WFM5200 Waveform Monitor User
WFM5200 Waveform Monitor User
WFM5200 Waveform Monitor User
WFM5200
Waveform Monitor
ZZZ
User Manual
*P077053103*
077-0531-03
xx WFM5200
Waveform Monitor
ZZZ
User Manual
www.tektronix.com
077-0531-03
Copyright © Tektronix. All rights reserved. Licensed software products are owned by Tektronix or its subsidiaries
or suppliers, and are protected by national copyright laws and international treaty provisions.
Tektronix products are covered by U.S. and foreign patents, issued and pending. Information in this publication
supersedes that in all previously published material. Specifications and price change privileges reserved.
TEKTRONIX and TEK are registered trademarks of Tektronix, Inc.
TandemVu® is a registered trademark of Tektronix, Inc.
Contacting Tektronix
Tektronix, Inc.
14150 SW Karl Braun Drive
P.O. Box 500
Beaverton, OR 97077
USA
Functions ........................................................................................................... 85
Gain, Sweep, and Magnification ............................................................................ 85
Cursors ......................................................................................................... 86
Capture......................................................................................................... 87
Line Select..................................................................................................... 88
Headphone Volume and Source Adjustment............................................................... 89
Presets.......................................................................................................... 89
Software Upgrades ........................................................................................... 92
Checking Chroma/Luma Delay (Lightning Display) .......................................................... 99
Checking Gamut ................................................................................................. 101
To Set Up Gamut Checks .................................................................................. 101
Checking RGB Gamut ..................................................................................... 102
Checking Composite Gamut............................................................................... 105
Checking Luma Gamut..................................................................................... 106
Automating Gamut Checks ................................................................................ 106
ARIB Displays ................................................................................................... 107
ARIB Status ................................................................................................. 108
ARIB STD-B.39 Display .................................................................................. 109
ARIB STD-B.37 Display and Status Screens............................................................ 112
ARIB STD-B.35 Display and Status Screens............................................................ 115
ARIB TR-B.23 (1) Display and Status Screens ......................................................... 117
ARIB TR-B.23 (2) Display and Status Screens ......................................................... 119
ARIB TR-B.22 Display and Status Screens ............................................................. 121
Audio Monitoring ............................................................................................... 123
Configuring Audio Inputs.................................................................................. 123
Selecting Audio Inputs ..................................................................................... 123
To Check Audio Level and Phase......................................................................... 124
To Check Surround Sound ................................................................................. 127
Closed Captioning (CC), Teletext, AFD, and Safe Area Compliance ..................................... 131
Monitoring CC and Teletext ............................................................................... 131
Monitoring for Safe Area Compliance ................................................................... 134
Monitoring for AFD Compliance ......................................................................... 136
Application Example ............................................................................................ 137
Timing a Studio ............................................................................................. 137
Index
List of Tables
Table i: Product documentation.................................................................................. ix
Table 1: Service options ........................................................................................... 4
To avoid fire or personal Use proper power cord. Use only the power cord specified for this product and
injury certified for the country of use.
Ground the product. This product is grounded through the grounding conductor
of the power cord. To avoid electric shock, the grounding conductor must be
connected to earth ground. Before making connections to the input or output
terminals of the product, ensure that the product is properly grounded.
Observe all terminal ratings. To avoid fire or shock hazard, observe all ratings
and markings on the product. Consult the product manual for further ratings
information before making connections to the product.
Do not apply a potential to any terminal, including the common terminal, that
exceeds the maximum rating of that terminal.
Power disconnect. The power cord disconnects the product from the power source.
Do not block the power cord; it must remain accessible to the user at all times.
Do not operate without covers. Do not operate this product with covers or panels
removed.
Do not operate with suspected failures. If you suspect that there is damage to this
product, have it inspected by qualified service personnel.
Avoid exposed circuitry. Do not touch exposed connections and components when
power is present.
Use proper AC adapter. Use only the AC adapter specified for this product.
Do not operate in wet/damp conditions.
Do not operate in an explosive atmosphere.
Keep product surfaces clean and dry.
Provide proper ventilation. Refer to the manual's installation instructions for details
on installing the product so it has proper ventilation.
Symbols and terms on the These terms may appear on the product:
product DANGER indicates an injury hazard immediately accessible as you read
the marking.
WARNING indicates an injury hazard not immediately accessible as you
read the marking.
CAUTION indicates a hazard to property including the product.
The following symbol(s) may appear on the product:
Preface
This manual contains information to help you use the Tektronix WFM5200
Waveform Monitor. This information includes the following:
How to set up various waveform displays for monitoring SD-SDI, HD-SDI,
and 3 Gb/s SDI video signals.
How to set up audio displays to monitor embedded AES/EBU audio signals.
How to set up parameters for monitoring auxiliary data, ancillary data, closed
captions, and timecode.
How to freeze video data.
How to set up error logging and alarms.
How to operate the instrument remotely.
How to navigate instrument menus.
How to operate the instrument front panel.
Sequence step
or item
Key Features
The WFM5200 Waveform Monitor is a portable, short-depth baseband monitor
that provides comprehensive video and embedded audio features across 3 Gb/s,
SD, and HD signal formats. This instrument provides an ideal solution for
basic video and audio (with Option AUD) monitoring needs with an integrated
high-brightness, low-power consumption LED backlit display in a convenient
3RU, half-rack, short-depth form factor, suitable for space-constrained
environments. This versatile instrument can accept power from a 12 V DC source,
a battery, or a 100-240 V AC converter.
The following key features make this instrument an easy to use, flexible, and
effective tool.
Item Description
Flexible tile displays: Quad Tile (4-Tile): View four measurement displays at once, one
Full and Quad Tile in each tile.
In Quad Tile mode, the high-resolution XGA display provides four
concurrent views of a monitored signal (with a maximum of two
trace displays at once). The instrument also provides the flexibility
to configure each of the four display tiles independently, enabling
you to quickly check the integrity of a signal.
Full: View the active display full screen.
TandemVu® Patented display allows you to overlay the Waveform and Vector
or Waveform and Lightning displays, plus Picture Thumbnail, in
a single, full-tile display.
Item Description
Multi-Input Display The Multi-Input Display mode allows you to simultaneously view up
to four SDI inputs of the same format. The feature is available in
Waveform, Vector, Lightning, Diamond, Split Diamond, Arrowhead,
and Spearhead displays. If you are monitoring a 2xHD Level B
3 Gb/s signal, you can select to view the streams of that signal
individually.
Presets Customizable presets allow you to quickly save and recall
commonly used configurations.
Digital support Support for digital applications.
Fully digital Fully Digital Processing allows for accurate, repeatable, drift-free
processing operation that surpasses traditional analog designs.
Waveform display Traditional waveform displays allow signals to be overlaid or
paraded. This display type allows you to use the Multi-Input Display
feature.
Vector display Vector display with Composite and Component Compass Rose
Graticules, and gain, sweep, and magnification controls. Traditional
and Lightning Vector displays are available. The latter visualizes
both luma and chroma amplitudes, and quantifies inter-channel
timing. This display type allows you to use the Multi-Input Display
feature.
Spearhead and Vector display that is gated by a specified luminance range. Each
LQV™ (luma qualified vector tile may have a different luminance range specified. This
vector) display (Option display type allows you to use the Multi-Input Display feature.
PROD)
Stereoscopic 3D These displays for camera alignment and
video displays (Option production/post-production applications help to quickly
S3D) resolve difficult content quality and reliability issues. (Option S3D)
Infinite Persistence All trace displays can also be set, tile by tile, to Infinite Persistence.
This mode traces waveforms over time on the same display,
providing a visual history of the trace.
Gamut monitoring Arrowhead, Spearhead, Diamond, Split Diamond, and 3D Quad
Diamond displays offer user-selectable gamut thresholds so that
you can set monitoring limits appropriate to a specific operation.
Gamut monitoring is fully integrated with the alarm logging and
reporting capabilities. This display type allows you to use the
Multi-Input Display feature.
LTC waveform display Longitudinal Time Code (LTC) is monitored in a frame rate display
to allow observation of amplitude and noise, and verify LTC is
locked to the video.
External Reference The External Reference waveform display check the external
Waveform display reference signal integrity, including its shape and amplitude. This
display is independent of the input video signal.
Item Description
Audio monitoring Surround Sound display of audio signals and phase relationships
(Option AUD) of normal channel pairs.
Lissajous display lets you monitor a user-specified pairing of
channel inputs.
Support and options for viewing and monitoring both levels of
normal channel pairs for embedded audio signals.
Support for loudness measurement, audio control packet coding,
and many popular audio scales, including BBC scales.
Auxiliary data Support for monitoring auxiliary data including data conforming to
monitoring (Option ARIB standards and CEA608, CEA708, AFD, and CGMS-A.
DATA)
Timing display A Tektronix proprietary display that simplifies measuring the timing
difference between two signals. Using the Timing display enables
you to easily compare and correct the timing between two signals.
Closed Captioning Support for simultaneous decode and display in multiple languages
support (Option of CC standards (CEA 608 (VBI), CEA 608 (ANC), CEA (608/708),
DATA) CEA 708, TeletextB (VBI), TeletextB OP47 SDP (ANC), and
TeletextB OP47 Multi (ANC)) with caption text and V-chip
information overlaid on the picture (monitor mode). There are also
settings for missing or incorrectly inserted closed captioning.
Picture area Support for standard and custom Safe Graticules for Picture
displays that look for incorrect placements of graphics, logos, Black
events, and Frozen events. Two Safe Area graticules and Safe
Title graticules are supported.
Status screens Status screens provide content status at a glance.
Error tracking Configurable alarms and error logging.
Remote control Full remote control for complete installation flexibility.
Data List display Examines the contents of all digital formats, structures, and
(Option DATA) transports and displays the data without any interpolation.
Ancillary data Allows you to monitor all ancillary data present in a signal.
inspector (Option
DATA)
Options
Your instrument may have been ordered with one or more options.
Instrument Options Option 3G: Support for 3G-SDI (Level A and Level B) signal formats.
Option S3D: Adds monitoring support for SDI stereoscopic 3D video.
Option GEN: Multi-rate color bar and pathological signal generation provides
engineers with a simple signal source for quick signal path verification during
system and/or equipment setup and troubleshooting.
You can check which options are on this instrument after it is powered on by
performing the following steps:
1. Press the CONFIG button on the front panel.
2. Use the General knob to navigate to Utilities.
3. Press the right arrow button to navigate to the Utilities submenu and select
View Instrument Options. The menu box on the right side of the display
shows the installed options.
Service Options You can add any or all of the following service options to any instrument. (See
Table 1.)
Connecting Power
AC Adapter The instrument operates from an external AC adapter with a line frequency of 50
or 60 Hz, over the range of 100-240 Volts, without the need for configuration,
except the power cord. The typical power draw is 27 Watts. Refer to the
WFM5200 Specifications and Performance Verification Technical Reference
on the Product Documentation CD for additional information on power and
environmental requirements.
CAUTION. Before using the Anton Bauer Power Tap feature, refer to the product
information included with the battery. If that information is not available, contact
the battery manufacturer for information.
WARNING. Fire can cause personal injury and/or property damage. To prevent
risk of fire, when using a 12 V DC source other than the provided AC adapter,
make sure that it has a suitable current limiting device (such as a fuse).
Power-On 1. Connect the supplied power cord to the rear-panel power connector. If you are
using a battery, connect the battery as explained in the installation instructions
that come with the battery.
2. Press the power button on the instrument front-panel and the instrument will
turn on.
NOTE. The Standby button on the front-panel does not disconnect mains power.
Only the power cord at the rear of the product can disconnect mains power. Make
sure that the power cord is accessible when the product is operating.
Power-Off 1. Press the power button on the instrument front-panel to turn the instrument off.
2. To remove power completely, disconnect the power cord from the rear-panel
of the instrument.
Network Installation
After your instrument is physically installed, you might want to connect it directly
to a PC and a network. The following information can help you do that.
See the WFM5200 Installation and Safety Instructions that shipped with your
instrument for basic installation instructions.
If you are installing this instrument into a system, see the WFM5200 System
Integration Technical Reference for installation instructions.
Connecting Directly to a The following procedure will help you connect your instrument to a PC:
PC 1. Connect the instrument directly to a PC with an Ethernet cable. The instrument
has an auto-crossover feature. You can also use a HUB. (See Figure 1.)
2. Set up the instrument as described in the following procedures, choosing
Manual IP mode to set the IP address manually. Be sure to set an address that
is compatible with the setting of your PC.
3. If you are using an SNMP setup, use the SNMP setup procedure.
Connecting to a Network The following topics cover configuring the IP settings so that you can use your
instrument over a network, and configuring SNMP, which is required if you are
using commands to control the instrument.
SNMP Setup If you intend to use SNMP commands to control the instrument (SNMP control
is primarily intended for access through automation systems), you must set up
SNMP parameters.
The procedure to set SNMP settings is similar to the procedure for IP settings.
(See page 7, Connection and IP settings.)
Private Community String This menu entry allows you to set the Private Community string.
This string is effectively a password. Without this string, SNMP
commands cannot change values in the instrument.
