow. Set these options as desired.
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The options on the Options and Panel Labels tab control the types of panels Artwork Panels creates, the offsets
for the panel edges, and the labels of the panels.
Copy areas for visible panels creates copy areas on visible panels. This option is enabled by default.
Copy areas for partially visible panels creates copy areas on those parts of panels that aren't hidden by other
panels (such as flaps). If you have a flap arrangement like the one shown below, with the secondary flaps on top
of the primary flaps, having this option selected would create an artwork panel as shown beneath that.
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Copy free areas for invisible panels labels those panels customers will not see as copy free.
Copy free areas for partially visible panels labels the invisible parts of partially visible panels as copy free areas.
Ink free area for bottom panel labels all the bottom panels as ink free.
The options in the Offset group control the distance between the panel edges and the design lines. If desired,
you can have a larger or smaller offset from creases by changing the value in Offset from crease.
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In the Panel Labels group, change the labels of the panels as desired
Note: All of these options have defaults in the Artwork Panels section of Startup Defaults.
On the Panel Tolerance tab are Fix gaps up to and Extend creases up to. ArtiosCAD uses these tolerances to
fix small gaps up to the size indicated and to extend creases through gaps of up to the size indicated. This helps
the tool find panels when creases do not touch cuts or there is a small gap in a panel's periphery. The defaults for
these values are in Startup defaults > 3D Tools Options.
Click OK to close the More Options dialog box and return to the tool.
Once you have created the artwork panels as desired, click OK on the status bar to finalize them. ArtiosCAD
changes all the panel edges to Copy area lines.
Note: Artwork Panels is limited to 20 panels per use, which should be enough for most designs. If you
need more, use the tool again to manually add the extra panels.
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3.
Use one of the Fold tools to close the design.
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4.
Use Flap Priority to set the order of the flaps that are visible. However, at this view angle, ArtiosCAD
does not know how to definitively order the panels.
5.
Use View Angle to position the design so that the order of panels is not ambiguous. There is no doubt
about which is the front panel in the example shown below.
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6.
Click Update 2D to send the 3D panel information back to the single design workspace.
7.
Switch back to the single design and click Artwork Panels to start the process of labeling the panels as
described previously. ArtiosCAD puts temporary labels in the panels for you to finalize before clicking OK.
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3. To change a panel, set the controls on the Status bar as desired and then click inside the panel.
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If you define a Bottom panel using Artwork Panels, when you convert the design to 3D, ArtiosCAD
automatically suggests that panel as the base face. However, any base face set in 3D and then saved back
into the single design takes priority, especially when you have run a standard, as most standards have base
faces defined in 3D.
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3.
Click Artwork Panels.
4. Click OK to create an Artwork Panels layer.
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Principal display panel indicates to other Esko programs that the selected panel is the main panel to show of
the design.
Allow bleed indicates to other Esko programs that other panels can be shown over this one.
Click OK when you have finished changing the properties.
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Dynamic Art
Dynamic art is database-driven artwork that graphic designers add to designs using other Esko software. The
Dynamic Art tool in ArtiosCAD lets you designate placeholder rectangles for that artwork.
In ArtiosCAD, Dynamic Art rectangles have a copy type and sometimes a preview image. The five types of
Dynamic Art are:
1. Copy. Used for text such as Product Name or Net Weight.
2. Barcode. Used for one- or two-dimensional bar codes.
3. Symbol. Used for symbols and images such as recycle or hazard symbols, or product logos.
4. Table. Used for tabular data such as Nutrition Facts tables.
5. Station number. Used to label containers in layouts with sequential numbers.
Dynamic Art definitions are derived from the GS1 global business standard.
When you click Dynamic Art, ArtiosCAD first prompts you to create a Dynamic Art layer if one does not
already exist. Click OK to create the layer.
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The Dynamic Art Options dialog box appears in which you select the type of Dynamic Art placeholder to create
and set its options. Change the Type, Category (available only for Copy), Element, and Text as desired and click
OK.
Drag appears for the placeholder. Click inside a panel to set the put-down point. It can be in a corner, the middle
of a side, or the center.
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If you have an Artwork Panel defined, the orientation of the Dynamic Art placeholder follows the Artwork Panel
definition.
Set the options on the Status bar and click OK to finalize the placeholder. When you click inside the Width or
Height field, the size automatically expands to the size of the panel minus the panel offset.
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4. Set the fields on the Status bar as desired. Width and Height control the width and height of the
placeholder. Text is the same text you entered in the Dynamic Art Options dialog box in the previous step.
The directional label controls let you change the position of the placeholder's label.
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Clicking More Options (...) opens the Dynamic Art Options dialog box. There are standard controls for font,
color, and appearance. Panel offset controls the gutter between the placeholder and the panel edge.
Display "lorem ipsum" when no image or text specified supplies contents if you don't enter any. When you
are done setting options, click OK.
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3. Use drag to place the put-down point of the placeholder.
4. Set the fields on the Status bar as desired. Scale lets you set the scale of the placeholder. Width and Height
control the width and height of the placeholder. Text is the same text you entered in the Dynamic Art
Options dialog box in the previous step. The directional label controls let you change the position of the
placeholder's label.
Clicking More Options (...) opens the Dynamic Art Options dialog box. There are standard controls for font,
color, and appearance. Panel offset controls the gutter between the placeholder and the panel edge.
Display "lorem ipsum" when no image or text specified supplies contents if you don't enter any. When you
are done setting options, click OK.
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The Dynamic Barcodes plug-in will draw a barcode at its default size in Adobe Illustrator regardless of the
scale or size specified for the placeholder in ArtiosCAD.
5. Click OK on the Status bar to finalize the barcode placeholder.
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4. Set the fields on the Status bar as desired. Width and Height control the width and height of the
placeholder. Text is the same text you entered in the Dynamic Art Options dialog box in the previous step.
The directional label controls let you change the position of the placeholder's label.
Clicking More Options (...) opens the Dynamic Art Options dialog box. There are standard controls for font,
color, and appearance. Panel offset controls the gutter between the placeholder and the panel edge.
Display "lorem ipsum" when no image or text specified supplies contents if you don't enter any. When you
are done setting options, click OK.
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4. Set the fields on the Status bar as desired. Width and Height control the width and height of the
placeholder. Text is the same text you entered in the Dynamic Art Options dialog box in the previous step.
The directional label controls let you change the position of the placeholder's label.
Clicking More Options (...) opens the Dynamic Art Options dialog box. There are standard controls for font,
color, and appearance. Panel offset controls the gutter between the placeholder and the panel edge.
Display "lorem ipsum" when no image or text specified supplies contents if you don't enter any. When you
are done setting options, click OK.
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If you add this single design to a layout, the Station and Waste Numbers tool will use the placeholder to
add a number.
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The Grain/Corrugation button on the View bar controls the grain/corrugation direction of the design.
A vertical symbol indicates a vertical direction; a horizontal symbol indicates a horizontal direction. Clicking the
drop-down arrow shows a menu with more commands on it:
• Change Grain Direction changes the grain/corrugation direction without rotating the design.
• Change Grain View with Rotate 90 Right changes the grain direction and rotates the design clockwise by
90 degrees to reflect that change.
• Change Grain View with Rotate 90 Left changes the grain/corrugation direction and rotates the design
counterclockwise by 90 degrees to reflect that change.
These commands are also on the Info menu.
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For further discussion about setting the print side and the blade side, refer to The View bar section in the
Introduction chapter.
The Side button on the View bar controls which side is up. Blue indicates printed side up; white
indicates unprinted side up. This button flips the design when clicked. You may have graphics on both sides of
the design.
Note: You cannot change between sixteenths and twentieths in the Dimension Properties dialog box.
If you use sixteenths, negative numbers now work with the colon as a formatting character as of version 23.03
The Units button on the View bar changes the units when clicked.
CloseUp windows
Click the middle mouse button to create a CloseUp window. If you don’t have a middle mouse button, click
CloseUp on the View menu or press CTRL-Space. Holding down CTRL while opening a CloseUp window
opens it at a different scale.
A CloseUp window shows a zoomed-in view of the area surrounding the point you clicked. A CloseUp window will
change if Show window contents while dragging is enabled in the Display Properties of the operating system.
Click the magnifying glass icon on the title bar of the CloseUp window to access its menu. Dynamic controls the
real-time updating of the window as you drag it. Options opens the CloseUp Options dialog box.
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StyleMaker
StyleMaker is an optional feature of ArtiosCAD that allows you to make your designs once and rebuild them with
different measurements an infinite number of times.
StyleMaker works by using variables instead of absolute values as you construct the design. Variables are ways
to store pieces of data that can change in the future. For example, if you define L as having a value of 300, every
time you draw a line representing the length of the container, you would use L as the distance or offset instead
of 300. When it is time to make this container again, you can easily make it at a new size by entering new values
for the variables.
In ArtiosCAD, variable names must start with a letter and can be up to 6 characters long.
Note: Only use uppercase ASCII letters and numbers for the variable name. Do not use characters from
another character set for variable names.
StyleMaker has two modes, simple and advanced. If you have old licenses from when ArtiosCAD was licensed by
module, you may have either StyleMaker or Advanced StyleMaker. If you have more recent solution licenses, the
ArtiosCAD Resizable Design Tools Solution grants access to both simple and Advanced StyleMaker.
Simple StyleMaker lets you define variables, give them a description, and give them a default value.
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Advanced StyleMaker lets you organize variables into menus and folders, base variables on other variables,
define variables using formulas, have limits on variable values, and many more features.
One of the most important things about using StyleMaker is to plan ahead. Before you start drafting, decide what
you want to be parametric and figure out what dependencies exist. Having everything accounted for before you
begin drafting will save you time and effort as you construct the design.
Simple StyleMaker
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4. Enter the desired value and description of the variable where prompted. This is the only time in Simple
StyleMaker that you can change the name of the menu so change it if desired.
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4. The new variable should be selected. Enter its description and default value in the fields on the right.
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2. Click inside the value field of the desired variable.
3. Click Delete.
4. Repeat as desired for any other variables.
5. Click OK to return to Designer.
5. The design lines and the layer name should now appear in the Attach Diagram to StyleMaker Menu dialog
box. Click OK to return to the StyleMaker dialog box.
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8. Use the dimensioning and text tools to add dimensions and text. It is helpful to change the value of a
dimension to the name of the dimension so that the name appears during rebuild.
a) Double-click the dimension to change.
b) Click the pencil to the right of the Text field to enable that field for editing.
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c) Change the value in the text field appropriately.
d) Click OK to return to Designer. Repeat for the other dimensions.
Note that you can add any content to this layer for the diagram. Consider what would be useful for you - maybe
a copy of a folded 3D workspace, perhaps - and add what you think is best.
Advanced StyleMaker
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4. Enter the desired value and description of the variable where prompted.
a)
To insert the variable into a new menu, you can either click Add Menu and enter a name for the new
menu, or you can enter the name in the Menu field and ArtiosCAD will create it.
b)
To put the variable into a new folder, click Add Folder.
c)
To delete a folder or menu, select it in the tree and click Delete. ArtiosCAD will prompt you for
confirmation.
d)
To rename a folder or menu, select it in the tree and click Rename, and enter the new name.
5. Click Add Variable to continue drafting.
6. Repeat as desired for other variables as you draft. The lines in the example below all have lengths defined by
variables and endpoints are turned on in the View Mode for clarity.
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3. In the Variables group of the Advanced StyleMaker dialog box, click Add.
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4. Enter the name of the new variable and click OK. Note that this is the internal identifier, not the description.
5. The new variable should be selected. Enter its description and formula in the fields on the right.
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Note:
If you want to use a variable to define another variable, it must have been already defined in a previous
menu. ArtiosCAD records values for variables when you leave a menu.
Menus
To rearrange the menus into a different order, select a menu and drag it to its new position.
To rename a menu, right-click it, click Rename on the context menu, enter the new name, and click anywhere
outside the field. You can also select the menu, click Rename in the Menu/Folder group, enter a new name, and
click OK.
To delete a menu, right-click it and click Delete on the context menu. You can also select the menu and click
Delete in the Menu/Folder group. ArtiosCAD will prompt for confirmation. ArtiosCAD will not delete a menu
containing variables that are used to define other variables and will show a list of the conflicting variables.
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Variables
To reorder variables within a menu, select the variable and the click the up and down arrows to the right of the
list to move it to a new position.
To move variables from one menu to another, select the variables and click Move, and then select the
destination menu and click OK. ArtiosCAD will not move variables that are used to define other variables and will
show a list of the conflicts.
A variable must already be defined in a previous menu before a variable in a following menu can refer to it.
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The default design it uses is called VARMASTER that lives in InstLib, but you can choose any workspace
using Browse at the end of the field.
If you select a menu on the left, ArtiosCAD automatically selects all the variables in it on the right. When you
click OK, ArtiosCAD asks if you want to copy the entire menu or just the selected variables. Make your desired
choice and click OK to copy the menu and/or variables into the current design. ArtiosCAD will not copy variables
that already exist in the current design.
To only copy a few variables, hold down SHIFT as you select them.
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1. The new menu should be selected in the list of menus. If it is not, select it.
2. Click Add in the Variables group.
3. Enter the name of the variable (not the description) and click OK.
4. Define the menu more fully in the Style Choice Variable Data group.
a) Enter Slot Style Choices as the Group Title.
b) Click Add next to the empty list of style choices.
c) Enter Squared in the Style Choice Caption dialog box and click OK.
d) Click Add again next to the list of style choices.
e) Enter Rounded in the Style Choice Caption dialog box and click OK. The Style Choice Variable Data
group should look similar to the example below.
5. Now that the choice menu is created, we need to create variables used by the drafting process.
Note:
When you are setting captions for a Style Choice menu, the first caption sets the variable to 1, the
second to 2, the third to 3, and so on.
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d) Click OK.
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8. The Edit Expression dialog box should now look like this. Click OK to return to the Advanced StyleMaker
dialog box.
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2.
Click Blend.
3. In the Status bar, click the keypad at the end of the Radius field and click SR, the variable for the Slot Radius,
to set the value for the field.
4. Click the left edge of the slot and the bottom of the slot to blend them.
5. Click the bottom of the slot and the right edge of the slot to blend them.
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To verify that the style choice works correctly, save the design and then rebuild it. In this case, since the slot
radius was based on the caliper, choosing a very much thicker board has an exaggerated effect.
Choosing Squared in the Slot Style menu ensures that they work properly as well.
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6. The design lines and the layer name should now appear in the Attach Diagram to StyleMaker Menu dialog
box. Click OK to return to the StyleMaker dialog box.
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7. Select any additional layers and repeat the process of creating a new diagram.
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10. Use the dimensioning and text tools to add dimensions and text. It is helpful to change the value of a
dimension to the name of the dimension so that the name appears during rebuild.
a) Double-click the dimension to change.
b) Click the pencil to the right of the Text field to enable that field for editing.
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c) Change the value in the text field appropriately.
d) Click OK to return to Designer. Repeat for the other dimensions.
11. Using the Layers control again, change to layer Doc Plot 2 and repeat the process of adding dimensions and
changing them for the second diagram.
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12. Now when you rebuild the design, there will be diagrams for each menu.
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Note that you can add any content to diagram layers. Consider what would be useful for you - maybe a copy of a
folded 3D workspace, perhaps - and add what you think is best.
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Concept Value
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Concept Value
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The Inside Dimensions menu and the variables within it are selected by default. Click OK to copy them into
your design. In the Copy Menu or Variables dialog box, select Copy entire menu and click OK. The Advanced
StyleMaker dialog box should look similar to the one shown below.
Select each variable and enter a value in the Current Value field. Suggested values are 24 inches or 600
millimeters for the length and width, and 12 inches or 300 millimeters for the depth.
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Click the Add button in the Variables group of the Advanced StyleMaker dialog box. Enter SLTMET in the
Variable Name field and click OK.
Once you click OK, the variable will appear in the list of variables. In the Group title field, enter Slot style
choices. This is what will appear as the title of the group of choices presented when rebuilding the design.
The way style choice variables work is that they set the variable to a value from a series of values that
correspond to the entries you create in the Style Choices group. For example, the first entry you add sets the
variable to 1, the second to 2, the third to 3, and so on. You then build geometry with the logic of “If X=1 then do A,
if X=2 then do B, if X=3 then do C” and so on.
Click Add in the Style Choice Variable Data group and enter Auto as the caption (name) of the first choice. Click
Add again and enter 1 as the caption. Repeat and enter 2 as the caption. Repeat and enter 3 as the caption.
You should have a dialog box that looks similar to the one shown below.
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In this example, when rebuilding the design, if you pick choice Auto, SLTMET will be 1. If you pick choice 1,
SLTMET will be 2, and so forth.
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The logic to build into the design is an IF…THEN…ELSE structure. Click Insert IF Branch. In the IF Expression
field, enter SLTMET=1. In the IF Value field, enter 1. In the ELSE Value field, enter 2. This means that if
SLTMET=1 (if the Slot style choice is set to 1), then set the value of SLTNUM to 1, else set it to 2. Click OK.
But when the first Slot style choice is chosen (the Auto choice), ArtiosCAD is to automatically decide how many
slots are needed. Therefore, a STEP function needs to be inserted in the IF statement.
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A STEP function is an expression that uses this logic: When A is less than constant 1, set B to value X. When A is
greater than (or equal to) constant 1 but less than constant 2, set B to value Y. When A is greater than (or equal
to) constant 2 but less than constant 3, set B to value Z, and so on.
Therefore, select the IF SLTMET=1: SLTNUM=1 entry and click Insert STEP Branch.
The number of slots should be based on the width of the design. Therefore, set the STEP variable to W. When the
width of the design is less than 6, only 1 slot should be made; set the Step Limit to 6 and the Step Value to 1. Set
the Otherwise value to 2. Click OK. The Edit Expression dialog box should look similar to the figure below.
Now we want to add a STEP branch for when the Width is greater than 6 but less than or equal to 12. Click the
STEP Otherwise line and then click Add Step Entry. Enter 12 for the Step Limit and 2 for the Step Value.
Repeat this process of adding STEP entries 4 times, increasing the Step Limit by 6 each time and the Step Value
by 1 each time. The final IF SLTMET=1 entry of the IF statement should look like the one in the next picture.
Now ArtiosCAD knows the number of slots to make if the Auto choice is chosen in the Slot Style Choices menu.
However, IF statements must still be added for the other style choices.
Click the ELSE: SLTNUM=2 entry and then click Add If Entry. Enter SLTMET=2 in the If Expression field and 1
in the If Value field. Click OK.
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Add two more IF entries with the first having the If Expression of SLTMET=3 and the If Value of 2, and the second
having the If Expression of SLTMET=4 and the If Value of 3. When you have finished, the Edit Expression dialog
box should look like the following picture. Click OK to return to the Advanced StyleMaker dialog box.
Now that the number of slots has been determined, you can set up the variables for the slot length and the gap
between slots.
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Now that all the menus and variables are defined, design construction can begin. Click Close and then save the
design before proceeding.
Click the Select tool and select the crease and the slot.
Click the Copy Times Offset tool. The status bar will prompt for the number of copies to be made. Enter
SLTNUM-1 and press Enter. Use the bottom point of the crease as the pick-up point. Set the angle to 0
vertically. Use the top right corner of the slot as the put-down point. You should have a construction similar to
the figure shown below.
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Use the Move to Point tool to move to the intersection of the bottom length line and the crease with the slots.
Make a horizontal line to the right using D for the X offset.
Make another horizontal line to the right using CAL*2 as the X offset.
Make yet another horizontal line to the right using D for the X offset.
Make a vertical line going up using SLTGAP as the Y offset.
Make a horizontal line going right using SLTWID as the X offset.
Make a vertical line going up using SLTLEN as the Y offset.
Make a horizontal line going left using SLTWID as the X offset. You should now have a construction similar to the
one shown below.
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Click the View Mode button on the Zoom toolbar and turn on Endpoints in the Styles group.
Use the Move to Point tool to move to the right most point of the group of two points on the bottom cut line.
You may need to zoom in to see the two points.
Use the Line tool to create a vertical line going up using W+CAL as the Y offset.
Use the Move to Point tool to move to the left most point of the group of two points on the bottom line.
Use the Line tool to create a vertical line going up using W+CAL as the Y offset.
Connect the tops of the two lines with a cut line.
Change both vertical lines just created to creases and turn off the viewing of endpoints. You should have a
construction similar to the one in the picture below.
Use the Move to Point tool to move to the top of the right crease.
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Draw a horizontal line to the right using D as the Y offset.
Draw a vertical line down using SLTGAP as the Y offset. IMPORTANT: DO NOT SNAP TO THE TOP OF THE TAB!
Use the Move to Point tool to move to the top of the left crease.
Draw a horizontal line to the left using D as the Y offset.
Draw a vertical line down using SLTGAP as the Y offset. IMPORTANT: DO NOT SNAP TO THE TOP OF THE SLOT!
Change this vertical line to a crease.
Draw a horizontal line from the top of the crease just created to the vertical axis. You should have a construction
similar to the one shown below.
Use the Select tool to select all the lines in the design.
Click the Copy button on the Edit toolbar, then click the Mirror About Line button. Click to the immediate left of
the vertical axis. You should have a construction similar to the one shown below. Save the design!
Construct the rest of the tray using the techniques learned so far.
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7. Click OK to add the design to the Style Catalog. The Shared Defaults pane of the Defaults dialog box should
look similar to the following picture.
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8. Click File, then Save to save the shared defaults. Next time you run Builder, you will see your custom design
in the catalog listing as shown in the following picture.
Your rebuildable design is now complete and can be used by everyone who uses this installation of ArtiosCAD.
• Round. This rounds the value of the variable either to the closest value, or up to the closest value, or down to
the closest value.
• Min/Max. This constrains the value of a variable with lower and upper limits, or just a higher limit, or just a
lower limit. MIN returns the smaller value because you specify the maximum size. MAX returns the larger
value because you specify the minimum size.
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But when L is set to 4 and you replace it with a UNITS branch by selecting it and clicking Insert UNITS Branch,
ArtiosCAD will know to convert it to 101.6 millimeters for metric or leave it as 4 inches for Imperial.
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First choose the type of rounding to perform and then enter the increment by which to round in the Round Limit
field.
Click OK to return to the Edit Expression dialog box.
Note:
You can achieve this same functionality using the Rounding and Round To fields in the Advanced
StyleMaker dialog box.
Note:
When you insert a MIN, the value for the variable will always be larger than that limit. When you insert
a MAX, the value for the variable will always be smaller than that limit. Some people find this logic
opposite from what they expect.
When you choose a MINMAX function, you enter the value of the variable as you would like it calculated, and
then you enter its minimum value (what it will be if its calculated value is less than the minimum you specify)
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and its maximum value (what it will be if its calculated value is greater than what you specify). For example, if
you want the glue tab width to be between ¼” (its minimum) and 2” (its maximum) but if a half of the width falls
between those two values, it can be that, you would have a Min/Max function definition looking like this.
When you rebuild a design using the above function, when the width is 1/3, the glue tab width will be ¼. When
the width is 7, the glue tab width will be 2.
Using a MIN function and a MAX function work the same way, but with only one limit.
For example, if you want the glue tab width to be half the width, but never more than 1, select a MIN function,
enter a value of W/2, and enter a limit of 1. When the width is 4, for example, half of that would be 2, but since
there is a limit of 1, the glue tab width is set to 1.
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Likewise, if you want the glue tab width to be half the width but never less than 1, select a MAX function, enter a
value of W/2 and enter a limit of 1. When the width is 1.5, the glue tab width will be 1.
Rebuilding a design
Rebuilding a design lets you change the values of the variables you have defined. The process is similar to
running a standard. Click Rebuild on the View bar, or click Rebuild Design on the Design menu and enter
new values in the fields next to the variable names. When you are done entering new values, click OK.
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Designs based on a pre-LASERPOINT IQ 2 version of LASERPOINT will be rebuilt using a black text window as
they were in LASERPOINT.
The Rebuild Playback tool on the Undo/Redo toolbar and the Design menu lets you rebuild a design step
by step while looking at the design as it is rebuilt. This is a powerful feature. Always save your design before
using this command.
Note: Any commands in the Undo/Redo buffer are lost when you enter the Rebuild Playback tool.
Perform all desired Undos and Redos before starting this tool.
When you make a rebuildable design, ArtiosCAD records each mouse click, menu command, and tool selection
you make. These commands and procedures are stored in the design file itself. ArtiosCAD rebuilds the design by
executing these stored commands with the updated variable values that you specify. When you rebuild a design
normally, ArtiosCAD takes the new values and completes the new geometry automatically. The Rebuild Playback
tool provides more control over the rebuild process.
To use this tool, click Rebuild Playback. The following tools will appear in the Status bar.
The Position scroll bar lets you step through each step of design construction, with the left most end being
the unbuilt design, and the right most end being the built design. The single arrow buttons move the progress
indicator by one step, while the double arrow buttons move to either the unbuilt design (the arrow pointing to
the left) or the built design (the arrow pointing to the right). As you click the arrows, you will see the design being
built. You may also drag the scroll bar button to rebuild the design.
The Edit button is described in depth in the following section.
Clicking OK accepts the changes you made. If the scroll button on the Position slider is not fully to the right,
you are asked if you want to finish the design with the rest of the commands as they are, or if you want to ignore
them. Choose appropriately and then click OK.
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The current command is shown in the Command field. You can modify the command directly, or you can just
change its parameters by entering new values in the fields in the Parameters group. Each command has
different parameters.
There are three parameter types. The parameter type affects the button at the end of the parameter input field.
•
In the example above, the button is the keypad since both parameters are numeric. To change a numeric
parameter, enter a new value, enter a variable or expression (you will be prompted to define the variable if it
does not exist yet), or use the buttons on the keypad to indicate distances and angles.
•
When the parameter refers to a line, the button is Select line. If you click it, you can then
choose a different line to be made with the command. Use this with caution!
•
When the parameter in the Edit Log dialog box refers to a point, the button is Select
point, and the point is highlighted in the design area of the ArtiosCAD window. If you click it, you can then
choose a different point to be acted on by the command. Use this with caution!
The arrow buttons step through the construction commands just as they do on the Position scrollbar.
Note: Use the bottom right corner of the dialog to resize this dialog as you wish. Its new size will be
remembered.
To select a command to modify, click it with the mouse, or move to it using the arrow keys on the keyboard.
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The Freeform editing checkbox toggles the display of the Command and Parameter groups. Make changes to
the commands by selecting them and then typing over them as you would in a word processor. There is a limit of
4096 characters per line. When in Freeform editing mode, the Update button updates the design.
The Save and Restore buttons let you save the commands to a text file and then restore them if desired. This
would be convenient in case you made changes you did not mean to make.
®
Designing for Re-board
®
Re-board is a thick board made from recycled paper. Using it requires some different design techniques in
ArtiosCAD from working with regular boards.
®
When you begin a design for Re-board , use Inside view, Blade Down side, and draw up and to the right to get
the most sensible results.
®
When working with Re-board , you must choose the proper V-notch line types when designing a single design.
ArtiosCAD comes with crease types and cut types in the special rule catalog as shown below, but you can add
others of your own specification to the catalog as desired.
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There are also generic Sample V-notch crease and Sample V-notch cut linetypes, along with a Sample reverse V-
notch crease line type for use in samplemaking.
Note:
If you will be using the variable angle tool on a Kongsberg samplemaker that uses IPC on the front end,
use the Generic v-notch line types in the V-notch section of the Generic Types catalog instead of the
special rule types and set the angle accordingly. When you use those generic types, anywhere you can
set the pointage of the line changes to a prompt to set the angle. Also, make sure to use the iPC-Submit
Job Output in the iPC catalog rather than a samplemaker-specific Output.
Because the knife on a samplemaker that cuts V-notch lines is not vertical, but instead is at an angle, there is a
top to the cut (where the knife enters the material) and a bottom to the cut (the point at which the material rests
on the table). The V-notch cut lines draw double lines but act as generic cuts when determining area, making a
layout, and so forth. The principal black line shows the bottom of the angled cut, which is the line you draw, and
the auxiliary red line shows the top edge of the angled cut. If the top red line does not affect the printable area,
ArtiosCAD shows it as a dotted line.
ArtiosCAD fills area between the two lines to make it easier to understand what will be cut on a samplemaker.
Dark yellow shading means you can see the medium between the two liners. Gray shading means you are looking
at the bottom of the board and can't see the medium. Light yellow shading means ArtiosCAD cannot determine
which side it is because the shape is not closed.
Consider the following constructions all shown in the inside view and Die Back side, and their results in 3D, inside
view.
In this example, the black lines are reverse 30-degree V-notch cuts. Because the shading is gray, you can't see
the medium, and because the red lines are dotted, they do not affect the print area size. The bevels are going
toward the center of the design.
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In this example, the black lines are again reverse 30-degree V-notch cuts, but note the line direction is opposite
from the previous example. Also note that the shading is dark yellow, which means you can see the medium.
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In this example, the black lines are 45-degree V-notch cuts. There is a V-notch crease in the center of the design.
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Lastly, in this example, notice the gray shading indicates you cannot see the bevel. Also notice the red lines
extend a bit. This is because this is required to actually cut the design.
When converted to 3D, you can only see the inside of the design at this view angle. All the bevels are not visible.
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If you flip the design in 2D, areas that were dark yellow change to gray, and areas that were gray change to dark
yellow.
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After flipping:
However, if you use the Blade Side toggle, the position of the workspace remains the same, but the bevels flip
direction.
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Blade Up side:
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Reverse V-notch cut lines as necessary using Reverse Direction before doing a sample Output. When you
reverse a V-notch cut, the red line flips from one side to the other. Sample output sequences normal cut lines but
does not change the direction of V-notch cuts; ArtiosCAD outputs in the direction you drew them.
Note:
®
Curved lines are not supported for V-notch lines and Re-board does not bend.
Note:
To make a cut or crease on the reverse side of the board, check Reverse side on the Special rule tab of
the Properties dialog box for the rule in the workspace or in Options > Defaults > Special rule types >
<Rule type>.
When you enable this option, when Partial cuts fold outward is enabled in the board definition,
• Partial cuts fold outward
• V-notches fold inward
• Reverse V-notches fold outward and are cut in a clockwise direction
If you use Mirror or Copy Mirror on V-notch cuts, ArtiosCAD reverses the line direction so the bevel cuts on the
same side as the original lines.
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Design Checks will show a gap and that error will often be caught by Convert to 3D as well.
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Compression Bends
®
Compression bends are formed when you fold Re-board back on itself. The paper on the top of the board is torn
off, exposing the inside cells. In Designer, ArtiosCAD shows this as a special rule with generic type crease with a
bend line offset to either side. The area between the two bend lines is the paper that is torn off.
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If a compression bend intersects with an angled cut line, create the geometry so that both bend lines meet the
cut line.
For sample output, ArtiosCAD puts partial cuts on either side of the crease line. If you use custom plotting styles,
make sure to update them with entries for the compression bend special rules.
The design shown above looks like this in 3D:
To set the properties of the compression bend, double-click its crease line and click the Special rule tab of the
Properties dialog box.
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The compression factor and the board caliper define how close the two sides of the bend can get to each other.
The compression factor is the inside radius of the bend divided by the outside radius of the bend. With a factor
of 0, the two legs of the bend can be parallel. The compression factor must be between 0 and 0.8.
Reverse side makes a reverse compression bend cut from the reverse side.
In 3D, to change the side of the board on which the compression bend appears, double-click the design with
Select Designs and deselect Partial cuts fold outward on the Board Information tab.
At this time, you cannot change the texture ArtiosCAD shows from within ArtiosCAD. If desired, make a backup
copy of ..\Common\reboardtorntop.jpg, and then put your desired image in that file. It should be a
16mm square that repeats a pattern.
Note:
Do not cross compression bends with other compression bends or creases.
Curved compression bends are not supported.
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• ArtiosCAD will be able to properly support one hole in the middle of a V-notch pad. If there are multiple
holes in a panel, or creases running through holes, the results are unpredictable.
• Holes with creases are undefined when converting to 3D
• Sample/blank size
• This will be the area bounded by the originally drafted lines, which represent the tool path. The
samples below were all drafted using the rectangle tool, X=10, Y=10, inside view. A, B are cut in a CCW
(counterclockwise) rotation. Each has a crease down the middle. With samples A, B, two panels of width
3 now result. Sample C reverses the lines which are now cut CW (clockwise). Given the single direction
of the knife, with the tool path being the black line, and the knife top being the red line. the sample
technically expands on one of the viewing sides.
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• Case C can't be separated from material, until cuts lines are extended as in D. For case C, ArtiosCAD will
recognize the offset lines as part of the blank size and for placing registration marks.
• For area, area w/ holes (internal hole), there is an ambiguity. One side of a hole created by V-notch will be
smaller than the other due to the cutting angle offset. It is not clear which side should be considered in
such a calculation. The originally drafted area will be considered for the area.
• The sample size when running a samplemaking Output will be the originally drafted lines.
• From 3D:
• Convert to 2D
• Once a V-notch design is created in 3D, Convert to 2D will not produce the correct lines
• Dimensions
• The corners of a cut area are not accessible as a snappable/dimensionable point
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angle is imported incorrectly (but easily fixable in the design). Currently, special rule V-notch does not
export as a V-notch, but as the generic type (cut or crease). No functionality is lost.
• CF2, DDES(3)
• These formats do not specify an angle, so although the generic V-notch has a line type which is
exported, the angle is also exported as pointage and is incorrect. However, note that special rule V-
notch is exported as a its generic type (cut, crease), and the old pointage is exported, so the angle is
lost altogether. No functionality is lost.
• Samplemaking
• Samplemaking Output is not supported for generic V-notch designs due to the variation in angle. The
ACM format has no provision for specifying an angle parameter for the tool and consequently only one
tool is allowed. However, the user can still navigate to a samplemaking output. If there is a generic V-
notch crease in the design, ArtiosCAD will first report Pointage 0 creases cause incorrect channel width
in the counter. This is because ArtiosCAD still thinks the generic V-notch is a crease. This issue can be
safely ignored; however, the resulting ACM is still not correct.
• Consequently, there are no Plotting Style > Sample line types of generic V-notch crease/cuts.
• ArtiosCAD users should use an iPC Output to send such workspaces to iPC, rather than using a
Samplemaking Output.
• Beziers
• A V-notch design with beziers is possible and ArtiosCAD will allow the user to add beziers. But just
like any samplemaking output, the bezier needs to be converted to arcs so the machine can handle a
consistent radius. There is little motivation to use a bezier as geometry for V-notch.
• Forward compatibility
• An existing design with special rule V-notch and beziers in the design can be opened in ArtiosCAD.
If the line types are changed to generic V-notch on the bezier, ArtiosCAD is not handling the side
correctly. There should be little motivation to do this as such a design will likely be all the same angle
anyway,
• Overlapping offsets will be difficult to render in 3D. There is a V-notch crease (green lines) and V-notch
cut (red) lines) where the offsets (lighter color) overlap. There will be no resulting top left in this area after
cutting.
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• Acute angles
• Rendering in 3D of acute angles has a triangle in the valley.
• Notes:
• V-notch is generally cut with inside up. Of course, if there is a reverse cut on the print side, then the
material has to be flipped over. The general workflow when drafting is to consider the inside up.
• Reverse V-notches are generally considered to be on the print side and are cut by reversing the material
(print side up)
• A V-notch crease is a double cut, one in each direction.
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• In ArtiosCAD, the (originally drafted) black line is the tool path (the lower knife tip). The red line is the
bevel offset (upper part knife).
• Initial line sequencing of panels (rectangles) in ArtiosCAD is based on the starting point (1st line) and drag
direction.
• This will affect the which the appearance of the material as presented to the user. Envision the
knife being immersed into material and combine the tool path and the line direction to see how the
resulting cut will be performed.
• What type of V-notch cut is presented to the ArtiosCAD user is very much influenced by the
line direction. Not so the crease because it is a double cut and needs to occur in both directions
regardless.
Now change the V-notch cut to reverse V-notch cut and see the influence.
• ArtiosCAD V-notch sequencing and line direction on output is based on the design. No special processing
is done.
• However it is unclear how much iPC would rely on ArtiosCAD sequencing:
• The Kongsberg toolhead generally moves in a CCW direction. It is not clear that it moves in an
opposite direction based on ArtiosCAD sequencing.
• Reverse creases and cuts are done from the opposite cutting side, which by default is outside
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• For example, if the cutting side is the inside, user is viewing the outside, and a V-notch crease
is added, the user will see gray, because the crease is on the inside. Likewise, if a reverse
crease is added, the user will see the yellow, because the crease is on the outside. If the user
switches to the inside, the colors are switched.
• <User workflow> The user should start with a Single Design parameter set > ... > Side that reflects inside/
die back/blade down side as this is the perspective for cutting on the table.
• <User workflow> Edit > Change Line Type should be mapped to a shortcut for easy access to line types
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In Single Design, there are special ways to design these features which you can then easily show in 3D. This
section explains how to do the underlying design work.
1. Design the parts of the container that will tear away with perfs and zippers. In the example below, lines
labeled 1 are zippers set to tear and fold and lines labeled 2 are perfs set to tear.
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When a special rule has a sequence of lines like the example shown above, use the Group Sequence tool to
group and align them.
2. Alternately, use a series of cuts and gaps to define a tear-away part, such as the custom zipper shown below.
To define the outline of the tear-away part, add tear lines in a 3D Assist layer. The tear lines can either be
individual lines that join the cut segments, or they can be two continuous lines over the zipper rules as shown
below.
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3. As the last design task before you convert the design to 3D, double-click the perfs or zippers with the Select
tool and set them to either Tear or Tear and fold on the 3D tab of the Properties dialog box. If you cut and
paste any lines with these attributes, you need to reapply them to the pasted copies, as that attribute is not
copied.
Intelligent Counters
Counters are special templates made out of phenolic resin (plastic) or steel which are used in folding carton
manufacturing. They are part of the die press tooling and are positioned between the folding carton stock and
the bottom plate of the press. They aid in the production of creases by providing a place for the material to flex
into when struck with creasing rule.
The Intelligent Counters module of ArtiosCAD automatically creates counters with just a few mouse clicks for
most designs. Shown below is a typical plastic counter.
Shown below is a single steel counter with milled channels and an embossed area for a similar design. ArtiosCAD
can also make steel counters in manufacturing files.
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The edge of the plastic counter, the periphery, is shaped as it is because it has to go outside the creases but
stay inside the cuts. It also needs to go far enough inside the cuts to avoid making marks on the board. Thus, a
compromise has to be reached at the places where cuts and creases meet. This compromise is the subject of
most of Intelligent Counters’ setup parameters.
There are fourteen line types used for making counters:
With grain channel Crease channels for with grain creases (those that are parallel to the grain
of the board.
Cross grain channel Crease channels for cross grain creases (those that are perpendicular to the
grain of the board). Usually 0.004 inch wider than with grain creases.
Crease end tool Cuts off the end of the crease channel where it meets a cut.
Chamfer tool Trims the edge of the counter with a gentler slope (except near creases)
than the periphery tool.
Reverse chamfer tool Trims the edge of the counter in the opposite direction as the chamfer tool.
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Counter slot Makes holes in a steel counter frame. Must be a complete loop.
Position holes tool Cuts the outline of the position hole, usually a circle.
Position holes tool 2 Second position holes tool, if using two tools.
Counter mill outline Outline of area to be milled, for reverse creases, reverse partial cuts, or for
embossing.
These line types are mapped to physical tools by the CAM Tooling Setup, and they are offset or multiple-passed
as necessary to allow for the tool widths.
Note: When using the milling tool, areas to be milled that are exactly the same width as the milling tool
may sometimes be overlooked. In these situations, adjust the size of the area by 0.05 mm to allow the
area to be milled.
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6. Save the design and output it to the countercutter.
The first tool on the Counters toolbar is Create or Rebuild Counter. When clicked for the first time, this tool
prompts you to select a counter parameter set. Select the set to use and click OK.
If your current layer is not a counter layer, you are prompted to create one. Click either option as desired and
then click OK.
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Creating a counter disables the rebuildability of a design. You can either save the design before proceeding,
disable rebuild and go on without saving, or exit the counter creation process. Select the desired option and
click OK.
Once you have chosen a parameter set, this tool opens the Create or Rebuild Counter dialog box which is the
heart of Intelligent Counters.
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Clicking the equal-sign button at the end of a field recalculates the value in that field according to the formula
in the counter parameter set. You can change the value itself in the field, but to change the expression used to
calculate the value, you must modify the parameter set in Defaults.
The Rebuild Creases Only checkbox appears only when rebuilding a counter, and when clicked, causes this tool
to only recalculate the crease channels. This option does not appear in the parameter set Defaults.
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In the Crease Channel Width group, With Grain: and Cross Grain: are the initial values for crease channel
widths of creases with no subtype assigned, or with a subtype defined that is not defined in the table of
additional widths. These are initially set by the parameter set, and are repeated from the Crease Channel Width
group on the Tool Angles, Widths tab. The equal-sign buttons at the end of each field reset the field to the value
calculated by the formula for that field in the counter parameter set.
In the Additional crease channel widths group, you can define up to nine subtypes with different widths for
with grain creases and cross grain creases in the appropriate fields.
You may also set the crease channel widths without rebuilding the counter by clicking Tools > Counter > Crease
Channel Width.
Note: Rebuilding the counter removes any subtype assignments previously made. You must reassign
the crease subtypes to lines in the Counter layer after rebuilding the counter. The subtype definitions
are not cached; you will have to re-enter all the information.
If there are creases of the same subtype but different pointages, the channel widths from the table are used for
the crease with the minimum pointage of that subtype, and creases with higher pointages get larger channel
widths offset by the difference in pointage.
For any crease with a subtype defined in the Additional crease channel widths group, each subtype defines a
specific channel width regardless of crease pointage. A 5-point with grain crease, for example, will have the same
channel width as a 2-point with grain crease if both with grain creases have the same subtype applied.
Shown below is an example of wider channel widths in an Output made to a workspace layer. The top horizontal
crease and the bottom right vertical crease are both wider than the default.
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Note: The channel width adjustment using subtypes is meant to be small. The periphery tool path is not
adjusted to compensate for the different channel widths.
Periphery tab
The Periphery tab of the Create or Rebuild Counter dialog box contains settings which affect the periphery tool.
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The parameters on this page of the dialog box are all measurements whose functions are illustrated in the
pictures next to them except for the Periphery Tool Angle. The angle specified in the Periphery Tool Angle field,
along with the thickness of the counter material, determines the width of the periphery.
The options in the Crease End Option group, Use Periphery Tool Only and Use Crease End and Periphery
Tools affect the display of the rest of the tab. If Use Periphery Tool Only is selected, all the pictures change to
omit any reference to the Crease End tool.
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By default, Partial Cuts are set to be On the counter. Glue assist lines are set conditionally by default. They are
off the counter if the distance between the crease and the closer end of the line is greater than the minimum
specified in the Minimum field. Of course you can specify them to be On or Off for this counter.
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Chamfer tab
The options on the Chamfer tab affect the counter at those places in the design where cut lines and the ends
of crease lines meet. The chamfer mostly follows the periphery except it always stays a specified distance away
from crease channels.
The Chamfer Gap is the distance between the inside edge of a chamfer and the crease channel. The Pickup
and No Pickup options control whether the chamfer is continuous around the end of the crease channel.
The Chamfer Tool Angle is the angle of the tool, which, together with the thickness of the counter material,
determines the width of the chamfer channel.
The Rebuild Chamfer button does what it says.
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The Insert option indicates that a piece of foreign material will be attached to the counter to create the reverse
crease. This is shown in the top picture on the tab. Counter material means that an area around the reverse
crease will be milled out so that the board gets pushed into the depressed area. This is shown in the bottom
picture on the tab. The Crease Width field becomes available when this option is selected. Off the counter
disables all the fields.
Embossing tab
An area of the board can be embossed by milling out the part of the counter surrounding the embossed area.
An area is milled out in the counter half-crease channel width inside the half-crease lines, forming one side
of a crease, thus making a raised emboss area. A relief is milled out on the outside of the half-crease lines to
avoid making the other half of the crease channel. As with other tabs, the parameters on the Embossing tab are
explained in the picture.
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Name tab
The choices on the Name tab affect the output of the Name tool on the Counter toolbar. These choices include
the font to use, its size, and its position, as shown in the picture.
Once you have finished reviewing the options on the tabs, click OK to make or remake the counter and dismiss
the Create or Rebuild Counter dialog box. Click Cancel to cancel the creation or modification of the counter.
Click Apply to apply the changes you made to the options on the tabs while keeping the dialog box open.
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The second button on the Counter toolbar activates the Rebuild Chamfer tool. Clicking this tool rebuilds
the chamfer in the current counter layer. If you have made any manual changes to the chamfer, they will be
lost. This tool also resequences the periphery lines into loops; if you have made any changes to the order, the
changes will be lost.
The third tool on the Counter toolbar activates the Add Counter Name tool. This tool uses the options on
the Name tab of the Create or Rebuild Counter dialog box to place the name of the workspace on the counter.
Fields appear in the Status bar containing the attributes of the name.
The only thing different about the fields on the Status bar compared with those on the Name tab is the ... button
after the Text field. This button leads to the Burn Name dialog box, and by clicking it, you can enter a counter
name spanning multiple lines of text.
Enter the text for the first line, press CTRL-Enter, enter the second line of text, and so forth, and then click
OK. A ghost drag image of the text will appear under the cursor. Position it and click to place it on the counter.
This tool remains active after placing the name; click another tool to deactivate it.
The Add Counter Tack Bridge tool is the fourth tool on the Counter toolbar and does just what it says.
Click this tool, then indicate the position in the periphery where a tack bridge is to be placed. A tack bridge will
be placed at the point you indicate with the width shown in the Tack Bridge Width field on the Status bar.
The fifth tool on the Counter toolbar is the Delete Counter Tack Bridge tool and it, too, does just what it
says. Click this tool and then click the tack bridge(s) to be deleted.
The sixth tool on the Counter toolbar is the Add Counter Strap tool. Straps are thin pieces of counter
material that hold delicate counters together. Straps are made using the periphery tool and are milled where
they cross cut lines.
You should use this tool after designing the rest of the counter. To use this tool, do the following:
1. Make sure your counter is complete except for the straps.
2.
Click the Add Counter Strap tool on the Counter toolbar.
3. Click the point in the periphery where you want the first side of the strap to start.
4. Click the ending point of the first side of the strap in the periphery.
5. Click the start point in the periphery for the second side of the strap.
6. Click the ending point in the periphery for the second side of the strap.
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You should have a construction that looks similar to the one shown below.
The seventh tool on the Counter toolbar is the Select Periphery Lines tool. As periphery lines are often
close to other lines, selecting them alone can be imprecise using a normal Select tool. Use this tool to select only
lines made with the periphery tool. This tool has the same selection options on the Status bar as the Select tool
in Designer. Once the periphery lines are selected, you can then move them, delete them, change them, and so
forth.
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Note: Milled areas are not shown filled in with mill tool lines when the Counter channel widths
checkbox is selected. They are only shown in the Preview dialog box of the Output.
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6. Click each tab of the parameter set in the Create or Rebuild Counter dialog box, adjusting entries as desired,
and click OK.
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The entries on the Frame tab come from the die press parameter set; all the others come from the counter
parameter set. For more information on configuring the parameter sets, please see the Defaults chapter. For
more information on the Frame tab, refer to the Steel counter section in the Manufacturing chapter.
7. ArtiosCAD creates the Steel counter layer and frame.
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Channel depths
ArtiosCAD draws different channel depths as different shades, with deeper channels being darker.
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Channel properties
Double-click a channel edge and click Channel in the Properties dialog box to see the channel width and depth.
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If the design has more than one print item with embossing, share the main counter layer between print items but
put the emboss outlines in separate counter layers.
When you use Create or Rebuild Counter for a steel counter, ArtiosCAD warns you if it detects problems,
such as if creases are too short or if a crease crosses more than one panel. Select the error line in the dialog
box to highlight the error; hold down SHIFT to select more than one error at a time. In the example below, the
crease is highlighted with a magenta rectangle.
Fix all causes ArtiosCAD try to fix the errors as best it can, but you should note the error locations and check
afterward to make sure the results are acceptable.
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Warning How to fix it If you click Ignore
Generic cut and crease should be Change the generic cut crease to ArtiosCAD treats the generic cut
changed to a specific type before a special rule such as 1/4 1/4 cut crease like a crease
making the counter crease
Crease needs to be split Split the crease where it crosses ArtiosCAD does not shorten the
another cut or crease crease at this point
Crease double lines Delete one of the double lines using ArtiosCAD shortens one of the
Design Checks creases but not the other
Short lines at the end of crease Merge or delete the short lines ArtiosCAD does not shorten the
lines crease correctly
Crease too short for crease channel Merge or delete the short lines ArtiosCAD does not shorten the
crease correctly
Digitizing
Digitizing is the process of using a digitizer to input lines and arcs into ArtiosCAD. A digitizer is a flat tablet which
uses electromagnetic energy to track movements of the digitizing puck over the surface of the digitizer. The
geometric information derived from these movements is then sent to ArtiosCAD which translates it into lines and
arcs. Digitizing is useful when you have a physical sample of a design but no CAD file to accompany it.
The digitizer must be set up before you can use it in ArtiosCAD. For information on setting up a digitizer, see the
Peripherals chapter.
There are three physical locations used when digitizing.
1. Any coordinate on the digitizer, referred to as <c>.
2. An existing point, referred to as <p>. A point, when digitizing, is an end point or intersection point of existing
lines in the current design. These lines may be pre-existing or just-digitized. To select a point, digitize a point
on the digitizer within the snap distance of one of these points.
3. An existing line, referred to as <l>. To select a line, digitize a point on the digitizer within the snap distance of
an existing line in the design.
The workflow for digitizing is straightforward.
1. Create a new ArtiosCAD design or open an existing one.
2. Navigate to the desired layer into which you wish to place the new geometry.
3. Click Tools, Digitize, and then Begin Digitizing.
4. Select the digitizer to use.
5. Digitize as desired by issuing digitizing commands.
6. Activate any other non-Zoom tool in ArtiosCAD to exit Digitizing.
Starting to digitize
Once you have gotten to the point where you are ready to digitize (steps 1 and 2 in the workflow above), click
Tools > Digitize > Begin Digitizing. You will be prompted to select a digitizer:
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Select the digitizer to use and click OK. The status bar will change to look similar to the picture below.
The Set Radius field is used by some of the commands. There is no need to align the digitizer or place the menu
at this time.
Secure the image to be digitized to the digitizer and start digitizing by issuing digitizing commands.
2 MOVE TO <c>
12 MOVE TO <p>
0 LINE TO <c>
10 LINE TO <p>
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D DELETE <l>
E UNDO
F REDO
CA ZOOM BACK
If a command requires more keystrokes to identify it than there are data elements required for the command, the
most recent digitized points are used.
The second way to issue commands is to use the digitizing menu configured when you set up the digitizer.
Simply place the cross-hair over the desired menu command and press any button on the digitizing puck to
activate the command. You can also use any button on the digitizing puck to indicate coordinates, points, and
lines since the command is already known. Shown at left is the default digitizing menu. Note that it does not
contain all the commands available. If you are a gasket maker, you may wish to add the circle-creation tools to it
using the procedure in the Peripherals chapter.
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0 LINE TO <c>
10 LINE TO <p>
2 MOVE TO <c>
12 MOVE TO <p>
Start ArtiosCAD and open a new design. Click Tools > Digitize > Begin Digitizing. Choose the digitizer to use and
click OK to enter Digitizing.
1. Digitize a MOVE to the beginning of the first line using the 2 button.
2. Digitize the end of the first LINE by moving the digitizing puck up a few inches and pressing the 0 button.
3. Digitize a coordinate the arc will go THROUGH by moving the puck up and to the right and pressing the 3
button.
4. Digitize the end-point of the arc by moving the puck down and to the right and by pressing any button. Any
button will do because ArtiosCAD knows the ARC THROUGH <c> TO <c> command is being used.
5. Digitize the end of the next LINE by moving the puck straight down and pressing the 0 button.
6. Digitize close to the snap point at the start of the first line. The command is made of two button-presses. The
first button pressed is 1, and can be pressed with the digitizing puck anywhere. The second button pressed is
0, and must be within the snap tolerance of the start of the first line.
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Start ArtiosCAD and open a new design. Click Tools > Digitize > Begin Digitizing. Choose the digitizer to use and
click OK to enter Digitizing.
1. Digitize within the snap tolerance of the first line by pressing the B button.
2. Digitize within the snap tolerance of the second line by pressing the B button.
3. Digitize a THROUGH coordinate of the blend radius by pressing the B button again to complete the
command.
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If 2 points are used, the first point selected on the screen corresponds to the first point digitized. Scaling and
rotation will be performed so that the second points align.
If 3 points are used, a best-fit is performed on the three points on the screen compared to the three points on
the digitizer. The image is transformed, scaled, and rotated appropriately.
When aligning the digitizer, the screen points are selected first followed by the points on the digitizer.
To align the digitizer, do the following:
1. Start ArtiosCAD and open a new design. Click Tools > Digitize > Begin Digitizing. Choose the digitizer to use
and click OK to enter Digitizing.
2.
Click Align Digitizer on the Status bar.
3. The Status bar will change:
4. Click the mouse on-screen at the desired point. The X and Y fields will have values in them and the point
number will increment. If you make a mistake, click the Redo button.
5. Repeat step 4 as desired depending on how you want to align the digitizer.
6. Click OK when done. If you have selected three points, you do not need to click OK.
7. Now that the screen points are selected, you must indicate the digitizer points.
8. Move the digitizing puck to the first point on the digitizer and press any button. Repeat as prompted, moving
to the second and third points if necessary.
9. Once enough points have been digitized, the New Digitizer Alignment dialog box appears.
The new alignment is displayed. If two or more points were used, the scale might not be 1.000 and the Error will
show how accurate a fit was made.
Checking the Use Scale of 1:1 checkbox overrides the scale derived from the digitized points.This is useful when
the scale factor isn’t quite 1.000 but you want to use the rotation derived from the digitizer.
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Click Retry to perform the alignment procedure again.
Clicking OK accepts the new alignment; clicking Cancel cancels it. The new alignment is effective until
ArtiosCAD is restarted.
Projects
ArtiosCAD provides three ways to work with Projects. The first and second ways are using the Project menu
and the Project bar, which are the methods used in this chapter. The third way is using the Projects browser in
DataCenter Admin, which is described more in the DataCenter chapter.
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2. Enter the appropriate information in the Name: and Description: fields, or, if available, click Generate Next
Available to have ArtiosCAD assign the next available number as the Project name. (This requires the proper
configuration in DataCenter Admin.) The Project name must be unique and less than 80 characters.
3. Click OK to create the Project and open it. To simply create the Project without opening it, deselect Open
project before clicking OK.
4. ArtiosCAD automatically opens the Project Information dialog box so you can add more detailed information
about the Project.
• If you set a description when you created the Project, you can change it by editing the Description: field.
• Set the Customer:, Owner:, Salesperson:, and Manager: fields by clicking the drop-down list box arrows
and choosing an entry from the list shown for each field. To access the standard database searching
dialog box for each type of entry, click ... at the end of each field.
• To set characteristics or userfields for the Project, click the corresponding Characteristics or Userfields
buttons. Projects have their own type of Userfields which must be configured in DataCenter Admin
before they become available for use in ArtiosCAD. For more information about configuring userfields, see
the DataCenter chapter.
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5. If you chose to open it, the empty new Project is shown in the Project bar, which by default appears at the
right edge of the drawing area.
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6. If a selected document has more than one print item, you can add another print item to the Project by
selecting it from the drop-down list box that appears above the list of documents.
7. Click OK to return to ArtiosCAD. ArtiosCAD does not automatically open the documents you add to a Project.
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5. Click OK to add the documents to the Project. If any of the designs are not in a Resource, ArtiosCAD prompts
you to save it/them in a Resource.
6. The documents appear in the Project Documents dialog box as shown below. Click OK to return to
ArtiosCAD.
Opening a Project
ArtiosCAD keeps a list of the most-recently used Projects on the Projects menu. To open one of those most-
recently used Projects, simply click it; ArtiosCAD also opens the documents that were open when the Project was
last closed.
Note:
The number of saved Projects is configured in Options > Defaults > Startup defaults > Most Recently
Used Project List.
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To open a Project that is not on the most-recently used Project list, do the following:
1. Click either File > Open Project or Projects > Open Project to open the Open Project dialog box.
2. To open a Project using the Open Project dialog box, perform a search and then select the desired Project
from the search results. You can search by the date the Project was last modified, by the name of the Project,
the description of the Project, or by a combination of the three.
• The Modified: drop-down list box lets you search for Projects modified during the last day, last 7 days, last
30 days, or a range of your choice by choosing More options. When you choose More options, you can
specify the number of passed days within which to search for the Project, or you can set the beginning
and ending dates of the range within which to search for the Project. Clicking either the Begin date:
or End date: drop-down list box arrow when Modified between dates is selected activates a pop-up
calendar that you use to choose the date to begin or end the range of date-searching. Click OK to return
to the Open Project dialog box.
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Note:
To not search by time the Project was last modified, set the Modified drop-down list box to ----.
Note:
When using the drop-down calendar in any of the fields, you can click the month and the year in
the date and enter a different month or year, or use the up and down arrow buttons to change
years.
• To form a search phrase in either the Name: or Description: fields beginning with a certain combination
of letters, enter that combination of letters and an asterisk (*), such as 2496*. To form a search phrase
containing a certain combination of letters, enter that combination preceded with and followed by
asterisks, such as *2496*. To form a search phrase equaling an exact combination of letters, enter that
combination of letters. To use an wildcard single-character match, use ? in place of the character, such as
*24?6*, which will find all Projects containing 2406, 2416, 2426, and so forth.
Note:
% may be substituted for * in “match all” searches and _ may be substituted for ? in “match only
one” searches. For more information about searching, see the Projects section in the DataCenter
chapter.
3. Once you have chosen the method by which to search - Modified:, Name:, or Description:, and have entered
the appropriate information, click Search. ArtiosCAD displays all matching projects in the Found projects
pane, with the first Project selected. The documents in the first Project are listed in the Found documents
pane, with the first one selected and shown in the Preview window.
4. To open the Project and the selected document, click Open. To open the Project and all its documents,
check Select all documents and click Open. Clicking Cancel closes the dialog box.
You can also open a Project by selecting it in the Project Browser and clicking Open Project.
A Project’s Modified date gets updated when you change any of the following:
• Any database information, such as the description, customer, owner, and so forth
• Any characteristics
• Any userfields or their values
• Any documents (add or remove documents, change the BOM count, and so forth).
Using the Project Bar Hover over the Project name to expand the Project Bar if it is collapsed,
and then double-click a document to open it.
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You can also select a document it, right-click it, and click Open
Document(s) on the context menu.
Hover over a document to see its description.
To open more than one document at once, hold down CTRL or SHIFT
Using a dialog box Click Projects > Project documents, and in the Project Documents
dialog box, double-click the document to open.
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ArtiosCAD closes the Project Documents dialog box, opens the selected
document, and shows the Project icon in its tab.
ArtiosCAD shows that the document is in a Project by putting its icon in a tray in the window tab and by
underlining the name in orange. In the example below, the left document is in the Project, and the right
document is not.
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ArtiosCAD shows the name of the Project in the title bar of the Project Bar. If there is no open Project, ArtiosCAD
shows No Project.
The first node in the list is the Project icon, then the Bill of Materials if one exists, and then documents and
folders (folders in ArtiosCAD Enterprise only).
If a document has a print item specified, the name of the print item appears in parentheses after the name of the
document.
When you expand the BOM, it may take ArtiosCAD a few seconds to populate it.
Double-clicking the BOM node opens all the documents in it.
Double-clicking a folder (ArtiosCAD Enterprise only) opens all the documents in the folder.
ArtiosCAD builds the Project Bar dynamically so there might be a slight delay as you change Projects.
In ArtiosCAD Standard Edition, the Project Bar appears when you open a Project and disappears when you
close the Project. In ArtiosCAD Enterprise, the Project Bar appears automatically when you open a managed
document.
Hover over a document in the Project Bar to see the first 40 characters of its description. If its description is
longer, ArtiosCAD shows an ellipsis at the end.
Pressing CTRL-A when an item in the Project Bar is selected selects all expanded nodes in the tree.
For ArtiosCAD Standard Edition, Open Project opens the Open Project dialog box.
For ArtiosCAD Enterprise, Open Browser replaces Open Project and opens the browser.
Open Selected Project Documents opens the documents you have selected. To select more than one
document at a time, hold down CTRL or SHIFT while clicking items to select. If you have selected a Project
node, ArtiosCAD opens all the documents in the Project and ignores everything else. If you have selected a BOM
node, ArtiosCAD opens all documents in the BOM. If you have selected a folder (ArtiosCAD Enterprise only),
ArtiosCAD opens all the documents in the folder.
Refresh checks for changes to the list of documents (and folders in ArtiosCAD Enterprise) in the Project
since you opened it.
Show Information Dialog performs different actions depending on the current selection.
• If the Project is the current selection, clicking it opens the Project Information dialog box.
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• If the Bill of Materials is the current selection, clicking it opens the Project Documents dialog box in
ArtiosCAD Standard Edition. In ArtiosCAD Enterprise, it opens the Project Bill of Materials Documents dialog
box.
• If a document in the Bill of Materials is the current selection, and that document is open, clicking it changes
focus to that document and opens its Oneup Database Information dialog box.
• If a document in the Bill of Materials is the current selection, and that document is not already open, clicking
it opens the document's Oneup Database Information dialog box in read-only mode. In ArtiosCAD Enterprise,
if that document is a native file type, ArtiosCAD opens the Oneup Database Information dialog box in read-
only mode. If the document is not a native file type, ArtiosCAD displays an error message.
Icon Size lets you choose between No icons, Small icons, Medium icons, and Large icons.
Detaching
The Project Bar is detachable from the main window of ArtiosCAD and may be docked on either the left or
right side of the drawing area. To detach it, first pin it so it does not auto-hide, then drag it by its title bar to the
desired position. You can resize the Project bar as desired.
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Docking
To dock the Project Bar after detaching it, drag it back into the main ArtiosCAD window, and position the cursor
over the arrow indicating where you want it to go. The target area turns blue.
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Closing
To close the Project Bar, click the red X at the right end of its title bar.
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To set Project information after the Project has been created, do the following:
1. Open an existing Project.
2. Click Projects > Project Information.
3. If you set a description when you created the Project, you can change it by editing the Description: field.
4. Set the Customer:, Owner:, Salesperson:, and Manager: fields by clicking the drop-down list box arrows and
choosing an entry from the list shown. To access the standard database searching dialog box for each type of
entry, click ... at the end of each field.
5. To set characteristics or userfields for the Project, click the corresponding buttons Characteristics or
Userfields. Projects have their own type of Userfields which must be configured in DataCenter Admin before
they become available for use in ArtiosCAD. For more information about configuring userfields, see the
DataCenter chapter.
6. To add or remove documents to or from the Project, click Documents, which opens the Project Documents
dialog box as described earlier.
7. Click OK to return to save the changes and return to ArtiosCAD. Any changes made to the information are
saved to the database once you click OK.
Closing a Project
To close the active Project, do the following:
1. Click Projects > Close Project.
2. If any Project documents are open, ArtiosCAD will ask if you want to close them. Click Yes.
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3. If any Project documents being closed have unsaved changes, ArtiosCAD will ask if you want to save
changes. Click Yes or No as desired.
Revisions
A Project may only contain one revision of a single design.
When you click Save As Revision in a single design that is part of a Project, the Save As Revision dialog box will
show a list of the Projects of which the single design is a member. Migrate the Projects information to the new
revision by selecting the checkbox next to the Project name. To keep the Project information in the old revision,
clear the checkbox next to the Project name.
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The Keep project codes in design checkbox controls whether or not ArtiosCAD leaves the Project codes from
the foreign database in the single design or if it strips them out.
To see the specific entities for each category of database entities, click ... next to the checkbox. All entities
will be added if you check the checkbox; there is no way to choose which specific entities are added to the
database. Specific Project entities are shown below; click OK to return to the Add Database Entities dialog box.
To add a design containing Project codes from another database to your database and additionally have the
Project codes in that design added to your database, do the following:
1. Put the design into a resource (whether by saving it from an email message, copying it off a floppy disc, or
whatever method you use).
2. Start ArtiosCAD and open the design.
3. In the Add Database Entities dialog box, check both the Keep project codes in the design and the Project
Codes checkboxes.
4. Save the design, making sure to not change the name or resource.
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Design Checks
Use Design Checks on the Design menu to check the design for double lines, gaps in the perimeter, rules with
pointage 0, and rules of different pointages that meet.
To remove double lines, click Yes and then click OK. To leave them unchanged, click No. 50 double lines are
reported initially when the check is run.
Maximum Gap Size sets the size of the largest gap that will be found by Design Checks. The tool finds gaps
smaller than the value set for this field. If it finds any gaps, they are circled with magenta circles.
To search for other gaps, change the value in the Maximum Gap Size field and click Refresh.
If Design check before Save, Save as is checked in Options > Defaults > Shared Defaults > Design Defaults >
Save Options, the design is checked when it is saved. This option is off by default.
Canvases
Canvases are design workspaces made of multiple separate pieces called parts. Their filenames have the
extension .ACD, which stands for ArtiosCAD Canvas Design Document.
Some designers, especially those who work on displays, like to have all the pieces together in one file. Others like
to design alternate views of the finished project and include them in the workspace. Whatever your drafting style
is, if you want more than one piece in a workspace, canvases are for you.
Canvases:
• Do not contain manufacturable geometry at the canvas level, meaning you can only draw in a part, except for
construction lines
• Convert to 3D and manufacturing just like single designs
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Parts:
• Can be exported as single designs or exist only in the canvas
• Have three major types: Production, Non-production, and Layout. Non-production parts are meant to
represent things such as an exploded view or notes. Layout parts are meant for quick nests to see if the parts
fit on a sheet, but you can also convert them to manufacturing workspaces for other workflows.
• The minor part type Remainder which ArtiosCAD creates (if needed) when rebuilding a canvas
• The minor part type Hardware, created only by the Add Hardware tool in 3D. There is no way to add such a
part manually to a canvas.
• Expand and contract automatically depending on how you draft inside them
Canvases have a Parts List at the right edge of the drawing area that is organized by board codes used
in the canvas. Use the toggle at the right end of the View bar to turn it on and off. Drag the handle between the
Parts List and the drawing area to resize the Parts List as desired. Click an item in the Parts List to change the
active part or to make the canvas itself active (for setting database information, among other things).
Like the Project Bar, the Parts List may be detached, docked on either the left or right side of the drawing area,
Right-click the canvas name in the Parts List to:
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• Create Part
• Convert to Manufacturing
Right-click a single design part name in the Parts List to:
• Rename Part (which you can also do by single-clicking a part's name in the list)
• Delete Part
• Make Read-Only
• Convert to Manufacturing
• Isolate Part
• Create Part
• Change Board
Right-click a job in the Parts List to:
• Recalculate Job
• Delete Job
• Rename Job
Right-click a layout in the Parts List to:
• Rename Layout
• Delete Layout
• Convert to Manufacturing
• Isolate Part
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Right click a Hardware part in the Hardware folder on the Parts List to rename it.
Hardware parts:
• are meant to appear on the BOM and give a visual representation of the part in the canvas.
• on a BOM, they are in their own folder but are deselected by default
• have a lock symbol next to them in the list and in their title bars to show they are read-only
• are created and modified only by the Add Hardware tool in 3D
• do not have information that can be changed manually in the Parts List; the part type, part name, and
description are for information only
• make unavailable most tools and workflows when they are the active part
You can also single-click a selected part in the Parts list to rename it.
At the bottom of the Parts List are controls that act on the selected part. Different part types have different
controls. For single design parts, one lets you set the part type to Production or Non-production. Non-
production parts appear at the bottom of the Parts List.
Number of copies lets you set the number of copies of the part you need in the canvas to complete the
customer's order, without having to have identical copies of the same part. ArtiosCAD uses this number in jobs
and layouts to determine the job quantity. If you use a variable in a Copy Times tool for the number of copies,
you can then use that variable in the Number of copies field, and AC will update it appropriately after rebuild.
To use the CAL(x) function in this variable, create a new variable and set it to CAL(x) first, then use the new
variable in the Copy Times expression. The part frame shows the evaluated number but the Number of copies
field shows the expression.
More Options (...) next to Board Code lets you change the board code for the selected part or canvas. Lastly, you
can also see the database information for the selected part or canvas by clicking Database information.
When you select a job in the Parts List, you can click Job Information or Recalculate Job. Each job has a
visibility button preceding its name in the Parts List so that you can turn it off individually from the others.
When you select a layout in the Parts List, you can set the Number of sheets, the Sheet width, and the Sheet
height. ArtiosCAD also displays the waste percentage and the blank size. Additionally, you can click Sheet
Properties, Layout Information, Recalculate Job, and Database information.
Each part has a frame drawn around it, or corner marks, or nothing, depending on the settings on the
Canvas/Parts Options tab in Startup Defaults in Defaults. Production parts have an orange line at the top of their
title bars and an orange icon in the Parts List. Non-production parts have a gray line at the top of their title bars
and a gray icon in the Parts List. Use the toggle at the right end of the View bar to turn it on and off. You can also
toggle part frames in the View Mode dialog box, as well as on the View > View Options menu. The part name in
the title bar disappears if it is too long to show based on the zoom level.
To show or hide layouts, use the Show or Hide All Layouts toggle above the Parts List. This works best
when you stack the layouts in vertical columns, as ArtiosCAD shifts parts left and right when you use this control.
Use View > Show All Layouts if you prefer a menu command.
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• Help > Diagnostics > Import NC File
• Palletization
• Sequencing tool
• Group Sequence and Design from Half/Quarter are not available.
In ArtiosCAD Standard Edition, Publish to WebCenter is not available for canvases.
The following features are not available when the canvas is active, but are available when a part is active:
• File > Import > Import File
• Edit > Paste
• Edit > More Select
• Edit > Edit Tools
If the current tool is not available when switching to a canvas, ArtiosCAD activates the Select tool.
