The document discusses the relationships between the Cruceni-Belegiš culture and the Szeremle-Bijelo Brdo-Gârla Mare culture during the Late Bronze Age in Romania and the Banat region. It describes how the Szeremle-Bijelo Brdo group formed from communities of the northern Pannonian inlaid ceramics culture migrating south due to pressure from Central European warrior populations. This group then contributed to the formation of the Gârla Mare culture along the Danube. The Cruceni-Belegiš culture developed from a mixture of Litzenkeramik, Szeremle ceramics, and local Vatina culture elements, and
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The Relations of The Cruceni-Belegiš Culture With The
The document discusses the relationships between the Cruceni-Belegiš culture and the Szeremle-Bijelo Brdo-Gârla Mare culture during the Late Bronze Age in Romania and the Banat region. It describes how the Szeremle-Bijelo Brdo group formed from communities of the northern Pannonian inlaid ceramics culture migrating south due to pressure from Central European warrior populations. This group then contributed to the formation of the Gârla Mare culture along the Danube. The Cruceni-Belegiš culture developed from a mixture of Litzenkeramik, Szeremle ceramics, and local Vatina culture elements, and
Original Title
THE RELATIONS OF THE CRUCENI-BELEGIŠ CULTURE WITH THE
The document discusses the relationships between the Cruceni-Belegiš culture and the Szeremle-Bijelo Brdo-Gârla Mare culture during the Late Bronze Age in Romania and the Banat region. It describes how the Szeremle-Bijelo Brdo group formed from communities of the northern Pannonian inlaid ceramics culture migrating south due to pressure from Central European warrior populations. This group then contributed to the formation of the Gârla Mare culture along the Danube. The Cruceni-Belegiš culture developed from a mixture of Litzenkeramik, Szeremle ceramics, and local Vatina culture elements, and
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The Relations of The Cruceni-Belegiš Culture With The
The document discusses the relationships between the Cruceni-Belegiš culture and the Szeremle-Bijelo Brdo-Gârla Mare culture during the Late Bronze Age in Romania and the Banat region. It describes how the Szeremle-Bijelo Brdo group formed from communities of the northern Pannonian inlaid ceramics culture migrating south due to pressure from Central European warrior populations. This group then contributed to the formation of the Gârla Mare culture along the Danube. The Cruceni-Belegiš culture developed from a mixture of Litzenkeramik, Szeremle ceramics, and local Vatina culture elements, and
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The text discusses the archaeological evidence that demonstrates cultural relations between communities in the Middle and Lower Danube region during the Bronze Age, including shared ceramic ornamentation styles, burial rituals, and religious beliefs.
The text notes that common ceramic ornamentation motifs executed through printing, incision, notching, and stitching with white inlay, as well as shared cremation burial rituals and anthropomorphic and bird-shaped representations suggest similar religious beliefs between the two cultures.
The text states that the formation of the Szeremle-Bijelo Brdo group took place during the Middle Bronze Age, as a result of local cultural elements from areas like Gerjen, Vatina and Verbicioara grafting with those of communities of the northern Pannonian inlaid ceramics culture that had migrated southward from Transdanubia.
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THE RELATIONS OF THE CRUCENI-BELEGI CULTURE
WITH THE 872%5'2GRLA MARE CULTURE
Alexandru Szentmiklosi
Keywords: Romania, Banat, Late Bronze Age, Cruceni-Belegi Culture XWR%UGRGrla Mare Culture, relations
The archaeological investigations concerning the Bronze Age within the area of the Middle and Lower Danube demonstrated the existence of an ethnical-cultural complex characterized through a series of common elements that suggest the relationship among the different ethnical-cultural manifestations within this area. The main common denominator is the ceramics whose ornamentation consists in motifs executed through printing, incision, notches and successive stitches. The motifs were inlayed with white substance. The funerary common ritual, respectively the cremation, the anthropomorphical statues, the bird-shaped representations and the clay little bells suggest similar religious beliefs.
Szeremle-Bijelo Brdo cultural group
The origin of the ornamentation of the ceramics, used initially within a narrow area, respectively in Transdanubia, are difficult to be explained. The archaeological investigations in Hungary in the second half of the 20th century revealed the existence, within this huge complex of inlayed ceramics, of two large areas: the northern-Pannonian inlayed ceramics where the Esztergom and Veszprm cultural groups developped, and, respectively, the southern-Pannonian ceramics of which the Szekszrd and Pcs 1 groups were characteristic. As a consequence of the pressure exercised by the communities of the Tumular Culture (Hgelgrberkultur), warrior populations coming from Central Europe, to which the hiding of the bronze hoards from Koszider 2
horizon are hypothetically related, communities of the northern-Pannonian inlayed ceramics culture (Esztergom group) leave Transdanubia and they ANALELE BANATULUI, S.N., Arheologie Istorie, XIV, 1, 2006 http:/ / www.infotim.ro/ mbt/ publicatii/ ab.htm ANALELE BANATULUI, XIV, 1, 2006 230 withdraw to the south along the valley of the Si river, occupying the area between the Danube and the Tisza 3 . The movement to the south of the communities of the northern-Pannonian inlayed ceramics stimulated, but at a reduced extent, elements from the southern area of Transdanubia, too. The grafting of the elements of civilization typical of the communities of the northern-Pannonian inlayed ceramics with local ones (Gerjen, Vatina and Verbicioara) determined the appearance of a new ethnical-cultural manifestation known especially as Szeremle group 4 , and recently as Szeremle-Bjelo Brdo group 5 in the archaeological literature. Generally, it is admitted that the formation of the Szeremle-Bjelo Brdo group took place during the Middle Bronze, in the period of transition from Bz. A2 to Bz. B1. The evolution of these communities was considered as being extremely short, respectively to the end of the Bz. B1 phase in P. Reineckes modified chronological system 6 . But, the presence of certain ceramic materials typical of the Szeremle group in the region controlled by the Cruceni-Belegi culture suggests a little bit longer evolution of the communities of Szeremle-Bjelo Brdo type. Their end took place in the period in which the first phase of the Cruceni-Belegi culture was developping, respectively at the beginning of the so-called Reinecke Bz. B2 phase 7 . The discoveries typical of the Szeremle group are concentrated along the Danube, between the river mouth of the Si and that of the Tisza. The eastern limit was the last narrow path of the Danube, at least to Liubcova, unless even to Ostrovu Corbului 8 . The short evolution of this cultural group played a very important role in the genesis of some new ethnical- culturaI nanifosfafions. no of fhon vas fho Zufo Brdo-Grla Mare culture, which developped from the Szeremle communities, that were coming down to the neighbouring of the western side of the Carpathians 9 . The Szeremle cultural group is considered, in the same time, one of the elements that actively participated to the formation of the Cruceni-Belegi culture.
XWR%UGR-Grla Mare Culture
Tho aroa of sproading of fho Zufo Brdo-Grla Mare culture includes the Danubian sector from the confluence of the Danube with the Sava to the confluence of the Danube with the Isk r. Tho nosf vosforn discovory is 231 that one from Kovin, and the most eastern finding is, for the moment, that one from Corabia 10 . Tho Iocafion of fho discovorios of Zufo Brdo-Grla Mare type point out the fact that the communities of this culture occupied the both banks of the Danube preffering the aits, the holms and the terraces from the rivers vicinity, that had been not only food source, but also a major commercial thoroughfare of the prehistory. Tho oarIy phaso of fho Zufo Brdo-Grla Mare culture can be situated, the most probably, in the MD I stage, that means at the end of the Bz. A phase in P. Reineckes chronological system. The classic phase of this culture is prolonged into the MD III stage, moment in which the first phase of the Cruceni-Belegi culture evolves, which started later its evolution. The imports from the two cultural environments plead for the co-existence of the two cultures starting from the Bz. B2-C phase in P.Reineckes modified system 11 . /ccording fo M. $andor-Chicidoanu, fho finaI phaso of fho Zufo Brdo-Grla Mare culture can be dated on the base of certain bronze objects found in the horizon II from Balej, these objects being typical of the Br.D/ SD I phase (Br.D meaning the 12th century) 12 . Tho ond of fho Zufo Brdo-CrIa Maro cuIfuro is narIod ly fho appoaronco of fho Bisfro -IaIni a cultural group along the Inferior Danube, which, even if it is originally connocfod fo fho Zufo Brdo-Grla Mare culture, constitutes a distinct ethnical-cultural manifestation that makes the transition to the Early Hallstatt.
