English Piece One The Memory Police
English Piece One The Memory Police
English Piece One The Memory Police
Yoko Ogawa’s dystopian novel “The Memory Police” offers a haunting narrative set on an
unnamed island where objects and memories connected to them are erased by a totalitarian
regime. The story follows the protagonist, a novelist, as she navigates a world where the
past is always being destroyed. Through Ogawa’s poignant narrative and vivid depiction of a
society where personal histories are systematically erased, Yoko Ogawa illustrates the
profound psychological and emotional toll on individuals. Through the slowly decaying sense
of personal identity coupled with the roll of memories in relationships and the constant fear
of losing control, Ogawa demonstrates the intricate connections between memory and
humanity, highlighting how the erasure of the past can ruin one’s psychological state.
The loss of shared memories weakens communal bonds and fosters isolation among the
islanders. The narrator’s interactions with others becomes increasingly hollow as the
collective memory fades. The narrator recalls a time when the towns people would go out
and enjoy each others stories, but now “the towns people avoided going out any more than
necessary,” displaying the social isolation that the islanders experience due to the erasure of
memories. The narrator reflection on her relationship with R also highlights this isolation,
although they “tightly held each other on the bed” she can’t help but feel that “the distance
between [them] continued to grow”. This weakening of communal bonds is further
demonstrated when she believes she will “lose a person who is important to [her]” as she
has already “lost [her] mother,” showcasing the ongoing grief and fear of further loss. Finally,
the narrator’s sense of loss is encapsulated in her hopes that her memories “will live on
forever” through the stories she write, despite the inevitability of their disappearances.
The constant threat of characters losing all sense of control destroys some characters,
whereas others succumb to their fate and do not seem phased. The old man is portrayed as
the narrator’s parental figure who she confides in after the loss of her parents. However, the
old man believes that because “the disappearances are beyond [their] control,” the narrator
should leave things “to fate,” which is a stark contrast to the narrator’s determination to
remember and resist the memory police. This complacency underscores a key difference
between the narrator and the old man. While the narrator feels “increasingly oppressed” as
if she was being “backed into a corner by a powerful force,” she acknowledges her “feeble
resistance” however she still tries to fight the erasure of her memories, all the while
knowing that the odds are against her. Unlike the narrator, the old man embodies the fact
that everybody will “die anyway, someday” demonstrating his acceptance of fate and his
indifference to the erasure of memories, a sharp contrast with the narrator and her fighting
for her memories, portraying the different reactions characters have in an oppressive
environment. This dichotomy emphasises how the constant threat of the erasure of
memories can lead to varied psychological and emotional reactions underscoring the
importance of maintaining one’s identity and relationships in such dire circumstances
Overall, Yoko Ogawa’s intricate exploration of the fragility of personal identity and the
impact of memories on human relationships. Through the intricate juxtaposition of the old
man and the narrator, Ogawa underscores the different reactions to the erasure of peoples
past. Her haunting narrative highlights the struggle to maintain one’s sense of self amid an
oppressive regime. This is evidenced by the narrator’s ongoing battle to preserve her
identity, the islanders' growing disconnection from each other and their unending fear of
further loss. Ogawa’s portrayal of these elements vividly illustrates the psychological and
emotional toll exerted by the destruction of memories.