For Layout parts, only Outputs and Geometry Macros (with Move to Layer enabled) are available.
For Reports around Layout parts, you can use Select to select elements of the Report. Inside the sheet, it only
selects entire parts.
The Isolation Part toggle at the right end the stage bar enables isolation mode, which shows only the
current part on the screen and hides all other parts.
Not in isolation mode:
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Starting isolation mode scales the view of the part to fit the window size. While you are in isolation mode, other
parts of the canvas are hidden even if you zoom out. Ending isolation mode scales the view of the canvas to fit
the window size.
There are four ways to start or end isolation mode:
• Click View > Isolate Part
• Click Part > Isolate Part
• Right-click the part's title bar and click Isolate Part
• Right-click the part's entry in the Parts List and click Isolate Part on the context menu.
Isolation mode supports production parts, non-production parts, and layout parts. It does not support job parts.
To change to a different part without leaving isolation mode, click that part in the Parts List.
When you end isolation mode, ArtiosCAD updates any layouts that reference that part.
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To pin it to the window so it is always visible, click the pushpin icon at the right end of the Parts List's title bar
. It changes to show it is pinned . To set the bar to auto-hide again, click the pushpin icon.
Detaching
The Parts List is detachable from the main window of ArtiosCAD and may be docked on either the left or right
side of the drawing area. To detach it, first pin it so it does not auto-hide, then drag it by its title bar to the
desired position. You can resize the Parts List as desired.
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Docking
To dock the Parts List after detaching it, drag it back into the main ArtiosCAD window, and position the cursor
over the arrow indicating where you want it to go. The target area turns blue.
Release the mouse button to dock the Parts List.
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File operations
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1.
With the design open, click Convert to Canvas on the View bar, or click File > Convert to > Canvas.
2. ArtiosCAD automatically puts the geometry into parts as needed, with the following considerations:
a) ArtiosCAD puts geometry that touches or overlaps into one part.
b) ArtiosCAD tries to consolidate multiple copies. If the design has multiple identical contours, ArtiosCAD
makes one instance of the part and updates the part count as appropriate. This works best when the
creator made the geometry complete before using Copy Times to make more contours. This consolidation
process does not apply when the creator copied different parts of a single part separately, edited the
geometry after copying it, or used the regular Copy tool instead of Copy Times. Also, files based on earlier
ArtiosCAD standards may behave unpredictably with a variable number of items being placed in the
wrong part. Files based on standards made after ArtiosCAD 16 should not have this problem.
c) ArtiosCAD numbers the parts by rows starting from the top left.
d) Parts are production parts if they contain non-zero length lines.
e) Small parts are those that are smaller than 10mm.
f) The maximum number of parts is 149. If there are more than 149 parts, ArtiosCAD merges parts that are
close together until there are fewer than 149 parts.
g) ArtiosCAD creates a remainder part if needed. It contains zero-length lines used for standards, remaining
isolated lines, and small parts (if needed).
h) ArtiosCAD maintains groups during the conversion.
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i) If dimensions span multiple pieces in the original design, this results in a larger converted part containing
the spanned pieces. Check your dimensions before converting to avoid unexpected results.
j) ArtiosCAD creates hardware parts based on hardware placement lines.
3. ArtiosCAD turns on all layers but documentation plots and Output layers and sets the active part to part 1.
You may now start drawing as desired.
Note: Always create parts with space between them. Do not overlap parts.
1. In a canvas, right-click over an empty spot in the canvas and click Create Part on the context menu.
a) ArtiosCAD puts the lower left corner of the new part where you clicked the mouse and moves the current
position to the bottom left corner of the new part, unless it would overlap another part.
b) If the potential new part overlaps another part, or if the cursor is within half of the default size of the
potential new part plus the gutter to another part, ArtiosCAD aligns the new part either horizontally or
vertically with the closest corner of the existing part.
c) If the new part would still overlap another part, ArtiosCAD places it at the bottom right of the canvas.
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2. Right-click the canvas in the Parts List and click Create Part, or click Parts > Create Part, or right click
a board in the Parts List and click Create Part on the context menu. ArtiosCAD will align the new part (if
possible) with the bottom right of the active part, else position it at the bottom right of the canvas.
3. ArtiosCAD names the part Part X, where X is the next part number. If you save the part as a standalone
workspace, ArtiosCAD will use the part number as part of the name if your system is configured to base the
part filename on the canvas.
4. The new part appears in the Parts List with its name in grey italic to indicate it is empty.
5. ArtiosCAD sets the new part to type Production and marks it active.
3. Choose a board for the new part. ArtiosCAD sets the units, side, and grain direction from the canvas.
4. In the Import File as New Part dialog box, ArtiosCAD shows the menus and variables for the standard, and
provides options for what to do if menus or variables from this new part conflict with menus or variables that
already exist in the canvas. Make sure to set the variables' current values normally as you would when
running the standard.
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ArtiosCAD displays an information icon when there are issues you need to resolve. Hover over the icon to see
a ToolTip describing the issues. In the case of a conflicting menu name, click the menu name to change it.
To give a variable a new name, enter the new name in the New name field. To edit a formula by hand, double-
click inside the Formula field; to edit it using the Formula dialog box, click f(x) at the end of the Formula field.
To change the current value, change it in the Current Value field. Variables which are option buttons have
those options in a drop-down list in the Current Value field; set them as desired. There are three possible
Actions, which you can set individually or for all using the column header:
a) Add variable. Adds the variable to the canvas if it does not already exist. If it does already exist,
ArtiosCAD gives it a new name by appending an instance number to the end. ArtiosCAD updates all
downstream formulas that use this variable with its new name.
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b) Use formula or value. Enables only the Formula field for you to enter either a new formula or value that
replaces the variable. ArtiosCAD replaces future instances of this variable with the value or formula you
enter and does not add the variable to the canvas.
c) Use existing variable. This option makes all other fields unavailable. ArtiosCAD uses a variable of the
same name that already exists in the canvas instead of this variable. This option is available only when
such a condition exists.
5. Click OK when you are done going through the menus and resolving issues. If there are any check conditions
which are not satisfied, ArtiosCAD prompts you to resolve them.
This results in a rebuildable part becoming part of the canvas. When you rebuild the canvas, a node for this part
will appear in the rebuild tree.
When you import a standard as a new part, ArtiosCAD observes the following limits:
• The maximum number of special rules in the part is 39.
• The maximum number of fonts in the part is 39.
• The maximum number of colors in the new part is 999.
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Use Rebuild Playback to see what happens during rebuild. ArtiosCAD turns on Isolation Mode for this part
during Rebuild Playback. Do not add geometry while in Rebuild Playback. However, you may change expressions
and formulae if desired.
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a) If the same layer name and layer class already exists, ArtiosCAD puts the imported file's layer contents in
that layer. Layer names are case-sensitive.
b) ArtiosCAD will create the layer if necessary.
c) All layers of the new part are locked, even if those layers are unlocked in other parts.
6. All aspects of the new part reference are locked. A lock icon appears in the Parts List next to the part name as
well as in the title bar of the part to show it is locked. All tools display the No cursor while that part is active.
What you can do is use points in the locked part reference as reference points while using tools in other
unlocked parts. You can also move the entire part.
When you import a file as a new part reference, ArtiosCAD observes the following limits:
• The maximum number of special rules in the part reference is 39.
• The maximum number of fonts in the part reference is 39.
• The maximum number of colors in the new part reference is 999.
If the file you are importing contains hardware placement lines, ArtiosCAD checks if the canvas already contains
the hardware part. If it does not, and ArtiosCAD can find the hardware part workspace, ArtiosCAD adds the
hardware part to the canvas with a part count of 1.
To view the path of the read-only part reference in the future, open the Save Parts dialog box.
When you export parts using Save As or Save As Revision, ArtiosCAD updates the link to the read-only part.
However, when you use Save As on the canvas itself, ArtiosCAD does not update the path for referenced parts.
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1. In your canvas, click either File > Import File > As New Rebuildable Part Reference or right-click the canvas
in the Parts List and click Import File As New Rebuildable Part Reference.
2. In the Import File As New Rebuildable Part Reference dialog box, navigate to the file(s) to import and click
Open. You may select more than one file; ArtiosCAD will loop through the import process as many times as
needed.
3. In the Import File As New Part dialog box, hover over the information icons in each menu as needed and fix
the issues as required. Click OK when you have resolved all the issues.
4. If the active part is empty, ArtiosCAD imports the file into the active part; otherwise, ArtiosCAD places the
new part at the bottom right of the canvas and makes it active.
5. ArtiosCAD puts the contents of the imported file's layers (if any) into the layers of the canvas.
a) If the same layer name and layer class already exists, ArtiosCAD puts the imported file's layer contents in
that layer. Layer names are case-sensitive.
b) ArtiosCAD will create the layer if necessary.
c) All layers of the new part are locked, even if those layers are unlocked in other parts.
6. All aspects of the new part reference are locked. A lock icon appears in the Parts List next to the part name as
well as in the title bar of the part to show it is locked. All tools display the No cursor while that part is active.
What you can do is use points in the locked part reference as reference points while using tools in other
unlocked parts. You can also move the entire part.
7. Presumably you want to make this part rebuildable. Right-click it in the Parts List and click Make Writable.
8. ArtiosCAD recognizes that this is a reference to a resizable design and prompts you to decide what to do.
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a) The default action is Remove the reference to this file from the part and make the part writable. This
essentially inserts a standalone version of the referred file as a new part so ArtiosCAD can rebuild it. This
option is always selected and there is no setting in Defaults to control it as it is considered dangerous to
change it.
b) Keep the reference to this file and make the part writable has the potential to MODIFY THE ORIGINAL
FILE WHEN YOU REBUILD THE CANVAS. Use this option with caution. To mitigate the danger, you can
choose to Set part to Save As New Revision, which is the default behavior when you choose this option.
If you export this part that is still a reference, the first time, the action is set to Save as New Revision, and
then future exports are set to Overwrite Existing, but you can change those actions as desired.
c) Click OK to finish importing the file as a rebuildable part reference.
• As New Rebuildable Part. Select the workspace file. ArtiosCAD does not prompt for a parameter set or
boards.
• As New Static Part. Select the workspace file. ArtiosCAD does not prompt for a parameter set or boards.
As New Rebuildable Part Reference, As New Part Reference, and Into Current Part do not allow this operation.
ArtiosCAD preserves the source canvas’ 3D fold angles, canvas construction lines, and locked layers in the
destination canvas.
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Included elements Discarded elements
Production parts Layouts
Non-production parts Layout macros
Remainder parts Reports around parts
Hardware parts (along with the link to Defaults) Output parts
Geometry-creating geometry macros
Deleted parts (in case they are referenced by other
geometry)
Parts added as read-only references, with the read-
only mode reset and the reference removed
Documentation plots (from standards)
Database entries
Database information from the source canvas does not overwrite database information in the destination canvas.
In ArtiosCAD Standard Edition, all the database information is preserved except for Customer, Owner,
Salesperson, and Designer, which take the values of the destination canvas.
In ArtiosCAD Enterprise, Salesperson and Customer are set by the Project. Designer and Owner are the user and
that user’s location. Userfields are replaced by Attributes.
Documentation plots
If variable names are in the text of dimensions, ArtiosCAD maps them dynamically to new variable names.
ArtiosCAD can update documentation plots in canvases run as importable parts except for those run as a
standard into a rebuildable part.
Deleting a part
To delete a part, do one of the following:
1. Right click the name of the part in the Parts List and click Delete Part.
2. Make sure the part you want to delete is the active part and click Parts > Delete Active Part.
3. Right-click inside the part over a blank space so that it turns magenta and click Delete Part on the context
menu.
Saving a canvas
When you save a canvas, you can choose to be prompted to save the parts to individual ArtiosCAD workspaces
(the default), to save modified parts automatically to individual workspaces, or to leave the parts as self-
contained entities in the canvas document.
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Note: If you are using ArtiosCAD Standard Edition, Publish to WebCenter is not available for canvases.
1.
Design the canvas as desired and click File > Save, or click Save on the View bar.
2. ArtiosCAD prompts you to pick a location and set the filename, or you can use auto-naming if it is available
for your chosen location. Save the file in your desired way.
3. Set the database information for the canvas and click OK. If you save the parts individually, they will inherit
the Customer, Owner, Salesperson, and Designer you set for the canvas.
4. If your ArtiosCAD is set to save parts while saving a canvas, ArtiosCAD will prompt you to save the parts. See
Saving Parts for more information.
The Defaults that control the savings of parts when saving a canvas are in Options > Defaults > Startup options
> Canvas/Parts Options.
Saving parts
Parts can exist only within the canvas, or you can save them to individual ArtiosCAD workspaces if you want to
work on them independently. If you work on them independently, ArtiosCAD will prompt you to synchronize the
canvas versions with the individual versions the next time you open the canvas.
Note: You must save the canvas before you can save parts individually. Save Parts is unavailable until
you save the canvas.
1. If you are using the default settings, ArtiosCAD opens the Save Parts dialog box.
a) ArtiosCAD selects all Production parts by default for saving. Their icons are orange. Non-production parts
are not selected and their icons are gray. Read-only parts are listed but are unavailable, and hardware
parts are not exportable. ArtiosCAD automatically selects those parts that have changed since the last
save. Toggle all the parts' selection for saving or not saving by clicking the checkbox in the column
header.
b) In the Filename column, ArtiosCAD bases the part filename off either the part name or the canvas
filename, depending on your Defaults configuration. If your system uses the part name, the filename
is the part name with the ArtiosCAD file type extension. If your system uses the canvas filename, the
part filename is set to the canvas filename, followed by a delimiter and then the number of the part. If
the location at which you are saving the part supports it, you can click the drop-down list box activator
at the end of the field and pick Autoname (for a resource or Project) or Autogenerate (Canvas) or
Autogenerate (Part) (based on the location in which you are saving the canvas). To set the action for
all the filenames at once, click the drop-down list box activator in the column header. For ArtiosCAD
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Enterprise, the canvas will be version 2 if you choose to autogenerate the name. If you choose to
Autoname or Autogenerate, ArtiosCAD updates the filename appropriately. You may also double-click
the filename to manually edit it as desired if it is not being generated automatically. Note that referenced
parts use different filenames.
c) If you are using ArtiosCAD Enterprise, and if the Project in which you are saving the parts supports
autonaming AND supports a suffix, the Suffix column allows you to set it.
d) The Revision column shows the revision character for the part.
e) In the Location column, choose where to save the part. ArtiosCAD seeds the location to where you are
saving the canvas, but you can choose a different location for each part. To set the location for all the
locations at once, click the drop-down list box activator in the column header. You may:
• Browse For Folder (in ArtiosCAD Standard Edition)
• Overwrite Existing. The destination document already exists and ArtiosCAD will replace it.
• Currently Open. The destination document is already open as an independent workspace. Close it
before saving the part.
• Disk File Newer. The independent version has been saved since you tried to save the part.
h) The Add to Bill of Materials column controls if ArtiosCAD adds the part to the BOM.
i) The Bill of Materials Proxy column controls if ArtiosCAD creates a proxy design for a hardware part for use
on a BOM. If you click a column entry, you can specify the resource in which ArtiosCAD creates the proxy
design and its filename.
j) The Status column shows the progress of the save.
2. Click Save. When you click Save:
• A progress bar appears.
• Stop replaces Save and Close.
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After saving a part, the path for it does not change when you save the canvas in a new location.
Timestamps and paths can be inconsistent if you save parts and not the canvas thereafter. This usually results in
the status of Disk File Newer.
When canvas parts contain hardware holes and hardware placement lines, ArtiosCAD copies them to exported
parts. If you convert those exported parts to 3D, however, ArtiosCAD does not repopulate the hardware parts;
that happens only in canvases.
Saving revisions
Saving revisions of canvases and parts in ArtiosCAD Standard Edition requires that Base filename is earliest
revision be selected in Options > Defaults > Startup defaults > Revision Disk File Format.
You may not save revisions if that option is set to Base filename is latest revision. Default to update all
projects when saving revisions controls if ArtiosCAD Standard Edition updates other Projects containing an
individual part workspace with the new revision.
When you save a revision of a canvas in ArtiosCAD Standard Edition, there is an option to Also save parts as
revisions. This option is selected by default.
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If you leave this option selected when you click OK, ArtiosCAD opens the Save Parts dialog box with additional
information for the revisions. ArtiosCAD seeds the Revision Description and Authorization fields from the Save As
Revision dialog box, but you can change them for each part as desired by selecting the part and changing them.
You can also choose to add the parts to the BOM or not if this is the first time you are saving them.
Click Save to begin saving the parts. Click Close when done, and then click OK in the Canvas Database
Information dialog box.
If you are using ArtiosCAD Enterprise, the procedure is similar. When you click Publish Revision, in the Save
Managed Document dialog box is Also Save Parts As Revisions.
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ArtiosCAD Enterprise then prompts you to set the canvas database information, and when you click OK, opens
the Save Parts dialog box. ArtiosCAD Enterprise seeds the Comment field for each part from the Canvas
Database Information dialog box, but you can change it for each part as desired by selecting the part and
changing it. The Add to Bill of Materials column controls whether the new revision of a part is used on a BOM on
which that part appears.
Click Save to begin saving the parts. Click Close when done.
In ArtiosCAD Enterprise, to control if other Projects containing parts workspaces are updated with new revisions,
use For linked documents, default to 'Update All Related Projects' in Options > Defaults > Startup defaults >
Save Options.
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Synchronizing parts
When you open a canvas, ArtiosCAD check the parts and their independent workspaces (if applicable), and if
there are differences, prompts you to select which version to use in the Update Parts dialog box. ArtiosCAD
Standard Edition looks for newer disk files, while ArtiosCAD Enterprise looks for newer revisions.
Note: Parts synchronization is not supported in offline mode in either ArtiosCAD or ArtiosCAD
Enterprise.
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This dialog box lets you choose which version of the part to use in the canvas.
a) ArtiosCAD shows a list of changed parts on the left side of the dialog box. An orange icon means the part
is in its last-saved location. A grey part icon indicates the individual part workspace is not in the location
recorded in the canvas and is missing.
b) Choose which version to use for each part by clicking its option button. ArtiosCAD shows a preview of the
selected part in the preview pane. To quickly toggle all the parts, click Set all to canvas or Set all to the
latest revisions.
c) Ignore these updates until they change again keeps ArtiosCAD from asking you about these
differences by updating their timestamps in the canvas.
d) Click Update to update the canvas with these changes.
3. When you choose a newer version of a part, ArtiosCAD does the following:
a) Replaces the geometry in the canvas part with the geometry from the individual workspace.
b) The bridging and fold angles in the revised part replace those in the canvas part.
c) No construction lines from the revised part copy into the canvas.
d) The position of the revised part with respect to the origin copies into the canvas, which might cause it to
move on the canvas.
e) Layers that were changed in the revised part are changed in the canvas. ArtiosCAD ignores empty layers,
as well as changes to the layer name and class.
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f) ArtiosCAD updates the canvas with any updates to print item definitions in the revised part, but it does
not delete print items in the canvas if they were deleted in the revised part, and it does not change the
definition of the print item in the canvas if it was changed in the revised part.
g) If the grain direction in the revised part is different than that of the canvas part, ArtiosCAD rotates the
part on the canvas appropriately.
h) ArtiosCAD updates the board definition of the canvas part with that of the revised part.
i) ArtiosCAD replaces the database information of the canvas part with that from the revised part, except
for Customer, Owner, Salesperson, and Designer, which are inherited from the canvas.
j) For 3D: If you changed the base face in the revised part, the base face changes in the canvas part. If you
changed the outline of the base face in the revised part, ArtiosCAD clears the base face of the canvas
part. If you made animations in the canvas part, they are preserved when ArtiosCAD updates the part. If
you changed the number of panels in the revised part or the shape of the base face, ArtiosCAD resets
the animation. Animations made in the revised part after converting it to 3D are not added to the canvas
during an update.
k) Color definitions updated in the revised part transfer to the canvas.
l) Graphics added to the revised part transfer to the canvas.
m) If you changed property defaults and formulae in the revised part, they do not transfer to the canvas.
n) For ArtiosCAD Standard Edition, the database information from the revised part transfers to the canvas
for the simple descriptions, calculated values, and characteristics, with non-existing characteristics
removed and the characteristic description updated based on the code. For userfields, if the canvas
userfields came from a different database (based on the database ID), ArtiosCAD deletes the ones from
the part. If the canvas userfields are from the same database, ArtiosCAD removes non-existing userfields
coming from the part. ArtiosCAD adds all pre-calculated and required userfields.
o) For ArtiosCAD Enterprise, the database information from the revised part transfers to the canvas for
the simple descriptions, calculated values, and characteristics. ArtiosCAD Enterprise removes those
characteristics present in the canvas part that do not exist in the revised part. For Attributes, ArtiosCAD
Enterprise adds those that exist in the Attribute Category but are not in the revised part. ArtiosCAD
Enterprise re-evaluates calculated Attributes.
p) For board information, ArtiosCAD performs a case-insensitive comparison of the board code and board
description for the parts with the board codes and descriptions in the database. For those boards that
differ, it lists those from the part that it does not find in the database with their calipers, costs, tests, and
papers in the Update Board dialog box.
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Use Add This Board (ArtiosCAD Standard Edition only!ArtiosCAD Enterprise users must use the normal
method of board management), Keep Workspace Board, or Pick New Board. If you use Add This Board,
ArtiosCAD adds the board to the top level of the tree, but without mediums/liners, 3D information, or
texture images. Keep Workspace Board is available only after you have chosen a different board using
Pick New Board and want to return to the original. Do not show this warning again marks the board as
validated. Click OK when you have chosen how to resolve a board conflict.
Parts management
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3. Right-click inside the part over a blank space so that it turns magenta and click Set Active Part on the
context menu.
4. When you are moving geometry, snap it to a point in a non-active part.
Splitting a part
To split a part into two parts, do the following:
1.
Use Select to select the geometry to put into a new part.
2. Right-click and click Split Part from the context menu, or click Parts > Split Part.
3. ArtiosCAD puts the selected geometry into a new part and moves the current position into the new part.
Note that it does not physically move the geometry; for that, use the normal method of selecting and moving
objects.
If the current selection is all in one part, ArtiosCAD copies the L, W, and D (if set), board, characteristics, simple
descriptions, and Userfields from the original part into the new part.
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Moving a part
When you move a part, everything associated with the part moves, even items in locked and/or invisible layers.
To move a part, do the following:
1.
Click the title bar of the part (if Part Frames are turned on) with the Select tool and drag the part to the
new position.
2. Alternately, click Parts > Move Part
a) Move the mouse cursor inside the part to move. It will turn magenta to indicate it is selected.
b) Click inside the part and drag the part to its new location.
3. As you drag, ArtiosCAD displays alignment lines to other parts.
If you try to place a part so that it intersects another part, ArtiosCAD displays a warning cursor and turns
alignment lines red, but will let you do it. You should not place parts over other parts.
Changing properties
When you change properties of a selection across multiple parts, ArtiosCAD properly updates each part and
records the change for future use.
Parts Options
Click Parts > Parts Options to open the Parts Options dialog box.
In the Empty Part Size group, Width and Height set the default size for new parts. Changing these values does
not change the size of existing empty parts.
In the Distance Between Parts group, Horizontal and Vertical control the gutter between parts when converting
to a canvas and using Auto Space Parts. This gutter applies to outermost design lines in the part, not the part
frames.
The Defaults for these values are in Options > Defaults > Startup defaults > Canvas/Parts Options.
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In the Design group, Length, Width, and Depth are shown for information only. ArtiosCAD only uses the canvas
variables in StyleMaker. If you set them in a part, ArtiosCAD uses those for Reports and Outputs but not for
actual construction. This is also so that if you import a part from a standard, you can see the values used to run
the standard.
ArtiosCAD shows the Manufacturing database information dialog box for Layout parts. It copies this information
to Manufacturing if you convert the layout part to Manufacturing.
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The table below shows how ArtiosCAD sets the database information for a part depending on its source.
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Create Part Import File as New Part Import Standard as New
Part
Revision description Clear Imported from original file Clear
L, W, D Clear Imported from original file Imported from standard
Board info Set to canvas board Imported from original file Chosen by you during
Run a Standard
Grain Uses canvas values Uses canvas values Uses canvas values
Characteristics Clear Imported from original file Imported from standard
Userfields Clear or populated with Imported from original file Clear or populated with
required fields required fields
Blank width, height Calculated from part Calculated from part Calculated from part
Area Calculated from part Calculated from part Calculated from part
Rule length Calculated from part Calculated from part Calculated from part
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Note: By definition, you cannot save a read-only part. Save changes to the part before you make it
read-only.
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Rebuild in canvases
When you rebuild a canvas, ArtiosCAD shows the different rebuildable parts as nodes on a tree:
• ArtiosCAD rebuilds all parts. To rebuild only one part, only change the variables for one of the parts in the
tree.
• ArtiosCAD may put some geometry in the Remainder part.
• If you use Undo or Redo after deleting a part and then rebuild, ArtiosCAD may put extra geometry in the
Remainder part.
• The commands for creating a part and deleting a part get re-executed on rebuild so the active part may
change when ArtiosCAD completes the rebuild.
Parts saved to independent workspaces are not rebuildable. However, if those parts had a specified L, W, D or
board variables, those get exported to the workspace even though the canvas does not use them.
Parts updated on opening a canvas are not rebuildable in the canvas.
Geometry pasted into a canvas is not rebuildable as ArtiosCAD does not copy variables from the source design.
If you change the L, W, or D for a canvas, ArtiosCAD updates the L, W, D for parts having matching values that
were not imported.
When drafting a rebuildable canvas, intra-part referencing works safely.
If rebuilding a canvas is important to you, one suggested workflow for a display standard with multiple parts that
use the same board is:
• Convert it to a canvas
• Make changes to the canvas and rebuild it, but be wary of the number of parts changing
• Convert to 3D and arrange the assembly
• Return to the canvas and modify it
• Rebuild the canvas and use Previous to change the board in the Board Selection dialog box
• Update the 3D workspace.
If you need to rebuild a canvas using different boards for each part, draft parts as separate standards and add
them to a style catalog. Then use Import File > From Standard as New Rebuildable Part and use a different
board for each part as desired.
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In the Layers dialog box for a canvas, if one part has a locked layer that is not locked in all parts, or is not locked
in the canvas, the lock icon is present but dimmed.
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Variable indexing
To accommodate part resizability, ArtiosCAD indexes each part's board variables for the caliper, inside loss,
outside gain, and corrugated rounding value (if a corrugated board) (CAL, IL, OG, and CRRV). When you add
parts, the variables have an index number appended to them. For example, for the second part you add,
ArtiosCAD uses CAL(2), IL(2), and OG(2). Using just the variable without an index refers to the current part. If you
want to refer to another part's variables, use its part number in the variable. If you were working in part 2, using
CAL would refer to CAL(2), but to specify the caliper for part 4 while in part 2, you would use CAL(4).
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If you have not renamed the parts, the part name contains the part number. If you have renamed the parts, use
the Boards button in the keypad to open the Select Board Expression dialog box, which shows the parts and
their numbers.
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3. The existing board in the Parts List changes to the new board.
4. If any of the parts were resizable, ArtiosCAD highlights Rebuild on the View bar to indicate you should
rebuild the canvas in order to update the parts with the new variables.
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3. ArtiosCAD adds the new board to the Parts List and moves the part under it.
4. If the part was resizable, ArtiosCAD highlights Rebuild on the View bar to indicate you should rebuild the
canvas in order to update the part with the new variables.
Other notes
When you write a canvas standard, before you add geometry, create the same number of empty parts as
different boards you want to use. Next, change the board for each part appropriately. That way, when you create
geometry and want to refer to different parts' variables, you will easily know the index number for each part
without having to check in the Keypad.
Drafting in canvases
Drafting in a canvas is similar to drafting in a single design, but there are differences. Specific tools and toolbars
have notes following this section.
Report and Counter tools are unavailable in canvases.
Advanced Standard and Registration Holes tools work the same way as Geometry and Dimension tools.
Undo-Redo, Extend-Measure, and View tools work the same as they do elsewhere.
Drafting rules
Keep parts separate. Parts should be self-contained.
When you draw new geometry:
• If you draw geometry from a point in the active part, the active part remains active and the geometry
remains in the active part regardless of the location of the end-point.
• If you draw geometry from coordinates in the active part, and snap to a point or intersect another line in the
destination, ArtiosCAD puts the new geometry in the destination part and makes the destination part active.
If you snap to coordinates, ArtiosCAD puts the new geometry in the source part and does not change the
active part.
• If a part is active and the start point is outside it, if the destination snaps to a point in the active part or
intersects a line in the active part, ArtiosCAD does not change the active part and the new geometry goes in
it. If the destination is coordinates, ArtiosCAD puts the new geometry in the part containing the source and
changes that part to the active part.
When you move existing geometry:
• If you snap it to a point, ArtiosCAD puts the geometry into that part and makes that part active.
• If you move it to coordinates or intersect it with a line in another part, ArtiosCAD expands the source part
to include the moved geometry and the source part remains or becomes the active part.
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Other notes
When you move a part, ArtiosCAD moves its construction lines too.
Split Part, Move to Part, and Move to Layer ignore all construction lines.
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To move a construction line from a part to the canvas, double-click the line with Select Conlines while the part is
active, then change its linetype to Canvas construction line. This does not work in reverse as you cannot change
canvas construction lines.
Dimension tools
When you dimension lines in a part, ArtiosCAD makes it the active part and puts the dimensions in it.
If the dimensions use Scale text size upon rebuild, the size is based on the canvas. Therefore, to avoid
dimensions at the wrong size, create all the geometry in the canvas before creating dimensions.
ArtiosCAD puts dimensions spanning multiple parts in the current part, even if neither end-point is in the current
part.
Adjust tools
The Adjust tools work in canvases as follows:
• Blend, Chamfer, and Blend Three Lines set the active part to the one in which you are creating geometry.
ArtiosCAD creates the new blend line in the part containing the first line you clicked.
• Split and the Trim tools set the active part the part in which geometry changes. If you selected geometry
from multiple parts, ArtiosCAD does not change the active part.
• Follow and Stretch Point work only within the active part.
•
Stretch by Polygon has a status bar button, Select in Active Part Only, to restrict the selection to
objects in the active part regardless of the size of the polygon.
Annotation tools
The Annotation tools work in canvases as follows:
• ArtiosCAD puts new text and arrows into the active part.
• In Detail, you can clip only within one part. ArtiosCAD adds the detail to the part containing the clip and sets
it to the active part.
• ArtiosCAD puts the line type label into the part containing the line associated with the label. If you did not
select a line, ArtiosCAD puts the label in the active part. If you selected a line in another part, that part
becomes the active part.
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• Artwork Panels, Dynamic Art, Bleed, and Coating tools work only in the active part. ArtiosCAD changes the
cursor to a cross-hair with a No circle if the cursor is over a panel in a non-active part.
• Hatch, Mate, and Fill Panel work on a panel in the active part, and change the active part to that in which
you clicked. Panels must be in the same part.
Edit tools
The Edit tools work in canvases as follows:
• The Copy tools add to the active part. If the tool has a move mode, ArtiosCAD adds new geometry to the
part containing the put-down point to which you snapped and makes that part active. Copy Mirror About
Center, Copy Mirror About Line, Copy Times Offset, and Copy Times Rotate are exceptions as they always
add geometry to the active part.
• For the Edit tools, all changed items stay in their parts. If all changed items are from the same part, ArtiosCAD
makes this part active. If not, ArtiosCAD does not change the active part. If the tool has a move mode and
the pick-up point is on a piece of geometry in the selection, ArtiosCAD moves the selection to the part
containing the put-down point, which also becomes active. This entire process may be undone with one
Undo.
• Group Sequence and Design from Half/Quarter are not available.
• Group can group only items from one part and that part becomes active.
Graphics tools
The Graphics tools work in canvases as follows:
• Add Graphics adds graphics to the active part.
• Register Bitmap registers a bitmap from any part into geometry in the active part.
• Clip Graphics switches the active part the part containing the selected graphics. You may select the clipping
path in non-active parts but all lines should be in the same part.
• Replace Graphics switches the active part to the part containing the old graphics, but you may select new
graphics from any part.
• Move Graphics and Auto-Trace Bitmap change the active part to the part containing the old graphics.
• Color Stock works on the active part.
• Fill works on a closed loop of lines all in the same part, and changes the active part.
• Stroke changes the active part to the selection and all lines must be in the same part.
• Fill Panel changes the active part to the selection and all panel lines must be in the same part.
• Send to Front and Sent to Back change the order of layers for all parts and the canvas.
• Save Graphics As exports graphics from any part.
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• Shorten All in Shorten Creases does not change the active part.
Information menu
On the Information menu, Rule Length, Blank Size, Area, and Board information all work on the active part.
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If you change the layout part, delete what was created by the geometry macro before running it again. You can
use Delete Layout Annotation in the Sheet Properties dialog box for this.
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2. Use sensible non-zero current values such as 1500mm for the sheet width and 20mm for the margins.
3. Use the variables to make two nested rectangles, one for the sheet and one for the margins (inside the one
for the sheet).
4. Dimension the rectangles as desired.
5. Delete the rectangles.
6. Rebuild the workspace with different sheet sizes and margins to verify it rebuilds properly.
7. If you are satisfied with how it operates, make the variables invisible in StyleMaker by deselecting the Visible
checkbox for each one. If you still want to test it, keep the variables visible as otherwise when you rebuild
the workspace, ArtiosCAD will reinitialize them to their formulas, which will not work as the geometry macro
workspace itself does not have a layout.
8. If you want the dimensions to work in both Imperial and metric, edit the log file using Rebuild Playback and
remove FORMAT 2 from the end of each distance command.
9. Save the workspace.
10. Copy it to ServerLib.
11. Add it to the Geometry Macro catalog. Specify the Placement computed by geometry macro placement
option and enable Move to Layers.
For other types of geometry macros, use placement option Place the geometry at any location.
These system variables are available as well, but the example geometry macro does not use them.
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#SHTTRIMR Distance from right sheet edge to layout blank
#SHTTRIMT Distance from top sheet edge to layout blank
#SHTTRIMB Distance from bottom sheet edge to layout blank
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Old library function Updated system variable
LIBRARY(DESLOWERY) #DESLOWERY
LIBRARY(DESCENTERX) #DESCENTERX
LIBRARY(DESCENTERY) #DESCENTERY
LIBRARY(LIBAREA1) #AREA
LIBRARY(LIBAREAH1) #AREAH
LIBRARY(LIBWAGRAIN) now uses #MANSIZEX, #MANSIZEY
TLIBRARY(LIBDBSTYLE.TXT) #DBCHARS$
Layouts in canvases
You can quickly nest production parts together onto sheets using the canvas layout feature. This is primarily
meant to see if the parts will fit on the sheet as they are or if you need to refine their design slightly to make the
most efficient layouts.
Canvas layouts have two components:
• Layouts, which are nested arrangements of parts on one sheet of board
• Jobs, which are groups of layouts of parts on the same board
You can create a layout automatically based on existing parts, or you can create an empty layout and manually
add parts to it.
For parts on layouts, ArtiosCAD shows lines in the Main Design, Manufacturing, and Window and Cutouts layers.
It does not show dimensions, text, arrows, or graphics. However, it retains these items when you convert a canvas
to a manufacturing workspace.
Note: If you intend to create a layout, ensure none of the part frames in the canvas overlap each other,
as that might lead to unpredictable results.
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To find the nesting outline in a part, the ArtiosCAD nesting algorithm uses either a single loop or a bounding box.
A single loop is formed by:
• All lines, arcs, and/or beziers with non-zero lengths
• Of type cut (and special rule of generic type cut)
• In the Main Design, Manufacturing, or Window and Cutouts layers.
If ArtiosCAD cannot find a single loop, it uses a bounding box formed by:
• All lines, arcs, and/or beziers with non-zero lengths
• Of type cut, crease, print registration, bleed, print images, die etch (types 1..19), and special rules based on
these types
• In the Main Design, Manufacturing, or Window and Cutouts layers.
1. Make sure all the parts in the canvas are clearly separated.
2. Either:
a) Right-click the board in the Parts List and click Create Layout, or
b) Click Parts > Create Layout > (board code).
3. In the Layout Options dialog box, select all the parts to include in the layout. ArtiosCAD selects all the
parts with the same board automatically. Set the values for the sheet size, margins, gutter, nesting choices,
quantities, and sheet edge style. The width and height must be greater than zero. The gutter and margins
must be greater than or equal to zero.
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Alternately, you can choose a standard sheet size or a die press by clicking Standard Sheet Sizes or Die
Press Parameters, and use the values from those sources.
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4. In the Nesting group, set the options for computing the nest as desired.
a) Rotation can be No rotation, 180 rotation, 90 rotation or Any rotation. This applies to all parts in the
layout.
b) Fill direction can be Horizontal or Vertical. This specifies the basic shape of the layout. If you set this to
Horizontal, any unused space in the layout is horizontal.
c) Search time can be Very fast, Fast, Accurate, or Very accurate. The faster the search, the less accurate
the nest.
d) For the strategy, Minimal waste creates the layout with the least amount of waste. Minimal layout
creates the layout with the least overrun for the parts with a greater job quantity. Priority by size places
the emphasis on making the closest number of larger parts to the job quantity.
5. In the Quantity group, set the Job quantity to the number of produced pieces of each part you need. This
must be an integer greater than zero. This number multiplied by a part's number of copies determines the
ordered quantity. Fill sheet adds parts to the sheet even after ArtiosCAD meets the ordered quantity. There
is no control over which part ArtiosCAD uses to fill the sheet. The proportion of extra copies is roughly equal
to the same as it would be for a single job.
6. Click Create to create the layout. If you have more parts than will fit on a single sheet, ArtiosCAD creates as
many layouts as needed to accommodate all the parts in the job. Shown below is a one-layout job.
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ArtiosCAD remembers your selections in the Layout Options dialog box and will reuse them if you create
additional layouts in this canvas.
7. ArtiosCAD adds the job and layout(s) to the Parts List.
ArtiosCAD puts all production parts with the same board into the layout(s). It does not place empty parts or parts
with no structural lines in the layout(s). If a part does not fit on the sheet, ArtiosCAD does not include it in the
layout(s) and does not put it in the job parts list.
If ArtiosCAD encounters errors during the layout creation, when it is done creating the layouts, it displays the
Job Information dialog box with a section listing the errors and warnings. In the example below, the job quantity
required a number of layouts that exceeded the limit of 20 layouts per job.
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Recalculating a job
If you change parts, or want to change aspects of an automatically generated layout in a canvas, recalculate the
job. Keep the following in mind:
• ArtiosCAD re-runs the parts through the nesting algorithm using the current part count.
• You will lose any manual changes you made to the layout.
• The number of physical copies of parts in a layout is irrelevant; it is the job quantity across all the layouts in
the entire job that is the relevant number.
• If you recalculate an empty job, ArtiosCAD includes all production parts having the same board as the layout,
except for those parts too large to fit on the sheet.
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• If you recalculate a non-empty job, ArtiosCAD only uses the parts already in the job. Use Edit Layout to add
or remove parts.
• ArtiosCAD recalculates the all the layouts in the job, not just a single layout.
4. ArtiosCAD recalculates the job and rebuilds the layout(s) based on your changes.
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Alternately, you can choose a standard sheet size or a die press by clicking Standard Sheet Sizes or Die
Press Parameters, and use the values from those sources.
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4. Click Create to create the layout.
5. ArtiosCAD creates the job and empty layout to the right of the other parts, and makes the layout the active
part.
To get additional layouts in a manually created job, recalculate the job and ArtiosCAD will add layouts as needed
per the number of copies set for the parts.
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3. Click to place the part in the desired position. ArtiosCAD snaps to the borders of the sheet and to other parts
with the gutter, but allows you to place it where you want.
If ArtiosCAD shades the part grey, that means that either it is closer to another part than the gutter distance,
or it overlaps another part, or that it overlaps the sheet border. If ArtiosCAD shades the part yellow, that
means either it has a different board than the layout, or that there is a grain/corrugation direction mismatch
(if you have that option enabled in Canvas Layout Options in Defaults).
4. Repeat as desired for other parts.
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5. If desired, optimize the nesting of the layout by clicking Recalculate Job. ArtiosCAD adds layouts to the job
as needed to satisfy the number of copies of the parts.
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Editing a layout
Once parts are on a layout, you may want to adjust their positions. Use Edit Layout to add parts, copy, move,
rotate, and remove parts from a layout. To activate Edit Layout, either click Parts > Edit Layout, or click inside a
part on a layout while the Select tool is active. If you use the menu command, ArtiosCAD prompts you to select
the part in a layout. The layout does not need to be the active part and this tool does not set the active part.
When active, Edit Layout displays a toolbar above the selected part containing more tools.
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When you’re in Edit Layout and ArtiosCAD prompts you for pick-up or put-down point, or when dragging, clicking
the right mouse button exits that mode with the parts still selected and the Edit Layout toolbar present. Click
the right mouse button again to exit Edit Layout and return to the Select tool.
Use Select to select parts on a layout. Clicking inside a part selects it.
You can select multiple parts in a layout to act on them all at once.
• hold down SHIFT or CTRL and click inside the desired parts
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• click a point to use specific pick-up and put-down points. Enter a value in an Offset field on the Status bar to
offset from the put-down point.
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b) If you are moving a part (or parts) which touches another part and shares the pick-up point, ArtiosCAD
selects the part the cursor is in.
c)
To offset the put-down point, you must pick up using a specific point and not the center crosshair.
Click the pick-up point and either click Offset Point on the Status bar or ALT-click on the desired
put-down point, and enter the X and Y offsets from the put-down point. You can type the offsets in the
Status bar fields, pressing ENTER after each and TAB to move between them, or use drag to set them.
Once you set the second offset, the parts move to the desired location.
3. Click to set the put-down point. ArtiosCAD highlights any midpoints or endpoints you drag over. ArtiosCAD
moves the part (or parts) and Edit Layout remains active on the selected part or parts so you can do other
things.
Remember that red drag indicates an unwise (but allowed) put-down point and gray parts mean they overlap
either other parts or the sheet border.
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Note: You can select multiple parts before clicking Delete Part From Job, but ArtiosCAD only deletes
the last part you selected.
Deleting a layout
Deleting a layout is just like deleting any other part. To delete a layout, do the following:
1. Right-click the layout in the Parts List and click Delete Layout on the context menu.
2. Alternately, right-click anywhere over the layout and click Delete Layout on the context menu.
3. ArtiosCAD deletes the layout.
Note that after you have deleted a layout from a job, recalculating the job may recreate the layout.
Deleting a job
To delete a job, do one of the following:
1. Select the job in the Parts List, and then click Parts > Delete Job.
2. Right-click the job in the Parts List and click Delete Job on the context menu.
ArtiosCAD deletes the job.
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Part Labels
To show or hide part labels on canvas layouts, use View > Show Part Names in Layouts.
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In the Job Information dialog box, Unique layouts are the number of different layouts contained in the job. Total
sheets is the product of the number of layouts times their sheet counts. The Job quantity and Nesting Options
each reflect the options you chose when you created the layout.
In the Parts group, ArtiosCAD shows the parts in the job, the number of parts contained in all the layouts
comprising the job, and the difference between the number of parts contained in the layouts versus the job
quantity.
In the Sheet Properties dialog box, ArtiosCAD displays information about the sheet used to make the layout -
the width and height, the gutter, the margins, and the blank size of the layout residing on the sheet. You can
also change the layout justification (its position on the sheet) and specify a sheet edge style. If you have used a
geometry macro on this layout part, use Delete Layout Annotation to remove its product.
Change the values in the fields as desired, or click Standard Sheet Sizes, Die Press Parameters, or Shrink Sheet
to Fit to change the size of the sheet(s). If you have a sheet size formula defined in Defaults (Startup Defaults >
Canvas Layout Options, Set Sheet Size from Formula becomes available.
In the Layout Information dialog box, ArtiosCAD shows the waste percentage, the blank size, and lists the parts in
the layout with their count.
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ArtiosCAD shows any errors or warnings about this layout part in this dialog box.
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2.
Click Convert to Manufacturing on the View bar, or click it on the context menu by right-clicking the
layout in the Parts List or when hovering over the layout itself.
3. Choose the parameter set and machines to use in the Layout Settings dialog box and click OK.
4. ArtiosCAD brings all the production parts from the canvas layout into manufacturing with the same
positioning. It honors the sheet size, margins, and gutter from the canvas layout.
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ArtiosCAD does not maintain a link between the canvas layout and the manufacturing workspace. There is no
way to reuse the settings from a previous Convert to Manufacturing operation.
ArtiosCAD brings all the database information from the layout part into the manufacturing workspace.
If the side setting in the parameter set of the new manufacturing document differs from that of the canvas,
ArtiosCAD flips the layout.
IF the grain of the parameter set of the new manufacturing document differs from the that of the canvas,
ArtiosCAD ignores the parameter set setting and keeps the canvas’ orientation
• Most edit tools are unavailable when a layout part is the active part.
• Tools that switch parts when you interact with another part do not switch parts when you work with a layout
part.
• Layout parts use the same grain direction and side as the canvas and the other parts in the canvas.
• Layout parts do not show up in the Save Parts dialog box and behave similarly as non-production parts.
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• If you create a new part to the right of a layout part, turn off that layout part off and then on again, it will shift
to the right of that new part. It is therefore easy to make the workspace quite spread out.
• Layout parts inherit the canvas database information. If you view the database information for a layout
part, ArtiosCAD shows the Manufacturing database information dialog box, and the pieces of information
inherited from the canvas are read-only. However, you can set the pieces that are not read-only such as the
description, authorization, and revision description.
• If a part is contained in a layout and you change its type from Production to Non-production, ArtiosCAD does
not remove it from the layout.
• Changing the board of a layout changes the board for the entire job.
• If you rebuild a canvas containing layout parts, the parts in the layouts may change size and overlap. The
sheet size does not change during rebuild and ArtiosCAD may move the layouts so they do not overlap
production parts. Recalculate the layout to get the parts sized correctly in the layouts.
• To add production parts to a canvas containing layouts, turn all the layouts off, add the production parts, and
turn the layouts back on.
• When restoring an existing canvas, the side and grain alignment in the default parameter set functions as
follows: 1.) Mirror the parts and the one-ups within the sheet if the side is set differently, and 2) Rotate the
production parts and mark one-ups in yellow on the layouts if the grain/flute directions differ and Highlight
layouts with different grains is enabled in Canvas Layout Options in Defaults.
Concept
Many display makers who are concerned about minimizing material use for sustainability reasons have taken to
the ArtiosCAD canvas (ACD) format. They do this to help reduce space and so perhaps using a smaller (flat bed)
machine. These users follow score cards for sustainability certifications and acknowledgements of which waste
reduction is one aspect.
The ACD format allows for display parts to be designed relative to each other and for the parts to be laid out on
a sheet within the canvas file. The layout can take advantage of automatic layout and optimize placement on
sheets relative an order quantity. However, this is not what many displays designers desire. In many cases, parts
are manually placed, manually transformed and in some cases intentionally overlap other parts.
For these reasons, some users create "pseudo layouts": aggregated parts placed in a single part within the
canvas. Geometry macros representing various sized sheets are placed in the canvas. Canvas layouts are not
used for this operation. Differing parts are manually laid out within that rectangular region representing the
sheet and logically group as one canvas part.
In some cases, a designer will intentionally overlap a given part over another. An example:
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Manual placement is done to take advantage of the designer's visual ability to optimize as much of the sheet as
possible.
Parts may intentionally overlap another by bleed or physical structure as to further optimize as much of the
sheet as possible while altering one part does not affect the display's overall structural integrity.
Even though the aggregation of parts into a "pseudo layout" defeats the canvas concept, designers are willing to
do this within the canvas because:
• Placement and editing tools are better in the canvas to create "pseudo layouts".
• A part can intentionally overlap another.
• Annotations beyond the part names (layers: dimensions, text, registration marks, bleed) can be placed in the
aggregated pseudo layout more easily (since it is still considered a design/ARD) and therefore become visible
as a spec sheet.
Workflow
1. Create an empty canvas layout. There are two ways to do this:
a. In the Parts List, right-click the desired board and select Create Empty Layout.
b. From the Parts menu (top bar), navigate to Create Empty Layout and select the desired board.
As usual, these layouts will be defined under a material and a job.
Note: The sheet size will be based on existing defaults. To change the size, right-click the empty
layout, select Sheet Properties and make the changes.
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In this mode, you will be able to intentionally physically overlap another part, including bleed in a canvas
layout.
When bleed overlaps or parts physically overlap:
• A visual outline of the overlapped parts is presented when the part doing the overlapping is highlighted.
The part placed on the sheet after the other part will get the rendering priority.
• You can trim from the Layout toolbar. Select the part that needs to be trimmed and then select the Trim
tool which will already identify the overlapped parts. Click on the geometry and the geometry will be
trimmed.
Important: ARD layers will be used to contain and control visibility within the layout. However,
the annotation does belong to the layout part.
• About annotations: When a layout is selected, these tools allow you to annotate the layout itself:
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To move or delete annotations, activate the Select tool and select the item as you would in any
ArtiosCAD design.
Tip: Tip: You can delete layout annotations from the Sheet Properties dialog.
• About marks: You can still add print registration marks to any canvas layout so that spec sheets can be
produced with the annotated content. This creates a new custom layer. Follow these steps:
• Set a canvas layout to be the active part.
• Go to Tools > Geometry Macros....
• In Geometry Macros Catalog, go to Registration Marks > Design and select Print Registration
marks for Designs.
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• Click OK and specify the wanted marks in the next dialogs. This will add the print registration marks.
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Important: System variables DESBLANKX(#MANSIZEX), DESBLANKY(#MANSIZEY), #DESLEFTX ,
#DESLOWERY, #DESCENTERX, #DESCENTERY can (since v24.03) also be used in a canvas part.
Macros must be derived from these system expressions.
Macros defined for layouts under 'Print Registration Marks for Layouts' can not be used.
That is because these macros may use library functions which reference 'L1 '. An example:
size sec :L1 NOGRAPH LINE BEZIER CLASS 0..2,1000.. TYPE 1..9,13,41..79 var
&minx &miny &maxx &maxy &totx &toty
A canvas layout is not a true layout (as found in an .mfg file). 'L1' will not be found in a canvas
layout and macros referencing this section will fail.
• Aligning by bleed: If the part has an outside or inside bleed outline, parts can be aligned by their bleed
outline. Go to Sheet Properties and select Touch bleed outlines to move a part in the layout via points
on the bleed outline and snap to other bleed points.
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Note: An output to a regular PDF (not a report) does not have this limitation ; it will display the
graphics.
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• Manual placement: When placing parts with bleed, you can select points on the bleed outline. You can
the drag and snap to other bleed lines.
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Preflight
Preflight is the process of checking a single design or canvas before it goes into production.
Effective preflight can improve your bottom-line profitability and on-time delivery.
The Preflight module of ArtiosCAD helps structural designers automatically inspect their designs for anomalies
that can cause diecutting performance issues or waste removal inefficiencies in production. The feedback from
the Preflight module will help you make changes that can optimize the design for production during the design
phase. This can help reduce the number of iterative cycles before production.
Preflight works by using a collection of rules called a Preflight Profile to analyze your design and highlight things
that break those rules called anomalies. The Preflight Profiles included with ArtiosCAD are meant as a starting
point. We expect you to create your own Preflight Profiles for use in different situations as your needs dictate.
You can also define Slotter Scorer Profiles containing machine characteristics for those machines that may
produce this design. Preflight would then tell you which machine(s) could produce this design.
4. At this point, you can either go to Defaults to configure Preflight Profiles and Preflight Options, or you can
start Preflight. To go to Defaults, click Take Me There Now. To go to Preflight, click Run Preflight.
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a) To go to Defaults, click Take Me There Now. ArtiosCAD opens Defaults, searches for Preflight, and
highlights all hits. Create new profiles or edit existing ones as desired. Save and exit Defaults to return to
the Preflight Profiles dialog box.
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b) To start using Preflight, click Run Preflight.
5. ArtiosCAD starts Preflight. Proceed to the next section.
Running Preflight
Once you have received your free trial subscription license for Preflight, when you start Preflight, the process is
much quicker.
1. Create or open a single design or canvas you want to check.
2.
Click Preflight on the View bar or on the Design menu.
3. Choose a Preflight Profile to use and any number of desired slotter scorer machines. Click OK. ArtiosCAD
remembers these choices for the next time you run Preflight.
4. ArtiosCAD analyzes the design or canvas according to the rules in the Preflight Profile and the conditions of
the Slotter Scorer Machines. The results appear in the dockable Preflight pane, and it remembers its size and
position between sessions. If this is a canvas, ArtiosCAD groups the anomalies per part. Shown below are a
single design and a canvas.
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ArtiosCAD indicates recognized panels with green and blue arrows spanning their width and/or height as shown
in the canvas part above.
The general workflow is that you run Preflight, review the anomalies, and fix them using either Fix Anomaly (for
those anomalies ArtiosCAD can fix) or regular ArtiosCAD tools (for those it cannot). Then you would either click
Refresh above the anomaly tree to update the results, or if you had closed Preflight, you would re-run it.
Set the default Preflight Profile and desired Slotter Scorer machines in Options > Defaults > Design defaults >
Default Preflight Profile.
• Right-click the anomaly in the tree and click Display Profile Setting on the context menu. Hovering over the
information icon in the condition name shows the same information as the ToolTip in the tree.
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b) This is an incorrect outline. There is a small gap at the top left corner. ArtiosCAD does not recognize it as
an RSC.
Selecting an Anomaly
The idea is that you select each anomaly to inspect it and resolve it.
1. When you click an anomaly in the tree, ArtiosCAD displays pertinent information about it beneath the tree
and highlights it in the design pane.
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2.
Click Zoom In above the tree to zoom in on the anomaly, or right-click the anomaly in the tree and then
click Zoom In on the context menu. In the example below, the design is violating the rule about a slot not
extending past creases on either side.
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3.
You can also select an anomaly with the Select tool in the design pane. Make sure to click a few pixels
to its side in order to not accidentally select the geometry it is flagging. When you select an anomaly with the
Select tool, ArtiosCAD:
a) Opens the node in the tree for that anomaly type
b) Highlights the selected anomaly in the tree and shows its properties beneath the tree
c) Displays a drag outline around the selected anomaly in the design pane and highlights other anomalies of
the same type in light blue so you can select another one.
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3. Click anywhere outside the edit box or press Enter. ArtiosCAD changes the icon in the anomaly tree to a
green checkmark to show it is accepted, and increases the count of accepted anomalies.
4. To accept an entire node of anomalies, right-click it in the tree and click Accept All on the context menu.
To show accepted anomalies in subsequent Preflight sessions, check Show accepted above the tree.
To unaccept anomalies you have previously accepted, first show them, and then you can either unaccept
them individually by selecting one and clicking the green checkmark beneath the tree, or by right-clicking it
and clicking Unaccept on the context menu. You can also right-click a folder of accepted anomalies and click
Unaccept All on the context menu.
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ArtiosCAD displays a wrench next to an anomaly in the tree if it can fix it, and also displays a wrench next to the
anomaly category. Different colors have different meanings.
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ArtiosCAD considers an item extraneous if does not affect the structure or intent of the design. In this
case, deleting the zero-length rule might affect the intent.
c) Hover over the information icon to see a ToolTip describing the anomaly.
a) ArtiosCAD may open the Fix Parameters dialog box if it needs more information, especially if any part of
the wrench is orange.
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ArtiosCAD considers an item extraneous if does not affect the structure or intent of the design. In this
case, ArtiosCAD defaults to fixing just the 2 safe anomalies rather than those 2 plus 157 that might
change the intent of the design.
b) Hover over the information icon to see a ToolTip describing the anomaly.
c) If you want to delete all the anomalies and not just the extraneous ones, click Delete.
d) Click OK in the Fix Parameters dialog box.
3. ArtiosCAD fixes the anomalies. If you click Refresh, the anomalies no longer appear.
You can also click the wrench in the toolbar at the top of the Preflight pane to quickly do a Fix All.
a) ArtiosCAD may open the Fix Parameters dialog box if it needs more information, especially if any part of a
wrench is orange.
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ArtiosCAD considers an item extraneous if does not affect the structure or intent of the design.
b) Select the checkbox for each preflight rule category to fix.
c) Change the values for any prompts as desired. If changing a prompt makes what was an anomaly now be
okay, the anomaly’s color in the drawing area changes from magenta to blue.
d) Hover over the information icon to see a ToolTip describing the anomaly.
e) If you want to delete all the anomalies for a preflight rule and not just the extraneous ones, click Delete in
that rule category.
f) Click OK in the Fix Parameters dialog box.
3. ArtiosCAD fixes as many anomalies as it can. If you click Refresh, the fixed anomalies no longer appear.
Note:
You may have to repeat this process several times because fixing anomalies may affect the design in
such a way as to negate other pre-existing anomalies or create new ones.
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This example focuses on rules outside the outline of the design and the sharp corner.
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1. Run Preflight, right-click Incomplete outline: Rules outside outline in the Preflight pane, and click Fix all.
a) In the Fix Parameters dialog box, it lists 1 extraneous item. This is the 1/8” rule. ArtiosCAD considers it safe
to delete because it satisfies the 1/8” limit in the Delete lines shorter than field and thus deleting it will
not affect the intent and/or integrity of the design.
b) For the 3/16” rule, it may be intended but ArtiosCAD is not sure as it’s not in violation of the Line extends
past intersection rule since it’s longer than 1/16”. It still violates the Incomplete outline rule, however.
c) If you toggle between Delete extraneous items [1] and Delete [2], notice that ArtiosCAD turns the
highlight of the 3/16” line blue to show ArtiosCAD will not delete it as it is not extraneous. The magenta
highlight of the 1/8” rule means that ArtiosCAD will delete it if you click OK to fix it. If you click Delete [2],
notice that the highlight of each is magenta, indicating ArtiosCAD will delete them both.
2. Both rules are mistakes, so click Delete [2] and then click OK.
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3. ArtiosCAD deletes both rules and removes the anomalies from the Preflight pane.
1. Run Preflight, right-click Sharp corner requires blend in the Preflight pane, and click Fix.
2. Enter the desired radius for the blend with which ArtiosCAD will replace the sharp corner and click OK. As
you enter different values, ArtiosCAD updates the magenta outline.
3. ArtiosCAD inserts the blend and removes the anomaly from the Preflight pane.
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The numbers in the folder name are the number of machines it fits on and the number of machines in the folder.
Click an anomaly in the tree to have ArtiosCAD show it.
ArtiosCAD checks for the following errors for recognized RSCs for slotter scorers:
• Length and width not recognized
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• Too many panels
• Missing flap
• Crease is not vertical
• Offset creases
• Flaps different heights
• Irregular-shaped slot
• Slot is not symmetrical
• Slots are not the same
• Missing glue flap
• Irregular glue flap
• Glue flap extension lines being too long
• RSC creases have different types
• RSC main crease is a special rule
• Design has reverse or matrix creases
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Parallel Perf
When there are parallel perfs close together, the diemaker places both perf rules in the same slot with a steel
spacer between them, rather than having a thin piece of wood. The available spacer widths are multiples of 0.014
inch. Thus, if the spacing between parallel perfs is small, and not a multiple of 0.014 inch, the diemaker cannot
make it.
ArtiosCAD detects these in the Parallel perf condition in Dieboard stability > Rules > Knives.
Land Length
ArtiosCAD allows you to define a perf or cut/crease with a land length longer than the special rule pattern. But
the diemaker cannot simply cut a piece of special rule to that length; he has to add another short piece of rule at
the end, which often is not long enough to bridge.
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ArtiosCAD detects these in the land length conditions in Dieboard stability > Special rule.
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13. Manufacturing
Introduction to Manufacturing
Manufacturing is the module of ArtiosCAD that makes production tools from single designs. These tools are
mounted in presses. As the sheets of board move through the press, the tools cut the design out of the sheet
and remove interior and exterior waste.
Within Manufacturing are submodules that perform different tasks. Each module is purchased separately
according to your individual needs.
Layout manually arranges single designs on sheets of board.
DieMaker creates flat dies.
Rotary DieMaker creates rotary dies.
Stripping removes interior and exterior waste.
Intelligent Layout automatically makes many different layouts, compares their waste percentages, and lets you
choose the best layout to make. Coupled with Intelligent Layout is Costing/Estimating, which calculates how
much a layout will cost to make and run across multiple cost centers.
Intelligent Counters, in the context of Manufacturing, manually arranges counters on a sheet of counter
material for milling on a countermaker.
Designing manufacturing tools usually follows this general workflow:
1. Create a layout.
• Create a new blank layout and add single designs to it, or
• Add stripping rules, carrier rules, and a mounting bar. The stripping rules cut the waste into smaller pieces
for easier removal, and the carrier rules prevent the sheet from sagging as it moves through the press.
• If using a rotary dieboard, create rule paths and add splits if necessary.
• Add stripping components, rules, pins, and blocks to rid the sheet of waste. The upper and lower stripping
boards (also known as top and bottom, male and female) are created automatically.
Within this two-part workflow there are additional decisions to make. Will you make your own nest or use the
automatic nesting tools? Are Intelligent Layout and Costing/Estimating available? If you use Intelligent Layout,
do your designs have print items defined? If you use Cost/Estimating, do you have an idea of possible order
quantities desired?
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When you open saved Manufacturing files, the layers displayed are set according to the defaults in Options >
Defaults > Shared Defaults > Design Defaults > Default View Mode.
Manufacturing prerequisites
Before designing a layout and creating tooling, you should make sure of the following:
• Machines are set up in Defaults.
• Cost centers are set up in Defaults (if you plan to use Intelligent Layout and/or Costing and Estimating).
• If intending to use Standard Sheet Layout, that standard sheet sizes are set up in Defaults. See the Defaults
chapter for more information.
In addition, the Manufacturing modules have the following limits:
• For manual layout, the maximum number of repeated designs is 300.
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In the Trim group, the fields set the trim tolerances at the edge of the sheet. Set them to be less than the
maximum values for the presses used to produce the layout.
Use gutters inserts gutters between designs in the nest when it is checked. When it is clear, the single designs
touch. The values in the X and Y drop-down list boxes set the gutters in X and Y for the first and second rows
and columns of single designs in the layout. The values in the X2 and Y2 drop-down list boxes set the gutters
between the second and third rows and columns. These are repeated as appropriate between all the rows and
columns in the layout.
In the Nest type group, the checkboxes control the kinds of nests made automatically. Select the checkboxes
next to the type of nests to use; clear those next to undesired nests.
Touch bleed outlines controls whether the designs touch using the bleed outlines or the edges of the designs.
If Use gutters is enabled in conjunction with Touch bleed outlines, the gutters are inserted between the bleed
outlines instead of the edges of the designs.
In the Design options group, Allow 90 degree rotation lets designs rotate so they are cross-grain; the sheet
grain runs in the longer direction. Maximum allowable reduction is the maximum distance that could be shaved
off each design in order for another row or column to fit on the sheet. If such a cutback is possible in each
design, a row or column will overlap the edge of the sheet when a layout is suggested and there will be values in
the various Reduction fields of the Sheet Layout Results dialog box.
Standard Sheets tab
1. Click Standard Sheets to view or modify the values on the Standard Sheets tab as shown below.
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Listed on the tab are the standard sheets that are defined in Defaults. To use a sheet for possible layout
solutions, check its box in the Use column. To disable its use, clear the checkbox. To toggle the usage of all
sheets at once, click All on/off.
The arrows on the side of the dialog box move the currently-selected sheet up and down in the list of sheets.
The order of sheets on this tab is the same order used to present layout results.
Viewing results
1. Click OK to generate prospective layouts. The Sheet Layout Results dialog box opens as shown below.
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The list of prospective layouts is initially sorted first by sheet used and then by nest type. Click any column
heading to sort by that column. The first three columns repeat the entries in the sheet table, while the remaining
columns display information about the prospective layout. %Waste is the percentage of waste on the sheet
ignoring holes in the single designs. #X is the number of single designs across the sheet and #Y is number back.
Total displays the number of single designs on the sheet. The Direction column is blank if the all single designs
are with-grain, or displays Rotated if that option was enabled and used to construct the prospective layout.
The selected prospective layout is shown in the preview window. Click another layout to see its preview.
The Sheet group shows the grain/corrugation direction and the amount of total reduction needed for another
row or column of single designs to fit on the sheet.
The Oneup group shows the reduction needed in each single design for another row or column of single designs
to fit on the sheet. If the single design was rotated, the word Rotated appears in red.
Click Cancel to return to the Standard Sheet Layout dialog box to adjust parameters.
1. Click Make Layout to make the selected prospective layout.
2. Choose the parameter set and presses for the layout and click OK.
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3. The layout is created and can be modified as desired.
If the trim is too small, the following dialog box is displayed. Click OK to make the layout or click Cancel to return
to the single design.
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If the trim is too small and the sheet is too big, the following dialog box appears. Choose the appropriate choice
and click OK to make the layout, or click Cancel to return to the single design.
Further examples
Shown below are further examples of the Sheet Layout Results dialog box with all sheets and nest types
selected, as well as Allow 90 degree rotation enabled.
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2. Create a new layout and add the new designs to it.
3.
Click Quantities and costs.
4. Check the board weight and cost to make sure they are correct.
5. Enter the ordered quantities and click Rebuild.
6. Examine the information on the Total Cost tab, decide which layout best meets your qualifications and click
OK.
7. Create tooling.
Refer to the upcoming example for more detailed instructions.
If you use different sizes, you will get a different yield and a different number up.
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3.
Click Add oneup.
4. Navigate to the directory or resource containing the designs you made, highlight DESIGNA, and click Open.
DESGINA appears in the bottom left of the sheet.
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Correct the basis weight and cost if necessary. The board cost needs to be approximately correct within a
factor of two for Intelligent Layout to give meaningful results.
3. Click OK.
3. Click Rebuild to calculate a layout. You will see a progress indicator for a few seconds while it calculates
layouts:
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4. When it has finished calculating layouts, the progress control disappears, the run length and yields are
calculated, and the Quantities tab is updated:
The text at the bottom of the dialog Layout 1 of 6 indicates that it calculated six layouts; cycle through these
layouts using the Next and Previous buttons. Note that layouts are ordered by ascending sheet cost.
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2. After changing the number of colors click Rebuild, as specifying ink affects the selection of the layout.
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Term Meaning
Make ready sheets The number of sheets used while setting up the machine.
Run length Number of sheets used while running, separate from make ready. The run length
of the die press is shorter than the run length of the printing press due to run
waste on the printing press and make ready on the die press.
Rule length Approximate rule length in the die. Does not allow for double line removal or
stripping rules. Used in the calculation of the die cost.
Rule length warning A warning is shown if the rule length exceeds the maximum rule length for the die
press.
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Term Meaning
Make ready waste (Amount of board used in make ready and run time waste for all cost centers,
including folder-gluers and so on) / (Total board used) * 100%.
Scrapped overrun (Area of board scrapped due to excess overruns) / (Total board used) * 100%.
Total waste (Area of board in the cartons delivered) / (Total board used) * 100%. Note: This is
not a sum of all waste.
Ink Cost Cost of inks used as specified in the ink coverage page.
Printing Cost Cost of using the printing press, including make ready.
Die cost There is a formula for the die cost based on the sheet area and rule lengths. Note
that since there is no separate formula for stripping boards, varnish blankets and
other tooling, the die cost formula should be set up to include these as well.
Diecutting cost Cost of using the die press including make ready.
Total sheet costs Subtotal of board cost + Ink cost + Printing cost + Die cost + Diecutting cost + any
other sheet cost centers.
Item costs Cost of the item cost centers (the ones downstream from the die press) such as
folder-gluer, windowing and shipping.
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Table: Overruns
Term Meaning
Minimum overrun % The minimum overrun acceptable. 0 means make at least 100% of the
ordered quantity.
Maximum overrun % The maximum overrun acceptable. 10 means that the customer will accept
up to 110% of the quantity ordered. Anything over 110% is assumed to be
scrap.
Delivered Quantity Quantity delivered to the customer (does not include the scrapped
overrun). Note that the Yield column on the Ordered Quantities page does
include the scrapped overrun.
Scrapped Overrun The number of excess cartons above the maximum overrun. It is assumed
that these will be scrapped (e.g. thrown out or recycled) and not processed
by downstream machines such as the folder-gluer.
Different % per print item When on, you can select multiple rows by SHIFT- or CTRL-clicking. Use
this to set the overrun % to be different for different items. When off, all the
items are selected, and you change the overrun % for all items at the same
time.
Minimum overrun option button Calculate the run length as the smallest that gives yields >= minimum
overrun for all items on the sheet.
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Term Meaning
Maximum overrun option button Calculate the run length as the largest that gives yields <= maximum
overrun and yields >= minimum overrun for all items on the sheet.
2. You will get a new layout and different yields. Note that you will often get a layout that does not give the
exact yield quantity required, because you can only put a whole number of each design on the sheet. In this
case DESIGNB is 100%, whereas DESIGNA and DESIGNC are slightly over, at 104% and 103%.
3. Switch to the Overruns tab, change the option button to Maximum overrun, and switch back to the Ordered
Quantities page. Do not click Rebuild! Now the run length has increased to fit the maximum overrun which is
10%:
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Scrapped overrun
Sometimes the overrun is larger than the maximum and you get scrapped overrun, particularly when there are
only 1 or 2 of that design on the sheet. For example, change the ordered quantity of DESIGNC from 250000 to
25000, and rebuild. The new layout has only 2 of DESIGNC, giving a yield of 176%:
Since the customer will not accept over 110%, the remainder is shown as scrapped overrun on the Overrun %
page:
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Note that when you have scrapped overrun, it makes no difference which overrun method button is selected.
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The button changes to showing that the current print item is Beef.
5.
Click again.
6. Click Create.
7. Type the name of another print item, such as Chicken and click OK.
8. Repeat to add another print item, such as Pork and click OK.
Return to Manufacturing
1. Click File, and then click Return to Manufacturing to close the embedded design.
2.
Click Quantities and costs.
3. Enter new ordered quantities, e.g. 200000 beef, 200000 chicken, and 300000 pork.
4. Click Rebuild.
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2. Select Use print item names.