Cruceni-Belegi Culture
The Cruceni-Belegi culture was considered to be, initially, the result of a long life together and cultural interpenetration of Periam-Pecica, Otomani and Grla Mare type, on the Vatina culture background 13 . The recent investigations have brought significant contributions concerning the origin of the Cruceni-Belegi culture and its dbut moment. The Cruceni- Belegi culture was formed on the basis of a mixture of elements of Litzenkeramik type belonging to the Gumtransdorf-Drassburg group 14 and inlayed ceramics of Szeremle type, dislocated by the pressure of the communities of the Tumular Culture (Hgelgrberkultur) from Central Europe. That mixture was grafted on the local background of Vatina type 15 . The communities of this culture had direct contacts with the communities of the inlayed ceramics from Transdanubia 16 . This matter was proved by ANALELE BANATULUI, XIV, 1, 2006 232 the numerous archaeological findings from the area of the Vatina culture, as for example those from Kac-Popov Sala 17 , Vafin, Vin a, Cradina on Bosuf, in fho gravo fron Vizic-Golokut 18 , Peciu Nou-Stietzel 19 , Foeni-Gomila Lupului I 20 . An early contact of the inlayed ceramics communities with the local communities of Vatina type is met in the region of the Middle Danube, at Hrtkovci-Gomolava, in level IVa, preceeding the phase I of the Cruceni-Belegi culture (level IVb) 21 . Tho confacf of fho Muro cuIfuro vifh the inlayed ceramics communities is suggested by the ceramic fragments decorated with white substance discovered along the lower course of the Muro, af Iocica-DQ XO0DUH 22 . Partly contemporary to the new Cruceni-Belegi culture with which it was contiguous in south, the Tumular Culture (Hgelgrberkultur) from the Pannonian Plain would contribute to the completion of this culture. Beside the tumular influences, we have to remind those that come from the Urnfield area with which the Cruceni-Belegi culture got contemporary. The contacts with the Zagreb 23 and Csorva 24 groups - considered also the southern vanguard of the Gava 25 culture - followed after the first contact with Virovitica group. The borders of the Cruceni-Belegi culture are relatively well delimited. The communities of these ethnical-cultural manifestations were sprod on a Iargo aroa fhaf incIudod, gonoraIIy, Lasforn SIavonia, Ba Ia, Srem and Banat (excepting the north-western corner, that seems to have been temporarily controlled by the Tumular Culture communities) (Pl. I). The presence of this culture north to the Drava is not certified for the moment, but the region of Baranja has not been sufficiently investigated 26 . The repertory of the findings from the phases I-II points out a feature specific to this culture, respectively its spreading in the plain regions, on the banks of the rivers. Those places constituted favourable conditions not only for practising agriculture, but also for breeding animals. Following the geographical disposing of the archaeological sites, in concordance with the evolution phases of the Cruceni-Belegi culture, there were noticed few spreading directions. The causes of that movement of populations of Cruceni-Belegi type were, probably, of economic order (the contacts with the Mycennean world) and they were maybe the result of a pressure coming from the Pannonian Plain (the so-called elements of Csrva-Bobda I type) 27 . 233 The differences existing in the technology of ceramics manufacturing and burning, as well as in the way of ornamentation determined certain archaeologists 28 to divide in a erroneous manner that cultural manifestation into two distinct cultures, the first one (Cruceni-Belegi I) characterized through the pseudo-corded ceramics, and the second one (Cruceni- Belegi II) through the fluted ceramics. The unitary evolution of the Cruceni-Belegi culture in the plain region of Banat ended, according to M. Cun , fhrough fho appoaranco of sono ofhnicaI-cultural manifestations as for example Bobda II (Bobda-Csorva) and Susani. The extension to east of the Cruceni-Belegi communities in the phase II, and the constant communication that the Danube was mediating permitted the appearance of some ethnical-cultural manifestations with strong Cruceni-Belegi traditions as Ticvaniu MareKaralurna III and MoIdova Nou -Liborajdea. The utilization of different terminologies and of P. Reineckes modified system 29 , sometimes in wrong concordance with the different internal periodizations of the Cruceni-Belegi culture 30 , determined me to include here just the assignment of the archaeological materials discovered in site to one of the phases of evolution of the Cruceni-Belegi culture. I used the chronology proposed by F. Gogltan 31 in parantheses. It coincides, at a large extent, with the phases of evolution of this culture as well as with the series of bronze hoards chronologically included by M. Petrescu- Dnlovi a 32 and rocfifiod ly M. Cun 33 . Thus, Late Bz. I corresponds to the period Bz. B2 C in P. Reineckes modified system and it starts somewhen before 1500 BC. Late Bz. II corresponds to the so-called period Reinecke Bz. D. The continuous evolution of the cremation necropoles from Beograd-Karaburma, TinioaraFratelia, Peciu Nou, Sarva-Gradac etc., as well as the synchronisms that could be noted among the different phases of their internal evolution (for example Cruceni II Bolda I, Tinioara- Fratelia Ticvaniu Mare-Fema no. 2 Beograd-Karaburma III), suggest the adaptation of the chronology proposed by Fl. Gogltan to the ethnical- cultural realities from Banat at the end of the 2nd millennium BC. In my opinion, the period Late Bz. II should be prolonged to the middle of Ha. A1 phase. The last phase of the Bronze Age, Late Bz. III, covers, very probably, the second half of the period Ha. A1 and the period Ha. A2. The Iron Age I period is synchronous with Ha. B1 period, when the so-called penetration of the Gva culture in Banat marks the beginning of the First Iron Age. ANALELE BANATULUI, XIV, 1, 2006 234 If it is accepted that a part of the so-called groups of transition formed on the basis of a direct contribution of the Cruceni-Belegi populations (Bobda/ Bobda II, Ticvaniu MareKaralurna III and MoIdova Nou - Liborajdea), represents regionalizations of the phase II of the Cruceni- Belegi culture, in my opinion, these groups represent the third and the last - phase (Cruceni-Belegi III). This phase constitutes, at the same time, the period of transition towards the first Iron Ages whose beginning is marked by the penetration of Gva communities in Banat, on the brink of the 2 nd - 1 st millennia BC. (1050/ 1000 BC) 34 . East to the Carpathians, as a consequence of the strong influences of Cruceni-BoIogis fypo, graffod on fho IocaI lacIground of Zufo Brdo-Grla Mare type, the Hinova-Mala Vrbica group 35 appears. The archaeological investigations along the lower course of the Danube, downstream of the Iron Cafos, doIinifod fho oxisfonco of fho Bisfro -IaIni a cuIfuraI group 36 . Thaf, ovon if if vas originaIIy connocfod fo fho Zufo Brdo-Grla Mare culture, was constituted in a distinct ethnical-cultural manifestation that follovod fo fho Zufo Brdo-Grla Mare culture, making the transition towards the Early Hallstatt 37 . The genesis of that cultural group, according to I. Chicideanu, was due to some western influences of type Cruceni- Belegi, grafted on the local background Grla Mare 38 . The evolution of that group started somewhere in the interval Reinecke Bz.D (after 1250 BC) and ended around 1100 BC 39 (Ha.A1). The chronological parallelism with the phase II of the Cruceni-Belegi culture is provided by the similarities among the archaeological materials characteristic of the Bisfro -IaIni a group and those discovered at Hrtkovci-Gomolava (level IVc) and Dalj- Livadice, in the levels corresponding to the phase II of the evolution of the Cruceni-Belegi culture 40 .
7KH 5HODWLRQV RI XWR %UGR-Grla Mare Culture with Cruceni- Belegi Culture
The vicinity between the Cruceni-BoIogis and Zufo Brdo-Grla Mare cultures determined the achievement of cultural contacts. This fact was pointed out through the imports discovered in the spreading areas of the two cultural manifestations (Pl. X). These contacts were observed in several necropoles and settlements from Banat and the region of the Middle Danulo (in Sron and Ba Ia). 235 The archaeological investigations in the area of the ex-stables of C./.I. Cruconi (Tini Counfy), sfarfod in 1958 ly M. Moga and continued, later, by O. Radu in 1968, emphasized the existence of a cremation necropolis belonging to the Cruceni-Belegi culture (Pl. X/ 7) 41 . The inventory of the graves no. 11 (Pl. II/ 2-4), no. 32 (Pl.II/ 1) and no. 96 (Pl. III/ 1-2), included in the phase I of the Cruceni-Belegi culture, contained vessels and objects whose ornamentation had been executed with incised and printed motifs inlayed with white substance. The bowl from the grave no. 11 42 (Pl. II/ 3a-b), through its shape and inlayed ornament, belongs to the developped phase of the Szeremle-Bijelo Brdo group 43 . This fact pleads for dating this grave among the earliest burials within this necropolis. In the inventory of the grave no. 96, a bowl of type S.4 was discovered, similar both to those characteristic of the developped phase of the Szeremle-Bijelo Brdo group, and to those typical of Dubovac group 44 (Pl. III/ 2a-b). Another import within the necropolis from Cruceni is the bird-shaped clanging toy discovered in the funerary inventory of the grave no. 32 45 (Pl. II/ 1). The bird-shaped clay representation still keeps the white inlay and it has good analogies with the object discovered in the settlement from Mala Vrbica 46 . Tho inporfs of Zufo Brdo-Grla Mare type were discovered also in other Cruceni-Belegi necropoles from Banat. In the funerary inventory of fho gravo no. 48, found in fho cronafion nocropoIis fron Iociu Nou (Tini County, Pl. X/ 33) 47 , a white inlayed cup in fragmentary state (Pl. IV/ 1a-c). The rescue excavations from the perimeter of the