NOTE. The Private String is necessary for SNMP access to
write changes into the instrument.
Public Community String This menu entry allows you to set the Public Community string.
This string is effectively a password. Without this string, SNMP
commands cannot read values from the instrument.
NOTE. The Public String is necessary for SNMP access to
read values from the instrument.
Incoming Inspection
The incoming inspection procedures are optional procedures to check the
functionality of your instrument. These procedures require no equipment
other than an external monitor or display. For a more robust inspection, see
the performance verification procedures in the WFM5200 Specifications and
Performance Verification Technical Reference that is included on the Product
Documentation CD that shipped with your instrument.
Basic Turn On and Self You can perform the following test with or without the external monitor. Using
Test the external monitor allows you to check that the DVI connector on the rear panel
is working properly:
1. Connect a monitor to the DVI connector on the rear panel of the instrument.
This connector is a DVI-I connector with socket contacts. The output supports
DVI monitors directly and analog PC (RGB) monitors using a DVI-I to VGA
adapter.
2. Connect the AC line cord to the rear of the instrument and to a 100 to 240
VAC source.
3. Press the Power button on the front panel to turn the instrument on. It is
located on the bottom left corner of the front panel.
4. After about 30 seconds, the power-on diagnostic page should appear on the
screen.
5. Verify that all self tests pass. Any failures are shown in red. The results of
the power-on diagnostics are erased from the screen, but you can view the
results by selecting CONFIG > Utilities > View Diagnostics Log > SEL or
by viewing them on the instrument Web page.
6. After the diagnostics are finished, the instrument state is restored. When the
progress indicator in the status bar is finished, the instrument has finished
initializing.
7. If it is still open, exit the Diagnostics Log.
3. Press the right and down arrow keys to navigate to Recall Factory Preset,
and then press the SEL button.
4. Press the Display Select / Thumbnail button to change the active tile. Check
that the active tile has a blue border.
5. Press and hold the Display Select / Thumbnail button to change the active
tile from 4-tile view to full-tile view. Press and hold the button again to
change it back.
6. Press the MAIN button, highlight Tile Display, and then press the SEL
button to change the view to full tile.
7. Press each of the front panel buttons, one at a time, except for the power
button and the HELP button.
Each button should flash as you press it. When you press the PRESET button,
all of the measurement buttons along the bottom the front-panel should light
up and stay lit until you press the PRESET button again.
Fan Test You should be able to hear the fans and feel air coming out of the back of the
instrument. At low temperatures, the fans will turn slowly and be very quiet.
Front-Panel Controls
NOTE. Some of the controls that are covered in this section are option-dependent.
For a list of the options that are installed on your instrument, press the CONFIG
button. In the configuration menu, select the Utilities submenu. The View
Instrument Options entry lists the options installed on your instrument.
Scope of Controls Some controls are global and affect all tiles, while other controls only affect the
active tile. Generally, if a control is configured by front-panel buttons or by a
pop-up menu, it is tile-specific. (Exceptions are the Input buttons and all audio
features, both of which are global.) If a control is configured by the CONFIG
menu, selections are usually global.
Layout and Usage The primary front panel elements shown below are described in the table that
follows. The Usage procedure column in the table refers you to a procedure in
this manual that explains how to use the element. If there is no page reference, the
information given explains the basic function of the element.
3. Use the General knob or the up/down arrow keys to highlight an entry in
the Contents (entries never change) or the Index, or to highlight a link in
the topic pane.
4. Press the SEL button to select the highlighted item.
5. Press the HELP button again to exit online help.
Instrument Display
This instrument uses Quad Tile, which is a flexible, four-tiled display that can
show four tiles at one time or a single, full-screen sized tile. The instrument also
provides the flexibility to configure each of the four display tiles independently,
enabling you to quickly check the integrity of a signal.
Display Select Button This button allows you to select one of four tiles while in 4-tile mode and change
from 4-tile to full-screen mode and back again. To move between tiles, press the
Display Select button. The active tile is outlined in blue. The tile numbers and
their associated quadrants are shown here. You can see that tile four is active
because of its blue border. (See Figure 3.)
You can change from 4-tile to full-screen mode two ways: press and hold the
Display Select button until the view changes; or press the MAIN button, select
Tile Display from the pop-up menu, and then press the SEL button to select
FULL. (See Figure 4.)
Status Bar The Status Bar is located on the bottom of the instrument display and shows
instrument status, the type of signal being monitored, any alarms associated with
that signal, and other information. (See Figure 5.)
Status display
element Description
Input Format Text indicating the format of the signal on the selected input or whether
signal is missing or unlocked.
EDH Error A one-line area that is visible if EDH errors are present.
RGB Gamut Error A one-line area that is visible if RGB gamut errors are present.
NOTE. Because RGB and Composite Gamut messages appear on
the same line in the display, if both RGB and Composite Gamut errors
are present at the same time, the message "RGB and Cmpst Gamut"
will appear.
Composite Gamut A one-line area that is visible if Composite gamut (Arrowhead) errors
Error are present.
NOTE. Because RGB and Composite Gamut messages appear on
the same line in the display, if both RGB and Composite Gamut errors
are present at the same time, the message "RGB and Cmpst Gamut"
will appear.
Luma Gamut A one-line area that is visible if Luma errors are present.
Errors
Alarm/Error An icon visible when alarms of types other than those in the four
Indicator readouts just listed occur.
Date and Time Readout of the date and time (set in CONFIG > Utilities).
Instrument Name Name assigned to the instrument in the CONFIG > Utilities menu.
Audio Status An up to 32-character string indicating the selected audio input or the
embedded audio channel status, when embedded audio is the selected
input. In the latter case, each character shows the status of a specific
channel: – for not present and p for present.
Timecode A readout showing the selected time-code value.
Readout
Reference Source Text indicating the source of the current reference. Possible references
are: Ext., Internal. Also indicates format and whether the reference is
missing or unlocked.
Current Input Text indicating the selected input. Some possible inputs are: SDI 1A,
SDI 1B, SDI 2A, and SDI 2B. Also indicates if the current input is not in
Auto mode or is unlocked.
Alarms Muted - Appears when the alarms are muted from the
STATUS pop-up menu.
Rear Panel Specifications See the WFM5200 Waveform Monitor Installation and Safety Instructions that
shipped with your instrument for rear-panel specifications. It is also available in
electronic format on the Product Documentation CD and on the Tektronix Web
site at www.tektronix.com/downloads.
SDI Signals
Connect one or more 3G-SDI, HD-SDI, or SD-SDI signals to the SDI inputs
on the rear panel of the instrument. After that is finished, use the front panel
buttons to set the parameters for monitoring the signals, such as thresholds, alarms
monitored, and audio source. (See Figure 6.)
Reference Loop
Reference signals can be Black Burst or Tri-level sync. After you connect the
appropriate reference signal, press the EXT REF button the on the front panel
of the instrument. You can also choose which format to lock to by pressing the
CONFIG button and selecting External Ref. The default setting is Auto.
The reference input is passive and requires external termination. If you install
this instrument to monitor an operating link, the destination receiver and the
connecting cable serve as the termination. This monitoring connection checks the
performance of the entire path. The return loss of the instrument is sufficiently
high that, in most cases, the destination receiver sets the system return loss.
In cases where this instrument is placed at the end of a link, you must install a
BNC termination on one side of the loop-through external reference connector.
The termination must be 75 Ω and DC coupled. (See Figure 8.)
Signal Generation
If this instrument has Option GEN installed, it can generate SD-SDI and HD-SDI
signals. With Option 3G and Option GEN installed, it can also generate a 3 Gb/s
test signal. (See Figure 9.)
Three types of signals can be generated in SD (525,625), HD (720, 1080), and 3G
Level A and Level B formats:
75% bars
100% bars
Pathological
For more information about these signals, see the appropriate SMPTE standard.
Display Information
This instrument can support the following displays:
To Select a Display Push a front panel button corresponding to the display that you want to view and
one of the following selected displays will appear:
WFM: display of video waveform
VECTOR: display of vector and lightning plots of color signals
PICT: display of the picture generated by the video signal
AUDIO: display of levels (meters), phase (plot), and surround sound for
monitoring audio signals
GAMUT: display of one of four views for checking the gamut of an SDI
signal
STATUS: display of extensive views of signal status
MEAS: display of various measurements, including timing, audio video
delay, ANC data, and Data List
OTHER: display of the Longitudinal Time Code (LTC), External Reference
Waveform display, and Diagnostic Monitor
Pop-Up Menus All pop-up menus are displayed by pressing and holding the specified display
button for three seconds. To hide a pop-up menu, press the specified button again.
Pop-up menus appear in the active tile and, in general, control only settings
specific that tile. A pop-up menu will not appear if it is not appropriate for the
current instrument setting (for example, trying to display the Gamut menu when
viewing a composite input signal).
To Set Display Parameters Use the pop-up menus to set up the measurements that you display.
1. Select a tile by pressing the Display Select button.
2. Press and hold a display button and the display and the pop-up menu for
that display appears.
3. Use the right and left keys to move between menu panels. The instrument
surrounds the panel selected with a blue border.
4. Use the up and down arrow keys to select parameters in a menu. (See
Figure 10.)
Figure 10: Navigate menus using the arrow keys and select button
5. Navigate through the menu and make your selections.
To Turn On the Multi-Input Enabling the Multi-Input display mode is a two step process. The Multi-Input
Display menu option is only available in the WFM, GAMUT, and VECTOR pop-up
menus when the feature is enabled from the MAIN button menu and the display is
viewed full-screen. To enable this feature:
1. Press and hold the MAIN button.
2. Navigate to Multi-Input Mode.
3. Press the SEL button to highlight Enable.
4. Press the MAIN button to dismiss the menu.
The Multi-Input display mode is now enabled. The next step is to turn on the
feature in a given trace by doing the following:
1. Select the tile in which you want to view a multi-input display.
2. Press and hold the Display Select button to view either a WFM, Vector, or
Gamut display full-screen.
3. Press and hold the WFM, VECTOR, or GAMUT button to view the pop-up
menu for that display.
4. From the pop-up menu, select On for Multi-Input Display.
The Multi-Input display mode will now be active.
NOTE. The Multi-Input display may be selected for each tile individually, but it
will only be active when the tile is displayed full-screen.
You can configure another tile without multi-input mode so that you can switch
quickly between Multi-Input and normal input modes by switching tiles. In
four-tile display mode, all tiles will display the currently selected input.
To Select Inputs to View If you have two separate signals connected to two different inputs on the rear
panel of the instruments, you can control which channel is displayed by pressing
the associated Input button on the front panel of the instrument. When the input
button is lit, the channel is displayed. When the button is not lit, that channel
will not be displayed.
Selecting an input to be displayed does not change the inputs being monitored. For
example, if you have two SDI signals connected, one to Input 1A and the other to
Input 1B, pressing the 1B button so that it is not lit will eliminate the channel from
a trace display, but not stop the channel from being monitored for status or alarms.
To Select Streams to View You can select to view one or both streams simultaneously of a 2xHD Level B 3
Gb/s SDI signal from an input button pop-up menu. When you press and hold an
input button, the pop-up menu that appears allows you to select to view stream 1,
stream 2, or both streams of that signal.
The following Input 1A button pop-up menu options appear when a trace display
is set to Multi-Input display mode in full-screen. Pressing the 1B, 2A, or 2B input
buttons will give you the same menu options as follows, but with different labels.
NOTE. You can customize the input labels. (See page 29, To Customize Input
Labels.)
Input 1A: shows the entire stream when a signal stream signal is used or both
streams overlayed when a 2xHD Level B 3 Gb/s signal is used.
Input 1A.1: shows only the first stream of the two streams of a 2xHD Level
B 3 Gb/s signal in the input in the trace display.
Input 1A.2: shows only the second stream of the two streams of a 2xHD
Level B 3 Gb/s signal in the input in the trace display.
Input 1A.1+2: shows both of the two streams of a 2xHD Level B 3 Gb/s
signal individually. Each trace is labeled in the display as either Input 1A.1
or Input 1A.2 (or a label you have customized) and shows both streams
individually in the trace display.
NOTE. When Multi-Input mode is disabled, only the first three options in the
previous list appear in the input button pop-up menu.
You may select up to eight channels of video from 2xHD video sources, but only
the first four are displayed in Multi-Input mode. 2xHD video formats may be used
for 3D video content in which the left eye view is typically carried in channel 1
and the right eye in channel 2. The 2xHD formats are defined by SMPTE 425
as an option for 3 Gb/s Level B SDI video. 2xHD formats are available in 720p,
1080i, and 1080p (23.98 - 30 fps).
To Customize Input Labels You can name the input labels from the CONFIG > Graticules and Readouts
> Input Labels menu. Once you are in the Input Labels menu, select an input
and then press the SEL button. A dialog box will appear allowing you to name
the input.
3D Input Monitoring
Your instrument can monitor stereoscopic 3D content in production and post
production applications with Option S3D installed. A 3D image is comprised of
a Left Eye and Right Eye view as two separate HD-SDI signals or combined
within a 3G Level B format.