3. Click OK.
If you have ArtMaker, you can add graphics to the designs and view them by turning on the Graphics checkbox
in the View Mode dialog box on the View menu.
Ghosting constraints
This is an illustration of how ghosting constraints can affect a layout (for the pictures shown here, the maximum
sheet size was 60 x 42 inches).
With no ghosting constraints, the layout looks like this:
There is a light red item behind a dark green item and this may not be acceptable due to printing considerations
(ghosting constraints). The green ink may bleed into the red ink while the cartons move through the press. To
change the ghosting constraints:
1.
Click Intelligent Layout Parameters, then click Gutters.
2. Click Beef on the left and then clear the Chicken checkbox on the right. This means that the Chicken item
cannot be placed behind the Beef item.
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3. Click Chicken on the left and then clear the Beef checkbox on the right. This means that the Beef item
cannot be placed behind the Chicken item.
4. Click Rebuild. The new layout is built with the constraint that Beef and Chicken items cannot be placed in
the same column:
Multiple Sheets
To illustrate the need for more than one sheet, suppose you had more designs in an order. From the earlier
layout, add two more designs DESIGND and DESIGNE, so the complete list is:
Enter new ordered quantities for DESIGND of 40000 and DESIGNE of 30000, with a maximum sheet size of 60 x
40 inches or 1500 x 1000 mm, and then click Rebuild. Get results as follows:
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When there are many designs, the proportions might not fit particularly well on the sheet, and there may be
overruns of one or more items. In this case there is 133% of DESIGNE. Because the numbers do not work out well,
we can try fulfilling the order with two sheets.
Intelligent Layout does not handle multiple sheets automatically but it provides some tools for assistance in this
case.
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3. Use Previous and Next to find a layout with the least overrun.
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The Specify Nest tool overrides the automatically calculated nest between designs. To use this tool:
1. Identify a pair of designs one above the other, for which you want to change the nest.
2.
Click the Specify Nest tool.
3. Click a pickup point in the higher of the two designs.
4. Drag this design horizontally, and place it using a put-down point in the required position relative to the
design underneath it.
The column containing these two designs is rebuilt using the new nest you have defined. The new nest will be
used in the next rebuild, and if the two designs are the same, in the next use of the manual nest tools.
This tool allows nests created by the Specify Nest tool can be deleted. In the Delete Nest dialog box, hold
down CTRL to select more than one nest at a time. Click OK to delete the selected nests.
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The Move Design or Column tool makes quick, simple adjustments to a layout created by Intelligent
Layout.
To move a design up or down in a column:
1.
Click the Move Design or Column tool.
2. Select the design to move.
3. Click near the new position in the same column
To move a column:
1.
Click the Move Design or Column tool.
2. Click a design in the column to move.
3. Click near the position (in a different column) where you want to move the column.
Manual Adjustments
If you make manual adjustments to a layout created by Intelligent Layout, or create the whole layout manually,
the value in the Quantities and Costs dialog will be automatically updated.
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2.
Click Convert to manufacturing and choose a parameter set and presses to use.
3.
Click Quantities and costs. The Quantities and Costs dialog box appears showing the single design.
4. Click Add Quantity. The format of the Quantities tab changes, showing multiple quantities instead of
multiple items:
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Whether there is a different layout or the same layout for each Quantity is controlled by the Quantities Mode. If
you want to have the same layout for each quantity:
1. Go to the Quantities tab in the Quantities and Costs dialog box.
2. Select the desired layout.
3. Click Quantities Mode.
4. Select Same number up for all quantities.
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5. Click OK.
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Once you click OK, an empty sheet will be created that is sized according to the values in the parameter set.
You can convert a canvas to Manufacturing when the active part is not empty and is of type Production.
ArtiosCAD creates a manufacturing workspace and adds the active part to the sheet.
If you saved the parts to individual workspaces, ArtiosCAD uses the part workspace filename for the base
of the manufacturing workspace filename. If you did not save the parts to workspaces, ArtiosCAD bases the
manufacturing workspace filename on the canvas filename and part number.
Otherwise, converting a canvas to Manufacturing is just like converting a single design, as ArtiosCAD checks the
blank size, checks for double lines, and checks for zero-length lines. If the blank size is 0, ArtiosCAD cancels the
conversion.
To add more parts to the manufacturing workspace than just the active part, save the parts to individual
workspaces using Save Parts and then add them to the layout using Add Oneup.
The next step is to add a design to the layout. Click the Add Oneup tool. The Add oneup dialog box will
appear along with a window that previews each design clicked.
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Double-click the name of the design to add to the layout. Repeat this process to add different designs. Do not do
this to add more copies of the same design.
Note: Adding more than one design to a layout creates a combination layout, which is covered later in
this chapter.
If the design has print items, click the Change Print Items tool to select the print item to use.
The distance, or gutter, between designs is set to zero by default. You can change it before using a Nest tool.
Alternately, you can change it while using a Nest tool by specifying different step values between the rows and
columns in the edit boxes on the Status bar.
1.
Click the Select Design tool and then click a line in the design. Handle points will appear at its
perimeter and it will turn magenta to indicate it is selected.
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2.
Click the Straight Nest tool, or choose one of the other Nest tools from the Nest Tools Flyout toolbar
shown below.
The first tool on the flyout toolbar is the Straight Nest tool, which performs no rotation or alignment on the
single designs as it arranges them.
The second tool on the flyout toolbar is the Reverse 2nd Row Nest tool, which flips the design
horizontally every other row.
The third tool on the flyout toolbar is the Reverse 2nd Row Align Nest tool, which works similarly to
the Reverse 2nd Row Nest tool, except that it butts each row of designs against the sheet edge instead of
nesting them as close together as possible.
The fourth tool on the flyout toolbar is the Reverse 2nd Column Nest tool, which flips the design
vertically every other column.
The fifth tool on the flyout toolbar is the Reverse 2nd Column Align Nest tool, which works similarly
to the Reverse 2nd Column Nest tool, except that it butts each column of designs against the sheet edge
instead of nesting them as close together as possible.
The sixth tool on the flyout toolbar is the Honeycomb Row Nest tool, which nests round shapes close
together by row.
The seventh tool on the flyout toolbar is the Honeycomb Column Nest tool, which nests round
shapes close together by column. Both honeycomb nest tools support gutters.
3. Once you select a Nest tool, as you move the drag with the mouse, ghost images of the design appear.
Press tab while the drag is active to change the number of designs and step values between designs as
desired. X1 is the horizontal distance between the left edges of each single design’s bounding box. Y1 is
the vertical distance between the bottom edges of each single design’s bounding box. X2 is the horizontal
distance between the left edges of the second and third columns of single designs, and then the fifth and
sixth. Y2 is the vertical distance between the bottom edges of the second and third rows of single designs,
and then the fifth and sixth. Shown below is an example of different X1, X2, and Y2 values.
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4. Click the mouse button when the ghost images fit inside the sheet without going over an edge. The
other tools on the Nest flyout toolbar may allow more designs on a sheet; try them all. Shown below is an
acceptable nest. Note that the total number of designs in the nest is shown next to the cursor.
Shown below is an unacceptable nest as the single designs extend beyond the edge of the sheet.
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ArtiosCAD allows nests to overflow by one design so that you can see the distance by which you miss nesting
an extra row. If you miss by only a small distance, this allows you to adjust your sheet size or gutter as needed
so that the extra row fits. If you miss by a large distance, this shows that you have to accept less designs on the
sheet.
The gutter is the distance between designs. By default, the gutter between the nested copies is set to zero.
If you want a gutter between the copies, use the Change Gutter Distance tool and set the options in the Gutter
Distance dialog box to the desired values.
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Touch bleed outlines uses the outer-most lines in the Inside Bleed or Outside Bleed layers of the single
design(s) as the basis for the nest.
Use current print item bleed uses the current print item’s bleed instead of the largest bleed. This is controlled
by a default in the Layout gutters section of the Startup defaults for the manufacturing parameter set.
Use gutters enables gutters between the design edges. The checkboxes next to Y and Secondary enable
different gutters as described in step 3 of the previous procedure. X and Y in the Primary row are X1 and Y1, while
X and Y in the Secondary row are X2 and Y2.
The gutter will appear in the Nest tool drag.
Gutter defaults are contained in Defaults > Manufacturing parameter sets > Parameter set > Startup defaults
> Layout gutters.
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To create a combination layout, do the following:
1.
Add the different designs to the sheet using Add oneup tool. Use the adjustment tools to change their
position if desired.
2.
Select all the designs with the Select Designs tool.
3. Use the tools on the Edit Layout toolbar to copy and move the designs.
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You must choose a layout justification method before you can change the fields in the Size and Margins groups.
The buttons in the Layout Justification group move the group of designs so that the bottom center of the
designs is aligned with the bottom center of the sheet (as shown above); the other buttons in the group move
and justify the oneups in the direction indicated. Once a layout justification method is chosen, all the other fields
become available and you can adjust the size of the sheet and its margins. Standard Sheet Layout lets you
choose from the list of standard sheets defined for Standard Sheet Layout. Shown below is a sheet shrunk to the
perimeter of the single designs.
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Note: You cannot rebuild an embedded design. Also, do not change both the side up (using the Side
Up tool on the View bar) and the structural orientation (using the Structural Orientation tool on the
View bar); change one or the other but not both. ArtiosCAD stores the creation time of the embedded
design and compares the internal timestamp to the one of the original workspace on the hard disc
to check if the original design has changed since it was embedded. If the layout workspace came
from another site, ArtiosCAD cannot compare the timestamps and it will take a long time to open the
workspace. To disable this check and have the workspace open faster, deselect the Check embedded
designs upon opening MFG file checkbox in Options > Defaults > Shared Defaults > Startup defaults
> Embedded Design Check.
The initial state of the checkbox and the amount of annotation lines shown are set in Options > Defaults >
Startup defaults > Embedded Design Window Size.
2. Modify the design as desired.
3. To save the embedded copy as the original file, click File > Save Design, use the same filename, confirm
overwriting it, and then click File > Return to Manufacturing. To save it as a new workspace, enter a new
filename in the Save As dialog box. The Save button on the toolbar does a Save As.
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4. To keep the original copy as it was and only modify the embedded version, click File > Return to
Manufacturing.
2.
Click Replace Selected Oneups. The Replace Oneup(s) dialog box appears.
3. There are two main option buttons in the Replace Oneup(s) dialog box. Browse for new oneup, when clicked,
prompts you to select a new file for replacing the one currently in the layout. Selecting Split out selected
oneup(s) lets you either save the selected design(s) as a new single design workspace (Save selected
oneup(s) as new design file) or just rename the selected design(s) in the layout (New oneup name). Choosing
New oneup name does not create a new file.
4. Click OK to either browse for the new design, save a new workspace, or rename the design in the layout.
If the new design is a different size than the original, or has a different grain/corrugation direction, or a different
position, the Replace Oneup Position dialog box appears as shown below.
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To change the position of the new design in reference to the position of the bounding box of the old design, click
the appropriate button in the Position group.
ArtiosCAD usually performs automatic sequencing of single designs within a layout when it is output. If
desired, you can turn off the fully automatic sequencing in the Output definition and control the automatic
sequencing of the single designs yourself using the Layout Manual Sequencing tool.
This tool is available only in the Dieboard layer of manufacturing files and also in counter layouts. This tool does
not have Undo functionality.
Note: Any sequencing done with this tool will be lost on Output if sequencing is enabled in the Output
definition in Defaults. To check for a CAM output, open the Output definition in Defaults and look on
the Processing tab. If the Sequence one-ups in layout option is checked, ArtiosCAD will discard the
manual sequencing you specified when the layout is output. To deselect the checkbox, check the
Enable subroutined output checkbox and clear the Sequence one-ups in layout checkbox. To check
for a Sample output, look on the Sample Sequencing tab and clear the Sequence one-ups in layout
checkbox.
When activated, this tool places option buttons on the Status bar as shown below and performs a default nest
from the bottom left by row.
Sequence order numbers appear in the center of each single design indicating their cutting order. Green dashed
lines connect the designs. The picture shown below is the default sequence.
The first group of four buttons sets the starting point for the sequencing. The first button
starts the sequencing at the bottom left of the layout. The second button starts the sequencing at the bottom
right of the layout. The third button starts the sequencing at the top left of the layout. The fourth button starts
the sequencing at the top right of the layout.
The second group of four buttons controls the sequencing direction and is not available
until a button in the first group is pressed.
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The first button sequences each horizontal row, starting each row on the same side of the layout so that each
row is sequenced in the same direction, as shown in the picture above, with the starting point at the bottom left.
The second button sequences each vertical column, starting each column on the same side of the layout so that
each column is sequenced in the same direction. The picture shown below starts from the bottom left.
The third button sequences each row, starting on opposite sides of the layout so that each row is sequenced in
the opposite direction, forming a horizontal snake pattern. The picture shown below starts from the bottom left.
The fourth button sequences each column, starting on opposite sides of the layout so that each column is
sequenced in the opposite direction, forming a vertical snake pattern. The picture shown below starts from the
bottom left.
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The Sequence All button lets you manually sequence the single designs in the layout.
To use this tool, do the following:
1.
Click Sequence All.
2. Click the first design in the sequence. It will become number one, and all the others will increment up by one
to reflect the change.
3. Continue clicking single designs. As you click them, they will be incremented up by one - the first design
clicked is one, the second two, the third three, and so forth, with the remaining designs incrementing up by
one conforming to the pattern you selected on the Status bar.
The sequence shown below is exaggerated for effect.
The Sequence Range button lets you resequence a specific range of one-ups, instead of
sequencing all of them.
For example, in the layout shown below, it is sequenced by row, but perhaps it should be a vertical snake instead.
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To resequence the single designs without using the automatic sequencing tools, do the following.
1.
Click Sequence Range and then click design three. It will not change.
2. Indicate next item will appear on the status bar. Click design six. It will change to design four.
3. Click design six to change it to design five. What was design five changes to design six at the same time, and
the resequencing is complete.
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This tool works in the same way for resequencing counter layouts.
Note: Any sequencing done with this tool will be lost on Output if sequencing is enabled in the Output
definition in Defaults. To check, open the Output definition in Defaults and look on the Processing tab. If
the Sequence one-ups in layout option is checked, ArtiosCAD will discard the manual sequencing you
specified when the layout is output. To deselect the checkbox, check the Enable subroutined output
checkbox and clear the Sequence one-ups in layout checkbox. To check for a Sample output, look on
the Sample Sequencing tab and clear the Sequence one-ups in layout checkbox.
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A note on Auto-repeat
The Auto-repeat tool on the View bar automatically repeats elements such as stripping rules, holes, and
pins throughout congruent areas of the layout. Clicking the tool turns it on and off.
Auto-Repeat has three different modes. The mode is set in the Auto-Repeat flyout toolbar opened by clicking
the drop-down arrow next to the Auto-Repeat button on the View bar.
No Mirror auto-repeats those elements, areas, or constructions that look exactly like the object of the
current tool’s action.
Mirror about Vertical auto-repeats elements, areas, or constructions that match the object of the current
tool’s action either exactly or mirrored about the vertical axis (in effect horizontally).
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Horizontal and Vertical Mirror auto-repeats elements, areas, or constructions that match the object of the
current tool’s action exactly, mirrored about the vertical axis (horizontally), or mirrored about the horizontal axis
(vertically).
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The Select Element tool selects individual elements. Use this tool to select pins, pieces of rule, mounting
holes, bars, etc. This tool cannot be used to select any part of a design. Hold down CTRL to make multiple
selections.
The Delete Element tool deletes the selected element(s). This tool is available only when there is a current
selection. This tool uses the settings in the Auto-Repeat dialog box.
The Repeat Element tool takes a single element and auto-repeats it throughout the manufacturing
file. This tool is available only when there is a current selection. It mirrors according to the settings in the Auto-
Repeat dialog box.
The Select Oneups tool selects a design. Hold down CTRL to make multiple selections.
The Delete Oneups tool deletes the selected design(s). This tool is available only when there is a current
selection.
Once the designs are nested, create the dieboard edge. If necessary, switch to the Dieboard layer using the
layer control on the View bar. Click the Create Wood Edge tool to automatically create a dieboard edge. If the
die wood is not in the position you would like, select it and double-click it to access the Properties dialog box.
You can then change the dieboard size, how it is aligned, the method for making the corners, and if it is a rotary
die, the level at which the layout is viewed. Click OK to return to the layout.
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•
use the Create Burn Name tool to add a burn name, or use a Geometry Macro to add a more verbose
burn name.
•
use the Add Tack Bridge tool and the Delete Bridge tool to add and remove tack bridges. Click
the Add Tack Bridge tool and click the point on the die wood edge where you want the tack bridge. Click the
Delete Bridge tool and indicate the tack bridge to delete.
• Double-click the dieboard edge with a Select tool to change its properties.
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Scrap knives use the same stripping edge and hook parameters as Create Stripping Rule.
The values in Horizontal and Vertical set the size of the pieces. If Offset is set to a non-zero value, the vertical
lines zig-zag by that amount. There can be slight exceptions to these sizes to compensate for corner offsets and
bend lengths.
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Thin pieces of waste can be a little longer than the nominal width or height of normal scrap pieces. In the Thin
Pieces group, set the size limits for such pieces. ArtiosCAD chops pieces of scrap whose width is less than or
equal to the thin width into pieces whose length is less than or equal to the thin length.
The Other tab of the Scrap Knives dialog box is shown below.
Corner Offset sets how far scrap knives must be from a corner. For optimal results, the corner offset should be
less than 1/5 the horizontal and vertical size.
ArtiosCAD will bend a scrap knife to meet the design perpendicularly if the angle at which it meets the design
is more than the Minimum bend angle. The value in Bend Length sets the length of the segment that is
perpendicular to the design.
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ArtiosCAD considers arcs larger than the value in Arc Sensitivity to be blends. Scrap knives generally do not
meet arcs and are positioned away from them by the amount of the corner offset. But if an arc is large enough, a
scrap knife can meet it.
Some diemakers use standard-sized pieces of rule with an optional hook on the end when a scrap knife extends
off the sheet. Standard rules may be slightly shorter than the scrap knives they replace so that they do not go
outside the stripping edge. These standard rules are defined on the Standard Rules tab of the Scrap Knives
dialog box.
You can define four such pieces of rule in Defaults (Options > Defaults > Die Press parameter sets > Your press
> Scrap knives > Standard Rules). Check the checkboxes for the standard pieces of rule to use and change the
Length if desired. Change the Length and Radius for the hook if desired.
ArtiosCAD follows these rules when placing standard rules:
• If the length of the rule being replaced is between the lengths of two standard rules, it will use the shorter
one.
• The length of the standard rule must be less than or equal to the length of the rule it replaces.
• The amount the standard rule passes the edge of the sheet minus the hook must be at least half as much as
the rule it replaces.
• Standard rules on the leading edge do not get hooks, because there is usually no room to fit the hook in the
die.
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1. Create a layout in ArtiosCAD.
2. Click Tools > Scrap Knives.
The Scrap Knives dialog box appears.
3. When you have finished setting the options on all the tabs of this dialog box as described previously, click OK
to create the scrap knives.
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To make a corner be one continuous rule, add stripping rules at the corner before adding scrap knives.
The Evenly Spaced Scrap Knives tool creates scrap knives in the waste to the side of an existing line,
typically a stripping rule.
The Evenly Spaced Scrap Knives tool has two modes. The first mode is when a stripping rule is clicked as the
first scrap knife and a freehand coordinate is clicked as the second point. The second mode is when a stripping
rule is clicked as the first scrap knife, and then another stripping rule is clicked as the last scrap knife.
Shown below are the scrap knives created when the stripping rule on the left dust flap of the lid of the left
design is chosen as the first scrap knife and the drag is moved to the right with the cursor being kept near the
top of the sheet. The knives are evenly spaced until the drag is set, after which the Number: field becomes
available for changing as desired. Once the Size: and the Number: fields are set, click OK to create the scrap
knives.
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Note that the Size: field has changed so that a whole number of scrap knives can fit between the first
stripping rule and the second stripping rule.
5. Adjust the value in the Number: field as desired and click OK to create the scrap knives. Note that the
distance between each knife changes as the number of knives changes.
The drag for this tool is very sensitive. The tool can operate differently just by clicking a few pixels apart.
If you click another line as the last scrap knife, that has the effect of accepting the currently-shown scrap knives
and restarting the tool with the selected line being the first scrap knife. This allows the quick and easy creation
of several sets of chop knives.
Use the Move Scrap Knife tool to move a scrap knife or stripping rule that is not in the desired location.
When this tool is active, it has settings on the Status bar as shown below.
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The first button sets the offset of the moved or copied scrap knife to be from the selected rule, while the second
button sets the offset to be from the nearest end of a line.
Parallel controls whether or not the drag will only snap to positions parallel to the original scrap knife or if the
drag will snap to positions perpendicular to the original alignment as well.
Copy makes a copy of the selected scrap knife instead of moving it.
Offset sets the offset distance from either the selected rule or the nearest end of a line according to which
button is pressed.
To use this tool, do the following:
1.
Click the Move Scrap Knife tool and then click the scrap knife to move.
2. Drag the knife to the new position. If there is a bend on the start of the rule, it will be recalculated as needed.
If you align the new scrap knife with an existing scrap knife, a dotted line will be drawn between the two to
indicate alignment.
Balance knives are used to balance the die wood when the die wood has a lot of empty space on it.
Click the tool and balance knives will be added according to the values in the fields in the Status bar.
This is an example layout before adding balance knives:
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And here is the same layout after balance knives have been added:
You can edit the properties of balance knives by using the fields on the Status bar. 'Distance between' is only
shown for reference and can not be changed.
The balance knife operation is defined in the Die Press parameter set in Defaults.
The length of the rule can be calculated according to a rule-saver formula, which minimizes the rule needed, or
the rule can be set to extend to the design blank edge or the stripping blank edge.
Balance knives are computed in the Rule Length dialog box as Balance rule. The #BRLEN expression calculates
the length of the balance knives.
How many balance knives are added to the dieboard is decided by a formula from Bobst.
From 24.07 on, ArtiosCAD also supports a newer Bobst formula, allowing you to choose between the two.
Learn all details below in
• Using the Original Bobst Formula on page 1361
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Calculation
The original Bobst formula to calculate the number of balance knives ('N') is:
N = ( a x b ) / ( e x d ) , rounded up or down when the result contains a fractional component.
• When the Balance Knives Formula is set to Rule saver formula or Rule to design blank, dimensions are
described as shown below:
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• When the Balance Knives Formula is set to Rule to stripping blank, dimensions are described as shown
below:
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In the above example for Rule saver or Rule to design blank, this means:
• a = 10720.78 + 603.69 + (.5 x 1043.58) = 11846.26
• b = 466.72
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• e = 644.53
• d = 1048.54
N = (11846.26 x 466.72) / (644.53 x 1048.54) = 8.18 , rounded down to 8
Defaults allow a Maximum cutting zone height to be set which is only used as long as the Balance Knives
Formula is not set to Rule saver formula. The Maximum cutting zone width has no bearing on any calculation
and is disabled.
This value creates an effective die board (but does not physically change the dieboard), as to reduce the
effective compensation zone.
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• … Rule to design blank, the balance knife length extends towards the layout blank.
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• … Rule to stripping blank, the balance knife length extends towards the stripping blank.
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• This value can be overridden via the tool's status bar Limits... > Minimum distance to first knife.
This is the distance from the layout knife or the stripping rule depending on the choice of Balance Knives
Formula in the dialog Defaults > Die Press parameters > Die Press > Die Board > Balance Knives.
• If Rule saver formula or Rule to design blank is set, the distance of the balance knife to a cutting or
stripping knife will be at least this value.
• If Rule to stripping blank is set, then this distance is between the stripping knife and the balance knife.
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• Minimum distance to die edge is the distance between the last knife and the die edge and is true
regardless of the Balance Knife Formula in the Defaults. It can also be overridden via Limits... in the status
bar.
This is a region in which no balance knives will be placed and that could allow for the placement of
handholds if desired.
• Minimum distances between knives means that knives must be at least this distance between each other
within this boundary.
To enforce Minimum distances between knives, the number of calculated knives may need to be reduced.
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With Minimum distance to first and Minimum distance to die edge, the effective boundary by which balance
knives can be placed. Changing the % Bobst formula will first change the Balance Rule Length. Then apply the
number of knives within that boundary that equals the modified Balance rule length.
An example: 80% of 8388.35 will result in a Balance rule length of 6710.68. With a Balance knife length of 1048.54,
that will result in 6.4 knives. The % will then be rounded to the closest % you entered.
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Calculation
The New Bobst Formula is:
'N' - the number of knives - is always rounded up when the result contains a fractional component.
When Balance Knives Formula is set to Rule saver formula or Rule to design blank, dimensions are described
as such:
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Note: The Minimum distance to die edge (last balance knife closest to top die board edge). It is a
component of the new formula and must be > 15mm.
Similar to the original formula, a is the sum of Cuts + (Stripping + scrape knives ) + ( .5 Other rules) .
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All the cut rules, stripping rules and scrap rules add 1/2 of the length of all the cutting special rules. 1/2 is an
approximation since special rules may not have the full complement of steel that a cut rule does.
Also note that 70% of creases (r) are included in the new formula.
• r = .7 x 8105.77
• b = 466.72
• e = 631.83
• d = 1048.54
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Note: When Balance Knives Formula is set to Rule to stripping blank, dimensions are described as
such:
Placement
Same as for the original formula.
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If the number of knives is changed, the % Bobst formula is also changed according the original calculation.
• The % Bobst formula can also be changed. The number of knives will be changed to meet X % of the total
length of all balance knives.
• Use Minimum distance to first knife and Minimum distance to die edge to change the boundary of the
compensating zone.
• Minimum distance between knives can also be changed. It may affect the Number of knives and % of
Bobst formula.
Two tools create stripping rules: the Line/Edge tool and the Angle/Offset tool. The Line/Edge
tool creates a stripping rule from the point you indicate in the direction that you set until it intersects with
another line or an edge. The Angle/Offset tool creates a stripping rule with the angle and offset end-point that
you specify. Hooks are automatically added to the stripping rules on the trailing edge. The stripping rules are
automatically repeated throughout the layout unless Auto Repeat is turned off.
Note: You cannot create exterior stripping if there is a full lower board.
When either of these tools are active, options which control their use appear on the Status bar.
The three buttons on the left control the starting point of the stripping rule. The left most button is Offset from
the end of a line, the middle button is Center of a line, and the rightmost button is Anywhere.
More options lets you change the stripping rule options in the Stripping Rules Settings dialog box, also
accessible by clicking Options > Stripping Rules, as shown below.
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In the picture below, stripping rules extend from some of the dust flaps.
Use the Create Carrier Rule tool to create carrier rules. Carrier rules support gaps in the boxes through the
press so that they do not snag and jam the press. To use this tool, click it, indicate the point at which the carrier
rule starts, and then indicate the point where it ends. The flaps are added to carrier rules when you strip the
carried area.
To add carrier rules, click the Create Carrier Rule tool and indicate the start and end-points for the carrier
rule. The Status bar shows the same start options for carrier rules as it does for stripping rules.
The three buttons on the left control the starting point of the carrier rule. The left most button is Offset from the
end of a line, the middle button is Center of a line, and the rightmost button is Anywhere.
More options opens the Stripping Rules Settings dialog box. Since these are carrier rules, you cannot
change the type of rule being created. Set the number of bridges, pointage, bridge width, the snap angle for the
drag, and the start point offset as desired. Click OK when done to return to the tool.
Once the carried areas are stripped, there are two ways to change the properties of a carrier rule.
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The first way to set carrier rule properties is to use the Select Element tool in the Stripping Rules layer to
double-click the carrier rule. This changes how the stripping rule that is a carrier rule is displayed in the Stripping
Rules layer. A Properties dialog box appears with rule properties as shown below.
The second way to set carrier rule properties is by changing to the Lower Stripping Board layer and using the
Select Element tool to double-click the rule. This changes how the rules are manufactured in the stripping
board itself. The Lower Rule Properties dialog box opens as shown below.
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Change the pointage of the carrier rule by choosing a new value from the Pointage drop-down list box.
The length of the carrier rule shown in the Length: field depends on the option button chosen in the Rule length
type group. Use run length shows the length of the rule without the flaps. Use rule length shows the length of
all the rule.
Use design file for end lets you specify a custom flap end.
You can design any end as desired. In Designer, start at the origin and work to the upper right using line type
Unknifed lower for rule and line type Lower registration hole for any holes. The origin will be the end point of
the end of the carrier rule. Do not use line type Annotation5. Save the workspace to ServerLib and specify it
in Defaults in the Carrier Rules entry in Automatic Stripping in a manufacturing parameter set.
The Top flap points right and Bottom flap points right checkboxes change the direction of the top and bottom
flaps, respectively. The flaps are applied when the layout is stripped.
Change the properties as desired and click OK.
In the example below, one carrier rule was created manually. The rest of the designs have the carrier rule Auto-
Repeated in them.
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When an area containing a carrier rule is stripped, the rule between the edges of the hole is converted to an
Annotation5 line type. This prevents the laser from burning a rule path in the material under the hole when the
stripping board is created.
ArtiosCAD creates hooks on the ends of stripping rules by default. This can be changed, however, in the
Hook Defaults dialog box accessed via the Options menu. If you have added stripping rules without hooks
and later decide that you want hooks, use the Make Hook tool. To use this tool, click it, and then indicate the
stripping rule that you want to have a hook. If Auto-Repeat is on, the hook will be created on all congruent
stripping rules.
When making a stripping board that follows the layout edge, you must create a mounting bar for the
lower stripping board. The mounting bar defines where to start stripping the edges. Use the Add Lower Board
Mounting Bar tool to add the bar.
When this tool is clicked, options for it appear on the Status bar as shown below.
Strip between designs inserts stripping rules between single designs under the mounting bar. (They are only
visible when the Lower stripping board layer is turned off.) Offset lets you specify the distance from the board
edge to the mounting bar instead of setting it with drag.
To use this tool, click it, set the options on the Status bar as desired, and either specify an offset for the bar
location or use the drag to set it. A sample mounting bar is shown below.
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This tool uses the stripping rules settings and is consistent with Move Scrap Knives. To control if there are hooks
on the ends, click Options > Stripping Rules > Bend Length.
The Add MHP Holes tool adds Mounting Hole Pattern holes to the manufacturing workspace. When held
down, it activates the MHP Tools flyout toolbar.
These tools are available only after the die wood edge has been created.
The Add MHP Hole tool copies the mounting hole pattern workspace associated with the selected die
press into the manufacturing file. Mounting holes can be either good or bad - bad holes are those that are too
close to other manufacturing elements as defined by the T-nut Distance default.
There are two options in the Status bar: Show all holes and Show only good holes. Good holes are green and
bad holes are red. Choose what kind of holes to see, and then hold down either SHIFT or CTRL and click
each mounting hole to use. Click OK when all desired holes have been selected, and the selected holes will be
created.
The side of the layout the pattern is applied to is defined in Defaults on the Hole Patterns page of the Press
Defaults in the Die press parameter sets folder.
The second button on the MHP Tools flyout toolbar activates the Select MHP tool. This tool redisplays the
mounting hole pattern and lets you select more holes to add using the same procedure as the Add MHP tool.
Pre-existing holes are automatically selected.
The third button on the MHP Tools flyout toolbar activates the Delete All MHP tool. This tool deletes the
current mounting holes. When clicked, ArtiosCAD prompts for confirmation; to delete the holes, click OK; to keep
the holes, click Cancel.
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The fourth button on the MHP Holes flyout toolbar activates the Adjust MHP Horizontally tool. This tool
shifts the layout horizontally in reference to the MHP to allow for more flexible die placement on the press. To
use this tool, click it, click the pick-up point, drag the ghosted layout to its new position, and set the put-down
point. Annotation lines for this tool appear only for rotary dies. The measurement indicates the offset from the
original MHP placement point (either the Machine Reference Point or the bottom left of the dieboard).
The fifth button on the MHP Tools flyout toolbar activates the Adjust MHP Vertically tool. This tool shifts
the layout vertically with respect to the MHP to allow for more flexible positioning of the die. To use this tool,
click it, select a pickup point, drag the ghosted layout to its new position, and set the put-down point. Annotation
lines for this tool appear only for rotary dies. The measurement indicates the offset from the original MHP
reference point (either the Machine Reference Point or the bottom left of the dieboard).
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Double knives are created when cartons abut each other. To remove them, click the Double Knife Removal
tool. In the Double Knife Removal dialog box, choose the option you’d like to perform.
In the Parameters group, Double knife tolerance is the distance in current units that rules must be apart from
each other to not be considered double knives. “Safe” separation is the minimum distance two lines must be
from each other to be ruled individually. If you have lines that are closer than the “safe” separation distance
but further than the Double Knife Tolerance, the following dialog box appears when you attempt double knife
removal:
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Click Yes to return to the Double Knife Removal dialog box or click No to return to ArtiosCAD to fix the error.
Nicks may move if double knives are removed after adding nicks.
Double knife removal does not remove special rules with nick sizes larger than 0 as they are considered special
rule, not cut lines.
Undoing double knife removal puts back the original linetype if there is an example of it in the layout layer;
otherwise, it puts back cut lines.
Double knife tolerance defaults are stored in Options > Defaults > Shared Defaults > Startup defaults > Double
Knife Removal.
Click the Add Gripper tool to show gripper fingers for the die press.
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If the settings on the tabs in the Stripping Board Parameters dialog box are acceptable, begin stripping the
sheet using the Strip Area tool. This tool can create holes in the upper and lower stripping boards, add blocks,
pins, and rules, make a guillotine, and add support pins. Blocks, pins, and rules are added in that order.
The option buttons on the Status bar determine what stripping tools are automatically created. The picture
below is of the option buttons on the Status bar.
Lower, Upper, Internal, and External control which areas of stripping are created; select them as desired.
The button (More Options) opens the Stripping Board Parameters dialog box as shown previously.
Recalculate all deletes and recreates the existing stripping board edges and internal and external stripping.
Note: On the Lower Stripping tab of the Stripping Board Parameters dialog box, if you make the value
in the Offset below wing: field different from the Offset: field with Auto-Repeat on, the repeated block
has the wrong offset. The strip areas are considered to be congruent because they have the same
shape, even though the blocks have different offsets.
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Click inside an area of waste to strip it. Any congruent areas will be stripped according to current Auto-Repeat
settings. You cannot strip areas that are part of a design unless they are windows or cutouts. Or, to perform all
the stripping at once, activate the tool and click Recalculate All.
Click in the waste outside the design edge between stripping rules to strip the external waste. If slots in the
external waste are divided from the exterior waste by scrap knives, carrier rules, stripping rules, or are narrower
than the slot width parameter, they are stripped as if they were interior holes. Exterior blocks made this way
follow stripping rules but ignore scrap knives.
Shown below is a layout before using Strip Area.
Shown below is the same layout after clicking the tool and then clicking Recalculate All.
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Note:
ArtiosCAD does not convert holes made from echelon and S special rule into holes in the lower board.
Zero offsets for edges are now allowed as of version 23.03.
• Whether the rule is stripping rule or carrier rule (ArtiosCAD ignores scrap knives)
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If you click on the other side of the stripping rule, ArtiosCAD merges the holes.
When you click in a symmetrical hole, with Auto-Repeat enabled, ArtiosCAD makes both sides of the hole and
merge the holes if they overlap.
If you click in an asymmetrical hole, with Lower off and Upper on, ArtiosCAD fills that side of the hole.
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When you click on the other side of the rule (with Lower off and Upper on) ArtiosCAD fills that side and leaves
the other side unchanged. By changing the options in Options > Stripping Board Parameters > General
Preferences > Internal, you can, for example, use a block on one side and pins on the other.
Note:
To add different upper parts to a hole split by multiple carrier rules, strip the hole with Strip Area,
making sure that Lower is checked on the Status bar. Turn Lower off after you have stripped the hole.
Change the stripping parameters as desired by clicking Properties (...) on the Status bar and clicking OK
when done. Then click inside the areas of the hole to strip with those parameters. This will add upper
parts to this part of the hole and leave the existing parts in other parts of the hole. Normally ArtiosCAD
will not put small, thin blocks in thin areas where there is no room for support pins. To include small, thin
blocks, change the minimum block area and slot width on the Internal blocks tab of the Stripping Board
Parameters dialog box.
Use the Repeat Strip Area tool on the Manufacturing toolbar to repeat manual changes to a stripping
area to other congruent stripping areas. A stripping area can be a hole, a block, or the external stripping area.
For instance, if you add a rule to a stripping area using the Line tool, that change is not repeated because the
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Line tool does not use Auto-Repeat. The Repeat Strip Area tool supports Auto-Repeat; if it is on, stripping areas
congruent to the destination stripping area are automatically changed as well.
To use the Repeat Strip Area tool, do the following:
1. Change the stripping area as desired.
2. Click Repeat Strip Area.
3. On the status bar, choose the boards in which to repeat the stripping area.
4. Click inside the stripping area to repeat (the source stripping area).
5. Click inside the stripping area to be changed (the destination stripping area).
6. Repeat step 5 as desired in other destination stripping areas. The tool remains active until another tool is
selected.
Stripping components must have horizontal mirror symmetry in their alignment lines for them to use mirror
repeating.
Shown below is a manufacturing file that has color-coded stripping turned on.
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• Green indicates a waste area with a lower hole and upper components.
• Two shades of Red and Pink alternating across stripping rules indicates ArtiosCAD had a conflict and could
not decide the type. There must be an odd number of areas across the layout.
When ArtiosCAD checks for strip sides and strip back, the rule is, is there are any upper components on the edge,
then the strip areas with upper components are going to be stripped, and the other edge areas are assumed to
not be stripped. If there are no upper components on the edge, it uses the checkboxes for strip sides and strip
back; that is, if Strip sides is on, then it assumes side regions will be stripped
The Station and Waste Numbers tool on the Edit Layout toolbar lets you add station and waste numbers
both manually and automatically after you have stripped the layout. It puts the numbers into their own layer
called Station and waste numbers. When clicked, it displays the following controls on the Status bar.
The first four buttons control the orientation of the numbers when placing them manually.
Rotate text with design controls if the numbers rotate automatically as needed.
Station start number sets the starting number for station numbers.
Waste start number sets the starting number for the waste areas.
More Options (…) opens the Station Numbers Options dialog box described in the next section.
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Recalculate Station Numbers and Recalculate Waste Numberserases all existing station or waste numbers (if
any), identifies the stations or waste, automatically recalculates the numbers, and places the types of numbers
whose button you clicked. Use these after you change stripping.
Delete Station Numbers and Delete Waste Numbers delete those numbers.
Choose the desired font from the Font name drop-down list box.
Maximum text size sets the largest size possible. ArtiosCAD uses the largest size possible for the size of the area
containing the number.
Rotation sets the orientation of the number. If station number positions were defined by Dynamic Art, that
positioning and orientation takes precedence.
Rotate text with design controls if the numbers rotate automatically by 90 degrees as needed.
In the Station numbers group, Start number sets the starting number for the station numbers when Manual
number is selected. Use layout sequence honors the order you set during manual layout sequencing.
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In the Outline group, choose the shape, size, and line type of an outline ArtiosCAD draws around the station
numbers.
In the Waste numbers group, Start number sets the starting number for the waste pieces when Manual number
is selected. To have each waste piece identified by the station number it is connected to by the longest path
and then a number for that particular piece of waste, select Station number/Waste number. The Separator
character is between the station number and the waste number. ArtiosCAD uses the Edge character when a
piece of waste is not connected to a station or it cannot decide which station takes priority.
Click OK to set the options and return to the tool.
b) Placing a waste number. Note that nicked holes inside containers are also considered waste.
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5. If Auto-Repeat is enabled, ArtiosCAD places station numbers in congruent areas of other containers.
6. Continue placing numbers as desired. Waste areas may contain more than one number.
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Sometimes the numbers can be hard to see, so try turning off some layers and/or zooming in.
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If you defined station number positions with Dynamic Art, you can manually change their rotation and position
with this tool if you turn on the Dynamic Art single design layer and leave at least one line of the Dynamic Art
placeholder rectangle in the same position.
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The Upper Push Pin tool adds a pin to the upper stripping board. When you click the tool, a Pin Size drop-
down list box and a ... button (More Options) appear on the Status bar.
Clicking More Options opens a Stripping Boards Parameters dialog box with just the tabs for internal pins and
external pins. These options are based on the settings in Automatic Stripping catalog for the manufacturing
parameter set in Defaults. Change them as desired and click OK.
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The Upper Rule tool adds a piece of rule to the upper stripping board. As with the Upper Push Pin tool, you
must click inside a hole in the lower board to add the rule. When you click the tool, a Stripping Rules drop-down
list box, four snap positioning option buttons, and a ... button (More Options) appear on the Status bar.
On the Stripping rules: drop down list-box are Generic rule, which is just plain straight rule, and three geometry
macros that offer special constructions: 20mm wave rule, 8mm Right rule (a stripping component), and Variable
rule that has a 90-degree angle at its end. Your system may have different geometry macros available depending
on how the system has been customized.
The four snap options on the Status bar after the Stripping rules: drop-down list box are listed below.
Dynamic Rule lets you place rule and use the color of the drag for feedback. The drag for the guide lines
changes color based on the intended position of the rule. Green drag indicates the item is snapped to the edge
of a hole; blue drag indicates it is being placed freehand; red drag indicates it cannot be placed at that position.
This option works with all the stripping rule types available in the drop-down list box.
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Snap to Middle Rule automatically snaps the rule in the middle of a slot. This option works with all the
stripping rule types available in the drop-down list box.
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Generic Straight Rule changes the type of rule in the drop-down list box to Generic rule and prompts you
to indicate the start and end points of a straight piece of rule.
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Generic Follow Rule changes the type of rule in the drop-down list box to Generic rule and prompts you to
indicate the start and end points of a piece of rule that follows the shape of the lower hole.
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Clicking More Options opens the Stripping Boards Parameters dialog box with the tabs for internal rules,
external rules, and interference. These options are based on the settings in the Automatic Stripping catalog for
the manufacturing parameter set in Defaults. Change them as desired and click OK.
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The Upper Block tool adds a block to the upper stripping board in the hole you indicate. As with the Upper
Push Pin tool and the Upper Rule tool, you must click inside a hole in the lower board to add the block. When you
click the tool, an Add Block Pins checkbox and a ... button (More Options) appear on the Status bar.
Clicking More Options opens a Stripping Boards Parameters dialog box with tabs for internal blocks, external
blocks, and block pins. Modify the fields as desired and click OK.
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The Upper Block Pin tool lets you add upper block pins manually. When you click this tool, a Pin size: drop-
down list box and a ... (More Options) button appear on the Status bar.
Clicking More Options opens a Stripping Boards Parameters dialog box with a tab for block pins. Change the
distance between pins or the default pin as desired and click OK.
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5. The pin is Auto-Repeated according to the current Auto-Repeat setting.
Sometimes when a piece of waste is small (and therefore light), the partial vacuum in the press can suck
the waste back up through the holes in the bottom stripping board. Interference, also known as power stripping,
is the process of adding a little bump into the edge of a hole using inside modifier lines so that the waste stays
where it is supposed to be and doesn’t come back into the press. The Add Interference tool is one way to add
interference. You can optionally add a pin in the top stripping board to force the waste through the now-smaller
hole.
Options for this tool appear on the Status bar when the tool is clicked.
Round, square, and chamfer control the shape of the interference. Width sets the size of the interference.
Add pin controls whether a pin is added to the upper board to force the waste through the modified hole.
Interference added without a pin adds modifier lines to the lower board. Interference added with a pin adds the
pin and modifier lines to the upper board. Pin offset sets the distance to the pin from the edge of the hole, and
is available only when Add pin is selected. Pin size sets the size of the pin and is available only when Add pin is
selected.
When interference with a pin is added, it goes into the upper board. When the interference is added without a
pin it goes into the lower board. When a block is added to a hole with interference, if the interference is in the
lower board the block goes around the interference. If the interference is in the upper board it is deleted.
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The Repeat Strip Area tool repeats the interference whether it is in the upper or lower board, according to the
Upper and Lower checkboxes. It replaces any existing interference in the repeated holes.
You can specify additional offsets for interference on the Interference tab of the Stripping Board Parameters
dialog box.
To use the tool, do the following:
1. Make sure there are holes in the lower board.
2. Click Add Interference and set the options on the Status bar as desired.
3. Use the drag to set the position along a lower hole edge for the interference. Green drag indicates the pin
is snapped to a hole edge; blue drag indicates it is being placed freehand; red drag indicates the desired
position is unavailable.
4. Click to place the interference. The interference is Auto-Repeated according to the Auto-Repeat settings.
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Set defaults for this tool in Options > Defaults > Shared defaults > Manufacturing parameter sets > parameter
set catalog > parameter set name > Upper stripping board > Interference Stripping.
Another way to add interference is to create manual interference by adding lines of type Hole inside modifier
that cross the edge of the hole to the Inside modifier sublayer of the Lower stripping board layer. Any pins,
rules, or blocks added will follow the inside modifier lines. Select the inside modifier lines with Select Element
and repeat them using Repeat Element. The shape of the lower hole will be modified on Output.
Manual interference is deleted if you use the Strip Area tool with the Lower checkbox selected after adding
manual interference.
Shown below is an example of manual interference. A hole modifier line was drawn across the corner of a lower
hole and was repeated, and then an upper block was added with pins and repeated. The edge of the upper block
follows the lower hole inside modifier lines.
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Delete All removes all stripping from the layout. When clicked, the Delete All dialog box appears. Choose
the options as desired and click OK to remove the stripping.
Delete Strip Area removes stripping from individual stripping areas. When clicked, Lower and Upper
stripping and Upper stripping only option buttons appear on the Status bar as shown below.
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Modern presses operate so quickly that partial vacuums are sometimes created from the sheets rushing
through them. These vacuums can ruin a press run by causing the machine to jam. Air holes made in the upper
stripping board are one way to combat this problem.
Three options for the shape of the air hole appear on the Status bar when the tool is active.
The Radius field appears only when the shape is set to Circle.
To use this tool, do the following:
1. Click Make Air Hole.
2. On the Status bar, choose the shape of air hole to create.
3. Click at the start point of the air hole and use the drag to set the end point.
4. The air hole is created and Auto-Repeated according to the current Auto-Repeat settings.
Shown below are examples of air holes.
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Alignment holes are used to quickly and easily align a set of manufacturing tools without resorting to
measuring tapes. To make an alignment hole, click the Make Alignment Hole tool and click the location for the
alignment hole.
The Add Support Holes tool adds support bar holes to the lower stripping board. The support bar holes
always go into the lower stripper.
To use this tool, click it. Construction lines will appear in the recommended locations for the support bar. Use
the drag to set the location of the support bar. Once the location is set, use the mouse to select the holes to be
made for the support bar. When you have finished selecting holes, click OK on the status bar. Shown below is the
tool drag prompting you to set the location.
Shown below are the completed holes for the support bar.
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To add registration holes across the lower edge of the board, click the Add Registration Holes tool. Holes
will appear across the bottom of the board, and two options in the Status bar allow you to select from all holes or
from only good holes.
Select the holes to add and click OK. The holes will be added.
Shown below are the registration holes.
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Notice how the stripping edge goes up along the edge of the tab and then runs along the stripping rule to the
edge of the sheet.
When there’s a bottom mounting bar:
2.
Click the Create Separator button on the Stripping Board toolbar.
3. The Status bar will change:
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3. Double-click the element to modify, or select it and press ALT-Enter. The Properties dialog box for that
element will appear.
4. Set the options on the tabs as desired and click OK to make the changes or Cancel to ignore them.
Front Waste Separator defaults are stored in the Front Waste Separator section of the Die press parameter sets
folder in Defaults.
The workspace containing the mounting hole pattern is ...\InstLib\FWS_BOLT-HOLES.ARD. The
name of this workspace is set in the Hole Patterns page of the Press Defaults in the Die press parameter sets
folder in Defaults. On that page you can also set the side of the die the patterns are placed on to die knife side,
die back side, or undefined.
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The predefined stripping components are on two customized toolbars as shown below. Use the Customized
Toolbars Master Control to turn them on and off.
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• Close to a carrier rule. This is the same as being close to the edge of a hole but a different offset is used
- that of the distance between the regular alignment line and the carrier alignment line.
The stripping component is aligned with the carrier rule so that the carrier alignment lines touch the carrier rule.
If there are no carrier alignment lines, the alignment lines are used instead. If the clearance lines do not fit, the
drag turns red.
• Close to a slot. Select a slot by moving the mouse within snap tolerance of the slot alignment line. The
stripping component is aligned so one end of the clearance outline touches the end of the slot depending on
the side of the line closest to the mouse cursor.
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• Not in a hole. If the mouse is not in a stripping hole, or if the cut lines in the stripping hole or board edge
do not form a loop, the Status bar prompt changes from Place stripping component to Could not find the
stripping hole and the drag turns to dotted red. If you click outside a hole, the component will be placed
wherever you click.
• Holding down SHIFT. When SHIFT is held down, the stripping component snaps to horizontal or vertical
(whichever is closer, based on rotating around the center of the alignment line).
To modify a stripping component, first select it with the Select or Select Element tool. Next, right click
it to access its context menu.
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Note: If you select more than one component by holding down SHIFT as you select, only Delete,
Replace, Replace All, and Properties are available.
Note: If Auto-Repeat is active, changes made to one stripping component are repeated for similar
components.
Note: Selecting multiple stripping components in the same hole with the Select Element tool will
group them together. If you plan to change the positions of multiple components in the same hole, use
only the Select tool to select them.
Select subgroup lets you select a subgroup of the component such as a clip or claw.
Move parallel moves the selected component parallel to the edge of the hole. However, you cannot move a
component from one hole to another. To do this, delete the original component and add a new one.
Copy parallel does the same thing as Move parallel except it copies instead of moving.
Move perpendicular moves the selected component perpendicular to the edge of the hole. If the perpendicular
offset from the edge of the hole has been changed, it will be maintained. If the component is rotated or aligned
on a slot, the perpendicular offset is reset to zero.
Move freehand moves the selected component anywhere within the same hole.
Rotate 180 rotates the selected component 180 degrees about the center of the clearance lines.
Rotate prompts for an anchor point and rotates the selected component about the anchor point.
Delete deletes the selected component(s).
Replace lets you replace the selected stripping component with a new stripping component chosen from the
Stripping Components catalog. The new stripping component is repeated accorded to the current Auto-Repeat
setting. Shown below is the Stripping Components catalog.
Select the new stripping component and click OK to use it as the replacement.
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Replace All replaces all instances of the selected stripping component with a new stripping component.
Properties shows the workspace name and any subgroups for the component.
During an Output of the lower board, only the hole modifier lines are considered. Shown below is the lower
stripping board for the same section of the layout as shown above.
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Shown below is the upper stripping board for the same section of the layout showing the stripping rule lines.
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Pusher active part 188 Annotation A drawing of the active part, such as the clip
or the claw. Does not burn.
Upper stripping rule 186 Rule The base of a stripping rule that is burned as
a slot in the upper board.
Pusher base 187 Inside edge The outline of the base of the pusher element
that is burned in the upper board.
Pusher shoulder 189 Annotation The shoulder that stops the element from
being pushed through the upper board.
Pusher clearance 190 Annotation The effective size of the element. The
stripping component is considered to fit
inside the stripping hole if the clearance lines
are inside the waste area defined by cut lines
inside the stripping hole. Also defines slot
placement.
Hole inside modifier 180 Inside edge The inside edge of an interference extending
partly into the lower stripping hole. This loop
is combined with the lower stripping board to
make the hole smaller.
Hole outside modifier 181 Inside edge A slot in the edge of a lower stripping hole
which holds the outside edge of a stripping
hole element. The loop is combined with the
lower stripping board to make the hole larger.
Stripping component 203 Annotation These lines touch the edge of the stripping
alignment hole to align the stripping hole component.
Stripping component 204 Annotation These lines touch the carrier rule when the
carrier alignment component is aligned near a carrier rule.
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Clearances
For a stripping component that is wider than it is tall, the clearance perimeter should have both horizontal and
vertical symmetry. The left or right end of the clearance is centered in a slot, depending on the position of the
mouse cursor in relation to the side of the slot. Design clearances using the Pusher clearance line type in the
Upper board line type catalog.
Shown below are alternate clearance shapes to show possibilities beyond an oval.
For a stripping component that is taller than it is wide, the clearance perimeter should have vertical symmetry.
The bottom end of the clearance is centered in a slot.
For a pin, the clearance should be circular. The alignment lines should be omitted as they would usually be the
same offset as the clearance.
Clearance lines are shown in the drag but are invisible after the stripping component is placed.
If there are no clearance lines, or if they do not form a loop, no slots are defined.
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Alignment lines
Alignment lines determine how the stripping components are aligned with the edge of the waste. Design
alignment lines using the Stripping component alignment line type.
Alignment lines:
• Should be a single set of connected line segments (but not a loop) below the lower edge of the clearance.
• Should be horizontal, they do not need to be straight - they can be arcs for use when the waste edge is
curved.
• Can be along the bottom edge of the clearance lines, but should not be within them.
• Are optional if the clearance lines are a loop, in which case the lower half of the clearance lines form
alignment lines.
When designing a stripping component for use on carrier rules, add a horizontal carrier alignment line below the
alignment lines, or below the clearance lines if using the default alignment.
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index 1, and the three subgroups are set to indices 2, 3, and 4. The next pin would therefore have indices 5, 6, 7,
and 8.
The calculated expressions work in terms of the index of an item or its name. Enter each as appropriate. Each
calculated expression only lists information for the item corresponding with the index number you entered when
prompted. If you only add one item of calculated text based on index 2 but have four stripping components, only
information about the second index is included on the Report. Add multiple calculated expressions to result in
multiple pieces of information about the stripping components.
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Name tool Example1 inserts a geometry macro containing the file name with no extension, the dieboard size, the
customer name, and the manufacturing file description.
Name tool Example2 inserts only the file name with no extension.
Name tool Example3 inserts the filename with no extension in the INTERACT font.
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• Side and grain are not applicable in plastic counter layouts. The top of the plastic counter is always shown.
However, the grain direction for embedded designs is set to match that of the original designs.
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4.
Click the Add Oneup tool and then select the design(s) to add. Click OK.
5.
Click the Select Oneups tool and select the design you just added.
6. Use any of other Manual Layout tools to arrange the design on the sheet. The quickest and easiest way to do
this is to set the gutter and then use one of the Nest tools to step the counters out on the sheet.
To change the gutter between the counters when using one of the Nest tools, click the Change Gutter
tool and enter the new gutter distance.
Use one of the tools on the Nest tools flyout toolbar. Shown below is a
picture of an example counter layout using the Straight Nest tool.
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7. Output the plastic counter layout using a counter Output on the File menu. A preview of the output to a
Kongsberg PentaCut is shown below.
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If the nested plastic counters don’t completely fill the sheet, you may want to adjust the size of the sheet or the
position of the plastic counters on the sheet.
You must choose a layout justification method first. The buttons in the Layout Justification group move the
group of designs so that the bottom center of the designs is aligned with the bottom center of the sheet, and so
forth. Once a layout justification method is chosen, all the other fields become available and you can adjust the
size of the sheet and its margins.
Create or Rebuild Counter is the twelfth tool on the Manufacturing toolbar. In Manufacturing, ArtiosCAD
creates counter layers in the embedded single designs and frame components in the counter layer of the
manufacturing workspace. For a discussion of the general workflow, refer to the Intelligent Counters section of
the Designer chapter.
If the embedded single design(s) already contain counter layers, ArtiosCAD prompts you to select the layers to
rebuild.
If all the embedded design(s) will use the same parameters, make the counter in the manufacturing file. To have
some embedded designs use different parameters, rebuild the counter separately for each embedded design (by
opening each embedded design and using Create or Rebuild Counter), and deselect Oneup(s) Counter Layer
when making the frame in Manufacturing.
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The Steel counter entry in the Layers dialog box controls the counter layers both the manufacturing file and the
embedded design(s) as well.
The frame is either a rectangle of a size you specifity or a workspace contained by a geometry macro. It is
centered horizontally on the blank size of the knives and stripping rules with the specified offset from the choice
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you make in the Relative to group - either the lead edge, dieboard, or machine reference point. If you choose a
geometry macro, the outline of the frame should be made out of lines with the Periphery tool line type, and any
slots should be made of lines of type Counter slot. The slots must form complete loops. If some of the edges of
the frame are on the edge of the steel plate and do not need to be cut, change those edge lines to type Size
only. The combined Periphery tool lines and Size only lines must form a complete loop.
The hanger holes pattern is a single hole or two holes which are a fixed distance apart. These holes are used to
hang the counter for storage. ArtiosCAD will adjust the pattern up to 3 inches for clearance around channels and
milled areas, and will warn you if it cannot adjust the pattern for clearance.
The dieboard registration holes pattern contains laser positioning holes (holes in the dieboard made using
line type Laser positioning holes or Laser positioning holes 2) and counter positioning holes in the counter (line
type Positioning hole tool or Positioning hole tool 2). The pattern is generally centered on the frame, but you can
choose its justification position as desired and any offset. The pattern can also be bigger than the frame, but
any holes outside the frame are excluded. ArtiosCAD will automatically adjust individual holes up to 3 inches for
clearance around channels, milled elements, and rules.
The name/logo geometry macro is a geometry macro meant to contain your company name and logo (which
you should add to the geometry macro catalog in Defaults). Position it as desired, set an offset, and set a rotation.
Make the macro rebuildable with a menu of type Precalculated Variables for a Geometry Macro, and add the
text variables so that they have an expression initialized from variables in the manufacturing file. If desired, you
can change the text running the geometry macro. When you Output this counter, ArtiosCAD converts the text
to lines and arcs of line type Name tool depending on the options on the Output's Processing tab. If you make a
logo in the geometry macro, use line type Name tool.
Coating blankets
Coating blankets, also called varnish blankets, are used to protect those areas of the sheet from having coating
applied as the sheet moves through the printing press.
Coating blankets use the bleed or varnish layers in the single designs comprising the layout. If the designs do
not have one of these layers, a coating blanket can not be made.
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4. Click OK. As this is a geometry tool, it runs like a style in a Standards Catalog.
Cut Coating Free Areas and Cut Coating Areas control what is actually cut - those areas not being coated
or those areas being coated. Use the former choice to make strips in the unused portion of the blanket.
The layer choices control which single design layer is used to make the blanket. There can be six separate
coating layers.
Apply shrink and Do not apply shrink control if the tool automatically shrinks the blanket upon creation or
upon output.
Use Coating Blanket and Use Current Layer control where the coating blanket is created. The former
choice uses the predefined layer you chose earlier in the menu. The latter uses the current layer.
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Select the desired options and click Next.
5. The Coating Blanket Options menu is where the coating blanket settings are configured.
Variable Meaning
Vertical Offset from MRP Offset of the coating blanket with respect to the front bar. A
negative value moves the coating blanket down; a positive value
moves the coating blanket up.
Extra Bleed Extra bleed allowance to use when creating the blanket using
coating-free areas.
Thin Areas If a strip of coating material would be smaller than the width
specified by this variable, it is discarded.
Press Draw Factor Value that the interior of the blanket is shrunk in the Y direction
to compensate for the blanket being mounted on a cylinder.
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Variable Meaning
This does not affect the bar widths or overall size of the coating
blanket.
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Rotary Diemaking
Instead of cutting containers out of material by using a cookie-cutter action on a stationary sheet, rotary
diemaking uses rotating cylindrical dies on moving sheets. These dies can be made out of more than one piece
of wood and are bolted to the machine cylinder.
The technology of rotary diemaking, while sharing many elements of flat diemaking, has special features, such as
curved wood and notched rule, which are not applicable to flat diemaking. For that reason, it is a separate option
from regular DieMaker.
In rotary diemaking:
• Tooling can be designed at three levels: the cylinder level, the wood level, and the rule level.
• Elements which are designed at one level are transformed (into a new size, shape, or both) when processed
on another layer to compensate for the curve of the dieboard or rule.
• Tooling is made from single or multiple pieces of wood which contain mounting holes, steel rule paths, and
other geometry which can be manufactured or drawn on the surface of the wood. Multiple sections can be
output individually from ArtiosCAD.
The options on the View Options submenu of the View menu make it easier to work with rule paths. You can
toggle the display of bridges, line direction, rule path ends, and construction lines. You can also assign these
menu options to Shortcut keys for faster access.
The Rotary Die Board tool on the Dieboard toolbar works with the following elements of a rotary dieboard:
• Bolt holes
• Splits
• Edges
Rotary Die Board is available only when the current press is a rotary press. Other mounting pattern tools are
unavailable for workspaces using rotary presses.
It has five states, or modes of operation. Change states by clicking its button on the Status bar. Each state
has different prompts and modes. Shown below is the initial mode of the Adjust Elements state when the
manufacturing workspace does not have a hole pattern defined.
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• Adjust Elements. Moves bolt holes, splits, and edges.
• Adjust Die Edge. Moves the die edge.
• Adjust Die Splits. Creates new horizontal or vertical die splits, moves existing splits, or deletes splits.
• Add Bolt Holes. Adds bolt holes from the mounting hole pattern to the workspace.
• Delete Bolt Holes. Deletes existing bolt holes from the workspace.
When you first start the tool, ArtiosCAD:
• Changes to the Dieboard layer. If that layer is locked, it changes to the Stripping Rules layer.
• If the dieboard does not exist, ArtiosCAD creates it, checks it for size, and creates a horizontal split 180
degrees from the top automatically if needed. The formula for the full shell size is Pi*(cylinder diameter/2)
or Pi*r. You could have already created the dieboard with Create Wood Edge but it does not automatically
add the split. If you use a geometry macro requiring placement to create the die board, ArtiosCAD shows the
geometry macro controls as well as the Rotary Die Tool controls.
• If a pattern workspace does not exist, Adjust Elements and Add Holes states are unavailable, and the tool
starts in Adjust Die Edge state. ArtiosCAD displays a warning.
• Displays the bolt hole pattern if no holes exist in the workspace. If holes already do exist in the workspace,
cArtiosCAD enters the Add Bolt Hole state instead of the Adjust Elements state.
ArtiosCAD shows the entire bolt hole pattern trimmed to the die edge but with an extra row or column on each
side. Good holes do not intersect geometry and are not too close to t-holes. They are green. Bad holes, those
which intersect geometry or are too close to t-holes, are red. Circular holes have snap points in their centers. If
the holes are aligned in rows and columns (see the next section on making a pattern workspace), there are extra
snap points halfway between each row and column.
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• Move Die Edge, Splits and Holes. Moves the die edge, splits, and holes vertically
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The other two modes, Move Die Edge, Splits, and Holes, and Move Splits and Holes, work the same way - pick
up, drag, and put down.
Note: When using Move Die Edge, Splits, and Holes mode, the X and Y offsets are not changed if
the MHP position is based on the die board center since you are moving the die board edge with the
pattern. If the MHP position is based on a reference point, ArtiosCAD changes the Y offset of the pattern
in workspace variables. If you did not delete the existing bolt holes when starting this state, ArtiosCAD
adjusts the existing holes by the same offset as the MHP.
The Adjust Die Edge state of the Rotary Die Board tool moves the die edges either horizontally or vertically,
singly or doubly. It has these controls on the Status bar.
Move both sides is the default and moves the parallel edges.
Offset or Height (vertical edges only) or Width (horizontal edges only) controls what you are setting with the
drag. However, both numbers are shown in the drag feedback, which turns red when construction becomes
impossible. Height mode also allows you to set the angle and gives drag for that if you select it on the Status bar.
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The drag displays the offset from the pick-up point above the cursor, and the width/height below the cursor. If
you are in Height mode and setting the Angle, the drag shows the angle instead of the offset.
If there is a die split connected to the edge you are moving, ArtiosCAD adjusts it automatically.
Shown below is the drag in Height-Angle mode when construction is not possible. ArtiosCAD also says
Construction not possible in the drag when you are trying to make the dieboard too small or go across a split.
The Adjust Die Split state of the Rotary Die Board tool creates a new die split, or for existing splits, moves
or deletes them. It has no controls on the Status bar when adding a split, but has the same controls as the Adjust
Die Edge state when moving a split.
To create a dieboard split, do the following:
1. Click an edge of the die that is parallel to the desired split.
2. Drag to set the position of the split. Change the controls on the Status bar to change where the split is
measured from (the Bottom or Top) and what you are setting with the drag (Offset or Angle). The numbers
next to the cursor change for different types of drag - distance from the top or bottom, or angle from the top
or bottom. As with the other states, the drag turns red if construction is not possible. ArtiosCAD also says
Construction not possible in the drag when you try to drag a split off the die.
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3. Click to delete the split. You can also press the Delete key on the keyboard.
Note: Using this mode, you can move or delete complicated splits created by geometry macros, but you
cannot add them. Re-run the geometry macro if needed.
The Add Bolt Holes state of the Rotary Die Board tool adds bolt holes from the mounting hole pattern to
the workspace once you have the pattern positioned. It has the following controls on the Status bar.
The first control on the Status bar is Show/Hide Bolt Hole Effective Area. This shows the area of the die board
up to a split that is held tight by the bolt as you select holes. The area is set in Options > Defaults > Die Press
Parameter Sets > Press name > Press defaults > Hole Patterns. Viewing the bolt hole effective area is also an
option in the View mode. Shown below is the effective area for the selected hole up to a split.
The next three controls on the Status bar control what you select with the cursor. The first is Select Individual
Holes, then is Select Row, and last is Select Column.
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• When selecting individual holes, click to select or deselect a hole, or click outside of a hole and drag to do a
marquee selection, which toggles the current selected state. Selected holes turn magenta. This mode works
with die board symmetry if that mode is enabled.
• When selecting by row, click on or inside a hole to mark holes in that row for selection. ArtiosCAD draws a
magenta line through the row to show it is marked as shown below. Only holes that are at the intersection of
marked rows and columns become selected. Click inside a hole in a marked row to unmark it. This mode does
not work with die board symmetry so that mode is unavailable.
• When selecting by column, click on or inside a hole to mark holes in that column for selection. ArtiosCAD
draws a magenta line through the column to show it is marked. Click inside a hole in a marked column to
unmark the column. Only holes that are at the intersection of marked rows and columns become selected, as
shown below by the one hole below with an area of effectiveness that indicates it is selected. This mode does
not work with die board symmetry so that mode is unavailable.
The next two controls are for Show All Holes and Show Only Good Holes. Good holes do not intersect with any
geometry.
The next two controls are for No Symmetry and Die Board Symmetry, and these are available only for Select
Individual Holes. No Symmetry means you select one hole per click. Die Board Symmetry means that you select
symmetrical holes with a click within a given distance of a split and a hole at the same distance from that split on
the other side of the split. These distances are set by the Split distance and Select tolerance fields in Options >
Defaults > Die Press Parameter Sets > Press name > Press defaults > Hole Patterns.
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Lastly, Add adds the selected holes to the workspace. When the current selection is by rows and columns,
ArtiosCAD adds only those holes at intersections.
Note: To add individual holes as well as rows and columns, first work with rows and columns, then
switch to individual mode to add or remove holes and click Add. When doing it the other way around,
selecting individual holes before working with rows and columns clears the selection of individual holes
when switching to rows or columns. Select individual holes first.
Note: This tool will preserve subtypes defined on the rotary bolt holes.
Other than the Build Rule Path tool, all tools on this toolbar are unavailable outside of the Other sublayer of the
Rule Path layer. Also, while in the Rule Path layer, the tools on all other toolbars, except for those on the View
toolbar and the Move tool, are unavailable so that the rule paths are not modified accidentally. You must change
to another layer to use other tools.
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The parameters by which rule paths are built are in the Rule Path Parameters dialog box on the Options menu in
Manufacturing.
The first button on the Rule Path toolbar activates the Build Rule Path tool. When held down, it displays the
Build/Delete/Add Rule Path flyout toolbar as shown below.
When activated, it first checks to see if double knives are present; if so, it prompts for their removal. Once the
double knives issue has been resolved, ArtiosCAD asks for confirmation to rebuild the rule path layer, as any
existing rule paths and bridging changes will be deleted:
Click OK to continue the process of automatic rule path generation, or click Cancel to deactivate the tool. Once
the rule mapping process is completed, the current layer will be changed to the Other sublayer of the Rule Path
layer.
ArtiosCAD will prompt to map generic rules to specific special rules the first time it builds the rule paths. To do
so, select the generic rule to map, click the drop-down list activator arrow at the end of the Rule Mapping: field,
and choose the appropriate special rule type from the list displayed. If the Treat all cuts the same checkbox is
checked, all cuts are processed with the same rule. If it is clear, you can choose different rules for each type of
cut.
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Any rule in the Special Rules Catalog which has a valid bridging formula is listed in the drop-down list box. If this
is a flat die, click OK to proceed or Cancel to cancel building rule paths.
If this is a rotary die, flat rule must be mapped to rotary rule. Click the Flat Rotary Rule Map tab (which will only
appear if this is a rotary die) as shown and verify that the mapping is correct. If the mapping is not correct, select
the flat rule to change and choose a new rotary rule from the drop down list box in the Rotary Rule: field. If you
choose a rotary rule with a different pointage from the flat rule, you will be warned and will have to click OK to
proceed.
When you are done mapping rule, click OK to proceed with building the rule paths or Cancel to cancel. The Rule
Paths layer is created and the rule paths are created in it. Rule path start points are shown as green teardrops
and stop points are shown as red triangles; both point in the direction of the rule path.
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• Avoid joints at corners in the design outline. A joint is a point where rules meet. With use over time, rules
can bend at joints, leaving small gaps at the joints. ArtiosCAD places joints on horizontal or vertical pieces of
rule by wrapping them around corners to minimize this problem.
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• Avoid joints at corners in waste areas. When two designs have no gap between them, there can not be a
continuous outline. ArtiosCAD avoids joints at corners in the waste between designs.
• Stripping rules/scrap knives at a corner. When a stripping rule or scrap knife touches a design at the corner,
it is joined with the design. When there are stripping rules at the corner of a hairpin, they are joined to form
one rule path.
The second button on the Build/Delete/Add Rule Path flyout toolbar activates the Delete Rule Path tool.
