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    Good Morning 4-Visionary Mr. Eljohn O. Cabantac Arts

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    Eljohn Cabantac
    Philippine indigenous arts include sculpture, pottery, weaving, and physical ornaments. Sculpture includes carved wooden figures like bul-ul guardians. Pottery varies by region and includes jars from Tabon Cave over 2,800 years old. Weaving uses local materials to make hats, mats, and textiles decorated with designs like okir scrolls. Physical ornaments incorporate beads, shells, and tattoos reflecting each tribe's traditions. Philippine folk art reflects nature and everyday life through techniques adapted to each group's environment and culture.

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    Good Morning 4-Visionary Mr. Eljohn O. Cabantac Arts

    Uploaded by

    Eljohn Cabantac
    159 views34 pages
    Philippine indigenous arts include sculpture, pottery, weaving, and physical ornaments. Sculpture includes carved wooden figures like bul-ul guardians. Pottery varies by region and includes jars from Tabon Cave over 2,800 years old. Weaving uses local materials to make hats, mats, and textiles decorated with designs like okir scrolls. Physical ornaments incorporate beads, shells, and tattoos reflecting each tribe's traditions. Philippine folk art reflects nature and everyday life through techniques adapted to each group's environment and culture.

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    Philippine indigenous arts include sculpture, pottery, weaving, and physical ornaments. Sculpture includes carved wooden figures like bul-ul guardians. Pottery varies by region and includes jars from Tabon Cave over 2,800 years old. Weaving uses local materials to make hats, mats, and textiles decorated with designs like okir scrolls. Physical ornaments incorporate beads, shells, and tattoos reflecting each tribe's traditions. Philippine folk art reflects nature and everyday life through techniques adapted to each group's environment and culture.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    159 views34 pages

    Good Morning 4-Visionary Mr. Eljohn O. Cabantac Arts

    Uploaded by

    Eljohn Cabantac
    Philippine indigenous arts include sculpture, pottery, weaving, and physical ornaments. Sculpture includes carved wooden figures like bul-ul guardians. Pottery varies by region and includes jars from Tabon Cave over 2,800 years old. Weaving uses local materials to make hats, mats, and textiles decorated with designs like okir scrolls. Physical ornaments incorporate beads, shells, and tattoos reflecting each tribe's traditions. Philippine folk art reflects nature and everyday life through techniques adapted to each group's environment and culture.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 34

    Good morning 4-Visionary

    Mr. Eljohn O. Cabantac


    Arts
    Philippine Indigenous Arts
    Philippine Indigenous Arts

    • Sculpture /Carving
    • Pottery
    • Weaving
    • Physical ornaments
    Sculpture is three-dimensional artwork created by
    shaping or combining hard materials, typically
    stone such as marble, metal, glass, or wood, or
    plastic materials such as clay, textiles, polymers
    and softer metals.
    Carving is one of the techniques used in
    sculpture.
    • Bul-ul are carved Anito
    figures of the Ifugaos:
    these represent their
    ancestral spirit and
    granary gods.
    • SEATED IFUGAO
    "BULUL" AT THE
    CONCLUSION OF
    THE ANNUAL IFUGAO
    HARVEST RITUAL
    "BULULS" PLACED IN
    RICE GRANARIES ARE
    CONSIDERED
    GUARDIANS OF
    THE HARVEST
    Ifugao sculpture
    Sarimanok

    Shown above are the most well-known of the old designs, the sarimanok. The
    figure represents a fowl with wings, feathered tail, and a head decorated with
    ornaments of scrolled and painted motif of leaves, spirals, and feather-like
    forms. It usually stands on a fish and another one hangs from its beak. The
    wooden figure, usually perched atop a bamboo pole, stands among
    decorative flags during weddings and other festive occasions.
    Pottery are objects that are first shaped of wet
    clay, then hardened by baking. Pottery includes
    both decorative and practical items such as
    bowls, vases, dishes, and lamps
    Pottery in the Philippines varies in forms and
    functions. The forms of the pots are directly
    influenced by the functions of the pots and the
    tradition of the community/local area.
    Palayok
    Manunggul Jar