A 3D signal can be carried within a single SDI signal (Side by Side) as a left and
right image in either two SDI signals or a 3G level B 2xHD (Dual Stream) signal.
You can select the input type in the MAIN button menu.
There are a variety of 3D displays to help you determine the difference between
the left and right images, and therefore the depth of an object in an image.
How to Access the 3D Before you can view and use the 3D menu items in the WFM button menu and
Menus other measurement display menus, do the following:
1. Press the MAIN button.
2. Select 3D Input Type.
3. Select the input type and press the SEL button.
SyncVu™ and SIM SIM is ideal for by simultaneously monitoring the Left Eye signal and the Right
Monitoring of 3D Eye signal. You can use SyncVu™ in conjunction with SIM when input A is
used for the Left Eye and input B is used for the Right Eye. When SyncVu™ is
enabled, the Left and Right tile displays are synchronized, so that if a Picture
display is selected for Tile 1, Tile 2 will automatically show a Picture display
in exactly the same mode as Tile 1. This enables you to quickly configure the
instrument identically for Left and Right Eye 3D monitoring.
NOTE. SIM and 3D measurements and displays are included with Option SIM
and Option S3D, respectively.
Figure 12: Simultaneous 3D display of Left Eye and Right Eye signals
Difference Map and When 3D input is enabled from the Main button, you can use the Difference Map
Red/Cyan Anaglyph display in the selected measurement button menu to see the difference between
left and right images. The difference map is a subtraction of the two luma video
signals L-R or R-L to produce a grayscale difference map image.
The Red/Cyan anaglyph display shows the left image in red and the right image
in cyan, with identical left and right objects shown in monochrome. This allows
you to isolate differences between objects and gauge the depth of the object
within the image.
Figure 13: 3D Left and Right Eye images showing a Difference Map and Red/Cyan
Anaglyph using SIM
Green/Magenta Anaglyph The Checkerboard display shows a block of the image from the left eye and
and Checkerboard then the next block shows the image from the right eye in a 16×9 checkerboard
pattern. This helps you compare the levels and color of the signal between the
left and right images.
The Green/Magenta anaglyph display shows the left image in green and the right
image in magenta, with identical left and right objects shown in monochrome.
If an object appears in magenta and then green, this indicates that the object is
coming out from the screen plane. Similarly, if the object appears in green and
then magenta, the object is behind the screen plane.
Figure 14: 3D Left and Right Eye images showing Green/Magenta Anaglyph and
Checkerboard display using SIM
Disparity Grid and Cursors A Disparity Grid can be used to measure the depth of an object within an image.
The grid can be overlaid over the picture with a horizontal disparity between
1 to 15% of screen width and a vertical disparity of 50%, 25%, or 10% (user
selectable). The horizontal and vertical position controls allow the grid to be
moved around within the picture display to gauge the depth of objects within
the image.
A set of Disparity Cursors are also available for precise measurement of horizontal
disparity of an object between the Left and Right Eye images. Readout is given
of the pixel difference between the cursors and the percentage of disparity of
an object.
Figure 15: 3D Left and Right Eye images showing Disparity Grid and Disparity
Cursor measurement using SIM
NOTE. Additional 3D settings can be found in the CONFIG button menu under
Graticules/Readouts and Display.
SyncVu™
The SyncVu™ feature works with the simultaneous input monitoring (SIM) mode
and allows you to configure the settings for two inputs at the same time. (See
page 29, Simultaneous Input Monitoring.)
To set the instrument to SyncVu™ mode after you are in SIM mode, do the
following:
1. Press the MAIN button.
2. Select SyncVu.
3. Select Enable.
How to Change Settings This instrument can display four tiles. When you are viewing two inputs
Using SyncVu simultaneously in SIM mode, the tiles on the left side of the display show the first
input. The tiles on the right side of the display show the second input. The display
type in tile 1 for the first input is the same display type shown for the second input
in tile 2: Top left to top right and bottom left to bottom right. SyncVu™ allows
you to change the settings for the two related tiles at the same time.
For example, if you have a waveform display in tile 1 of input 1A, then tile 2 is
the waveform display for the second input. When you adjust the settings for the
waveform displayed in tile 1, the settings for the waveform displayed in tile 2 are
adjusted simultaneously. Similarly, adjusting settings for tile 2 are applied to tile 1.
Waveform Display
The WFM button displays the Waveform display, which is the voltage versus time
display of a signal. You can view the input signal in line or field sweep and choose
which SDI signal elements are displayed (RGB, YRGB, or YPbPr). Filters can
also be applied to the signal. This instrument will allow you to display the signal
from an SDI input as if it were a composite signal and control (from the CONFIG
menu) whether EAV, SAV, and ANC data is included in the display.
1. This readout is blank when vertical gain is X1; otherwise, this indicates that V
Gain is X5 or variable.
2. This readout lists the currently displayed waveform color-space. Dashes (–)
indicate components not displayed.
3. This readout lists the currently selected field and line (when in Line Select
mode).
4. This readout lists the current sweep rate for tile.
5. This readout lists the Mag rate if MAG is on.
Waveform Pop-Up Menu The Waveform pop-up menu enables you to choose the display style and display
and Settings mode used in the active tile (SDI inputs only), to select a filter to apply to the
input signal, to turn on the Multi-Input display mode, and to center the waveform
in the display.
To choose a display mode, select from the following the choices (only available
while displaying SDI inputs) in the menu:
YPbPr - Displays the input as Luma (Y) and color difference (Pb, Pr)
components.
YRGB - Displays the input as Luma (Y), Red (R), Green (G), and Blue (B)
components.
RGB - Displays the input as Red (R), Green (G), and Blue (B) components.
SDI > Composite - Displays the SDI input as if it is encoded into composite.
The sync and burst in this mode are synthetic and convey no information
about signal quality.
When viewing 525-line SDI input as a composite waveform while using line select
mode, both burst phases may appear when you would expect to see only one. This
is because the line selection in SDI Mode is an odd/even selection, and composite
signals are normally viewed with a one-of-four or one-of-eight line selection.
To choose how the signal components are displayed in the active tile, use the
Display Style menu setting (SDI inputs only) to select:
Parade style - has all the components shown one beside the other.
Overlay style - has all the components drawn at the same location so that
they appear one on top of the other.
The Waveform pop-up menu Filter selection allows you to select filters to be
applied to the video. This is useful for isolating a specific characteristic of the
input. For example, to measure amplitude, you may want to use a Luma or Low
pass filter to remove the high frequency components.
To choose a filter select one of the following filters from the Waveform menu:
Flat - Display with the full available bandwidth.
Luma or Low Pass - Display only the low-frequency part of the signal.
To turn on the Multi-Input display mode, select Multi-Input Display and press
SEL. Next, press and hold the Display Select button to view the display full-tile
and activate the Multi-Input view.
NOTE. The Multi-Input menu option is only available in the WFM pop-up
menu when the feature is enabled from the MAIN button menu. (See page 26,
Multi-Input Display Mode.)
NOTE. The 3D display menu options are only available in the WFM pop-up menu
when the feature is enabled from the MAIN button menu. (See page 30, 3D Input
Monitoring.)
To cancel any horizontal or vertical position adjustments and restore the trace to
the default position, select Center Waveform and press SEL. For a tile in WFM
mode, this puts the baseline at the zero graticule.
Vector Display
The VECT button calls up the Vector and Lightning displays, which provide for
selection between two plots of the color portions of the signal. (See Figure 16.)
(See Figure 17.)
Figure 16: Vector display with Luma Qualified Vector (LQV) enabled
Elements of the Vector The following elements appear on the display. Some elements may only appear
Display on one display type:
V Gain. Press and hold the GAIN button to select V Gain settings. Then
select the gain to 1X, 2X, 5X, 10X, or Variable. (Variable enables you to
adjust the vertical gain using the GENERAL knob.)
H Gain. Press and hold the MAG button to select H Gain Settings. Then
select the horizontal gain to 2X, 5X, 10X, or Variable. (Variable enables you
to adjust the horizontal gain using the GENERAL knob.)
Display Type. The selected display, either Lightning or Vector.
Bar Target Setting. The bar target setting, either 75% or 100%.
LQV Enabled. Luma qualified vector is enabled and luma high (High) and
luma low (Low) values are displayed. (Requires Option PROD.)
Vector Pop-Up Menu The Vector pop-up menu enables you to specify the display type and display mode
(SDI inputs only), to set the bar targets, to turn on the Multi-Input display mode,
and to center the waveform in the display.
If you have Option PROD installed, you can also select to turn Luma Qualified
Vector On or Off. When it is on, you can set luma high and luma low parameters
To choose the display type (SDI inputs only), use the pop-up menu to choose:
Vector – The Vector display shows a plot of the R-Y signal on the vertical axis
and the B-Y signal on the horizontal axis. This display is useful for looking at
hue and amplitude of the colors, but does not show luminance information.
Luma Qualified Vector – The Luma Qualified Vector display (available with
Option PROD) is a vector display that is gated by a specified luminance range.
Each vector tile may have a different luminance range specified.
Lightning – This Tek proprietary display shows the same color signals as in
the Vector mode, but they are plotted against luminance. One color difference
signal is plotted in the top half and the other in the bottom. The Lightning
display is useful for checking chroma and luma gain, and for checking chroma
to luma delay using the timing marks that show errors in the green to magenta
transition on a color bar signal.
To select which scaling should be used in the active tile for either the Vector or
Lighting display, use the menu to select 75% or 100% scaling.
To turn on the Multi-Input display mode, select Multi-Input Display and press
SEL. Next, press and hold the Display Select button to view the display full-tile
and activate the Multi-Input view.
NOTE. The Multi-Input menu option is only available in the VECTOR pop-up
menu when the feature is enabled from the MAIN button or CONFIG button menu.
(See page 26, Multi-Input Display Mode.)
NOTE. The 3D display menu options are only available in the VECTOR pop-up
menu when the feature is enabled from the MAIN button menu. (See page 30,
3D Input Monitoring.)
To cancel any horizontal or vertical position adjustments and restore the trace to
the default position, use the up/down arrow keys to select Center Waveform
in the menu.
For a Lightning display, press SEL to center the waveform. The trace is set
back to the center of the tile.
For a Vector display, press the right-arrow key to select the color you want
to locate at the center of the display.
For additional vector graticule options, see the CONFIG > Graticules and
Readouts menu and select I/Q axis or Compass Rose.
Gamut Display
Pressing the GAMUT button calls one of the Gamut displays. The Gamut display
provides four proprietary Tektronix display types to enable you to check the
gamut of an SDI signal. Set the thresholds for gamut displays from the CONFIG
menu. The available Gamut displays are:
Arrowhead: provides NTSC and PAL composite gamut information directly
from the SDI signal
Spearhead: shows lightness, color value, and saturation of the RGB color
space (requires Option PROD)
Quad Diamond (Option S3D): provides disparity histogram of the left and
right channels of a 3D signal. The black of the signal is at the bottom of the
diamond, with white at the top of the diamond. The left eye differences are on
the left side of the display and the right eye differences are on the right side
of the display. A diamond is provided for each of the Luma, Red, Green and
Blue signals to allow clear identification of the component in error.
Elements of the Gamut High threshold: Shows the currently specified high threshold (Diamond
Display High or Arrowhead Max).
Low threshold: Shows the currently specified low threshold (Diamond Low).
Gamut display type: Shows the selected Gamut display type - Diamond,
Split Diamond, Quad Diamond, Spearhead, or Arrowhead.
Threshold indicators: Indicates the threshold settings using blue dashed
lines.
Luma minimum: Shows the currently specified minimum luma threshold
(in the Arrowhead display).
Luma maximum: Shows the currently specified maximum luma threshold
(in the Arrowhead display).
GAMUT Pop-Up Menu The GAMUT pop-up menu allows you to select the type of gamut display shown
in the active tile and to turn on Multi-Input display mode. To change the display
type, use the pop-up menu to select from the following displays:
Diamond shows Gamut violations of the SDI input if translated to RGB
color space.
Quad Diamond shows a disparity histogram of the left and right channels of
a 3D signal.
Split Diamond offsets the two halves of the Diamond to allow you to better
see negative RGB Gamut errors.
Arrowhead shows Gamut violations of the SDI input if translated to the
Composite domain.
Spearhead shows lightness, color value, and saturation of the RGB color
space of all video signals, including dual link signals.
To turn on the Multi-Input display mode, select Multi-Input Display and press
SEL. Next, press and hold the Display Select button to view the display full-tile
and activate the Multi-Input view.
NOTE. The Multi-Input menu option is only available in the GAMUT pop-up
menu when the feature is enabled from the MAIN button or CONFIG button menu.
(See page 26, Multi-Input Display Mode.)
NOTE. The 3D display menu options are only available in the GAMUT pop-up
menu when the feature is enabled from the MAIN button menu. (See page 30,
3D Input Monitoring.)
Timing Display
Pressing the MEAS button displays a Tektronix proprietary display that simplifies
measuring the timing difference between two signals as the timing is corrected.
Using the Timing display enables you to easily compare and correct the timing
between two signals. (See Figure 19.)
Elements of the Timing Input Signal Indicator: A single circle representing timing of input signal
Display relative to the reference. 1
Reference Indicator: A cross-hair indictor centered in the display represents
the reference signal.