When clicked, you are asked to confirm the deletion of the layer and its contents:
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Click OK to delete the Rule Path layer and its contents, or click Cancel to keep the layer and its contents.
The third tool on the Build/Delete/Add Rule Path flyout toolbar is the Add Rule Path tool. Use this tool
when you have added lines to the layout after building the rule path layer and do not want to rebuild the entire
layer. To use this tool, do the following:
1.
Use the Select tool on the Single Design Edit toolbar to select the lines to make into rule paths.
2.
Click Add Rule Path.
3. In the Rule Mapping dialog box, map the line type conversion for these new rule paths in the same way as
when the layer is first built and click OK.
4. The Rule Path layer will be entered and the new rule paths created.
The second button on the Rule Path toolbar activates the Select Rule Path tool. As its name implies, when
the tool is active, click the mouse button to select a rule path. To select more than one rule path, hold down the
CTRL or SHIFT key while clicking.
When you select a rotary rule path, ArtiosCAD shows the teeth, bridges, bridge start indicator, and end points of
the rule path as shown in the following diagram.
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A flat rule path only shows bridges and the start and end of the rule path.
Right-clicking a rule path once stops the current tool and activates the Select Rule Path tool. Right-clicking a
rule patch twice activates a context menu as shown below:
The tools on this menu are also on the Rule Path toolbar, and are explained as the chapter progresses.
• Activate the Select Rule Path tool and select the rule path(s) to change and press ALT-Enter;
• Activate the Select Rule Path tool, select the rule path(s) to change, and click Edit > Properties.
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Note: Do not change the properties of a rule path by using the Select tool to make a multiple selection
of it along with other types of manufacturing elements. The Properties dialog box will show Can not
display properties for mixed selection of rule path and other items instead of properties for the
selected items.
The Properties dialog box will appear. Rules with teeth have different properties than rules without teeth.
Clicking the drop-down list activator arrow in the Special Rule Type field displays a list of available special rule
types. Click the new special rule type for the rule path. If you select a special rule type which does not have a
teeth bridging formula defined, the dialog box will change to the Without Teeth Rule Path Properties dialog box
shown on the next page.
Clicking the drop-down list activator arrow in the Sub Type field displays a list of available subtypes. If desired,
choose a subtype for the rule.
The options in the Bridge start point group control the position of the start of the bridge in the direction of the
rule. When this option is changed, the bridges on the rule path are moved by half a tooth.
The options in the Bridge from group controls the position at which bridging starts. When this option is changed,
the bridge start position is moved and the rule path is rebridged. This option applies only to rule paths without
slots.
To change the bridge width on the selected rule(s), enter a new value in the Bridge width: field. If the bridge
width is changed to zero and then another value, the rule path is rebridged and the bridge start point will be set
according to the default bridging formula for that special rule type.
The number of bridges on a rule with teeth cannot be changed manually.
When a special rule type without teeth is selected, the Without Teeth Rule Path Properties dialog box is shown:
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Clicking the drop-down list activator arrow in the Special Rule Type field displays a list of available special rule
types. Click the new special rule type for the rule path. If you choose a rule which has a teeth bridging formula
defined, the dialog box will change to the With Teeth Rule Path Properties dialog box shown previously.
Clicking the drop-down list activator arrow in the Sub Type field displays a list of available subtypes. If desired,
choose a subtype for the rule.
Change the bridge width and number of bridges by changing the values in the Current values group. If the
number of bridges is set to zero, the bridge width is also set to zero. If you change the number of bridges to zero
and then to some other number, the bridge width is calculated from the default formula for that special rule type,
and the new bridge width is displayed in the Bridge width: field. If the bridge width is changed to zero and then
to some other number, the number of bridges is set to one and the new bridge will be placed in the middle of the
longest line in the rule path.
Click OK to make the changes indicated in the Properties dialog box, or click Cancel to discard them.
The third button on the Rule Path toolbar activates the Split Rule Path tool. It is also on the Select Rule
Path tool context menu. When this tool is activated, it displays the following controls on the Status bar.
The first button, Offset, splits the rule at the nearest start/end point of the rule path with the offset specified
in the Offset: field. Center, the second button, splits the selected rule path at its center. The third button,
Anywhere, splits the rule at the nearest coordinate to the mouse click.
Choose a placement method and then click the rule to split.
Shown below is a rule path before and after being split at its center.
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The fourth button on the Rule Path toolbar activates the Join Rule Path tool. It is also available on the
context menu of the Select Rule Path tool. To use it, click it, indicate the first rule path to join, and then indicate
the second rule path to join. The lines on which the rule paths are based must share an endpoint. The resulting
rule path will be the same special rule type as the first path selected.
Only rule paths in the same section of the dieboard can be joined. Rule paths can not be joined across dieboard
splits.
The fifth button on the Rule Path toolbar activates the Move Bridge Start Point tool, and when held down,
activates a flyout toolbar containing this tool and the Reverse Rule Path tool.
The Move Bridge Start Point tool moves the start point of the bridging on the rule path.To use it, click it, select
the rule path to modify, and then drag the start marker to its new position.
Changing the bridge start point will automatically cause ArtiosCAD to rebridge the rule path using the rule
path’s bridging formula defined in Defaults.
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The second button on the flyout toolbar activates the Reverse Rule Path tool. This tool exchanges the start
of the rule path with the end of the rule path. This will also change the current bridge start point from one end of
the rule path to the other if the special rule path is defined to not start bridging at the center of the rule path.
Only rotary rule paths can be reversed.
The sixth button on the Rule Path toolbar activates the Move Bridge Start Point to Center tool. To use this
tool, click it, and then click the rule path to change. It is intended to be used on rules with teeth; if you select a
rule without teeth, Bridge start point is not defined appears in the Status bar and the tool continues to operate
until you choose a rule with teeth or another tool.
The seventh button on the Rule Path toolbar activates the Change Wrap Point tool. It is also available on
the context menu for the Select Rule Path tool. This tool moves the wrap point, which is the junction between
flat rule and rotary rule.
To use this tool, do the following:
1.
Click the Change Wrap Point tool.
2. Click the wrap point to move. When three or more rule paths meet, you can select the wrap point either by a
single click on the wrap point or by clicking each rule path separately. Shown below is a selected wrap point
centered on the suggested wrap margin, with another suggested point on the other side of the corner.
3. There will be drag markers of new snap positions shown at the wrap distance before and after each bend in
the rule.
If the bridge start point is the same as the current wrap position, the bridge start point will move with the
wrap point. If the bridge start point is not at the wrap point, suggested snap positions are shown for each
back notch position measured from the bridge start position.
Move the drag of the wrap point to the new position.
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4. Click the mouse to set the position of the new wrap point.
You can also use this tool to move the start point of a looping rule path without changing the bridge starting
point.
The eighth button on the Rule Path toolbar activates the Add Bridge on Rule Path tool, and when held
down, activates a flyout toolbar containing it, the Re-bridge Rule Path Layer tool, and the Add Mark to Rule
Path tool.
To use this tool, click it and then click the position for the new bridge. The rule path will be selected and the new
bridge will appear. Click another position along the rule path to add another bridge.
If a rule path needs to have bridges of different widths on it, that rule path must be split first, and bridge width
changed on each piece of rule separately.
The second button on the flyout toolbar activates the Re-bridge Rule Path Layer tool.
When you click this tool, ArtiosCAD displays a warning dialog box:
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Clicking OK deletes all the bridges and re-bridges the rules according to their bridging formulae configured in
Defaults. Clicking Cancel returns you to Manufacturing.
The third button on the flyout toolbar activates the Add Mark to Rule Path tool. This tool adds a mark to a
rule path and snaps to any of these points: the rule path start position, the bridge start position, and back notch
positions. Marks are added as grouped lines and can be selected by the Select tool.
To use this tool, do the following:
1.
Click the Add Mark to Rule Path tool.
2. Select the shape of the rule mark to add by clicking its button on the Status bar. You can change the size of
the mark about to be added in the Mark length: field.
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To change the default mark length, change the Mark length: field in the Rule Path Params section of the
Manufacturing parameter set.
The ninth button on the Rule Path toolbar activates the Delete Bridge on Rule Path tool. The viewing of
bridges is automatically turned on when this tool is activated.
To delete a bridge, select it with the Select Rule Path tool, then click the Delete Bridge on Rule Path tool and
click the bridge to delete. Click the Select Rule Path tool again, select the rule, and note that the bridge is gone.
The tenth button on the Rule Path toolbar activates the Move Bridge on Rule Path tool, and when held
down, activates a flyout toolbar containing it and the Align Bridge on Rule Path tool.
The viewing of bridges is automatically turned on when this tool is activated. To use the Move Bridge on Rule
Path tool, click it, then click and drag the desired bridge to its new position.
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This tool can also add and delete bridges. To add a bridge, click a bridge and hold down CTRL while dragging it.
To delete a bridge, click it and press Delete on the keyboard.
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The second button on the Bridge Position flyout toolbar activates the Align Bridge on Rule Path tool. This
tool aligns bridges either horizontally or vertically with bridges in other rule paths. Aligning bridges is made much
easier by turning bridges on in the View Mode dialog box
To use this tool, click it, indicate the bridge to align others with (called the anchor bridge), and then indicate the
other bridges.
Leader hole creation is configured in the Kongsberg DieSaw group on the Processing page in an Output
definition. The physical tool they are created with is configured in the CAM Tooling Setup Catalog.
Note: If you are outputting to a DieSaw and you have not made any leader holes yourself (for example,
if you know you will not need to adjust them), they are created automatically during the output
procedure and deleted when the output is done.
The first tool on the DieSaw / Leader Hole Tools toolbar activates the Generate Leader Holes tool. This
tool automatically generates leader holes. After you click Generate Leader Holes, ArtiosCAD will prompt you
to select an Output so that it can read the leader hole parameters stored in the Output definition. Only those
Outputs configured to generate leader holes are listed. Select an Output and click OK to proceed, or click
Cancel to cancel.
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Once you click OK, ArtiosCAD changes to the layer specified on the View tab of the Output definition (Dieboard,
Upper stripping board, or Lower stripping board), creates a DieSaw sublayer, copies the contents of the
appropriate layer to the DieSaw sublayer and changes them to the appropriate Manufacturing-class line types,
and creates leader holes in that sublayer. The lines created are in the Manufacturing category of the plotting
style. Shown below is a magnified view of a dieboard with leader holes.
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• Die split lines do not connect to the dieboard edge;
• Saw lines have no leader hole;
• Enveloped corner with saw not recommended;
• Lines enveloped with saw.
In the Output Processing Errors dialog box, you can choose to view the problem and not generate the leader
holes by clicking Show Selected Error, or ignore the problems and generate the leader holes anyway. Clicking
Ignore causes the offending lines to not be included in the layer, so use this option carefully.
If you have already generated leader holes in this manufacturing file, you will be prompted to overwrite the
existing ones. To overwrite the existing holes, click Yes; any manual changes you made to the leader holes will be
lost if you click Yes. Clicking No initiates no changes.
The second button on the DieSaw / Leader Hole Tools toolbar activates the Add Leader Hole tool. To add a
leader hole, click the tool, and then click the location of the desired leader hole.
If the location clicked is within the snap distance of an end point of a rule, the leader hole snaps to the end
point; otherwise, the cursor changes to a cross-hair and you have to drag along the rule to set the position of the
leader hole as shown in the picture below. Drag away from the rule to create a lead-in line.
Note: No checks are performed when adding leader holes manually to ensure that they do not interfere
with each other.
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The third button on the DieSaw / Leader Hole Tools toolbar activates the Delete Leader Hole tool. To
delete a leader hole, click the tool, and then select the leader hole to delete.
All rules that used the deleted leader hole will be reversed and a leader hole will be added at the other end if
needed.
If the deleted leader hole had a lead-in line, the lead-in line will be deleted as well.
The fourth button on the DieSaw / Leader Hole Tools toolbar activates the Reverse Cut tool. This tool
reverses the sawing direction of the rule and moves the leader hole to the other end of the rule.
If the rule segment shares a leader hole with another rule segment, the leader hole will move to the other end of
the selected rule segment and the shared leader hole will be kept.
If the leader hole for the segment uses a lead-in line, the rule segment will reverse and add a leader hole at the
opposite end from the current leader hole and not include a lead-in line.
The fifth button on the DieSaw / Leader Hole Tools toolbar activates the Delete DieSaw Layer tool. When
clicked, this tool will ask for confirmation, and if you click OK, it will delete the contents of the DieSaw layer. If you
click Cancel, nothing will happen.
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The ninth button on the Dieboard toolbar activates the Horizontal Split tool, and when held down activates
the Dieboard Split Tools flyout toolbar.
To add a horizontal split, click the tool, drag the ghost split to the desired position, and click to set it in place.
Tack bridges are created on the lines forming the split.
The options on the Status bar will let you choose either the Top or the Bottom edge of the die to measure the
Offset from. The Angle refers to the angle through the center of the cylinder that this split creates.
The second button on the Dieboard Split Tools flyout toolbar activates the Vertical Split tool. This tool
works similarly to the Horizontal Split tool except the split is measured from the left or right side of the die
depending on the selection in the Status bar. Tack bridges are created on the lines forming the splits.
Vertical splits are not at an angle, so no angle is displayed.
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The third button on the Dieboard Split Tools flyout toolbar activates the Delete Split tool. When clicked,
this tool asks for confirmation, and if OK is clicked, it deletes the contents of the Die Splits sublayer. Click Cancel
to keep any dieboard splits.
The first button on the Registration Holes toolbar activates the Add Hole tool, and when held down,
activates the Add Holes flyout toolbar.
To add a hole, click Add Hole. The Status bar will change to show hole creation options.
Choose the type of general hole to add from the drop-down list box. Click More options (...) to invoke the
Properties dialog box for the hole, where you can modify the hole parameters before adding it.
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When you are done modifying the properties for the hole, click OK to save the changes and return to
Manufacturing, or click Cancel to discard the changes and return to Manufacturing. To set the position of the
hole, click at the desired location. The tool repeats until you click OK or select another tool.
The second button on the Add Holes flyout toolbar activates the Add Countersunk Hole tool. This tool
works in the same fashion as the Add Holes tool except it adds holes which are defined as countersunk. Select
the type of hole to add from the drop-down list box on the Status bar, modify its properties if necessary by
clicking the More options (...) button, click the locations at which to place a hole, and click OK to end the tool.
Shown below is the Properties dialog box for an example countersunk hole.
The second button on the Registration Hole Tools toolbar activates the Add Oblong Hole tool, and when
held down, activates the Add Oblong Holes flyout toolbar.
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This tool adds a non-circular hole to the workspace. It works the same way as the other hole tools except you can
specify different X and Y diameters for the hole diameter.
The second button on the Add Oblong Holes flyout toolbar activates the Add Countersunk Oblong Hole
tool. Its method of operation is similar to the other Add Hole tools, except that it is countersunk.
The third button on the Registration Hole Tools toolbar activates the Add Drill Hole tool, and when held
down activates the Add Drill Hole Tools flyout toolbar.
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This tool works the same as the other hole tools, except on its Properties page, you can only change the type of
hole being made. No other configuration options are available when adding the hole.
The second button on the Add Drill Hole tools flyout toolbar activates the Add Countersunk Drill Hole tool.
Its mode of operation is the same as for the Add Drill Hole tool. Using the Hole Catalog drop-down list box, only
the type of hole being made can be changed on its Properties page; the Diameter, Center Mark, Countersink
checkbox, and Counter Sink Diameter fields are unavailable.
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1. Design and save the single design(s) to include in the manufacturing file.
2. Create the manufacturing file and arrange the designs as desired.
3. Create the dieboard and stripping rules.
4. Add the mounting holes and adjust if necessary.
5. Add the dieboard splits and adjust if necessary.
6. Map the flat rules to rotary rules.
7. Build the rule path and adjust if necessary.
8. Apply the bridging and adjust if necessary.
9. Is the dieboard being made with a DieSaw? If so, build the leader holes and adjust them if necessary.
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10. Output the dieboard sections.
Prerequisites
To follow the sample workflow, ArtiosCAD must have the following Defaults defined:
• A Bridging On Teeth formula set up and saved;
• An Output defined for rotary dieboards, which on the View tab has the Rule Path layer being output at the
Wood level;
Using Layers
When you change layers, the active tool stops and no new tool starts. This prevents putting elements in the
wrong layer.
The layers that are displayed when a manufacturing file is opened depends on the setting in Options > Defaults
> Shared Defaults > Design Defaults > Default View Mode. You can choose to display the layers as they were
when the manufacturing file was saved, or you can choose to always display the same set of layers.
The Move to Layer tool in Manufacturing works similarly to its namesake in Single Design, but it offers
greater functionality as objects can be moved into layers within included designs as well as layers in the
manufacturing file.
To use this tool, select the object(s) to move to another layer using the Select tool on the Single Design Edit
toolbar, and click the tool, located on the Move tools flyout toolbar on the Single Design Edit toolbar. The
enhanced Move To Layer dialog box will appear similar to the one shown below.
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Designer’s Fix-It
Designer’s Fix-It is a tool on the Manufacturing menu in Manufacturing and the Design menu in Single Design.
It cleans up and reorganizes geometric data imported into ArtiosCAD from other sources.
Designs may look fine on the surface, but errors called anomalies can lurk below and ruin a resultant tooling set
and production run.
The general workflow is to import the data, use the Move To Layer tool to create single designs out of the oneup
data, open those embedded designs and run Designer's Fix-It, and then run Designer's Fix-It in Manufacturing to
clean up the non-embedded-design data.
When you start Designer's Fix-It, a toolbar appears to the right of the drawing area.
Clicking an icon on the toolbar invokes the particular tool. If the tool finds no anomalies, a dash is displayed in
the Found column. If the tool finds anomalies, the total is shown in the Found column, and the anomalies are
highlighted in the workspace.
To find all anomalies at once, click Find All.
Anomalies which can be fixed are dark blue when the screen background is light, and light blue when the screen
background is dark. Anomalies which cannot be automatically fixed are light blue when the screen background is
light and dark blue when the screen background is dark.
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To select an anomaly, click it; to select more than one, hold down SHIFT and click the individual anomalies, or
hold down CTRL and use a selection window. Selected anomalies will turn magenta.
To fix the selected anomalies, click Fix Selected. To fix all the anomalies, click Fix All.
Some of the tools in Designer's Fix-It have parameters which appear in the Status bar. These parameters let you
adjust what is an anomaly and what is not.
Note: The tools in Designer’s Fix-It do not search for anomalies in any of the Graphics layers. Also,
the tools work on lines and arcs only; if there are beziers in the workspace, select them all and convert
beziers to arcs as desired using Tools > Adjust Outline > Change Beziers to Arcs in Single Design.
Using Designer's Fix-It in an existing ArtiosCAD workspace disables StyleMaker. You will be prompted
to save the design before proceeding, disable rebuild and proceed without saving, or to exit from the
selected feature.
Split lines. These are lines that intersect other lines at points not at the end of the line. When you
click the icon, the tool intersects each line in the workspace with every other line, and searches for intersections
which are not at the end-points of lines. ArtiosCAD performs the intersections invisibly.
Shown below are intersections that do not occur at two end-points. However, these are acceptable anomalies
based on the basic structure of the carton.
Merge Points. When multiple lines have end-points which are very close to each other, they should
be combined into a common end-point. The direction and amount of moving of the multiple end-points into one
end-point depends on the type of lines involved and the angle of the lines forming this anomaly. Horizontal and
vertical lines take preference over non-horizontal and non-vertical lines, and creases take preference over cuts.
The Merge Points tool has one parameter: Size. The value in the Size: field on the Status bar sets the maximum
gap between points for two points to be considered an anomaly.
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However, when the Merge Points tool is run, it finds these anomalies:
Every intersection in the design shown above is wrong. The numbers in the picture above are in millimeters; the
gap at the top left intersection is one-tenth of a millimeter. When the point is zoomed in upon, it looks like this:
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Overruns – Underruns. An overrun is when a line extends slightly beyond its intersection with another
line. An underrun is when the endpoint of a line falls slightly short of causing its line to intersect with another
line. Anomalies of this type are displayed with their size next to them.
This tool has two parameters - Size and Minimum Angle. Size sets the maximum distance between the end-
point of a line and another line that is considered an anomaly; overruns or underruns larger than this value are
ignored. Minimum Angle sets the minimum angle at which the two lines must intersect in order for them to be
checked for overruns and underruns; if they intersect at an angle smaller than the value specified, any overrun or
underrun is ignored.
The layout below, while appearing normal, has Overrun – Underrun anomalies in the stripping rules:
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Clicking the Overrun – Underrun tool results in these anomalies being displayed:
Nearly Horizontal or Vertical. This tool searches for lines which are nearly horizontal or vertical. The
Size: parameter prompts for the minimum length of the line, and the Maximum Angle: parameter sets the largest
angle of deviance from horizontal and vertical that the tool will find.
This tool only highlights anomalies - you must fix them manually by leaving Designer's Fix-It and using the Edit
tools.
Shown below is what looks to be perfectly orthogonal geometry.
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When the Nearly Horizontal or Vertical tool is run, however, anomalies are found:
The anomalies are shown below with the aid of perfectly horizontal and vertical construction lines and the
Measure tools. Use the Edit tools to fix them.
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Double knives. This tool searches for lines that are either on top of each other or are separated by a
tiny gap and nearly parallel. The Size: field sets the minimum length of lines to be checked for duality and the
Maximum Angle: field sets the maximum angle between lines to check against.
Shown below is a design with some Double Knife anomalies. The number indicates the distance between the
double lines.
Short Lines. A Short Line anomaly occurs when a single line has both endpoints within the distance
set by the Size: parameter. To be considered an anomaly, the short line cannot be connected to another line.
Shown below is a design plotted using Scale To Fit.
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Note that even though Scale To Fit was used, the design does not fill the drawing area. Using the Short Lines
tool reveals that there are two short lines.
The number next to the anomaly indicates the size of the short line.
Line – Gap Sequence. This tool finds collinear sequences of lines and gaps that should be turned into
one line with bridges. Shown below is a design with what looks like normal bridging.
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Using the Line – Gap Sequence tool reveals that nearly all of the lines and gaps could be converted into lines
with bridges:
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Magnifying the left most line of the sleeve body, one can see that there are actually two lines that can be
combined into one if the Width tolerance and Shift Tolerance are adjusted accordingly. Also, the fact that the
bridge width indicator is not centered on the line is a sure giveaway that there is more than one line present.
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Three parameters on the Status bar control the size of gaps that are considered anomalies, and how those gaps
can be manipulated to make one line.
The value in the Size: field sets the maximum size of individual lines and gaps to consider as anomalies.
The Width Tolerance lets the tool compare gap sizes. If the gap sizes are the same, plus or minus the Width
Tolerance, then the gaps can be considered bridges in the new line.
The Shift Tolerance lets the tool move the gaps by up to the specified amount along the line to try to distribute
them evenly so that they can be considered bridges.
The two parameters work together to let the tool make a bridged line out of a series of lines and gaps when there
is a slight discrepancy in the size of the gaps and their positions relative to the line segments.
Clicking Parameters opens the Line-Gap to Bridge Parameters dialog box as shown below:
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The Width Rounding Value rounds the size of the variously-sized gaps so they are exact fractions of the unit
system being used.
The Make All the Same Width checkbox and the Change All to Width field instruct the tool to change all the
gaps into bridges of the size specified.
The Keep Present Bridges checkbox instructs the tool to keep any defined bridges in the lines contained in the
line-gap sequence.
The lines and gaps must be all in the same layer and the lines must be of the same line type for this tool to
consider them anomalies.
The Arc from Lines tool converts a chain of line segments approximating an arc into an arc. The
replacement arc’s end-points are the same as those of the beginning and ending line segments.
The Size: parameter sets the maximum size of the line segments to be considered anomalies.
Note: This tool works with lines and arcs only. If the design contains beziers, you will be prompted to
convert them to arcs or to cancel the tool. If the beziers are contained within an embedded design, they
cannot be converted to arcs, and the Smooth Lines and Arc from Lines tools will be disabled.
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Using the Arc from Lines tool reveals that the cutout in the lid is not what it appears to be:
Magnifying an anomaly and using the Measure tool reveals a series of small lines:
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The Smooth Lines tool converts a chain of small connected line segments into a line or arc that best
approximates the outline of the original lines. The chain of line segments must not branch or intersect with any
other lines, must be in the same layer, and must be of the same line type.
The Size: parameter controls the size of the line segments considered anomalies. The Smoothing Limit: controls
how far the new geometry will stray from the path of the original geometry.
Note: This tool works with lines and arcs only. If the design contains beziers, you will be prompted to
convert them to arcs or to cancel the tool. If the beziers are contained within an embedded design, they
cannot be converted to arcs, and the Smooth Lines and Arc from Lines tools will be disabled.
Shown below with endpoints on in View Mode is a piece of text that was converted to lines before being
imported into ArtiosCAD:
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Clicking the Smooth Lines tool results in the following anomalies being shown:
Making both the Size: and the Smoothing Limit: larger results in a more circular proposed fix:
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Finally, having reset the parameters to their initial values, selecting all the anomalies and fixing them results in:
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As with other defaults, double-click the entry to modify and change the values accordingly.
Note: ArtiosCAD only checks dieboards, not stripping boards or other manufacturing tools.
When you do a check, ArtiosCAD displays the Dropout Check dialog box and highlights the first type of error it
finds.
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Change the parameters of the checks as desired. In the first row, the check is for if there is only one bridge in
an area, what the maximum distance between bridges should be, and the minimum size of the bridges. In the
second row, the check is the same for when there is more than one bridge in an area. Once you have changed
the parameters, click Refresh to re-run the checks and update the display.
When you click a type of error in the list, ArtiosCAD highlights those errors in the workspace.
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Type of error Example
A long path without a bridge
Small bridges
To show more than one error type at once, hold down SHIFT and click the desired error types in the list.
These checks are also run when you make an Output of the Designs layer or Rule path layer with bridges on. Any
errors appear in the Output Processing Errors dialog box.
Note: Set the defaults for this feature in Startup Defaults > Dropout Check Options.
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Rubbering
Introduction to rubbering
Some diemakers put strips and pieces of rubber on the dieboard. The Rubber Design module provides tools to
create rubber pieces that follow the contours of the design lines in the layout. The Rubber Design and Layout
module enhances that further by efficiently nesting the rubber pieces on rubber sheets, which can then be
output to a rubber-cutting device.
Different types of rubber are used for different purposes on the dieboard. Profile/strip rubber comes pre-cut in
strips to be placed by hand so it is generally not included in Outputs. Other types of rubber are cut out of larger
sheets. These modules are designed to work with the types of rubber cut out of the larger sheets, but you can
also place profile/strip rubber on the dieboard so that the places for profile/strip rubber are indicated when the
dieboard is plotted.
Both of these modules are options which must be purchased.
Generic special rule and zero pointage rule are ignored; generic cut/crease is treated as a crease. Change
generic special rule to specific special rule and set a pointage for all rule before using any rubbering tools.
ArtiosCAD includes a sensible example table of rubber types, example rubber parameter sets, and example
rubber Outputs, but you should review them and modify them to fit your needs before using the Rubbering
features for production. See the Defaults chapter for more information.
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3.
Click Rubber area on the Rubbering toolbar.
4. Click Recalculate all on the Status bar. ArtiosCAD adds rubber to the layout according to the values in the
Rubber parameter set selected in the Manufacturing parameter set. Different types of rubber have different
colors.
5. Use the manual edit tools to refine the rubber layout, adding joins, splits, and fills where necessary. Shown
below is the result of a Recalculate All before editing.
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6.
Once you have adjusted the rubber as desired, use the Layout Rubber tool to nest it together on
rubber sheets. (This requires the optional Rubber Design and Layout module.)
7. Next, make an Output. There are many example Reports in File > Outputs > Artios > Rubber. To output the
rubber sheets themselves to HPGL files for use by a rubber cutter, use File > Outputs > Artios > Rubber >
Rubber sheet output. Each tile of this Output is an individual rubber sheet.
8. Finally, save and close the workspace, and move on to the next task.
Rubber tools
The Rubber tools are on two toolbars, the Rubbering toolbar and the Rubber view options toolbar. The tools on
the Rubbering toolbar require the Rubber Design license, while the tools on the Rubber view options toolbar can
be used by anyone with a Connection license.
Shown below are the Rubbering toolbar with its fly-outs expanded, and the Rubber view options toolbar beneath
it, along with a description of each tool’s function. Tools with more complex workflows are further described in
their own sections after the overview.
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Table: Rubbering tools overview
Rubber Area Automatically applies rubber to the lines in the area where you click,
or rubbers the entire layout by clicking Recalculate all on the Status
bar.
Repeat Rubber Element Repeats the last rubber element made in the area where you click.
Delete All Rubber Deletes the die rubber, rubber sheet layouts, and top plastic cover
depending on the items you select in the Delete All Rubber dialog
box.
Delete Rubber Area Deletes the rubber in the area where you click.
Select Rubber Selects the piece of rubber under the cursor. Hold down CTRL while
clicking to select more than one piece at a time.
Join Rubber Joins two pieces of rubber when you click near a split. If the two
pieces of rubber are different types, click the piece of rubber whose
type you want to keep.
Move Rubber Split Move a rubber split to the point you click.
Add Rubber Creates or adds to existing rubber using a loop of design lines.
Subtract Rubber Subtracts an area of looped design lines from existing rubber.
Fill Rubber Area Fills a small area formed by looped design lines with rubber. Not for
use with large areas; use Rubber Area for those.
Add Separator Adds a separator between the edge of the rubber and the rule.
Add Open-out Adds a cut in the rubber so that it can be spread flat on the sheet for
easier cutting.
Delete Open-Out (on fly-out Deletes the open-out cut where you click.
toolbar)
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Subtract Bolt Holes Removes areas of rubber covering bolt holes in the dieboard.
Update Plastic Cover Updates the plastic cover to match changes in the slot rubber. Use
this tool if you change the slot rubber after already having created
the plastic cover with the Rubber Area tool. Click ... on the Status bar
to adjust the cover parameters or click Recalculate All to completely
regenerate the cover.
Group Rubber Groups selected adjacent rubber or plastic cover pieces together
so that they are nested on the sheet as a group. This allows easier
finding of pieces that go near each other on the dieboard.
Layout Rubber Creates nested sheets for some or all rubber types. Requires optional
Rubber Design and Layout module.
Highlight Rubber with Shows matching pieces of rubber on the dieboard and on the sheet
Repeat for easy identification and placement assistance.
List Rubber Elements Opens a dialog box listing the rubber elements in which you can
click entries and have them highlighted in the layout and sheet (if
available).
Rubber View Options Sets options for the view such as fill, color by type or by number,
show element numbers, and so forth.
In addition to the tools listed above, other tools are particularly useful for working with rubber.
Delete Element (or the DEL Deletes pieces of rubber selected with a Select tool.
key on the keyboard)
Merge Lines Straight Adjusts the rubber shapes as needed and auto-repeats.
Merge Lines Arc Adjusts the rubber shapes as needed and auto-repeats.
Merge Lines to Intersection Adjusts the rubber shapes as needed and auto-repeats.
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Line tools Creates custom-shaped looped design lines that then can be used
with Add Rubber or Subtract Rubber.
The Rubber Area tool automatically adds or updates rubber in the area in which you click after activating
the tool. If the Rule Path layer has rules in it, the rubber is applied to those rules; otherwise, the rubber is applied
to lines in the Designs, Dieboard, and Stripping Rules layers. When the tool starts, it turns on the Rubber,
Designs, Dieboard, and Stripping Rules layers, and the Status bar includes the following controls:
The ... button leads to the Rubber Parameters dialog box, which lets you set or change all the values in the
Rubber parameter set associated with the parameter set for this layout.
For more information about setting these values, refer to the Defaults chapter.
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The Repeat Rubber Element tool repeats the selected pieces of rubber in congruent locations when Auto-
Repeat is turned off.
Shown below is a layout with rubber created using the Rubber Area tool and Auto-Repeat turned off.
The Split Rubber tool splits a piece of rubber perpendicularly if its sides are parallel; otherwise, the split is
roughly perpendicular, snapping horizontally or vertically if the Horizontal/Vertical checkbox is checked on the
Status bar. The width of the split is set by the value in the Split Width: field on the Status bar. Shown below is
when the Horizontal/Vertical checkbox is selected.
When the Horizontal/Vertical checkbox is not selected, the direction of the split is perpendicular to the side of
the rubber closest to the cursor:
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The split position snaps to corners, midpoints, and bridges, and also to construction lines in the Die rubber layer.
After splitting a piece of rubber, if appropriate, the smaller piece is changed to the type of rubber type used in
narrow areas.
The Add Open-out tool creates a cut in a corner of a piece of rubber so that it may be unfolded flat on
the rubber sheet for less waste, and to accommodate rubber-cutting machines that can make a bevel in one
direction only. To use this tool, activate it and then click in the corner of a piece of rubber. Shown below is a
rubber layout with no open-outs and its corresponding rubber sheet.
After adding open-outs to the corners of the U-shaped pieces of rubber in the four flaps, the regenerated rubber
sheet looks like this. Note the open-outs in the layout.
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The Subtract Bolt Holes tool removes the areas of rubber that cover die bolt holes, die registration holes,
and laser positioning holes in the die. The parameter set may be set to remove these areas automatically (but
this affects auto-repeat); it is when that option is not selected that this tool becomes necessary.
To use this tool, activate it, enter the desired offsets in the Subtract Bolt Holes dialog box, and click OK. The
Subtract Bolt Holes dialog box will show if rubber pieces need changing or not as shown below.
Often the bolt holes are far away enough from the rubber so that this tool does nothing.
The Layout Rubber tool efficiently nests the rubber elements together on sheets that can then be output
to files for a rubber-cutting machine. Note that this tool requires a license which must be purchased. When
activated, the tool opens the Make Rubber Layout dialog box, shown below in its initial state before a layout has
been made.
Each type of rubber used in the layout (except for premade strip/profile rubber) has its own sheet created, and
correspondingly has its own tab in the Make Rubber Layout dialog box.
Trim is the distance from the edge of the rubber sheet to the edges of the rubber elements, and Gutter is the
distance between each rubber element.
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Some rubber cutters have more than one cutting head so that more than one sheet of rubber can be cut at a
time. In this case, specify the number of heads in the Heads drop-down list box. If you specify two or more heads
when making rubber sheet layouts, this reduces the number of copies output of each piece. For example, if there
are 11 copies of a piece, ArtiosCAD might place five copies on a sheet cut twice and one on a sheet cut once. The
sheets that should be cut twice are labeled x2 both in the rubber sheets layer (at the top left of the sheet) and in
the Output.
ArtiosCAD automatically groups pieces of rubber on the sheets based on their shapes. The five choices in
the Grouping group control how the instances of each rubber element are grouped together on the sheets.
Manual means that the grouping will be taken from the values set in the List Rubber Elements dialog box.
None means that each item will be considered its own group. Low means only straight items will be grouped
together. Medium will do an intermediate level of grouping, but High will group together as many instances of
the element as possible. These controls are meant to let you find the balance between making pieces easy to
find and wasting the least rubber.
You can define up to six sheets of scrap rubber to use instead of fresh sheets. To add a scrap sheet, click Insert
in the Current Scrap group, enter its dimensions, and check the Use checkbox. Click Delete to delete the
selected piece of scrap from the list.
Increasing the value in the Nesting tries: field causes ArtiosCAD to try more nests, but this takes more time.
Fill from left tells ArtiosCAD to fill the sheet in a left-to-right sequence. When this is off (the default), the sheet is
filled from the bottom to the top.
Allow Rotate allows the nesting process to use angles other than 180 when trying potential nests.
Make This generates a sheet of rubber for the current tab.
Make All generates sheets of nested pieces of rubber according to their types. More than one sheet per type is
generated if necessary.
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The List Rubber Elements tool opens a dialog box in which you can select rubber elements and see them
highlighted on the dieboard and rubber sheets (if they have been generated). Some elements of the dialog box
are unavailable without the Rubber Design and Layout option.
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The left side of the dialog box shows the list of all the rubber elements, ordered by rubber type and then element
size. The Die column lists the number of pieces on the dieboard, while the Layout column lists the number of
pieces in the rubber sheet layout (these numbers are the same initially by default). If a piece of rubber does not
fit on the sheet, it is not shown on-screen and has a 0 in the Layout column. The Group column indicates the
maximum number of groups containing this element in the sheet layout (with 1 being no groups).
The down-arrow chevron expands the dialog box to the bottom of the monitor, and the up-arrow chevron it
changes to when clicked shrinks the dialog back to its previous size.
In the Layout group, the value listed shows how many instances of the current selection are in the sheet layout.
You can change this number to make more or less of the current selection if you regenerate the layout. This is so
that if you need to produce a few more pieces of a delicate item, you can do so easily. On die resets the number
of elements in the layout to the number of elements on the dieboard, while Zero all resets all the elements on
the sheet to zero. (You would then select the few pieces to make again, set their numbers in the Layout field to
the desired numbers, click OK, and regenerate the layout with the Layout Rubber tool.)
For example, suppose you need 20 more of these, of which you currently have 3:
You would increase the number in the Layout field to 23, regenerate the Yellow Slot rubber sheet, and arrive at
the layout shown below:
The Groups of: group controls how many instances of the same rubber piece are placed near each other on
the sheet. For example, if there are 12 instances of the same element, the Group column is initially set to 12 so
that they are all together on the sheet, but by changing the Groups of: value to 2 and regenerating the sheet,
you would have up to 6 groups of 2 scattered throughout the sheet. However, more than 2 pieces may still be
grouped near each other if that results in greater efficiency.
When you change the number in the Groups of: field, the Grouping option button in the Make Rubber Layout
dialog box changes to Manual so that your change to the layout method is preserved if you regenerate the
rubber sheet layout.
Zoom in zooms in on the selected rubber element so that it fills the window. Deselecting it performs a Scale to
Fit to show the entire workspace.
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2.
Click Add Rubber, select the just-drawn geometry either by clicking it or by using a marquee selection,
and set the Status bar options as desired. If the lines do not form a loop, OK remains unavailable. Click OK
when it is available.
3. The geometry is changed to a piece of rubber and is auto-repeated in congruent areas if Auto-Repeat is
enabled.
2.
Click Add Rubber, select the geometry either by clicking it or by using a marquee selection, and set the
Status bar options as desired. Click OK.
3. ArtiosCAD adds rubber to the area within the looped lines that did not have rubber before, and these
changes are auto-repeated to congruent areas if Auto-Repeat is enabled.
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To remove rubber, use the Subtract Rubber tool in the same way as the Add Rubber tool.
1. Change to the Die Rubber layer of the layout, turn on the appropriate toolbars, and create a loop of lines in
the shape of the rubber to remove.
2.
Click Subtract Rubber, select the geometry either by clicking it or by using a marquee selection, and
set the Status bar options as desired. Click OK.
3. ArtiosCAD removes rubber from the area within the looped lines that had rubber before, and these changes
are auto-repeated to congruent areas if Auto-Repeat is enabled.
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To make small changes to the rubber layout, use the Select, Move, and Rotate tools. However, avoid using the
Copy tools with rubber elements as this could lead to unpredictable results.
Use the tools on the Adjust and Adjust Outlines toolbars to adjust the outline of rubber pieces. Merge Lines
Straight, Merge Lines into Arc, and Merge Lines to Intersection can all adjust the outlines of rubber pieces in
two to three clicks. Stretch Point and Stretch by Polygon are also handy. These tools work with Auto-Repeat if it
is enabled.
Merge Lines Straight straightens a series of lines, and when used with rubber, changes the shape of a
piece of rubber. Activate the tool and click lines 1 and 2 to produce the second picture.
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Merge Lines Arc works similarly; activate the tool, indicate the lines to merge, and then set the radius of
the arc:
The rest of the previously-mentioned tools work the same way and all reapply separators.
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1.
Click the Select Rubber tool and double-click the piece of rubber to change; or, to change more than
one piece of rubber at once, hold down CTRL while selecting pieces and then press ALT-Enter.
2. The Properties dialog box appears as shown below.
3. In the dialog box, use the Rubber type: drop-down list box to change the type of the rubber. Update offset
is selected by default so that ArtiosCAD updates the offsets since they may differ between types of rubber.
In the Separator type group, change the shape and size of the separators as desired. Slot and strip/profile
rubber pieces do not have separators made for them. Changes made in this dialog box are immediately
applied to the layout.
4. Click OK to resume working with the layout.
Blanking
Blanking is the process of removing the cartons/boxes (called blanks) from the sheet as it travels through the
die press. Blocks and pins on the upper board push the blanks through holes in the lower board into stacks on
the pallet. The rest of the sheet moves out of the press as waste. Having the press separate the blanks from the
waste reduces the time needed to complete jobs and also reduces the risk of error.
Before using the tools described in this section, you should have a thorough understanding of your company's
best practices for blanking. If you are unfamiliar with blanking, good places to start learning are in the
documentation for your press and at your press manufacturer's website.
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Blanking defaults are contained in the Blanking parameter sets. To review or change them, click Options >
Defaults > Blanking machine parameter sets and Blanking parameter sets.
Adjust Pushers
Add Photocells
Add Hardware
Add Tie-bolts
Add Pressers
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Button Function
Delete Blanking
Blanking Elements
Use the blanking tools in ArtiosCAD to create these blanking elements. If no blanking layers already exist in a
manufacturing workspace, using these tools creates them.
The context menu commands are available when you right-click an element. The validation describes what
ArtiosCAD checks when placing an element. Some blanking elements have multiple shapes that may differ from
those shown here.
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Blanker pusher pins, also called stand-off pins Attaches the Delete Must not overlap other
(SOP) pushers to blanker pusher pins,
the upper pusher ID text items,
board pusher edges, tie-bolts,
or pusher air holes
Pusher board air hole and Upper blanking board Reduces Delete Must not overlap any
air hole suction blanker pusher pins,
caused pusher ID text items, or
by board any pusher edges
movement in
the press
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Blanking Congruency
Congruency is the property of two or more elements being identical except for physical placement. For blanking,
ArtiosCAD uses contour congruency and layout congruency to determine where to put elements when Auto-
Repeat is enabled.
Note:
Many factors affect congruency in unanticipated ways. Use caution when Auto-Repeat is enabled and
always check that elements are placed correctly before performing an Output. Each element created
with Auto-Repeat is checked for validity (except for those created with the Add Hardware tool) but in
some cases the checks are not as effective as your experienced eye.
ArtiosCAD determines layout congruency based on the position of an element relative to the layout. If an
element is contained within a blank, that element is repeated within all similar blanks. If an element crosses
blank boundaries, it is repeated where that same group of blanks appears. For those imported workspaces
where manufacturing components are actually subprograms - treated as if they were part of the manufacturing
workspace but truly are not - blanking Auto-Repeat will not work correctly.
Two or more elements have contour congruency if they can be transformed into each other by mirroring or
rotation. When Auto-Repeat is enabled, if a change is made to an element, ArtiosCAD applies that change to all
other elements having contour congruency.
The table below lists the blanking tools and their congruency method.
Add Presser
Frame Creation
Most of the blanking tools require the frame to exist, so if the frame does not exist, ArtiosCAD prompts you to
create it before starting the tool you clicked.
ArtiosCAD bases the frame size on the Frame Size parameter in the Frame catalog of a blanking parameter set.
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It can be:
• Maximum size, which takes the frame size from the Vertical Pieces > Length, Horizontal Pieces > Maximum
length, and Max Size Restrictions fields defined in the Frame catalog of the blanking machine parameter
set. Min to inner specifies the positioning of the lower horizontal bar when using either Maximum size or
Suggested size.
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Note that you can also control the size of the horizontal pieces with Trim to frame.
• Suggested size, which uses the Height and Width field values you specify on the Frame Size tab of the
blanking parameter set.
• By clearance, which calculates the proper size from the clearances you supply in the Frame Allowances
dialog box that appears when you create the frame.
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ArtiosCAD calculates the allowances on the left using the values in the Formula and Parameters group on
the right, but you can manually enter any desired allowances in the appropriate fields.
In the Width and Height groups, if you deselect a Single-cut checkbox, the #up field becomes unavailable
and ArtiosCAD computes the allowances as if the number were 1.
When using By clearance, follow the recommendations of your press manufacturer for the values to supply
for clearances: Separator, Jogger, and Extra. One leading press manufacturer recommends adding a half
millimeter plus the thickness of the separator for every blank for single-cut layouts. For double-cut layouts,
the layout is treated as one large blank since the blanks are not connected.
For Standard formula type layouts, ArtiosCAD calculates the clearances based on the information you
supply and creates the blanking frame accordingly. For Custom formula type layouts, the controls change to
specifying a library function to calculate the left, right, top, and bottom clearances.
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The library function for the separator clearance on the BSI Grid type of blanking tool set is
bsi_blk_clearance.txt and contains:
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3.
Click Add Grid Bar on the Blanking toolbar.
4. Choose a blanking machine parameter set in the Choose Blanking Machine Parameters dialog box and click
OK.
5. Choose a blanking parameter set in the Choose Blanking Parameter Set dialog box and click OK. For this
example, choose Grid.
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6. In the Frame Clearance dialog box, change any values as desired and click OK.
ArtiosCAD creates the grid frame, which is represented as double green lines around the layout.
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7.
Use Add Grid Bar, Add Jogger Guides, and Add Hardware to construct the grid. More
information about how to use them is later in this guide.
8.
Use Add Non-Stop Swords and Add Photocells to add those parts.
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9.
Use Generate Blanking Tools to create the pushers and the upper board.
10.
Use Adjust Pushers to adjust the offsets from the pusher edge to the grid and/or design edge.
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11.
Finish the upper board by using Add Tie-bolts and Add Pressers to add the pressers.
12. Save the workspace and run a blanking Output such as the Blanking Parts Report shown below, or one of the
grid bar reports.
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3.
Click Generate Blanking Tools on the Blanking toolbar.
4. Choose a blanking machine parameter set and click OK.
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5. In the Choose Blanking Parameter Set dialog box, depending on if your layout is double-cut (the designs
have a gutter between them) or single cut (the designs share common knives on their exteriors), choose
either Flat top (double knife) or Flat top (knife to knife) and click OK.
6. In the Frame Clearance dialog box, change any values as desired and click OK.
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7. Make sure all four mode selection buttons are selected and click Recalculate All on the Status bar.
ArtiosCAD automatically generates the frame, holes, and pushers for the layout.
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8.
Use Add Jogger Guide and Add Hardware to add more hardware. More information about how to
use them is later in this guide.
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9.
Use Add Non-Stop Swords and Add Photocells to add those parts.
10.
If desired, use Adjust Pushers to adjust the offsets from the pusher edge to the hole and/or design
edge.
11.
Finish the upper board by using Add Tie-bolts and Add Pressers to add the pressers.
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12. Save the workspace and run a blanking Output such as a Blanking Parts Report.
The Add Grid Bar tool lets you add grid bars when constructing a grid-type lower blanker board. Grid bars
separate the blanks as they are pushed through the grid. Use this tool to follow the contours of a blank and
ArtiosCAD will construct the grid bar to match.
When this tool is active, the Status bar looks as follows.
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The Width, Offset, and Bend radius fields all control the dimensions of the grid bar.
The Properties (...) button opens the Blanking parameter sets dialog box.
These parameters are explained by the following diagram, with the green lines being the frame edge and the
triple black lines being a blanking grid bar (with Fills and strokes in the Styles group of the View mode turned off
and End points turned on). The rectangle with the point is the blank.
Note:
These parameters are saved with the manufacturing workspace.
Automatically trim/extend on finish trims or extends the grid bar so that it meets the frame when you click
Finish on the Status bar, and Trim to grid trims the grid bars against each other.
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In the diagram above, the grid bars are not filled and the end points are visible. To see just the edges of the grid
bars, turn off Fills and strokes in the Graphics section of the View Mode; to see the edges and middle of the grid
bars, turn off Fills and strokes in the Styles section of the View Mode but leave it on in the Graphics section.
Finish extends the grid bar to the closest frame edge if Automatically trim/extend on finish is enabled in
the Grid Parameters dialog box, and if Auto-Repeat is enabled, repeats the grid bar to congruent sections of the
layout. ArtiosCAD restarts the tool so you can create a new grid bar.
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4. Continue constructing grid segments, using Undo and Redo to correct mistakes.
5.
When you have rounded the last bend before the frame, click Finish to extend the grid bar to the edge
and Auto-Repeat it to congruent areas if Auto-Repeat is enabled.
6. Create the other grid bars in the same way. The example below was created by following the blank lines
horizontally but using the two points on adjoining blanks to construct the vertical segments.
To see which end of a grid bar is the start and which is the end, turn on Direction in the View Mode.
To restart a grid bar, click the edge of the end of the bar.
To reverse the direction of a bar and recreate it, click the edge of it near its start and click Yes.
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The Include Strip Rules tool allows you to mark stripping rules to be respected during blanking tool
generation to result in merged blanks. It indicates how double-knife blanks should be blanked together by
having you select the stripping rules that join their outlines. It can modify the lower hole and pusher contour, or
just the lower hole. It works only with stripping rules, not carrier rules or scrap knives.
When you activate the tool, ArtiosCAD:
• Shows all lines as gray except for stripping rules
• Changes the current layer to Lower Blanker
• Turns off the other blanker layers
• Turns off the Sheet layer
• Turns on the Design layer
• Turns on the Stripping layer
• Deletes any existing respected stripping rules that do not overlap a stripping rule and displays the remaining
ones (in case you have made changes to the stripping rules since last running the tool)
This tool has the following controls on the Status bar:
Clear all clears all stripping rules from being included in blanking calculations, and Lower only only merges the
holes in the lower board, and does not merge the pushers.
Note: If Lower only is checked, checking Merged pusher on the Pusher Edge tab when generating
blanking tools has no effect.
If you did not use this tool, ArtiosCAD would generate blanking tools like the ones shown below this layout:
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Note: To select or deselect many rules at once, hover away from a rule, and click and drag to define
a marquis selection. If congruency is on, any congruent lines outside the selection window are also
selected.
5. To revert a respected rule back to a normal stripping rule, click it again. The cursor will change to a minus
before you click.
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Generate Blanking Tools is a one-click method to create blanking tools. It can create the frame, generate
blank holes in the lower board (if used), generate pushers, and so on depending on the parameter set you
choose. It does not create grid bars.
This tool has the following controls on the Status bar:
Control Generates
The blank holes - creates blank holes and the lower board wood edge
The pusher contours - creates pushers and upper board wood edge
The initial states of these controls are determined by which layers contain anything or are turned on. These
controls are independent from each other; click the ones corresponding to the blanking elements for ArtiosCAD
to generate. Hold down CTRL to toggle the state of the other controls as you click one.
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Clicking the Properties button (...) opens the Blanking Parameter Sets dialog box whose contents are based on
the controls selected for generation on the Status bar.
Clicking Recalculate All generates the selected tools with the parameters from the Blanking Parameter Sets
dialog box. To generate the tools for just one blank, click inside the single design for that blank.
Your Blanking Parameter Sets dialog box may not have the same tabs as the example shown below.
Set the allowances and clearances for the frame on the Frame Size tab:
The frame allowances are relative to the layout size. Calc From Clearance opens the Frame Allowances dialog
box discussed in the Frame Creation section. When you close the Frame Allowances dialog box, the values on
the Frame Size tab are updated accordingly.
Clicking Maximum Size:
• sets Inside width and Inside height to their maximum values allowed by the machine
• leaves Bottom allowance unchanged
• resets the Top allowance to (Maximum height - layout height - Bottom allowance)
• recalculates the Left allowance and Right allowance to (Maximum width - layout width/2).
Set the positions and sizes for the frame pieces on the Frame Pieces tab.
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In the Bottom Position group, choose how to calculate the distance to the bottom of the frame - from the
bottom of the sheet or from the first knife. The location of the first knife is sometimes called P13.
Set the sizes of the frame pieces in the Vertical Pieces, Horizontal Pieces, and Max Size Restrictions groups.
Trim to frame lets you choose to trim the horizontal pieces to fit this frame or to keep them full-size for use with
other frames.
Set the parameters for the frame’s construction on the Frame Construction tab.
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If you will be using a BSI frame kit for this set of blanking tools, check Use frame kit. It is associated with the
Blanking machine parameter set and cannot be changed when you are generating the blanking tools.
If you are not using a BSI fame kit and thus Use frame kit is not selected, choose the type of hardware to use on
the frame from the drop-down list boxes in the Hardware group. You can make your own custom hardware as
geometry macros and add them to the Blanking catalog in the Geometry Macro catalog in Defaults.
If desired, choose the type of BSI mounting or scrap rails to use from the Mounting/scrap rails drop-down list
box. ArtiosCAD draws them as red rectangles with screw holes on top of the green frame pieces. If you need to
trim the stock rails, ArtiosCAD draws a line across the left one and shows the dimension to which you must trim it
(and the right one) for the job.
If you will be using lateral support bars, check Lateral support bars and specify the Overhang distance.
The fields on the Lower Holes tab control how the holes are made in the lower board (if applicable). The
Adjusted Offsets are available for all blanker types except Grid (no board).
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In the Blanker Type group, choose the type of blanking for the tool to perform. This should be pre-selected from
the parameter set.
In the Contour group, set the values for the paths in the layout which ArtiosCAD will follow to create holes in the
lower board.
In the Adjusted Offsets group, choose the type of lines that require adjusted offsets for their corresponding hole
contours. The preview picture shows each type of offset. Make sure to check Use for each desired offset while
it is selected, and adjust the size of the offset as needed in the Offset field. ArtiosCAD marks each in-use offset
with an asterisk in its name. You can specify adjusted offsets for all blanker types.
As the size of the lower board is determined from the frame size, not the layout, the only fields on the Lower
Board tab are for the allowances. The Left, Right, and Top allowances can be measured relative to the inner
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frame, outer frame, or the bar extent. The Bottom allowance can be measured relative to all of those and the
bottom of the sheet. Each allowance defaults to the inner frame.
To adjust the lower board’s alignment method and corner shape, right-click its edge after it is created and click
Properties on the context menu.
The size of the upper board is based on the layout size, not the frame size. To adjust the upper board’s alignment
method and corner shape, right-click its edge after it is created and click Properties on the context menu. On
the Upper Board tab, adjust the size and allowances as desired. Alternately, click Maximum size to make it as
large as possible using the parameters from the Upper Board Requirements tab.
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The Pusher Details and Pusher Edge tabs control the creation of the pushers on the upper board.
Settings for the air hole, blanker pusher pins, and pusher identification text are on the Pusher Details tab as
shown below.
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In the Air Hole group, set the options to control how ArtiosCAD makes the air holes in the pushers. When
checked, Merged hole creates one air hole per pusher; deselect it to create one air hole per design. To make
bars across large holes to reinforce them, check Reinforce large holes and set the Maximum size of each sub-
hole and the Bar thickness.
Note: ArtiosCAD does not automatically place in the areas between non-merged air holes.
As with the frame, you can create your own blanker pusher pins as geometry macros and add them to the Stand
off pins sub-catalog in the Blanking catalog of geometry macros in Defaults.
The pusher ID text is either an S# or a P# where # is a number, S stands for station, and P stands for pusher. The
P# form indicates that there may be one or more other identical pushers. The S# form uniquely identifies the
pusher in the layout. For example, if you have a double-knife layout of one design with Auto-Repeat enabled,
then when you generate the pushers, all the pushers should have the same P# ID text. If you then disable Auto-
Repeat and make an adjustment to a pusher, then that pusher will use the S# form.
The Pusher Edge tab controls how ArtiosCAD shapes the pushers. The options in Adjusted Insets work the same
as the Adjusted Offsets do on the Lower Holes tab - select an inset, check Use, and set the inset in the field.
Only insets with asterisks are used when ArtiosCAD generates the blanking tooling.
Note: Merged pusher has no effect if the Lower only checkbox is on when using Include Strip Rules.
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Once you have set the parameters on all the tabs as desired, click OK to return to using the tool.
To use this tool, do the following:
1. Create a layout in ArtiosCAD.
2.
Click Generate Blanking Tools on the blanking toolbar.
3. Choose the machine and parameter set.
4. Set the frame parameters in the Frame Allowances dialog box and click OK.
5. On the Status bar, choose the items to generate.
6. Click the Properties button (...) to open the Blanking parameter sets dialog box. In it, review the settings on
each tab ArtiosCAD will use to generate the tools. Click OK when done.
7. Click Recalculate All on the Status bar.
Shown below is a set of blanking tools with everything generated.
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The Adjust Blank Holes tool on the Blanking toolbar allows you to adjust the shape of a blank hole in the
lower board. If Auto-Repeat is enabled, ArtiosCAD modifies all congruent blank holes.
When you click this tool, ArtiosCAD turns on the Blanker lower board layer, turns off the other blanking layers,
and puts an Offset drop-down list box on the Status bar:
You can either type a value or expression in the Offset field or choose a value from the drop-down list. A positive
number offsets the hole outside the blank; a negative number insets it inside the blank.
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From design is unavailable, but when it is checked, it indicates that the current offset of the line or arc is the
distance perpendicularly from the midpoint of the line to the design.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the lower blanking board.
2.
Click Adjust Blank Holes.
3. On the Status bar, adjust the offset as desired.
4. Move the cursor close to the line to change. The drag will indicate the adjusted offset while the number
in the drag is the current offset. To change more than one line, hold down CTRL and drag to the next
connected line.
Note:
Only change one or two lines at a time as the adjustment’s start angle is set by the first line you
choose. Choosing more than two lines at a time may result in incorrect adjustments.
5. Click the line to change. To change more than one line at once, click the last line in the sequence.
6. ArtiosCAD adjusts the hole edge.
The Adjust Pushers tool changes the shape of the pushers on the upper board. When you click this tool,
ArtiosCAD makes the Blanker pushers layer active and turns off the other blanking layers.
This tool has the following controls on the Status bar:
Inset is the distance the current pusher edge is from the hole edge or grid bar. A positive value moves the
pusher edge further from the hole or grid; a negative value brings it closer. Any values you type in this field will
appear on the drop-down list for later use in this session.
From design is unavailable, but when it is checked, it indicates that the current offset of the line or arc is the
distance perpendicularly from the midpoint of the line to the design.
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To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Adjust Pusher.
3. On the Status bar, adjust the inset as desired.
4. Move the cursor close to the line to change. The drag will indicate the adjusted inset while the number in the
drag is the current inset. To change more than one line, hold down CTRL and drag to the next connected
line.
Note:
Only change one or two lines at a time as the adjustment’s start angle is set by the first line you
choose. Choosing more than two lines at a time may result in incorrect adjustments.
5. Click the line to change. To change more than one line at once, click the last line in the sequence.
6. ArtiosCAD adjusts the pusher edge.
The Add Non-stop Swords tool on the Blanking toolbar lets you indicate where the non-stop swords will
go on the press. They may not overlap other swords or joggers. When you click this tool, ArtiosCAD turns on the
Blanker frame layer and turns off the other blanking layers.
This tool has the following controls on the Status bar:
In the Non-stop sword drop-down list box, you can choose to add a machine-defined narrow sword, a machine-
defined wide sword, or a custom sword.
Clicking Properties (...) opens the Blanking parameter sets dialog box where you can set the availability, number
of prongs, and width of the swords.
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The Add Photocells tool lets you add photocells to the blanking tooling. Photocells signal the press when
the stack of blanks needs to be removed from the press to make room for new blanks to accumulate. Photocells
must not overlap joggers or other photocells. When you click this tool, ArtiosCAD turns on the Blanker frame
layer and turns off the other blanking layers.
This tool has the following controls on the Status bar:
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In the Width field, set the width of the photocell beam. This field is preset from the values in the Blanking
parameter sets dialog box opened by the Properties (...) button. Use the drag to set the Offset or enter a value in
the field manually. The drag is green for valid positions and red for invalid positions.
Shown below is the Blanking parameter sets dialog box.
The Maximum Distance and Minimum Distance fields control the range of placement for the photocells. The
checkboxes before them enable their limits; for example, to be able to set the photocell anywhere in the frame
after the minimum distance, deselect Maximum Distance.
Click OK when you have set the values as desired.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Photocells on the blanking toolbar.
3. If desired, change the width of the photocell in the Width field.
4. Use the drag to set the offset for the photocell’s position, or enter it manually in the Offset field.
5. Continue adding photocells as desired. The drag is green for valid positions and red for invalid positions.
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The Add Jogger Guides tool lets you position joggers, the hardware that helps guide the blanks as they are
separated from the sheet. When you click this tool, ArtiosCAD turns on the Blanker frame layer and turns off the
other blanking layers.
Joggers must not overlap other joggers, photocells, or non-stop swords. ArtiosCAD checks three parts of the
jogger for interference: below the board (the active part), at the board level, and above the board.
This tool has the following controls on the Status bar:
Select the jogger to use from the Jogger drop-down list box. In the Offset drop-down list box, select 0, Midway
between 2pts, or enter a custom value. Check Set alignment so that when you click to add a jogger, you first
place the jogger on a line and then click a point with which to align it.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Jogger Guides on the Blanking toolbar.
3. Choose the jogger and offset from the drop-down list boxes on the Status bar.
4. Place the jogger in the desired position in the layout by clicking where you want it along a line in the frame
or a design edge. ArtiosCAD will measure the offset of the jogger edge from the center of the blanking frame
for joggers placed along the frame. You can achieve different positioning by holding down SHIFT or CTRL
as you click; follow the prompts on the Status bar. The drag will be green for valid positions and red for invalid
positions. If you want to align the jogger with a point, check Set Alignment on the Status bar before clicking
its position. If Auto-Repeat is enabled, ArtiosCAD repeats the jogger to congruent areas.
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The Add Support Bars tool lets you add support bars to the lower blanking board for reinforcement. When
you click this tool, ArtiosCAD turns on the Blanker frame layer and turns off the other blanking layers.
This tool has the following control on the Status bar:
Set the absolute width of the support bar in the Width field. The initial value is part of the blanking parameter
set. Click More Options (...) to open the Blanking parameter sets dialog box and change to defining the support
bar by components within the parameter set.
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Click From machine to limit the choices in the Rail drop-down list box to those defined by the machine. Similarly,
choose an adhesive strip for the top of the rail from the Adhesive drop-down list box. If you choose to define the
support bar by components, the Status bar shows those components.
ArtiosCAD determines the support bar offset from the inner frame by the offset from the origin in the geometry
macro workspace containing the component bar. All BSI components in ArtiosCAD use an offset of 4 millimeters.
Similarly, ArtiosCAD determines the adhesive position by the position of the geometry in the geometry macro
workspace. All BSI adhesive components in ArtiosCAD use an overlap of 2.5 millimeters. ArtiosCAD uses the same
offset to trim the geometry at the top of the frame.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Support Bars on the Blanking toolbar.
3. ArtiosCAD positions support bars midway between two points. Click the first point.
4. Click the second point or hold down CTRL and click a freehand point.
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The Add Air Holes tool lets you add air holes in the pushers, the upper blanking board, or both. Air holes
reduce the suction created by the movement of the tooling. When you click this tool, ArtiosCAD turns on the
Blanker upper board layer and turns off any other blanking layers.
This tool has the following controls on the Status bar:
Choose the shape of the air holes from the option buttons and choose the objects in which to create the air
holes from the checkboxes.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Air Holes on the Blanking toolbar.
3. Choose the shape of air holes to add and the objects in which to create them.
4. Follow the prompts on the Status bar to create a hole. If Auto-Repeat is enabled, ArtiosCAD will use layout
congruency to repeat it.
Note:
There is no validation to ensure that hole edges do not cross each other or pusher edges. Be careful
with your construction.
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The Add Blanker Pusher Pins tool adds the pins that attach the pushers to the upper blanking board.
These are also called stand-off pins (SOP). When you click this tool, ArtiosCAD turns on the Blanker upper board
and Blanker pusher layers and turns off the other blanking layers.
This tool has the following controls on the Status bar:
Choose the pin to add from the Blanker pusher pin drop-down list box. The Offset field sets the distance from
the pusher edge to the pin. The initial value is part of the blanking parameter set.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Blanker Pusher Pins on the Blanking toolbar.
3. Choose the type of pin to add from the list in the Blanker pusher pin drop-down list box.
4. If desired, change the offset for the pin in the Offset field.
5. Click the position inside the pusher edge where you want to place the pin. The cursor snaps the pin drag to
the inside edge of a hole when it is inside a hole. ArtiosCAD adds pins with congruency but does not remove
them with congruency.
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The Add Hardware tool lets you add pieces of additional hardware to any of the blanking layers. You can
design your own pieces of hardware, add them to the appropriate geometry macro catalog, and use this tool to
add them to the blanking tooling.
This tool has the following controls on the Status bar:
Choose the hardware to add from the Hardware drop-down list box. To be prompted for an offset after selecting
the hardware’s alignment point, check Set offset. Lines of blanker lower board types are copied to that layer,
lines of blanker upper board types are copied to that layer, lines of blanker pusher types are copied to that layer,
and the rest remain in the Blanker frame layer.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Hardware on the Blanking toolbar.
3. Choose the hardware to add from the Hardware drop-down list box and click Set offset to be prompted to
set an offset after aligning the hardware.
4. Place the hardware by clicking a line to place it against using drag and click to set its alignment point. If you
are using BSI blanking kit hardware, please refer to the next section for notes about how to place specific
pieces of hardware.
5. If you selected Set offset before placing the hardware, set the offset either with drag or by typing a value in
the Offset field.
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BSI Hardware Part Positioning Notes
C01020 Side Clamp Weldable Select an inside left or right frame line, then click a
point on the side of the grid bar so that the green
arrow points toward the bar.
The report includes quantities for the component support bars, hardened pins, screws needed for the support
bars that overlap the lower board, and adhesive runners.
The Add Tie-bolts tool lets you add holes for the bolts that attach the boards to the press. When you click
this tool, ArtiosCAD makes the Blanker upper board layer active and turns off the other blanking layers.
This tool has the following controls on the Status bar:
Choose the tie-bolt to use from the Tie-bolt drop-down list box. To add a corresponding bolt on the other side
of the center line, leave Symmetrically checked. Set the offset of the tie-bolt either with drag or by entering a
value in the Offset field. Clicking Properties (...) opens the Blanking parameter sets dialog box as shown below.
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Set the distances as desired. The checkbox for a distance controls if you can add a mounting hole to that
support bar, while the checkbox for the maximum distance enforces a limit on the offset distance from the
centerline.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Tie-bolts on the Blanking toolbar.
3. Choose the tie-bolt to use from the Tie-bolt drop-down list box.
4. Use the drag to set the Offset field. Depending on which mounting bars are enabled in the Blanking
parameter sets dialog box, the drag snaps to show the bar for which you are adding a hole; you must use
drag to choose the bar for the hole. The drag is green for valid positions and red for invalid positions. If
Symmetrical is checked on the Status bar, then a corresponding tie-bolt hole is shown in the drag mirrored
around the center line.
Shown below is drag for the first bar and then for the second bar. Once you have set the offset, click to add
the hole.
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The Add Pressers tool adds pressers to the upper board. Pressers are essential for holding the waste while
the blanks are separated from the sheet. When you click this tool, ArtiosCAD turns on the Blanker upper board
layer and turns off the other blanking layers.
This tool has the following controls on the Status bar:
Choose the presser to use from the Presser drop-down list box. Set alignment and Set rotation, when checked,
allow you to set an alignment point after choosing the placement and to set a rotation angle on the presser
before clicking the final position. The Properties (...) button opens the Blanking parameter sets dialog box as
shown below.
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The checkboxes control enforcement of the restrictions for placement of the pressers relative to the first knife,
last knife, and mounting bars. The values in the fields come from the blanking parameter set; change them if
desired.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Add Pressers on the Blanking toolbar.
3. Choose the type of presser to add from the Pressers drop-down list box.
4. Check Set alignment and Set rotation as desired.
5. Place the presser by clicking the design line from which to offset the presser, or click two points to position it
between. Use drag to position it, or enter a value in the Offset field on the Status bar. The drag will be green
for valid positions and red for invalid positions. Hold down CTRL to place the presser freehand.
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If you checked Set alignment or Set rotation, ArtiosCAD prompts you to set the alignment and rotation
before creating the presser. If Auto-Repeat is enabled, ArtiosCAD repeats the presser using layout
congruency.
6. Continue adding pressers as desired.
The Delete Blanking tool lets you quickly delete entire categories of blanking elements. When you click this
tool, ArtiosCAD turns on all the blanking layers.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2.
Click Delete Blanking on the Blanking toolbar. The Delete Blanking dialog box opens as shown below.
3. Select the checkboxes in front of the blanking elements to delete. All checkboxes are turned on by default.
To toggle their states simultaneously, change the state of Select all. It defaults to an intermediate state
because everything but included strip rules are selected by default.
4. Once you have clicked the checkboxes for the elements to delete, click OK.
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5. ArtiosCAD deletes the selected blanking elements.
Note:
If you have locked any of the blanking layers, you cannot delete elements that have components in
those layers as their checkboxes will be unavailable. Unlock those layers to enable deleting elements in
them.
To delete individual blanking elements, use the Select Element tool and the DEL key on the keyboard.
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Blend blends the corner between two segments by the value specified in the Radius field.
To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2. Use a tool to add or adjust a lower hole, pusher, or pusher air hole.
3. While one of those tools is active, right-click the contour and click Smooth/Blend Contour on the context
menu.
4. On the Status bar, check Blend to blend two segments together by the amount in the Radius field.
5. Either click the first and second lines to blend, or hold down CTRL to blend the whole contour at once. If
Auto-Repeat is enabled, ArtiosCAD uses contour congruency to repeat the changes to matching elements.
Shown below is a rectangular air hole that had all its corners blended at once by using this tool while holding
down CTRL.
Note:
This tool smooths only the inside corners of lower holes.
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To use this tool, do the following:
1. Create a layout in ArtiosCAD and generate the blanking tools.
2. Use a tool to add or adjust a lower hole, pusher, or pusher air hole.
3. While one of those tools is active, right-click the contour and click Edit Contour on the context menu.
4. Click the point to move or the line to split. Use the Stretch Point technique if you click a point or the Split
Line technique if you click a line. If Auto-Repeat is enabled, ArtiosCAD uses contour congruency to repeat
the changes to other elements. Shown below is a point being dragged.