ancient pit of lorroving cIay fron fho vicinify of fho IocaIify of Voifoni (Tini Counfy) emphasized the existence of a cremation necropolis belonging to the Cruceni-Belegi culture (Pl. X/ 46) 48 , in which, in the inventory of the grave no. 16 from 1998, is mentioned the discovery of an inlayed cup 49 , similar to that one from the inventory of the grave no. 48 from Peciu Nou. The rescue investigations permitted the achievement of a short sound trench in the Cruceni-Belegi settlement, situated in the close vicinity of the necropolis. Beside an early medieval necropolis, there was discovered a cultural layer with archaeological materials of Cruceni-Belegi type. Among these there aro nofod inporfs fron fho cIassic phaso of fho Zufo Brdo-Grla Mare culture 50 (Pl. V/ 1-3). Zufo Brdo-Grla Mare imports were noted also in the settlements of the Cruceni-Belegi culture from Banat, respectively in those from Foeni- ANALELE BANATULUI, XIV, 1, 2006 236 Gomila Lupului II and Deta-'XG ULH, findings that complete the general presentation of cultural exchanges and influences from the second half of the 2 nd century BC. The Cruceni-Belegi settlement from Foeni-Gomila Lupului II (Tini County, Pl. X/ 17) is located in the close vicinity of the tell-settlement belonging to the Vatina culture from the same site (Foeni-Gomila Lupului I), archaeological site in which, beside the characteristic materials of this culture an inlayed ceramic fragment was discovered too, an import belonging, probably, to the Szeremle-Bijelo Brdo group 51 . This discovery illustrates the existent contacts between the two ethnical-cultural manifestations from the end of the Middle Bronze. The contacts with the inlayed ceramics world are continued also later by the communities of the Cruceni-Belegi culture. This fact was found in the settlement of this culture situated in the close vicinity of the tell belonging to the Vatina culture 52 . In the pit-dwelling house no.2/ 2000, belonging to the phase I of this culture, there were discovered inlayed ceramic materials characteristic of fho cIassic phaso of fho Zufo Brdo-Grla Mare culture (Pl.V/ 4-12, VI/ 1- 3). Similar materials were discovered also in the arranged flooring 53 of the pit-dwelling house no.1/ 2000, belonging to the II nd phase of the Cruceni- Belegi culture (Pl. VI/ 4). The presence of numerous archaeological sites in the boundaries of the town of Deta has been mentioned since the end of the 19th century (Pl. X/ 11) 54 . The rescue excavations executed at Deta-'XG ULe (Tini Counfy) 55
in 1999, 2000 and 2005 uncovered a settlement of the Bronze Age superposed by a succession of medieval settlements 56 . Within the archaeological complexes, there were discovered ceramic fragments decorated with pseudo-corded, incisions and flutes, as well as inlayed coranics vifh vhifo sulsfanco (Zufo Brdo-Grla Mare). In the pit dug for the sustaining post of the factory G.5 there become outlined a conical large food pit with long cylindrical neck (in the feature C.9). In the brown- yellowish clayed filling there were discovered ceramic fragments of the Cruceni-Belegi culture. There were decorated with vertical, oblique and in garland flutes. Beside these, there were also found ceramic fragments inlayed with white substance typical of the classicaI phaso of fho Zufo Brdo-Grla Mare culture 57 (Pl.VI/ 1-5). In the pit dug for the sustaining post of the factory G.7, in the filling of the feature C.13 58 (an early medieval pit- dwelling house), there were found ceramic fragments typical of the 237 Cruceni-Belegi culture, as well as an import from the classic phase of the Zufo Brdo-Grla Mare culture (Pl. VI/ 10). In the pit dug for the sustaining post of the factory G.8, in the filling of the feature C.14 (a food storage pit), beside ceramic materials typical of the Cruceni-Belegi culture, there were also discovered ceramic fragments inlayed with white substance, imports characforisfic of fho cIassic phaso of fho Zufo Brdo-Grla Mare culture 59 (Pl. VII/ 11-16). A clay drinking horn (rython or trinkhorn), which has good analogies in the area of the inlayed ceramics from Transdanubia 60 , appeared in the filling of the feature C.41 (also a food storage pit), from the pit dug for the sustaining post of the factory G.15. Extremely interesting is also a ceramic fragment discovered on the Ioff lanI of fho Tini, af fho norfhorn loundary of fho IocaIify of Dragina (Tini Counfy, II. X/12) 61 . The ceramic fragment belonged to the superior part of a black-greyish vessel (amphora ?) of relatively reduced dimensions. The inferior part of the neck was decorated with double incised lines, disposed as arches, similar to those from the vessels characteristic of the Vatina and Cruceni-Belegi cultures, that ended on the distinctly profiled shoulder of the vessel. On the superior third part, there is schematically presented a human being that seems to be in a boat. The boat has the prow raised and the peak is twisted outward (Pl.VII/ 1-2). The human silhouette was represented through two concentrical circles that suggest the head, the superior and inferior limbs being represented through two parallel lines oriented obliquely to down. The two concentrical perfectly round circles, that make the head of the human silhouette, were executed with the help of a stamp as that one discovered at Crna-5DPS 62 and at Dubravica-Oraje 63 . The concentrical circles that represent in a schematized manner the head are a motif often met in the ornament repertory of the Szeremle group, as voII as in fhaf ono of fho Zufo Brdo-Grla Mare culture. It is difficult to mention if these represent an influence of Szeremle-Bijelo Brdo type, group that directly participated at the genesis of the Cruceni-Belegi culture, or one of Zufo Brdo-Grla Mare type, which was a culture with which the Cruceni-Belegi communities had been partly contemporary 64 . In fho noighlourhood of C faia (Tini Counfy, II. X/18) fhoro vas discovorod a lovI inIayod vifh vhifo sulsfanco loIonging fo fho Zufo Brdo-Grla Mare culture, which, later, reached the collections of the museum from Szeged (Pl. VII/ 3). The location relatively far-off by the rogion of fho MiddIo Danulo vhoro fho connunifios of Zufo Brdo-Grla ANALELE BANATULUI, XIV, 1, 2006 238 Mare type developped for a short time suggests the presence of an import in the area of the Cruceni-Belegi culture 65 . In the south-eastern corner of Banat, in the cremation necropolis from Liubcova- LJO ULH (Cara-Severin County, Pl. X/ 24) 66 , the graves included ly C. S c rin in fho phaso III of fho infornaI poriodizafion of fho necropolis 67 , according fo M. $andor-Chicideanu, have no connection to the dovoIoppod phaso of fho Zufo Brdo-Grla Mare culture and nor to the fypicaI gravos of fho Bisfro -IaIni a group. Thoy voro rafhor characforisfic of the first phase of the Cruceni-Belegi culture. This matter is suggested by the amphoras of A1 type from the graves no. 32, 39, 58 and 59, which are found also in the cremation graves from Beograd-Karaburma, IIandza- Stojkova Zagrada and Oreac (necropolis II) belonging to the Cruceni-Belegi culture, even if they have analogies in the necropoles of fho Zufo Brdo- Grla Mare culture. The undecorated amphoras from graves no. 34 and 69 from Liubcova- LJO ULH, endowed with prominences at the base of the neck, have analogies in the funerary inventory from graves no.12 and14 from IIandza-Stojkova Zagrada, in graves no. 68, 173, 269, 273 from Beograd- Karaburma and in that one of the graves no.8 and 10 from necropolis III from Oreac. Two bowls of S.23 type discovered at Liubcova- LJO ULH have analogies both in the necropolis from Cruceni, in the funerary inventory of the graves no. 93, 94 and 97, as well as in that of the graves discovered at Dubovac-Kudelite. A cup from a funerary unnumbered complex looks through its shape like those typical of the Cruceni-Belegi culture 68 . /ccording fo M. $andor-Chicideanu, the relatively large number of discoveries of bronze objects within the funerary inventory determine us to think over the graves within the area of the Cruceni-Belegi culture, which, often in the phase I, contain metallic inventory 69 . Archaeological matoriaIs fhaf can lo incIudod in fho Zufo Brdo-Grla Mare culture come from the boundaries of the localities of Vatin and Vrac. In the cremation necropolis from Vatin-Bele Vode (Pl. X/ 44), in a grave discovered in 1893 70 , beside the amphora and the small cup typical of the phase I of the Cruceni-Belegi culture, there was discovered a bowl inlayed vifh vhifo sulsfanco loIonging fo fho Zufo Brdo-Grla Mare culture 71