Vertical Offset: The timing difference between the reference and input signal.
Horizontal Offset: The timing difference between the reference and input
signal.
Relative to: Indicates the chosen zero point for the timing display. 2
Link B to Link A: Indicates the timing relationship between links of a Dual
Link signal.
1 More complex timing relationships display multiple circles. See Timing Displays for Simple Versus Complex
Timing. (See page 48.)
2 Rear Panel is the default setting, where offset is shown as zero when the input and reference are at the same
timing at the rear panel of the instrument. If you select Saved Offset, you can save the timing from one signal, and
then display the timing relative to that saved offset.
Measure Pop-Up Menu The Measure pop-up menu enables you to save a timing setting for comparison
with another signal and specify the zero point of the timing display.
To save the timing of the current input as an offset to the timing display, use the
Save Offset menu entry. The current timing becomes the zero point for the saved
offset mode of the timing display. This applies to both the cross-hair target in the
middle of the display and the numeric readouts.
NOTE. You cannot save the timing offset if either the input or reference is missing
or unlocked. You also cannot save a reference when in internal mode. Saving an
offset in these conditions would lead to misleading results so it is not allowed
by the instrument. A warning message appears on the screen if you attempt to
save the offset when it is not allowed.
Save Offset allows you to measure the timing between inputs or to match multiple
signals. To select the definition for the zero timing offset, use the Relative To:
menu entry to select one of the following:
Rear Panel, which means the timing offset is shown as zero when the two
signals are timed down at the rear of the instrument.
Saved Offset, which means that the timing is shown as zero offset when the
input signal matches the timing of the signal that was present when the offset
was saved using the Save Offset menu entry.
This selection changes both the numeric readouts and the target in the middle
of the timing display.
Timing Displays for Simple The number of circles, with each representing a time offset, varies with the
Versus Complex Timing complexity of the timing between the reference and input signals.
Integer multiples of reference rates. If you are timing input signals with rates that
are integer multiples of the reference rates, the instrument can measure the timing
deterministically and displays the relationship as one circle (offset) relative to
the cross-hair. (See Figure 20.)
Non-integer multiples of reference rates. If you time input rates that are not
integer multiples of the reference rates, the instrument cannot measure the
timing deterministically, so it displays the relationships as several circles. Each
circle represents a possible timing offset measurement relative to the reference
cross-hair. Display emphasis is given to the circle that times closest to zero offset
and the numerical readouts track this pair. (See Figure 21.)
Datalist Display
The Datalist Display is accessed from the MEAS button when Option DATA is
installed. This display allows you to see SD, HD, or 3 Gb/s data without any
interpolation.
The Datalist tool examines the contents of all digital formats, structures, and
transports (SD, HD, dual-link, 3 Gb/s, 4:2:2, 4:4:4, and others). Datalist works
for all signals except composite signals (analog NTSC and analog PAL). From
the display screen, you can select and isolate specific lines and words from the
video or data stream. (See Figure 22.)
Elements of the Datalist Use the navigation text on the bottom of the display screen to select line and
Display sample items using the arrow keys and the General knob.
Line Select: Shows which line is selected; press the SEL button to switch
between Line Select and Word Select.
Word Select: Shows which word is selected; press the SEL button to switch
between Line Select and Word Select.
Samp#: Shows the sample number.
Y0, Cb, Cr, Y1: These labels change based on the signal, but they show
the line number for each component.
Datalist Color Coding Different fields of the data stream are shown in different colors:
Green: Active video data.
Blue: Data in horizontal or vertical blanking intervals.
White: EAV and SAV packets; other reserved values such as the XYZ word.
Yellow: Data outside the nominal allowed values.
Red: Data with illegal values.
Quickly Finding SAV and From anywhere in the video stream, pressing the CURSOR button once will take
EAV in the Active Video you immediately to the EAV of that line. Press it again to jump to the SAV of
Stream the same line. This is also an easy way to move quickly to the beginning of the
ANC data, which is right after the EAV.
Datalist Display Pop-Up Trace Type: Select from Video or Data. If you select Video, you can then
Menu select to turn on or off individual components (traces) of the display. (Default
is Video.)
Video mode shows the data similar to the video YPbPr display in
waveform mode, but without interpolation. The Y, Cb, and Cr traces are
offset vertically to separate them, but are aligned temporally.
Data mode using a SD signal shows the data in the same sequence as it
occurs in the serial domain. You see a sample of Y, then of Cb, then of Y'
(Y prime), and then of Cr. Then the sequence repeats. The Y sample is the
co-sited sample and the Y' sample is the isolated luma sample.
Data mode using an HD signal splits the serial input into a Y channel
and a multiplexed Cb/Cr channel. The intent is to show the data in the
same block structure as it occurs in the serial domain, even though it is
displayed as 8 or 10-bit values.
Format: Select from Hexadecimal, Decimal, or Binary. (Default is
Hexadecimal.)
Bowtie Display
The Bowtie Display is accessed from the MEAS button. This display allows
you to look at inter-channel timing between Y Pb and Y Pr. The left side of
the display compares Y and Pb; the right side compares Y and Pr. The Bowtie
Display requires a test signal with signals of slightly differing frequencies on the
chroma channels than on the luma channel.
If the bowtie patterns have a sharp null, and the null is at the center of each
line, the relative amplitudes and inter channel timing are correct. Interchannel
timing errors will move the position of the null. A relative amplitude error will
decrease the depth of the null. An incomplete null combined with an offset from
center indicates both amplitude and timing problems between the channels being
compared. (See Figure 23.)
Bowtie Display Pop-Up Parade / Overlay: Select how the waveform appears by selecting Parade
Menu or Overlay.
Center Waveform: Press the SEL button to center the waveform.
LTC Display
The Longitudinal Time Code (LTC) Display is accessed from the OTHER button.
LTC is monitored in a frame rate display to allow observation of amplitude,
synchronization and phase with respect to reference vertical interval time code
(VITC). (See Figure 25.)
The input of LTC is through the REMOTE connector on the rear panel of the
instrument. The REMOTE connector is a 15-pin D-type connector with socket
contacts. For pin information, see the Installation and Safety manual or the System
Integration manual on the Product Documentation CD that shipped with your
instrument and the Web at www.tektronix.com/downloads.
LTC Display Pop-Up Menu The OTHER pop-up menu allows you to select Center Waveform and press the
SEL button to center the waveform.
The input of external reference waveform is through the EXT REF connector on
the rear panel of the instrument.
Elements of the External Display: Shows the display type as External Reference.
Reference Waveform Y-axis units: Shows the y-axis units in volts/divisions.
Display
X-axis units: Shows the x-axis in milliseconds/divisions.
External Reference The OTHER pop-up menu allows you to select Center Waveform and press the
Waveform Display Pop-Up SEL button to center the waveform.
Menu
To navigate the Diagnostics Monitor pages. Press the up or down arrow key to
move from one page to another.
To reset all of the diagnostics. Press the SEL button to reset all of the diagnostics
readings on all pages of the display.
Elements of the ANC Data The following information is available on the ANC Data Display when in full
Display screen mode:
DID: Data Identifier of the requested packet; permissible values range from 1
to 0xFF (255) inclusive.
Type: Type of the ANC Data packet; either Type 1 packet (DID greater than or
equal to 0x80), or Type 2 packet (DID less than 0x80), as defined by SMPTE
291M; Type 1 packets do not have a SDID field, instead they have a DBN
field; the "actual value" (with parity bits added) is displayed in parentheses.
SDID: Secondary Data Identifier of the requested packet; permissible values
range from 0 through 0xFF (255) inclusive; this field only appears when
a Type 2 packet is selected; the "actual value" (with parity bits added) is
displayed in parentheses (mutually exclusive with DBN field).
DBN: Data Block Number of the acquired packet; values range from 0 to
0xFF; the "actual value" (with parity bits added) is displayed in parenthesis
(mutually exclusive with SDID field).
DC: Data Count word of the acquired packet; the number of User Data words
is displayed in decimal; the "actual value" (with parity bits added) is displayed
in parenthesis, in hexadecimal.
Field: The field of the video from which the packet was acquired; for
progressive formats, 1 is displayed.
Line: The line of the video (within the field) from which the packet was
acquired.
Stream: For HD (SMPTE 292M), indicates whether the ancillary packet was
acquired from the Y or C data streams; for SD, "N/A" is displayed.
Status: Indicates whether packet(s) of the desired type are present in the
video; also indicates Checksum or CRC errors.
Checksum: Indicates the checksum word that was recovered from the
acquired packet.
Should be: Indicates the checksum work computed by the instrument, based
on data of the packet.
Format: Indicates the name of the ancillary data type or standard.
User Data Words: Contains the payload of the ancillary packet, displayed in
hexadecimal; all 10 bits are displayed.
Configuring the Watch List The Watch List allows you to limit the data types viewed in the ANC Data
Display to only those you specify. To configure the Watch List, perform the
following steps:
1. Press the CONFIG button and select ANC Data Display.
2. Select Config Watch List from the menu.
3. Press the SEL button and a table of data types appears.
4. Check the boxes next to the data types you want to view in the ANC Data
Inspector. Use the SELECT ALL and CLEAR ALL boxes to quickly select
or clear all data types.
5. When you are finished selecting the data types, navigate to the Return box
and press the SEL button.
6. Press the CONFIG button to dismiss the menu.
7. Press and hold the MEAS button and select Display Type and then ANC
Data Display from the pop-up menu.
You can now view the data types you checked in the Watch List.
Status Displays
Pressing the STATUS button calls up the Status display, which provides several
views of signal status. Status displays are text displays that show signal status.
You can view current alarms and errors (those occurring now and within the last
few seconds), a history of errors and alarms (up to 10,000 entries), video error
statistics or audio error statistics. You can display a different Status display type
in all four tiles.
Error Log View a log of errors and control the error logging settings. (See Figure 28.)
The Error Log is also divided into the following four columns:
Source: Shows the inputs on which the errors have occurred.
Error Status: Shows the current state of the entry: White items are
informational and identify a change in instrument state; Green items are
errors that have cleared; Red items are triggered errors.
Timecode: Shows the time, according to VITC or LTC in the signal, that the
error occurred. In the case of ongoing errors, this shows the time the error
first occurred.
Time: Shows the time, according to the internal clock, that the error occurred.
Alarm Status pop-up menu. Mute Alarms mutes alarms for all Status display
types.
Video Session The Video Session display contains several performance parameters that you can
view to get an overview of the video input signal. This instrument maintains a
running video status session. (See Figure 30.)
SDI elements of the Video Session display. The following elements are visible
when SDI 1A or 1B is the selected signal:
Input: Shows the selected input source.
Signal: Indicates whether the instrument is locked to the selected input.
Effective: Shows, in order, the detected format, sample structure, and
transport of the input signal.
Selected: Shows, in order, the selected format, sample structure, and transport
of the instrument.
352M payload: Indicates the presence of a SMPTE 352M payload.
SAV Place Err: Indicates whether a Start-of-Active-Video Placement Error
has occurred.
Field Length Err: Indicates whether a Field Length Error has occurred.
Line Length Err: Indicates whether a Line Length Error has occurred.
Ancilliary Data: Indicates whether Ancillary Data is present in the video
signal. The displayed values are either Present or None for SD signals, or Y
and C Present and None for HD and 3 Gb/s signals.
F1 AP CRC: For SD signals only, calculates and displays the active picture
CRC (Cyclical Redundancy Check) for field one in hexadecimal. The
instrument uses the SMPTE RP165 standard for error checking. For HD and
3 Gb/s signals, the CRCs change on every video line.
F2 AP CRC: For SD signals only, calculates and displays the active picture
CRC (Cyclical Redundancy Check) for field two in hexadecimal. The
instrument uses the SMPTE RP165 standard for error checking. For HD and
3 Gb/s signals, the CRCs change on every video line.
Data Collect: Shows the state of error gathering. The possible states are:
Running: Indicates errors are being gathered and displayed on the status
page.
Stopped: Indicates errors are not being gathered. The status page is not
being updated.
Resetting: Appears briefly after the SEL button is pressed to reset the
statistics.
Runtime: The time since the last reset occurred. Time is displayed as "DD,
HH:MM:SS", where DD is the number of days, HH is the number of hours,
MM is the number of minutes, and SS is the number of seconds.
Stuck Bits: For SD signals only, displays which of the video bits are stuck. If
the readout is "—- —- –", then none of the bits are stuck.
Y Stuck Bits: For HD signals only, displays which of the luminance video
bits are stuck. If the readout is "—- —- LL", then none of the bits are stuck.
LL is displayed for the two unused bits.
C Stuck Bits: For HD signals only, displays which of the chrominance video
bits are stuck. If the readout is "—- —- LL", then none of the bits are stuck.
LL is displayed for the two unused bits.
EDH Error: For SD signals only, indicates that there is an error in the EDH
packet (checksum or parity) of the signal.
Statistics: This section of the display shows the status and statistical values
for certain errors. For information about the errors in this section, view the
help file in your instrument: while the Video Session is active in a tile, press
the HELP button.