    Ang Tapayan sa Manunggul ay isang banga na ginamit sa paglilibing ng


    mga sinaunang tao sa Palawan noong 890-710 BK. Ang banga ay ukol sa
    sekondaryang paglilibing kaya mga buto lamang ng yumao ang laman nito.
    Itinuturing itong Pambansang Kayamanan ng Pilipinas at makikita rin sa
    likod ng 1000 libo na salapi.
    Manunggul Jar
    • The Manunggul Jar is a
    National Treasure of the
    Philippines. A secondary
    burial jar, it is designated
    item 64-MO-74 in the
    National Museum of the
    Philippines, Manila. The
    jar was found in Chamber
    A of the Tabon Cave,
    one of the Manunggul
    caves in Palawan. The
    jar is dated from about
    2800 years before the
    present. It was found by
    Robert Fox and Miguel
    Santiago.
    Leta-leta cave archaeology
    Leta-leta Cave, Langen Island,
    El Nido, Palawan was
    excavated in 1965 by Dr.
    Robert Fox. Leta-leta Cave is
    an important burial site
    belonging to the Late
    Neolithic Period where an
    assemblage of stone and
    shell artifacts associated
    with sophisticated pottery
    and nephrite adzes and axes
    were recovered. Other
    materials include stone
    ornaments and shell beads.
    Weaving means to make cloth and other
    objects. Threads or strands of material
    are passed under and over each other.
    Weaving in the Philippines has different forms, functions
    and materials. They also vary in design and techniques
    used. Most of the common forms of weaving in the
    Philippines are in the form of hats, mats, bags, baskets
    and textiles (clothes and blankets).
    Weaving
    A malong bearing okir designs.

    The Maranaos call their ornamental design okir, a


    general term for both the scroll and the geometric form.
    Okir Design

    •Okir a datu (gentlemen’s design) The scroll is the


    dominant feature in the men’s work composed of
    various spiral forms. In contrasts, the zigzag and
    angular forms are the dominating motifs in women’s
    geometric art – okir a bay (ladies’ design).
    •The most popular of all the malong styles is the landap. Which is
    either dominantly red, yellow, green, blue, or violet. Red is the
    favorite color along with yellow; these colors stand for royalty or
    aristocracy. Often, men wear the red landap and the women, the
    yellow.
    Physical Ornaments

    BONTOC, IFUAGO, AND KALINGA TRIBAL TEXTILES


    WITH A VARIETY OF SILVER AND BRASS
    "LINGLINGO" FERTILITY CHARMS
    BONTOC WARRIOR'S RITUAL "BOAYA" HEAD HUNTING NECKLACE:

    SHELL, BOAR TUSK, RATTAN, FIBERAND BONE

    Physical ornamentation can be categorized to three areas specifically


    the use of traditional costumes (textile), jewelries and tattoos. The
    designs vary depending on the location, users and function of the
    ornaments.
    Filipino bawisak earrings
    • Traditional Ifugao tribe
    (Northern
    Luzon, Philippines) bead
    and shell bawisak
    earrings.
    The bottom shell designs
    have been described as
    either representing
    butterflies
    or a certain item of male
    generative anatomy.
    IFUGAO: WARRIOR'S
    SILVER
    "LINGLINGO"
    EARRING PAIR AND
    PENDANTS
    Traditional Filipino Tattoo
    The Philippine Tribal Costumes

    The B'laan are one of the indigenous peoples of Southern Mindanao in


    The Philippines.
    They are famous for their brassworks, beadwork and t'nalak weave.
    The people of these tribes wear colorful embroidered native costumes
    and beadwork accessories.
    KALINGA
    • The Kalinga are called the
    “peacocks of the north”
    because of their attention
    to appearance and
    dressing. Kalinga is a
    landlocked province of
    northern Cordillera,
    Philippines. “Kalinga”
    means enemy, a name that
    the bordering inhabitants
    called this tribe because of
    their headhunting attacks.
    The name stuck and became
    accepted by the natives
    themselves.
    T'BOLI
    • The T'boli distinguish
    themselves from other
    Tribal Groups
    by their colorful
    clothes, bracelets and
    earrings,
    this tribe is famous for
    their complicated
    beadwork,
    wonderful woven
    fabrics and beautiful
    brass ornaments.
    The Bagobo are proud people with proto Malayan features.
    They have ornate traditions in weaponry and other metal arts.
    They are noted for their skill in producing brass articles through the ancient lost-
    wax process.
    These people also weave abacca cloths of earth tones and make baskets
    that are trimmed with beads, fibers and horse's hair.
    How does Philippine folk
    (indigenous) art reflect nature
    and the life of the common folk?
    • Philippine folk (indigenous) art reflects
    nature and the life of the common folk
    through various media techniques
    and processes based on the factors
    of time, climate, resources, ideas and
    historical and cultural context
    References:
    • www.google.com
    • www.yahoo.com
    • yandanholth.com/philcostume.html
    • :www.urduja.com/tattoo/dosayan.html
    • :www.organicjewelry.com/ethnicSold.html

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