(Pl.IX/ 2). The amphoras shape, typical of the Cruceni-Belegi culture, but with strong influences of type Hgelgrberkultur, is decorated with parallel rows of short vertical incisions, as well as incisions in arches characteristic 239 of the inlayed ceramics. B.Milleker mentions a decoration inlayed with white substance 72 (Pl.IX/ 3). In the northern part of the locality of Vatin, in the site Selo (Pl. X/ 45), there were found villanovien urns, assigned to the beginning of the Iron Age as B.Milleker considers. A few of those urns were decorated with vertical flutes. In this necropolis there is mentioned the discovery of an antropomorph statue of Brettidol type 73 in an urn. Tho archaooIogicaI naforiaIs fhaf couId lo assignod fo fho Zufo Brdo- Grla Mare culture (kantharoi of type K.3, bowls, pyxidia and small cups) were discovered in the boundaries of the locality of Vrac, some of them in less clear archaeological contexts 74 . The archaeological investigations from Vrac-At (Pl. X/ 47), executed in 1975, uncovered ten cremation graves assignod oifhor fo SzoronIo group, or fo fho Zufo Brdo-Grla Mare culture, while two graves are assigned to the phase I of the Cruceni-Belegi culture. A cup with superelevated handle decorated with oblique flutes on the maximum diameter, belonging to the phase II of the Cruceni-Belegi culture 75 appeared in this place, too. The presence of the materials characteristic of the phase I of the Cruceni-Belegi culture indicates the prosonco of sono inporfs in fho Zufo-Brdo-Grla Mare area, and, later, the penetration of some Cruceni-Belegi communities in the phase II of evolution of this culture. The same thing is suggested by the findings from Dubovac-Kudelite (Pl. X/ 13). From the types of vessels discovered in this place, there can be mentioned the globular urns with trumpet-shaped mouth and fluted biconical urns, decorated and undecorated bowls with in- or outward rim, cups with superelevated handle, small vessels of type kantharos, amphora supports etc. The decoration consists in motifs inlayed with white substance, incisions, pseudo-cord and flute. The ceramics inlayed with white substance discovered at Dubovac-Kudelite has good analogies both in fho coranics of fho SzoronIo group, and in fho cIassic phaso of fho Zufo Brdo-Grla Mare culture (classic variant) 76 . The presence of the pseudo- corded and fluted vessels indicates the subsequent presence of both phases of the Cruceni-Belegi culture in the region. Tho occupafion of fho Zufo Brdo-Grla Mare area by the Cruceni- Belegi communities is suggested also by the archaeological discoveries from Oreac, where three cremation necropoles were discovered: one belongs to the Szeremele-Bijelo Brdo group, the other to the Cruceni- ANALELE BANATULUI, XIV, 1, 2006 240 Belegi culture, the latter being considered to be a Hallstatt one 77 . The urn from the grave no. 3 within the necropolis from Oreac-Proletarska ulica (necropolis I) (Pl. X/ 30), assigned to the group Szeremele-Bijelo Brdo, is decorated with the pseudo-corded technique (Litzen) and belongs to the phase I of the Cruceni-Belegi culture 78 . In fho loundarios of fho IocaIify of IIandza, in fho sifo Stojkova Zagrada (Pl. X/ 21), as a consequence of the archaeological investigations from 1949, there were discovered 18 cremation graves belonging to the both phases of the Cruceni-Belegi culture and two inhumation graves from the Iron Age 79 . In the grave no. 2, the urn belonging to the phase I of the Cruceni- BoIogis cuIfuro had as a Iid a lovI loIonging fo fho Zufo Brdo-Grla Mare culture (Pl.VII/ 4). The vessels assigned to this culture are mentioned also in the grave no. 4 within this necropolis 80 . The urn of the grave no. 1 is decorated with vertical and in garland flutes, but printed concentrical circles ornament specific to the inlayed ceramics - are present above the handles 81 . In the south-western corner of Banat, at Perlez-Batka S (Pl. X/ 34), the archaeological investigations discovered a settlement and a necropolis assigned to the phase II of the Cruceni-Belegi culture. Within the settlement, two urns associated with two vessel supports similar to those discovered at Dubovac were discovered 82 . The presence of the inlayed ceramics in the necropoles of the Cruceni- Belegi culture was found also in Srem. At Belegi-Stojica gumno (Pl. X/ 5) 83 , in the inventory of the grave no. 78, there was discovered a cup, which belongs to the group 84 (Pl. VIII/ 4) through its shape and decoration. This import suggests that, at the beginning of the evolution of the Cruceni- Belegi culture (phase Cruceni-Belegi I), the communities of the group Szeremle-Bijelo Brdo were still evoluting. The influence of the inlayed ceramics is emphasized also by the urn of the grave no. 58, a biconical amphora with high cylindrical neck and outward rim, ornamented with bands of circular incised lines on the neck and arches on the superior third part of the vessel (Pl. VIII/ 5). The decoration is completed by a row of printed concentrical circles disposed on the vessel shoulder, close to the necks base 85 . In the cremation plane necropolis from Beograd-Karaburma (Pl. X/ 6), in the graves no. 61, 157 and 277 there were discovered ceramic artefacts characforisfic of fho Zufo Brdo-Grla Mare culture. The urn of the grave no. 241 61, a biconical amphora with trumpet-shaped neck and outward rim was decorated with vertical incised lines on the maximum diameter of the vessel and with printed circles of different dimensions on the shoulder and on the neck. The flat rim also decorated with incised lines and printed concentrical circles, characteristic both of Szeremle cultural group, and of fho Zufo Brdo-Grla Mare culture (Pl.VIII/ 1). The grave is dated by J. Todorovi in fho firsf funcfioning phaso of fho nocropoIis, rospocfivoIy af the horizon of Bz. B1 period in P. Reineckes modified system 86 . The urn of the grave no. 277 (Pl. VIII/ 2), a globular amphora with a partly maintained cylindrical neck, was decorated with circular, curved and zigzag incised lines, hachured rhombs as well as with concentrical hachured circles 87 . The grave no. 157 was dated in the first phase of the evolution of this necropolis on the basis of a miniature clay sample of house, whose decoration consists in incised lines and printed concentrical circles inlayed with white sulsfanco. If vas assignod fo fho Zufo Brdo-Grla Mare culture 88 (Pl. VII/ 5- 7). The object is unique for this period anticipating the funerary practices characteristic of the Villanova culture 89 . /ccording fo M. $andor- Chicideanu, the amphoras used as urns in the three graves, especially that from the grave no. 61, are similar with those of type A.2 from the western aroa of fho Zufo Brdo-Grla Mare culture 90 . In her opinion, the vessels of kantharos type from the graves no. 265 91 , 266 92 , 287 93 , 297 94 , 305 95 are comparable as shape to the vessels of K3 type from the shape repertory of Zufo Brdo-Grla Mare, but with a less elaborate decoration 96 . Also in Srem, at Erdevik-Lice (Pl. X/ 15), the archaeological investigations uncovered a prehistoric settlement with more cultural layers. In the layer belonging to the Bronze Age, there were discovered typical ceramic materials inlayed with white substance, mixed with ceramic materials belonging to the Vatina culture and to the first phase of the Cruceni-Belegi culture 97 . The imports of Szeremle-Bijelo Brdo type in the area of the Cruceni- Belegi culture (Belegi-Stojica gumno), as well as those of Cruceni-Belegi type in the Szeremle-Bijelo Brdo group fron dzaci-)LOLSRYD NH OLYDGH (Pl. X/ 28), Oreac-Proletarska ulica (Pl. X/ 30), Moorin-Stubarlija Surduk/Dukatar Surduk plead for a short co-existence in time of the two ethnical-cultural manifestations. The findings of Cruceni-BoIogis fypo fron Ba Ia emphasize the fact that this culture, even since the first phase of its evolution, penetrates west ANALELE BANATULUI, XIV, 1, 2006 242 to the Tisza and occupies the area of the inlayed ceramics communities of Szeremle-BijoIo Brdo fypo. In fho loundarios of fho IocaIify of dzaci, in the site )LOLSRYD NH OLYDGH, the surveys and the sound trenches from 1965 revealed the existence of a cultural layer with ceramic materials belonging to the Bjelo Brdo-Szeremle cultural group. Among these materials, we can mention a kantharos assigned to the first phase of the Cruceni-Belegi culture 98 . The archaeological investigations from the boundary of the IocaIify of Kac, in fho sifos Popov Sala (site no.1) and RW , (site no. 2) revealed the effective presence of the Cruceni-Belegi communities south to Ba Ia, sfiII sinco fho phaso I of fho ovoIufion of fhis cuIfuro. In fho sifo Popov Sala (site no. 1), the archaeological investigations between 1960-1965 showed the existence of a prehistoric site with a succession of dwellings from different periods of time. In the level belonging to the Bronze Age, beside the materials belonging to the Vatina culture, there were also discovered ceramic materials typical of the complex of the inlayed ceramics (phase I) and of the Otomani culture. The latest levels belong to the Cruceni-Belegi culture, phases I-II 99 . The rescue excavations in the site RW I (site no. 2) uncovered a settlement with several cultural layers, belonging to the Baden, Kostolac, Dubovac, Belegi I and so-called Belegi-Gava cultures. The stratigraphy of this site is both vertical and horizontal 100 . We have to mention also the discoveries from the sites Livade 101 , Popov Sala (site no. 2) 102 and RW,(site I) 103 , where ceramic fragments characteristic of the first two phases of the evolution of the Cruceni-Belegi culture appear. Ceramic materials assigned to the phase II of the Cruceni-Belegi culture are noted in the sites RW,, 104 and Vinogradi 105 . At Moorin-Stubarlija Surduk/Dukatar Surduk (Pl. X/ 26), the archaeological investigations uncovered 35 cremation graves and 6 inhumation graves. Five of the cremation graves contained inlayed ceramics of Szeremle-Bijelo Brdo type, the others being typical of the Cruceni-Belegi culture, phases I-II. The graves no. 17 and 27 contained, beside vessels typical of the phase I of the Cruceni-Belegi culture, vessels of type Szeremle-Bijelo Brdo 106 (Pl. VIII/ 6). The surveys and the sound trenches made at the sites Siget (Pl. X/ 25) 107 and Vinograd (Pl. X/ 27) 108 , from the boundaries of the locality of Moorin, proved the existence of the ceramic materials characteristic of the phase II of the Cruceni-Belegi culture, beside the ceramic materials assigned to the complex of the inlayed ceramics. This fact demonstrates the control exerted over this territory by 243 the Cruceni-Belegi communities, even since the first phase of their evolution. As a result of the surveys executed in the boundaries of the localities of ur ovo-Velike njive (Pl. X/ 14) and of aijka-,QD NLEUHJ(Pl. X/ 38), there were discovered both inlayed ceramic fragments and pottery typical of the phase I of the Cruceni-Belegi culture. Similar discoveries were made also in the boundaries of the locality of Titel, respectively on the bank of the Tisza, in the settlement no. 4 (Pl. X/ 39) 109 , as well as in the site Demljankov Surduk (Pl. X/ 40) 110 . Also in the boundary of the locality of Titel, in the site Kalvarija (Pl. X/ 42), there was found an entire vessel of kantharos type, initially considered a grave characteristic of the inlayed pottery 