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14. 3D
Introduction to 3D
3D has three modules that provide different abilities for viewing how the design will look in the real world.
3D allows you to fold flat single designs in three dimensions.
With the 3D Animation module, you can create a video of how the design folds.
With 3D Designer, you can import a model of the object being packaged, make intersecting pieces of board
through any cross section, and then run a standard style of box to contain the assembly. The examples and
procedures in this chapter may reference options and features that are not part of your system.
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• You work in three dimensions using the X, Y, and Z axes. Those axes can optionally be displayed in the lower
left corner of the design window.
• You import flat designs and then fold panels along straight creases (or similar lines such as perfs) so that the
edges of the panels meet to form an image of the box as it looks in real life.
• You pick which panel of the box will remain fixed. All the other panels will fold around this one, called the
base face.
• Lines in a design that are invisible in real life can be made invisible in 3D.
• You can see board thickness and corrugation if your system has the Graphics option.
• Multiple designs can be in one workspace, and multiple workspaces can be open at once. For example, in one
workspace, boxes can be placed in trays that rest upon display bases.
• The viewing angle of the workspace can be changed at any time so that you can see your workspace from
any side.
• Individual designs can be grouped together for easier manipulation.
• You can change the position of the light source to change the intensity of any graphics.
• You can animate a fold sequence and export it as a VRML file, viewable in any Web browser with a VRML
plug-in. (This ability must be purchased.)
• You can make a solid of revolution by defining its vertical cross section and horizontal cross sections in the
single design workspace, adding labels and shrink-wrap graphics if desired, to create a 3D model.
• You can import 3D models from other applications depending on the ArtiosCAD options purchased.
• You can copy a workspace to the Windows Clipboard with graphics and lines for use in Single Design or other
applications, or export it as a PNG or JPG file for greater resolution and transparency support (PNG only).
Workflow in 3D
The core of using 3D for a folding container is shown below.
1. Make a single design in ArtiosCAD.
2.
Start 3D by clicking the Convert to 3D button on the View bar.
3. Select a base face for the flat design to fold around.
4. Fold the panels as desired, capturing animation frames as desired.
5. Add more designs to the workspace as needed.
6. Adjust the viewing angle, elevation, light sources, and perspective as desired.
7. Add a background image as desired and align the designs with the background image.
8. Turn on shadows as desired and adjust the light sources as needed.
9. Save the workspace.
10. Print or export the workspace.
Snap
The availability of pick-up and put-down points for objects in 3D are controlled by the Snap Options dialog box
on the Options menu. In addition to the same options as in Single Design, Snap to solids enables snapping to
any point in a solid (of which there are many because of the number of polygons used to make the solid); this
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checkbox is off by default. Snap to cartons enables snapping to midpoints and endpoints in corrugated or
folding carton containers; this option is on by default.
Tools in 3D
There are two types of tools in 3D. The first requires one or more designs to be selected before that tool can be
used. The second does not require a design to be selected. Any tool that manipulates the physical position of a
design requires the design to be selected first.
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For example, if you want to move a design, it must be selected before the Move Design tool can be activated.
The same applies to the Move Point to Point, Duplicate Designs, and Rotate Design tools.
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A PS/2 laptop mouse may not have correct middle mouse button functionality. If you have such a mouse and the
middle mouse button functionality does not work properly, try an external USB mouse.
Solid with Edges View mode in 3D now responds faster than it did in previous versions. It does this by drawing all
the fills without graphics as a single bitmap and grouping all the lines together. In previous versions, the panels
were independent of each other and the fills without graphics were drawn as separate pieces.
If you frequently use Copy and Paste between 3D and Single Design, you may notice this changed way of
working more than users who do not frequently copy and paste between the two modules.
OpenGL provides sharper results when copying and pasting between modules because of its larger limit on
bitmap size than Direct3D. Try using OpenGL if Direct3D does not meet your needs.
If you need your creases to be black when printing, create a plotting style with black crease lines and use it as
needed.
A 3D workspace may have up to 30,000 individual designs in it.
Most special rules can fold and tear. Curved rules can tear or fold per the table below, but cannot both tear and
fold.
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Update 3D is enabled if you are modifying a design contained in one of the open 3D workspaces. Choose the
3D workspace to update and click OK.
Add to 3D adds the design being converted to the selected 3D workspace. Click OK.
New 3D creates a new 3D workspace. Click OK.
Click Cancel to cancel the conversion to 3D.
3. The Add Unfolded Design(s) dialog box appears. ArtiosCAD checks the design for gaps in the perimeter as
well as for creases that do not meet other cuts or creases to form panels. ArtiosCAD fills the design in gray
and colors the base face (if already defined) in a light purple. If the entire design doesn't fill, that means
there's a gap or improper line (such as a cut that should be a crease) somewhere that you need to fix. Any
error messages or instructions are shown in the box beneath the picture of the design.
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Any perimeter gaps smaller than the value in the Fix gaps up to: field are automatically fixed and are
indicated by green circles. Gaps between the size to be shown and the size to be fixed are indicated by red
circles. If the perimeter has gaps in it, ArtiosCAD does not fill the design
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ArtiosCAD extends cut-back creases up to the amount selected in the Extend creases up to: drop-down
list box so that they meet other cuts and creases. Creases will be extended at least 3mm. If the crease
reductions were intentional, decrease the value in this field to prevent ArtiosCAD from extending the creases.
Creases which do not completely form panels are shown as perfs.
Ignore warning is available when creases cross more than one panel or when cut lines do not form an
outline. Checking this checkbox enables the OK button. Ignoring warnings may lead to unintended
consequences as shown below.
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4. Once any issues are resolved, click inside the base face when prompted. This is the panel that all other
panels will fold around. If the single design contained fold angles, Use previous fold angles is available;
check it if desired.
5. Click OK.
6. The design will be opened in 3D and you can start to fold it. If any graphics layers for the print item were
turned on in Single Design before converting the design, they are all brought into 3D.
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Note: If it will take longer than a minute to render the edges when creating a new 3D workspace, edges
will be turned off if they are on in the current view. You may turn them back on manually by changing
the View Mode.
Defaults for the gap tolerances and the crease extension allowance are set in Options > Defaults > Shared
Defaults > Startup defaults > 3D Tools Defaults.
To create a completely new 3D workspace, click File > New > 3D. You can then use File > Add a Design to add
designs or solids to the new workspace.
When converting a flat design to 3D, line types are processed as shown in the table below.
Cut Form the outside edge of the design or holes in the interior.
Crease, Second height crease, Reverse Straight creases between panels can be folded. Curved creases will
crease cause an error message. Creases that do not connect cut lines are
treated as perfs.
Perf, Reverse crease, Partial cut, Straight lines between panels can be folded. Lines that do not
Reverse partial cut connect cuts are shown as thin slots. The number of such slots able
to be processed is limited; do not use with text outlines.
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Print image, Annotation Ignored. Use graphics such as strokes or fills instead.
If you are reconverting a canvas to 3D and it already contains hardware parts, ArtiosCAD positions the hardware
based on the hardware placement lines in the 2D design. Note that the placement lines are not mates and do
not force the hardware to stick to the design.
Note: If it will take longer than a minute to render the edges when opening a design, edges will be
turned off if they are on in the current view. You may turn them back on manually by changing the View
Mode.
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When the Convert to 3D button is clicked on the tool bar, the Add Unfolded Design(s) dialog box opens. The
base face is preselected and the Use Previous Fold Angles checkbox is selected.
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Note: When using multi-part designs, fold angles are remembered for only one of the parts.
When you click OK to accept the default base face and use the previous fold angles, the design will appear fully
folded.
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You may need to click Scale to Fit to reset the view of the design.
Note: The ability to import certain 3D file types is controlled by the licenses purchased for the system.
Your system will not be able to import 3D files of certain types without corresponding licenses. Contact
your Esko salesperson for more information on purchasing licenses for importing 3D files. If it will take
longer than a minute to render the edges when adding another design, edges will be turned off if they
are on in the current view. You may turn them back on manually by changing the View Mode.
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5. ArtiosCAD adds the source workspace to the destination workspace in front of the contents of the
destination workspace.
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Note: Multi-piece single designs without creases (such as words made of cut lines) are limited to
having a maximum of 300 pieces when converted to 3D.
Converting a canvas to 3D
To convert a canvas to 3D, do the following:
1.
In the canvas, click Convert to 3D.
2. In the Add Unfolded Design(s) dialog box, ArtiosCAD shows the parts. All the parts should be shaded gray to
indicate they have no gaps or problems. ArtiosCAD shows designs without a base face that it will not convert
to 3D in white. Panels that ArtiosCAD does not fill in will not be in the 3D workspace, so cancel the conversion
and fix the problems.
3. Click inside the base face for each part; it will turn light purple. To deselect a part so it is not added to the 3D
workspace, click inside it so it turns white. ArtiosCAD automatically selects one-panel parts.
4. Click OK to create the 3D workspace. If this canvas used standards or parts that had already been converted
to 3D, there should be remembered fold angles.
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If the count number increases in the 3D workspace, ArtiosCAD stacks the new copies in a grid in front of the
scene. In the example below, the eight shelves were the count from the canvas after deleting all of the shelves
from the open 3D workspace and reconverting the canvas to 3D.
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If the canvas already contains hardware parts and you are reconverting it to 3D, ArtiosCAD positions the
hardware based on the hardware placement lines in the 2D design. Note that the placement lines are not mates
and do not force the hardware to stick to the design.
ArtiosCAD warns you if it cannot find the hardware workspace or if holes are missing. However, ArtiosCAD does
not warn you if you changed the hole shape in 2D.
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You may need to click Scale to Fit to reset the view of the design.
Saving a workspace in 3D
Before saving the design, ensure High Graphics mode is not set to Maximum in the View Mode dialog box, as this
may cause the preview to not be generated correctly.
To save a workspace, click Save on the File menu. The workspace will be saved with the name and database
resource (if applicable) shown in the title bar of the workspace window. If the 3D workspace was created from a
flat workspace which is still open, the fold angles from the 3D workspace are saved to it.
If this is the first time you have saved the workspace, you will be brought to the Save As dialog box, where you
will be prompted to enter a name for the workspace.
If you have already saved this design, a current copy of the workspace will overwrite the saved file.
If you want to save the design under a different name and keep working on the original file, click Save Copy
As and enter a name for the copy. If you want to save the workspace under a different name and not under the
current name, click Save As on the File menu and enter the new name. If you did not save the workspace with
the old name, it will be lost.
The full pathname of the source file for each design in the workspace is retained. When using tools that act upon
the individual designs and require filenames, the full paths are shown in the Filename: field.
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For more information about performing file-based Outputs from 3D, see the section on 3D Outputs.
To not save the fold angles, view settings, and board code changes back to the single design or canvas, clear the
Save fold angles, view settings, and board in design name checkbox. ArtiosCAD only updates the board in a
single design if all 3D designs from the same single design workspace are changed to the same board in 3D.
Then click Yes or No to save the changes to the 3D workspace.
Note:
These are two separate actions. Clearing the checkbox only applies to the saving of the fold angles,
view settings, and board code changes, not to the saving of the changes you made in the 3D workspace.
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Note: Unlike using Update 2D, closing a 3D workspace does not remove hardware placement lines from
the 2D workspace if the hardware no longer exists in the 3D design.
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Depending on the capabilities of your system, this command may take several minutes to finish when there
are more than 10 cartons in a workspace or for solids with more than 10,000 polygons. To show the number of
polygons, click Help > Diagnostics > List Embedded Designs.
If there are too many polygons to render in less than a minute, a warning dialog box will appear asking you to
choose to copy the design as a bitmap only, or continue and render as vectors. Choose the desired option and
click OK, or click Cancel to cancel the copy to clipboard.
Copy as Enhanced Metafile includes edges even if they are not turned on in the current view.
Exiting 3D
To exit 3D, click Exit on the File menu. If you have changed your design since last saving it, you will be asked
if you want to save it again. If the 3D workspace was created from a flat workspace which is still open, the fold
angles from the 3D workspace are saved to it. Click Yes to save the 3D workspace, or click No to exit without
saving. Cancel returns you to the workspace without exiting 3D.
This also exits ArtiosCAD. To exit the 3D module alone, close any open 3D workspaces.
3D Extend tools
The Extend and Clear Extend tools on the 3D Extend Tools toolbar create and remove bounding boxes around
objects in 3D. Turn on the toolbar by clicking View > Toolbars, clicking the button next to 3D Extend, and
clicking OK.
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The bounding boxes create 20 points than can be used as pick-up and put-down points. They make it easier to
move, copy, and place objects.
The Extend tool creates a bounding box. To use it, click the tool, and the click the object to extend. The
bounding box will appear, with selectable points at the corners and midpoints of each line. More than one object
can have a bounding box. Bounding boxes remain visible until they are removed with the Clear Extend tool.
Shown below is a bounding box for the outer box.
The Extend Design tool shows extend points instead of a bounding box.
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The Clear Extend tool removes all bounding boxes and extend points. To use it, click it, and all bounding
boxes and extend points disappear.
The Select Designs tool is used to select one or more objects. Selected objects can then be moved,
rotated, copied, or deleted. Delete objects by selecting them and pressing Delete on the keyboard.
Click the Select Designs tool, then click on any line in a design. To select more than one design, hold down the
SHIFT key as you select the designs. Selected objects will turn magenta to indicate they are selected.
Colored axes
When you make a selection to use the move, copy, or rotate tools, if the selection is aligned with the workspace
axes, ArtiosCAD shows the tool axes in the same colors as the axes label at the bottom left of the design window
to aid in spatial orientation.
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If you select an axis to move, copy, or rotate along that does not match one of the workspace axes, ArtiosCAD
shows the axis in its default color. Shown below is moving a rotated design that is askew from the workspace
axes.
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The Move Point to Point tool moves two designs together so that the pick-up point of the first design is
aligned exactly with the put-down point of the second design.
1. Select a design using the Select Designs tool.
2. Click the Move Point to Point tool.
3. Select the pick-up point in the design you just selected.
4. Select a put-down point in another design. The first design will move so that the pick-up and put-down
points are aligned.
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4. Click an axis or line to set the direction in which to move the selected designs.
5. Move the mouse to move the selected designs in the direction indicated in step 4, or enter a distance on the
Status bar.
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6. Click to set the put-down point of the selected design, or click an existing point to align the put-down point
with it. Hold down CTRL while clicking to add another offset before setting the final put-down point. The
Move tool remains active with the current selection so that another move may be performed without having
to reselect the tool and pick-up point. Shown below is the moved design.
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If you check Check collisions on the Status bar, the object you are moving stops when it hits another object, and
the object it hits turns red.
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If you continue dragging, the object you are moving moves through the interfering object once it is far enough
away to not collide with it.
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Clicking Gutter and entering a value in the field sets a gutter between the edge of the moving object and the
interfering object. Shown below is the same example with a gutter of one inch.
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Fit tolerance
Fit tolerance on the Move Design tool's Status bar in 3D lets you squish together designs which would take
some effort to fit together in the real world. The option works by shrinking the moving design by the amount
you specify in the Fit tolerance field in both directions perpendicular to the movement axis. ArtiosCAD does not
change the size of the selections in the direction in which you are moving them; that is controlled by the gutter.
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3. Check Fit Tolerance on the Status bar and enter a value in the field. The default is 1/16" or 1.5mm.
4. The inner box will now move inside the outer box. Shown below is it colliding with the farther edge of the
outer box.
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The Move Designs X, Y, Z tool is the second tool on the Move Designs flyout toolbar.
It moves the current selection in any or all of the three dimensions at once.
To use this tool, do the following:
1.
Click the Select Designs tool and select the design(s) to move or copy.
2.
Click the Move Design in X, Y, Z tool.
3. Click the pick-up point. There are pick-up points on the inside and outside of lines.
4. Use the drag to set the X offset, or enter a value in the X: field on the Status bar.
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5. Once you have set the drag for the X offset or entered a value, the Y offset becomes active. Set it using drag
or by entering a value in the Y: field on the Status bar.
6. Once you have set the drag for the Y offset or entered a value, the Z offset becomes active. Set it using drag
or by entering a value in the Z: field on the Status bar. If you set the Z offset using drag, the design will move
when you click the mouse button. If you entered the Z offset on the Status bar, click OK and the design will
move.
The Duplicate Designs tool makes one or more copies of the currently selected designs. It is the first tool
on the Duplicate Designs tools flyout toolbar.
6. Indicate the distance to move the duplicates either using drag or by entering a number in the Distance: field
on the Status bar. The copies will move with the mouse cursor.
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7. Click the mouse button to set the put-down point of the outlined designs. Hold down CTRL while clicking to
add another offset before setting the final put-down point. The designs are duplicated. Repeat as desired.
Shown below is the finished product, with the row of three bags duplicated 10 times.
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Note: When an object in 3D is duplicated, all duplicates are instances of the original object for more
efficient memory usage. The duplicates may have different fold angles than the original, but the material
properties of the duplicates are the same as those for the original. If you select fewer than all the copies
and try to change them, ArtiosCAD prompts you to change all instances of the first copy or to make a
separate copy to which the new properties would then be applied. If you choose to make copies, the
amount of memory used and disc space required will increase accordingly.
The second tool on the Duplicate Designs tools flyout toolbar is the Duplicate Designs X, Y, Z tool. It works
the same way as the Move Designs X, Y, Z tool, except it acts on a duplicate of the current selection.
To use this tool, do the following:
1.
Click the Select Designs tool and select the design(s) to copy.
2.
Click the Duplicate Design in X, Y, Z tool.
3. Click the pick-up point. There are pick-up points on the inside and outside of lines, and on the bounding box
if it is turned on using the Extend tool.
4. Use the drag to set the X offset, or enter a value in the X: field on the Status bar.
5. Once you have set the drag for the X offset or entered a value, the Y offset becomes active. Set it using drag
or by entering a value in the Y: field on the Status bar.
6. Once you have set the drag for the Y offset or entered a value, the Z offset becomes active. Set it using drag
or by entering a value in the Z: field on the Status bar. If you set the Z offset using drag, the design will move
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when you click the mouse button. If you entered the Z offset on the Status bar, click OK and the duplicated
design(s) will move.
Group tools
The Group tools flyout toolbar contains the Group Designs and Ungroup Designs tools. They work
the same way as they do in other modules.
To group items together, select them, and click the Group Designs tool. The items will be grouped together
and the bounding box for the group will be turned on.
Whenever any grouped design is selected, the entire group is selected. You can nest groups within groups, but
only the last-created group can be selected. When a grouped design is copied, the copy has the same group
structure as the original.
To ungroup a group, select it, and click the Ungroup Designs tool. The group will be ungrouped into its
elements.
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• Double-click an axis to rotate by 90 degrees, or to the next increment of 90 degrees if you have used the
slider;
• Click the Align with button. Select a line in the design(s) you are rotating, and then select either an axis
or a line in another design to align with.
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If you use Orthogonal view, the axis coming toward you is represented as a circle.
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4. On the Status bar, check Check collisions if it is not already checked. If desired, check Gutter and enter a
value to set a gutter between the surfaces that might collide with the object(s).
5. Click the surface onto which to move the selection. If Check collisions is checked, a green rectangle defines
the area inside which you can move the selection. Note that the cursor is outside the box, yet the cup
remains inside it.
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6. Click inside the green rectangle to set the put-down point of the selection. The selection remains selected so
that you can easily do something else to it, like using Array Copy.
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If you do not check Check collisions, you can drag anywhere in the plane of the surface after clicking it.
Check collisions impacts performance; use it before making many copies. Also, it is designed to work with flat
sides and angled sides; curved sides may cause it to behave unpredictably.
The surface onto which you move the selection must be one piece. If you have trouble placing the selection,
group the pieces of the surface together.
Use Array Copy to copy the same design (or group of designs) multiple times in X, Y, and/or Z. It can also fill
flat containers with objects. The example below took fewer than 10 clicks to make.
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Before using Array Copy for filling, make sure the objects are aligned using the Rotate Designs tool Align with
option. Also before using it for filling, group any different surfaces together (such as planks on a pallet top). If
filling a box, if the flaps are closed within one caliper, the tool considers it a continuous surface. Lastly, the tool
does not fill curved surfaces, only flat ones.
When you activate this tool, the Status bar appears as follows:
Enter any desired gutter in the Gutter fields. Clicking More Options (...) opens the Array Copy Properties dialog
box.
Any gutter you entered on the Status bar seeds the Gutter fields in this dialog box. Each Offset is the size of
the bounding box for the object(s) you are copying. Margin lets you set a margin between the object(s) you are
copying and the object you are filling. Number lets you set the number of copies and is limited to 100 to prevent
inadvertently making too many copies. Drag plane lets you immediately drag out the number of copies in X
and Y in the design window without being constrained by the object you are filling. Stack lets you drag out the
number of copies in the Z axis without being constrained by the object you are filling. Back on the Status bar,
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Copy makes a copy of the current selection that remains after the copy. Fill all is unavailable until you click in
the tray, at which point if ArtiosCAD detects partitions, it becomes available.
Clicking OK on the Status bar finalizes the copy.
To use this tool for filling, do the following:
1. Create or restore a 3D workspace containing the object(s) to copy and an object to fill.
2.
Use the Align With mode of the Rotate Designs tool to align the object you are copying with the object
you are filling.
3.
Use Select Design to select the object(s) to copy.
4.
Click Array Copy.
5. Click the surface to fill.
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2. Click inside a partition in the tray. ArtiosCAD turns on Fill All, fills the partitions, and outlines the partitions in
green.
3. To only fill the partition you clicked in, deselect Fill All.
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4. Click OK or click again inside the tray to finish. Note that since Copy was checked, the original cup remains.
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5. Repeat as desired to fill other partitions individually.
6. Drag the desired number of copies in X and Y and click to set the number. The drag is limited to 20 copies in
each direction; to make more, click More Options and set the number of copies in the Array Copy Properties
dialog box.
7. Click Stack on the Status bar and drag the height of the stack.
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Folding designs
Use the tools in this section to fold a design in 3D.
The Fold Angle tool allows you to fold designs along selected creases (or other line types).
1. Click the Fold Angle button.
2. Select the crease, bend, perf, cut & crease, reverse crease, 50% cut, or hidden crease lines to fold. If you want
to select more than one line at a time, hold down SHIFT as you select lines, or hold down CTRL and make a
window selection.
3. Now select one of four methods to specify the fold angle:
• To quickly fold the selection at 90 degrees, double-click it. To quickly fold it at -90 degrees, hold down
CTRL and double-click it.
• Enter an angle in the Angle field, or select a predefined angle from the list box.
• Drag the slider to set the angle. The view updates as you drag the slider; performance is directly related
to the capabilities of the display adapter.
• Click Same As and indicate a crease that already is folded at the desired angle.
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You may need to click Scale to Fit to reset the view of the design.
The Fold All tool folds all creases (or other foldable lines except bends) in a design at once.
1. Click the Fold All button.
2. Select one foldable line in the design you wish to fold. All the foldable lines that are not bends will turn
magenta to indicate they are selected. To select additional designs, hold down the SHIFT key and select
the desired designs.
To quickly fold the selection at 90 degrees, double-click it. To quickly fold it at -90 degrees, hold down CTRL
and double-click it.
3. Select one of three methods to specify the fold angle:
• Enter an angle in the Angle field, or select a predefined angle from the list box next to the Angle field.
• Drag the slider to set the angle. You will see an outline of what is being folded.
• Click the Same As button next to the slider and indicate a line that already is folded at the desired angle.
Shown below is a flat design.
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You may need to click Scale to Fit to reset the view of the design.
Erect tool
When there is a current selection of at least one type of box that ArtiosCAD recognizes, click Erect to
erect it. There are also Erect tools on the context menu when you right-click over a selected design. See the
Erecting designs section for more information.
• If all the selected designs can be erected and not all are mated and not all are the same style, Erect: All will
be displayed on the context menu only
• If different styles are selected and all are mated, Erect: All and Knock down: All appear on the context menu.
• If all designs selected have the same style closure, the context menu item(s) display the style name.
• If the selection contain designs with a closure ArtiosCAD does not recognize, the context menu will not have
Erect or Knock down menu items and the Erect tool is unavailable.
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• Fold 4-panel tube and Erect long side: Gusset fold are not enabled and displayed on the context menu for
selections with different closure styles.
The Fold 1 to Meet tool allows you to change angles of folds to make two lines meet. This feature is used for
designs that do not fold at 90 degrees, such as trapezoids.
1. Decide which line to move that will meet another.
2.
Click Fold 1 to Meet.
3. Click the line that will meet the second line.
4. Click the foldable line whose angle will change so that the lines will meet (the front crease below).
5. Click the line that the first line will meet.
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You may need to click Scale to Fit to reset the view of the design.
The Fold 2 to Meet tool works the same way as Fold 1 to Meet, except that it changes two foldable lines at
once.
1. Decide which lines should meet after folding.
2.
Click the Fold 2 to Meet tool.
3. Click the first line that will move.
4. Click the foldable line whose angle will change in order to move the first line.
5. Click the foldable line whose angle will change in order to move the second line.
6. Click the second line that will move.
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You may need to click Scale to Fit to reset the view of the design.
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Flap Priority lets you shuffle flaps on a closed box to let ArtiosCAD know which flap is visible on top. It does
this by stretching the flap's crease by half a caliper. ArtiosCAD removes the stretch when you change the fold
angle.
To use this tool, do the following:
1. Create or restore a 3D workspace.
2.
Use one of the Fold tools to close the design. The flaps may not be in the correct order.
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3.
Click Flap Priority on a flap to move it to the top. Repeat as desired.
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Note:
If you will be using this design with Plato, make sure to set the default in the single design parameter set
for the Bleed/Coating Offsets so that Use 3D flap overlap is checked. This ensures that Plato gets the
correct information.
Flap Priority has no effect for designs erected with recognized mates.
Linked folds
ArtiosCAD recognizes different types of folds as being connected in that you cannot fold one crease without the
other creases folding at the same time.
In the examples below, the arcs meet or almost meet and have a similar radius. Both will fold at the same angle.
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In the examples below, there are pairs of arcs in-line with straight lines. The angles of the arcs follow the angle of
the straight fold.
In the example below, the creases are parallel between two faces and fold together.
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In the example below, the parallel folds between the same two faces are treated as one fold.
Number Result
1 Perf with sharp angles treated as separate lines. One of the perf folds;
the others are broken.
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Number Result
• Has an arc angle of more than 110 degrees. If the fold angle is bigger than this, the distortion is too great and
the fold is ignored.
• Breaking creases automatically when there are more than five connected creases
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Line Type
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Line Type
Note:
ArtiosCAD ignores the inside loss of the board when folding V-notch creases and partial cuts.
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Line Type
1 Partial cut
2 Drill hole
Object Construction
1 Partial cut
2 Drill holes
4 V-notch cut
5 Partial-depth hole
®
Folding Re-board designs using the Snap Tab/Slot tool
®
Designs made with Re-board typically use slots and tabs for assembly. The Snap Tab/Slot tool eases this
assembly in 3D.
Consider the five-piece single design below. Tab 1 fits into slot 2, tab 3 fits into slot 4, slot 5 fits into slot 6, and so
on.
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2.
Click Fold All, select all the V-notch creases with a marquee selection, and set the fold angle to 90
degrees.
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Do not close the door yet, as you will need it open to place the final piece.
3.
Use View Angle to change the view to the other side.
4.
Use Select Design to select the base.
5.
Use Rotate Design to rotate the base upward. Double-click the horizontal axis to quickly rotate it by 90
degrees.
6.
Click Snap Tab/Slot, click slot 1, and then click slot 2 to join the bottom support to the base.
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7. With Snap Tab/Slot still active, click slot 1, and then click slot 2 to join the top support to the base.
ArtiosCAD joins the top support to the base, but aligns it improperly.
8. Click Next to choose the proper alignment, or use the left and right arrow keys on the keyboard.
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11. Click Next to choose the proper alignment, or use the left and right arrow keys on the keyboard.
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16.
Use Fold Angle to shut the door on the base.
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Note:
If you Undo the snapping of a tab into a slot, ArtiosCAD undoes the mate in 3D, moves designs to their
original positions, and removes the mates from the 2D design if it is open. If you modified the 2D design
independently of the 3D so that it is no longer synchronized with the 3D workspace, ArtiosCAD does not
change the mates and issues a warning.
The Snap Tab/Slot tool supports many shapes of tabs and slots.
The table below shows the types of tabs and slots ArtiosCAD supports.
Hole slot
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Edge slot
Dual-edge slot
Cut lines interrupting a crease Tab fits inside the slot. Meant for
stacking boxes. It must have a
crease that meets it somewhere
above the baseline cut and be
folded around 90 degrees.
Stackable trays
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Note:
ArtiosCAD will warn you if the selected tabs and slots are substantially different sizes.
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• The parallel lines before and after the tab must be at least 1mm long.
• The tab must be least 2mm wide.
• The start angle of the tab must be at least 45 degrees.
• The side of the tab cannot overhang the base by more than 5mm.
ArtiosCAD recognizes a tab within another tab in the following cases. You can choose either the main tab or the
tab-within-a-tab.
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ArtiosCAD supports the following hole shapes for a tab to fit into:
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• Make the hole longer than it is wide.
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Note:
The Snap Tab/Slot tool aligns slots and tabs in separate pieces of designs. It does not fold a tab into a
slot in the same piece of a design.
Drag
This tool uses drag to indicate different situations.
Tab
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Hole Slot
Slot
Crease Slot
When using this tool, the cursor changes to a cross-hair depending on whether the cursor is over a tab or slot
and whether the tab and slot will fit together, which is visible in the example for the next paragraph.
The tool also shows a drag preview showing the destination of the selected design.
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Snap Tab/Slot can snap a stack of congruent tabbed pieces into the same slot, provided there is room for
them in the slot.ArtiosCAD. It supports up to six layers of material.
Click Snap Tab/Slot and hover over one of the tabs. ArtiosCAD shows a larger arrow comprising the
cumulative size of the tabs.
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As you can see, the pieces do not have to be identical; they just have to be congruent.
Shown below are the tabs snapped into the same slot and the mates ArtiosCAD
Note:
If the 3D workspace was converted from a canvas, and you have more than one stack of congruent
parts, and each stack has different numbers of the same canvas part, you must have a separate canvas
part for each stack in 3D workspace.
You cannot select a slot that is already occupied or has a pre-existing mate.
The Select Tear Away Part tool lets you select the part of a design that is separated from the main part of
the design. Once it is selected, you can move or rotate it as desired.
1.
Click Select Tear Away Part on the 3D Tools toolbar.
2. Click the tear-away part of the design. It turns magenta to show it is selected.
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4. Click OK.
ArtiosCAD rejoins the parts.
Erecting designs
ArtiosCAD recognizes certain designs and makes them easier to fold all at once as they would in real life. As of
this writing, these design types include:
• Gussets
• Infolds and outfolds
• Beers trays
• Gable tops
• Separate lids that are one of the above types
• 123 bottoms
When ArtiosCAD recognizes a box it can fold, it adds Erect: (and sometimes Erect long side:) and Knock Down:
commands to the context menu when you hover over the container in 3D and right-click. You may have to erect
the container first into a 4-panel tube before ArtiosCAD recognizes its final form, such as with gable tops.
if you designed your container with mates, ArtiosCAD honors them while erecting the container. Connect any
mates before making an animation.
Some panels may look rigid due to bends not being recognized.
The maximum board caliper for proper folding is A flute or about ¼” or 6.35mm. Gable tops can use up to B flute.
Extreme board thicknesses are not supported.
If you do not want to use the automatic features, select Ignore Connected Folds when converting the design to
3D to fold it exactly how you want.
Erecting Gussets
Let’s suppose you designed this gusset tray from scratch.
• There are four corners.
• The angles in the gusset are congruent and they are not sharp.
• There are no offset vertical creases or double creases in the gussets.
.
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1.
Convert it to 3D.
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If you then use one of the Fold Angles tools to change fold angles, ArtiosCAD limits what you can do because the
folds are connected. You may only select the primary folds because the others are connected. Red areas appear
in the tool sliders.
As you change what’s available, all the connected folds move at the same time.
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If you design an offset between the main panel crease and the connection point for the gusset creases, the
direction of the offset determines how ArtiosCAD orients the flaps. If the connection point is beneath the crease,
the flaps go on the outside. If the connection point is above the crease, or there is no offset, the flaps go inside.
A slight change to the fold angle will cause the flaps to flip. If there is no offset, Erect long side: appears on the
context menu as well so you can choose the side of the box to which the flaps are glued.
3. Right=click again and click Erect: Beers tray on the context menu.
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As with the other types of recognized designs, the connected folds move together when you move one.
Panels bend as they fold to make sure they do not stick out of the bottom of the tray.
If there are extra parts connected to the Beers tray, ArtiosCAD may not recognize them and does nothing to
them.
Erecting creates mates. Disconnect the mates if desired to fold manually. Reconnect the mates to restore the
one-click functionality.
Lids are not connected.
Alternate Beers trays may look more pleasing with thinner boards.
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3. Right=click again and click Erect: Gable top on the context menu.
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5. If you change fold angles, all the connected folds move with one crease selected.
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Erecting Lids
ArtiosCAD recognizes lids when they are one of previously mentioned types of recognized designs. If you use a
mate, you can assemble the pieces easily.
1. Design the base and lid in single design and add a mate.
2. Convert to 3D.
3. Select one of the pieces, right-click over it, and erect it.
4. Select the other piece, right-click over it, and erect it.
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5. Use Mate to connect the pieces. Below are the base and lid in transparent mode.
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2. Click Knock down: <box type> on the context menu.
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• Are not structural and can be hidden in the 3D Assist layer. (You will get a warning about the lines not being
appropriate for the layer type but you can ignore that.)
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2.
Click Convert to 3D on the Tool Rack.
3. In the Add Unfolded Design(s) dialog box, click inside the base face and click OK.
4.
Use the Fold Angle or Fold All tool to fold the creases in the design.
5.
Click Bend Panel and then click one of the bend panels.
6. The bend panel turns magenta to indicate it is selected and an Angle field and slider appear on the Status
bar, along with a Radius field.
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7. Change the Angle for the bend by either entering a value in the field, choosing a preset value from the drop-
down list box, or by using the slider as shown below. You can also change the bend by entering a value in the
Radius field.
8. When you are satisfied with the bend of the first panel, click the second panel and adjust its bend, and
repeat for the remaining panel(s).
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Note:
A bend angle of 180 means it is flat. A positive bend angle has the print side on the outside of the bend,
while a negative bend angle has the print side on the inside of the bend.
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Mates
You can also add mates automatically when using Snap Tab/Slot by enabling Add Mate on its Status bar.
ArtiosCAD shows unconnected mates and targets in blue and red, and connected mates in green. Turn them on
using Show mate areas in the View Mode.
For glue areas, you define them in Single Design the same way as you would a mate area (except specifying Glue
as the Type in the Mate Properties dialog box) and then ArtiosCAD automatically shades that area in 3D when
mate areas are turned on in the View Mode.
If your 3D workspace has many pieces with mate and target areas defined, click Mate All to mate them all
together with one click. It will only connect mates automatically if it finds no conflicts. ArtiosCAD warns if it finds
multiple targets and prompts you to use the Mate tool to connect mates.
To disconnect a mated area, click Disconnect Mate, and then click inside a green mated area. You may
have to turn on mated areas in the View Mode beforehand. ArtiosCAD disconnects the mate and target areas
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and turns them blue and red. If there are multiple copies of designs and all the mates are connected to all
designs, ArtiosCAD disconnects only the mates you click and leaves the others connected.
ArtiosCAD moves mated designs as a group in the Move, Rotate, and Drag on Plane tools, but not in the Copy
tools, where ArtiosCAD treats them singly.
Deleting a design with mates turns off the mates in other designs that were connected to mates in the deleted
design.
The mate tools recognize matching mate and target areas on stacks of designs. The designs do not need to be
stacked as long as all the designs and mate areas are not mated to other target areas.
ArtiosCAD saves information about copies of canvas parts mated to other parts to the associated open canvas so
that if you convert the canvas to 3D again, the parts mate together as before.
Note:
3D workspaces with mates are not recognized by pre-16.1 versions of ArtiosCAD. 2D workspaces prompt
pre-16.1 versions of ArtiosCAD to find an unknown command in the logfile and the mate does not appear
in the file when it opens.
2.
Use the Rectangle tool to draw the Mate area.
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3.
Use the Select tool to select the lines comprising the rectangle.
4.
Click Define Mate Area. The tool starts and the following controls appear on the Status bar.
5.
Click Make Mate on the Status bar. The rectangle changes color and is moved to the 3D Assist layer
automatically.
6.
Click Properties.
7. In the Mate Properties dialog box, assign a name such as area1 in the Name: field. The name of each mate
and its target must be the same, but the name can be blank. Set the font and size for the label as desired.
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In the Type group, select Mate. In the Side group, select Outside. Select Show name and Show side as
desired. Click OK to close the Mate Properties dialog box.
8.
Use the Copy tool to copy the rectangle to the target panel.
9.
Once the copy is placed, click Define Mate Area.
10.
Click Mate Properties.
11. In the Mate Properties dialog box, set the Type to be Target, set the Name to be the same as the name you
specified for the Mate (such as area1), set the side to be the Inside, set the font and size fields as desired,
and check or clear Show name and Show side as desired.
12. Click OK to close the Mate Properties dialog box.
13. Save the design.
14. The design now has mate and target areas defined and can be folded in 3D either automatically or manually.
Note:
Some manual rotation and moving may be necessary after placing the target mate to position it exactly
as desired.
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3. Click Select a panel on the Status bar and then click inside the panel that is one half of the mate.
4. Drag the outline of the target mate to the desired panel and click to put it down. It will change position based
on the center of the line you snap against for the put-down point. If snap does not behave as expected,
make sure the line you are snapping to is really one line. As noted above, some manual adjustment may be
necessary.
If you are working in a canvas and drag the target to a panel in the same part, it will be a dynamic mate (for
folding). If you put the target mate in a different part, it will be a static mate (for joining two parts).
5. ArtiosCAD automatically names the pair of mates appropriately and sets their types.
6.
Convert the design to 3D.
7.
Click Mate.
8. Click the mate and then its target.
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9. ArtiosCAD connects the mates (they turn green) and folds the design.
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2. Click inside either the mate (blue) or the target (red) area.
3. ArtiosCAD joins the mate and target areas and turns them green. Since this is a dynamic mate due to the
carton being based on a 4-panel sleeve, the panels behave as if they are connected to each other. When you
adjust fold angles affecting one of the joined panels, the other panels move as well, just as they do in real
life. Note that there are no limits on this movement and you may unexpectedly encounter less than optimal
results.
4. Change the View Angle and continue working on the design as desired.
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3.
Click Convert to 3D on the Tool Rack.
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4. In the Add Unfolded Design(s) dialog box, click inside each base face and click OK.
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6.
Click Mate All in 3D. The two pieces join together at their mate areas; turn on Show mate areas in the
View Mode and they both will be green to indicate that the mates and targets joined successfully.
7. To see how the panels move together in this dynamic mate, change the fold angle of the crease folding the
card in half.
If you would rather use the Mate tool to connect the mates manually, or if the mates and target areas in separate
designs do not have matching names or shapes, the cursor changes to a mate cursor when you hover over a
target area that is a possible mate.
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When you hover over an area that is not suitable for a mate, ArtiosCAD shows a stop cursor.
2. Mate the card pieces together, change the View Angle, and turn on Show mate areas in the View Mode.
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3.
Click Extend and click the solid to turn on its extend points.
4.
Click Select Designs and select the solid.
5.
Click Move Point to Point and move the solid to within 5mm of the mate area. In this example, choose a
pick-up point in the middle of the bottom of the clip. When you get close to the mate area, a put-down point
appears in its center, as seen in the close-up below.
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6. Click the put-down point. You may need to use the Rotate tools to get everything aligned to your
satisfaction. The finished example of the card with a clip inside of it is shown below.
Deleting Mates
Use Delete Mate on the Fold toolbar (or Tools menu) to delete a mate from a 3D design as well as its
associated 2D design if it is open. It does not change fold angles or the positions of designs.
To use this tool, activate it, and then click the mate to delete.
• If you click over a group of connected mates, ArtiosCAD highlights and deletes all of them.
• If you click over a disconnected mate, ArtiosCAD deletes only that mate.
• If you click over a mate in a design that has multiple copies, ArtiosCAD highlights and deletes the mate in
each copy. If all copies of the design have disconnected mates, ArtiosCAD deletes only the one you clicked.
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1.
Click Panel/Edge Mate on the Fold toolbar.
2. Hover over the abutting panels in the two designs to connect. ArtiosCAD turns allowable panels green.
3. As you move the cursor around inside the panel, ArtiosCAD snaps to different suggested anchor points and
connects them with yellow lines. Choose points that will most likely not change after a rebuild, like the center
points of the two vertical lines shown below. Position the mate as close to the anchor points as you can so
that both pieces are in the proper relationship after a rebuild. Green extension lines show a good position,
while orange ones show a less desirable but still acceptable position. Click to set the mate.
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If you are not using rebuildable designs and/or have no plans to rebuild in 3D, you can ignore the anchor
points and create the mate as desired.
4. ArtiosCAD shows a connected mate where you clicked.
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You may not make mates over holes.
ArtiosCAD saves mate connection information to the associated 2D design at the same time it saves fold angles.
This is so you can create the desired scene in 3D, close the 3D without saving the fold angles, and reconvert the
2D and have everything flat again. The mates will be there but you must explicitly reconnect them.
ArtiosCAD scans your single design or active part in a canvas when you use Define Mate Areas, and adds
Select Recognized Mates to its status bar.
If it recognizes mates, it enters Select Recognized Mates mode and shows the recognized mates it found.
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In this example, there are suggested mates for the glue flap and between the inturn flaps of the autobottom
and the dust flaps.
3. Hover over a mate to show it is selected. ArtiosCAD turns it and its target mate magenta.
4. Click the mate to create it. One will turn blue and the other will turn red. ArtiosCAD assigns each mate pair a
unique name and numeral.
5. Repeat for any other recognized mates. In this example, there is a pair of mates for the glue flap, and a pair of
mates for each inturn flap.
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1. In 3D, right-click over the design. It will turn magenta to show it is selected and on the context menu will be
Mate commands for the type of box ArtiosCAD recognized it as.
2. For this example, click Mate Auto-bottom. ArtiosCAD automatically joins the mates and erects the auto-
bottom. You may need to redraw the screen to have it centered properly.
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3. Now that the design is erected, you can knock it down flat by right-clicking it and then clicking Knock Down
Auto-bottom.
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Note:
Erecting and knocking-down flat only affect the main panels of the design. Any folds you make to other
panels will remain as you set them and the results may not be what you expect.
If you tried to use Fold All, the limit would apply to the entire range.
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• Some version 20 designs with automatic mates may not be recognized properly as having mates in earlier
versions, especially in 3D.
• Fully close any auto-bottom you intend to use with Artwork Panels in Single Design in order to pass it the
correct panel information.
• If you experience errors when resizing auto-bottoms with bleeds, do this:
• Resize the design
• When the resize fails, discard the remaining commands
• Delete the bleed
• Make the bleed again
• Don’t manually delete mates from pairs of mates. Delete both and re-add the pair.
• Designs with mates and curved creases between the panels may look like recognized designs but are not.
They appear mated when you close them, but will behave unpredictably, especially when you change fold
angles of a curved crease.
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Note: At the end of this page we show an example when there are no slots, in which case we use the
panel mate tool.
The “main” part and the “shelf” part need to be in the same canvas.
1. The number of “shelves” is a variable in StyleMaker such as N or NSH (the display filler tool requires the
variable be NSH); and the variable is of Type Angle or Number.
2. The number of copies of the “shelf” part should be set to this variable.
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3. Convert to 3D should get the correct number N or NSH of copies of the “shelf” part.
4. Use the Snap tab into slot tool or the Panel mate tool to position the first copy and make a mate.
5. Use the Copy Times tool to make the required number of copies, N-1 or NSH-1.
6. The Copy Times tool should update the properties of the mate in the “shelf” part so that number of copies
occupied reflects the number of copies you just made.
This example uses the Snap tab into slot tool:
1. Click a tab/slot in the “shelf” design and then click a target slot in the “main” design:
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4. Select “Main” as the current part. Use the Copy Times Offset tool to make the required number of copies.
5. Use the Copy Times Offset tool to get the required number of mates and set the opposite mate properties.
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If the shelves are
• the same height: Set the distance to line it up immediately, and skip the next step.
• different heights: Use a distance such as 170mm, a bit less than you need to align.
6. If the shelves are different heights: Use the Move tool to move each of the copied mates to the correct
position.
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Note: Each mate may not exist when you rebuild depending on the number of shelves. In the Edit log,
the command logged for moving the mate looks something like this:
Item (:O8:P1:U1:CT2,5) may not exist, but the trans command with a HANDLE pickup point will not
error.
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3. Close the 3D. The panel mates that were created in 3D have the correct properties but only approximate
positions, and the anchor points chosen by the tool could be wrong.
Move the panel mates in 2D to positions which will be accurate for a Rebuild.
Some examples:
• For this design to align, align the bottom center of the mate vertically and centered horizontally:
• For this design to align, the mate in the “shelf” part needs to be centered horizontally and half a caliper
above the crease:
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• For this design, because the bottom shelf is part of the main design, the number of copies of the shelf is
NSH-1. Use the Copy Times Offset tool to make NSH-2 copies of this mate.
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Use the Move tool to move each of the copied mates to the correct position, in the same way as the first
example.
Supported mates
Mate type Carton type Description Automatically Can use Mate Target
recognized? mates?
Dynamic 4 panel sleeve 4 panels + glue Y Y glue tab 4th panel
tab where glue
tab mates with
4th panel
4 panels + 1 Y Y Glue tab 4th panel
diamond fold
Standalone Large glue tab N Y Glue tab Opposite
display mates with panel
opposite panel.
Mate brings
the curved
fold in proper
alignment. See
Figure 1.
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Mate type Carton type Description Automatically Can use Mate Target
recognized? mates?
Auto-bottom(s) As described in Y Y 2 fold-back Bottom
Automatic mates flaps, glue flaps, 4th
tab panel
Static Pop-up card 2 parts, 2 mates. N Y Inside mates Two target
Need crease. on glue tabs mates on
3D panel mate of inner card outside
cannot be used card of type
as it uses just outside
a single mate target
to bring two
parts together,
which is all
the 3D panel
mate needs,
ignoring the
panels created
by the crease.
See Figure 2.
Standalone Attach header, N Y Separate Main body
display tray. Mates part
across two
different single
designs can be
brought into 3D
and mated as
static mates. 3D
Panel mates
could also be
used
Canvas/Parts Panel from N Y Panel in part Panel in part
part 1 can be A B
mated to part 2.
Current mode
of copying the
mate as a target
will require
disconnecting
from the
source part
and moving to
the destination
part. Move the
mate geometry
instead of
copying it. See
Figure 3.
Not Pharma, seal N N
supported end enclosures
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Mate type Carton type Description Automatically Can use Mate Target
recognized? mates?
4, 6 corner tray 4, 6 glue points N N 4, 6 glue 4, 6 side
flaps panels
Hexagonal N N
auto-bottom
Tab and slot as Rollover tray, tab N N
dynamic mate can be mated to
its own slot
4/5 panel See Figure 4. N N
sleeve with
more than one
diamond fold
Figures
Figure 1, a standalone display.
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Moves and rotations All tools on the 3D View and View Mode toolbars
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Run a Standard
The Zoom Rectangle tool lets you view a portion of your workspace at an increased scale.
1. Click the Zoom Rectangle tool.
2. Move the mouse cursor to a corner of the area to zoom in upon, hold down the mouse button, and drag to
the diagonally opposite corner.
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3. Your screen changes to show a close-up view of the area you selected.
The Center-Point Zoom tool, when clicked, prompts you to click the center of an area to be zoomed in
upon, and then to drag to the corner of that same area. Release the mouse button to perform the zoom.
Click the Zoom Out tool to view your workspace at a smaller scale.
Use the Zoom In/Out tool to change the zoom level by dragging the cursor in the workspace. To use this
tool, do the following:
1.
Click the Zoom In/Out tool.
2. Click inside the drawing window of ArtiosCAD.
3. Click and drag the mouse up to zoom in or down to zoom out. Alternately, use the up and down arrow keys to
incrementally zoom in and out.
This tool remains active until a different tool is clicked.
Click the Scale to Fit tool to show the entire workspace at the largest scale possible within the borders of
the window. When held down, it activates the Scale to Fit tools flyout toolbar.
Click the Scale to Fit with Border tool to put a border around the scaled-to-fit view. The size of the border
is configured in Options > Defaults > Startup defaults > View tools options.
Pan/Zoom tool
The Pan/Zoom tool lets you grab a location on the screen and drag it as desired in Pan mode, or zooms
in and out according to the direction you drag (up or down) when in Zoom mode. To use it in Pan mode, click it,
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click and hold a location on the screen, and drag to the new location. Click the right mouse button or press ESC
to exit the tool and return to the previous tool used. The cursor looks like a clenched hand while dragging.
Note: If you use the Pan/Zoom tool in high graphics mode, you must refresh the screen by pressing F2
to re-render the graphics.
To use the Pan/Zoom tool in Zoom mode, click it, click Zoom on the Status bar, position the cursor in the desired
area, and then drag the cursor up to zoom in or down to zoom out. This tool does not interrupt the tool being
used before it was clicked. Click the right mouse button or press ESC to exit the tool and return to the previous
tool used.
Press TAB on the keyboard to change between Pan and Zoom modes without clicking their respective option
buttons.
To exit the Pan/Zoom tool in either mode, either click the mouse button, press ESC on the keyboard, or activate
another tool. The previously-used tool will resume operation.
If you have a three-button USB mouse with a scroll wheel, using the scroll wheel at any time zooms in or zooms
out as if you were using the Pan/Zoom tool in Zoom mode. Holding the middle mouse button down and dragging
the cursor pans the view as if you were using the Pan/Zoom tool in Pan mode.
Change the view angle, elevation angle, and roll angle at which you view this design by using the View
Angle tool. You can set the values using four methods:
1.
Enter a degree measurement in the Angle, Elevation, or Roll Angle field and press enter;
2. Select a predefined angle from a list box;
3. Drag a slider to set the value. As you drag the slider, the view changes accordingly.
4. Click and drag inside the drawing window. All three View Angle elements change accordingly. Use the arrow
keys to rotate incrementally, or hold down CTRL to change the roll angle with the arrow keys.
Note that this tool does not change the physical location of the designs in the workspace. It only changes how
you see the workspace.
Some of the sliders may not be visible if the ArtiosCAD window is not wide enough. Make the ArtiosCAD window
wider to show them.
The View Angle tool can interrupt other tools. Click the tool and use it as desired, then either click the right
mouse button or press ESC to return to the previously-used tool. This is especially useful when moving or
aligning objects as you can change the view to reveal more pick-up or put-down points.
Shown below is a design before the view angle is changed.
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Shown below is the design after the view angle has been changed.
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You may need to click Scale to Fit to reset the view of the design.
3D Quick Views
3D Quick Views in the View Angle tool let you save combinations of the angle, elevation, and roll for easy
access later.
When you click Quick Views, a list of Quick Views you have already defined appears. Click a Quick View to use it.
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The Next View and Previous View tools let you switch between views once you have used the View
Angle tool to change the view. ArtiosCAD remembers eight previous views by default, but you can configure
ArtiosCAD to remember up to 100 views in Options > Defaults > Startup defaults > View tools options. Click
Previous View to go back to previous views from the most recent view and click Next View to go forward to the
most recent view from previous views. These two tools interrupt whatever tool was previously active; when the
view changes, that tool becomes active again.
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These tools are designed to work by allowing you to stack several different views, activate a tool such as the
Move Point to Point tool, choose a pick-up point in a previous view (or the current view) and then choose a put-
down point in the current view (or a previous view).
The Rotate Right and Rotate Down tools on the Rotate View tools flyout toolbar rotate the view by
90 degrees in the specified direction.
The Orthogonal View tool snaps the view to the nearest multiple of 90 degrees on all three view angles.
This tool turns perspective off. The picture below shows the view before clicking the tool. Note the values in the
view angle fields on the Status bar.
Shown below is the same workspace after clicking the Orthogonal View tool.
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Note: Boards drawn thinner than 1 pixel may not appear in all orthogonal views when using OpenGL as
the rendering method. Change the board thickness or view scale if necessary.
Perspective tool
Perspective is the technique of making parallel lines meet at a point on the horizon in order to make the
scene look more realistic. Change the amount or use of perspective using the Perspective tool.
1.
Click the Perspective tool.
2. To use less perspective, drag the slider to the left. To use more perspective, drag the slider to the right.
3. To toggle the use of perspective, select or clear the Perspective checkbox in the Status bar. You can also
turn Perspective on or off using the icon on the View Mode toolbar or through the checkbox in the View
Mode dialog box.
Shown below is a design using no perspective.
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Lighting
The Light Source tool lets you add and remove light sources, and also change their positions. The light
sources control the shading of the graphics and colors in the workspace. This tool is unavailable in Wireframe
view mode. When the tool is active, the Status bar changes to look like the picture below.
If your ArtiosCAD screen is more than 70% of your screen width, the Brightness control appears. It affects all the
lights. To change just one light, double-click it and use the vertical color brightness slider on the right.
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When the tool is started for the first time, three lights appear in the workspace, one in front of the design, one in
back of the design, and one above the design. The fill color shows their current color.
The active light has a magenta outline. In the example above, the light bulb near the bottle is the current one.
Click a light to select it.
To add a light, click the Add Light tool on the Status bar and then click to set the position of the new light.
The new light becomes the active light. Each workspace can have up to eight lights.
To remove a light, click the desired light to select it and then click the Delete Light tool on the Status bar.
You cannot delete the last light.
To change the position of a light, click it and drag it to its new position, or use the controls on the Status bar.
When dragging a light with the mouse, there is a front position and a back position that correspond with the
current cursor position. Drag the light to the left or right edge of the workspace to switch between front and
back positions.
To change the color of a light, double-click it, and choose the new color from the standard Windows color
selection dialog box. Before you change the color, consider adding the current color to the list of custom colors
so that you may revert to it if desired. The light’s custom color is saved with the workspace, but is not saved in
the color palette.
Shown below is the same workspace, with the first picture showing a light source beneath and behind the
designs, and the second picture showing two additional light sources above and in front of the designs.
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Copy that entry to Shared Defaults if desired. However, you cannot change its contents inside Defaults; you
must do that while working in a 3D workspace.
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Ambient light
Ambient light is the default light that suffuses a workspace that is not provided by a light source. To change
it, click View > Ambient light, and choose the new color. Before you change the color, consider adding the
current color to the list of custom colors so that you may revert to it if desired. The custom color is saved with the
workspace, but is not saved in the color palette.
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Ambient light has low contrast. The light bulbs of the Light Source tool have much more contrast.
Status bar
The status bar displays various messages and tool controls. When you position the mouse pointer over a tool
button, for example, a short description of the tool appears at the left end of the status bar. The middle portion
of the status bar returns a status message about the action just completed. For example, if you click the Move
Designs or Rotate Designs tool, you will be prompted at the left end of the status bar to select a line and then an
axis. After you select a line or axis, the right portion of the bar shows what was selected.
The View mode controls many aspects of how designs are viewed in 3D. Click View Mode on the View
menu or click the button on the 3D View toolbar.
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Many of the option buttons and checkboxes on the left side of the dialog box are duplicated by tools on the
View Mode toolbar. The topmost or leftmost tool is Solid, the next is Solid with edges, and so on.
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Many of the same commands are also available on the context menu when the cursor is not over an object and
the right mouse button is clicked:
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Solid with edges draws black lines on the edges of the designs. The colors of the lines are set by the
plotting style. If the design is very complex, you may receive a warning about rendering the design, and
ArtiosCAD will prompt for a confirmation.
Lighter color with edges enhances the contrast by lightening the color of the designs. If the design is very
complex, you may receive a warning about rendering the design, and ArtiosCAD will prompt for a confirmation.
Hidden lines removed turns all designs white with black edges and no graphics. Solids in the workspace
are displayed normally unless Graphics is turned off. If the design is very complex, you may receive a warning
about rendering the design, and ArtiosCAD will prompt for a confirmation.
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Wire frame shows outlines of the designs and solids in the workspace. Design lines are drawn according to
the plotting style. The color used for the wire frame for a solid is defined by the color of the solid, except that if
the solid is white, the wire frame is gray.
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Show board thickness shows the board thickness. Graphics must also be turned on to see corrugations.
Graphics shows or hides graphics on designs and solids. It also controls the display of corrugation on board
edges if Show Board Thickness is turned on.
Transparent turns the objects in the workspace partially transparent so that formerly hidden portions
become visible. The appearance of transparent objects depends on the order in which ArtiosCAD draws them.
Show creases shows creases in red, perfs in blue, and partial cuts in purple for easier viewing. When this
option is turned off, creases, perfs, and partial cuts are the same color as the board.
Bounding box turns the bounding box around all objects on or off. The bounding box provides points for
picking up and putting down.
Axes controls whether or not ArtiosCAD displays the X, Y, and Z axes in the lower left corner of the design
window. The X axis is red, the Y axis is green, and the Z axis is blue. The axes move appropriately as you change
the view angle.
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Dimensions always visible controls if dimensions hidden behind objects (such as boxes) are shown or not. The
checkbox is off by default. JPG and PNG exports use this setting; VRML export does not as dimensions are not
exported to VRML.
Show invisible designs controls whether or not objects set to be invisible are shown with 90% transparency or
not shown at all.
Show mate areas turns on or off the rectangles that indicate areas that connect to each other automatically.
In the View angle drag group, Continuous describes the view angle continuing to change even when the mouse
is not moving. Immediate stops changing the view angle when the mouse stops moving.
Allow roll turns rolling with the mouse on and off.
Move lights with view angle allows you to disconnect the lights from the view angle. It is checked by default -
the lights move with the view angle. Clear this checkbox to not have the lights move with the view angle.
Rotate bounding box with design causes bounding boxes to rotate with a design when you rotate it. This makes
moving and aligning boxes at an angle easier.
Floor shadows turns the floor shadow on and off. Shadow intensity % controls how dark the shadow is; use
a lower number for a lighter shadow and a higher number for a darker shadow. Shadow sharpness % controls
the fuzziness at the edge of the shadow. Use a lower number for a more diffuse edge and a higher number for a
sharper edge.
Note that the shadow uses the light sources defined in the workspace, not the light pictured in an optional
background image.
When moving or rotating designs, the floor shadows remains static during the drag, and are updated when the
tool finishes.
When using a floor shadow, the light source angles are limited to at least 60 degrees so that the shadows do not
get too long. If the light source is at less than 0 degrees, and no other light sources are defined, no shadows are
made.
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Turning on the floor shadow turns on perspective. Turning off perspective turns off the floor shadow.
Windows default in the Background color group sets the background color of the workspace to the color
defined by the Display Properties control panel. When it is deselected, the Red, Green and Blue fields become
available, as does Select color. Enter values from 0 to 255 in the fields provided, or click Select color and choose
the desired color from the Color dialog box.
Background image sets a background image for the workspace. Align with background lets you align the
workspace with the background image. See the next section for more information about using this feature.
To change plotting styles, choose a new plotting style from the Plotting Style drop-down list box.
The Performance slider, also known as the 3D Rendering and Image Quality tool, exists both as a button on
the View Mode toolbar and as a group within the 3D View Mode dialog box.
Clicking the toolbar button opens a small dialog box next to the toolbar button:
The Low end of the slider represents faster performance at the expense of image rendering quality, while the
High end represents better image quality at the expense of slower performance. If you try to snap to a setting
that your computer cannot do, the slider will bounce back and a status message will appear on the Status bar.
The toolbar icon indicates the current slider level as a green mark.
There may be a blue indicator in the slider field that shows the settings that your computer can accept.
1 Low 0
2 Medium 0
3 Medium 4x
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4 High 8x
5 Maximum 16x
The settings between the two ends of the slider mix the advanced settings of graphics resolution and number
of samples, which are discussed in the following topic. For example, if the design has no graphics on it and the
display adapter supports 16x sampling, the slider can move to all the way to High. Conversely, if the design
has many graphics and the display adapter can support large internal bitmaps, but with no support for smooth
edges, the slider can still go to High. To determine the exact settings supported by your system, click Advanced
and use the drop-down list boxes to list the available modes.
Set the default state of the items in the View Mode dialog box by clicking Options > Defaults > Startup defaults
> 3D View mode.
Advanced mode
In the 3D View Mode Dialog box, when you check the Advanced checkbox in the 3D Performance and Image
Quality section, the slider is replaced by the Graphics resolution, Image filter, and Smooth Edges drop-down
list boxes, along with the Reduce gaps in edges checkbox.
Graphics resolution
Note:
The following discussion refers to the size of bitmaps that the display adapter can create in its internal
memory. It does not refer to the size of bitmaps it can display on the monitor.
Note:
The quality of the graphics is limited by the quality of the original graphic files placed into the
workspace. If the original graphics were low resolution or otherwise low quality, ArtiosCAD cannot
improve them.
The Graphics Resolution drop-down list box has four settings which may or may not appear depending on the
abilities of the display adapter.
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For designs, when you select the setting that is the highest your computer can render, the next higher setting
causes ArtiosCAD to split the overall graphics into a bitmap per panel at the highest resolution possible. For
solids, ArtiosCAD creates one bitmap per label or graphic.
For example, if the display adapter only supports 2048 x 2048 bitmaps, the best selection in the drop-down list
box will be High. Because this is one level above what the display adapter supports, the graphics will be split into
one graphic per panel for a design or label/graphic for a solid.
Note:
If present, a background image is unaffected by this setting and always uses the highest resolution
possible.
Image filter
The Image filter drop-down list box has three values:
• Nearest. Nearest point filtering has been the standard image filter for 3D. It offers sharp edges but blocky
results.
• Linear. This image filter blurs and blends the pixels together for a smooth look, but some sharpness is lost.
• Perspective. This image filter is similar to linear filtering but it compensates for the slope of the object
upon which the graphics appear. This method requires more resources than the others so it may impact
performance.
Note:
If a background image is present, these options affect its quality.
Smooth edges
The choices on the Smooth edges drop-down list box control how ArtiosCAD draws the edges of objects.
ArtiosCAD reads each pixel on the edge of a polygon read several times in different places and combines the
readings to give the best result, which is called Multi-Sample Anti-Aliasing.
The list in the drop-down list box shows the values your display adapter supports. The values range from No
samples to 16X samples, which means each edge pixel is sampled 16 times. The greater the number of samples
selected, the longer the render will take.
Note:
Bitmap Outputs do not use smooth edges algorithms.
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Note:
Reduce Gaps in Edges is enabled by default but is not used if there is a solid in the 3D workspace.
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2.
Click View Mode, and then click ... (Browse) in the Background image group.
3. Navigate to the folder containing the desired image file, select it, and click OK. PDF and Adobe Illustrator .AI
files may not be used as background images.
4. Click OK in the View Mode dialog box to turn on the background image. The background image is centered
to match the height of the image with the size of the window. If the image is wider than the window, it is
clipped on both sides; if the image is narrower than the window, white space appears on either side of the
image.
5. Use the View Angle, Zoom In/Out, Pan, and Perspective tools to adjust the position and rotation of the
workspace against the background image. You may also use the Move and Copy tools but their performance
will be impacted by having the background image turned on. The background image itself may not be
moved. Shown below is a 3D workspace with background image.
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Note: The complexity of the workspace, size of the background image, and 3D rendering method all
affect system performance. Bear these in mind when composing the scene. Direct3D may perform
somewhat faster than OpenGL on some systems.
To choose a different background image, choose a new image file in the View Mode dialog box as explained in
steps 2 through 4.
The background image is saved as part of the 3D workspace.
The background image and floor shadow do not appear in CloseUp windows.
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2. View the background image in an image-viewing application and decide upon the scene.
3.
Click View Mode to open the View Mode dialog box.
4. In the View Mode dialog box, select the Background image checkbox, and use the ... (Browse) button to
select the desired image.
5. In the View Mode dialog box, click OK. The background image appears in the workspace.
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6. Click View > Align with background. The Align With Background Options dialog box appears.
7. The picture in the dialog box shows the order in which to click the corners of the alignment rectangle in
ArtiosCAD to set its position. In the fields, enter the longer dimension of the rectangle in the A: field and
the shorter dimension in the B: field. Using a rectangle with a definite proportion between length and width
works better than a squarer rectangle. Also, the line formed by points 1 and 2 should go across the front of
the designs in the workspace for best results.
8. Click OK in the Align With Background Options dialog box. The 3D workspace will be turned off temporarily to
show the entire background image.
9. Click the points of the rectangle in order. Click the lower left corner, then the lower right, then the upper
right, and finally the upper left. ArtiosCAD automatically adds the line from the last corner to the first corner.
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If you make a mistake, click the Undo button on the Status bar. Shown below is the setting of the second
corner.
10. You may zoom as needed using the Zoom In, Zoom Out, and Scale to Fit tools. Larger alignment rectangles
generally yield better results than smaller ones. Precise alignment is critical, as differences as small as a pixel
can greatly affect the position of the vanishing point. Shown below is a zoomed-in view in which you can see
that the right edge of the rectangle is a few pixels off; that can be corrected later in the process.
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11. Once the rectangle is drawn, you can click a corner and drag it as needed to adjust it. Shown below is an
adjustment for emphasis;
12. When you are satisfied with the size and position of the alignment rectangle, click OK on the status bar. The
3D workspace will be turned back on and aligned inside the alignment rectangle as shown below.
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13. ArtiosCAD is now in Align with background view mode. In this mode, the View Angle, Zoom, Scale to Fit,
and Pan tools are unavailable in order to not lose the alignment with the background. Use the Move and
Rotate tools to further align the workspace objects against the background.
14. If desired, turn on the floor shadows in the View Mode dialog box and use the Light Source tool to adjust the
position of the light sources to change the shadows.
15. Shown below is the completed image.
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16. To exit Align with background mode and make the View Angle, Zoom, Scale-to-Fit, and Pan tools active
again, click View Mode on the toolbar and deselect Align with background.
Note: Once you change the view, the alignment with the background is lost, and you will have to repeat
the entire procedure to realign the background with the workspace.
Note: Wide-angle images from digital cameras may suffer from fish-eye lens distortion at their edges. In
this case, the alignment of ArtiosCAD's perspective with the background image perspective will be less
accurate, with the error becoming larger as the design is moved further from its original placement.
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outputting a VRML file, turn off the background image in the View Mode dialog box, and then in the VRML dialog
box, do not select With toolbar.
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4. Click Tools > Level Designs. ArtiosCAD changes the orientation to make the display look more level.
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Use the Select Designs tool and double-click a container to change its properties.
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The Shininess % and Transparency % fields help to simulate different materials. Shininess is most visible
on round objects; it has little effect on flat objects such as containers. Transparency of the board works
independently of the Transparent checkbox in the View Mode dialog box. Use the values in the table below to
approximate common objects.
Matte board 0 0
Glossy board 40 0
Beer bottle 90 50
Glass 100 80
Surface colors are split into four components: ambient color, which reflects the ambient light; diffuse color,
which reflects the movable lights in an airy, non-shiny way; specular color, which reflects movable lights for a
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shiny surface, with a shiny surface having a white specular color and a dull surface a black specular color; and
emission color, which is the color the object emits.
By default, the Material Properties dialog box only displays Diffuse color in Simple color mode. In Simple color
mode, choose a color by clicking Select color. To set the other three colors, click Advanced color, and then click
Select color as desired. You may only set a CMYK color for the Diffuse color in Simple color mode.
Visible controls whether the current selection is included in VRML exports and also if it is included when
ArtiosCAD calculates the view scale of the workspace. Use this control to turn on and off different elements of
your workspace. Show invisible designs in the View Mode dialog box controls whether invisible designs are
shown at 90% transparency (when visible) or not at all (when invisible). If any part of a design is visible, the entire
design is visible; the visibility of the part affects the visibility of the whole. Visibility can be set independently for
each design at the start of each animation frame.
Changes you make in this dialog box are applied as they are made. Close the dialog box by clicking the X at the
end of the title bar.
Use the Select Labels or Parts tool and double-click a label or part of a solid to change its properties, or
to delete selected parts by pressing DEL on the keyboard. You may also click and drag to select more than one
item, or hold down CTRL while clicking to select more than one item.
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The color controls for a label or parts of a solid work the same way as they do for containers, but there is just
one color group. The differences for labels and parts of solids are the View both sides checkbox and the Inside
visibility % field.
View both sides shows all facets of a solid so that it is shown correctly. Shown below is a hammer model with
View both sides turned off.
With View both sides turned on, the head of the hammer is now complete.
Inside visibility % sets the percentage of labels that show through transparent objects. The label on the bottle
below is set to 0% inside visibility.
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Visible controls whether the current selection is included in VRML exports and also if it is included when
ArtiosCAD calculates the view scale of the workspace. Use this control to turn on and off different elements of
your workspace. Show invisible designs in the View Mode dialog box controls whether invisible designs are
shown at 90% transparency (when visible) or not at all (when invisible). If any part of a design is visible, the entire
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design is visible; the visibility of the part affects the visibility of the whole. Visibility can be set independently for
each design at the start of each animation frame.
2. If you selected more than one object, click Edit > Properties.
3. To change the color, shininess, or transparency of the boards, click the Material Properties tab, and change
the values as desired.
4. To change the textures of the board from those defined by the board code, click the Texture tab. Shown
below are the textures used for the Orange Urethane Two foam board in the Artios > Foam catalog.
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5. To add an inside or outside texture to the board, click the checkbox for it, and then specify the filename
of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it. Some
common textures are stored in \Artios\Common. The image should be of the board surface with vertical
grain or corrugation direction. If you use a custom image, measure the sample when you take its picture so
that you know its size; you may need to touch up the image in a graphic editing program so that the edges
blend together when the image is tiled.
In the Image height: field, enter the height of the image. The size needs to be set in order for ArtiosCAD to
scale the picture appropriately. If the height is set to 0, the image will be scaled proportional to the width.