Status: Shows the status of the associated error as either OK, Invalid,
Missing, or Error.
Err Secs: The number of seconds, since the last reset, that contained at least
one error.
Err Fields: The number of fields, since the last reset, that contained at least
one error.
% Err Fields: Shows a calculated number showing the percentage of all
fields since the last reset that contained at least one error.
Black Events: Shows when a black frame has occurred within the video
image. Settings configured in the CONFIG > Measurement Settings menu.
Frozen Events: Shows when a frozen frame has occurred within the video
image. Settings configured in the CONFIG > Measurement Settings menu.
Changed Since Reset: Indicates if either the F1 or F2 AP CRC values have
changed since the last reset.
Frozen: This readout only appears when you press the CAPTURE button.
It indicates that errors are being gathered, but are not being displayed on the
Status page. This state is useful for looking at EDH (Error Detection and
Handling) CRC (Cyclic Redundancy Check) values on live video.
NOTE. To reset, stop, or start an individual video or audio session, select the
tile in which it is displayed and use the SEL button, right arrow key, and left
arrow key, respectively. Remember that the STATUS pop-up menu must be closed;
otherwise, the button and key presses will navigate through that menu.
Audio Session With Option AUD, you can access the Audio Session display, which contains
several performance parameters that you can display to see an overview of the
audio input signal. This instrument maintains a running audio status session.
(See Figure 31.)
Peak (dBFS): The True Peak signal level measured on the channel.
High (dBFS): The highest signal level measured by the signal level meter.
The level meter response is based on the Ballistics setting. If ballistics is set
to True Peak, this readout is the same as the Peak readout.
Active Bits: The number of active bits in the channel. For SD Embedded
Audio the maximum is 20 bits.
Smpl Rate: The sample rate of the channel pair.
L (K)/(eq) (dBFS): The average loudness level for each channel. This can be
either a "long" (averaged over the entire session), or "short" (averaged over a
10-second rolling interval) average.
NOTE. When AUDIO > Loudness Filter & Measure > Linear is selected, Leq
(dBFS) is displayed; for A-weighted loudness, LAeq (dBFS) is displayed; for
LKFS ITU-R BS.1770 loudness, L(K) (dBFS) is displayed.
L (K)/(eq) (pair): The average loudness level for each pair of channels. This
can be either a "long" (averaged over the entire session), or "short" (averaged
over a 10-second rolling interval) average.
NOTE. When AUDIO > Loudness Filter & Measure > Linear is selected, Leq
(pair) is displayed; for A-weighted loudness, LAeq (pair) is displayed; for LKFS
ITU-R BS.1770 loudness, L(K) (pair) is displayed.
NOTE. To reset, stop, or start an individual audio or video session, select the
tile in which it is displayed and use the SEL button, right arrow key, and left
arrow key, respectively. Remember that the STATUS pop-up menu must be closed;
otherwise, the button and key presses will navigate through that menu.
Audio Loudness Session The Audio Loudness Session display is available when Option LOUD and Option
AUD are installed. This display allows you to view an audio loudness chart
and the values associated with audio loudness measurements. This instrument
maintains a running audio loudness session. (See Figure 32.)
Short Loud: The displayed value is the short duration loudness measurement
based on the short duration period.
Infinite: The displayed value is the loudness measurement average based
on the duration of the audio session.
True Peak: The displayed value is the maximum true peak value recorded by
the audio meters. More detailed information on the true peak level of each
channel is displayed within the audio session.
Dailnorm: The displayed value is the metadata value that is present either
within the Dolby data stream or carried as a Ancillary data packet per
SMPTE2020.
Loud Range: The displayed value is the quantified (in LU) variation of the
loudness measurement of a program and is based on the statistical distribution
of loudness.
Audio Control The Audio Control Packet Display allows you to view information on audio frame
number, sampling frequency, active channels, and relative audio-to-video delay of
each channel, as encoded in the audio control packet metadata. (See Figure 33.)
Audio Control Pop-up Menu. Mute Alarms mutes alarms for all Status display
types.
Aux Data Status The Aux Data Status Display allows you to view closed-caption, teletext, video
index, AFD, WSS, V-chip related status, and other ancillary data present on
monitored signals. (See Figure 59.)
Dolby Status When your instrument is equipped with Option AUD, you can view Dolby
metadata from the currently monitored SDI input. You can view Dolby VANC
data (SMPTE 2020) from the Dolby Status Display. (See Figure 37.)
Elements of the Dolby Status display. The following is a list of some of the
elements that show on the Dolby Status display. Some elements apply only
to Dolby type E. If Dolby type D is detected, these elements display with their
names grayed out and with a value of N/A. For a complete list of the elements that
might appear, see the instrument online help by pressing the HELP button when
the Dolby Status display is active in a tile.
Program Description Text: A 32-character ASCII text field used by the
program author to describe the audio program; for example, the name of the
program (Movie Channel Promo), the program source (Football Main Feed),
or the program language (Danish).
Dolby Format: Indicates the Dolby Format. This indicator is also tied to the
Dolby Format Error/Alarm: if the Alarm is asserted, the Dolby Format is
displayed in red.
Channel Mode (or Audio Coding mode): Indicates the active channels
within the encoded bit stream, representing it in a ratio, X/Y, where X is the
number of front channels (Left, Center, Right) and Y is the number of rear
(Surround) channels. If the LFE Channel is present, an L is appended at the
end of the channel mode.
ARIB Status Check for the presence and status of ARIB-based information encoding. The
instrument supports TR-B.22, TR-B.23-1, TR-B.23-2, B.35, B.37, and B.39 ARIB
standards. To view the ARIB content displays, enable this option in CONFIG >
Aux Data Settings > ARIB Content Display. For detailed information about
ARIB displays, go to the ARIB Displays section in this manual. (See page 107.)
Audio Display
Pressing the AUDIO button brings up the Audio Display if the instrument has
Option AUD installed. This display provides level meters and a phase display
for monitoring audio signals. The Audio display always shows the level meters
and correlation meters. When you choose to display the Phase plot (also known
as Lissajous) or Surround Sound, the left part of the Audio tile displays the level
meters and the right part the Phase or Surround Sound display. You can also view
Dolby E timing in this display. (See Figure 38.)
Elements of the Audio Level meters: Shows the audio levels. (See page 124, To Check Audio Level.)
Display Loudness meter: This meter is configured in the CONFIG > Loudness
Settings menu. Once configured, enable it by pressing and holding the
AUDIO button to get the pop-up menu. The following indicators appear next
to the meter and show the loudness:
Gray diamond: indicates Too Quiet loudness threshold
White diamond: indicates Target Loudness threshold
Blue diamond: indicates target loudness low threshold
Yellow diamond: indicates target loudness high threshold
Red diamond: indicates Too Loud loudness threshold
Loudness channel: appears at the base of the loudness meter and shows
which channels are being displayed. If Program is selected, the channel
label will be P1 up to P8. The channel text is green if the channels are
set to Program.
Phase, Surround, or Loudness Display: Select between the Phase display,
where the phase of a selected pair of channels is plotted against an X-Y or
sound-stage plot, the Surround display, where all the channels' levels display
Above-Bar Warning This instrument displays warning messages above the level meter bars. The
Messages warning messages that can appear above the bars as follows:
Clip. The number of consecutive samples equals or exceeds the # Samples
for Clip setting.
Over. The signal is at or above the specified Over Level for a time exceeding
the Duration for Over setting.
In-Bar Warning Messages This instrument displays warning messages within the level meter bars. The
warning messages that can appear are shown below in order of priority.
UNLOCKED. The instrument is not locked to an incoming signal on the
indicated input channel. Data cannot be decoded and all data and other errors
are ignored. This means that if embedded audio is selected, the VIDEO input
is unrecognizable.
AES PARITY. The incoming subframe does not have even parity as specified
by the digital audio standards. The data sample is unreliable and is ignored.
The level meters and Lissajous display treat the sample as a zero sample.
AES CRC ERROR. The CRC code in the AES channel status packet is
incorrect. Sometimes the CRC code is set to zero, indicating that the signal is
missing; when this is the case, this message is not displayed.
MUTE. The number of consecutive all-zero samples equals or exceeds the
# Samples for Mute setting.
SILENCE. The signal is at or below the specified Silence Level for a time
exceeding the Duration for Silence setting.
DISABLED. Indicates that an audio bar is not active. This message is mainly
seen with a Dolby Digital source when a listening mode is selected with a
reduced number of channels.
AES V BIT. Indicates that the Validity bit is set high for one or more data
samples. In the AES/EBU standard, a set validity bit indicates that the sample
is not suitable for conversion to audio. By default, the level meter bars and
Lissajous display treat the affected samples as zero samples.
NO AUDIO. Indicates that an embedded input has the Non audio bit set.
NOT PRESENT. Indicates that an audio bar is not present in the current
audio input. This can be present if a Dolby Digital input has a coding mode
indicating a reduced number of channels.
DOLBY D+. Indicates an embedded input is DOLBY Digital Plus.
DOLBY E. Indicates an embedded input is DOLBY E.
Audio Display Pop-Up The Audio pop-up menu enables you to select the audio input source and specify
Menu whether a phase display or a surround-sound displays appears in a subtile to the
right of the level meter display.
To select the source for the Audio display, select Audio Input in the menu and
set a source. The number of available sources depends on which audio option is
installed. Choosing any given input will make that audio the monitored signal
regardless of which video input is active. Alternatively, choose Follows Video
to enable the mapping that allows changing the audio source as the video input
selection is changed.
NOTE. Use the CONFIG menu to select the mapping of input to bar, the meter
type, and the Follows Video mapping of audio to video.
Headphone input maps audio pairs to the front panel headphone jack.
Analog Out Atten is used to adjust the levels to the rear panel analog outputs.
To add a 2-channel phase display to the audio tile, set Aux Display to Phase
Display in the Audio pop-up menu. A phase display is also called a "Lissajous"
display.
To choose the plot style of the Phase Display, select between the following two
entries in the pop-up menu:
Sound Stage has axes rotated at a 45 degrees.
X-Y has axes that are horizontal and vertical.
To choose the pair of inputs that is displayed in the phase display, select Phase
Pair and set a value. You can also select Custom, and then specify individual
channels for the input pair, using the Phase Channel A and Phase Channel B
entries.
To define when audio channel pairs are considered out of phase and the Audio
Phase alarm occurs, you should set the following two parameters:
Phase Err Corr: Defines the percentage of correlation error that must occur
before the Audio Phase alarm is triggered.
Phase Err Duration: Defines the duration of time for which the error must
occur before the Audio Phase alarm is triggered.
To add a multi-channel surround sound display to the audio tile, set Aux Display
to Surround Sound in the Audio pop-up menu. You can also enable either or
both of the following entries:
Dominance Indicator. When on, indicates the location of the dominant sound
in the surround sound image using a cross-hairs pointer (surround display
only).
Loudness. When set to Flat, results in a non-weighted response; when set
to A-weighted, results in a response that more closely matches that of the
human ear.
Configuring Audio Inputs To set up an Audio Input for Embedded 16-Channel audio:
for Embedded 16-Channel 1. Press the CONFIG button to display the configuration menu.
Audio
2. Use the arrow keys and SEL button to make selections in the steps that follow.
3. Select Audio Inputs/Outputs.
4. Select Video to Audio Map.
5. Select the correct SDI input.
6. Select Emb. 16-Ch.
7. To set the appropriate ballistics (True Peak, PPM Type 1, PPM Type 2, or
Loudness), see the Config > Digital Audio Displays menu.
NOTE. You cannot modify the input and output mapping because the mappings
are fixed for 16-Channel audio.
Picture Display
Pressing the PICT button calls up the Picture display, which lets you see the
picture generated by the video signal. You can choose to display the picture
with or without a Picture Frame, VChip, Closed Captioning (CC), Teletext, and
Safe Area Graticules. (See Figure 40.) (See page 131, Closed Captioning (CC),
Teletext, AFD, and Safe Area Compliance.)
Elements of the Picture In full-screen mode, there is no cropping. Pictures are decimated horizontally or
Display vertically to obtain the correct aspect ratio. This decimation may cause some
artifacts. This behavior may be evident on a sweep signal. Also see the online
help for the Picture Aspect Ratio for related information. Display can be set to
include Closed Captioning text or Teletext subtitles overlaid on the picture.
The VChip, CC-Display, Teletext, and Safe Area Graticule are described below:
(See Figure 41.)
1. VChip Area: Displays detected VChip ratings from any of these systems:
MPAA (US), TV (US), Canadian English, and Canadian French. VChip
information is labeled CA (Content Advisory).
2. Safe Graticules: SMPTE, BBC, and ARIB B-4 standards for safe area
graticules allow for selection of up to two Safe Area and two Safe Title
graticules. Custom graticules with adjustable areas can also be specified.
3. Closed Caption Text and Teletext Area: Displays closed captioning or
Teletext, configurable to decode to the following Closed Caption and Teletext
standards.