111 . According to M. $andor-Chicideanu, the vessel can be assigned rather to the group Szeremle or to the phase I of the Cruceni-Belegi culture 112 . The archaeological investigations seem to answer the question whether these discoveries are proofs of the cultural contacts already emphasized in other archaooIogicaI sifos fron Ba Ia or fhoy provo a graduaI ponofrafion of fho Cruceni-Belegi communities. The control of the Cruceni-BoIogis connunifios ovor Ba Ia in fho phase II of the evolution of this culture is suggested by the archaeological discoveries within the boundaries of the localities Titel (in the sites Donje Titelskog polje (Pl. X/ 41) 113 and Rogulicev Surduk (Pl. X/ 43) 114 ), urug - Slatina, sites no. 3 (Pl. X/ 8) 115 and 4 (Pl. X/ 9) 116 and aijka-Salaina (Pl. X/ 37) 117 . In the Eastern Slavonia, the archaeological investigations from Dalj- Livadice (Pl. X/ 10) uncovered a prehistoric site with a cultural layer of 1.5 m in depth, where more settlements belonging to the Bronze Age are found. The stratigraphy of 1.5 m in depth was unclear. In the first level there were discovered, beside materials of type Late Vatina/ Vatina-Belegi (Cruceni-Belegi I), inlayed ceramic fragments of Bijelo Brdo-Dalj type. There were also found four antropomorph idols in this level. In the second level, there were discovered fluted pottery belonging to the phase II of the Cruceni-Belegi culture 118 , among them being noticed materials somehow IiIo fhoso loIonging fo fho Bisfro -IaIni a cuIfuro 119 . Ceramic fragments belonging to the Vatin-Belegi phase (Cruceni- Belegi I) of a spinning wheel, as well as a fragment of a bowl with ornaments characteristic of the south-Panonnian inlayed ceramics were ANALELE BANATULUI, XIV, 1, 2006 244 discovered as a result of archaeological investigations in the boundary of the locality of Oriolik, in the site Vinogradi (Pl. X/ 32). Close to the river mouth of the Drava in the Danube, in the boundaries of the locality of Aljma, in the Podunavlje site (Pl. X/ 1), the fortuitous discoveries and the sound trenches proved the existence of a prehistoric settlement with materials assigned to Bijelo Brdo Dalj group and to Vatina - Belegi group 120 . The surveys from Erdut-Veliki Varod, in the steep bank of the Danube (Pl. X/ 16), permitted the identification of a settlement with cultural levels from several historical periods. The inlayed pottery of Bijelo Brdo-Dalj type and Cruceni-Belegi, phase II 121 belonged to the Bronze Age. The extension to the eastern part of Banat of the Cruceni-Belegi culture is pointed out also by the new discoveries within the boundaries of fho IocaIify of Ian (Cara-Severin County), in the site 6DW% WUkQ(Pl. X/ 20). Bosido archaooIogicaI naforiaIs characforisfic of fho Zufo Brdo-Grla Mare culture there was also discovered an urn with conical leg, decorated with vertical flutes on the belly and circular flutes on the leg. Adriana Radu considers that the grave is characteristic of the phase II of the Cruceni- Belegi culture. Thus, the necropolis from Iam-6DW% WUkQ and that one from Vrani are the most southern discoveries of Cruceni-Belegi in Romanian Banat 122 . /f Svini a-3LDWUD (OLRYHL (Cara-Severin County, Pl. X/ 36) there is mentioned the discovery, beside ceramic fragments characteristic of the phaso II of fho Zufo Brdo-Grla Mare culture, of an urn decorated with circular flutes on the neck and oblique flutes on the belly which are flanked with four conical prominences (Pl. VIII/ 3). This urn is dated in Bz.D first half of the Ha.A1 phase 123 . The resemblence with certain amphoras discovered in the necropoles of Cruceni-Belegi (Cruceni, Dubovac) could plead for the hypothesis of a late import or even of some Cruceni-Belegi graves, phase II 124 , in fho vosforn aroa of fho Zufo Brdo-Grla Mare culture. The penetration of some Cruceni-Belegi communities in the western aroa of fho Zufo Brdo-Grla Mare culture can be observed even since the first phase of the culture (for example Liubcova- LJO ULH, phase III of the nocropoIis, in C. S c rins poriodizafion). This ponofrafion is loffor documented with materials characteristic of the phase II of the Cruceni- BoIogis cuIfuro (for oxanpIo Dulovac, Vrsac, Ian, Svini a). Thus, fhis hypothesis of the existence of a collision region between the Cruceni- 245 BoIogis and Zufo Brdo-Grla Mare cultures in the southern region of Yugoslav Banat seems to be a historic reality. As plausible as this seems to be also the gradual awarding of this territory by the Cruceni-Belegi communities in phase II of this cultures evolution 125 . Tho rich roporfory of coranic shapos of fho Zufo Brdo-Grla Mare culture contributes to the understanding of the general view of the cultural and commercial contacts existent between the two cultural manifestations. Thus, the amphoras of A1 type, even if they are more spred in the eastern aroa of fho Zufo Brdo-Grla Mare culture, in the western area, the similar shapes can not be certainly assigned to this because they are characteristic of the phase I of the Cruceni-Belegi culture, where this type seems to have a less developped shoulder 126 . M. $andor-Chicideanu considers that it is possible that the amphoras from Dubovac, Liubcova, Moorin come from features which could belong to Cruceni-Belegi culture 127 . The amphoras of /14 fypo aro nof characforisfic of fho Zufo Brdo-Grla Mare culture. Those discovered at Dubovac are similar to those from the area of the Cruceni- Belegi culture, to which this type has to belong to 128 . The bowls of S23 type, discovered at Dubovac-Kudelite and Liubcova- LJO ULH are typical of the Cruceni-Belegi culture and they prove the inflitration of the connunifios of fhis cuIfuro in fho aroa of fho Zufo Brdo-Grla Mare communities. The presence of a bowl of S23 type in a grave, certainly loIonging fo fho Zufo Brdo-Grla Mare culture, discovered in the necropolis from Plosca-Cabana de metal (Dolj County, Pl. X/ 35), seems to be the most eastern Cruceni-BoIogis inporf vifhin fho Zufo Brdo-Grla Mare area 129 . The bowl S21 and S22 types, present in the necropoles from Dubovac-Kudelite and Mala Vrbica-Livade 130 are also assigned to the Cruceni-Belegi culture. The vessels of kantharoi K2 and K3 types seem to have developped from the baroque shapes with rhomb mouth of the Vatina culture. They became common shapes for more cultural areas: Szeremle- BijoIo Brdo, Zufo Brdo-Grla Mare and Cruceni-Belegi 131 . The Kantharos K2 type (for example Belegi-Stojica gumno 2 pieces.; Beograd-Karaburma 1 piece; Sarva-Gradac 1 piece) is met both in the typology of the Cruceni- Belegi ceramics (phase I), and in those of the inlayed ceramics of Szeremle- BijoIo Brdo and Zufo Brdo-Grla Mare types. Beyond the fact that it proves a certain chronological synchronism between the Cruceni-Belegi culture and the Szeremle-Bijelo Brdo group, the K2 type emphasizes also a parallel ovoIufion vifh fho Zufo Brdo-Grla Mare culture, with which it is related, ANALELE BANATULUI, XIV, 1, 2006 246 too. The Kantharos of K.3 type (for example Belegi-Stojica gumno 1 piece; Beograd-Karaburma 4 pieces; Vrac-Ludo 1 pioco, Sur in 1 piece) is less present within the area of the Szeremle-Bijelo Brdo group, upstream the confluence of the Danube with the Tisza but it frequently appears in the Zufo Brdo-Grla Mare culture both at west and at east of the Iron Gates, as well as in the sites of the Cruceni-Belegi culture (phase I) 132 . The cultural and commercial contacts between the Cruceni-Belegi and Zufo Brdo-Grla Mare cultures could be suggested also by the discoveries of bronze objects. The distribution of the cordformed pendants in fho aroa of fho Zufo Brdo-Grla Mare communities is possibly to have been mediated by the Cruceni-Belegi populations. In the area of the Cruceni-Belegi culture, this category of jewelry was extremely used during the phase I while they were abandoned during the phase II. This hypothesis can be sustained by the discoveries from the Cruceni-Belegi necropoles from Cruceni, Beograd-Karaburma, Belegi-Stojica gumno 133 . The influences exerted by the Cruceni-Belegi communities in the aroa of fho Zufo Brdo-Grla Mare culture, the final phase, determined the appoaranco of Bisfro -IaIni a cuIfuraI group. Thaf vas a disfincf cuIfuraI group that developped in parallel with the phase II of the Cruceni- Belegi 134 culture. This matter is proved by the bowls discovered at Dalj- Livadice and Hrtkovci-Gomolava (level IVc), similar to identity with those of S34 and S35 types from the repertory of shapes characteristic of the cultural group Bisfro -IaIni a 135 . Extremely interesting is fho associafion of fho inporfs of Zufo Brdo- Grla Mare type with the vessels decorated in the pseudo-corded technique (Litzen type), that are characteristic of the phase I of the Cruceni- Belegi culture. This association permits a good chronological synchronizafion of fho cIassic phaso of fho Zufo Brdo-Grla Mare culture with the beginning of the Cruceni-BoIogis cuIfuro. If fho inporfs of Zufo Brdo-Grla Mare type in the Cruceni-Belegi area are relatively numerous, those of Cruceni-Belegi type, decorated with pseudo-corded (Litzen) are extremely rare (Dubovac-Kudelite, Oreac-Proletarska ulica, necropolis I). The lack of the vessels with pseudo-cordod ornanonfs in fho Zufo Brdo- Grla Mare area, but the large number of inlayed vessels belonging to this culture in the area controlled by the Cruceni-Belegi culture can be explained through the interest of the Cruceni-Belegi communities for the aroa confroIIod ly fho Zufo Brdo-Grla Mare communities. The Danube 247 constituted one of the major commercial thoroughfares of the prehistory. The parallel short evolution of the phase I of the Cruceni Belegi culture vifh fho cIassic phaso of fho Zufo Brdo-Grla Mare culture can be added to this explanation. Within this short parallel evolution, the pseudo-corded technique (Litzen) was abandoned. The next archaeological investigations, corroborated with new 14 C data, will confirm or refute these hypotheses.