Set the value in the Image width as number of flutes: drop-down list box to the number of flutes the image
represents. The image should be of a whole number of flutes. It may also be set to Proportional to height, in
which case the height cannot be set to 0.
To specify a graphic for the board edge texture, check the Board edge texture checkbox, then specify the
filename of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it.
Some common textures, for example paper corrugated edges, plastic corrugated edges, and paper hexacomb
flutes, are stored in \Artios\Common. The height of the image for a corrugated board should be the board
caliper, and the width should be a whole number of flute pitches. Folding carton boards use an image width
proportional to the height.
If no texture is specified for a corrugated board edge, a default picture based on the height and pitch of the
flutes is used.
Stretch like corrugations stretches the picture of the board edge texture depending on its angle to the
grain/corrugation direction. If this option is not selected, the board edge texture is repeated evenly. This
option should not be selected for hexacomb flutes.
6. To change the board code, the caliper, or the inside loss measurement of the selected objects, click the
Board information tab in the Properties dialog box and change the values as desired. This tab is dynamic and
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only shows controls for the features that exist in the workspace. Change the value in the Inside Loss: field to
make small adjustments to the position of the board in 90-degree folds.
Partial cuts fold outwards specifies the direction in which partial cuts act as creases. They generally fold
away from the side of the board in which they were cut. Corrugated partial cuts generally fold to the outside
of the container, while folding carton partial cuts generally fold to the inside of the container. If the selected
board has flutes defined, this option is checked automatically.
Depending on the workspace contents, Partial cuts fold outwards can display the Die Back Side and Die
Knife Side option buttons. Checking or deselecting Partial cuts fold outwards changes the option button,
and changing the option button selects or deselects the checkbox.
Thin corrugated boards such as E-, F-, N-, and G-flutes may be creased as if they were folding carton boards;
therefore, depending on your workflow, turn it off if selecting one of those boards.
Use the Tear point size slider to adjust the appearance of tear points for perf in 3D.
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Edge crush, when enabled, renders a rounded edge on cuts about half a millimeter wide that represents
the beveled edge of cut rules. It is always shown for perfs between parts that tear, but you can control its
appearance for other lines with this option.
Edge band toggles the display of edge band rule.
Click the Papers tab to view the details about the papers comprising the board. No fields on this tab may be
changed; they are for reference only.
Click the X in the upper right corner of the Properties dialog box to make any changes and close it.
7. The changes made will occur immediately. If board thickness was not turned on, it will be turned on when a
new board is chosen.
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Making an extrusion
Making an extrusion is as simple as designing its shape in Single Design, converting it to 3D, and then changing
the caliper of the board to the desired size of the extrusion.
Shown below are three flat workspaces.
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After converting one to 3D and adding the other two, this is the result having selected a normal folding carton
board.
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Shown below are the finished extrusions with different color foam boards selected and the caliper increased to
600 mm.
Dimension tool
The Dimension tool allows you to insert dimensions into your workspace.
1.
Click the Dimension tool.
2. Select a point or line that will be the beginning of the measured distance.
3. If Set Direction is checked on the Status bar, set the direction for the dimension.
4. Indicate a point, a parallel line, or a collinear line that is the end of the measured distance
5. Indicate the extension point. This is where the text of the dimension is put in relation to the design.
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6. The dimension is drawn. If Set Direction is checked on the Status bar, an extra extension line may be drawn
indicating the direction.
Shown below is a design with both Imperial and metric dimensions. The Imperial dimensions were created first,
and then the units were changed to metric and the rest of the dimensions were added. Unlike Single Design, 3D
dimensions do not update when the units of the workspace are changed.
Set the default state of the Set Direction checkbox in Options > Defaults > Property Defaults > 3D Dimensions.
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4. Change the style and format options as desired. Auto-rotate text enables the selected dimensions to
automatically rotate to be parallel with an axis as the view angle changes. In some situations, the dimensions
could be obscured by parts of the design when this option is selected, so deselect this option for affected
dimensions as desired.
The Text: field lets you replace the dimension text with text of your choosing. Use Undo to revert to the
original dimension text if needed.
The selected dimension(s) are updated with changes as you make them.
To set the dimension defaults for the current workspace, right-click while over a design, click Property Defaults
on the context menu, and set the options as desired. The changes only affect dimensions created after the
property defaults are changed.
To set the defaults for the arrows, text position, and auto-rotation of text for 3D dimensions, click Options >
Defaults > Property defaults > 3D Dimensions.
To view dimensions in a different color, change the plotting style in the View Mode dialog box to one which has a
different color for dimensions.
The Change Dimension Alignment tool lets you change the extension point of a dimension within the
plane of its extend lines. To use it, do the following:
1.
Select a dimension with the Select Dimension tool.
2.
Click the Change Dimension Alignment tool.
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3. Click the desired location for the dimension. The dimension moves to the new location and the extend lines
change length as needed.
The Change Text Position tool lets you change the position of text within a dimension. To use it, do the
following:
1.
Select a dimension with the Select Dimension tool.
2.
Click the Change Text Position tool.
3. Drag the text and the extend point of the dimension to its new position and click to set it.
Shown below is a workspace before changing the text positions of dimensions.
Shown below is the same workspace after changing the text positions and extend points of the dimensions.
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Deleting dimensions
To delete dimensions, select them with the Select Dimensions tool, and then press Delete on the keyboard.
Edge band
To use edge band, set some edges in the 2D design to use it.
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When you convert the 2D to 3D, the edge band appears. Turn it on and off by checking or clearing Edge band in
the Properties dialog box on the Board Information tab.
• You may only use one type of edge band per single design added to 3D.
• To change the color of the edge band, change it in 2D on the Special rule tab of the Properties dialog box for
the edge band rule and reconvert to 3D. You cannot change the edge band color in 3D.
• ArtiosCAD shows only solid-color edge band and does not support textures on it.
Tear Tape
To use tear tape, add it as you would any other line to the design. In the example below, it is between the zipper
rules.
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Note: Tear tape does not tear by itself, so to show it tearing without the aid of something like a zipper,
surround it with tear lines in the 3D Assist layer.
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Animation in 3D
Animation in 3D lets you record a folding sequence and output it as a Virtual Reality Markup Language (VRML)
file, which can then be played in any Web browser with a VRML plug-in. It will play back as you recorded it. The
animation is defined by recording each change to the view in a new frame or snapshot.
When you export to VRML, multiple files are created by default, although this can be changed at time of
export. The files are pictures of the faces of the objects in the workspace and a file containing the geometric
information. Make sure to group the files together when sending them to another person or computer.
Esko recommends the Cortona VRML plug-in, available at http://www.parallelgraphics.com/products/
cortona.
This is an optional feature and must be specifically purchased.
The workflow to making an animation is:
1. Create a single design and add any desired graphics, stock colors, or symbols.
2. Convert the single design to 3D. It should be flat.
3. Connect any mates that exist.
4. Click Add Frame on the Animation toolbar.
5. Change the fold angles or move/rotate a design, and click Add Frame after each change.
6. Repeat until the design is folded and positioned as desired.
7. Export to VRML, setting the desired options in the VRML options dialog box.
8. Open the resulting file in a web browser which has a VRML plug-in installed.
If there are multiple single designs in the 3D workspace, you might achieve better results by turning off Scale to
Fit on the Status bar while making the animation.
The tools to make animations are on the Animation toolbar and the Animation menu. The Animation toolbar is
shown below.
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The green triangle button is the Play button and starts the animation playback at the current frame. The red
square button is the Stop button and stops the animation playback.
The numbers between the Position slider and the Duration field show the current frame and the total number
of frames. On the Position slider, use the inner direction buttons to move frame by frame; clicking the outer
direction buttons moves to the first frame and the last frame respectively. Graphics are turned off while you drag
the slider button, but are turned on when you release the mouse button. Graphics are not turned off when the
frame-by-frame buttons are used.
The value in the Duration: field determines the timing of the animation by controlling the time taken to change
from the previous frame to the current frame. The duration for the first frame sets the pause between repeats
in VRML Outputs and may be set to 0 for the first frame only. By default, each frame’s duration is set to three
seconds; you may achieve better results by testing different values. The value in the Duration: field is specific to
each frame.
Scale to fit may be set for each frame. When clicked, ArtiosCAD centers visible designs in the view and
adjusts the view to fit them. Upon playback, the field of view changes smoothly between frames that have this
option selected; it may appear that the designs drift, but this is so that the view is centered in each frame that
has this option selected.
Duration: and Scale to fit have the same values as their counterparts on the Status bar. Enter text in the Title:
field to use when exporting the animation to another format. Click OK when done making changes to the dialog
box.
The animation in a VRML file will use the view angle and elevation set at the time the VRML file is exported from
3D. Changing the view angle and elevation for each frame has no effect.
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To save the animation in the corresponding single design, such as saving it to a standard, close the 3D file while
the single design is still open. When a single design is created using that standard, the animation settings will be
included.
Animation tools
The first button on the Animation toolbar is Add Frame. Use this command to take a snapshot of the current
state of the workspace and add it to the animation. For changes to fold angles, you do not need to change each
angle incrementally and then capture a new frame. Change the fold angle in the complete amount desired and
ArtiosCAD will create the intermediate steps on export. Only changes in fold angles, moves, and rotations are
captured in frames. To simulate a change in the view angle or elevation, move or rotate the designs as desired.
The second button on the Animation toolbar is Update Frame. Use this to change the current animation
frame to match what is on the screen without adding another frame.
The third button on the Animation toolbar is Update Range of Frames. Use this to update more than one
frame at once, for example if you have added another design to the 3D workspace and then moved it after
having made an animation. Changes that can be applied to multiple frames are moving designs, rotating designs,
changing the visible property on or off, and changing fold angles.
To use this tool, do the following:
1. Make the desired change(s) to the 3D workspace.
2.
Click Update Range of Frames to open the Update Range of Frames dialog box.
3. Enter the number of the start frame in the Start frame: field, and then enter the number of the ending frame
in the End frame: field. The current frame must be included in the range.
4. Click OK to update the frames.
If designs that were moved or rotated already have different positions in different frames in the animation,
ArtiosCAD adjusts the position and rotation of each design by the same relative amount in each frame.
The fourth button on the Animation toolbar is Animation Playback. Use this to step through the animation
in 3D by using the slider, or to start playing it at the current frame using the Play button.
The fifth button on the Animation toolbar is Delete Frame. Use this to delete the current frame. This tool is
available only when the Animation Playback tool is active.
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The sixth button on the Animation toolbar is Shuffle Frame Forward. This tool moves the current frame
forward by one frame in the animation sequence. This tool is unavailable for the last frame, or if there is no
animation defined. This tool is available only when the Animation Playback tool is active.
The seventh button on the Animation toolbar is Shuffle Frame Backward. This tool moves the current
frame back by one frame in the animation sequence. This tool is unavailable for the first frame, or if there is no
animation defined. This tool is available only when the Animation Playback tool is active.
Note that when shuffling frames, their duration and Scale to Fit setting are kept with them.
The Reverse Animation command on the Animation menu reverses the order of all the frames in the animation.
When reversing an animation, note that the first duration is a pause before the animation begins, so an animation
with durations 2, 3, 4, 5 would have durations 2, 5, 4, 3 when reversed.
The Delete Animation command on the Animation menu deletes the entire animation sequence.
Tear-away Animations
Tear-away animations show how the design separates. They are different from normal animations and there is a
dedicated tool to make them.
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Tear-away animations require that the panels can bend. If the panels do not bend, ArtiosCAD makes a pull-away
animation instead in which you can only set the pull-off duration and distance of the pulled-away part.
Note: Tear-away animations only work for the first instance of a design; they do not work on copies.
2.
Click the Make tear-away animation tool and click where you want the tear-away to start in the part
that is torn away. In the example below, the cursor is in the thumb hole and you can see the perf forming the
left part of the tear.
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a) Disappear at the end causes the torn-away piece to disappear from the scene when the animation
finishes.
b) From two sides shows two ends of the tear-away being torn away simultaneously before the tear-away
is detached from the middle. Use this option only when you have specifically designed the tear-away to
start in two places at once.
c) Press in causes a beginning thumb notch or other similar construction to be pressed into the container
before it is torn away.
d) Tear-off time and Pull-off time, respectively, set the duration of those parts of the animation.
e) Fold angle (A) sets the angle at which a fold in the part being torn away is folded at the end of the
animation.
f) Bend angle (B) sets the angle at which a bend in the part being torn away is bent at the end of the
animation.
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g) Pull-off distance (C) controls how far the torn-away piece is pulled from the main piece of the design at
the end of the animation.
h) Pull-off rotation (D) determines the rotation at which the torn-off piece turns.
i) Pull-off angle (E) determines the direction in which the torn-off piece moves.
j) Roll-off distance (F) sets how far the torn-away pieces rolls off the main body and thus how tight the
bend is. If you have to pull hard to do the tear-away in real life, set a small distance to have a tight bend.
4. Click OK when you are done setting the values as desired.
ArtiosCAD creates the animation and starts the Animation Playback tool. Click the green triangle to play the
animation.
Note: If you use Scale to Fit on any of the animation frames, you will not be able to make any changes
to the animation.
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If you do not check the From two sides checkbox, the result will look something like this:
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4. In the Make pull-away animation dialog box, set the options as desired and click OK.
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5. ArtiosCAD creates the animation and starts the Animation Playback tool. Click the green triangle to play the
animation.
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6. To change the direction in which ArtiosCAD pulls the part away, do the following:
a)
Use Animation Playback to go to the last frame of the animation.
b)
Use Select designs to select the torn-away part.
c)
Use Move Designs to move it in the desired direction.
d)
Click Update Frame.
e) When you replay the animation with the Animation Playback tool, the pulled-away part will move in the
direction you specified.
Substrate Tears
Some designs use partial cuts and reverse partial cuts instead of perfs to tear. This type of tear is called a
substrate tear, and is shown below as the lines in the second panel that connect the zipper rule to the perf.
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4. In the Make tear-away animation dialog box, set the values as desired and click OK.
5.
Click Make tear-away animation and then click the start point for the second animation.
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6. In the Make tear-away animation dialog box, set the values as desired and click OK.
ArtiosCAD makes the second animation and starts the Animation Playback tool. Slide the frame slider all the way
to the left to start at the beginning, and then click the green triangle to play both animations.
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7.
Click Add Frame.
8.
Use Fold Angle to unfold the opposite panel, the one that has the Mate area. Note that the part with
the Mate area is still attached and was not torn away.
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9.
Click Add Frame to complete the animation.
You can edit the duration of each frame as desired in the Animation Playback tool.
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8. Fold the base panel 90.
9. Add frame.
10. Fold the 2 side panels 90.
11. Add frame.
12. Fold the lock panel 90.
13. Add frame.
14. Fold the lock panel 70 (see it pushes and bends the other panels in).
15. Reduce the fold angle to 69, 68 ,.. till it locks, (unlock icon switches to lock icon).
16. Add frame.
17. Fold back to around 87 degrees (not more than 100, or it will unlock).
18. Add frame.
19. Fold the top.
20. Add frame.
21. Click Animation Playback and press Play to see the animation.
3D Designer
Use 3D Designer to make a solid of revolution. A solid of revolution is a flat ArtiosCAD design with special
layers defined. When converted to 3D, cross-sections and graphics defined in the single design workspace are
rendered as a solid model. Shown below in the top pane is a flat single design, and in the bottom pane is the 3D
workspace with the solid of revolution.
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Solids of revolution
• A set of horizontal cross sections at different heights along the vertical axis in a layer of class Horizontal
Cross Section (optional)
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Note: At least one layer of the three layer classes described above must exist for the design to be
converted to a solid of revolution. The layer can be empty. Solids of revolution may not have holes that
go completely through them.
Shown below is the single design workspace for the oil bottle. On the left is the vertical cross section in the Main
Design layer. To the right of that, the open circle and two open rectangles are horizontal cross sections in the
Horizontal Cross Section layer. To the right of that, the filled-in circle, filled-in rectangle, and two graphics are in
the Label Graphics layer.
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The horizontal placement of the horizontal cross sections within the single design workspace is not important,
but they must align vertically at the correct height along the vertical cross section, and none of the horizontal
cross sections should overlap or touch.
If the size of the horizontal cross section differs from that indicated by the vertical cross section, upon
conversion to a solid of revolution, the width of the horizontal cross section is scaled to match that of the vertical
cross section. A warning dialog box will appear if the size difference is greater than 33 percent.
Shrink-wrap graphics
Shrink-wrap graphics must be in a layer of class Shrink Wrap Graphics. A shrink-wrap graphic wraps around
the front and back of the design; it is not intended to cover the top or bottom. A shrink-wrap graphic must be
rectangular. If it is made of multiple parts, group them together into a single group.
As with label graphics, the center of the bounding box for the shrink-wrap graphic defines the vertical position
of the graphic on the solid of revolution. Any portion of the graphic extending beyond the top or bottom of the
vertical cross section is discarded.
If the shrink-wrap graphic is not wide enough to wrap around the design, it is horizontally scaled to do so.
Do not mix label graphics and shrink-wrap graphics; use one or the other.
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Do not turn on a Label Graphics layer if using shrink-wrap graphics.
Solids of revolution are composed mainly of triangles. The quality and smoothness of the solid of revolution is
directly proportional to the number of triangles. However, the more triangles, the longer it will take to render
the design and the longer it will take drag to refresh.
Medium smoothness is recommended for most solids of revolution. The smoothness can not be adjusted once
the solid of revolution is created. To adjust the smoothness, discard the 3D workspace and reconvert the single
design, choosing a different smoothness when prompted.
To set the smoothness, adjust the slider in the Solid of Revolution Smoothness dialog box as desired and click
OK. The solid of revolution is created and presented in wireframe form. Shown below is the oil bottle at low
smoothness in both wireframe and rendered forms.
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At medium smoothness:
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At high smoothness:
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Once the solid of revolution is created, treat it like any other 3D object. Note that to snap to it, Snap to solids
must be checked in Options > Snap Options.
Examples
The power of ArtiosCAD lends itself to many different kinds of solids of revolution. Solids of revolution can have
lines that reverse direction, such as glasses. They also can be made from resizable designs - resize the design
and create a completely different shape. Both the lager glass and the martini glass shown below were made from
the same single design workspace.
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.iam (V11 – V2021)
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Coordinate ambientIntensity
Coordinate3 shininess
coordIndex transparency
Points Images
If the directory C:\TEMP exists, ArtiosCAD puts a log file called VRMLLOG.TXT in it for diagnostic purposes each
time a VRML file is imported. The file is overwritten each time.
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Use the Select Labels or Parts tool to select parts of solids to change their position or properties, or to
delete selected parts by selecting them and pressing Delete on the keyboard.
Importing a Solid
Do the following to import a solid:
1. Import the solid into an open 3D workspace, or open it directly. A progress bar appears.
2. A preview of the solid appears. If it has parts defined, you can turn them on and off with the checkboxes next
to their names, or on the Part Selection menu. To change to a defined angle in the view, choose an option
on the View menu. You can also use the left mouse button to drag and rotate the camera, the scroll wheel to
zoom in and out, and the right mouse button to drag and move the camera. Changing the view in the preview
does not change the initial view of the solid when it opens in ArtiosCAD.
If there is no preview, that means there is no data ArtiosCAD can break into triangles, such as 3D arcs or 3D
points. Also, there is no preview for SolidWorks files.
3. Click OK to finish importing the solid.
If you get an error message about an unsupported format, it could be because there are accented characters in
the filename. Rename the file and try again.
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Selecting this checkbox turns off graphics in the exported Collada file as it may have one color and texture.
ArtiosCAD will use the outside color for the body color.
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The Scale Designs tool changes the scale of solids. Use it when:
• A solid is at the wrong scale (for instance, it is measured in meters instead of millimeters and thus it needs to
be scaled up by 1000).
• The size of a solid is not right and needs to be adjusted (for instance, when a cup is too short and needs to be
taller).
In the first case, apply a uniform scale change, in which all three dimensions change equally. In the second case,
apply a differential scale change, in which dimensions change independently of each other.
Note: You may need to update or recreate an animation sequence (if one exists) after using this tool.
1.
Select the solid(s) to change.
2.
Click Scale Designs. If you select a single instance of a solid with multiple copies, ArtiosCAD asks if you
want to modify all the copies or just the selection. Note that if you make a separate copy, ArtiosCAD cannot
undo that action.
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3. In the Scale Solid Designs dialog box, choose the appropriate options for your desired changes.
a) Choose either Uniform scale or Differential scale.
b) For X, Y, or Z, enter either the new size or choose a scale factor from the drop-down list box. Click inside
the Scale factor field to enter a custom value. ArtiosCAD shows the size of the bounding box for the
selected design(s) as the initial size.
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4. Click OK to apply the changes and return to 3D or click Apply to apply the changes and remain in the dialog
box for more changes. ArtiosCAD scales the selection around the center of the overall bounding box. It does
not change the position of the object(s) after changing the scale, so you may need to move them manually
(as seen below by the intersecting side of the tray).
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The Intersect Design tool creates holes in a corrugated or folding carton design where it intersects other
designs or solids. The tool has the following controls on the Status bar:
Enter a value in the Offset: field to specify a gap between the intersecting object and the cutout in the
intersected object.
The first button on the Status bar, Intersect Designs, sets the tool to use cut lines to make the hole
boundaries in the flat design.
The second button on the Status bar, Intersect Designs All The Way Through, sets the tool to make
complete cut-outs for objects such as wine glasses.
The third button on the Status bar, Intersect Designs with Annotations, sets the tool to use annotation lines
to make the hole boundaries in the flat design.
To use the tool, do the following:
1. Position the objects together.
2.
Click Intersect Design on the Cross Section toolbar.
3. On the Status bar, enter an offset if desired, select or clear the Round corners checkbox (to create rounded
corners in the holes), and choose the mode for the intersecting lines.
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4. Click the intersected corrugated or folding carton design.
5. If the single design workspace corresponding with the selected 3D object exists, ArtiosCAD prompts you to
update it or create a new single design. Set the option button as desired and click OK. Clicking Cancel stops
the tool.
6. Choose a parameter set for the design. If you are updating the existing design, the previously-selected
parameter set is selected.
To accept the changes to the single design and return to 3D, click OK. You may want to move the dialog box
to see more of the design.
To make changes to the single design, click Edit 2D, make the changes, click Convert to 3D on the View bar,
and update the 3D workspace.
7. Once you return to 3D, the view changes to show transparency with purple edges to make the new holes
more visible. Clicking any Select tool turns off the temporary transparency. Shown below is tray with
temporary transparency turned on and the 1/8” offset around the solids.
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Note: Any copies of the design will have the same holes made in them.
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The filename for the flat workspace containing the intersected design is generated from the filename of the 3D
workspace, plus a number that increments by one for each intersected design.
The Cross Section tool creates a piece of folded board with cutouts for the portions of objects it intersects.
The size of the bounding box determines the size of the folded board created by the tool. Before using this tool,
adjust the bounding box as needed using the instructions in the next section.
To use this tool, click it, select the start point of the piece of folded board, and make the desired geometry using
drag similar to that of the Line tool in Single Design. Shown below is a step in the construction of a cross section.
Shown below are the controls on the Status bar in greater detail.
The Angle:, Length:, X:, and Y: fields all behave as they do for the Line tool in Single Design.
Round Corners, when selected, has the tool create rounded corners in the holes it creates.
The Undo button undoes the last piece of geometry created. It is very important to use this button instead
of pressing CTRL-Z, as pressing CTRL-Z will undo everything the tool has made up to that point, not just the
last segment.
The Intersect Designs button has the tool create cut lines in the folded board where it passes through other
objects.
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The Intersect Designs All The Way Through button has the tool create complete cut-outs for objects such
as wine glasses.
The Intersect Designs with Annotations button has the tool create annotation lines in the folded board
where it passes through other objects.
Clicking More Options opens the Cross Sections Parameters dialog box:
The Board Information tab lets you choose the board and set the caliper of the folded board. The default board
is used initially, but if you change it, the new board becomes the default for the tool in the current workspace.
On the Width/Length tab, choose to Use bounding box width to set the size of the folded board, or click
Specify width and enter a value in the Width: field.
Round lengths rounds the board lengths to the nearest increment specified in the Rounding value: field. When
checked, it is initially set to the rounding value set for the board.
A value in the Offset: field adds a gap between the piece of folded board and the object being cross sectioned.
Note: Defaults for the Intersect Design and Cross Section tools are in Options > Defaults > Shared
defaults > Startup defaults > 3D Tools Defaults.
Clicking OK on the Status bar completes the geometry and calculates the cross section. The amount
of time it takes to make the cross section depends on the complexity of the design as well as your computer
hardware. Clicking another tool before clicking OK cancels the cross section completely.
To make a cross section, do the following:
1. Open the design that will have a cross section made around it.
2.
Use the Bounding Box tool to modify the size of the bounding box.
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3.
Click the Cross Section tool.
4. Click the start point for the piece of folded board. To move by an offset from that point, hold down CTRL and
click in the desired location.
5. Click and drag to make the desired geometry. The drag snaps to existing lines, but also has enough of a
cutback to allow for the board thickness depending on where you click. You can hold down CTRL while
clicking to move the start point for the geometry, but make sure all pieces are connected.
6. When done creating geometry, click OK to create the piece of folded board.
7. Choose a parameter set for the folded board.
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To accept the folded board and return to 3D, click OK. You may want to move the dialog box to view more of
the design.
To make changes to the folded board, click Edit 2D, make the changes, click Convert to 3D on the View bar,
and update the 3D workspace.
8. Once you return to 3D, the view changes to show the folded board in transparency with purple edges
and no perspective, and the View Angle tool is activated. Clicking any Select tool turns off the temporary
transparency.
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The folded piece of board is a series of panels connected with creases or reverse creases depending on the fold
angle. ArtiosCAD positions the design so there are more creases than reverse creases.
The filename for the flat workspace containing the folded piece of board is generated from the filename of the
3D workspace, plus a number that increments by one for each cross section workspace.
The Bounding Box tool creates a bounding box around all the objects in the 3D workspace, and lets you
adjust the size of the bounding box. The Cross Section tool uses it to define the size of the flat design created as
a cross section, and the Run a Standard tool uses it for the dimensions of the standard it creates.
The bounding box grows to accommodate designs added to the 3D workspace, but is unaffected when objects
are removed.
Note: The Bounding Box tool does not work with CloseUp windows.
When you click the tool, the view changes to the closest orthogonal view, and perspective is turned off. The
fields on the Status bar become available when you click a side of the bounding box. The drag is for the active
field in the Status bar.
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The value in the Overall: field shows the distance from the opposite side of the bounding box. Spacing: refers
to the distance from the closest edge of a design. Offset: is the distance from the previous position of the side
being adjusted.
The Move Both Sides button toggles the adjustment of both parallel sides at once.
Reset snaps the last bounding box edge adjusted back to its minimum spacing from the edge of the object.
Reset all adjusts the bounding box edges to encompass all items in the 3D workspace.
Only two dimensions are shown in the orthogonal view. Use the Rotate View tools to adjust the view so that the
other dimension of the bounding box can be adjusted.
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Note: Snap to solids must be selected in Options > Snap Options for this procedure to work.
To make the binoculars square to the bounding box, and to resolve similar situations with other solids, do the
following:
1.
Click the Bounding Box tool to show the bounding box and change to orthogonal view.
2. Select the item to adjust.
3.
Click the Rotate tool and click the axis around which to rotate the object. In the example below, the axis
orthogonal to the view is selected.
4. Click the edge of the solid to align with the bounding box. For the binoculars, the bottom edge of the bigger
lens was used.
5. Click the edge of the bounding box with which to align the object.
6. The object rotates.
7.
Note how the bounding box is no longer correct. Click the Bounding Box tool and use the Reset button
to snap the edges to their minimum clearances. Shown below is the final result.
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The Run a Standard tool creates a design from a Standards Catalog entry using the dimensions of the
bounding box as the dimensions of the design.
To run a standard, do the following:
1. Adjust the bounding box as desired. You may want to make it slightly bigger than the object it will contain to
allow for board thickness.
2.
Click the Run a Standard tool.
3. Click the side of the bounding box that will be the length dimension of the new design.
4. Click the side of the bounding box that will be the width dimension of the new design.
5. Choose a standard from the Standards Catalog and click OK.
6. Choose a parameter set and board and click OK.
7. If the standard does not contain any of the L, W, or D variables, map the existing variables to the length,
width, and depth and click OK.
8. Proceed through the standard prompts as usual, clicking Next to go to the next menu or OK to skip the
remaining menus and make the design.
9. Choose a base face for the new design. It appears in the 3D workspace. If the standard contains fold angles,
they are used; if not, the design is shown flat.
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11. The single design will be open in another ArtiosCAD window. Save it as desired.
Note: Designer WorkBench standards, or those that reference them, may not be used with this tool.
Note: If the standard contains a crease that crosses more than one panel, a warning will appear. If you
proceed, panels may be missing from the 3D design created. For best results, split creases in standards
that cross panels.
Convert to 2D tool
The Convert to 2D tool on the Tools menu lets you create a flat design out of a corrugated or folding carton
design in a 3D workspace. This is useful when you receive a 3D workspace from someone else without the
corresponding flat design(s) and you want to make changes to the design(s).
When you convert a design to 2D from 3D, the following restrictions apply:
• Curved lines are converted from a series of straight lines into arcs. Arcs smaller than 3 millimeters may not be
converted exactly as they were in the 3D design.
• The 2D design line pointages are all set to 2.
• Cut lines should have most of their bridges but crease lines will have none.
• The 2D design will have no graphics.
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For example, if you received the workspace shown in the Cross Section tool documentation, and needed to
modify the piece of corrugated board supporting the binoculars, you would do the following:
1. Click Tools > Convert to 2D.
2. Choose a parameter set and click Edit 2D.
3. Edit the flat design as desired in Single Design.
4.
Click Convert to 3D on the View bar, choose Update 3D, click OK, select the base face, and click OK.
The updated workspace is shown.
Add Hardware adds solid hardware such as hooks and their associated holes to the 3D design, and, if the
corresponding 2D design is open, the holes required for the hardware to the 2D design and placement lines to
assist with rebuilding and reconverting. It also allows you to place products on the hooks. You can place just one
hook in Single Placement mode, or you can place an array of many hooks in Array Placement mode.
Shown below is a countertop display with the tray part filled by Array Copy and hooks and products applied in
an array to the header by Add Hardware.
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If you view the back, you can see the holes and the hook attachment pieces.
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The 2D workspace has the proper holes along with placement lines in the 3D Assist layer if you rebuild the
design and reconvert it to 3D.
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• FFR hook models have text on their right sides that causes them to be slightly asymmetrical.
• ArtiosCAD creates layers for the hardware parts as needed unless layers of the right class exist and are
unlocked. Any layers it creates apply to all print items.
• Accordingly, layer limits apply. If the 2D document is at the limit for the number of layers, close it. Add
Hardware will work in 3D but the 2D document will have no knowledge of the holes you make.
• Hardware placement lines have their own properties page. If only some of the copies have the selected
hardware in them, ArtiosCAD shows how many copies use it. Do not ungroup the hardware placement lines.
• If the hardware in the 3D workspace matches existing hardware in an associated open canvas (either the full
path or managed path matches), ArtiosCAD updates the part count of the existing part rather than adding a
new instance of the same part.
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As you hover over a piece of hardware, ArtiosCAD shows you a preview and its description.
If you start typing in the Name field, ArtiosCAD filters the list for easier searching.
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4. When you have chosen the piece of hardware to add, click either Single Placement to just place one piece
of hardware at a time or click Array Placement to place a grid of multiple pieces at once.
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4. To put a product on the hardware, click it near its hole or hanger. The name of the product appears in the
Product field. To remove the product from the hardware, click Clear.
5. The X and Y fields prompt for the position of the hardware offset from the alignment point, which you can
also set using drag. The active field has a dark blue drag measurement line. To change the justification point,
click one of the justification buttons at the top right of the dialog box. Change the margins of the work area
as desired in the Work Area Margins group.
6. Position the hardware as desired and click to set the put-down point. You can place it outside of the working
area but inside the same panel if there are no collisions with anything else. If you have an existing hole in
the panel, you can snap the hardware into that hole as long as their sizes match within 0.1 mm. If you use an
existing hole, ArtiosCAD does not update the corresponding open 2D workspace.
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If you have a product on the piece of hardware, the Gutter, Offset, and Count fields are available. Gutter
and Offset have no effect in Single Placement mode, but Count sets the number of products on the piece of
hardware.
7. Repeat as desired to place more hardware.
8. Click Exit when done placing hardware.
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ArtiosCAD displays wrong placement or numbers with red drag and error messages in the status field at the
bottom right of the window. Shown below is a collision.
If you need to change the view while placing hardware, click View Angle, change the view, and then press
ESC to return to adding hardware.
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If you have multiple instances of a design to which you add hardware, ArtiosCAD prompts you if you want to add
the hardware to all instances, just the one in which you clicked, or split the design with hardware into a separate
copy.
If there are more than 40 duplicates, the add to all option is unavailable as this would create too many copies.
If you choose to make a separate copy, ArtiosCAD shows options for updating the 2D workspace.
In the example above, ArtiosCAD shows two rows for the affected 2D workspace, DISPLAY_SHELVES.ACD,
a canvas. The first row is for the existing workspace and the second row is for the part workspace it will create
for the separate copy. Double-click the new part's entry in the Part Name field to change it. You can choose to
create the new workspace by checking the Create New checkbox. Likewise, you can choose to update the part
count in the existing workspace using the Update Part Count checkbox.
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panel, ArtiosCAD measures down from the top, and so forth. In the example below, the top left corner is the
justification point.
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4. To put a product on the hardware, click it near its hole or hanger. The name of the product appears in the
Product field.
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To remove the product from the hardware, click Clear. ArtiosCAD recalculates the array.
5. Adjust the values in the Array Placement Options as desired. When you click inside a field, ArtiosCAD will
show you what you are adjusting with visual feedback. As you change a field, ArtiosCAD recalculates the
other fields and updates the array. Hold down SHIFT or CTRL to increment the Count and Fill spin controls
by 5 instead of 1.The distance fields increment by the Nudge Options values in Startup defaults.
a) Margin is the distance between the outermost edge of the bounding box of all the hardware/products
and the edge of the working area.
b) Gutter is the distance between the bounding box of the hardware/product in one column or row and the
next column or row.
c) Offset is the distance between the pickup point of the hardware in one column or row and the next
column or row.
d) Count is the number of hardware/products in a direction.
e) In the Fill row, Gutter, Offset, and Count affect the placement of the product on the hardware. This row
is only available when there is a product. Gutter is the distance between two products. Offset is the
distance from the start of one product to the start of another product. Count is the number of products
on the hardware.
6. Click OK to place the array if you do not want to make another array. To immediately start making another
array without having to restart the tool, click Repeat.
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7. Because less than half of the working area was filled, the rest of the panel has another working area on it
which you can fill with a different array. Select the new working area and click near the justification point.
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8. Repeat the process of adding a product and setting the dimensions of the array. Click OK in the Array
Placement Options dialog box when done.
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ArtiosCAD displays wrong placement or numbers with red drag and error messages in the status field at the
bottom right of the window. Shown below is a collision.
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If you need to change the view while placing hardware, click View Angle, change the view, and then press
ESC to return to adding hardware.
If you have multiple instances of a design to which you add hardware, ArtiosCAD prompts you if you want to add
the hardware to all instances, just the one in which you clicked, or split the design with hardware into a separate
copy.
If there are more than 40 duplicates, the add to all option is unavailable as this would create too many copies.
If you choose to make a separate copy, ArtiosCAD shows options for updating the 2D workspace.
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In the example above, ArtiosCAD shows two rows for the affected 2D workspace, DISPLAY_SHELVES.ACD,
a canvas. The first row is for the existing workspace and the second row is for the part workspace it will create
for the separate copy. Double-click the new part's entry in the Part Name field to change it. You can choose to
create the new workspace by checking the Create New checkbox. Likewise, you can choose to update the part
count in the existing workspace using the Update Part Count checkbox.
Select Hardware on the 3D Tools toolbar lets you select hardware, optionally the hole it uses, and the
product on the hardware. Once you have made a selection, you can then delete what is selected.
1.
In a workspace containing hardware, click Select Hardware.
2. On the Status bar, leave Include Holes selected, or deselect it to keep the holes. When Include Holes is
selected, you may only select hardware in copies of the same design.
3. Click an individual piece of hardware to select it, or hold down SHIFT or CTRL and click multiple pieces.
You can also click and drag a window to select everything inside the window.
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4. Once you have selected the hardware, press DEL on the keyboard to delete the selection.
5. If the change impacts a design with multiple copies, ArtiosCAD asks you what to do in the Duplicate Designs
Options dialog box. You can either delete the hole(s) and hardware from all the copies, or split the existing
design. Click OK when done.
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6. ArtiosCAD deletes the hardware and holes (if included). If there were multiple instances of the hardware,
ArtiosCAD deletes those too.
When you delete hardware using this tool, ArtiosCAD updates the connected 2D design as well if it is open. If
Include Holes is checked, ArtiosCAD deletes the holes too. Note that removing the holes is only possible using
Select Hardware with Include Holes selected. It is possible to remove the hardware using the normal Select
tool, however.
If the part count drops to 0, ArtiosCAD removes the part.
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If the open flat design is the linked canvas, ArtiosCAD adds a thumbnail image of the hardware part to the
canvas. The count on this part is the current part count in 3D.
Add Hardware adds placement lines to the 3D Assist layer in the flat design so that if you reconvert it to 3D,
ArtiosCAD positions the hardware correctly. Update 2D does not modify non-matching placement lines or
hardware parts in 2D if you have changed them manually.
Undo/Redo in 3D of Add Hardware updates the open flat workspace.
In a 3D workspace created from a canvas, if the 3D has multiple copies of a part, and when adding hardware you
choose to split the changed copy into a new design, ArtiosCAD does not add the holes to the original part in the
canvas as it is no longer associated with the split copy in 3D.
If you rebuild a flat design with holes in it, ArtiosCAD does not recalculate the position of the holes if the panel
changes size.
If you have more than one view of the flat design open, ArtiosCAD only turns on the Windows and Cutouts layer
in the first view. Turn the layer on manually in other views if desired.
General Notes
ArtiosCAD checks that the current board matches the caliper range of the selected hardware, but does not
prevent you from using hardware that is too big or too small.
FFR hooks have text on one side which makes them slightly asymmetrical.
Undo/Redo do not change the splitting of designs when adding hardware.
Modifying or deleting holes in 2D does not automatically update the 3D workspace. Reconvert the changed 2D
workspace to 3D and select Update 3D in the Convert to 3D dialog box to update the 3D workspace.
Select Hardware only selects hardware close to a hole in a panel. If you delete the hole only, the tool cannot
later delete the orphaned hardware. Use Select Designs to select and then delete the hardware in that case.
If copies of a design are rotated differently than the original, and you add hardware to the original that gets
duplicated to the copies, the hardware in the copies may not be aligned correctly.
In single placement mode, ArtiosCAD checks if there is already hardware defined for this hole in the linked flat
design, and if so, warns you.
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ArtiosCAD orients the hardware in 3D just as it is oriented in its native workspace regardless of the current
view angle. ArtiosCAD orients hardware the same way it is shown in the preview when you hover over it while
selecting it. To put the hardware on the other side of the panel, stop the tool, change the view angle so the
desired side of the panel is facing you, and restart the tool.
ArtiosCAD also orients the hardware so that the surface of the reference board in the hardware workspace is
aligned with the side facing you in the 3D workspace.
Depending on the panel geometry, you may not be able to initially select the desired alignment point. Set the
working area anyway and change the alignment point using the controls in the placement options dialog box.
If you put hardware in a panel that is flat on the floor, ArtiosCAD orients the hardware so that its positive Z axis
matches the positive Y axis of the flat workspace.
Some ArtiosCAD standards do not use the XY plane as the floor. Before you use Add Hardware, make sure to
orient the workspace so that Z is up and the designs sit on the floor.
It is possible to select a panel for the working area that is not currently visible due to the view angle. Thus is it
possible to place hardware extending into the interior of the design.
Add Hardware only modifies one panel at a time. It is possible to have a working area extend across adjacent
panels but ArtiosCAD only puts holes in the panel in which you clicked.
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Good alignment:
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5. ArtiosCAD displays the Hardware Properties dialog box in which it displays the computed calipers this
hardware can work between along with the computed length of the usable part. Adjust the Minimum and
Maximum fields as desired and click OK.
6. ArtiosCAD adds a piece of corrugated board as an alignment piece and creates the necessary hole(s) in the
board where the hardware intersects. ArtiosCAD shows the hole(s) with green lines.
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If you need to change the holes, typically to make the hole taller to allow for easier hardware insertion, do the
following:
a) Click Tools > Convert to 2D and click the alignment piece.
b) Set a parameter set if prompted.
c)
The holes are in the Main Design layer. Click the Layers control on the stage bar to turn off the Grip
position layer (the green lines showing the position of the hardware).
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e)
Click Convert to 3D on the stage bar and pick Update 3D in the Convert to 3D dialog box. The holes
in the alignment piece show the changes you made.
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9. In the next Save Hardware to Defaults dialog box, enter a name, description, and filename (ending in .A3D) in
the fields and click OK.
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10. If you are using ArtiosCAD Standard Edition, the hardware is now ready for use. If you are using ArtiosCAD
Enterprise, enter a description in the Database Information dialog box and click OK.
The new hardware appears in the Select Hardware dialog box when you use Add Hardware.
If you would rather add the hardware to Shared or Location Defaults, click Save instead of Save Hardware to
Defaults dialog box, save the file to ServerLib or the Shared Defaults Project, and add an entry for it in the 3D
Hardware Components catalog in the desired tier of Defaults.
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• ArtiosCAD treats the corrugated pieces as alignment pieces and supports only one alignment piece. The
alignment piece:
• Must be a corrugated rectangle.
• Must have at least one hole.
• Must be aligned vertically.
• Should have the correct holes.
• The caliper should be around the minimum it will be used with.
• The front surface of the alignment piece should align with the front of the grip (the part that attaches the
hardware to the alignment piece).
• Rotate the view so the hardware points toward you.
• If you need different holes for the same piece of hardware, create separate workspaces with those holes and
separate entries in the 3D Hardware Components catalog.
To change the length, which does not always behave predictably and is unsupported, click Help > Diagnostics >
Stretch Hardware, enter a new length, and click Stretch.
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Save the workspace, making sure to save it to the proper Defaults location.
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Rebuild on the Cross Section toolbar and the Tools menu lets you rebuild a design in 3D in the same
ArtiosCAD session after you converted it from a resizable 2D design.
To rebuild it in a future ArtiosCAD session, reconvert the original 2D to 3D and select Update 3D in the Convert
to 3D dialog box.
Note:
Rebuild Tool
To rebuild a design in 3D, do the following:
1.
Click Rebuild on the Cross Section toolbar or on the Tools menu.
2. Hover over the design to rebuild. ArtiosCAD shows the filename of the design next to the cursor.
• ArtiosCAD turns the design magenta, and turns other instances of the same 3D design a lighter shade of
magenta.
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• If the associated 2D design is not open, or if the 2D design is not rebuildable, ArtiosCAD turns the design
red, displays an error message in the Status bar, and uses a stop cursor.
3. Click the highlighted design. ArtiosCAD does an Update 2D for the associated 2D design and prompts you to
update part counts if needed.
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4. ArtiosCAD displays the Rebuild dialog box. Change values as desired and proceed through it normally.
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ArtiosCAD does not associate the extra pieces with the 2D document. If there are fewer pieces after the rebuild,
ArtiosCAD does not display the Add Unfolded Designs dialog box.
In the Add Folded Design dialog box, there are different buttons than when you do a regular Convert to 3D. Edit
2D cancels the rebuild and returns to single design so you can make changes, and manually reconvert to 3D
when you are done making those changes. Revert cancels the rebuild, reverts the 2D to what it was before the
rebuild, activates the 3D view, and starts Select Designs. It does not revert board code changes or part count
changes in canvases. OK is unavailable if there are errors.
If the rebuild fails, ArtiosCAD shows the 2D Rebuild Failed dialog box.
If you choose Reset to before rebuild started, ArtiosCAD makes no changes to the 2D or 3D designs. If you
choose Discard remaining log commands or Redo the commands that failed, ArtiosCAD changes the 2D,
makes it active for editing, and leaves the 3D unchanged.
Canvases
If you accept the default choices in the Duplicate Designs Options dialog box when splitting a design that is a
part in a canvas that is open:
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• ArtiosCAD saves the new part's properties, fold angles, and position in the canvas
• ArtiosCAD associates the new part with the changed design(s) in 3D.
If you deselect Update Part Count:
• ArtiosCAD does not update the part count of the original design in the canvas to match the one in 3D
• ArtiosCAD saves the new part's properties, fold angles, and position in the canvas
• ArtiosCAD changes the properties of the selected designs. or changes their hardware
• ArtiosCAD associates the changed designs in 3D with the new part in the canvas.
If you deselect everything:
• ArtiosCAD does not change the canvas and saves no 3D information
• ArtiosCAD changes the properties or hardware but the designs are no longer associated with any parts in the
canvas.
3D Designs
The Duplicate Designs Options dialog box shows which designs are selected and which ArtiosCAD will create.
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Each design has two rows. The first row shows information about the current 3D design. The second row shows
information about the ArtiosCAD will create and associate with the selected designs after the split.
If you change nothing:
• ArtiosCAD creates and opens a new single design
• The new design has the same geometry as the original, but holds the 3D information for the design selected
in 3D
• ArtiosCAD changes the selected design's properties in 3D and associates the duplicates with the new single
design.
If you deselect Create New:
• ArtiosCAD does not create a new single design
• ArtiosCAD changes the selected design's properties in 3D and but does not associate duplicates with any
single design.
Undo/Redo
All changes relating to splitting a design in 3D are on one level. One click will undo or redo them all.
When you undo a split:
• Undo undoes the change of association but leaves the new design open
• ArtiosCAD lists all copies of the design together in the embedded design list
When you undo a property change:
• ArtiosCAD no longer updates the associated 2D design.
• ArtiosCAD saves fold angles but not properties or positions in an associated single design or canvas
Undo/Redo will not work if you made manual changes to the single design or canvas after doing a split or
property change in 3D, or adding or removing hardware. Also, Undo in 3D will no longer automatically update the
2D design.
Miscellaneous
Creating new copies when splitting designs or adding hardware deletes any animations.
Any errors (such as exceeded limits) show in yellow in the Duplicate Designs Options dialog box.
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Palletization in 3D
You can round-trip data between Cape Pack/TOPS and ArtiosCAD to palletize a 3D design, make a secondary
(shipping) container in Cape Pack/TOPS starting in 3D, and also to make a pallet load in 3D starting in Cape
Pack/TOPS.
For answers to some frequently asked questions about palletization, see Palletization FAQ in the Outputs
chapter.
Note:
Before using these features for the first time, make sure you have mapped Cape Pack/TOPS styles and
materials to ArtiosCAD standards and boards as described in the Builder chapter. You may also want to
set Cape Pack/TOPS defaults as described in the Defaults chapter.
Palletizing a 3D workspace
To send a 3D workspace to Cape Pack for palletizing and then view the Cape Pack solution back in 3D, follow
the instructions below. If you are using TOPS, the workflow is similar: choose a pallet and send the information to
TOPS, which will palletize the design and send the information back to 3D.
1. In 3D, design a new workspace or open an existing one, and assemble its components as desired. Make sure
to fold it into its final form as its bounding box will be used for the sizing information in Cape Pack.
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2. Click Palletization > Change Pallet.
3. In the Select Pallet dialog box, select a pallet and click OK.
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Click OK through any alerts. Cape Pack may prompt you that it is swapping the dimension directions.
Note:
ArtiosCAD is unusable while waiting for a response from Cape Pack.
7. In Cape Pack, use the Goto Next Solution and Goto Previous Solution arrows to find the best solution.
8. When you have found the best solution, click File > Export and Exit.
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9. The palletization solution appears in 3D; save it and work with it as a normal 3D workspace. Remember that
this is a copy and not your original 3D workspace.
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c) In the Minimum and Maximum fields, enter the number of primary packages to create secondary
packages for. If you have more than one primary package in your 3D workspace, divide these numbers
accordingly; for example, if you had 4 primary packages in 3D, you would only want 1 or 2 of them in Cape
Pack.
d) Enter values for the slack (gaps between the primary packages) and the maximum size of the secondary
packaging, if desired.
e) Check Round to nearest 1/16th if desired.
f) In the Package Information group, enter the weight of the primary package and any solids it contains.
g) In the Pallet Information group, enter the maximum height of the stacked pallet and its maximum weight.
h) Click OK.
Cape Pack will launch. Click OK through any alerts. Cape Pack may prompt you that it is swapping the
dimension directions.
Note: ArtiosCAD is unusable while waiting for a response from Cape Pack.
7. Use the Goto Next Solution, Goto Previous Solution, Goto Next Pattern, and Goto Previous Pattern
arrows to find the best solution. The primary package is the one with yellow and magenta faces, while the
secondary package has red and blue faces.
8. When you have found the best solution, click File > Export and Exit.
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If you do not have either the styles or boards mapped as described previously, ArtiosCAD will prompt you to
choose the missing elements.
9. ArtiosCAD displays the standard it constructed using the Cape Pack data. Work with the single design as you
would any other workspace.
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10.
Click Convert to 3D and then Add to 3D with the primary package’s workspace selected, and then click
OK.
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11. Use the tools in 3D to duplicate and align the primary packaging inside the secondary packaging as desired.
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• Calculate the FCA solution in Cape Pack and export the palletization data to ArtiosCAD
• Optionally, run a Report showing the FCA case (described in the Outputs chapter).
You may also start with your own single design, convert it to 3D and fold it in half so it is flat, and then start the
workflow from 3D. Both workflows require 3D.
Note: You must have Cape Pack installed to create an FCA case.
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4. In the Create New FCA Case dialog box, enter the values you need to make your FCA case.
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a) Length, Width, Thickness 1, Thickness 2, and Weight come from the single design, but you may change
them as desired. Thickness 2 is initially 0 because ArtiosCAD assumes there is only one fold per knock-
down flat carton (KDF) inside the case. If you have more than one fold, enter the cumulative increase
in thickness per KDF past the one double board thickness for one fold. You can also adjust these
thicknesses if one end of the KDF is thicker than the other to have Cape Pack alternate their positions
within the bundle.
b) The length is based on the blank size and ArtiosCAD assumes the glue joint is not folded. If it is folded,
enter its size in Folded Glue Joint. Note that the dimensions and diagram are shown differently from the
ones in Cape Pack but the carton is folded the same way.
c) Click Calculate FCA to calculate the sizes based on the Flatblank to KDF formula in Cape Pack.
d) For the Fluff Factor, enter an estimate of the percentage that the folded cartons might shrink or expand
within the bundles.
e) In the Bundle Counts group, enter the minimum and maximum number of bundles to create.
f) In the Case group, choose the type of case (from Cape Pack) and the ArtiosCAD board code to use.
g) In the Number of FCAs group, enter the minimum and maximum number of cartons inside the case.
h) In the Slack group, enter the dimensions for the size of the free space between the bundles and the
cases.
i) In the Max Size group, enter the maximum size for each bundle.
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j) For the Max Weight, enter the maximum weight of the filled case.
k) Click OK. ArtiosCAD will launch Cape Pack.
5. As Cape Pack always thinks that the longer dimension is the length, it may prompt you that the variables are
mismatched. Click OK.
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8. When you have chosen the desired solution, click File > Export and Exit to return to ArtiosCAD.
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2.
Convert the single design to 3D.
3.
Fold all creases at 90 degrees.
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While you are designing, keep the 3D workspace clean with only the original solid or carton so that filling the
shipper with the Cape Pack-produced array is accurate. If you add items to the 3D workspace after going
through this workflow, your results will not be what you expect as ArtiosCAD will insert the entire contents of the
3D workspace into the case if you re-palletize.
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5. In Cape Pack, choose the solution to use. Click File > Export and Exit to export the information to ArtiosCAD.
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3. In the Add Unfolded Designs dialog box, select the base face and click OK. If there are previous fold angles to
use, use them.
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4. If the design had fold angles saved, the case should appear in 3D folded full of the primary design. If the
design did not have fold angles saved, or if you need to change the fold angles before filling it, fold the case
as desired and click Palletization > Fill with Primary Design.
5. Shown below is the filled case.
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b) Enter the hostname of the server system. Do not include anything past the hostname in the URL.
c) To verify the entry, click Test URL. A browser window will try to connect to the specified URL.
d) To save this URL to User Defaults, check Save to User Defaults. It goes to the Cape Pack Cloud Defaults
entry in the Palletization catalog.
e) Click OK.
3. In the Palletization dialog box, enter the desired information and click OK. The only required field is for Solid/
Net Weight.
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4. ArtiosCAD prompts you to log in to Cape Cloud if you are not already logged in. Enter your login credentials
and click Sign In.
5. ArtiosCAD prompts you to select the cloud account to use. Select one and click OK.
Select Automatically select this account next time to skip this step in the future.
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6. Cape Cloud launches and opens a new analysis.
7. Fill out the analysis as usual and click Calculate to generate a list of solutions.
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9. Choose the options and save, share, or download the report as usual.
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Assembly Instructions
Assembly Instructions are a pictorial procedure that show how to assemble a design or display step by step.
They can be one step on one page or many steps on multiple pages. The idea is that you take pictures of
the current scene in 3D and paste them into a special document you have created in Single Design. You can
annotate the steps with arrows and symbols in the Annotation Symbols catalog. It is also easy to add text that is
repeated and incremented automatically between the steps and pages.
There is the page, which you base on the paper size of your Output, and there are panels that fit inside the pane
to show the individual pictures. Shown below is a page of an assembly instruction in process with 4 panels. The
step number was added once and repeated to the other panels.
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Single Design
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On the Single Design Stage bar, Mark for Assembly Instructions designates the current single design as
the destination document for the 3D Assembly Instructions Copy tools to paste into. When you use one of those
tools, ArtiosCAD will automatically change focus to that document’s window and activate Paste into Instruction
Panel. Only one single design can use this mode at a time.
3D
5. To use drag, click Add page using drag and then set the values in the X and Y fields as desired either by
using drag or typing them manually. Once both fields are filled in, ArtiosCAD adds the page.
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6. The added page looks like this.
After you add a page, the current position moves to the bottom right of the new page plus the gutter
distance to easily add a new page. ArtiosCAD remembers the method of adding the previous page for the
session.
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1. Use Move By (CTRL-Q) to move the current position to the start point for the new panel.
2.
Click Add Instruction Panel.
3. Set the drag by using the mouse or by entering values in the fields on the Status bar. Clicking the mouse
button sets the size of the window, or pressing ENTER after entering values in each field.
4. The tool continues to add another panel starting at the ending point of the previously created panel. Add as
many as desired.
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5. ArtiosCAD constructs the grid of instruction panels and numbers them starting at the top left sequentially
after any other panels in the design.
If you want different spacing between the panels, before creating them, use Instruction Panel Spacing to
change the spacing. You may also move the panels manually after creating them, but it is easier to change
the spacing beforehand.
Use Select to resize and move instruction pages and instruction panels.
After selecting a page or panel, when you move the cursor inside it, the cursor changes to a move
cursor. Click to pick up the page or panel, drag it to the desired position, and release the mouse button. It will
snap to other pages and panels (respecting the gutter between them) as you drag. If there is text or other items
on top of an instruction panel, ArtiosCAD moves those as well. ArtiosCAD does not do this for instruction pages.
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Likewise, after selecting the page or panel, if you hover over its edge, the cursor changes
to an appropriate resize cursor. Dragging a corner resizes both sides horizontally and vertically, while dragging a
side resizes either horizontally or vertically.
To change the margins inside a panel, double-click it with Select to access its Properties page, and adjust the
margins there as desired.
Use Instruction Panel Spacing to change the spacing (gutter) between panels before creating them.
Changing the values in this dialog box only affects panels you create after making the changes.
To change the same spacing in X and Y, change the value in the Spacing field and click OK.
To change the spacing in both X and Y, check Different X and Y spacing, change the values in both fields, and
click OK.
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Copy Window for Instructions prompts you to drag a
window around the parts of the 3D scene as currently
shown to the Windows Clipboard.
Copy Detail for Instructions prompts you to drag
a circle or ellipse around a part of the 3D scene as
currently shown to the Windows Clipboard to then
paste in front of another image in an instruction panel
in Single Design.
Note: There needs to be a destination for these tools’ activity, so you should have a single design open
that contains empty instruction panels before using any of the Copy tools.
If you have Mark for Assembly Instructions turned on for a single design on the Stage bar,
ArtiosCAD automatically switches to that document and activates Paste into Instruction Panel.
To use other applications with Assembly Instructions, whatever you copy to the Windows Clipboard in those
other applications should be accessible by Paste into Instruction Panel.
To make this faster, turn on Mark for Assembly Instructions on the Stage bar of the single design.
1. Arrange the scene in 3D as you would like it to appear in the instruction panel.
2.
Click Copy for Instructions.
3.
If ArtiosCAD does not automatically switch to the single design, switch to it manually and click Paste
into Instruction Panel. If you have marked the single design, ArtiosCAD does this automatically.
4. ArtiosCAD displays a drag of the design lines from the 3D workspace. If you have only solids in the 3D
workspace, use a view mode like Solid with Edges to see drag lines.
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5. When you drag inside a panel, ArtiosCAD scales the drag image to fit.
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6. Click inside the desired instruction panel. ArtiosCAD places the image.
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If you paste outside of a panel, ArtiosCAD creates a panel around the image. To replace the image in a panel,
simply paste a new image into the panel.
To make this faster, turn on Mark for Assembly Instructions on the Stage bar of the single design.
1. Arrange the scene in 3D as you would like it to appear in the instruction panel.
2.
Click Copy Window for Instructions.
3. Drag a window around the area to use as an assembly instruction step.
4.
If ArtiosCAD does not automatically switch to the single design, switch to it manually and click Paste
into Instruction Panel. If you have marked the single design, ArtiosCAD does this automatically.
5. ArtiosCAD displays a drag of the design lines from the 3D workspace. If you have only solids in the 3D
workspace, use a view mode like Solid with Edges to see drag lines.
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6. When you drag inside a panel, ArtiosCAD scales the drag image to fit.
7. Click inside the desired instruction panel. ArtiosCAD places the image.
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If you paste outside of a panel, ArtiosCAD creates a panel around the image. To replace the image in a panel,
simply paste a new image into the panel.
To make this faster, turn on Mark for Assembly Instructions on the Stage bar of the single design.
1. Arrange the scene in 3D as you would like it to appear in the instruction panel.
2.
Click Copy Detail for Instructions.
3. On the Status bar, choose either Rectangle or Ellipse as the shape of the detail to copy.
4. Drag a window around the area to highlight in the detail.
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5.
If ArtiosCAD does not automatically switch to the single design, switch to it manually and click Paste
into Instruction Panel. If you have marked the single design, ArtiosCAD does this automatically.
6. .ArtiosCAD displays a drag of the design lines from the 3D workspace. If you have only solids in the 3D
workspace, use a view mode like Solid with Edges to see drag lines. ArtiosCAD does not change the scale of
the detail window.
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7. Click at the desired position inside an instruction panel. ArtiosCAD places the detail in front of an image that
may already be in the panel.
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• To change its size, select it with Select, and move one of its handle points. The detail does not change size
when you change the size of the panel.
• To move it, select it with Select, and then drag and drop it to the new position. The detail stays with the panel
if you move the panel.
Double-click the edge of an instruction page with the Select tool to open its Properties page.
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Here you can change the margins, justification position of the instruction panels inside the page margins, width,
and height of the page. You can also change the page number (used for repeated text such as the page number
label).
Click OK when done.
Double-click the edge of an instruction panel with the Select tool to open its Properties page.
Here you can change the margins, width, height, and justification position of the image inside the margins of the
instruction panel. You can also change the panel number (used for repeated text or sequencing).
You can also turn the panel outline and margin on and off with the checkboxes, and elect to use a stroked
line if desired (and set the thickness and color of the stroke). For the stroke color, ArtiosCAD defaults to black,
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unless the screen color is set to black, in which case it uses 80% black. We recommend not designing Assembly
Instructions with a black screen background.
If you do not use a stroke, the panel outline is a blue line of type Annotation4, and the panel margin is a blue line
of type Annotation5.
Click Add Annotation Symbol to add an annotation symbol to assembly instructions. ArtiosCAD opens the
Annotation Symbols catalog containing arrows and symbols.
Select a symbol by clicking it so that it turns magenta, and then move it to the desired position in an assembly
instruction. Repeat as desired for additional symbols; the catalog remains open until you start another tool.
Use Select to move or resize an annotation symbol. You can change its color on its Properties page.
To create your own annotation symbol, just make an ArtiosCAD workspace with the desired art, copy it to
ServerLib, and add it to the Annotation Symbols catalog in Defaults.
Use Repeat in Instruction Panel or Page to repeat items of text (such as step or page numbers) or
graphics (such as logos) between panels and pages.
1. Add the text or graphics to the panel or page.
2.
Use Select to select the item(s).
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3.
Click Repeat in Instruction Panel or Page. ArtiosCAD automatically copies item(s) and increments any
numbers if they match the panel or page number (settable on the Properties page).
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This tool is unavailable if the selection overlaps an instruction page or instruction panel.
To change a repeated item afterward, update it, select it and click Repeat in Instruction Panel or Page.
ArtiosCAD updates the items and deletes any that overlap.
Sequence Instruction Panels lets you reorder the sequence of instruction panels, which by default goes
from the top left to the bottom right of each page from left to right in the order of pages, or insert or delete
instruction panels in the sequence. ArtiosCAD can sequence up to 1,000 panels. The panel numbers set the
values for repeated text.
The following controls appear on the Status bar when you activate the tool:
When you activate the tool, ArtiosCAD shows the current sequence as numbers on the instruction panels
connected by lines.
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Start Sequence renumbers panels using the order in which you click. The Panel Number field on the Status
bar lets you define the panel number starting the new sequence. If it is the same as an existing panel number,
ArtiosCAD breaks the sequence and starts a new one at that number. To start a new sequence, either click Start
Sequence again or click outside an instruction panel.
Insert inserts an empty instruction panel where you click, shuffles the existing panels down and to the right,
renumbers the sequence, and draws purple arrows to indicate the new sequence. Items above instruction panels
(such as repeated text and details) move with them. If there are no empty panels at the end of the sequence,
ArtiosCAD may move the end panel off the page.
Before inserting a new instruction panel:
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Deleting a panel works in much the same fashion. ArtiosCAD moves the existing panels up and to the left, and
renumbers them appropriately. Shown below is the deletion of instruction panel 3.
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To clear the contents of an instruction panel, click Clear Instruction Panel and then click the panel to
clear. This deletes everything in the panel except for repeated items.
Click Assembly Instructions View Mode to toggle the display of the panel outline and panel border,
whether to use a stroke, and its width and color if so. This is similar to selecting all the instruction panels and
then opening the Properties page.
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• More than 100 different images in panels will cause delays when opening, saving, and auto-saving.
• Due to the potential large size of the assembly instructions, keep them in separate documents from your
designs.
Display Filler
Concept
Display Filler is a workflow where you drive the creation of your display based on your product alignment or
layout on its shelves. It allows you to do in minutes what used to take you hours.
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2. From the Tools menu, or from the Cross Section toolbar, select Fill Display.
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Note: A shelf is shown in pink when this tool is active and ready for you to place products on.
The bottom status bar now shows the current dimensions of the (first default) shelf and some extra tools:
•
Toggle Display and Shelves mode: This tool becomes active once you ran a standard. Learn more in
step 2.
•
Disable shelves dimensions: Disables all shelf-editing tools in this status bar.
• Clearance: Distance between the top of the tallest placed product on a shelf and the bottom of the shelf
above it.
• Height: Distance from the top of the (selected) shelf to the top of the next shelf above. In case of the top
shelf, it is the height of the placed product + the clearance.
• Add shelf: Creates a new shelf (on top). Each click on this tool creates one extra shelf.
• Fit shelves: Adapts the L W size of all shelves to fit the largest space filled with products.
• Update parts: When you activated Disable shelves dimensions, you cannot rebuild the display but only
choose to update the parts.
Note: While the Fill Display tool is active, a shelf is only a surface area ; it has no material defined.
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b. Move the mouse (no need to drag) onto the shelf. The product is shown transparent and will snap to into
the shelf's corners or into the next row or column (based on gutter).
Click to confirm this starting position. The product will become opaque again.
c. Now move or drag the mouse (shown as a cross) over the shelf to fill an area. Let's see some example
steps:
• When moving the mouse near or over the edge of the shelf, automatically appearing blue dimension
lines indicate that the 11th bottle no longer fits on the shelf:
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• We move the mouse back a bit to keep it to 10 bottles and then move across the width of the shelf:
• Although the shelf is too small to hold that extra row of bottles, we accept this layout with a left
mouse-click (a right-click will cancel the tentative placement).
d. The product is displayed normal again and the shelf color is back to yellow:
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e. With the Fill Display tool still active, we now click Fit Shelves (in the status bar). The shelf extends to hold
all placed products.
Note: You can also still use the classic tool Array copy to fill a shelf.
5. To prepare for the next step, you may want to select the View Angle tool and rotate the view.
Tip: While using the Fill Display tool, you can switch to use view tools like view angle, scale to fit,
zoom in, zoom out, and when done, the Fill Display tool will still be active.
6. Select the Fill Display tool again and, in the status bar, click Add shelf. It will be added on top and have the
same dimensions as the one(s) that were there earlier.
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The height between shelves adapts automatically to the height of the (tallest) products placed underneath
plus the default clearance value (as shown in the status bar).
7. We now continue filling this second shelf using the same steps as for the first one. This time we choose to
place the six-pack:
When placing a second row of four items, again a blue dimension line appears, indicating that we lack a bit of
space:
We again choose to solve this by clicking Fit Shelves. Because all shelves have to be the same size, the
bottom shelf also took on these same new dimensions:
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Note: In our example, notice how 2 of the products, the purple bottle and the small gray box, were
not placed. You will see below how those will be ignored in the rest of the workflow.
At any time during above steps you can change the product placement and type, on any shelf.
You can mix product orientations.
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You can not create more than 7 shelves.
Shelf heights will automatically adapt when you replaced its products with products with different height
size(s).
The Fill Display tool comes with shelf precision, i.e. it honors gutters and shelf snap locations. This is not the
case when you use other 3D tools to edit or rearrange products (Move, Copy array).
Overview
When the placement on shelves is complete, a standard canvas can be run around the resulting shelves.
ArtiosCAD then also
• sends the shelf surface area data (L,W) and the shelves' heights to the correlated canvas file.
• positions the shelves properly within the display body, by number, area and height.
Important: The standard that you use in this workflow must to be a fillable display, a type that is part
of the resizeable design templates. Learn more in How to create a standard to use with Display Filler on
page 1944.
Steps
1. With the 3D shelves file open, activate the Fill Display tool. In the status bar, click Run standard.
2. In the Standards Catalog dialog, select one of your Fillable Displays (category Resizable Design Templates).
Note: Learn how to create your own custom standards for this workflow in How to create a standard
to use with Display Filler on page 1944.
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Note: A warning will be shown when you select a display that does not have the required variables
or when the number of shelves in the display exceeds the number possible in the standard.
3. Click OK and as usual, select the Board in the Canvas Settings dialog. Click OK.
4. In the next dialog with the acd preview, the important values in this workflow are automatically filled in
already: the Length (LSH), Width (WSH) and Number of Shelves (NSH).
Notice in our below example that the preview of the standard shows its default 4 shelves, but that the
proposed NSH value is already the one from our 3D shelves setup: 3.
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When the canvas part count (the number of shelves you used in the 3D display setup) does not match the
count in the 3D information (the default number of shelves set in the selected fillable display standard), the
dialog asks you to select which one you want. In this workflow, always select Use canvas part count.
Note: The products in the 3D file that you did not place on any shelves will be ignored in the
canvas.
6. Click Next to check or set other parameters or click OK to confirm the creation of the canvas.
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In this workflow, the canvas is updated with automatically created parts of all involved products and also
adds several views: From the display an asymmetric view, a front view, side views and planograms. And also a
view of every single product.
Also notice that, in above image, the top bar of the part 'Shelves_Part 1' mentions a 'x3', so indicating that this
part is used 3 times.
Note: In the status bar, once you have used Run standard, this button disappears and a new button
Rebuild display appears. Learn more below.
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• The Select Parts dialog also offers to include the Products and Views.
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The first part of the StyleMaker dialog will normally be the main one where you specify the length, width and
number of shelves:
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Esko shelf display standards use FSH for the height of the first shelf, but this is not set in the Fill Display tool, and
is not a requirement. The remaining steps in the dialog are up to you.
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The variables LSH, WSH, NSH, H1 … should default to something sensible and the unused height variables should
be 0. This means that the default formula for a height such as H3 should be set to something like this:
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Must have Horizontal, Rectangular and Same Size Shelves
The shelves must be horizontal, rectangular and have the same size.
The shelves must be copies of the same design except the bottom shelf which may be part of a different design.
The interior dimensions of each shelf are length LSH and width WSH.
Restrictions
Using variables LSH, WSH, NSH, H1 … is the main requirement to run a standard from the Fill Display tool, but
the 3D geometry of the standard needs to be recognized, so that the Fill Display tool can edit length, width and
heights.
There are various restrictions for the geometry to be recognized. It’s possible that later versions of ArtiosCAD
may relax some of these restrictions once we add more types of Display Filler standards.
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• The shelves need to be rectangular, the same size, and the main shelf area needs to be a single panel.
• The shelves should be vertically aligned ; the higher shelves can be set back a little from the lower shelves,
with a slope, like this example:
• There should be more space at the front of the display where the user can access the products, and less
space or a wall at the back, so the Fill Display tool can orient the front of the display.
• The Fill Display tool currently has no option to set or recognize shelf partitions.
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15. Outputs
Introduction to Outputs
Outputs are processes that transform your electronic drawing data into something tangible that you can share
with the rest of the world. You can make an output using a report, a simple printout, a sample, or an electronic
file. Outputs are configured in the Defaults section of ArtiosCAD. You can customize your own output methods in
addition to using those on the server.