For Composite: CEA-608-line-21 (VBI), TeletextB VBI (PAL)
For SD: CEA-608-line-21, TeletextB VBI (625), CEA-608 (ANC),
CEA-608 (708), CEA-708, TeletextB VBI, TeletextB OP47 SDP (ANC),
and TeletextB OP47 Multi (ANC)
For HD and 3G: CEA-608 (ANC), CEA-608 (708), CEA-708, TeletextB
VBI, TeletextB OP47 SDP (ANC), and TeletextB OP47 Multi (ANC)
Figure 41: VChip, CC-Display, Teletext, and Safe Area Graticule in Picture display
Picture Display Pop-Up When monitoring to ensure that branding or other elements do not overlay
Menu essential text or video action, use the PICT pop-up menu to select a Safe Action
and Safe Title graticule. The Safe Action Area is the maximum image area within
which all significant action should be contained, and the Safe Title Area is the
maximum image area within which all significant titles should be contained. You
can select standard or custom safe area graticules.
Picture Frame: Select to turn the picture frame On or Off.
CC/Teletext Format: Select from Off, Auto, CEA608, CEA708, and WST.
CEA608 CC Services: Select from CC Channel 1 through 4 and Txt Channel
1 through 4.
CEA708 CC Services: Select from Service 1 through 6.
TtxtB Page: Select the teletext B page.
Safe Area Action 1: Select from Off, Auto, 4x3, 14x9, 16x9, Custom_1,
and Custom_2.
Safe Area Title 1: Select from Off, Auto, 4x3, 14x9, 16x9, Custom_1, and
Custom_2.
Safe Area Action 2: Select from Off, Auto, 4x3, 14x9, 16x9, Custom_1,
and Custom_2.
Safe Area Title 2: Select from Off, Auto, 4x3, 14x9, 16x9, Custom_1, and
Custom_2.
Black/Frozen Grat: Select from Off, Black, and Frozen.
AFD Graticules: Select from ON and Off.
Picture Center Grat: Select from ON and Off.
Functions
NOTE. Gain, Sweep, and Magnification do not apply to all display types.
To Set Gain Use Gain with the WFM, VECTOR, and Bowtie displays.
Select a trace display.
Press and hold the GAIN button to display the Gain pop-up menu.
If you enable VAR Gain, set the gain using the General knob. If you select
Gain Settings, choose the gain (x2, x5, x10) of your choice.
After you have set up Gain parameters, you only need to press the GAIN button
once to activate Gain. Press it again to remove Gain.
To Set Sweep Mode Use Sweep with the WFM and Bowtie displays.
Select a trace display.
Press and hold the SWEEP button to display the Sweep pop-up menu.
Select Line or Field sweep. The available options depend on which display is
active. For example, when the WFM Display is in Overlay mode, you can
select from either Line or Field. When that same display is in Parade, only
Line is available.
After you have set up Sweep parameters, you only need to press the SWEEP
button once to activate Sweep. Press it again to remove Sweep.
To Set Magnification Use Magnification with the WFM, VECTOR, and Bowtie displays.
Select a trace display.
Press and hold the MAG button to display the Magnification pop-up menu.
Select a magnification setting, such as Best View, x10, x20, x25, or x30. In
the Vector displays, the magnification is called H Gain (horizontal gain). The
available options depend on which display is active.
After you have set up Magnification parameters, you only need to press the MAG
button once to activate Magnification. Press it again to remove Magnification.
Cursors
Cursors enable you to measure time or voltage on a waveform. Cursors appear
only in a tile set to Waveform mode. If the active tile is not in Waveform mode,
then an error message is displayed.
Display and adjust the cursors as follows:
1. Choose a tile that is currently displaying a waveform.
2. Press and hold the CURSOR button to display the cursor menu and then
select the cursor style you want: Voltage, Time, or Voltage + Time. (After
the cursors are activated and the pop-up menu is closed, pushing CURSOR
again turns the cursors off.)
3. Push the arrow keys to select the active cursor:
If Voltage or Time cursors are displayed, press any arrow key to activate
a cursor.
If Voltage + Time cursors are both displayed, press either the up or down
arrow key to select between voltage cursors. Press either the left or right
arrow key to select between the time cursors.
4. Turn the GENERAL knob to adjust the selected cursor on the waveform. The
active cursor readout appears in yellow with a knob icon.
NOTE. To quickly center the active cursor on screen, press and hold the SEL
button.
Capture
Use the CAPTURE button to freeze a single tile, or all tiles simultaneously,
saving it to memory while other displays and information continue to be live.
Frozen information is lost when the power cycles.
NOTE. Freeze information can be downloaded from the instrument Web page.
Capture freeze works in both four-tile and full-screen modes, however, if you
freeze a trace in 4-tile mode, the image will not be shown if you go to full-screen
mode. The image will still be available if you go back to 4-tile mode. Likewise,
if you freeze a waveform image in a tile and then switch the tile to another
measurement such as Vector, the frozen waveform image is hidden. If you then
change the tile back to waveform, the image will reappear.
NOTE. For waveform displays, the captured image is shown in a different color to
distinguish it from the live image. For all displays, the instrument continues to log
error status in the background while the display is captured.
Line Select
Line Select allows you to select lines in the waveform display. This function is
accessible from the front panel of your instrument by pressing the LINE SEL
button.
1. Select the tile containing the display for which you want to set Line Select
Mode.
NOTE. Line Select Mode can only be active on one tile at a time, but the line
select brightup cursor does appear in other tiles and moves as you select lines
in the active tile.
2. Press the LINE SEL button to toggle Line Select Mode on or off. When on,
the tile displays the selected line information only.
3. Press the left or right arrow key to select F1 (field 1), F2 (field 2), F3 (field3),
F4 (field 4), or All.
4. The line and field information will appear at the bottom of the display screen.
5. Turn the GENERAL knob to select the line you want to view.
The headphone jack is located on the front panel of your instrument. You can
adjust the volume to the headphones from the Audio menu as follows:
1. Press the AUDIO button to show the audio display in a tile.
NOTE. The headphone icon appears at the bottom of the Audio display.
Presets
Instrument setups can become complex as you tailor them to monitor various
parameters. To save set up time and ensure consistency, you can save instrument
setups as presets in your instrument. Save and quickly access presets from the
PRESET button on the instrument front-panel and from the instrument Web page.
All instrument settings except those set in the Utilities and Network Settings
submenus of the Configuration menu are saved in a Preset. Settings that are not
saved are those such as the clock setting, IP configuration, and network address.
The following is an overview of the settings saved in a Preset:
Measurement assigned to each tile
Tile specific settings
Input selection
SDI Input settings
External Reference settings
Audio Displays settings
Audio Inputs/Outputs settings
Alarm settings
Gamut thresholds
Display settings
Readout setting
Graticule settings
To Save Presets The instrument can store up to 32 separate instrument presets. The presets are
divided into four groups, A through D, with each group containing 8 preset storage
locations. The default preset names are A1 – A8, B1 – B8, C1 – C8, and D1 – D8.
NOTE. Pressing and holding a preset button accesses the Group A preset locations
by default. You can use the Bezel Group Select menu in the Preset menu to change
which of the four preset groups are associated with the front panel preset buttons.
3. In the dialog box that appears, press the right arrow key to highlight the
Continue box.
4. Press the SEL button. A message displays that your preset is saved.
To Recall Presets Recalling presets is easy: press the PRESET button to display the Preset Menu.
Use the arrow buttons to navigate to the preset that corresponds to the preset
you want and press the SEL button.
To recall factory presets, press the PRESET button to display the Preset Menu.
Use the arrow buttons to navigate to Recall Preset > Recall Factory Preset
and then press the SEL button.
Importing Presets from a You can also save presets to the USB drive so that you can load them onto
USB Device multiple WFM5200 instruments in your system. To import presets to a USB
memory device:
1. Insert a USB memory device into the USB drive located in the front of the
instrument. To check that the drive mounted properly, press the MAIN button
and then press the SEL button.
2. Press and hold the Preset button to view the Preset menu.
3. Press the down arrow key to select Import Presets.
4. Press the right arrow key to access the submenu and then press the up/down
arrow keys to navigate to Select Source.
5. Press the right arrow key to access the submenu, highlight the USB folder
from which you want to import, and then press the SEL button.
6. Navigate to the Select Dest menu option and use the arrow keys to access
the submenu.
7. Navigate to the preset group that matches the source preset group and press
the SEL button.
8. Press the left arrow key and then the down arrow key and highlight Copy.
9. Press the SEL button. You should see a pop-up notice that says Import
Complete.
10. If you do not want to import any other presets at this time, press the Preset
button to dismiss the menu.
11. Remove the USB memory device from the USB drive.
8. In the same submenu, navigate to the Preset Group that matches the source
Preset Group and press the SEL button.
9. Press the left arrow key and then the down arrow key and highlight Copy.
10. Press the SEL button. You should see a pop-up notice that says Export
Complete.
11. If you do not want to export any other presets at this time, press the Preset
button to dismiss the menu.
12. Remove the USB memory device from the USB drive.
Software Upgrades
After you have verified that your instrument must have the software upgraded,
use the following procedures to upgrade the software.
After obtaining the latest software package, you can upgrade the instrument
either using the USB Software Installation procedure or the Network Software
Installation procedure.
Obtain the Latest Software Download the latest version of software available for your instrument.
1. Use the Web browser on your PC to navigate to the following Tektronix Web
site:
http://www.tektronix.com/downloads
USB Software Installation Use the following steps to upgrade the instrument software using a USB flash
drive:
1. Insert the USB flash drive into a USB port (of the PC containing the latest
software).
2. On the PC, navigate to the USB flash drive.
3. On the USB flash drive, create a directory named:
WfmUpgrd
NOTE. To avoid upgrade problems, remove all pre-existing files and directories
from the USB flash drive. Be sure to create the WfmUpgrd directory exactly as
shown.
4. Open the directory (from the extracted archive) and copy the firmware.pkg
file to the WfmUpgrd directory on the USB flash drive.
You should have a directory path WfmUpgrd\firmware.pkg.
5. Safely remove (eject) the USB flash drive from the PC.
6. Insert the USB flash drive into the USB port on the front panel of the
instrument.
7. Check that the USB flash drive is mounted. Press the MAIN button and
navigate to USB Status and press the SEL button. A USB Status message
is displayed. (If the USB flash drive successfully mounted, you will also
see the USB Unmount menu selection. Do not unmount.) Press the MAIN
button again to dismiss this menu.
8. Press the CONFIG button.
9. Navigate to Utilities > System Upgrade > Upgrade Options > USB
Upgrade and press the SEL button.
If the USB flash drive is properly mounted and the firmware package is
detected, the System Software Upgrade form USB window displays.
NOTE. If the instrument displays a message indicating that a USB storage device
containing firmware package was not detected, make sure you have the correct
directory path with the firmware package on the USB flash drive.
In some instances, you may need to use your PC to re-format the USB flash drive
and start the process again.
10. Select Continue from the upgrade window and press SEL to start the software
upgrade. (Select Cancel if you do not want to continue with the upgrade.)
WARNING. To prevent upgrade failure, do not remove the USB flash drive or
power off the instrument until the upgrade is complete. The instrument displays
messages indicating the upgrade status. The upgrade may take up to 12 minutes.
11. When the process is complete, a message displays to cycle the power to the
instrument.
12. After the instrument finishes restarting, use the Configuration menu to verify
the correct software version installed.
13. Press the MAIN button and navigate to USB Unmount and press the SEL
button. This electrically unmounts the flash drive so that it can be safely
removed from the instrument.
Network Software Use the following steps to upgrade the instrument software using a network
Installation connection:
1. Connect the instrument and PC to your local Ethernet network.
NOTE. The data-transfer utility requires that the instrument be assigned a valid
IP address. To allow network access to the instrument, the instrument must be
assigned a valid IP address for your network. Network addresses can be assigned
either manually or automatically using DHCP. If your network does not use
DHCP, you will have to manually enter the address for the instrument. To get a
valid IP address, contact your local LAN administrator.
Alternatively, if you connect the PC directly to the instrument using an Ethernet
cable, you can assign the instrument any IP address that is compatible with the
IP address of the PC.
NOTE. If you selected DHCP mode, the network automatically assigns the
instrument an IP address.
e. Press the CONFIG button on the front panel to close the menus.
4. Prepare the instrument for the software upgrade:
a. Press the CONFIG front panel button.
b. Navigate to Utilities > System Upgrade > Upgrade Options > Network
Upgrade.
c. Press the SEL front panel button. This displays the System Software
Upgrade window.
5. Perform the software upgrade:
a. On the PC, double-click the transfer.exe file to launch the transfer
program.
b. Type the IP address or DNS name of the instrument you are upgrading,
and then press Enter. This starts the software upgrade process.
c. The transfer utility displays done when the software upgrade completes.
When the software upgrade completes, the instrument will reboot.
Verify Software 1. If the instrument did not reboot at the completion of the software upgrade,
cycle the power to the instrument to cause it to reboot.
2. Press the CONFIG button on the front panel.
3. Navigate to Utilities > View HW/SW Version.
4. Verify that the software version number matches the version of the
software-upgrade package you installed.
SW Installation If a power failure occurs during SW upgrade and the instrument has a blank screen
Troubleshooting when you reapply power, perform the following procedure.