Conclusions
On the basis of the archaeological discoveries both from the area of the inlayed ceramics communities of Szeremle-BijoIo Brdo and Zufo Brdo- Grla Mare types, and from the area of the Cruceni-Belegi culture, we can formulate a few conclusions concerning the relationship between the two ethnical-cultural manifestations: 1. The appearance of the Cruceni-Belegi culture coincides with the phaso II (cIassicaI phaso) of fho Zufo Brdo-Grla Mare culture. During the phase I, the Cruceni-Belegi communities (concentrated on the Danubes course, from the river mouth of the Drava close to the western part of the Carpafhians, soufh fo Ba Ia and in Banaf) ovoIvo for a shorf poriod of fino in parallel with the late Szeremle-Bijelo Brdo communities. 2. Even if it comes out a contribution of the inlayed ceramics of type Szeremle-Bijelo Brdo in the formation of the Cruceni-Belegi culture, this does not dim the massive genetic background of the Vatina culture. This background is proved by the perpetuation of some ceramic ornaments and of some vessels shapes as for example the kantharos. 3. From a typological point of view, there are common ceramic shapes (kantharos of k2 and k3 types and the amphora of A1 type) in the area of Cruceni-BoIogis i Zufo Brdo-Grla Mare cultures. These shapes, especially the kantharos, plead for a certain contemporary existence of the two cultures. 4. The archaeological discoveries from the south-eastern region of Banat (Dubovac-Kudelite, Vatin-Bele Vode, Vrac-At i Vrsac-Ludo (Pl. X/ 48), Liubcova- LJO ULH), where it is noted a massive mixture of materials characteristic of the two cultures, suggest the existence, in the phase I of the Cruceni-Belegi culture, of a collision region 136 . This region will be occupied later by the communities of this culture (during the phase II of ANALELE BANATULUI, XIV, 1, 2006 248 Cruceni-Belegi culture). Their presence in the regions occupied before by fho Zufo Brdo-Grla Mare culture is demonstrated by the necropoles of Cruceni-Belegi culture (phase II) discovered at Banatska Palanka-Rudine (Pl. X/ 2) 137 , Iam-6DW % WUkQ, Liubcova- LJO ULH, and naylo af Svini a-Piatra (OLRYHL, as well as by the fluted ceramic fragments with which the bronze hoards discovorod af KIi ovac-5DVWRYD D 138 and KIi ovac-Katanski brod 139 are associated. 5. Tho roporfory of fho discovorios of Zufo Brdo-Grla Mare type from Banat (Pl. X) (imports in the area controlled by Cruceni-Belegi culture) emphasizes the fact that the most northern discoveries are those from Cruceni, Foeni, Peciu Nou, Voiteni and Deta. This matter points out the interest of the Cruceni-Belegi communities for the civilization of the Zufo Brdo-Grla Mare culture. 6. The cultural contacts between the Cruceni-BoIogis and Zufo Brdo- CrIa Maro cuIfuros aro onphasizod aIso ly fho appoaranco of fho Bisfro - IaIni a group, fornod on Zufo Brdo-Grla Mare background on which the Cruceni-Belegi influences were grafted. The chronological parallelism between the two ethnical-cultural manifestations is demonstrated by the coranic naforiaIs siniIar fo fhoso of Bisfro -IaIni a fypo, discovorod in fho Cruceni-Belegi area, at Hrtkovci-Gomolava and Dalj-Livadice.
The next archaeological investigations will certainly bring new information concerning the cultural contacts between the two ethnical- cultural related manifestations.
Alexandru Szentmiklosi Muzeul Banatului Timisoara Iia a Huniado, nr.1, 3OOOO2, Tinioara e-mail: szentmiklosi@yahoo.com
NOTES
1. Bna I., 1975, 194; Bndi G., 1984, 267. 2. Kovcs T., 1977, 17. 3. Tasic, N., 1974, 462-463, Tasic, N., 1988, 48-53, abb. 2, Modovic, M., 1996a, 165, map 1, Kiss, V., 1998, 165-167, $andor-Chicideanu M., 2003, vol. I, 15,208. 4. Bna I., 1975, 225-227. 249 5. $andor-Chicideanu M., 2003, vol. I, 15,208. 6. Bndi G., Kovcs T., 1970, 38-39, apud $andor-Chicideanu M., 2003, vol. I, 12; Bndi G., 1984, 273. 7. $andor-Chicideanu M., 2003, vol. I, 199, 208. 8. $andor-Chicideanu M., 2003, vol. I, 217; for the discussions concerning the proto- Grla Mare ceramics discovered in the settlement from Ostrovu Corbului-Botul Cliuciului, see pp. 13 and 19. 9. $andor-Chicideanu M., 2003, vol. I, 217. 10. $andor-Chicideanu M., 2003, vol. I, 35. 11. $andor-Chicideanu M., 2003, vol. I, 209. 12. $andor-Chicideanu, 2003, 209. 13. Radu, O., 1973, 507; S. Morintz has the same opinion too. He considers that both the Cruceni-Belegi culture and the Dubovac-Zuto rdo-Grla Mare culture develop on the background Vatina and they fit in the large complex of the cultures with printed ceramics (Morintz, S., 1978, 45). 14. Moszolics, A., 1942, 48; Benkovsky-Pivovarov, Z., 1992, 344, 349, abb. 3.;Gogltan Fl., 1993, 66; Gogltan Fl., 1994, 19-2O, Cum , 1997, 57, CogItan II., 1998, 184, Szentmiklosi Al., 2004 . 15. MoszoIics, /., 1942, 48, Tasic, N., 1974, 462-463; Benkovsky-Pivovarov, Z., 1992, 344, 349, abb. 3.;Gogltan Fl., 1993, 66; Gogltan Fl., 1994, 19-20; Dizdar M., 1996, 26; Cum , 1997, 57, CogItan II., 1998, 184, Kiss, V., 1998, 165-167, Tasic, N., 1988, 48-53, abb. 2, Tasic N., 2OO1, 313, 314, Tasic N., 2OO2, 192, Mari|an ., 2OO3, 114-115; Szentmiklosi Al., 2004, 84 . 16. Fischl P., Kiss V., 2002, 131-133; Kiss V., 1998, 163-164, note 21, 172. 17. Modovic Pr., 1996, 165, Map 1, no. 3O, Modovic Pr., 1998, 75-76, no. 85, 119, Pl. 25/ 1-7; $andor-Chicideanu M., 2003, vol. I, 236, no. 132. 18. Tasic N., 1996, 147-148, $andor-Chicideanu M., 2003, vol. I, 195. 19. Personal communication from Florentina Martis. The ceramic material from the settlement of Vatina type follows to be soon published. 20. Gogltan Fl., 2004, 88-89,142, Pl. VI/ 3. 21. Tasic, N., 1988, 48-53, abb. 2. 22. Wosinszky M., 1904, 52, no.22, Pl. LXXV/ 1-9. 23. /ndoIic D., 1995, 14-15, Simic }., 1994, 199-2OO, Simic }., 1998, 242. 24. Trogmayer, O., 1992, 353-354. 25. Cum M., 1997, 66. 26. Simic }., 1998, 242. 27. Cum , M., 1997, 65-66. 28. Tasic N., 1965, 2OO-201, where Bz.C-D corresponds to the phase Belegi I, and period Ha.A-B to the phase Belegi II; Horedt, K., 1967, 147-149; Radu, O., 1973, 506-507; Tasic, N., 1974, 462-464; Morintz, S., 1978, 40-45, Tasic, N., 1983, 156-157; Trogmayer, O., 1992, 353-354, Tasic, N., 2OO1, 312-315, Tasic, N., 2OO2, 193. 29. Reinecke-Willvonseder-Holste-Torbrge-Rittershofer Bz. A2 (Gogltan Fl., 1999, 15- 19, 42-43, with the old bibliography). 30. }acanovic D., 2OOO, 5O-51. 31. Gogltan Fl., 2000, 43-45. 32. Petrescu-Dmbovi a M., 1977, 39-46, 51-73, 80-119, 121-125. ANALELE BANATULUI, XIV, 1, 2006 250 33. Cum M., 1993, 261-263. 34. Cum M., 1993, 181, 19O-191. 35. Cum , M., 1993, 168-179, Cum , M., 1995, 1O3-11O, Cum , M., 1997, 61-67, 73-74. 36. Chicideanu, I., 1986, 40-47, Chicideanu, I., 1995, 168, that include the discoveries from MaIa Vrbica in tho roportory of discovorios typicaI of istro -IaIni a group (Chicideanu, I., 1986, 45). 37. $andor-Chicideanu M., 2003, vol. I, 30-34, 209, 213, with discussions and old bibliography. 38. Chicideanu, I., 1986, 40-47. 39. $andor-Chicideanu M., 2003, vol. I, 209, 213. 40. $andor-Chicideanu M., 2003, vol. I, 34, 69. 41. Moga M., 1964, 296; Moga M., 1965, 450; Godea I., 1995, 35, fig. 20-21, ModoIo II., 1995, 289-294, 299-300; Horedt K., 1967a, 17-20; Horedt K., 1967b, 147-149; Radu O., 1971, 19-23; Radu O., 1973, 503-520. 