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Module 1 - IMAGING AND DESIGN FOR SOCIAL IMPACT

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IMAGING AND

DESIGN FOR
SOCIAL IMPACT
Graphic Design Fundamentals

a process in which we use typography, images, colors,


icons, and other illustrations to communicate visually.
William Addison Dwiggins
1992 as he called himself a
“graphic designer”.
THE BASIC ELEMENTS OF GRAPHIC DESIGN

▪ Lines
▪ Shapes
▪ Form
▪ Texture
▪ Balance
1. LINE
- A line is a kind of shape that connects two or more
points. It is also considered as one of the essential
elements of graphic design.
- Lines can be thick, thin, curved, or jagged.
2. SHAPE
- A shape is a two-dimensional external boundary
of an object. Any object outline that has height and
width can be considered as a shape. Together with
lines, they form the foundation of your design.
There are two (2) major categories of shapes
in design:
Geometric – these are regular and
mathematical shapes.
Organic – these are freeform shapes.
Shapes can be used in organizing or dividing
contents, create illustrations, and in adding
interest to one’s work/design.
3. Form

A form is a three-dimensional shape.


- Shadows, perspective, depth, and sometimes
texture create a form.
Plain images/objects and flat designs can be
enhanced by adding shadows or lighting to
create an illusion of a form.
4.Texture
Texture refers to the physical quality of the
surface of an object in an artwork or design.
It also refers to how an object looks or feels.
An object might be smooth, rough, shiny, hard,
or soft.

It can be in 3D (real texture) or 2D (visual


texture).
Texture adds depth and visual interest to the
flat images or objects.
Texture can be used for:
Establishing visual value or a focal point in
an artwork.
Having contrast within a design
Making an artwork visually balanced.
5. Balance
Visual balance is the creation of visual
equilibrium by relating elements such
as line, shape, color, space or form in
terms of their visual weight.
A. Symmetrical balance.
From the name itself, symmetrical balance,
which includes radial symmetry is when both
sides of a piece are equal.
- If you fold your artwork or piece into two
or if you put an imaginary line between your
artwork, each half is identical or visually like
the other half.
2. ASYMMETRICAL BALANCE.
Both sides of your composition do not
contain the same elements but contain almost
the same visual weight.
BRANDING AND
IDENTITY
BRANDING AND IDENTITY

The visual
This is what people
representation of a
think about you.
brand
(company, products
(logo, typeface or
or service)
color combination)
❑ Seven Steps
1. Establish clear purpose and positioning.
Recall why you or your company exists,
your target audience, and what makes
you or your service unique from your
competitors.
2. Conduct thorough market research.
Having a deep analysis on your target
audience on what their personalities are
which will lead you to the next step.
❑ Seven Steps
3. Get a personality. Based on your
research, determine your brand’s
personality.
4. Create a polished logo. In creating your
logo, it should be simple, scalable, and
memorable.
❑ Seven Steps
5. Create an attractive color palette.
Your color palette should be simple and
contain one to three primary colors.
6. Select professional typography.
7. Choose on-brand supporting graphics.
Your brand identity should have a visual
library that include icons,
images/photographs, design assets, and
other supporting graphics.
❑ Seven Steps
Select professional typography.
a. Do not make it fancy.
b. Don’t mix fonts/typefaces.
c. Mix contrasting fonts/typefaces.
LAYOUT AND
COMPOSITION
LAYOUT AND COMPOSITION

building blocks of design.


- These two focus on the arrangement of
your objects or elements in your design.
LAY OUT VS. LAYOUT
to arrange something

how things are organized


There are five basic principles of
layout and composition:
1. Proximity
2. White Space
3. Alignment
4. Contrast
5. Repetition
1. PROXIMITY
- Proximity is the process of placing related
elements together.
- Elements that are not related to that group
should be separated to show that these
elements are not related to that group.
2. WHITE SPACE
- not the white space that you find in the
design but rather the negative space between
lines, paragraphs, and elements of the design.
- In his article Importance in White Space in
Design, Pratik Hedge described white space
as:
“White Space in design composition is the same as the
use of Silence in a musical composition. Without
proportionate use of Silence, music is unstructured;
some may call it noise. Similarly, without White Space,
design is unstructured and difficult to consume.”
HERE ARE TWO TYPES OF WHITE
SPACE:
Micro white space.
- Mini spaces between paragraphs, lines,
menu items, or other elements in a design
composition.
Macro white space.
- Large spaces between contents and
elements.
Hedge (2017) listed some of the
importance of white space in design.
A. Improved comprehension.
- Spaces between lines in a paragraph make
the content legible and easily scannable to
the readers/viewers.
B. Focus and attention.
- Macro white spaces help guide the
viewers to the focus area in the design.
C. Increased interaction rate.
- if used wisely, white space in design helps
the viewer to get the message quickly even
without looking at the instructions.
D. Guide the user through local
grouping. White space helps you to achieve
the proximity of your design.

E. Branding and Design Tone.


- Let us look back at the steps of brand
identity design, the way how are you going
to apply white spaces in your design helps
you create your own brand’s personality.
F. Creates a breathing space for users.
- Having enough white space makes your eyes
rest, helps you breathe, and not be
overwhelmed with information.
3. ALIGNMENT
- Alignment helps designers to organize
different elements in their composition.
- Effective use of alignment gives your
composition a definitive structure and a
creative balance. Alignment may be left,
centered, right, or justified.
4. CONTRAST
- Contrast means one element is opposite
to the other element. This does not only
apply to colors, but to typeface and size of
elements as well.
5. REPETITION
- simply means to use the same typefaces,
color palettes, or other elements to achieve
consistency in your composition.
- This creates unity in your composition or
make your projects connected.

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