This document summarizes different theories and philosophies of art education. It discusses the approaches of Viktor Lowenfeld, Mona Brookes, and Diarmuid Larkin. Lowenfeld focused on developing creativity through exploration, while Brookes emphasized developing logic and creativity in balance. Larkin recommended drawing activities for children as young as 4 that develop observation skills. The document also outlines warm-up exercises used in art classes, such as abstract pattern duplication, mirror imaging, and still life drawing.
This document summarizes different theories and philosophies of art education. It discusses the approaches of Viktor Lowenfeld, Mona Brookes, and Diarmuid Larkin. Lowenfeld focused on developing creativity through exploration, while Brookes emphasized developing logic and creativity in balance. Larkin recommended drawing activities for children as young as 4 that develop observation skills. The document also outlines warm-up exercises used in art classes, such as abstract pattern duplication, mirror imaging, and still life drawing.
This document summarizes different theories and philosophies of art education. It discusses the approaches of Viktor Lowenfeld, Mona Brookes, and Diarmuid Larkin. Lowenfeld focused on developing creativity through exploration, while Brookes emphasized developing logic and creativity in balance. Larkin recommended drawing activities for children as young as 4 that develop observation skills. The document also outlines warm-up exercises used in art classes, such as abstract pattern duplication, mirror imaging, and still life drawing.
This document summarizes different theories and philosophies of art education. It discusses the approaches of Viktor Lowenfeld, Mona Brookes, and Diarmuid Larkin. Lowenfeld focused on developing creativity through exploration, while Brookes emphasized developing logic and creativity in balance. Larkin recommended drawing activities for children as young as 4 that develop observation skills. The document also outlines warm-up exercises used in art classes, such as abstract pattern duplication, mirror imaging, and still life drawing.
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Metode pembelajaran seni rupa
Teori Maurice Barrett Filosofi pendidikan seni PAKAR KONSEP APRESIASI KETRAMPI KREATIVITA LAN S VIKTOR Learning through Pengembangan Ketrampilan tidak Pengembangan LOWENFELD Art apresiasi dibolehkan untuk ide/gagasan dikembangkan diajarkan dilakukan secara Learning with Art dengan optimal optimal melalui melalui learning Ketrampilan brainstorming, Pengembangan by doing diperoleh siswa cerita dll kreativitas melalui bereksplorasi secara mandiri MONA Learning through Apresiasi Ketrampilan Kreativitas BROOKES Art dikembangkan dilatihkan melalui dikembangkan melalui learning pengembangan melalui pendekatan Learning with Art by feeling, berfikir kritis dan problem based logis learning dan Learning in Art contextual learning Ketrampilan Pengembangan dilatih melalui logika dan learning by kreativitas secara seeing, learning seimbang by doing, Diarmuit Larkin
eENVIRONMENT DRAWING WITH CHILDREN
Ms. Brookes has recommendations for children as
young as 4, but I think that this book would be best for children at least 7 years old. There is no upper limit. These methods could also be used for adults just learning to draw. And I strongly encourage you to do the activities alongside your child. Dots Circles Straight Lines Curved Lines Angle Lines Tahap 2 Warm Up Making up your own abstract piece of art with bold colored markers. example • One person gives general directions which the others can interpret as they choose. For example, you may say: Draw four blue circles anywhere on your paper. • Using a new color, make three intersecting lines that go all the way off the edges. • Overlap your dots with black curves. • Using any three colors you choose, draw sixteen curves inside a huge circle. Another warm-up involves duplicating abstract patterns. duplicating abstract patterns. Looking at abstract patterns made example of these elements and copying them later transfers into breaking downany image into the elements it is made up of and then drawing what you see.
Ms. Brookes says that you should
"spontaneously use some kind of similar warm-up before each drawing lesson." The book offers some examples which you can copy. But you'll certainly have to make some of your own. A third kind of warm-up the mirror image one Example • This is most challenging, in my opinion. You complete the symmetrical missing half of a shape. Visit my blog entry about Symme try Sketches for more information and for some free printables. Donna Young's site has some mirror image practice pages too. Still life Human Figure Learning by thinkingf