42. Archaeological investigations executed by M.Moga in 1958. 43. $andor-Chicideanu M., 2003, vol. I, 198, vol. II, 196, Pl. 191/ 1-3. 44. $andor-Chicideanu M., 2003, vol. I, 198 vol. II, 196, Pl. 191/ 5-6. 45. Archaeological investigations oxocutod by M.Moga in 1958, $andor-Chicideanu M., 2003, vol. I, 198, vol. II, 196, Pl. 191/ 4. 46. Vukmanovic M., Popovic P., 1996, 89, 99, PI. V/1O, $andor-Chicideanu M., 2003, vol. I, 198. 47. Cum M., 1992, 29, Cum M., 1993, 151, 293, no. 114, ModoIo Fl., 1995, 289-293, 295- 3O1, Chicidoanu I., 1995, 186, Cum M., 1997, 55, CogItan II., 1998, 2O5, PI. X/21, Rogozoa P., 1998, 189, PI. I/4O, prof. II. ModoIo s promaturo doath coasod tho working of the archaeological material from the investigated necropolis. But it will be published in future. 48. El Susi G., 1990, 249-251, Cum M., 1992, 29, Cum M., 1993, 15, 298, no. 168, ModoIo Fl., 289, note 6, 290, 292-293, 295, 299-3OO, Chicidoanu I., 1995, 168, Cum M., 1997, 55, Gogltan Fl., 1998, 205, Pl. X/ 30; Rogozea P., 1998, 189, Pl. I/ 41; Szentmiklosi Al., 1998, 197-207; Luca A.S., 2005, 404, no.657, pct. 1/ a. 49. Rescue investigations executed by prof. II. ModoIo , nov boing procossing and publishing. 50. NovoI invostigations oxocutod by prof. IIorin ModoIo in 1986. 51. Gogltan Fl., 2004, 88-89,142, Pl. VI/ 3. 52. Archaeological investigations executed in 2000 and 2004 by the author. 53. Probably an arrangement for hydro-isolating with ceramic fragments disposed horizontally as for strengthening the structure. 54. Milleker B., 1897, 34; Milleker B., 1905, 34; Milleker B., 1906, 26-27, Cum M., 1993, 252, 288, Cum M., 1997, 55, CogItan II., 1998, 2O5, PI. 1O/11, CogItan II., 1999, 93- 94; Luca A.S., 2005, 121, no.197, pct. 2/ a. 55. The site is located north to the old park Kratzer Antal, today the place where the factory S.C. Eybl Textile S.R.L is located. 56. Szentmiklosi Al., 2005a, 637-656; Szentmiklosi Al., 2005b, 615-616; 57. Szentmiklosi Al., 2005a, 639. 58. Szentmiklosi Al., 2005a, 640. 59. Szentmiklosi Al., 2005a, 641. 251 60. Szentmiklosi Al., 2005a, 643-644. 61. Szentmiklosi Al., 2005c, 111-125. 62. $andor-Chicideanu M., 2003, vol. I, 99, no. 1, vol. II, 116, Pl. 111/ 4. 63. }acanovic D., or ovic /., 1989-1990, 72, T. LXXI. 64. $andor-Chicideanu M., 2003, vol. I, 199. 65. Wosinszky M., 1904, 59, no. 9, Pl. LXXVI/ 1; Garaanin, M., 1959, 82, note 451. 66. Millker B., 1897, 75-76 , S c rin C., 1985, 91-105 , S c rin C., 1992, 21, S c rin C., 1993, 77-78, Cum M., 1992, 26-28, Cum M., 1993, 157, 161-162, ,254, no. 37, pct. b; 291, no. 88, Cum M., 1997, 58-61, 66. 67. S c rin C., Cu|Iura dc Iip ZuIc 3rdc in zcna Pcr i|cr dc icr, ucuroti, 1998 (toz do doctorat citat do $andor-Chicideanu M., 2003. 68. $andor-Chicideanu M., 2003, vol. I, 183-184. 69. $andor-Chicideanu M., 2003, vol. I, 184. 70. Milleker B., 1897, 125, Pl. II/ 1-3, 128, 130. 71. Milleker B., 1897, 125, Pl. II/ 1-3, 128, MiIIokor ., 19O5, 36, PI. XV/1b, Trbuhovic V.., 1968, 64, fig.. 34. 72. Milleker B., 1897, 125, Pl. II/ 1-3, 128, 130; Milleker B., 1905, 35, Pl. XV/ 1c (in text it is wrong XV/ 1a). 73. Milleker B., 1905, 4, 34-41; Milleker B., 1906, 155-157; Foltiny S., 1970, 12. 74. $andor-Chicideanu M., 2003, vol. I, 198. 75. Raajski R., 1975, 16-17, 177, Modovic Pr., 1996, 165, Harta 1, no. 9, UzoIac }., 1996, 32, Harta 6, no. 94, 38, ukvi I|., 2OOO, 185, T.6O/6, $andor-Chicideanu M., 2003, vol. I, 260, no. 322. 76. Milleker B., 1897, 37-38; Wosinsky M., 1904, 57-58, Pl. XCIII-C/ 1; Milleker B., 1905, 34; Milleker B., 1906, 35-42; Foltiny S., 1968, 343, Taf. 4/ 5; Hnsel, B., 1968, vol. I, 138, vol. II, 247, Pl. 49/ 1-14; Foltiny S., 1970, 7-8, Pl. 1/1 i II/5, 13, Ioronbahor S., 1988, 31, no. 12; Uzelac J., 1996, 29-30, 37-38, $andor-Chicideanu M., Chicideanu I., 1993, 151-169; Chicidoanu, I., 1995, 167, Modovic Pr., 1996, 165, Map 1, no. 1, $andor-Chicideanu M., 2003, vol. I, 15, 46, 161, 165-166, 198, 228, no. 76. 77. Krstic D., 1962, 76-82, Ma|naric-Pandzic N., 199O, 43-54, $andor-Chicideanu M., 2003, 246, no. 216. 78. Ma|naric-Pandzic N., 199O, 43-54, Pl. III/ 2. 79. Marijanski M., 1957, 5-26, Tasic, N., 1962a, 144, ruknor ., 1965, 46, Tasic N., 1965, 227; Foltiny S., 1970, 12-13; Garaanin, D., Vinski-Casparini, K., 1971, 3O9, Tasic N., 1972, 111, Tasic N., 1974, 241-243; Vulpe Al., 1974, 253; Stratan I, Vulpe Al., 1977, 54; Morintz S., 1978, 41; Garaanin D., 1983, 671; Tasic N., 1984, 38, Ioronbahor S., 1988, 31, no. 16, Modovic Pr., 1988-1989, 47-48, Tasic N., 1989, 99, 1OO, Tasic, N., 1991, 2O, Cum M., 1993, 15O, 176, Iovi ki O., 1994, 72, 86, Chicidoanu I., 1995, 167, Modovic Pr., 1996, 165, Harta 1, no. 11; Uzelac J., 1996, 32-33, Map 7, no. 21, 38; Pap, L., 1998, 32, SzontmikIosi /I., 1998, 2OO, Tasic N., 1998, 99-1OO, ukvic I|., 2OOO, 138-140, T. 49/ 1-7, Tasic N., 2OO2, 19O, UzoIac }., 2OO2, 47, no. 98, $andor-Chicideanu M., 2003, vol. I, 234-235, no. 122. 80. Tasic N., 1998, 1OO, $andor-Chicideanu M., 2003, vol. I, 27, 234-235, no. 122. 81. Marijanski M., 1957, 17, T.I/ 1. 82. Modovic Pr., 1988-1989, 45, 47, 53, Pl. V/ 2-3, Modovic P., 1996, 17O-171. ANALELE BANATULUI, XIV, 1, 2006 252 83. Tasic, N., 1962a, 144, Tasic, N., 1962b, 46-5O, Tasic N., 1963, 5O-52, Tasic N., 1964, 25- 28, Tasic N., 1965, 227, Trbuhovic V.., 1968, 69, IoItiny S., 197O, 12-13;Garaanin, D., Vinski-Casparini, K., 1971, 3O9, Tasic N., 1971, 165-167, Tasic N., 1974, 241-243; Vulpe Al., 1974, 253; Stratan I, Vulpe Al., 1977, 54; Morintz S., 1978, 41; Garaanin D., 1983, 671; Tasic N., 1984, 35, Ioronbahor S., 1988, 26, 31, no. 5, Modovic Pr., 1988-1989, 47- 48, Tasic N., 1989, 98-99, Tasic, N., 1991, 2O-21, Cum M., 1993, 15O, Iovi ki O., 1994, 72, 86-87, Chicidoanu I., 1995, 167, Modovic Pr., 1996, 165, Map 1, no. 5O, Tasic N., 1996, 148, 157, T. I/ 3; Kiss V., 1998, 172; Pap, L., 1998, 32; Rogozea P., 1998, 189, Pl. I, no. 36, Tasic N., 2OO2, 19O-195, Vranic Sv., 2OO2, 185, $andor-Chicideanu M., 2003, vol. I, 221, no. 19, Tasic N.N., Tasic N., 2OO3, 1O6. 84. Morintz S., 1878, 41, 44,, fig.25/1, Tasic N., 1996, 148, 157, T.I/3, Kiss V., 1998, 172, no. 55, Vranic Sv., 2OO2, 1O5. 85. Vranic Sv., 2OO2, 92-93, 132, no.61. 86. Todorovi }., 1977, 13, 15, 144. 87. Todorovi }., 1977, 86, 97, 144. 88. Todorovi }., 1977, 41, 43, 144. 89. $andor-Chicideanu M., 2003, vol. I, 127. 90. $andor-Chicideanu M., 2003, vol. I, 197. 91. Todorovi }., 1977, 81-82, 88. 92. Todorovi }., 1977, 82, 89. 93. Todorovi }., 1977, 91-92, 102. 94. Todorovi }., 1977, 96, 1O6. 95. Todorovi }., 1977, 1OO-101, 114. 96. $andor-Chicideanu M., 2003, vol. I, 197. 97. Medovic Pr., 1996, 165, Map 1, no. 46, $andor-Chicideanu M., 2003, vol. I, 230, no. 87. 98. Modovic Pr., 1996, 165-166, Map 1, no. 41, $andor-Chicideanu M., 2003, vol. I, 245, no. 209; S. Morintz mentions discoveries typical of the Cruceni-Belegi culture within the boundaries of this locality, without providing additional information as concerns the archaeological site. It is not excluded that this may be the site mentioned by the archaeologist (Morintz S., 1978, 41). 99. Modovic Pr., 1996, 165, Map 1, no. 3O, Modovic Pr., 1998, 75-76, no. 85, 119, Pl. 25/ 1-7; $andor-Chicideanu M., 2003, vol. I, 236, no. 132. 