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Latest From the SFCV Feed

Rebecca Wishnia - April 14, 2025

Composer and percussionist Andy Akiho curates an adventurous program partly inspired by the art of Japanese American ceramicist Jun Kaneko.

Michael Zwiebach - April 12, 2025

Alsop’s first subscription appearance with the orchestra is highlighted by Gabriela Montero’s brilliant Piano Concerto No. 1, with the composer as soloist.

Steven Winn - April 10, 2025

The company has brought back two hits from last season: Annabelle Lopez Ochoa’s Broken Wings and Frederick Ashton’s Marguerite and Armand.

Michael Zwiebach - April 8, 2025

An outstanding performance of Richard Strauss’s Metamorphosen anchors a concert that showcases NCCO’s impressively cohesive sound.

Richard S. Ginell - April 8, 2025

Kicking off The Soraya’s LA Seen festival, Blanchard plays excerpts from Champion and Fire Shut Up in My Bones.

Harlow Robinson - April 8, 2025

Louise Farrenc’s enchanting Nonet, along with recent works by Nokuthula Ngwenyama and Sarah Gibson, highlight an imaginative program.

Rebecca Wishnia - April 8, 2025

The violinist, joined by longtime collaborator Lambert Orkis, shines especially in the rarely played Sonata by Ottorino Respighi.

Janos Gereben - April 8, 2025

The band members say they’ve “witnessed a true renaissance of Ukrainian music” following the 2022 Russian invasion of their country.

Aimée Ts'ao - April 8, 2025

The acclaimed choreographer’s new work, Areas of Relief, finds inspiration in the singular music of jazz guitarist Mary Halvorson.

Janos Gereben - April 8, 2025

This spring and summer, look for shows both old and new from American Conservatory Theater, SF Playhouse, and TheatreWorks.