1. Make sure that an Ethernet cable is connected directly from your PC to the
instrument. You need a direct network connection. (See page 6, Connecting
Directly to a PC.)
2. Turn off the instrument (remove power).
3. Press and hold the left arrow key while you press the power button.
4. The instrument will turn on and the default IP address of 192.168.1.1 will
be set.
5. Set the IP address of your PC to 192.168.1.x, where x ≠ 1.
6. Enter the IP address of the instrument (192.168.1.1) for the upgrade transfer
application.
7. Start the upgrade process. When it is complete, the instrument should reboot.
If it does not, cycle the power.
The + tic marks on the graticule indicate the following timing errors:
1080p 50, 59.94, 60, 3Gbps (3 Gb/s
and dual link formats) Timing error
Tic mark SD Timing error (ns) HD Timing error (ns) (ns)
0 marks 0 0 0
1st 20 2 1
2nd 40 5 2.5
3rd 74 1 13.5 6.75
4th 148 2 27 13.5
1 Luma sample
2 Chroma sample
Checking Gamut
Signals that are legal and valid in one signal representation may not be legal in
another representation. Specifically, signals which are legal in the Digital YCbCr
representation may not be legal if transcoded to RGB or encoded to NTSC / PAL.
Any signal that fails this test is considered out of gamut.
Adjust Gamut Thresholds from the Configuration menu. From this same menu,
you can also reset some gamut thresholds to default values.
Your instrument supports multiple displays and alarms to detect out-of-gamut
signals. The flexible, tiled display allows you to simultaneously view several
gamut measurements to learn which is most appropriate for a given application.
The displays are and their uses follow:
Diamond for checking that SDI signals conform to legal RGB gamut space.
Split Diamond separates the upper and lower diamonds to show excursions
below black; otherwise it is identical to the Diamond display.
Arrowhead for checking if an SDI signal is legal for composite color space.
Composite Waveform modes for checking video signals for legality in
composite color space.
Spearhead for showing lightness, color value, and saturation of the RGB
color space.
Diamond, Split Diamond, Arrowhead, and Spearhead have adjustable thresholds.
If the signal goes outside the area defined by the thresholds, the signal is out of
gamut. If these limits are exceeded, then the instrument can generate alarms
if configured to do so. For composite waveforms, the legal limit is simply the
maximum level allowed for the combination of luma and chroma. This limit
depends on the application. For example, a video tape machine may be able to
record and play out signals with higher luma and chroma components than a
transmitter.
Quad Diamond (Requires Option S3D)– Use to show the disparity between
the left and right channels of a 3D signal. (See page 42, Gamut Display.)
Arrowhead – Use to detect composite gamut errors, without employing a
composite encoder.
Spearhead – Use to detect RGB gamut errors.
4. Press the GAMUT button to dismiss the pop-up menu.
5. Press the CONFIG button and select Gamut Thresholds.
6. Set the thresholds as desired.
For a signal to be in gamut, all signal vectors must lie within the G-B and G-R
diamonds. Conversely, if a signal vector extends outside the diamond, it is out
of gamut. The direction of an excursion out of gamut indicates which signal is
excessive. Errors in green amplitude affect both diamonds equally, while blue
amplitude errors affect only the top diamond and red errors affect only the bottom
diamond. (See Figure 46.)
B > 700 mV
Example C:
R - Ok
G - Ok, 350 mV
B < 0 mV
Usage Notes As with the lightning display, bending of the transitions indicates timing delays.
When a color bar signal is applied, the vertical axis becomes an indicator of
delay errors.
On the Diamond display, monochrome signals appear as vertical lines. Nonlinear
component processing, such as from a gamma corrector that alters white balance,
can cause deviations along the vertical axis.
To isolate gamut bright-ups, try the following:
Use the LINE SEL button to select individual lines.
Use the PICT display to examine the signal (turn on gamut bright-ups in the
Display Settings submenu of the Configuration menu).
Use the Diamond Area or Arrowhead Area settings (found in the Gamut
Thresholds submenu of the Configuration menu) to specify a percentage of the
image pixels to ignore for gamut violations. The Gamut bright-ups, however,
will continue to indicate all Gamut violations.
Usage Notes To automate this check, do the procedure Automating Gamut Checks. (See
page 106.)
ARIB Displays
Your instrument supports conformance to ARIB data standards contained in the
signal source. You will need to enable the ARIB displays from the Configuration
menu in the Aux Data Settings submenu. ARIB information is contained in the
following status screen displays:
ARIB Status
ARIB STD-B.39 Display
ARIB STD-B.37 Display
ARIB STD-B.35 Display
ARIB TR-B.23 (1) Display
ARIB TR-B.23 (2) Display
ARIB TR-B.22 Display
The following DID and SDID values are defined for common types of
ARIB-compliant data.
DID and SDID values for common ARIB data types
DID SDID
Ancillary data type value value
ARIB TR-B.22, Sub Information of transmitting materials 0x5F 0xE0
ARIB TR-B.23, Line 20 User Data - 1 0x5F 0xFC
ARIB TR-B.23, Line 20 User Data - 2 0x5F 0xFB
ARIB STD-B.35 Trigger Signal for Data Broadcasting 0x5F 0xFD
ARIB STD-B.37 Closed Captioning
Analog signal 0x5F 0xDD
SD signal 0x5F 0xDE
HD signal 0x5F 0xDF
ARIB STD-B.39 Inter Stationary Control Data
ARIB specification 0x5F 0xFE
ITU specification 0x43 0x01
ARIB Status
The ARIB Status display is a status summary screen for the signal. (See
Figure 49.)
Figure 50: ARIB STD-B.39 display (with the associated ARIB Status display)
Figure 51: ARIB STD-B.37 display (with the associated ARIB Status display)
NOTE. The Line field turns red if the ARIB B.37 packets are not on the line
as defined by ARIB TR-B.23.
Figure 52: ARIB STD-B.35 display (with the associated ARIB Status display)
The decoded ancillary data includes the following:
DID - Data Identifier of the requested packet; permissible values range from 1
to 0xFF (255) inclusive.
Type - Type of the ANC Data packet. For ARIB B.35, this is always a Type 2
packet (DID less than 0x80), as defined by SMPTE 291M. The actual value
(with parity bits added) is displayed in parentheses.
SDID - Secondary Data Identifier of the requested packet; permissible values
range from 0 through 0xFF (255) inclusive. This field only appears when
a Type 2 packet is selected (see above). The actual value (with parity bits
added) is displayed in parentheses.
DC - Data Count word of the acquired packet. The number of User Data
words is displayed in decimal. The actual value (with parity bits added) is
displayed in parenthesis, in hexadecimal.
Field - The field of the video from which the packet was acquired. Displays 1
for progressive formats.
Line - The line of the video (within the field) from which the packet was
acquired.
Stream - For HD (SMPTE 292M), indicates whether the ancillary packet was
acquired from the Y or C data streams. Displays N/A for SD.
Status - Indicates whether packet(s) of the desired type are present in the
video; also indicates Checksum or CRC errors.
Checksum - Indicates the checksum word that was recovered from the
acquired packet.
Should be - Indicates the checksum word computed by the instrument, based
on the packet data.
Format - Indicates the name of the ancillary data type or standard.
User Data Words - Contains the payload of the ancillary packet, displayed in
hexadecimal. Displays all 10 bits.
Figure 53: ARIB TR-B.23 (1) display (with the associated ARIB Status display)
The decoded ancillary data includes the following:
DID - Data Identifier of the requested packet; permissible values range from 1
to 0xFF (255) inclusive.
Type - Type of the ANC Data packet. For ARIB TR-B.23-1, this is always a
Type 2 packet (DID less than 0x80), as defined by SMPTE 291M. The actual
value (with parity bits added) is displayed in parentheses.
SDID - Secondary Data Identifier of the requested packet; permissible values
range from 0 through 0xFF (255) inclusive. This field only appears when
a Type 2 packet is selected (see above). The actual value (with parity bits
added) is displayed in parentheses.
DC - Data Count word of the acquired packet. The number of User Data
words is displayed in decimal. The actual value (with parity bits added) is
displayed in parenthesis, in hexadecimal.
Field - The field of the video from which the packet was acquired. Displays 1
for progressive formats.
Line - The line of the video (within the field) from which the packet was
acquired.
Stream - For HD (SMPTE 292M), indicates whether the ancillary packet was
acquired from the Y or C data streams. Displays N/A for SD.
Status - Indicates whether packet(s) of the desired type are present in the
video; also indicates Checksum or CRC errors.
Checksum - Indicates the checksum word that was recovered from the
acquired packet.
Should be - Indicates the checksum work computed by the instrument, based
on the packet data.
Format - Indicates the name of the ancillary data type or standard.
User Data Words - Contains the payload of the ancillary packet, displayed in
hexadecimal. Displays all 10 bits.
Figure 54: ARIB TR-B.23 (2) display (with the associated ARIB Status display)
The decoded ancillary data includes the following:
DID - Data Identifier of the requested packet; permissible values range from 1
to 0xFF (255) inclusive.
Type - Type of the ANC Data packet. For ARIB TR-B.23-2, this is always a
Type 2 packet (DID less than 0x80), as defined by SMPTE 291M. The actual
value (with parity bits added) is displayed in parentheses.
SDID - Secondary Data Identifier of the requested packet; permissible values
range from 0 through 0xFF (255) inclusive. This field only appears when
a Type 2 packet is selected (see above). The actual value (with parity bits
added) is displayed in parentheses.
DC - Data Count word of the acquired packet. The number of User Data
words is displayed in decimal. The actual value (with parity bits added) is
displayed in parenthesis, in hexadecimal.
Field - The field of the video from which the packet was acquired. Displays 1
for progressive formats.
Line - The line of the video (within the field) from which the packet was
acquired.
Stream - For HD (SMPTE 292M), indicates whether the ancillary packet was
acquired from the Y or C data streams. Displays N/A for SD.
Status - Indicates whether packet(s) of the desired type are present in the
video; also indicates Checksum or CRC errors.
Checksum - Indicates the checksum word that was recovered from the
acquired packet.
Should be - Indicates the checksum work computed by the instrument, based
on the packet data.
Format - Indicates the name of the ancillary data type or standard.
User Data Words - Contains the payload of the ancillary packet, displayed in
hexadecimal. Displays all 10 bits.
Figure 55: ARIB TR-B.22 display (with the associated ARIB Status display)
The decoded ancillary data includes the following:
DID - Data Identifier of the requested packet; permissible values range from 1
to 0xFF (255) inclusive.
Type - Type of the ANC Data packet. For ARIB TR-B.22, this is always a
Type 2 packet (DID less than 0x80), as defined by SMPTE 291M. The actual
value (with parity bits added) is displayed in parentheses.
SDID - Secondary Data Identifier of the requested packet; permissible values
range from 0 through 0xFF (255) inclusive. This field only appears when
a Type 2 packet is selected (see above). The actual value (with parity bits
added) is displayed in parentheses.
DC - Data Count word of the acquired packet. The number of User Data
words is displayed in decimal. The actual value (with parity bits added) is
displayed in parenthesis, in hexadecimal.
Field - The field of the video from which the packet was acquired. Displays 1
for progressive formats.
Line - The line of the video (within the field) from which the packet was
acquired.
Stream - For HD (SMPTE 292M), indicates whether the ancillary packet was
acquired from the Y or C data streams. Displays N/A for SD.
Status - Indicates whether packet(s) of the desired type are present in the
video; also indicates Checksum or CRC errors.
Checksum - Indicates the checksum word that was recovered from the
acquired packet.
Should be - Indicates the checksum work computed by the instrument, based
on the packet data.
Format - Indicates the name of the ancillary data type or standard.
User Data Words - Contains the payload of the ancillary packet, displayed in
hexadecimal. Displays all 10 bits.
Audio Monitoring
Your instrument can monitor embedded audio signals if it has Option AUD
installed. It can measure levels, monitor phase, display phase correlation, and
monitor surround-sound audio. You can specify meter ballistics and scales, set
test and peak program indicator levels, and specify how phase is displayed.
NOTE. The audio monitoring features described in this chapter requires that
Option AUD be installed. For a list of the options currently installed on your
instrument, press the CONFIG button. In the configuration menu, select Utilities.
The View Options entry lists the installed options.
To Set Up an Audio Input 1. Press the CONFIG button to display the configuration menu.
2. Select Audio Inputs/Outputs and select the input to be configured.
3. Select from Srnd (Surround) for a 5.1 or 5.1+2 type display, or Pairs for a
stereo with SAP and discrete channels type installation.
4. Select Bar to Input Map and select which input pair should be displayed
in each bar pair.
5. Select which inputs are allowed to generate alarms.
6. Select the box to return to the Configuration menu.
7. Repeat these steps for any other Audio inputs.
3. Use the Arrow Keys and SEL button to make selections in the steps that
follow.
4. Select Audio Input and then select one of the audio input options shown.
NOTE. The available selections depend on the installed audio option. Selecting
Follows Video selects the audio to video mapping set in the configuration menu.
(See page 123, Configuring Audio Inputs.)
To Check Audio Level 1. Open the audio display in one tile and select an input. (See page 123, To Set
Up an Audio Input.)