Shown below are the default outputs in the default configuration.
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There are many options in Outputs that are configurable only in Defaults. For more information on configuring
outputs, see the Defaults chapter.
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Adobe Illustrator). A large bitmap with thick lines scales down better than a small bitmap scales up, but bitmaps
in general do not scale well.
Why can’t I make a GIF file?
There are licensing limitations on software that makes GIF files. ArtiosCAD uses the PNG (Portable Network
Graphics) format instead.
Printing
To print the active workspace, click File and then click Print.
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Clicking Setup leads to the Print Setup dialog box where you can adjust settings such as the stretch factor and
position of the output on the page.
Preview shows you the data you are sending to the printer or plotter as it will look once printed or plotted. You
can set the preview to show automatically in the Preview Control group in the Output’s properties in Defaults.
Step through the individual line order output by using the Slow Plot slider at the bottom of the preview window.
An arrow shows the current line. If you zoom in, only the current lines shown are stepped through. Command
lets you view and modify the actual ArtiosCAD command used to make the output. Do not modify the command
unless you are sure of what you are doing, or are told to modify it by Esko Support personnel.
Shown below is the Output Preview dialog box for a Report. Click OK to make the output, or Cancel to return to
the Output dialog box.
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Click OK once you have set the options as desired to return to the Plot to PDF dialog box.
5. Click OK in the Plot to PDF dialog box.
6. In the Save As dialog box, navigate to the directory in which to save the Output and enter a filename for the
Output in the File name: field.
7. Click Save to make the Output.
Depending on the state of the Automatically Open checkbox on the Directories tab of the Output definition, if
you have a PDF-viewing utility installed, the PDF file may automatically open once it is created.
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Checking Require a password to open the document requires the recipient of the file to enter a password
when opening the PDF file using Adobe Acrobat Viewer. Enter this password in the Open password and Repeat
password fields; they must match exactly. There is no way to recover this password if it is lost or forgotten.
Checking Use a password to restrict permissions requires the recipient of the file to enter a password to
change how the file is protected. Enter this password in the Open password and Repeat password fields; they
must match exactly. There is no way to recover this password if it is lost or forgotten.
If both password options are used, the two sets of passwords must be different.
In the Printing allowed drop-down list box, there are three settings: None, Low Resolution, and High
Resolution. None means the recipient may not print the document. Low Resolution allows printing as a bitmap
up to 150 dpi. High Resolution allows printing the document at any resolution, and to use high-quality vector
output and other advanced printing features if the printer supports them.
In the Changes allowed drop-down list box, there are three choices: None, Page content changes only, and All
changes allowed. None allows no changes in Adobe Acrobat. Page content changes only restricts changes to
what is shown on the page, but prevents other changes such as page rotation. All changes allowed allows any
change.
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The recipient of a PDF file created by ArtiosCAD with security options set must use Adobe Acrobat 5.0 or later to
open the file.
Note: ArtiosCAD cannot open PDF files with an Open password, nor can it open PDF files that have
restricted permissions and that do not have content copying enabled.
The Plot to PDF/U3D Output is meant to be used only in the optional 3D module, as it requires 3D data.
Samplemaking
To print or cut a sample, click File, then Outputs, and then navigate through the menu items until you find your
samplemaker. To make navigation easier, you should move your machinery outputs higher up in the hierarchy in
Defaults.
Clicking Artios CM1930 – Cor. sample cutting and graphics leads to the dialog box shown below.
Preview lets you see what will be output before it is actually output.
Tip: You can extend the preview dialog by click and dragging the bottom right corner. Its new size and
position will be remembered.
Properties leads to the Properties dialog box where all samplemaking and sampleprinting options can be set.
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You can customize the behavior of your samplemaker by changing its information in Defaults. All the same
options in the Properties dialog box are configurable in Defaults.
Print Sample (back in the samplemaking dialog box) sends the graphic portions of the workspace to the print
head on the samplemaker. Note: Text which is in a graphics layer will be printed in black if not given a color. Also,
sample printing of Inside layers is not supported.
Make Counter sends the counter information in the Counter layer to a file which can then be interpreted
by a samplecutter. The line types in the Counter layer must be set to countercutter line types. Note that this
is not used to make a phenolic resin counter - it is used to make a pseudo-counter out of carton stock on a
samplecutter. A counter made out of carton stock is also called a matrix.
Make Sample cuts the sample.
Make All makes everything that is supported by the selected output device.
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Note that some output drivers straighten nearly-straight arcs. Use the GNC driver to preserve nearly-straight
arcs. The GNC driver can also facet small arcs to raise and lower the knife for smoother cuts. Contact Support for
more information about the GNC driver.
Note: If you run this Output while in a canvas, ArtiosCAD outputs the current part, not the entire
canvas.
b) If you choose something from the iPC Resource Database, you can then change the Cutting Profile.
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Click OK when you have chosen a material, set the number of ordered copies, and optionally a cutting
profile.
4. After a few moments, the job appears in the i-cut Production Console ready for the Kongsberg table operator
to process.
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Reports
What is a report?
A report is a way to print pictures of workspaces along with information about those workspaces. For example,
you could have the name of the design, its dimensions, the customer name, and the job order number on the
same printout as a flat view of the design, the design folded in 3D, and the design laid out on the die board.
You must have the ReportMaker feature to modify design windows or work with variables. However, you can
change fixed text on pre-made forms if you do not have ReportMaker.
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• Adding text and graphics to the report;
• Designating the part of the report that the design images will go into;
Choose the printer from the Device list box. The size of the report will automatically be displayed in the Report
width: and Report height: fields. If you want to rotate the rectangle used to form the edge of the report, check
the Rotate report checkbox. Click OK to accept the settings. A rectangle will appear in the design that is the
edge of the report.
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To create a File Window, click the File Window tool on the ReportMaker toolbar. Choose the intended
contents of the File Window from the drop-down list box. Use the drag to set the diagonal starting and ending
points of the rectangle. Alternately, enter values in the X and Y offset fields on the Status bar to set the corners
of the rectangle. After creating a rectangle, the tool is still active in order to facilitate making another. Shown
below is a report with three File Windows.
Double-click a File Window with the Select tool to change its properties.
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Choose the option button in the File Type group to change the type of File Window from what you chose when
creating it.
The option buttons in the Scale group determine the size of the file view within the File Window. Scale to fit
makes the contents of the window as large as possible while still fitting within the File Window.
Use output scale table instructs ArtiosCAD to set the scale of a File Window according to a predefined table
in Defaults. ArtiosCAD will set the scale in that File Window to the closest scale that is less than or equal to the
scale derived from the Scale to Fit command. For example, if Scale to Fit would use a scale of 0.8753, but Use
output scale table is selected, ArtiosCAD will use the scale in the table that is closest to that value without
exceeding it, for example 3/4.
Scale report around file expands the report to fit around the file window if the file window contents are initially
larger than the report, but does not shrink the report if the file window contents are initially smaller than the
report. This option is valid only for Design and Manufacturing type File Windows. If more than one File Window
in a report uses this method, the report scale is calculated to the size needed to encompass all the occupied
windows. It is meant for use with an Output set to scale 1. If you use a report with a File Window set to this scale
option in an earlier version of ArtiosCAD, the File Window will behave as if it were set to Scale to Fit. If you open
the report workspace in an earlier version of ArtiosCAD, the Scale group option is set to Specify Scale of -2.
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Scale report around canvas part places the report around the active canvas layout part.
The option buttons in the Scale group are not available when the File Window type is 3D, Symbol, Bill of
Materials Table, or Cape Palletization.
The buttons in the Position group control how the file view is positioned within the File Window. The buttons
around the edge of the square align the design with the corresponding point of the File Window. The center
button (+) aligns the center of the design with the center of the File Window.
The File number indicates which file will be displayed in the File Window. The File Number prompt changes to
Print Item Number prompt if Print Item is selected in the File Type group. When you create a report containing
more than one File Window, increment the File number by 1 for each File Window. When outputting the Report,
the current design is file number 1; any other open designs are assigned numbers 2 onward. When using a
Manufacturing report, make sure the manufacturing file is the active workspace - so that it is in File Window 1.
Note: Make sure each File Window has a unique number, except if you have multiple Design File
Windows of the same number that are meant to show different layers of the same design, as long as
those layers are not Manufacturing or Windows and Cutouts, as those might cause problems with
calculated expressions. For example, multiple Design File Windows with the same number would be
permissible when one is showing the Outside Graphics layer, another is showing the Dimensions layer
and the flat view, and yet another is showing the Inside Graphics layer. Do not assign File Windows
of differing types the same number - for example, do not have Design 1, 3D 1, and Manufacturing
1. The report may not work correctly if you have same-numbered File Windows for different types
of workspaces. If you are planning a report with a manufacturing file and single designs, make the
manufacturing file as File Window 1 and make the other File Window types 2, 3, 4, and so forth.
The option buttons in the Orientation group determine the rotation of the design in the File Window. 0, 90,
180, and -90 all rotate the contents by a fixed amount. Optimum sets the orientation so that the largest scale is
obtained. Horizontal grain and vertical grain set the design so that the grain direction chosen is drawn along
the longer axis of the File Window.
The Margin specified indicates the distance from the edge of the File Window to the outermost edge of design.
Options buttons in the Side Up group control which side of the design is shown.
The option buttons in the Layer Selection group control which layers are shown. Same as current view shows
the design on the report the same way it is being viewed in ArtiosCAD. Specify layers lets you choose which
layers to show on the report regardless of the view at the time of output. If the File Type is set to Manufacturing,
another option button appears which allows you to specify those Manufacturing or Design layers to output.
The layers selected when Specify design layers and Specify manufacturing layers are active are remembered
when the other option button is selected. For example, if you select Inside Bleed and Graphics when Specify
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design layers is active, they will be remembered when Specify manufacturing layers is active. If you do not
select any design layers for a Manufacturing file window, only the Main Design layer is shown when Designs is
selected in the Manufacturing layers.
• specify a library function which will determine the name of the symbol;
• build a conditional statement that instructs ArtiosCAD to use a different symbol when the specified
conditions are met.
When the File Window is set to type Symbol, the Scale is automatically set to Scale to fit and the Position is
automatically set to centered horizontally and vertically. As with other types of File Windows, the value in the File
Number field controls which element of the current workspace corresponds to the symbol window.
To use the same symbol file each time the report is accessed, click the Symbol File option button and enter the
filename of the ArtiosCAD workspace containing the symbol.
The From library function option button lets you use a library function to return the symbol filename to
ArtiosCAD.
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Perhaps you have corresponding JPG files for each design you make that have the same name as the design file.
Including them automatically on a report can be done using a library function as described below.
A library function such as ADDEXTJPG.TXT is a short program allowing the filename for the contents of a
Symbol-type file window to be defined automatically as the Report is run.
Note: This library function is not part of the ArtiosCAD installation; to use it, you must create it in a text
editor such as Notepad and save it in ServerLib.
The library function will typically use the function #PATHNOEXT$ to get the pathname of the current design
without the .ARD extension. The last line of the command file returns the pathname to be used. The following
example would return pathname.JPG for a design pathname.ARD.
DEFINE &FNAME$
When the Report runs in an Output, the library function for the pathname is evaluated for each file window, and
the image from that pathname is scaled to fit in the rectangle defined by the file window item. The pathname
may refer to an ArtiosCAD design, such as GRAIN.ARD, or an external image such as 1234.JPG.
The report may contain several file windows, each referring to a different image, such as a picture of the product,
and a palette diagram. For each image file that does not exist, a text message is centered in the file window with
the pathname of the missing file. This diagnostic is useful for instances such as a missing grain symbol. To avoid
this message for designs that do not have a corresponding image file, the library function that sets the filename
can be set to ignore any missing files as shown below:
DEFINE &FNAME$
SET &FNAME$ #PATHNOEXT$,".JPG"
IF FILEEXISTS(&FNAME$)
SET &FNAME$ &FNAME$
ELSE
SET &FNAME$ ""
ENDIF
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Again, to use the library function, you have to enter it in a text editor and save it in ServerLib before you
specify it in the Properties dialog box for a symbol-type file window on a Report.
To configure the report to use a different symbol depending on the result of an evaluated expression, select
the Symbol file depends on case option button. When you select this option button, the Case group becomes
available.
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Choose an option in the Image Type group as desired. As you choose different image types to show in the file
window, ArtiosCAD updates the preview with an example of a generic solution.
The options in the Orthogonal View group apply to the full pallet view.
• Prompted text, which you can change each time you use the report;
• Calculated expressions, which is text generated automatically each time you use the report.
The maximum amount of text allowed in an item of text is 4000 characters.
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Adding fixed text is accomplished by using the normal Paragraph Text tool on the Annotation toolbar. See
Paragraph Text tool in the Builder chapter for more information.
Add prompted text by using the Prompted Text from Table tool on the ReportMaker toolbar. Click the tool
and place the text in the desired location. The Prompted Text Catalog will appear as shown below; yours may
be different if you have different defaults defined. Click the plus sign to the left of a category to expand it. Then
select an entry and click OK.
The cursor will still be the one for prompted text, so if you click in another location, the Prompted Text Catalog
will reappear so that you may add another entry. When you have finished adding prompted text, click Cancel in
the Prompted Text Catalog.
If you place a prompted text variable within a rectangle of design lines, the text entered for that prompted
variable will wrap to the confines of the rectangle. If there is more text than will fit, ArtiosCAD will print as much
as possible and end with an asterisk.
The Database Information, Design User Fields, and Manufacturing User Fields Catalogs link to the database,
so that when you output the Report, you are prompted to set those fields. The values you set are saved in the
database. Reports with database prompted text items may not be used in versions of ArtiosCAD lower than
ArtiosCAD 6.0.
To copy database variables into another design or standard style for use when rebuilding a design, use the Copy
button in Advanced StyleMaker as described in the Designer chapter, Adding the Inside Dimensions menu,
except use the name of the report workspace containing the variables instead of VARMASTER.
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Add calculated text by using the Calculated Text tool on the ReportMaker toolbar. Place the indicator box
in the desired spot and click the mouse button. The Calculated Expressions Catalog will appear.
Note: If you are using Cape Palletization data on this Report, for there to be regular ArtiosCAD-type
calculated text, you must have a file window of type Design on the Report and the calculated text's
properties must be set to reference that file or print item number in the Expression relates to group.
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Adding graphics to a report is as simple as using the Add Graphics tool on the Graphics toolbar. Navigate
to the directory the graphic file is in and double-click its name. The graphic will appear in the report and its
handles will be on. Click a handle to use to move the graphic to the desired location, and then drag the graphic
to its new position.
To delete an item from a report, select it and click the Delete tool on the Edit toolbar.
Move text by selecting it with the Select tool and dragging it to its new position. The Align Text tools are handy
for aligning fixed text and prompted text items into columns. Move graphics with the Move tool.
To change the attributes of any text, double-click it with the Select tool. The Properties dialog box will appear.
Do not change the Text field of Prompted Text items or Calculated Expressions.
Use the tools on the Edit toolbar to modify a graphic if desired. The tools on the Graphics toolbar also modify any
graphic item on a report.
Use the Adjust File Window tool to change the size of a File Window by doing the following:
1. Click the Select tool and then select the File Window to modify.
2. Click the Adjust File Window tool.
3. Click the handle point to use. This is the point you will be moving to change the size of the file window.
4. Move the handle point using drag or by entering new values in the Status bar fields.
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Modify the text appearance and justification by using the controls along the top of the dialog box. Kerning
controls the amount of space ArtiosCAD inserts between letters. Horizontal scaling increases the horizontal size
of the characters without changing the vertical size. Rotate changes the angle of the text. Note that changing
the text justification may be required to position the text exactly as desired.
To change the text itself, change the text in the Text field.
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Modify the text attributes in the usual ways. Kerning controls the amount of space ArtiosCAD inserts between
letters. Horizontal scaling increases the horizontal size of the characters without changing the vertical size.
Rotation sets the angle of the text from horizontal.
In the Expression relates to group, make sure you have the correct file or print item selected, otherwise
incorrect information will print on the report.
Note: If you are using Cape Palletization data on this Report, for there to be regular ArtiosCAD-type
calculated text, you must have a file window of type Design on the Report and the calculated text's
properties must be set to reference that file or print item number in the Expression relates to group.
The Calculated Text group contains the options which affect the actual information displayed when the report
is run, not just the font options of the information. Description is what shows in the menu when you select
the item of calculated text. Sample text is what appears as a placeholder in the design window while you are
building the form. Expression is the ArtiosCAD expression which calculates the value. The f(x) button lets you
change the way the expression is calculated by invoking the Edit Expression dialog box. Do not use invisible
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variables in calculated expressions. Select from catalog lets you replace the current item of calculated text with
a new one you choose from the Calculated Text Catalog.
The choice in the Type drop-down list box determines the availability of the Units and Format groups as well
as the options within them. For instance, if the Type is Distance, the Units are plain linear measurements, but if
the Type is Area, the Units are squared. If the Type is Angle or Number the Units option buttons are unavailable,
and if the Type is Text both the Units and Format groups are unavailable. Use Distance for expressions which
are units of length. Use Area for units which are squared. Angle or Number should be used for numbers with no
units such as number up (on a die). Text should be used for text or for expressions which contain more than a
single number, such as Length, Width, Depth.
Decimal Places controls how many decimal places are used and is only effective when anything but Default is
chosen in the Format group.
Rubber on Reports
You can create a custom Rubber Types legend on a Report using the calculated text items below. An example
Rubber Types legend is included in the Artios example outputs.
Shown below is an example layout with rubber sheets on a Report with a Rubber Types legend.
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To have each rubber sheet on a separate page, use the reports in File > Outputs > Artios > Rubber >
Rubber Separate Sheets. A separate Report is provided for rubber sheets 1 through 5. The rubber sheet
number for the file window is derived from the text item called rubbertypename5 with calculated text
RUBT.R[RUBS.S5.RT].NAME$.
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When a title block Report is used in an Output, the design is positioned in the file window according to the
justification of the file window. Set the scale of the output to fit one page. The actual size of the file window is not
used; it does not make any difference if the design is bigger or smaller than the file window. Shown below is an
example of a completed Output.
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4. If you have more file windows on the report than you have embedded designs in the manufacturing file, the
remaining file windows will be empty. You can assign other open files to them if you wish.
When putting text on a Report, you should always put it inside a closed shape made out of cut lines. The text
is truncated against the perimeter of the report if the scale gets too large on Output. This prevents text from
running off the page if the scale is too big.
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In the Shown in group, select those areas of ArtiosCAD (or, optionally, WebCenter) in which the new Output will
appear. You must select at least one area; if only one checkbox is selected, that checkbox may not be deselected
until another is selected.
If you will print this report on a printer driven by Windows, choose the printer the report will be printed on in the
Windows Driver drop-down list box on the the Device tab, or choose Default Printer to output to the default
printer.
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If you are using an ArtiosCAD internal driver for the printer, choose CAM on the Device tab and choose the
device from the CAM Driver list box. Leave the Output Type as PLOT and set the Scale to To Fit One Page.
Once the options on the Device tab are set correctly, click the Reports tab. Check the Use Report checkbox and
select your report.
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If the Report has at least one 3D window on it and the Output is a PDF file, the Use U3D in 3D file windows
checkbox becomes available. U3D is an industry-standard 3D output format that can be read by many
applications. For example, if you embed U3D data in a PDF file, Acrobat Reader 7.0 or greater lets you zoom in
and out, rotate, and otherwise change the view of the objects in the 3D file window. Select this checkbox as
desired.
To have individual PDF or U3D images when you use this Report with Cape Pack data, use unique palletization
file numbers in Cape Pack but associate them with the same ArtiosCAD 3D workspace.
To change other settings, click the other tabs and set the options as desired. When done, click OK to apply the
changes you made to Defaults. Then click File, and then click Save to save the shared defaults. Click Yes in the
Warning dialog box about overwriting the shared defaults.
To give only yourself access to the report, follow the procedure listed above for Shared Defaults, except do it in
the User Defaults pane of the Defaults dialog box.
Using a Report
Once you have added your report to the Reports Catalog and have created an Output for it, using it is quite
easy. The procedure for using a Report in Single Design or Manufacturing differs from using one in 3D; see the
next section for the 3D procedure.
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The values you choose for any database-linked prompted text items will be set in the database upon completion
of the output. You may only set user fields for the type of document being Output; those user fields with the
opposite type are listed but unavailable.
Variables used in both the report and the workspace(s) being used on the Report may be listed when outputting
the Report, but may not be changed. To change them, change them in the workspace(s) before outputting the
Report.
Set the values as desired and click OK.
If you have more than one File Window on the report, the Select Report Files dialog box will appear. In this dialog
box you can review which file is associated with which File Window and change it if necessary. You can only
choose from among open files, so make sure you have already opened the workspaces you want to output before
you start the Output. Click OK when the files are assigned to their proper File Windows.
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Note: If you have a manufacturing file window on a report, you must make the manufacturing file the
active document in ArtiosCAD (so that its title bar is highlighted) for it to print correctly on the report.
The output dialog box for the report will appear, and because you defined all the options in Defaults when
configuring this Output, everything should be set correctly.
Properties lets you adjust the properties of the Output itself, not of the report. Fill in Report lets you adjust the
answers you gave to prompted items. Select report files invokes the Select report files dialog box as shown on
the previous page.
Click OK to print the report. Click Cancel to dismiss the output dialog box.
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3D
Using a Report from 3D is as easy as using one in Single Design or Manufacturing. The difference is that in order
to get the design information for variables on the Report, ArtiosCAD references the single design workspaces
that are shown folded in the 3D workspace. The Output will not work without the associated single design
workspaces, so to use a Report on a 3D workspace on a different computer or at a different site, you must also
copy or send the associated single design workspaces along with the 3D workspace.
If the 3D workspace contains exactly one structural single design, ArtiosCAD checks to see if the single design is
already open. If it is not already open, ArtiosCAD looks in the location holding the 3D workspace, and opens it if it
is found. If it still cannot be found, ArtiosCAD prompts you to browse for the file.
If the 3D workspace contains more than one structural single design, ArtiosCAD prompts you for the
workspace(s) to use with the Report.
Select the workspace(s) to use by checking their checkboxes and click OK. If File not found is displayed in the
Location column, highlight that line and click Browse to find the file. The Report will then be created in the
same way as in Single Design or Manufacturing.
Note: You may not use a Report with a workspace containing only embedded solids or Solids of
Revolution; there must be a structural component to the 3D workspace.
Shown below is an example of a Report with a Single Design window and a 3D window exported to a PDF file that
uses U3D.
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Cape
ArtiosCAD has three example Cape Pack Reports in Outputs > Palletization.
• Cape Pack Arrange/Design Group Report
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2. Export this solution to ArtiosCAD. It will create two new single designs that you can modify as desired, such
as by adding graphics.
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3. Convert these single designs to separate 3D workspaces and fold them at 90 degrees if needed.
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4. In 3D, click Outputs > Palletization > Cape Arrange/Design Group Report.
5. Select the 3D workspace for the primary pack to map to file window 1, select the 3D workspace for the
secondary pack to map to file window 2, and click OK.
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6. In the Output dialog box, click OK to output the Report as previewed below. At the top of the report is some
palletization calculated text. Beneath that, starting with the top left image going from left to right row by row,
is a full pallet view of the secondary pack, the oneup layout in the secondary pack, the pallet first row view,
and the primary pack oneup view, followed by more palletization calculated text.
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You can also use this workflow in ArtiosCAD with your own single design which you would then convert to
3D, palletize, and run with this Output. The 3D workspace is the primary package, and Cape Pack returns the
secondary package as a single design. Convert the secondary package to 3D. Map file window 1 to the primary
package's 3D workspace and file window 2 to the secondary package's 3D workspace.
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2. Export this solution to ArtiosCAD. It will create a new single design that you can modify as desired, such as by
adding graphics.
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4. In 3D, click Outputs > Palletization > Cape Pallet Group Report.
5. Select this 3D workspace to map to file window 1 and click OK.
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6. In the Output dialog box, click OK to output the Report as previewed below. At the top of the report is some
palletization calculated text. Beneath that, starting with the top left image going from left to right row by
row, is a full pallet view, a pallet first row view, a top view, and a view of the single design, followed by more
palletization calculated text.
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You can also use this workflow in ArtiosCAD with your own single design which you would then convert to 3D,
palletize, and run with this Output. Leave the single design workspace open so that you can use the Outputs
menu. Shown below is the report with a design that originated in ArtiosCAD.
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2. In 3D, click Outputs > Palletization > FCA Pallet Group Report.
3. In the Select report files dialog box, set file window CAPE Palletization 1 to the KDF 3D workspace, and set file
window CAPE Palletization 2 to the shipping case 3D workspace. Click OK.
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4. Set the options in the Output dialog box as desired and click OK to make the Output.
Shown below is the Output preview. On the top left is the full palletized solution. On the bottom left is one layer
of the palletized solution. On the top right are the entire contents of the secondary pack. On the bottom right is a
single KDF carton.
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2.
Use the Report Size tool to set the size of the report based on the output device.
3.
Use the File Window tool to make twice the number of File Windows as decided on in step 1, e.g. if there
will be three designs on the report, make six File Windows. Make large windows for the designs and small
windows for the direction indicators.
4. Double-click each small window to invoke its Properties page. Three things need changing in the Properties
page for each small window - the file type, the file number, and the contents of the Case expression group.
• Change the File Type to Symbol.
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• Change the file number to match its corresponding Design window. This means that the Symbol window
for Design 1 should have a file number of 1, the Symbol window for Design 2 should have a file number of
2, and the Symbol window for Design 3 should have a file number of 3.
• Click Add Case. In the Case expression field, enter GRAIN=1. Click the ... button at the end of the Symbol
file field to browse for the symbol file. Navigate to the InstLib directory of your ArtiosCAD installation
and choose GRAINVER.ARD.
• Select the OTHERWISE case. Click the ... button at the end of the Symbol file field to browse for
the symbol file. Navigate to the InstLib directory of your ArtiosCAD installation and choose
GRAINHOR.ARD.
After repeating this step for each Symbol file window, the Properties dialog box for each Symbol file window
should look similar to the one shown below, except each window will have a different number in the File
number field.
5. Make any other desired changes to the report - adding text, a logo, and so on. Shown below is the form in the
design stage
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6. Save the report, add it to the Report Catalog, and create an Output for it. When you run it with three designs
open, the output will be similar to the picture below.
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The basic idea behind using BOM Reports is that you design a Report that repeats information down the page
for each individual document in the Project. You can show as much or as little information as you like about
the designs. To help show you what is possible, a few example BOM Reports are included in Shared defaults in
Options > Shared defaults > Outputs > Artios > Project Bill of Materials.
Note:
BOM Reports do not need to be added to the Report Catalog in Defaults.
The Project Documents dialog box and the Documents pane of the Project Browser are where you configure
the order and quantity in which the designs will appear on BOM Reports.
To run an existing Output against every document in a Project, simply check Project-Bill of Materials in the
Show in group on its Properties dialog box in Defaults. When it is time to run that Output, select it from the
Projects > Bill of Materials menu instead of the Outputs menu.
Note:
To use most of the example BOM Reports, you must have the PDF option installed on your system.
ArtiosCAD ships with several example BOM Reports on the Projects > Bill of Materials menu. Note that BOM
Reports do not appear in File > Outputs.
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• Bill of materials PDF and Bill of materials summary table PDF are the two BOM reports shown in the
previous section.
• Multipage PDF prints each Project document to a separate page of a PDF file.
• Project XLS exports Project data to a Visual Basic script file which is then used to create an .XLS file. If
you have Microsoft Excel on your system, it automatically opens the .XLS file as a spreadsheet. If you are
interested in changing this Report, contact the System Integration team at your local Esko office.
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To configure the documents before running the BOM Report, do the following:
1. Create a new Project and add documents to it, or open an existing Project.
2. Click Projects > Project Documents.
3. To include a document on the BOM Report, check the checkbox to the left of its name in the Design column.
To omit the document from the BOM Report, clear the checkbox.
4. Change the number in the Count column using the increment buttons to the number of items represented
by the document that are required by the Project as a whole.
5. The documents will appear on the BOM Report in the order they are shown in this dialog box from the top
down. To change the position of a document, select it, and then use the up and down arrows at the right
edge of the list to change its position.
6. Click OK in the Project Documents dialog box to return to ArtiosCAD.
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Before you create your own BOM Reports, open the example ones (..\InstLib\BOMReport.ARD and ..
\InstLib\BOMTABLEREPORT.ARD) to see how they work. You may modify these as desired, but save the
modified versions to ..\ServerLib.
The steps below describe the general procedure for creating a BOM Report.
1. Start ArtiosCAD and create a new single design.
2. Using the tools on the Reportmaker and Geometry toolbars, define the report size and draw lines to separate
areas on the form as desired.
3. Create a File Window that will be the main repeating area of the BOM Report, and double-click it after you
have created it to open its Properties dialog box.
4. Change the File Type to Bill of Materials Table.
5. If desired, leave space for a header and a footer by checking Header Row and Footer Row, respectively. Set
their sizes as desired as well as the pages on which they will be shown.
6. Click OK to close the dialog box. Shown below is an example of a possible BOM Report in mid-construction.
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7. Next, define the actual repeating File Window that will show the information about each document in the
Project. Create a template small enough to be repeated down the page several times, and fill it with a File
Window and the desired static and calculated text. Prompted text is not available for BOM Reports. Note
that design lines will only be drawn on parts of the Report that are repeated. Use Form Lines 1 and Form
Lines 2 linetypes to draw lines in the BOM Table window in non-repeated areas (for example, table column
separators that go all the way down the page even if there aren’t repeated rows of the table).
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6. On the Project-Bill of Materials tab, in the Processing group, choose the destination for the BOM Report.
Windows Driver generally directs the output to printer; set the options in the Windows Driver group as
appropriate. Multipage PDF creates a PDF file of the Report and requires your system to have the PDF
option; select the Use U3D in 3D file windows checkbox as desired. XML is reserved for use by the Esko
Systems Integration group.
7. Still on the Project-Bill of Materials tab, in the Reports group, click Add, navigate to ..\ServerLib,
select the workspace for the BOM Report, and click Open. If there is another Report you want to run when
this BOM Report is run, add it here. If you want the Report to run against every document in the Project,
leave its checkbox selected. If you clear its checkbox, it will run only once when this Bill of Materials is run.
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8. Individual prompted expressions do not work in BOM Reports, but you can specify a special prompting
Report to be run against every document in the Project by checking Use prompting report file against each
document and specifying the workspace in the associated field. In this Report, use calculated expressions
that ArtiosCAD will prompt for when running the Report. If the Project documents are open, the expressions
will be stored in the open designs, but the documents will need to be saved manually for the values to be
preserved.
9. Click the other tabs and review the settings on each, changing them as desired.
10. Click OK to close the Properties dialog box of the new BOM Report.
11. Save and exit Defaults as usual. The new BOM Report is now available for use on the Projects > Bill of
Materials menu.
In the first column are the fields for the name of the rules. These are instances of the Line Name calculated
expression. Add these as any other calculated expression; they are in the Line Type Legend catalog of
Calculated expressions.
When you add a calculated expression from the Line Type Legend catalog, you are prompted for the Line type
index in the Function Parameter dialog box. This is a number that gets incremented by one each time a new line
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type is added to the workspace being output. When adding the calculated expressions, increment this number
by 1 for each row in the legend.
In the second column are the fields for the examples of the rules. These are instances of the Line
Representation calculated expression.
In the third column are the fields for the lengths of the rules. These are instances of the Total Line Length
calculated expression.
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combined with generic rules of that type. When the ruletype option is set to 2, the length of special rule and
generic rule is listed separately.
To build a custom Hatch Legend, use the entries in the Hatch Legend folder of the Calculated Expressions
catalog when creating a Report.
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3. Click File > Multiple Workspaces > Your output name.
4. Using the Directory View in the Open dialog box, select the files to output by holding down CTRL and
clicking their names. Click Open when you are done selecting files.
5. As each workspace is output, its path and name will appear in a dialog box.
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Note: Outputting multiple open workspaces works only for regular Outputs of single designs and
manufacturing workspaces. It does not support 3D Outputs.
Note: If you are making a file Output, clear Automatically Open in the Output File Options group on
the Directories tab of the Output definition to prevent the multiple outputted files from opening in their
native applications.
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Palletization integration
You can create palletized solutions directly from layouts. Cape Pack and TOPS Pro have been enhanced by their
developers to take advantage of this.
Note:
You must have Cape Pack v2.09 or TOPS Pro v6.503 or newer installed on your system to use the
palletization features. They can use either client/server or workstation/standalone mode.
Note:
Set the Cape Pack/TOPS Defaults before using any palletization features. See the Defaults chapter for
more information.
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b) To have only the cartons and not the cartons and the waste appear on the pallet, check the Stripped
checkbox. When this checkbox is selected, stacks of the carton are shown in the preview and in CAPE
PACK, as in the example above. When this checkbox is not selected, just the flat top-down view is shown
in the preview and in CAPE PACK.
c) Set the Calculate True Caliper from Medium and Liners checkbox to force ArtiosCAD to measure
the caliper based on the board components along the flute rather than using the caliper variable. This
checkbox is cleared and unavailable for non-corrugated boards.
7. Click OK to perform the Output.
CAPE will open showing the solution.
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6. In the Output to CAPE/TOPS dialog box:
a) Enter the maximum height and weight of the pallet.
b) Select or deselect the Stripped checkbox.
c) Select of deselect the Calculate True Caliper from Medium and Liners checkbox (if available).
7. Click OK in the Output to CAPE/TOPS dialog box to perform the Output.
CAPE/TOPS will open showing the solution.
8. Use CAPE/TOPS as desired to complete the palletization solution.
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4. Set the Stripped and Adjust sheet size to match pallet size checkboxes as desired.
5. Click OK to make the change.
Palletization FAQ
Question Answer
Why is OK unavailable in the CAPE/TOPS No board information has been defined yet. Either add a design or
Output dialog box after I create a new click Info > Board Information and select a board.
palletization workspace?
Why does the sheet size keep changing Adjust sheet size to match pallet size is selected in the Select
when I change pallets? Pallet dialog box. Deselect it to stop this.
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Question Answer
Why isn't the sheet size changing to Adjust sheet size to match pallet size is not selected in the
match the pallet size when I choose a new Select Pallet dialog box. Select it to have the sheet size change
pallet? with the pallet.
Why is Calculate True Caliper from The current board is not a corrugated board and thus has no
Medium and Liners unavailable? medium or liners defined. Change to a corrugated board by
clicking Info > Board Information.
Why does the preview look different than CAPE/TOPS requires the length of the layout to be greater than
my layout? the width. ArtiosCAD will rotate the layout by 90 degrees if
required to meet this rule.
There’s a brown edge when I select a The brown edge represents the pallet edge. The pallet is placed
pallet and sometimes the sheet edges centered on the layout. When Stripped is selected, only the single
vanish. Why? designs determine the pallet placement and the sheet edges are
not shown. When Stripped is not selected, both the single designs
and the sheet edge determine the pallet placement.
What are the brown and purple lines in When Stripped is not selected, the brown lines are the pallet edge,
the preview? and the purple lines are the sheet edges which are not output to
CAPE/TOPS.
My layout has an overhang; why isn't it CAPE/TOPS handles overhangs differently from ArtiosCADas
showing? everything is centered on the pallet. An uneven overhang will be
recalculated. Also, if the blank is smaller than the pallet, there will
be no overhang in CAPE/TOPS.
I made my layout the way I want it and CAPE/TOPS maximizes the pallet usage and thus may re-nest the
CAPE/TOPS is nesting it differently. Why? layout if the either the blank width or height are less than half of
the pallet width or height.
How does ArtiosCAD calculate the inside ArtiosCAD uses the inside dimensions to build a design, while
dimensions from CAPE/TOPS dimensions? CAPE/TOPS can use either inside dimensions plus the caliper or
outside dimensions. If CAPE/TOPS specifies inside dimensions, so
does ArtiosCAD. If CAPE specifies outside dimensions, the package
type defines the number of folds along length/width/height and
ArtiosCAD subtracts these folds (times the board caliper) along
each side to calculate the inside dimensions.
A design in ArtiosCAD is not the same size ArtiosCAD’s outside dimensions on a standard may not always
when I convert it to 3D even though the match those from CAPE/TOPS due to the use of inside loss and
inside dimensions and caliper match. outside gain causing bulges on folds.
Why do I have to reselect a board when I In CAPE/TOPS, most outside dimensions are specified and thus
have mapped it properly? the material thickness is sometimes ignored, in which case it is set
to 0.0 with name undefined. There is no material by that name
in the CAPE/TOPS mapping table and thus ArtiosCAD does not
recognize it. All ArtiosCAD designs must have a board code and
inside dimensions, and to set the inside dimensions properly from
CAPE's/TOPS’ outside dimensions, you may have to reselect the
board.
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Question Answer
Do I need to fold up my 3D design or You must fold up your designs before palletization so that
will ArtiosCAD do it automatically for me ArtiosCAD sends the correct size bounding box to CAPE/TOPS.
before palletizing it?
Can I customize the textures shown on Yes. Put your own versions of palletwood.jpg and
the pallet? palletwoodend.jpg in ClientLib or ServerLib if
desired.
I got an error about mismatched package This is due to the difference between ArtiosCAD’s and CAPE’s/
size. What is this? TOPS' methods for calculating outside dimensions. Generally click
No if you see this message.
I have done a lot of work in CAPE/TOPS They are all correct since you supplied the parameters each time
and now I have many designs open in and clicked File > Export and Exit. If you only wanted to check
ArtiosCAD. Which one is correct? the palletization in CAPE/TOPS, click File > Exit instead without
exporting.
3D Outputs
To output a 3D workspace, click File > Outputs-3D and select an output file type.
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Note: Using any of the Animation outputs requires purchasing the 3D Designer solution. Contact your
Esko salesperson for more information about purchasing this solution. Using the Animation-DOC output
requires Microsoft Word to be installed on your system. Using the Animation-PPT output requires
Microsoft PowerPoint to be installed on your system.
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1. Position the items in the 3D workspace as desired and save the workspace.
2. Click File > Outputs-3D > Spatial export.
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• High graphics: Define if you want to use the view settings or select a quality level yourself.
• Include Animations
• Export as:
• glTF: The textural format.
• glb: The binary format which encapsulates all data and textures.
• Color Brightness Adjustment: Tunes the color values in the design to the specified viewer.
• Output Images:
• Per design: This is the recommendation and will wrap a single texture over the entire design
• Per panel: This subdivides the graphic into smaller graphics and wraps individual panels. This option can
be used to slightly improve the resolution and for color matching testing.
• Rotate to match current view: This rotates the design horizontally to match the current view angle, so the
initial view is from the direction you were viewing it in ArtiosCAD.
Animation tab
1. On the Animation tab, the options in the Export animation as: group control the type of output created.
Leave Word (*.DOC) selected.
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The options in the Backdrop group determine what is shown along with the animation. None turns off frame
titles; to turn off the background image, deselect it in the View Mode dialog box before starting the Output.
Use frame titles includes the frame titles set for each frame in the Frame Properties dialog box when making
the animation. Title each image adds a title for each frame if none were defined during creation. Use %
% to include the image number. Using both title options simultaneously is possible; frames with specific
titles defined in the animation use them, while frames with no title defined use the one specified in the Title
each image field. Font and Size set the typeface and size of the title for each frame. Use template is not
applicable for this output type.
In the Number of images group, One per frame uses a page of Word document per frame of animation.
Specify enables the Number of images: field, which controls how many animation frames are captured and
exported, and Seconds between image captures: field, which controls the length of animation playback
time between each image capture. Setting a value in one field sets the value in the other field.
Scale to fit every frame scales each frame to fit the output size defined in the Image bounding box group
regardless of the frame properties set in the animation.
Insert a page break after each image in the Word Page breaks group controls whether or not hard page
breaks are inserted after each image. When this option is not selected, more than one image per page is
possible depending on the size of the bounding box.
The fields in the Image bounding box group control the size of the image placed on the page.
Set the options on this tab as desired, and then click the Bitmap tab.
Bitmap tab
1. The settings on the Bitmap tab control the format of the exported images, their pixel size, and the rendering
method used to generate them.
In the Embed bitmaps as: group, choose either PNG (Portable Network Graphics) or JPEG (Joint
Photographic Experts Group) format. PNGs ignore background color and support alpha channel
transparency, which can improve their appearance in programs that support alpha transparency.
JPEGs support quality settings via the Quality field, with 1 being lowest quality and smallest image file
size and 100 being highest quality and largest image file size. JPEGs support background color but do not
support transparency.
The maximum bitmap size using Direct3D is different for each display adapter. The Width: and Height: fields
all set the number of pixels that in total determine the resolution of the exported images. Do not forget to
consider the size of the pages in Microsoft Word when setting the pixel size of the images, as the images will
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be clipped to fit the margins of the page if they are too large. To set the maximum size, click Maximum size
<number>.
Setting both the Width: and the Height: to 1000 pixels provides sufficient resolution for most workspaces.
Use a higher resolution if the exported animation will be printed, but do not forget that image size is also
controlled by the bounding box size set on the Animation tab and must fit on the page in Microsoft Word.
To use OpenGL and thus make higher-resolution images, check the Use OpenGL checkbox and change
the number of pixels; this option is selected by default. Shrink size to remove white space removes the
background pixels surrounding the workspace from the exported images, and is automatically selected and
disabled if a background image is visible in the workspace.
Set the options on this tab as desired, then click the General tab.
General tab
1. On the General tab are the Output Directory: field and the Automatically Open checkbox. If you enter a
directory in the Output Directory: field or use the Browse button to specify one, that directory is used by the
Save As dialog box when you click OK. Automatically Open controls whether ArtiosCAD launches Microsoft
Word after the Output is done and opens the document.
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3. The settings on the Bitmap tab control the format of the exported image, its pixel size, and the rendering
method used to generate it.
In the Save bitmaps as: group, choose either PNG (Portable Network Graphics) or JPEG (Joint Photographic
Experts Group) format. PNGs ignore background color and support alpha channel transparency, which can
improve their appearance in programs that support alpha transparency. They are the only Output type which
supports the transparency features in ArtiosCAD.
JPEGs support quality settings via the Quality field, with 1 being lowest quality and smallest image file size
and 100 being highest quality and largest image file size. PNGs do not support a quality setting, so that
option is not available when PNG is the selected format. JPEGs support background color but do not support
transparency.
The maximum bitmap size using Direct3D is different for each display adapter. The Width: and Height: fields
set the number of pixels that determine the resolution of the exported images. To set the maximum size,
click Maximum size <number>. Setting both the Width: and the Height: to 1000 pixels provides sufficient
resolution for most workspaces. Use a higher resolution if the exported animation will be printed.
To use OpenGL and thus make higher-resolution images, check the Use OpenGL checkbox and change
the number of pixels; this option is selected by default. Shrink size to remove white space removes the
background pixels surrounding the workspace from the outputted image, and is automatically selected and
disabled if a background image is visible in the workspace.
Set the options on this tab as desired, then click the General tab.
4. On the General tab are the Output Directory: field and the Automatically Open checkbox. If you enter a
directory in the Output Directory: field or use the Browse button to specify one, that directory is used by the
Save As dialog box when you click OK. Automatically Open controls whether ArtiosCAD launches an image
viewer after the Output is done and opens the document.
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5. In the Save As dialog box, choose the directory in which to save the file and enter a filename, and click Save
to perform the Output. If Automatically Open was checked on the General tab, ArtiosCAD will launch the
default image viewer associated with the bitmap file type and show the file.
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The options in the Device group control the Output type and any associated options for that type. PDF and
Illustrator 8.0 (*.EPS) have no additional options in this group, but choosing Windows Driver lets you choose
the device, the page orientation, and the number of copies to make.
In the Output As group, Bitmap makes the output as a snapshot of the screen. Vectors takes a snapshot but
adds the edges as lines. U3D is unavailable as this is not a PDF or U3D Output.
When choosing Vectors, the degree of complexity of the workspace may cause issues with hidden line
removal, and if there are more than 10 designs or solids with more than 10,000 polygons, the Output may
take a few minutes to complete. Vector outputs do not contain bounding boxes. The color of the lines is set
by the plotting style for plots and PDF Outputs. Line color in EPSF Outputs are controlled by the tuning file
TUNE.EPSF.3D.TXT.
The options in the Scale group control the size of the Output as compared to its original size in the workspace.
To Fit One Page is most useful when using Plot to Printer. Specify lets you enter a desired value in the Scale:
field.
The Device Size, Margins, and Position groups all work as they do in other Outputs. Device Size is unavailable
for Outputs of type Windows Driver.
Set these options and values as desired, and then click the General tab.
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1. On the General tab, the Output Directory field lets you specify the directory in which the Output file will
go. The Automatically Open checkbox controls whether the outputted file is automatically opened by
a program associated with its file type, such as Adobe Illustrator for .EPS files. Automatically Open has
no effect for Plot to Printer unless Out to File is also selected and the filename includes an extension
associated with a program such as .txt.
2. Once you have set the options on the Plot and General tabs as desired, click OK.
3. In the Save As dialog box, choose the directory in which to save the file and enter a filename, and click Save
to perform the Output. If Automatically Open was checked on the General tab, ArtiosCAD will launch the
default application associated with the outputted file type and show the file.
On the U3D Options tab, in the High graphics group, Use View Settings uses the current high graphics mode of
the workspace. Clear this checkbox to enable the drop-down list box in which you can choose the desired high
graphics mode setting.
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In the Include bitmaps as group, choose the file type for the images embedded in the PDF file, either PNG or
JPEG. When JPEG is the selected choice, the Quality 1..100 field is available. Use a higher number for better-
quality images.
In the Background color group, Use Workspace includes the background color defined in the View Mode dialog
box, if there is one. Clearing this checkbox enables the Red:, Green:, and Blue: fields, and also the Select Color
button, which leads to the color palette.
On the PDF Security and General tabs, set the options as desired.
When you have completed setting the various options, click OK to make the PDF file with embedded U3D data,
or click Cancel to return to ArtiosCAD.
Shown below is a 3D workspace output to a PDF file using U3D in transparent wireframe view.
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On the U3D Options tab, in the High graphics group, Use View Settings uses the current high graphics mode of
the workspace. Clear this checkbox to enable the drop-down list box in which you can choose the desired high
graphics mode setting.
In the Include bitmaps as group, choose the file type for the images embedded in the PDF file, either PNG or
JPEG. When JPEG is the selected choice, the Quality 1..100 field is available. Use a higher number for better-
quality images.
Include Animations is checked by default.
On the General tab, the Output Directory field lets you specify the directory in which the Output file will go.
The Automatically Open checkbox controls whether the outputted file is automatically opened by a program
associated with its file type, such as Adobe Illustrator for .EPS files.
Once you have set the options on the Plot and General tabs as desired, click OK.
In the Save As dialog box, choose the directory in which to save the file and enter a filename, and click Save to
perform the Output. If Automatically Open was checked on the General tab, ArtiosCAD will launch the default
application associated with the outputted file type and show the file. However, most systems do not have an
application associated with U3D files.
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else to cause it to update the view. With Acrobat 7.0.9 the temporary disappearance will happen again each time
Acrobat's 3D Toolbar is used (such as to change the rendering mode or the lighting).
Adobe Acrobat Professional 7.0.9 does not embed ArtiosCAD-generated U3D data. Users wishing to embed raw
U3D from ArtiosCAD in PDF files are currently recommended to use Adobe Acrobat Professional 8.0 (best) or 8.1.
In Adobe Acrobat, use Tools > Advanced Editing > 3D Tool to embed the U3D data into an existing PDF file.
As of this writing, the best viewer for ArtiosCAD-generated PDFs with U3D models embedded is Adobe Acrobat
Reader (or Professional) version 8.0. Version 8.1 has introduced an issue where replicated objects sometime move
over other copies of the same object. Adobe Acrobat aggressively updates itself to the highest version available
with the same major release number (7.x -> 7.0.9 and 8.x goes to 8.1, at the moment). As a workaround, Adobe
Acrobat Reader 7.0.9 can still be downloaded from the Adobe website for free and works better than Adobe
Acrobat Reader 8.1 for viewing ArtiosCAD files with copied design and solids.
To download Adobe Acrobat Reader 7.0.9, point a Web browser to http://www.adobe.com/products/acrobat/
readstep2_allversions.html.
Note: If your workspace contains a tear-away animation, or an animation with curved creases or mates,
do not output it to VRML as VRML does not support the type of bends used. Use a different Output
format.
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Shown below is the VRML Options dialog box. All the options in it are configurable in Defaults > Outputs-3D >
Artios > VRML > VRML options.
SolidWorks compatible VRML 1.0 outputs a VRML version 1.0 file for use with SolidWorks and other programs
that do not support VRML version 2.0. VRML 1.0 does not support graphics or animation.
Include graphics controls the export of graphics. Turn this checkbox off for the smallest VRML files with the
most robust performance possible in the browser; turn it on for rich detail. This checkbox must be checked for
the JPEG Images and Creases groups to be available.
Note: Exporting a design to VRML with graphics turned on creates separate .JPG files. Make sure to
keep them with the .WRL file so that the graphics are displayed correctly when the .WRL file is viewed.
Include corrugations, when checked, draws corrugations on the edges of corrugated boards. Turn this checkbox
off for smaller VRML files with more robust performance in the browser.
Use compression controls if the VRML geometric information file is compressed or not. A smaller file is faster to
download, but some third-party programs do not support compression and may error if this option is checked.
The JPEG image files are already compressed according to the JPEG Quality setting in Property Defaults and
are unaffected by the state of this checkbox.
Automatically open, when checked, launches the Web browser and opens the VRML file as soon as it is created.
View zoom factor sets the initial field of vision in the VRML file. 100 percent uses the same scale factor as in
ArtiosCAD. If you find that animations are extending outside of the browser window, try setting this value to a
smaller number. The zoom factor can be between 40 percent and 250 percent.
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Separate image for each design makes a single large JPEG file for each design in the workspace instead of
separate JPEG files for each face. Use this option when using the VRML file in other 3D graphics applications
that need to substitute or manipulate the graphics.
The High graphics: drop-down list box lets you specify the resolution of the exported graphics as Low, Medium,
High, or Maximum. High and Maximum depend on the abilities of the computer’s display adapter.
Creases group
There are several ways to handle creases when exporting to VRML. No creases simply does not include them
in the output. Creases in board color makes them the same color as the board, but the lighting in the VRML
rendition shows them as slightly contrasting. Creases in pink turns the creases pink for easy visibility. Graphics
on creases wraps the graphics around the creases on the inside and outside of the design(s). This is the most
sophisticated option, but it increases file size by 50 percent.
Animation group
The options in the Animation group control how the animation behaves in the browser.
Note:
Do not output VRML animations with curved creases or mates as they may not work properly.
No animation creates an unmoving view of the design. Forward runs the animation continuously. Forward and
back runs the animation forward, then backward, and repeats. With toolbar inserts a toolbar into the VRML file
allowing you to manually step through the file, as well as toggle design transparency. The toolbar is shown below:
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The second and fifth buttons move to the first and last frames of the animation, respectively.
The third and fourth buttons move back or forward one frame in the animation sequence,
respectively.
The sixth button toggles transparency. Shown below is a frame of an animation with transparency off.
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3D Movie Outputs
If you have the 3D Animation module, you can export .AVI and .MP4 movies from ArtiosCAD. The Movie output
type has been added to Outputs-3D entries.
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Note:
This feature is highly dependent on the multimedia codecs on your computer. Esko cannot guarantee
that the codecs on your personal computer will work as anticipated. If you have trouble using this
feature, you should make sure you have the newest codecs available from your operating system
vendor or other third-party software vendor.
• You need the 3D Animation module on your computer to use this Output.
Create a 3D Movie Output definition by doing the following:
1. Start ArtiosCAD, open Shared Defaults, and expand the Outputs-3D catalog.
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2. Right-click Outputs-3D, then click New > Data.
3. Enter a name for the Output, press Enter, and double-click the new entry.
4. In the Output Type group, select Movie.
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6. In the Export animation as group, choose either AVI or MP4. Hover over the information button for more
information.
a) Supplemental information about the codec used by the selected format is shown beneath the Configure
button. The default settings are sufficient for most situations, but if you are not achieving the desired
results, click Configure.
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b) in the Choose codec for AVI file dialog box, set the codec ArtiosCAD uses to create the movie in the
Compressor field. The list of compressors available is dependent upon the software loaded on your
system.
c) When you have selected the compressor and quality settings to use, click OK to return to the Movie tab
in the Output definition.
7. In the Preview/File size group, set the default selection for these options when creating the Output.
Preview and file size will make a preview of the movie and compute its file size based on the selected codec
configuration. File size only will only compute the file size. The times in the other group either preview the
First 2 seconds only or the Full movie length. Get file size is available only when creating the Output.
8. In the Properties group, set the FPS (Frames per second) value to a number between 1 and 30. 15 is the
default. A higher number results in smoother video. Scale to fit every frame performs a Scale to Fit for every
frame of the video.
a) Number of images and Seconds between image captures are read-only fields that display their
relevant information when creating the Output.
9. In the Dimensions group, set the width and height in pixels of the movie manually by selecting User Defined
Size from the drop-down list box, or choose one of the pre-defined sizes. The sizes must both be exactly
divisible by 4. Hover over the information button for more information.
a) NTSC (National Television Standards Committee) is the video format used for televisions in the United
States and Japan. PAL (Phase Alternating Line) is the format used in some of the rest of the world.
b) DVD, SVCD, and VCD refer to the size of the frame in pixels - Digital Versatile Disk being large, Super
Video CD being medium, and Video CD being small.
c) DivX, XviD, and WMV are all standard sizes for movies intended to be watched on a computer.
a) DV stands for digital video which has a standard width of 720 pixels. The height varies by country
standard.
10. Once you have set the options on the Movie tab as desired, click the General tab, on which you can set the
Output Directory (if desired) and also the Automatically open checkbox, which is checked by default.
11. Click OK to finish defining the Output.
12. Save and exit Defaults as usual.
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4. If desired, click Preview/Get file size in the Preview/File size group to generate a preview of the movie or
find out how large the file will be. Adjust the settings if the file size is too large; some email systems still have
5 MB attachment limits.
5. Click the General tab and set the options as desired.
6. Click OK and enter a name for the movie file in the Save As dialog box to begin the Output.
7. A progress dialog box appears. If it is going to take too long to Output the movie, click Cancel. In that
case you should retry the Output with different settings - a lower FPS setting, a smaller frame size, greater
compression - that will result in a smaller, faster-to-generate file.
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8. If Automatically Open on the General tab was checked, the movie file opens automatically in the associated
media player.
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Canvas Outputs
Canvas Outputs are similar to regular Outputs.
If you use an Output on the File menu, ArtiosCAD uses the active part for that Output. To Output all the parts in
a canvas, use Parts > Parts Outputs, in which case ArtiosCAD iterates through all the Parts in the canvas.
Some notes about canvas Outputs follow.
For calculated expressions:
• In most cases, avoid directly accessing workspace variables. However, L, W, and D work correctly for either
the canvas or a part. Note that for a part, L, W, and D are for information only.
• Most board variables will work correctly, such as CAL, IL, OG, CRRV, TEST, WGHARA, CSTARA,
CSTWGH, HRRV, SRV, BRD$, BDD$, FLU$, and TST$. However, corrugated board variables for liners
and mediums will not work for the selected part, as they always return canvas information.
• Legacy Reports may contain calculated expressions that directly access variables. These will not work with
canvases and parts. Remove these expressions and re-add them from the Calculated Expression catalog, as
those contain updated definitions. For example, you may have a Report that uses DBREC.DESC to show a
design description. Replace this with an expression using DBGET(DESIGN,DESC$). Likewise, if you have
a legacy Report that uses (TLIBRARY(LIBDBSTYLE.TXT)) to list design characteristics, replace it with
#DBCHARS$ so that ArtiosCAD gets the characteristics for the canvas or part as appropriate.
• The expression for Design Standard Name, #CFN$, will always return the name of a standard used for a
canvas, not for a part.
If your Output is set to Output to a layer, ArtiosCAD generally puts that data into a part of type Output. There
can be only one Output part; if there already is one, ArtiosCAD adds the content to the existing part.
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ArtiosCAD selects all Production-type parts by default. Click a part name to see its preview.
4. To change the order in which ArtiosCAD processes Production and non-Production parts, drag a desired part
and drop it below another part. To save the Output order in the workspace for future use, click Save Part
Order.
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For this example, create a Plot-type Output that goes to a CAM device using CFF2 - Save as the tuning entry.
For ArtiosCAD to name output files with Part names, it needs to use a library function containing this text:
Save the above code block into a text file in ServerLib or ClientLib. For this example it has
CF2FILENAME.TXT as the filename.
In the Plot Filename group on the Directories tab of the Output, specify it in the TLIBRARY() field. Also make sure
to select From Library Function and set the output directory as desired.
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To run a part-by-part Output for a canvas, do the following:
1. Click the name of the canvas in the Parts List to select it.
2. Click Parts > Parts Outputs and then the desired Output. (The desired Output must have Parts Outputs
selected in the Show In group in its definition in Defaults to appear in this list.)
3. ArtiosCAD opens the Select Parts dialog box.
ArtiosCAD selects all Production-type parts by default. Click a part name to see its preview.
4. To change the order in which ArtiosCAD processes Production and non-Production parts, drag a desired part
and drop it below another part. To save the Output order in the workspace for future use, click Save Part
Order.
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Shown below are the individual files for each Part in Windows Explorer.
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General Notes
If the Report overlaps other parts, drag the Layout part by its title bar to reposition it. If you turn off jobs, the
automatic movement ArtiosCAD performs when turning jobs back on takes Reports into account.
You can have more than one Layout report in a canvas. All Reports go into the same Annotation layer. The
sample Report makes a layer called Estimating Info. If you create your own Report, you can name the layer as
desired.
You can run Reports of this type on Production or Hardware parts, but there will be no sheet information, and
geometry tools are not available in hardware parts.
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ArtiosCAD does not update in-place Reports automatically. Delete the existing one and re-run the Output if you
change the Layout and need to update the information in the Report.
ArtiosCAD expands the Report if needed to fit around the Layout part, but does not shrink it if the Layout part is
smaller than the File Window defined on the Report.
ArtiosCAD deletes the Report when you recalculate or rebuild the layout. Run the Output at the end of your
workflow.
Double knife removal is not available for canvas layouts. To remove double knives, convert the layout to
Manufacturing and remove them there. If you want to put the rule length after double knife removal on the
Report, consider using an expression like LENTYPE(1) - #DKNIFE.as the value for a piece of calculated text.
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Calculated text Production part Layout part
Waste on blank Blank size minus part area as a Sheet size minus total area of the
percentage parts, as a percentage
Blank size Blank size of this part Total blank size of the layout (not
the sheet)
Rule length Rule length of this part Total rule length in the layout
L, W, D L, W, D for this part L, W, D if all the parts in the
layout have the same value, else
blank
Board Part board Layout board
Part name Part name Layout part name
b) Layout and sheet size calculated text only work for layout parts, not production parts.
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• Scale: 1
• Show in: At least Outputs and Parts Outputs. It must have a file window that is scaled around a part to
appear in Parts Outputs.
On the Device tab:
• Driver type: Workspace layer
• Either select it from the Report Catalog or enter its filename in Report File Name.
8. Click OK to finish defining the Output.
9. Save and exit Defaults. You are now ready to use your Report.
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2. Make an Output using this Report and on the Device tab of the Output, set it to Workspace Layer and
specify a name for the layer in the Layer Name field.
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10.
Select the items to repeat across the pages and click Repeat in Instruction Panel or Page.
11.
Use Add Instruction Panel or Add Instruction Grid to add instruction panels.
12. Use the normal Assembly Instructions workflow to populate the panels.
13. Run the desired printer Output.
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Introduction to DataCenter
DataCenter is a program which makes finding specific information about ArtiosCAD designs quick and easy. As
you work, DataCenter automatically records facts about every single design and every manufacturing file you
create or modify.
Note: DataCenter only works with ArtiosCAD Standard Edition. It is not installed with ArtiosCAD
Enterprise. If you are using ArtiosCAD Enterprise, please ignore this chapter.
DataCenter has two intertwined parts – the information-gathering engine in ArtiosCAD and the browsers in
which the information is viewed. The engine sends information to a database using MSDE, Microsoft SQL Server,
SQL Server Express Edition, or Oracle.
Within ArtiosCAD, you can search for single designs and manufacturing files, as well as viewing information for
embedded designs in manufacturing files. Other browsers, for information such as board codes, customers,
userfields, and so forth are contained within the DataCenter Admin program in the Esko > ArtiosCAD program
group.
Browsers
There are fifteen main areas of DataCenter called browsers that display information. They are:
• The Design browser (in ArtiosCAD)
• The Manufacturing browser (in ArtiosCAD)
• The Embedded Design browser (designs saved in manufacturing files, shown on a per-manufacturing file
basis in ArtiosCAD)
• The Projects browser (in ArtiosCAD)
• The Auto-Number browser (in DataCenter Admin)
• The Board browser (in DataCenter Admin)
• The Characteristics browser (in DataCenter Admin).
• The Company browser (in DataCenter Admin)
• The Company Type browser (in DataCenter Admin)
• The Counter browser (in DataCenter Admin)
• The Person browser (in DataCenter Admin)
• The Resource browser (in DataCenter Admin)
• The Server browser (in DataCenter Admin)
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• The Userfield browser (in DataCenter Admin; requires Information Enhancement module)
• The Restricted Userfield Set browser (in DataCenter Admin)
Note: For the browsers In ArtiosCAD, in Defaults > Design defaults > Database, Limit database
browser results to controls how many records ArtiosCAD loads into the browsers by default. This is
meant to avoid performance degradation for large databases. We encourage you to search for results
rather than scrolling through the available entries
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When one canvas is selected in the browser, the Parts tab shows parts, their filenames (if they have been saved
as independent workspaces), their revision, and the location in which they are saved.
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Click Show Design File to show the design file alone in the browser. In that browser, the Canvases tab shows
which canvases use the design. Likewise, Show Canvas shows the selected canvas.
Shown below is the Manufacturing browser in ArtiosCAD showing the details for the selected manufacturing file.
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Shown below is the Embedded Design browser in ArtiosCAD showing the details for the selected item.
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Shown below is the Company browser in DataCenter Admin showing the details for the selected item.
To view specific information for a field, click Show Item Details. A dialog box appears showing details for the
selected item. Click Cancel to close the dialog box.
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The toolbars
Each browser in ArtiosCAD has a unique toolbar, while the browsers in DataCenter Admin share the same toolbar.
In the Design browser, the first three buttons control what types of designs the browser shows.
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Find Associated Design File in the Embedded Designs browser finds the non-embedded version of the
design.
Show Associated Canvas Files shows the canvases containing the selected part. Only one record may be
selected when using this feature.
Show Associated Manufacturing Files shows the manufacturing files containing an embedded copy of
the selected design. Only one record may be selected when using this feature.
Edit Search Criteria opens the Search dialog box so that you can refine the search results.
Refresh Browser reloads the browser after clearing any search criteria.
Show Details toggles the display of the details area beneath the browser window.
Move/Copy to New Resource opens the Copy/Move Item(s) dialog box, which lets you copy or move the
current selection to a new resource.
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Specify the new resource in the Specify New Resource: drop-down list box. To overwrite files in the new
resource without being prompted for each file, check the Automatically Overwrite checkbox. Update Projects
prevents accidentally losing Project data when moving items between resources.
Note: Remember to back up your database regularly. Restoring it is the only way to recover from
making such a mistake with Project data.
In the Designation group, choose to Move or Copy. If moving, check the Delete Original Disk File checkbox
to remove the original file, leaving just the file(s) in the new resource. Click OK to perform the move or copy, or
Cancel to return to the browser.
Delete deletes the current selection. When clicked, you are prompted to choose whether to delete both
the database record and associated ArtiosCAD file or just the database record as shown below. Choose the
desired option button and click OK to delete or Cancel to return to the browser with no deletion.
Reports prints a report of the information in the current browser, or, if more than one item is selected, asks if
the report is to encompass just the selected records or the entire browser.
Delete deletes the currently selected records. It is available only when there is a current selection. You are
asked to confirm the deletion before it takes place.
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Characteristics are attributes assigned to the design, such as the style of container, or its intended usage.
Design Information is information such as resource name, owner name, width, and so on. This option is
unavailable when searching for manufacturing files.
Userfields are customizable variables whose values are saved in a single design or manufacturing file.
4. The option button selected in the What field controls the appearance of the rest of the Search Criteria
group.
When it is set to Characteristics, the Characteristic tree appears, as do the Characteristic Finder button
and the Contains All and Contains Any option buttons. As manufacturing files do not use characteristics,
this option is unavailable when searching for them.
The Characteristics tree shows data hierarchically for easy categorization. Check the checkboxes for
characteristics to search for. Contains All searches for single designs or manufacturing files which have all
the selected characteristics defined. Contains Any searches for single designs or manufacturing files which
have at least one of the selected characteristics.
The Characteristics Finder is described later in this chapter.
When the option button in the What field is set to Design Information or Userfields, the Where, How, and
Value fields appear. The How field appears after the Where field is set, and the Value field appears after the
How field is set.
In the Where field, choose the type of item to search for.
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For text items, in the How field, choose Equals to set the Value using something already in the database.
Choose Begins With to match items that begin with the text you enter. Choose Contains to type a custom
value.
For numeric selections in the Where field, >= (greater than or equal to), <= (less than or equal to), and Is
Between are available in the How field. When using Is Between, enter the lower limit in the From field and
the higher limit in the To field.
In the Value field, either choose an item from the dropdown list (if Equals is selected in the How field) or type
the desired information to search for (if Contains is selected in the How field).
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5. Once all the fields have values entered, you can Search or click Add Additional Criteria to add more
search conditions. Add the new search conditions just as you created the first set, making sure to click Add
Additional Criteria after choosing the last set to add it to the criteria list. To delete a set of criteria, select it
and click Delete.
Once you are satisfied with all the search criteria, click Search. The Design Browser or the Manufacturing
Browser appears containing the results of the search.
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You can return to the Search dialog box by clicking the Search button on the browser toolbar.
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in the database. If you install ArtiosCAD yourself, the database server and resource are set to the drive and user
directory you specified while loading.
Configuring DataCenter
When you start using DataCenter with ArtiosCAD, only the work saved under the \Users or \Esko\Artios
\Designs directory is saved into the database by default. If you create new directories on drives other than
where you installed ArtiosCAD, and want DataCenter to track the work you save in those directories, you have to
create a database server for that drive in DataCenter Admin as well as resources for those directories.
All configuration is done in the DataCenter Admin program in the ArtiosCAD program folder.
Creating a server
To create a database server, do the following:
1. Share the drive or directory you wish to be a database server.
2. Start DataCenter Admin.
3. Double-click the Server browser entry to open it.
4.
Click Insert New Record on the toolbar.
5. Enter the name of the new server in the Name: field.
6. Click in the Path: field and type the UNC locator for that drive, or click the Browse button to navigate to the
proper directory. If you type the entry, make sure to enter it correctly as no error-checking is done for typed
entries.
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7. Choose the drive or directory to be the new server and click OK.
8. Click Insert to add the new server or click Cancel to cancel.
9. Exit the Server Browser, if desired, by closing its window.
Creating a resource
To create a resource, do the following:
1. Start DataCenter Admin.
2. Double-click the Resource browser entry to open it.
3.
Click Insert New Record on the toolbar.
4. Enter a name for the resource in the Name field.
5. Click in the Server: field and select the server for the new resource from the drop-down list.
6. Click in the Directory: field and either type the directory name or click the Browse button and select the
directory for the new resource. If you type the entry, make sure to enter it correctly as no error-checking is
performed for typed entries.
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Deleting a server
You cannot delete servers containing resources. If a server has resources in it, you must either delete them or
change the server they reference. Also, when you delete a server, only the information in the database is deleted.
The actual designs are not deleted.
To delete a server, do the following:
1. Start DataCenter Admin.
2. Double-click the Server browser to open it.
3. Select the server to delete.
4.
Click Delete.
5. If you really want to delete the server, click Yes when asked.
6. The server entry will be deleted. If the server still contains resources, you will be told that servers cannot be
deleted which contain resources. You will have to delete the resources and then try again.
Deleting a resource
When you delete a resource, the ArtiosCAD workspaces stored within them are also deleted. Use this procedure
with great caution.
To delete a resource, do the following:
1. Start DataCenter Admin.
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2. Double-click the Resource browser to open it.
3. Select the resource to delete.
4.
Click Delete.
5. Click Yes to delete the resource. If there are files in the resource, DataCenter Admin asks you to confirm the
deletion. Click Yes.
6. The resource is deleted.
Userfields
Userfields are customizable fields for designs and manufacturing files that can contain almost any kind of
information.
Userfields:
• Can contain text, integers, decimal numbers (called floats), distances, areas, volumes, or weights.
• Are specific to the type of workspace; design userfields cannot be used in manufacturing files, and vice-
versa.
• Can have their values restricted to a list defined in the Restricted Userfield Set browser.
For designs, 36 userfields come pre-created in DataCenter. There are no pre-made userfields for manufacturing
files.
When you make your own userfields, you can specify that they are required userfields. Required userfields are
stored automatically in each workspace. For example, if you have a piece of information you want stored in
every single design you make, you can add a required userfield via the Userfield browser in DataCenter Admin.
The information contained in the userfield will be saved in each workspace; you cannot change the value of a
required userfield in a workspace.
There are four steps to using userfields.
1. Tell DataCenter which userfields to track. You can immediately start using the pre-created userfields.
2. Configure restricted sets if desired.
3. Set values for specific userfields in designs or manufacturing files.
4. Set up formulae to automatically set values for userfields when they are added to designs or manufacturing
files.
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3.
If there are already restricted sets configured, click Insert New Record.
4. Enter a name for the set in the Name field.
5. Set its format using the Format drop-down list box. Make sure it is the same format as its corresponding
userfield(s); for example, sets of type INTEGER cannot be used with userfields of type FLOAT.