100. Modovic Pr., 1996, 165, Harta 1, no. 29, Modovic Pr., 1998, 75, no. 84, 114, PI. 2O/5-9, 115, Pl. 21/ 1-2, $andor-Chicideanu M., 2003, vol. I, 236, no. 131. 101. Modovic Pr., 1998, 76, no. 89, 119, Pl. 26/ 6-7; ceramic fragments of Cruceni-Belegi type, phase I. 102. Garaanin D., 1983, 671; Modovic Pr., 1998, 76, no. 86, 119, PI. 25/1O, coramic fragments of Cruceni-Belegi type, phases I-II. 103. Modovic Pr., 1998, 74, no. 83, 113, Pl. 19/ 6-7, the wide bands of pseudo-corded lines on the trumpet-shaped neck of the urn fragment remind of the ornaments typical of the group Gumtransdorf-Drassburg that constituted the base of the formation of the cultural group Cruceni-oIogis (Modovic Pr., 1998, 113, Pl. 19/ 6). 104. Modovic Pr., 1998, 73, no. 78, 112, PI.18/8-10; it is not excluded to exist also a Cruceni- oIogis I phaso (Modovic Pr., 1998, 112, PI.18/8-9). 105. Modovic Pr., 1998, 73, no. 8O, 113, PI. 19/5. 253 106. Modovic Pr., 1996, 164-165; Map 1, no. 22, Modovic Pr., 1998, 63, no. 25, 1O6, Taf. 12/ 6-8, $andor-Chicideanu M., 2003, vol. I, 243, no. 192. 107. Modovic Pr., 1996, 165, Map 1, no. 25, IaIkonstoin I., 1998, PI. 19/17, 19, 23, 26-27; Modovic Pr., 1998, 62, no. 21, $andor-Chicideanu M., 2003, vol. I, 243-244, no. 195. 108. Modovic Pr., 1996, 165, Map 1, no. 24, IaIkonstoin I., 1998, PI. 21/2-7, $andor- Chicideanu M., 2003, vol. I, 243, no. 194 109. Modovic Pr., 1998, 54, no. 4, 95, PI. 1/6-12, $andor-Chicideanu M., 2003, vol. I, 255, no. 283. 110. Modovic Pr., 1998, 54, no. 4, 95, Pl. 1/ 6-12, $andor-Chicideanu M., 2003, vol. I, 255, no. 283. 111. Modovic Pr., 1998, 56, no. 7, 97, PI. 3/1. 112. $andor-Chicideanu M., 2003, vol. I, 255, no. 284. 113. Falkenstein F., 1998, Pl. 17/ 1-3, Modovic Pr., 1998, 57, no. 8, 97, PI. 3/3, $andor- Chicideanu M., 2003, vol. I, 255, no. 285. 114. $andor-Chicideanu M., 2003, vol. I, 255, no. 286. 115. Modovic Pr., 1996, 165, Map 1, no. 36, Modovic Pr., 1998, 85-86, no. 133, 131, Pl. 37/ 3- 7, $andor-Chicideanu M., 2003, vol. I, 225, no. 52. 116. Modovic Pr., 1998, 86, no. 134, 132, Pl. 38/ 8-10, 133, Pl. 39/ 1-3, $andor-Chicideanu M., 2003, vol.I, 225-226, no. 53. 117. Modovic Pr., 1996, 165, Map 1, no. 26, Modovic Pr., 1998, 66, no. 46, 1O7, PI. 13/9 and 108, Pl. 14/ 1-3, $andor-Chicideanu M., 2003, vol. I, 251, no. 253. 118. Simic }., 1987a, 22-23; Forenbaher S., 1988, 25, 31, no. 11; Forenbaher S., 1991, 67; Ioronbahor S., 1994, 53, Simic }., 1994, 189-199, Iozn|ak D., 2OO1, 38-39, $andor- Chicideanu M., 2003, vol. I, 226, no. 55. 119. $andor-Chicideanu M., 2003, vol. I, 199. 120. $andor-Chicideanu M., 2003, vol. I, 218, no. 2, pct. b. 121. Foltiny S., 1967, 53, Pl. IV/ 5; Foltiny S., 1968, 349, Taf. 7/ 4; Foltiny S., 1970, 3, 9, Pl. III/3, IoItiny S., 1968, 349, fig. 7/4, 352, Vinski Casparini, 1973, 179, PI. 6/6, Tasic N., 1984, 35; Forenbaher S., 1988, 31, no. 13; Forenbaher S., 1991, 67; Forenbaher S., 1994, 53, $andor-Chicideanu M., 2003, vol. I, 230, no. 89. 122. Radu A., 2005, pp. 89-106. 123. Cum M., 1993, 157, 162, PI. XI/11, $andor-Chicideanu M., 2003, vol. I, 176. 124. $andor-Chicideanu M., 2003, vol. I, 176. 125. $andor-Chicideanu M., 2003, vol. I, 187, 199. 126. $andor-Chicideanu M., 2003, vol. I, 45-46. 127. $andor-Chicideanu M., 2003, vol. I, 46. 128. $andor-Chicideanu M., 2003, vol. I, 51. 129. $andor-Chicideanu M., 2003, vol. I, 67. 130. $andor-Chicideanu M., 2003, vol. I, 66-67. 131. $andor-Chicideanu M., 2003, vol. I, 196. 132. $andor-Chicideanu M., 2003, vol. I, 55-56 133. $andor-Chicideanu M., 2003, vol. I, 144. 134. Chicideanu, I., 1986, 40-47; Chicideanu, I., 1995, 168. 135. $andor-Chicideanu M., 2003, vol. I, 34, 69. 136. $andor-Chicideanu M., 2003, vol. I, 199. ANALELE BANATULUI, XIV, 1, 2006 254 137. Milleker B., 1897, 84-87; Milleker F., 1940, 8-9, Taf. 3-4; Foltiny S., 1967, 51, 62, Pl. III/1, Tasic N., 1983, 1OO, fig.61 a-d, Tasic N., 1984, 39, Ioronbahor S., 1988, 31, no. 35, Iovi ki O., 1994, 9O, 1O3, UzoIac }., 1996, 33, Map 7, no. 4, 34, 38, ukvic I|., 2OOO, 125, T. 43/ 2, 4, 6-7. 138. }acanovic D., 1997, 252, 256, PI. III/11-6, here it is mentioned with the name of KIi ovac I - Pomrlovo, }acanovic D., 2OOO, 35-56; site |asIc.a a is situated at the eastern extremity of the island Ostrovo, situated in front of the river mouth of the Mlava in the Danube. The bronze hoard weighing 3810.5 gr. was found in a biconical urn with pseudo-corded ornaments, typical of the phase I of the Cruceni-Belegi culture. The 11O ob|octs dato, in D. }acanovics opinion, in the period Ha.A1. The author considers that the urn with pseudo-corded motifs is characteristic of the end of the phase I and the beginning of the phase II of the Cruceni-Belegi culture. That corresponds to the time after 1230, i.e. to the period Br D Ha A according to Reinecke, and it was accepted by most archaeologists. (sic!). The phase II of the Cruceni-Belegi culture, characterized by the generalization of the fluted ornaments and of some typical forms is dated in the Reinecke Bz. D period (Late Bz. II), the transition between the two phases taking place, probably, at the end of the Reinecke Bz.C period, moment when the amphoras (urns) of variant A appear, according to the typology of S.Forenbaher (Forenbaher, S., 1988, 24-25, 29-30, 32-33). This type of urns are assigned by N.Tasic to tho phaso Ic from tho phaso I of tho Cruconi-oIogis cuIturo (Tasic, N., 2001, 317). In my opinion, the vessel seems to be rather used again and it could belong to a metallurgist craftsman. The conditions of the discovery could suggest also a votive character of its hiding. 139. }acanovic D., 1997, 252-253, 256, Pl. III/ 7-11.
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A N A L E L E
B A N A T U L U I ,
X I V ,
1 ,
2 0 0 6
2 6 0
Pl. I : Map of spreading of Cruceni-Belegi anGXWR%UGR-Grla Mare cultures 261 1
Pl. IV : Peciu Nou: grave no. 48 ANALELE BANATULUI, XIV, 1, 2006 264 1 2 3
Pl. V : Voiteni-Ciacova: ceramic fragments from the settlement (1-3); Foeni-Gomila Lupului II ceramic fragments from the pit-dwelling house no.2/ 2000 (4 -12). 265 1 2 4.
3 5 6 7
8 9
10 11
12 13
14 15 16
Pl. VI : Foeni-Gomila Lupului II - ceramic fragments discovered in pit-dwelling houses no.2/ 2000 (1-3) and no.1/ 2000 (4) ; Deta-Dud ric ceramic fragments discovered in G.5, C.9 (5-9), G.7, C.13 (10), G.8, C.14 (11-16). ANALELE BANATULUI, XIV, 1, 2006 266 1 2
3 4 5 6 7
PI. VII : Dragina isolated finding (1-2), C taia (3), IIandza-Stoikova Zagrada, grave no. 2 (4); Beograd-Karaburma, miniature clay house discovered in the grave no.157 (5-7). 267 1. 2.
3. 4. 5.
6.
Pl. VIII : Beograd-Karaburma, gravo no. 61 (1) and no.277 (2), Svini a-PiaIra ||ic.ci, urn of Cruceni- Belegi type, phase II (3); Belegi-Stojica gumno, grave no.78 (4) and no.58 (5); Moorin-Stubarlija Surduk/Dukatar, grave no.17 (6). ANALELE BANATULUI, XIV, 1, 2006 268 1 2 3
Pl. IX : Vatin-Bele Vode, cremation grave discovered in 1893 (1-3).
2 6 9
Pl. X: Map of the archaeological sites with discoveries assigned to the Cruceni-Belegi DQGXWR%UGR-Grla Mare cultures and to the Szeremle-Bijelo Brdo cultural group ANALELE BANATULUI, XIV, 1, 2006 270
(Biblical Interpretation Series 52) Christoph Onno Schroeder - History, Justice, and the Agency of God_ A Hermeneutical and Exegetical Investigation on Isaiah and Psalms (Biblical Interpretation Serie.pdf