2. Check the level meter bars for current audio levels, which are displayed
according to the selected meter ballistics. Each bar displays three colors.
(See Figure 56.)
Green – Indicates audio levels below the test level.
Yellow – Indicates audio levels between the test and peak program level.
Red – Indicates audio levels above the peak program level.
Usage Notes The Lissajous or phase display is a plot of one channel against another on
an orthogonal pair of axes.
Soundstage plots the two channels at 45 degree angles, with the mono
combination appearing on the vertical axis– like a left-right image in a studio.
X-Y plots left-channel data on the vertical axis and right channel data on the
horizontal axis, emulating the X-Y display of an oscilloscope.
The following response times of the correlation meters can be set from the
Configuration menu.
NOTE. If you want the level bars labeled with their surround sound channel
names instead of channel numbers, select Srnd (Surround) when you configure
the audio inputs. (See page 123.)
Elements of the Surround Level Indicators – indicate the audio level balance among the left (L), right
Sound Display (R), left-surround (Ls), and right-surround (Rs) channels as cyan lines on the
Loudness Grid.
Loudness Grid – the ruled scale, radiating from the center, on which the level
indicators register their audio level and balance. The scale has tic marks at
10 dB intervals. An additional tic mark indicates the –18 dB level. The
–18 dB and –20 dB levels are typically used for aligning audio levels.
Total Volume Indicator – the cyan polygon formed by connecting the level
indicator end points, showing the total sound volume of the L, R, Ls, and
Rs channels. Each connecting line bends away from the center if the two
signals have a positive correlation, bends toward the center if the signals have
a negative correlation, and do not bend if the signals are uncorrelated.
Center Volume indicator – displays the sound volume of the center channel as
a vertical yellow bar between the L and R channels, and connects the ends of
the L, C, and R audio level indicators with straight lines.
Channel-Pair Phantom Sound Indicators (PSIs) – located on each side of the
Surround Sound display, indicates the location of potential phantom sound
sources formed by adjacent channels. The white tic marks on these moving
bar indicators show the phantom source locations. The bar length indicates
Usage Notes The displays shown here are examples of how the surround sound waveform
appears for some typical signal types.
1. Uncorrelated signals: same level in the L, C, R,
Ls, and Rs channels.
2. Sine wave test tone: same level in the L,C, R,
Ls, and Rs channels. All signals are in phase,
creating phantom sources between the adjacent
channels.
To Configure CC and 1. From the CONFIG menu, select Aux Data Settings.
Teletext 2. Select from the following CC types:
CEA 608 Settings (See page 131.)
CEA 708 Settings (See page 132, Configuring CEA 708 settings.)
Teletext B Settings (See page 132, Teletext b settings.)
Teletext b settings.
1. Select Teletext B Settings from the Aux Data Settings submenu.
2. Select Teletext Required and select Yes or No, depending on whether you
want to monitor for required settings.
3. Select WST Transport, and select from Auto, VBI, OP47 (SDP), or OP47
(Multi). If you select Auto, the instrument searches for any available
transport.
4. If required services is set to Yes, select Teletext Req Pages and press the
SEL button.
5. When Teletext Required Pages dialog box appears, use the General knob to
navigate to the box in the Allow Alarm column that is next to the page for
which you want monitor.
6. Press the SEL button to mark the box.
7. Press the right arrow key and then press the SEL button to highlight the Page
Number box.
8. Use the General knob to set the box to the desired page number and press
the SEL button.
9. When you are finished with your selections, use the down arrow to navigate to
the Return box and press the SEL button.
3. Select CC/Teletext Format and select the CC type, if any, you want to
display.
4. Select the channel, service, or page to display.
The Picture display includes Closed Captioning in the area designated by the
Closed Caption data. (See Figure 60.)
5. Press the PICT button again to dismiss the Picture pop-up menu.
Usage Notes PICT displays in individual tiles allow their Services and Pages to be selected
independently.
CC text is not captured with the Picture image when using Freeze.
CC/Teletext setups are also stored when saved with Presets and restored at
power on.
The CC alarms are available from the Configuration menu in the Alarms
submenu under Closed Captions/Metadata.
Teletext can be viewed as captions or as a whole page.
To Configure Safe Area Before using Safe Area Graticules, configure them from the Configuration menu
Graticules by performing the following steps:
1. Select Graticules and then select Safe Area Graticule Standard from the
CONFIG menu.
2. Choose from the SMPTE, ITU, or ARIB TR-B.4 standards. The selection
you choose will be the graticule used when AUTO is chosen for any of the
four Safe Area Graticules, accessed in the Picture menu.
3. To set the Height, Width, and Offsets of the title and action areas for Custom
Safe Graticules 1 and 2, first select the title or action to change.
4. Set the percentage level for each of the parameters. Parameters are set as a
percentage of screen height or width, and you can watch the graticules update
on the screen as you change them.
NOTE. The custom parameters you set are used when Custom_1 or Custom_2 is
chosen for any of the four Safe Area Graticules accessed in the Picture menu.
Usage Notes The Safe Action Area shows the maximum image area within which all
significant action should be contained; the Safe Title Area shows the
maximum image area within which all significant titles should be contained.
(See Figure 61.)
Safe Area Graticules can globally be configured to comply to accepted
standards in the Configuration menu.
Custom selections for vertical and horizontal size and offset of the Save Areas
can be set in the Configuration menu.
To Configure AFD 1. Press and hold the PICT button to display the Picture menu.
Graticules 2. Select AFD Graticules and then select On.
View the graticules in the Picture display. AFD information can viewed in the
Auxiliary Data Status display. (See Figure 59 on page 133.)
Application Example
Timing a Studio
Your instrument supports multiple methods and techniques for timing a studio,
all of which require an external reference to your instrument. Timing a studio
involves adjusting the references going to different sources so that their output
feeds have the same timing when they arrive at a common point, such as a
production switcher. For digital systems, timing typically must be close, but not
exact, because most switchers have some tolerance for timing errors. For analog
composite systems, the timing may need to be matched within a small part of a
subcarrier cycle to prevent hue shifts when switching between sources.
Following are procedures for timing a studio using various methods.
Using the Traditional Your instrument makes the traditional method of comparing Horizontal and
Method Vertical timing easier by providing flexible tiles and a Freeze function. To time a
studio using the traditional method, you store an input as a baseline and compare
signals that you time against the baseline.
1. Select a tile in which to time the active input. Select WFM.
2. Apply the first input signal to the appropriate input, terminate it properly,
and select it.
3. Push and hold the WFM button. From the Display Mode submenu, select a
display mode that is appropriate to the signal that you input.
4. Apply the house reference signal to the external reference input, terminating it
properly.
5. Press the EXT REF button to select External Reference mode. (Connected to
the house reference.)
6. Put the selected tile in line mode Using the SWEEP button menu.
7. Use the HORIZONTAL knob to center the sync edge or the SAV pulse. (If
using the SAV pulse, turn off Stripping EAV/SAV/ANC in the SDI Input
setting of the Configuration Menu.)
8. Press the MAG button to increase the timing resolution.
9. Activate another waveform display in a second tile.
10. Press and hold the SWEEP button and select FIELD to put the display in
field mode.
11. Use the HORIZONTAL knob to center the vertical interval.
12. Press the MAG button to increase the timing resolution.
13. Press the CAPTURE button to save the waveform as a baseline.
14. Apply an input that must match timing of the first input.
15. Adjust the timing offset of the signal being timed to match the timing to the
saved baseline.
16. Repeat steps 14 and 15 for any other required signals.
Other tiles can be used to set fine timing and check color frame alignment on
composite signals. Alternatively, the other two tiles could be used for line and
field rate displays without Mag active to show the location of significantly
mistimed signals.
Using the Timing-Display The Tektronix Timing Display provides a quick, easy way to measure the timing
Method of an input relative to the external reference:
The rectangular display automatically scales to match the input signal. For
progressive signals, the display represents one field; for interlace signals, the
display represents one frame; and for composite inputs, the display represents
one color frame.
The cross-hair in the center represents zero offset, and the circle represents the
timing of the input signal. Lines of advance or delay are shown as vertical
displacement, while timing errors of less than one line are shown as horizontal
displacement. If the input is at the same time as the reference, then the circle
will be centered on the cross-hair.
The timing offset is also shown numerically as lines and micro-seconds of
advance or delay in the boxes at the right side of the display.
For input and reference signals with closely related frame rates, there is only
one timing relationship, so a single circle is shown on the display to indicate
the timing offset of the input signal.
For input and reference combinations with more complex relationships,
multiple circles are displayed to indicate all the possible interpretations of
the timing offset, with the one that is closest to zero shown with emphasis.
The numerical readouts will correspond to the timing indicator circle with
the emphasis.
The Relative to: box indicates the chosen zero point for the timing display.
The default is Rear Panel. In this mode, the offset is zero when the input and
reference are at the same timing at the rear panel of your instrument. The
other choice is Saved Offset. In this mode, you can save the timing from one
signal and then display the timing relative to that saved offset.
NOTE. See Timing Displays for Simple Versus Complex Timing for more
information about complex timing displays and their elements. (See page 48.)
NOTE. As you adjust timing, the circle representing the input timing may jump
occasionally. This is because the color frame detection circuit can be temporarily
disrupted as the signal shifts. The jump is often a multiple of the field time. The
circle will settle back to the correct location in a second or so.
Timing Multiple Inputs to a Use the Relative to: function to set the offset between a master signal and a
Router reference signal as the zero-point reference for time-down applications. The
Relative to: box indicates the chosen zero point for the timing display:
Rear Panel. In this mode (default), the offset is zero when the measured signal
input and reference are at the same timing at the reference at the instrument
rear panel. This setting was used in the Timing Display Method procedure.
Saved Offset. In this mode, you can save the timing from a master signal
relative to the reference as the zero point offset. Then route other inputs and
measure relative to this saved offset.
NOTE. You cannot save the timing offset if either the input or reference is missing
or unlocked. You also cannot save a reference when in internal mode. Saving an
offset in these conditions would lead to misleading results so it is not allowed by
the instrument. A warning message will appear on the screen if you attempt to
save the offset when it is not allowed.
5. Now select other inputs to the router to be connected to the instrument. For
each input, the relative timing will be displayed.
6. Adjust the timing offset at the master sync source to time down the inputs to
the router to match the master.
Usage notes.
The resolution of the timing display for SD signals is one 27 MHz clock cycle
or 37 ns. For HD signals, it is one clock at 74.25 MHz, which equates to about
13.5 ns. To get the greater accuracy needed for a composite signal, first use
the timing display to get close, then use a vector display for the final burst
phase alignment. Since the instrument can display both the timing display
and a vector display simultaneously (each in its own tile), this process can
still be easy and quick.
For an SDI input relative to an analog reference, the situation is more
complex. For the timing display, three definitions of “zero offset” on an SDI
input are supported, Analog (DAC) and Serial (0H) and Saved Offset.
The Analog (DAC) setting uses the methodology illustrated in appendix B of
SMPTE RP168. This method shows the SDI signal being converted to analog.
The converted analog signal is then compared to the analog reference. For
this mode the nominal delay of the D to A converter is assumed to be 4.6
microseconds for SD, 1.3 μs for HD and 0.0 us for 3 Gb. The 0.0 μs delay
for 3 Gb means the Analog (DAC) and Serial (0H) modes are equivalent
for 3 Gb signals.
NOTE. If you have an input and reference combination that requires multiple
timing indicator circles, then it can be misleading to compare timing offsets
between multiple inputs. Because the timing display chooses the smallest of the
possible timing offsets, if a large timing difference exists between two inputs,
then they may not be matched. This problem also occurs using traditional timing
methods unless you use something similar to the SMPTE318 10 field flag to
identify a specific sub-multiple of the reference.
SyncVu™, 35 V Waveform
vector Center Waveform, 38
T LQV, 2 Display, 36
luma qualified, 2 Display, elements of, 36
Tally
Vector Filter, 37
camera, 18
display, 99 Filter:Flat, 37
TandemVu® (Overlay), 1, 13, 41
Display, 38 Filter:Low Pass, 37
Teletext, 131
Pop-up menu, 39 Filter:Luma, 37
Tile
VECT button, 38 Overlay, 37
mode, how to enter, 15
Vector pop-up menu, 38 Parade, 37
to select a, 15
Vector pop-up menu Pop-up menu, 36
Tile select mode, 13
Bar Targets, 40 RGB, 37
Timing
Center Waveform, 40 SDI > Composite, 37
Chroma/Luma delay, 99
Verification WFM button, 36
Timing a studio
basic functional, 9 YPbPr, 37
router inputs, 139
Video content YRGB, 37
task description, 137
timing display method, 138 3D, 28
traditional method, 137 Video Session display, 61 X
Timing display, 46, 138 Volume X-Y
adjusting, 89 Audio pop-up menu, 79
U phase style, 126
Upgrading software, 92
W
USB Warnings Y
save display to, 13 Above level bars, 78 YPbPr
USB device software upgrade, 93 In level bars, 78 Waveform pop-up menu, 37
YRGB
Waveform pop-up menu, 37