6. Enter the first value for the set in the field above Add. It will appear in the Values list. Continue adding values
by entering them in the field and clicking Add. To reorder them, select a value and use the directional arrows
to change its position in the list.
7. When done entering values, click Insert to insert the record into the database.
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5. You are asked to confirm the deletion of the userfield. Click OK if you really want to delete it; otherwise, click
Cancel.
Configuring companies
The Company browser manipulates information about companies. No companies are defined by default.
Adding a company
To add a company, do the following:
1. Start DataCenter Admin.
2. Double-click the Company browser to open it.
3.
Click Insert New Record on the toolbar.
4. Enter the information for the company in the appropriate fields. The Number: field is optional and is text only;
it is not calculated.
5. Click Insert.
To add more companies, repeat steps 3 through 5.
You may also add a company when saving a design by clicking New in the Customer Browse dialog box.
Deleting a company
To delete a company, do the following:
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1. Start DataCenter Admin.
2. Double-click the Company browser to open it.
3. Select the company to delete.
4.
Click Delete.
5. Click Yes to confirm the deletion.
6. If the company name is used in any design, you are prompted to Replace it with another, Clear it from the
affected record(s), or Cancel the operation. If you are deleting more than one company at once, you can also
replace all the companies with one by choosing Replace All.
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Configuring people
DataCenter tracks salespeople and designers as well as design information. Information about people is stored in
the Person browser.
Adding a person
To add a person’s information to DataCenter, do the following:
1. Start DataCenter Admin.
2. Open the Person browser by double-clicking it.
3.
Click Insert New Record.
4. Enter the information about that person in the appropriate fields.
5. Click Insert.
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To delete information about more people from the database, repeat steps 3 through 5.
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Corrugated board is built from wavy (corrugated) paper glued to flat paper. The flat paper is called a liner, and
the wavy paper is called a medium. The medium is defined in terms of a flute, a letter code generally from A to F,
with A being the thickest/largest and F being the smallest/thinnest.
Folding carton board is one layer of material, usually made from paper that is Solid Bleached Sulfate or White
Clay Coated.
Because texture and paper information is stored in the database, it is important to back up the database as
board information changes, because complete board information cannot be recreated only by using AutoLoad.
For more information about backing up an MSDE or SQL Server Express Edition database, see the Other Tasks
chapter.
Creating a paper
To create a new paper, first examine an existing paper to determine what information you will need to define the
new paper. Usually the caliper, inside loss, outside gain, rounding value, basis weight, and basis cost are needed.
You may also set inside and outside colors and other appearance attributes to the paper that appear in the
optional 3D module.
To create a new paper, do the following:
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1. Start DataCenter Admin.
2. Open the Boards browser, and then open the Artios catalog by clicking the plus sign (+) next to it.
3. Click the word Papers to select it.
4.
Click Insert New Record, or right-click and click New > Board. The Details pane will automatically
appear with the fields enabled for editing.
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Rounding Value: sets a value to which dimensions may be set to round to when constructing a corrugated
design. It is more relevant for boards as a whole rather than individual papers.
Basis Weight: is the weight of the paper in local currency and units of measurement.
Basis Cost: is the cost of the paper in local currency and units of measurement.
Test Value: is the amount of weight needed to break the material when performing very specific
standardized tests. It is more relevant for corrugated boards as a whole than individual papers.
Test Code: is the identifier used in correlation with the Test Value to show the strength of the paper. It is
more relevant for corrugated boards than individual papers.
Weight: and Cost: in the Adhesive group should be set for the complete board definition, not individual
paper and flute definitions.
6. Leave the fields on the Papers tab blank, as they are not relevant.
7. On the Material Properties tab are fields to set the shininess, transparency, and inside and outside colors of
the paper. These properties are only visible in the optional 3D module.
Set the Shininess% and Transparency% fields as desired. The Transparency% field is a separate setting from
transparency mode in 3D and is not affected by that setting.
Surface colors for papers are split into three components: ambient color, which reflects the ambient light;
diffuse color, which reflects the movable lights in an airy, non-shiny way; and specular color, which reflects
movable lights for a shiny surface, with a shiny surface having a white specular color and a dull surface a
black specular color.
By default, the Material Properties tab only displays Diffuse color in Simple color mode. In Simple color mode,
choose a color by clicking Select color. To set the other two colors, click Advanced color, and then click
Select color as desired.
Note: DataCenter Admin only uses color palettes from Shared Defaults. It does not use any color
palettes from User Defaults.
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The outermost Outside paper color is used to set the Outside board color if no other color has been manually
chosen for the outside of the board. Likewise, the innermost Inside paper color is used to set the Inside board
color if no other color has been manually chosen for the inside of the board.
The ... button (Browse) is used in board definitions to calculate the color based on the materials comprising
the board. It is not relevant for papers.
8. On the Texture tab are fields to specify the graphics that may be used to represent the inside, outside, and
edge textures of the paper. These properties are only visible in the optional 3D module. Outside and inside
textures are more relevant for boards, but may also be defined for papers, while board edge textures do not
apply to papers.
To add an inside or outside texture to the paper, click the checkbox for it, and then specify the filename
of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it. Some
common textures are stored in \Esko\Artios\Common. The image should be of the board surface with
vertical grain or corrugation direction. If you use a custom image, measure the sample when you take its
picture so that you know its size; you may need to touch up the image in a graphic editing program so that
the edges blend together when the image is tiled.
In the Image height: field, enter the height of the image. The size needs to be set in order for ArtiosCAD to
scale the picture appropriately. If the height is set to 0, the image will be scaled proportional to the width.
Set the value in the Image width as number of flutes: drop-down list box to the number of flutes the image
represents. The image should be of a whole number of flutes. It may also be set to Proportional to height, in
which case the height cannot be set to 0.
Shown below is \Esko\Artios\Common\boardbrown.jpg, an example board texture three flutes wide:
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9. When you have finished defining the paper, click Insert to add the new paper definition to the database.
Note: Foams are defined in the same way as papers, just with larger dimensions.
Creating a flute
A flute is the wavy paper that provides strength to corrugated board. A flute is defined by four pieces of
information:
• A unique code to identify the flute. This code must be less than four characters long.
• The flute pitch, which is the distance between the lowest parts of the wave. The pitch must be greater than
0.
• The take-up factor, which is the ratio between the length of the fluted paper and the length of the board. If
the flute were stretched out, it would always be longer than the paper encasing it. The take-up factor must
be greater than 1.
To create a new flute, do the following:
1. Start DataCenter Admin.
2. Open the Flute browser by double-clicking it.
3.
Click Insert New Record. The Details pane will automatically appear with the fields enabled for editing.
4. Enter the new flute’s code, height, pitch, and take-up factor in the appropriate fields as shown below.
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Creating a board
To create a board, do the following:
1. Start DataCenter Admin.
2. Open the Board browser by double-clicking it.
3. Boards are hierarchical. Right-click an item a level above the desired level for the new board (such as Boards
to add the new board at the top level or Artios > Corrugated > C to add a new C flute board) and click New >
Board. (You may also create a new folder in this manner.)
You may also select the parent item and then click Insert New Record to create a new board. To create
a new folder, you must use the right-click method described above.
The Details pane will automatically appear with the fields enabled for editing.
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Basis Cost: is the cost of the board in local currency and units of measurement. As with the Basis Weight:
field, the ... (Browse) button at the end of the field displays an analysis of the calculated cost of the board
based on the papers used to make it. To replace a manually-entered cost with the calculated cost, click
Accept.
Test Value: is the amount of weight needed to break the material when performing very specific
standardized tests.
Test Code: is the identifier used in correlation with the Test Value to show the strength of the paper.
The Weight: and Cost: fields in the Adhesive group are the respective weight and cost of the adhesive for
the board as a whole.
5. The Papers tab contains drop-down list boxes to select the liners and mediums that comprise the board.
If you know it already, type the flute code of the new board in the Board Flute: field. At the end of the field
is a ... (Browse) button that opens the Calculated Flute dialog box. Use this to calculate the flute code after
defining the liners and mediums for the board. If it is a single board, expect a flute code like C. Double wall
could be BC, while triple- and quadruple-wall would comprise four letters.
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Boards are defined sequentially from the outside inward. For example, you must select Liner 2 before you
may select Medium 2. You may not select Liner 2 and then jump directly to selecting Liner 4.
Select liners and mediums in their respective drop-down list boxes. As you select a liner and then a flute,
the Flute drop-down list box for that pair becomes available. You must select a flute before the next liner
becomes available for selection.
Complete the paper selection process with a liner.
6. On the Material Properties tab are fields to set the shininess, transparency, and inside and outside colors of
the board. These properties are only visible in the optional 3D module.
Set the Shininess% and Transparency% fields as desired. The Transparency% field is a separate setting from
transparency mode in 3D and is not affected by that setting.
Surface colors for boards are split into three components: ambient color, which reflects the ambient light;
diffuse color, which reflects the movable lights in an airy, non-shiny way; and specular color, which reflects
movable lights for a shiny surface, with a shiny surface having a white specular color and a dull surface a
black specular color.
By default, the Material Properties tab only displays Diffuse color in Simple color mode. In Simple color mode,
choose a color by clicking Select color. To set the other two colors, click Advanced color, and then click
Select color as desired.
Note: DataCenter Admin only uses color palettes from Shared Defaults. It does not use any color
palettes from User Defaults.
The outermost Outside paper color is used to set the Outside board color if no other color has been manually
chosen for the outside of the board. Likewise, the innermost Inside paper color is used to set the Inside board
color if no other color has been manually chosen for the inside of the board.
The ... button (Browse) calculates the color based on the materials comprising the board. Click Yes to use the
color of the paper; click No to use the color of the current board definition.
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7. On the Texture tab are fields to specify the graphics that may be used to represent the inside, outside, and
edge textures of the board. These properties are visible only in the optional 3D module.
To add an inside or outside texture to the board, click the checkbox for it, and then specify the filename
of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it. Some
common textures are stored in \Esko\Artios\Common. The image should be of the board surface with
vertical grain or corrugation direction.
In the Image height: field, enter the height of the image. You may have to use a separate graphic editing
program to determine the size of the picture. The size needs to be set in order for ArtiosCAD to scale the
picture appropriately. If the height is set to 0, the image will be scaled proportional to the width.
Set the value in the Image width as number of flutes: drop-down list box to the number of flutes the image
represents. The image should be of a whole number of flutes. It may also be set to Proportional to height, in
which case the height cannot be set to 0.
If using a custom board edge texture on a double, triple, or quadruple wall board, the board edge texture has
to be a whole number of all the flutes. The largest flute is used initially, then the smaller flutes are adjusted
by a few percent to align a whole number of the smallest flutes with a whole number of the largest flute.
Knowing how many flutes the image represents is critical. To determine this, start with the board defined
but with no custom edge texture. Export the 3D workspace to VRML and then view the associated PNG files
created. One of those will be of the board edge texture. Count the number of flutes for the largest board and
set the Image width as number of flutes: field to the same number.
Shown below is \Esko\Artios\Common\boardbrown.jpg, an example board texture three flutes wide:
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To specify a graphic for the board edge texture, check the Board edge texture checkbox, then specify the
filename of the graphic file for the texture, or click ... (Browse) to the right of the filename field and select it.
Some common textures, for example paper corrugated edges, plastic corrugated edges, and paper hexacomb
flutes, are stored in \Esko\Artios\Common. The height of the image for a corrugated board should be the
board caliper, and the width should be a whole number of flute pitches. Folding carton boards use an image
width proportional to the height.
If no texture is specified for a corrugated board edge, a default picture based on the height and pitch of the
flutes is used.
Stretch like corrugations stretches the picture of the board edge texture depending on its angle to the
grain/corrugation direction. If this option is not selected, the board edge texture is repeated evenly.
Shown below is a picture of the default board edge texture with Stretch Like Corrugations turned on in a
design in 3D:
Shown below is a picture of the BrownB board in the Textured Corrugated folder with Stretch Like
Corrugations turned off in a design in 3D:
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8. When you have finished defining the board, click Insert to add the new board definition to the database.
Configuring characteristics
Characteristics provide a way to describe the type of box referenced by an entry in the Design browser. Designs
can have more than one characteristic, such as Autobottom and Tuck top. Characteristics are comprised of a
code, which is the internal name of the characteristic, and a description, which is what is shown.
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Adding a characteristic
To add a characteristic, do the following:
1. Start DataCenter Admin.
2. Double-click the Characteristics browser to open it.
3.
Select the characteristic to add the new characteristic under and click Insert New Record.
4. Enter the code for the new characteristic in the Code: field.
5. Enter a description of the new characteristic in the Description: field.
6. Click Insert.
There are additional characteristics available beyond those shipped by default. See Installing additional
characteristics later in this section.
Deleting a characteristic
To delete a characteristic, do the following:
1. Start DataCenter Admin.
2. Double-click the Characteristics browser to open it.
3.
Click Delete.
4. Click OK when asked to confirm the deletion. Deleting the characteristic from the database will also delete it
from all files containing it.
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Assigning characteristics is described in the Using DataCenter section.
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5. In the File Type: field, choose either the Design or Manufacturing option button according to the kind of file
to use this auto-numbering.
6. Click in the Counter Name field and choose the desired counter from the drop-down list box.
7. Enter the number of digits of the counter in the Length field. Extra zeroes will be added to the counter when
a file is saved if the number of digits is smaller than specified here. If the counter is set to start at 1, and the
Counter Length is set to 4, the counter will start at 0001, go up to 0002, 0003, and so forth.
8. In the Prefix field, enter non-changing text to come before the auto-incrementing number. You can leave this
field empty if desired.
9. In the Suffix field, enter non-changing text to follow the counter. You can leave this field empty as desired.
10. Click Insert.
11. Repeat steps 3 through 10 as desired.
12. The Auto Numbering browser should look similar to the following picture (except that it will have the data
you entered in it). Both resources share the same counter.
Automatic design numbering is now fully configured and ready for use by clicking Save Next Name in ArtiosCAD.
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Like the other database browsers, the first group of buttons along the top of the browser perform actions on the
currently-selected Project, while the panes along the bottom of the browser show information specific to that
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Project. The panes are only shown when Show Details mode is turned on by clicking the magnifying glass icon
on the toolbar.
New Project Creates a new Project just as if you clicked the menu command.
Open Project Opens the currently-selected Project in ArtiosCAD and makes the
ArtiosCAD window active.
Edit Search Criteria Searches all Projects with criteria you specify. See the section on
searching below.
Show Project Lists all documents in this Project in the Design Browser.
Documents
Refresh Browser Re-queries the database and updates the list of Projects.
Toggle - Show Turns the information panes at the bottom of the browser on and off.
Details
To change information shown in one of the panes, as in the other database browsers, click Edit, make the desired
changes, and then click Save. You may need to click Refresh to see the updated information.
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Refresh requeries the database for the information in that field in case someone else changed it while you
were looking at it.
Show Item Details opens a dialog box which displays more information related to the associated field. Click
Cancel to return to the Project browser.
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To add or remove userfields, click Edit beneath the pane, and then click Add or Delete (having first selected a
userfield in the list shown) as desired. When you are done making changes to the userfields, click Save beneath
the pane.
Refresh requeries the database and updates the list of userfields if anyone else has made changes to them since
you opened this pane.
To add or remove documents from the Project, click Edit beneath the pane, and then click Add or Remove
(having clicked to select at least one document beforehand) as desired. To include or exclude documents on
BOM Reports, check or clear their checkboxes before their names in the list. To change the order in which
documents appear on BOM Reports, select a document by clicking it and then click the up or down arrow at the
right edge of the dialog box as appropriate. You may also change the Count as desired by clicking the up and
down arrows next to the numeral in that field for a particular document.
For more information about BOM Reports, see the Outputs chapter.
When you are done making changes to the documents, click Save beneath the pane to return to the Project
browser.
To add or remove characteristics, click Edit beneath the pane, and then select or deselect the desired
characteristics. When you have finished modifying the characteristics for the selected Project, click Save
beneath the pane to return to the Project browser.
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When you click Edit Search Criteria, the Search Projects dialog box appears as shown below (with
sample data; initially it is empty).
You can enter text to search on in each text field, but the Modified:, Customer:, Owner:, Salesperson:, and
Manager: fields all have drop-down list boxes containing cached entries from the database. All text that you
enter must use wildcards as explained below:
• * and % mean match all characters.
• To search on one of the wildcards, prefix it with a backslash ( \ ), such as “100\% Pure”.
Project_1 All Projects starting with “Project” and then any single character between t
and 1, such as ProjectX1, Project$1, and so forth.
Project\_1 Project_1.
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Project\_* All Projects starting with Project_, such as Project_1, Project_X, and
Project_5BD2.
Project\1 Project\1.
In any of the fields with a drop-down list box, if you enter text to search on using wildcards, ArtiosCAD will:
• search by customer name for both the Customer: and Owner: fields.
• search by last/first/greeting names for the Salesperson: and Manager: fields. However, make sure to use
wildcards if you manually modify an entry in these fields, as ArtiosCAD will not analyze the string to extract
the first and last names separately. For example, if you select “Smith, John” from one of the drop-down
list boxes and then add an asterisk after John, forming “Smith, John*” as the search string, ArtiosCAD will
probably not find the desired result as it will not separate the words in the search string since you manually
changed it. However, were you to search on “Smith*” or “John*” you would probably achieve the desired
results.
To search on a userfield, do the following:
1. Click Userfields.
2. In the Project Userfields dialog box, select the userfield to search against.
3. Select the method to use for the pattern match in the How: field. For text userfields, use wildcards. For
numeric userfields, use =, <, and >. For restricted set userfields, only = is available, and then the set of values
becomes available in the Value: field.
4. Repeat steps 1-4 as desired to add more userfields to the search. Each userfield search argument is
connected with AND logic, so only Projects meeting all the Userfield conditions will be returned in the search
results.
5. Click OK to return to the Search Projects dialog box.
To search on Characteristics, do the following:
1. Click Characteristics.
2. In the Characteristics dialog box, select the desired characteristics to search against.
3. To find characteristics, click Find and perform the usual search for characteristics using the Characteristics
Finder. Once you have found and selected the desired characteristics, click OK to return to the Set
Characteristics dialog box.
4. Once you have set the characteristics to search against, click OK to return to the Search Projects dialog box.
In the Search Projects dialog box, click Search to search against the criteria you have entered.ArtiosCAD
displays the results in the Project Browser.
Clicking Clear in the Search Projects dialog box clears the fields in the dialog box but keeps any search results.
To clear the search results and show the list of Projects again, click (Edit Search Criteria), click Clear, and
click Search.
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For example, if you wanted to change the price of 200# B-flute board in inches, you would open the Board
browser, double-click the entry for I-200B in Artios > Corrugated Boards > B, click Edit, change the information
shown, and click Save.
Choose the browser to modify from the Browser: drop-down list box.
Available columns which are not already shown in the browser are listed in the Available Columns list. The
columns currently shown in the browser are list in the Selected Columns list. To move items between lists, select
them and click either Add, Add All, or Remove as appropriate.
To change the order in which items are shown in the browser and on reports, select the item to move and then
use the direction buttons. The top item is shown at the left of the browser and the bottom item is shown at the
right of the browser.
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Using DataCenter
Once DataCenter is configured to match your unique needs, it is easy to use. Two situations make up the
majority of times you use DataCenter: when saving designs or manufacturing files, and using the browsers to
view information.
You can enter anything you want in the Description and Authorization fields. The Description is limited to 80
characters. Short Description 1 is shown under the design preview when opening the design and is limited to
20 characters. To add a user field, click User Fields. (You must have purchased the Information Enhancement
module to access user fields.)
Choose a customer, owner, salesperson, and designer by selecting the appropriate entry from the drop-down
list box for each field. You can also search for specific information by clicking ... at the end of those fields. Your
database administrator may have disabled the drop-down list boxes, in which case using the ... button is the only
way to enter information in those fields.
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To skip adding this file to the database, click Skip DB. This button may be disabled in Defaults. Even when it is
enabled, it is unavailable if a file with the same name already exists in the database to avoid having a conflict
between the file data and the database data.
If the design is not rebuildable and does not already have these variables assigned, you can enter the length,
width, and depth in the appropriate fields.
Your system administrator may have customized the database dialog box. For more information on customizing
database dialog boxes, see the Defaults chapter.
3. Enter the information you want the userfield to contain in the Current Value: field. In this example, the text
Send using priority overnight delivery! will be in the Ship Method userfield. Click OK
when you have entered the information.
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Characteristics
The Characteristics button allows you to set the characteristics of the design.
To set characteristics, check the checkboxes next to the desired entries and click OK.
To cancel assigning new characteristics, click Cancel. The dialog box closes without affecting previously-
assigned characteristics.
Clicking Find opens the Characteristics Finder dialog box as shown below. Characteristics which were already
set will appear in the new dialog box automatically.
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Enter the characteristic to find and click Find. Search descriptions searches the descriptions for matches, while
Search codes searches only the codes for matches. At least one of these checkboxes must be checked.
Any matching characteristics will appear in the Select characteristics to set field, but they will not be selected.
Select All selects all the characteristics. Toggle All deselects those characteristics which were previously
selected and selects those which were previously not selected.
Combine searches by entering more search terms and clicking Find. Any non-selected characteristics from the
previous search will be removed from the results box. The results of the new search will be shown along with
those results of the previous search that were selected.
Saving a manufacturing file is done the same way as saving a design file. Specify a customer, owner, salesperson,
designer, description, and an authorization message. Click User Fields to assign userfields to the manufacturing
file.
Note: The Characteristics Finder does not show hierarchical characteristics. All characteristics are
displayed on the same logical level, so there may be apparent duplicate characteristics.
The following dialog box appears when saving a manufacturing file. It works the same way as saving a single
design.
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When Edit is clicked, the editable fields on the General, Characteristics, Userfields, and Print Items tabs turn
white, and the Save and Cancel buttons become available as shown below. Make the desired changes and click
Save.
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When a Synchronize dialog box appears, review the information shown in the Workspace group and Database
group. Click Keep Workspace if the information in the Workspace group is correct. Click Update From Database
if the database information is correct.
Click the Generate Report button on the toolbar to export information from DataCenter. You can either
export detailed information about the current selection(s) by choosing Use Selected Records, or print a list of
the objects in the browser by choosing Use All Records. If there are any Multiple Workspace Outputs defined in
Defaults, you can also output the selected workspace(s) through them as well.
There are two reports for each browser. The AutoCol Browser List format automatically detects which columns
of data are selected in Defaults and includes them on the report.
The SimpleEmb Browser List format presents just the information shown in the browsers.
The reports use three formats:
• CSV - produces a CSV (Comma Separated Values) file suitable for importing into a spreadsheet.
• HTML - makes an HTML (Hyper Text Markup Language) document which can be viewed in a Web browser.
• XML - makes an XML (eXtensible Markup Language) file suitable for delivering data to other applications in a
rich, structured way.
All report types are created using XSLT transformations.
Customizing these reports involves changing the XML that is exported from ArtiosCAD and then modifying the
XSLT transformation template to process the new XML information. Simple modifications, such as changing
header columns can be performed by changing the Database Browser Reports entries in Defaults, but for more
complex modifications, you should enlist the aid of the Esko Professional Services department or someone who
has XML/XSLT editing experience.
Note: If Thumbnails are selected in the report Properties in Defaults, a JPG file for each thumbnail
is stored in the same directory as the report output file. The thumbnails must be kept in the same
directory as the report output file in order to appear in the report.
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Other tasks
AutoLoad
AutoLoad is a utility which reads information about existing CAD designs and layouts and imports the data
into the database. AutoLoad can read native ArtiosCAD (.ARD) workspaces, The Designer WorkBench (.DES)
workspaces, and LASERPOINT IQ workspaces.
Use AutoLoad whenever you have multiple designs whose data you want to enter in the database without
having to open each file and save it. Such a situation could be when you have loaded ArtiosCAD on a system
which already contains ArtiosCAD, LASERPOINT IQ, or The Designer WorkBench designs. Another situation could
be when you have copied many designs from another system onto your system.
AutoLoad can also convert batches of foreign file types (such as DXF or CF2) to ArtiosCAD workspaces. See the
upcoming section Recommended AutoLoad procedure for foreign file types for more information.
Simple AutoLoad
The procedure for using Simple AutoLoad is:
1. Make sure your database servers and resources are configured correctly.
2. Start ArtiosCAD.
3. Click Database, then AutoLoad.
4. In the What am I doing? group, choose New AutoLoad and click OK.
5. On the Input tab, check the checkboxes for the resource(s) you want to AutoLoad.
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If you select only one resource, you can choose the resource into which the files are loaded by changing
the entry in the Destination Resource list box. Selecting more than one resource to AutoLoad disables the
Destination Resource list box.
6. Click the Synchronization tab.
7. Set the option in the What am I doing? group.
Use Adding new files to the database (the default) when adding completely new files to the database.
These files have never been in a database in this ArtiosCAD installation before.
Use Recovering database when rebuilding a database, such as after a hard drive crash or accidental
deletion. This reads the database information stored in the workspaces and rebuilds the database with it.
Use Refreshing files after database changes to update the workspaces after having made changes to their
records in DataCenter Admin.
Click AutoLoad when you have chosen the option to use.
8. A progress indicator will appear.
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9. When AutoLoad completes, click Close to return to the AutoLoad dialog box, and then click Close to return
to ArtiosCAD.
Advanced AutoLoad
The Use File Template checkbox and field control which files are AutoLoaded. Any files matching the wildcards
in the field are loaded. ArtiosCAD single designs, ArtiosCAD manufacturing files, and The Designer WorkBench
workspaces have their wildcards set up by default. To AutoLoad all files in the selected resource(s), deselect the
checkbox.
The Use Files Modified Before and Use Files Modified On or After checkboxes, when checked, let you specify
the dates before, between, or after the dates you enter.
When checked, Only Add Files That Already Exist in the Database causes AutoLoad to skip those files whose
records have been deleted from the database. This allows you to refresh the database or designs with new
information without including all the designs whose records you manually deleted from the database on
purpose.
When AutoLoad runs, it generates a list of all the files it is to load and writes the list to the file shown in the Index
File field. This is usually ALOADLST.TXT in the default design directory. Append to Index File lets you link
together multiple source and destination resources into one file and thus one AutoLoad.
Synchronization tab
The Synchronization tab is shown below.
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The options in the What am I doing? group determine the way in which AutoLoad treats any existing database
information in the files. Use Adding new files to an existing database (the default) when adding completely
new files to the database. These files have never been in a database in this ArtiosCAD installation before. Use
Rebuilding database using file information when rebuilding a database, such as after a hard drive crash or
accidental deletion. This reads the database information stored in the workspaces and rebuilds the database
with it. Use Refreshing files after database changes to update the workspaces after having made changes to
their records in DataCenter Admin.
The data synchronization options control which data is kept when AutoLoad encounters a file which has a
corresponding record in the database. These options are set by the option selected in the What Am I doing?
group. They can also be set manually. If you make any manual changes, the option buttons in the What am I
doing? group are cleared.
Use data from database updates the file on disc with the information saved in the database. This option is
available for all categories of information stored in the database.
Use data from file reads the disc file for information and uses the data it finds to overwrite whatever is stored in
that category of the database record. This option is available only for that category of data which does not have
its own browser in DataCenter Admin.
Use data from file, add database entry as needed reads the information from the disc file and automatically
creates any needed entries in the database. This option is available only for those categories of information
having their own browsers in DataCenter Admin.
Use data from file when defined in the database reads the information from the disc file and attempts to match
it to already-existing entries in the database. This option is available only for those categories of information
having their own browsers in DataCenter Admin.
When Adding new files to an existing database is the selection in the What am I doing? group, the options are
set as shown:
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When Rebuilding database using file information is the selection in the What am I doing? group, the options
are set this way:
When Refreshing files after database changes is the selection in the What am I doing? group, the options are
set like this:
The Use dates if found in database checkbox uses the dates in the database if they are available. If they are not
available, or this option is turned off, dates from the workspace are used.
The Keep original saved date checkbox, when checked, keeps as an element of the database record the date
the file was originally saved, but the date and time of the physical file is changed in the filesystem because
AutoLoad updates and saves the physical file. When this checkbox is cleared, the current date and time of the
AutoLoad is used in both the database record and the filesystem.
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The Automatically embed parametric dependencies checkbox controls whether ArtiosCAD automatically
embeds in a design those components of a design which are required to rebuild it such as geometry macros and
included designs.
The Ignore revision extension scheme for ArtiosCAD files checkbox, when checked, keeps AutoLoad from
renaming revisions of ArtiosCAD files it processes.
The options in the When converting non-ArtiosCAD files group control what happens when AutoLoad
encounters a foreign file with the same base name as an ArtiosCAD workspace. The ArtiosCAD workspace
may have been modified since the last AutoLoad. The Recreate ArtiosCAD file checkbox, when checked, tells
AutoLoad to delete the current ArtiosCAD file and recreate it from the foreign file; any modifications to the
ArtiosCAD file since it was converted to an ArtiosCAD workspace will be lost. If the checkbox is clear, the foreign
file is skipped and a warning is added to the log file.
The options in the ArtiosCAD File Extensions group control the filenames of non-native ArtiosCAD files. Add
ArtiosCAD filename extension adds the appropriate .ARD or .MFG to the filename, which is useful when
AutoLoading LASERPOINT IQ workspaces. Replace current filename extension deletes the current extension
and replaces it with either .ARD or .MFG as appropriate, which is useful when AutoLoading .DES files from The
Designer WorkBench. Note that .WBD files from The Designer WorkBench can not be AutoLoaded.
To perform an Advanced AutoLoad, set the options described above as desired and click AutoLoad. The files will
be loaded into the database. When AutoLoad completes, click Close to return to the AutoLoad dialog box, and
then click Close to return to ArtiosCAD.
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This procedure will minimize the overall time required to AutoLoad the files. Note that using any of the database
synchronization options can significantly increase the time required to process the desired files.
3. The AutoLoad dialog box appears with a different Input tab than for new AutoLoads.
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4. Click Specify Index File and find the ALOADLST.TXT file generated by the previous AutoLoad. The Open
dialog box opens in the default design directory; browse for the file if you specified a different location for the
index file in the previous AutoLoad. Select the file and click Open.
5. The File List group shows the files that AutoLoad previously attempted to process. The first file after the
point of failure is highlighted by default.
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again; if they error, examine the log file by clicking View Log. To resolve the error, try to open the files in
ArtiosCAD and then save them.
Pattern searching
When pattern searching is enabled in Defaults, the Oneup Design Information and Manufacturing Database
Information dialog boxes change. The drop-down list boxes for the Customer, Owner, Designer, and
Salesperson fields disappear and the fields become disabled. In addition, there are ... buttons leading to dialog
boxes which let you search for records and then display details about the selected records, or display details if
there is already a selected record. Shown below is the Customer dialog box; all four dialog boxes act similarly, but
only the Customer dialog box has the New button.
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Pattern searching works by entering a few letters of a word, or a whole word, or a complete phrase, then
choosing a method of searching, and then clicking Find. The results of the search populate the drop-down list
box.
For example, to find the Meeber Box Company, one could enter just the first few letters - Meeb - and choose
Begins with. Or, one could enter Box and choose Contains. Finally, one could enter Meeber Box Company and
choose Equals, and then click Find. Clicking the drop-down list box activator will display a list of results from
which the desired entry is chosen.
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Clear clears the current search results and lets you search for a new value.
New appears only in the Customer dialog box and lets you enter a new Customer database record.
The double chevrons (« and ») display the previous and next entry in the search results, respectively.
To accept the results of the search, click OK; otherwise, click Cancel to return to the previous dialog box.
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7. In the Tables to Import group, check the Design Characteristic checkbox. If you want to replace the existing
characteristics, check the Replace Characteristic Tree checkbox. To merge the new characteristics in with
the existing characteristics, leave the checkbox blank. The dialog box should look similar to the one shown
below.
8. Click Import. The Table Importing progress bar will increment as the file loads.
9. When it is done, you may load the other new characteristics file by repeating steps 5 through 7, substituting
the name of the other file in the Name: field, and making sure to not select the Replace Characteristic Tree
checkbox (otherwise the characteristics from the file you just loaded would be overwritten).
10. To view the log file, click View Log. To exit the utility, click Exit.
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17. Appendix
Center-Point Zoom
Zoom Out
Scale to Fit
Pan/Zoom
View Mode
Geometry toolbar
Line Angle/Offset
Line Horiz/Vert
Line Angle/Length
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Tool New Icon Old Icon
Arc Start Angle
Arc Center
Circle Radius
Circle Diameter
Ellipse
Rectangle Horiz/Vert
Offset Line
Straight Curve
Curve Straight
Line Join
Arc Join
Tangent Arc
Bezier
Move to Point
Dimension toolbar
Temporary Dimensions
Distance Dimension
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Tool New Icon Old Icon
Auto Aligned Distance Dimension
Angle Dimension
Radius Dimension
Diameter Dimension
Auto Dimension
Chamfer
Split Line
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Tool New Icon Old Icon
Trim Interior
Extend Line
Stretch Point
Stretch by Polygon
Follow
Conlines toolbar
Conline Offset/Angle
Conline Offset
Conline Division/Midpoint
Conline Radius
Conline Join
Edit toolbar
Select
Select Conlines
Select by Example
Delete
Move to Layer
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Tool New Icon Old Icon
Move
Rotate Right 90
Rotate Left 90
Rotate 180
General Rotate
Scale
Differential Scale
Copy
Repeated Copy
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Tool New Icon Old Icon
Copy Mirror About Line
Ungroup
Ungroup All
Group
Group Sequence
Offset Lines
Annotation toolbar
Text
Align Left
Align Right
Align Bottom
Align Top
Arrow
Detail
Adjust Detail
Outline Text
Line Text
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Tool New Icon Old Icon
Line Type Label
Hatch
Artwork Panels
Dynamic Art
Undo-Redo toolbar
Undo
Redo
Rebuild
Rebuild Playback
Align Horizontal/Vertical
Adjust Arc
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Tool New Icon Old Icon
Straighten
Adjust Bezier
Reverse Direction
Sequence
Extend/Measure toolbar
Extend
Clear Extend
Measure
Register Bitmap
Clip Graphics
Replace Graphics
Move Graphics
Autotrace Bitmap
Color Stock
Fill
Stroke
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Tool New Icon Old Icon
Fill Panel
Send To Front
Send To Back
Reports toolbar
Prompted Text From Table
Calculated Text
File Window
Report Size
Counter toolbar
Create Or Rebuild Counter
Rebuild Chamfer
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Tool New Icon Old Icon
Add Drill Hole
Add Bridge
Add Nick
Delete Bridge
Move Bridge
Delete Nick
Move Nick
Shorten Creases
Delete
Repeat
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Tool New Icon Old Icon
Delete All
Add Bridge
Delete Bridge
Move Bridge
Add Nick
Delete Nick
Move Nick
Dieboard toolbar
Create Stripping Rule (Line/Edge)
Make Hook
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Tool New Icon Old Icon
Balance Knives
Select MHP
Add Gripper
Horizontal Split
Add Interference
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Tool New Icon Old Icon
Create Separator
Oneups Dialog
Copy Oneups
Delete Oneups
Move Oneups
Straight Nest
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Tool New Icon Old Icon
Reverse 2nd Column Nest
Replace Oneups
Specify Nest
Delete Nest
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Tool New Icon Old Icon
Move Bridge Start Point To Center
DieSaw toolbar
Generate Leader Holes
Reverse Cut
Rubbering toolbar
Rubber Area
Select Rubber
Split Rubber
Join Rubber
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Tool New Icon Old Icon
Move Rubber Split
Trim Rubber
Add Rubber
Subtract Rubber
Add Separator
Move Separator
Delete Separator
Add Open-Out
Delete Open-Out
Group Rubber
Ungroup Rubber
Layout Rubber
Blanking toolbar
Add Grid Bar
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Tool New Icon Old Icon
Generate Blanking Tools
Adjust Pushers
Add Photocells
Add Hardware
Add Tie-Bolts
Add Pressers
Delete Blanking
3D Tool Icons
Table: 3D Tool Icons
Center-Point Zoom
Zoom Out
Zoom In/Out
Scale To Fit
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Tool New Icon Old Icon
Scale To Fit With Border
Pan/Zoom
View Angle
Previous View
Next View
Rotate Right
Rotate Down
Orthogonal View
Perspective
Light Source
View Mode
3D Tools toolbar
Select Designs
Move Designs
Move Designs X, Y, Z
Duplicate Designs
Duplicate Designs X, Y, Z
Ungroup Designs
Group Designs
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Tool New Icon Old Icon
Rotate Designs
Drag On Plane
Array Copy
3D Dimension toolbar
Dimension
Select Dimensions
Animation toolbar
Add Frame
Update Frame
Animation Playback
Delete Frame
3D Extend toolbar
Extend
Extend Design
Clear Extend
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Tool New Icon Old Icon
Cross Section Tool
Fold in 3D toolbar
Fold Angle
Fold All
Fold 2 To Meet
Fold 1 To Meet
Flap Priority
Bend Panel
Mate
Mate All
Undo Mate
Snap Tab/Slot
Update 2D
Wire Frame
Perspective
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Tool New Icon Old Icon
Board Thickness
Graphics
Transparent
Creases Pink
Bounding Box
Floor Shadows
Arithmetic functions
Included in ArtiosCAD are arithmetic functions which can be used anywhere that data is input. In the table
below, the capitalized letters in the function are the minimum you have to enter into the data entry field.
Function Usage
ARCCos(cosine)
Result: Angle between 0 and 180. ArtiosCAD will error if the cosine value is outside range
-1..1.
For example, ARCCOS(0) = 90
ARCSin(sine)
Result: Angle between -90 and 90. ArtiosCAD will error if the sine value is outside range -1..1.
For example, ARCSIN(1) = 90
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Function Usage
ARCTan(tangent)
COSine Calculates the cosine of an angle. The angle must be in degrees but there are no limits on
the value used for the angle. Syntax:
COS(angle)
POWer Raises the number to the given power. Fractional powers are not permitted for negative
numbers. Syntax:
POWer(value,exponent)
The value and exponent must be separated by a comma regardless of the language in
which you are using ArtiosCAD. To use a decimal exponent, use a period as the decimal
separator, not a comma.
Result: Numeric.
For example,
POWER(3,2) = 9 POWER(64,1/3) = 4 POWER(2,3) = 8 POWER(64,-1/3) = 1/4 POWER(-2,3) = -8
POWER(5,3.6) = 328.316
SINe Calculates the sine of an angle. The angle must be in degrees but there are no restrictions
on the value used for the angle. Syntax:
SIN(angle)
SQRT Calculates the square root of an arithmetic expression. Not valid for negative numbers.
Syntax:
SQRT(expression)
Result: Numeric.
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Function Usage
For example,
SQRT(36) = 6
TAN Calculates the tangent of the angle. The angle must be in degrees but there are no limits on
the value used for the angle. Syntax:
TAN(angle)
Result: Number.
For example, TAN(0) = 0, TAN(45) = 1, TAN(60)=1.73205,
TAN(-45) = -1
Reserved words
The following words and word fragments are reserved for use by ArtiosCAD. Do not use them for variable names
or in command files.
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Die bolt holes Dieboard 217 Inside edge. Drill holes for DieSaw
output are distinguished using different
subtypes.
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Rubber inside edge Rubber 220 Annotation. Distinguished from the rest
of the outline so that it can be cut with
a bevel on machines that have a tilting
head.
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. . . .
. . . .
. . . .
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V-notch outside bevel N/A 300 Only for internal use by other Esko
products
V-notch inside bevel N/A 301 Only for internal use by other Esko
products
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Glossary
Term Definition
Accept ratio problems A checkbox that allows the user to continue running a standard even if the ratio of
the variables (length, width, depth, etc.) is not in correct proportion.
Account for Deflection An adjustment for the deflection of a tool when cutting the counter. It is used to
ensure channel width accuracy.
Air hole Hole(s) made in the stripping board to help prevent jams caused by a vacuum
effect.
Alignment hole Hole(s) made in the die board to allow quick and easy alignment of a set of
manufacturing tools.
Allow Rotation on Repeat A menu checkbox in Manufacturing Layout that gives the option to consider
rotated one-ups the same as non-rotated one-ups and therefore do the same
operations in congruent areas.
allowance reduction An addition to the bridge’s width to compensate for the leader hole’s reduction of
the bridge’s width when using a diesaw.
Angle The number of degrees between two lines or between a line and an axis
Annotation Details, arrows, and text that are typically placed on a drawing to provide more
explanation.
Authorization Msg A field for marking a design. Typically initialed as “approved by” or marking it with
an appropriate comment.
Auto Aligned Distance A tool that dimensions a series of parallel lines in a design.
Dimension
Auto Numbering Automatically sequencing the next design and/or revision in ascending order
based on configuration.
Auto-Detect An importing option that decides if a file should be imported as a Layout or Oneup.
This decision is made based on the contents of the file.
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Term Definition
AutoLoad A utility which gathers information about existing CAD designs and layouts. Then it
imports the data into DataCenter and saves them with the appropriate ArtiosCAD
file extension.
AutoSave A utility that will create temporary backup files that are available for recovery
should the system crash.
AutoSave Recovery A dialog box offering the option to recover the temporary backup files created by
the AutoSave feature.
AutoTrace Bitmap A tool that replaces a bitmap with lines and arcs that can be manipulated in
ArtiosCAD.
Balance Knives Steel rules that are used to balance the load on a dieboard for a platen press. They
are also called leveling knives.
Base Face The selected panel of the design around which all other panels fold. Used in 3D
mode.
Basic Dimensions The dimensions that are required to be entered to run a standard, typically length,
width, and depth.
Beeps A sound/noise made to inform the user of things such as data received or an error
in snapping.
Belt speed The number of feet per minute that a conveyer belt moves. The belt speed and
travel distance are used in one method of determining the number of sheets per
hour in the Intelligent Layout module.
Bend corners A grouping of options to take a piece of rule and extend it around a corner at an
angle on a rotary die. The options are to take the rule from rotary to flat or from flat
to rotary.
Bend Length In a rotary die, the length of the chop knife that is used for transitioning corners
from rotary rule to flat rule or from flat rule to rotary rule.
Between teeth An option to have bridging start between the teeth on a rotary rule.
Bevel An option for joining strokes that chamfers the outside edges of strokes that meet.
Strokes are graphical additions to a line. The Bevel option can be used when auto-
tracing a bitmap.
Bezier A tool that creates a French curve with a start point, an end point, and two
adjustable middle points.
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Term Definition
Beziers to Arcs An option that changes all bezier lines in the design to arcs and is used when
exporting to programs that do not support beziers.
Blank Any die cut section of boxboard in a flat configuration. The Blank is formed into a
rigid box later. Also, a Blank is a folding carton after cutting and scoring but before
folding and gluing.
Blanker The actual board that breaks the nicks to separate the designs. It is the last station
in the press.
Blanker pusher The part of the blanking tool that traps the design and pushes it through to
separate the designs.
Bleed Defines the area of ink coverage when the sheet moves through the printing press.
Bleed tool A tool that creates a Bleed Outline with optionally excluded panels and an offset
value.
Block A piece of wood or a font type for the name that is burnt into the die.
Board A heavy thick sheet of paper or other fiber substance usually of a thickness of
0.006 inches or more.
Board Code A group of settings that tells ArtiosCAD about the material used to manufacture
the design.
Board Properties The characteristics of the board that is being used. The properties include caliper
(board thickness), costs, and test paper.
Bowtie A hole in the counter to allow for the cut section of a cut crease line. The hole is
shaped like a bowtie.
Bridge The small areas left uncut in a jig or laser die for the purpose of holding the die
together.
Bridge Rule Path Applies the bridging formulas to each rule path and creates the appropriate
bridges.
Bridging The placement of notches in a steel rule blade so that the blade can fit into it’s
relative place in a dieboard.
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Term Definition
Brightness Threshold A control (slider) that determines how much of the chosen color will be vectorized
in relation to the brightness of the color selected to vectorize. It is used when auto-
tracing bitmaps.
Build Rule Path Applies the rule path algorithm to the entire design and creates a representation of
the steel rule.
Builder The component of ArtiosCAD which allows the user to create new designs based
on standards.
Building a command A message statement that informs the user that the digitizing command is not yet
recognized.
Burn Name A name to be inscribed by laser burn into the die board.
CAD-X ArtiosCAD ActiveX control, a library of calls that will enable ArtiosCAD functions to
be invoked from another program.
Calculated Expression The text that is generated automatically from a predetermined formula.
Calculated Text The tool that contains the options which affect the text (calculated expression)
that is generated when printing a report.
Caliper (CAL): The thickness of the type of board that is being used for this design.
CAM Device A peripheral (output device) which outputs using a driver other than a Windows
driver.
Carrier Rule A steel rule used to support the sheet to prevent snagging when there are interior
cutouts.
Chamfer A tool that trims the edge of the counter with a gentler slope (except near creases)
than the periphery tool.
Chamfer Gap The distance between the inside edge of a chamfer and the crease channel in a
counter.
Check Condition An expression that limits the values that can be assigned to a variable (e.g. L>0). It
is used in modules like StyleMaker.
Chop Knife The steel rule in a die that is used to cut up the scrap into smaller pieces.
Class A category of the layer (main design, annotations, windows, cutouts, etc.).
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Term Definition
Clear Extend A tool that removes the handle points created by the Extend tool on the Extend/
Measure toolbar.
Clip Graphics A tool to trim the extraneous part of a graphic away, by forming a clipping path.
Clip Path A path (loop of lines) to cut along, by trimming the outside excess away.
CloseUp A window showing a zoomed in view of the area surrounding the point clicked.
Coating blanket A coating or thin layer of varnish used to protect those areas of the sheet not to
be coated as the sheet moves through the printing press. Also, it can be called a
varnish blanket.
Color Stock A tool that adds a uniform color to all panels of the board design.
Color to Vectorize An option which lets the user choose the Bitmap color that is converted to lines
and arcs.
Compromise Factor The ratio of the distance from the cut to the counter periphery. It is used when any
cut and crease are too close together for the distances specified.
Conarc Construction arc. An arc which is often drawn to aid in the actual drawing of the
design.
Condition Composed of a type and the limit value for Cost Center expressions. The condition
can be changed by using a modifier.
Conline Construction line. A line that is often drawn to aid (guide) in the actual drawing of
the design.
Control point A point of reference to control the drawing of the curve between the start and end
points. Two middle points are used as Control points in Beziers.
Convert Fills to Lines An option to change fills (fills of color) to print image lines. It also places them
in overlays whose names are the color of the fill. This option can be used when
importing an EPSF file.
Convert Strokes to Lines An option to change strokes (graphical additions to lines) to print image lines.
It also places them in overlays whose names are the color of the stroke and the
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Term Definition
thickness of the stroke in points. This option can be used when importing an EPSF
file.
Corner angle sharpness “The parameter for determining how close a pin, block, or rule will travel into the
threshold narrow areas of the lower stripping board.
Corner Factor A parameter that determines whether a corner is sharp enough to be considered
the start of a new line.
Corner relief The relief cut for a steel insert in a counter to make reverse creases or reverse cuts.
Counter A special template made out of phenolic resin that aids in the production of
creases by providing a solid surface. It is used in folding carton manufacturing.
Counter channel widths A check box that when checked displays the actual paths made by the counter
tools instead of just an outline.
Counter Mill Outline The outline of an area to be milled (cut out). It is used for reverse creases, reverse
partial cuts, or for embossing.
Crease Channel Width The width of the channel crease in a counter, measured at the top of the channel.
Cross Grain The direction perpendicular to the grain (fiber) of the board.
Cume Dimension A tool that displays the running total or accumulation of distances from a known
point to an endpoint. Cume is short for cumulative.
Curve Straight A tool that creates a curve followed by a straight line (defined by a start point, end
point, angle, and radius for the arc).
Database Electronic storage (a place) where the information about the design and customer
are saved.
Default The setting of an option (property, variable, tool, etc.) that is used unless another
choice is entered or the default is changed under Options. Also, Defaults are
baseline settings.
Delimited The separation of data by a comma or another item. This is a format option for the
Digitizer.
Design Checks A tool that checks the current design for double lines and gaps.
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Term Definition
Detail A tool that allows selection of an area to be magnified. It also allows placement of
the window which will show the magnification, called the detail window.
Die Any of the various steel rules used to cut, crease, or perforate Boxboard into a
desired shape.
Die Cut A cut made in some soft to semi-rigid material with a cutting die.
Die Press A machine that holds and uses a die to cut material into pieces and parts.
Dieboard A hard plywood used as the carrier for steel rule dies (e.g. stripping knives, balance
knives, etc.).
Diemaker’s Fix-it A group of tools that check the design for small abnormalities and give the user the
option of fixing them.
DieSaw A saw used to cut the routed groove for the insertion of the steel rule. A Diesaw is
used like a jig saw and has an attached drill to make starter holes for the saw blade.
Differential Scale A tool that scales the selected items with different factors for horizontal and
vertical directions.
Digitize The process of transferring a design from a drawing or plot into a digital file using a
digitizer.
Digitizer An input device that normally consists of a flat tablet that the operator traces over
with a pen like stylus or another cursor device. The patterns traced by the operator
are automatically entered into the computer’s memory for subsequent processing.
Double Knife Removal A tool used to remove any knives that are too close together on a dieboard.
Drag Color The color of the lines used to show the lines that will be created.
Drag Snap A snap feature for dragging the cursor (mouse) that lets the user snap to specified
angle and length increments. The cursor will round to the nearest snap increment
when drag snap is on.
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Term Definition
Drill Hole A hole made by drilling up and down in a one step process.
Ear style A group of options for the style of the ears (special flaps). They are created when
running a standard with ears for a container or carton.
Edit Tools Tools that help with the process of changing, deleting, coping, and/or processing.
Ellipse A tool that creates a set of arcs forming a loop defined by a length and width.
Embed dependent files An option to embed the files that the selected file is dependent on. This option is in
the information filter.
embedded design A design that has been embedded in another file (e.g. designs saved in
manufacturing files).
Emboss A technique for impressing a design or texture into a sheet of material from the
back of the sheet so that the design extends out towards the viewer.
Emboss Relief Width The width of the relief from the half crease (crease on one side of the counter
channel).
Enable subroutined An option that refers to support subroutines in the NC (numeric control) output.
output This option only works with the PUNCH command. Turning this checkbox off
combines all elements of the layout into one set of data on output.
Enforced Check A check that must be performed in Advanced StyleMaker. Unlike a check condition,
an enforced check cannot be ignored.
DataCenter A program which makes finding specific information about ArtiosCAD designs
quick and easy by using a database structure.
Etch A thin partial cut made with a laser die cutter or a mill tool. Typically, it is used for
putting text on the die.
Extend To lengthen one geometry to meet another geometry (e.g. extend one line to meet
another line).
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Term Definition
Exterior A grouping of choices to determine the type of tooling for the outside (exterior)
stripping of a dieboard.
External Varnish Offset The offset (distance) that the varnish is to extend beyond the design.
Fast Block A block type font that is designed to be burned into the die quickly.
Favor Horizontal An option for when rule paths cross in which the vertical rule is broken and the
horizontal rule is continued.
Favor Vertical An option for when rule paths cross in which the horizontal rule is broken and the
vertical rule is continued.
File Window A window (pane) that displays pictures of flat designs, manufacturing files, print
items, and 3D files.
Fill A tool that fills or covers an area contained by a closed loop with the default color.
Filter A method of sorting that uses selection criteria, typically it is used in database
searches or data selection.
Fix All A command to fix all of the problems that were found with Diemaker’s Fix-it.
Fix minimum To fit the sheet size to the minimum size defined by the die press or printing press
selected.
Fixed Point A point to which an item that the user is editing remains fixed (relative to).
Flat A style of ending a stroke in which the stroke ends at the same point as the end of
the object being stroked.
Flute (Corrugated) The wave shaped formation of the inner component of corrugated fiberboard.
flute/grain direction An indication of fiber direction (horizontal or vertical). The normal direction of flutes
is parallel to the depth of the box, so that they are vertical when the box is stacked
for shipment.
Fold 1 to Meet A tool that changes the angle of a crease so that two lines meet.
Fold 2 to Meet A tool that changes the angles of two creases so that two lines meet.
Fold All A tool that changes the fold angles of all the creases in the selected design(s).
Fold Angle A tool that changes the fold angle of the selected crease(s).
Follow A tool that follows (parallels) the path of existing geometry with an optional offset.
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Freeform Editing An option that allows the user to make changes to the edit log commands by
typing over them. This option is for rebuilding the design and may affect the
rebuild of the design.
Freehand Coordinates An option which allows the user to snap to coordinates not on the grid.
Freehand Drag To move objects by clicking and dragging them. There are two groups of tools to
which freehand drag can be applied. The first group of tools is the annotations,
dimensions, and text for which freehand drag is on by default. The second
grouping is lines, arcs, beziers, etc.
Front waste The remaining front trim after all stripping has been done.
Front Waste Separator A tool that adds a separator to strip the waste from the lead edge of the layout.
Function Key A shortcut key, a key which may be used to perform a task rather than clicking.
Geometry Any item that is on a die press manufacturing tool. Dimensions, annotations, and
graphics are not considered geometry.
Geometry Macro A catalog of resizable shapes that can be added to the design. The shapes are
composed of common geometry (lines and arcs).
Gets Device size A tool that gets the size of the device for which the report is being made.
Ghosting Constraint The restrictions on how the layout of the sheet may be done based on printing
considerations, typically color sequencing.
Glue assist A type of perforation rule which partially cuts the board to assist in embedding
glue (similar to roughing a surface to hold glue).
Grain In paper making, the direction in which most fibers lie. Normally, the grain
corresponds with the direction that the paper travels through the machine.
Gripper fingers Metal fingers that clamp onto the board and control it’s flow as it passes through
the press.
Gripper Image A workspace that shows the placement of the gripper fingers that are used to pull
the sheet through the press.
Group A tool that makes ArtiosCAD treat more than one object as one object.
Group Layer Warning A warning about the layer that a group of items is in (e.g. a group of items is not in
your current layer).
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Term Definition
Group Output Allows you to group (list) already defined (made) outputs to turn them into one
output.
Guillotine The piece(s) of wood that pushes out the external waste from the top and side of
the sheet.
Gutter The set distance between single designs in a layout of nested designs.
Half Crease (must form To crease on one side of the counter crease channel.
loop)
Half Cross Grain Channel To adjust the channel width for the cross grain direction.
Width
Handle Point A point used to grab and move an element. It can also be used to control an
operation (e.g. copy rotate).
Header slot style A group of choices for the slot style of a container. The choices are between full
cut slot, 3 sides cut, and crushed.
Hook A J-shape that can be formed at the end of the stripping rule. A hook is used to
keep the stripping rule from moving in the dieboard.
HRMS/SCS transfer To send information from ArtiosCAD to the Harry Rohdes Management System
shop card server, a business system.
Import as Graphics An option to import strokes and fills unchanged when importing EPSF files.
Infold perf and score The diagonal crease of the side panels to facilitate folding inward, typically on a 4
or 6 corner tray.
Information Enhancement An option to synchronize some fields between ArtiosCAD and DataCenter.
Inner Diameter Subtype: An input box that has a pull down menu that tells ArtiosCAD which manufacturing
tool to use to create a hole.
Inner pin to pin distance The density of pins in a large support or waste area.
In-Place Geometry Tool A special advanced geometry tool for Manufacturing that runs within the context
of the design (layout).
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Term Definition
Inset count In rotary rule, the number of teeth to skip before removing the first tooth for a
bridge.
Inset distance: A user set distance for a bridge’s position from the end of the rule.
Inside Loss (IL): The distance lost on the inside measurement of a carton or container due to a fold
in it. This loss is attributed to the thickness of the material being folded and the
radius of the bend (fold) in the material.
Inside Side The side of a carton or container that will be on the inside when the carton or
container is folded, usually the unprinted side.
Intelligent Counters A module of ArtiosCAD which easily creates counters for most designs.
Interference Also called Power Stripping. The process of adding a little bump into the outline
of a hole. It is used to prevent things from clogging or jamming the hole due to
suction.
Interior A grouping of choices to determine the type of tooling for the inside (interior)
stripping of a dieboard.
Intersection Point The point where two geometries (e.g. lines or arcs) meet.
Invert Selection An option which selects only those items that are unselected.
Item reference tool A Diagnostic tool to display the full path name of an item on the design.
Jigged An option for creating a separator wood edge in manufacturing (I.e. to create using
a jig saw).
Join A group of choices about how strokes that meet are connected (e.g. join by bevel).
Keypad A display of a keypad on the monitor to enter values, variables, and expressions.
Land The space between the start or end of a zipper cut and the next intersecting line.
Laser An output type which makes laser setup available. It is also a method of
manufacturing. It is also a line type subset.
Layer The separate levels of design information grouped by functionality (e.g. Main
Design, Dimensions, and Annotation).
Layout A design or multiple designs stepped and repeated one or more times.
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Term Definition
Lead -> Trail bottom->top, an option to work the rule path from the bottom to the top of the
dieboard.
Lead edge The first portion of the blank to come in contact with the die.
Leader Hole A starter (pilot) hole in which to insert the diesaw’s dieblade.
Leader Hole Tools A set of tools for making starter (pilot) holes in the dieboard for the diesaw.
Length of Line A button on the keypad that allows the creation of a new line using the same
dimension as an existing line.
Licenses The permissions to use a program or piece of a program. Certain restrictions and
responsibilities apply.
Light source A tool that changes the light source’s angle and elevation in the 3D Design.
Line - Gap Sequence A tool that turns a line - gap sequence into a line with bridges.
Line Type The category (type) of a line (I.e. cut, crease, partial cut, etc.).
Liner The non-corrugated part of the corrugated board, typically the inside and outside
of the board.
Localization The act of converting a version of software from the original language it was
developed in to the language and conventions of another country.
Lock style A group of options for the style of the lock (tab to keep the carton or container
closed). It is created when running a standard with a lock for the container or
carton.
Log Command An individual command in the Edit Log (Logfile) that is used in rebuilding the
design.
Logfile The file of commands which were used to build the design. Also, a history file
containing the history of the designs that have been autoloaded.
LWD values cannot be An error message meaning that length, width, and depth values cannot be
negative. negative.
Make Counter An option that sends the Counter information in the Counter Layer to a file which
can then be interpreted by a samplecutter. A Counter is also called a Matrix.
Manufacturing The module of ArtiosCAD that makes production tools from single designs.
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Mapping The transformation from one set of attributes to another set of attributes used
when importing DXF files.
Measure Tool A tool that measures the length, angle, radius, and the x and y coordinate.
Medium The corrugated part of the corrugated board, typically the middle of the board.
Merge Line Straight A tool that merges lines into a single straight line.
Mill Hole A hole made by milling (cutting) up, down, sideways, and/or in a spiral pattern.
Milling Tool A tool that cuts an area or outline. It is like a drill, but has a sharp outer edge (flute)
to allow a horizontal moving cut.
Miter An option for joining strokes (graphical additions to lines) that makes the inside
and outside angles the same.
Mounting Bar A bar to mount the die wood to the die press.
Name Tool A tool that etches an identifying label into the counter.
Nest A tool that takes a single design and steps and repeats it tightly. Nesting is used to
serve as a pattern for die making.
Nick A little piece of material connecting individual items that doesn’t get cut in order
to keep the sheet together.
Notch A cut (notch) in the dieboard edge for registration and to help line up the dieboard
and machine.
Number Expression A text string comprised of numbers, called number text. This type of text can be
used when editing an expression in Advanced StyleMaker.
Number up The total number of times that a certain design is on the layout.
Off the Counter An option referring to lines, cuts, and creases not being on the actual counter (I.e.
when the shape of the counter does not include these lines.)
Offset A spot or point that is displaced, or offset, with respect to another point.
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On center of tooth An option to have bridging start in the middle of a tooth on a rotary rule.
Oneup A single design that is part of a manufacturing layout and is usually used for
creating multiple or nested designs.
Open-out A small slit cut in the corner of a rubber piece that allows it to open flat in a rubber
layout for better nesting.
Out from die split An option to work out from the edges of the die split when ruling a rotary dieboard.
Outfold perf and score The diagonal crease of the side panels used to facilitate folding of the panels
outward, typically on a 4 or 6 corner tray.
Outline Text A tool that converts text into print image lines.
Output The function in ArtiosCAD where reports, documents, samples, and data to drive
the equipment is produced.
Output Layer A layer that is a composite of the layers that are turned on. This layer is used for
inspecting and editing the output.
Outside Gain (OG) The distance gained on the outside measurement due to a fold in a carton or
container. This gain is attributed to the thickness of the material being folded and
the radius of the bend (fold) in the material.
Pane A window.
Peripherals Auxiliary physical devices connected to a computer system (I.e. plotter, printer, and
mouse).
Periphery Tool A tool that cuts out the counter with a beveled edge.
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Perspective A tool that changes the amount of perspective (depth and width) in the 3D
module.
Playback Tool A tool that rebuilds a design step by step while looking at the sequence of the
design as it is rebuilt.
Plotting Style The appearance of the graphical attributes of all objects. A description of the way
that various types of lines are being represented.
Post Run Geometry Tool A tool to modify the current manufacturing die board.
Power stripping Interference, the process of adding a little bump into the outline of a hole so that
the waste stays where it is supposed to and doesn’t come back into the press.
Previous Fold Angles An option in 3D to fold the design using the angles by which the design was last
folded.
Prompted text A type of text inserted into a report to have the report prompt you to fill that text in
each time the report is printed.
Prompted Variable A variable that the user is asked to enter a value for. Prompted variables are used
in Reports and Cost Center.
Property Defaults Typically startup items, they can change properties of an object during a program
session.
Property Page The page or window that displays the characteristics of a selected item.
Punch drivers Software routines that control the punching out of material during the diecutting
process.
Push Pins A tool for stripping, usually metal, used to push out waste.
Pusher active part The top piece of a push pin which actually pushes the material away.
Pusher base The base of the push pin which is set into the dieboard.
Pusher clearance The distance that a push pin is from any other object.
Pusher shoulder The larger part of the push pin that keeps the push pin in place by not letting it fall
through the die board.
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Radius Sweep The value of the angle an arc travels through. Half of a circle would be 180 degrees,
and a quarter of a circle would be 90 degrees.
Rebuild A tool that allows the building of a design that is based on variables so that it’s size
can be changed.
Rebuild Conflicts A dialog box that warns of design problems that arise while rebuilding a design.
Rebuild Expression Tree A command button to update a conditional statement. It is available in Advanced
StyleMaker after editing the Current Expression dialog box.
Rebuild Playback A tool that rebuilds a design step by step while looking at the sequence of the
design as it is rebuilt.
Recovery Options A group of choices on how to proceed with recovering a design after Rebuild
(Design) has failed.
Registration Hole Mounting hole, a hole to fasten the manufacturing tool to the press.
Reinit All A function that resets all variables to their default values in a design
Relief Profile The shape of the relief (extra cut out material) to be used to avoid squeezing the
carton or container as it is pressed against the counter.
Relief Slot Base The width at the bottom of the relief (extra cut out material) slot for ending a
crease in a counter.
Relief Slot Opening The width at the top of the relief (extra cut out material) slot for ending a crease in
a counter.
Relief Slot Overcut The distance between the end of the crease and the relief slot bottom. The relief is
extra cut out material.
Report A form with pictures of workspaces along with information about these workspaces.
Report Maker A module that allows the user to create customized reports.
Reset A command that sets values back to their original values (usually 0).
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Term Definition
Rotary A checkbox in manufacturing that informs ArtiosCAD that rotary rule is going to be
used.
Rotary Rule A rule that is built curved to be used on a rotary die press.
Round Limit The accuracy with which to round. It is used to set the accuracy for the rounding
function.
Round slot method A method of dealing with sharp corners, so tearing doesn’t occur.
Routed An option when cutting a sample counter to route (grind away the material in) the
crease channel.
Rule A steel blade on the die board which can create a variety of lines on a sheet,
including cut and crease lines.
Rule Mapping To map a particular rule size and type of your preference to a custom rule.
Rule Path The groove that the rule follows in the cutting die.
Safe separation The minimum distance two lines must be from each other to be ruled individually.
Save As Revision A command that saves the active document as a new revision.
Scallop A rule type describing the scalloped shape of the rule. It is used to perforate a
carton.
Scrap rule Also called chop knives, a steel rule used to cut up waste into small pieces.
Scrapped overrun The extra items (e.g. cartons or containers) which the customer will not accept.
Send to Back A tool that places the selected graphic behind all the other graphics.
Send to Front A tool that places the selected graphic in front of all the other graphics.
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Term Definition
Shared defaults The defaults used (shared) by all the users who use the same ArtiosCAD server.
Sharp angle threshold The parameter for determining how close a pin, block, or rule will travel into narrow
areas of a lower stripping board.
Sheet The raw material placed into a die press to be made into the final product. Also, it
describes the individual piece (sheet) of container or carton board.
Side bevel A type of cut rule that creates a bevel. More specifically, the serrated or flat edge
cut rule that has points or flats to one side of the cross section as opposed to
having points in the middle.
Single pass creasing A process in which the creasing tool passes over the material once to make a
crease.
Slot A cutout in a carton or container. In Manufacturing, when representing the Die, the
word slot refers to an option for the user to specify a nonstandard width (pointage)
for the slot where the rule will be placed.
Slot style A group of options for the style of the slot (opening or indent for a tab). It is created
when running a standard with a slot(s) for the container or carton.
Smooth Corner Parameter A parameter that determines whether a corner is sharp enough to be considered
the start of a new line.
Smoothing Threshold Controls the jaggedness of the new lines created when vectorizing a graphic.
Special Rule A specialty rule or extra generic rule that has been defined by the user.
Split Rule Path A tool that separates the specified rule path.
Standard A box or folding carton design that is rebuildable and is located in the standards
catalog.
Status Bar A bar located at the bottom of the window where information that is pertinent to
the user is displayed.
Stock Color The uniform color for all panels of the design.
Stop Bits The last bit of framing for a byte of data, in asynchronous serial communication.
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Straight Curve A tool that creates a straight-curve by end point, angle, and radius.
Straight Nest To nest (step and repeat a single design) without losing the orientation of the
design (I.e. without rotating the design).
Stretch Point Moves a point and the lines, arcs, and beziers ending at the point
Strip rule A steel rule that cuts waste into smaller pieces for easier removal. It is also a rule
that aids in the removal of scrap during the manufacturing process.
Stripping Edge The working area in which to place the stripping rule.
Stripping pins Pins that are made of a base, shoulder, and active part. They are used to push out
waste (scrap material).
Stroke Adds a ribbon of color around the edge of a line (graphical addition to a line) or
group of lines selected.
Structural Orientation A dialog box to set or change the side of the design, the grain/flute direction, and
the die side.
Style Catalog An organization mechanism (catalog) for styles also called Standards. Standard
carton and container designs are stored in defaults.
StyleMaker The module of ArtiosCAD that allows the user to make rebuildable designs.
Subtype Mapping A way of differentiating rule or line types (mostly for manufacturing).
Support Bar The bottom support(s) for the lower stripping board.
Support Holes Holes by which the support bar is attached to the bottom stripping board.
Support Pins Pins that consist of a base and a shoulder. They are used to hold up the block
(wood block and guillotine).
Synchronize A command to bring the data in ArtiosCAD into agreement with the data in
DataCenter.
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Term Definition
Tack Bridge A small gap in the edge of the material being cut to help hold it together. For
example, a tack bridge in the wood die is used to keep the waste pieces from
falling out into the laser bin.
Tack Bridge in Bowtie A gap in the periphery to hold the bowtie while the counter is being cut.
Tangent tolerance The number of degrees between two tangents. It is used to determine the best
sequence of cutting.
Taper Used to mean angle, the angle used to taper off the reverse crease in a counter.
Tear angle The smallest angle allowed before considering that a fracture or rip may occur at
that angle, which could require changing the sequence of cutting.
Tear distance The smallest distance allowed across a small piece of material at a specified
distance from the end of the material before considering that the material may rip
or fracture, which could require resequencing the cutting order.
Template A pattern that is used to assist in formatting data (e.g. a filename template used for
building a list of files).
Text Library Function An ArtiosCAD command file that returns a text variable.
Tile To split a drawing (output) over one or more pages, when it is larger than a page or
after it has been scaled to a size larger than a page.
Tolerance for gaps Used in design checks, it defines the maximum gap that will be ignored when
finding the perimeter of a design.
Tooling Anything physically made from the manufacturing process or CAM output.
Trailing Being the last thing following a path with regards to rule path direction.
Trim Against Selection A tool that shortens or extends a line or arc against the selection of another.
Trim Interior A tool that cuts out the interior section between two other geometries (e.g. lines).
Trim/Extend One Line A tool that shortens or extends a line or arc to meet another line or arc.
Trim/Extend Two Lines A tool that shortens or extends two lines to a corner.
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Term Definition
Tune File A file containing parameters that modify and control the way a driver produces
data or an import process interprets data.
Underrun Number of finished products less than the specified quantity required.
User Defaults The settings under defaults that the user has established.
Userfield Customizable fields for designs and manufacturing files that can contain almost
any kind of information.
Variable Conflicts A dialog box that informs the user that there are problems because of illegal
actions on variables. These problems are usually caused by moving or deleting
variables that have dependent relationships.
Varnish A thin, protective coating applied to a printed sheet for protection or appearance.
Varnish tool A tool that creates varnish outlines of selected panels, with separate internal and
external offset values.
View Angle A tool that changes the angle and elevation at which a design is viewed in
ArtiosCAD 3D.
View Mode A tool that controls the choice of what is shown (lines, graphics, annotations, etc.)
and the representation (plotting style) of how it is shown.
Wave A rule type describing the wavy shape of the rule. It is used to perforate a carton.
Wood block Any piece of wood used to push out waste during interior stripping.
Wood Edge The outside edge of any board, the outside geometry of the tooling.
Workspace A generic name for design files and/or the current design/work area.
Zigzag A rule type describing the zigzagged shape of a rule. It is used to perforate a
carton.
Zipper A rule type describing the zippered shape of a rule. It is used to perforate a carton.
Zoom In To increase the magnification from the center of the selected area.
Zoom Out To decrease the magnification from the center of the screen in order to increase
the viewing area.
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