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portfolio TUdelft τελικο

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A
anastasia zarogoulidou

The design proposal seeks to incorporate the differences in height of the complex into the interior spaces. The building fully integrates into the topography and seems a natural extension of the land. Public and private spaces are separated using zones. The facilities include a reception area, cafeteria, restaurant, 40 guest rooms, baths, massage rooms, hot tubs, fitness center, and indoor and outdoor pools. The building uses a concrete skeleton with some stone and exterior walls.

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1
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3 E d u c a t i o n P R O J E C T S E X P E R I E N C E
4 S K I L L S
5
6
7 A 1
8 A 1 The design proposal seeks to incorporate fully the differences in height, starting from the inside of the complex and the necessary spaces in it. The building is fully integrated into the topography and seems like a natural continuation of the soil. We made, also, an attempt to separate the public spaces from the private ones, by using some zones.
9 • The facilities of the feature are: reception - lobby, recreation areas, such as cafeteria and restaurant and also, separately placed buildings with 40 rooms and spaces as baths, massage rooms, hot tubs, fitness center, and indoor and outdoor pools. The building is of concrete skeleton and some exterior and interior walls are composed of stone. Apart from the stone, it is used visible concrete and wood, particularly in the squares and terraces linking the buildings together. An observation deck is projected outwards, from the side of the rooms. It allows the visitors to have a different experience on appreciating the panoramic view of the natural surrounding. 2 1 3 4 5 6 7 8 8 8 8 8 A 1
10 From these drawings- sections along the two sides of the plot, we fully understand the challenge that we faced in order to place the buildings on the particular ground. We wish for a direct access from the road, so we chose το make a gradual transition to the lower point of the composition, by creating squares. In addition, we wanted the view of the city and the island across, to be visible from all aspects of the land. A 1
11 A 1
12 • • A 1
13 A 2 I intended the site to become a kind of platform to devise structures and also the physical context for analysis, programming, and design of special facilities. A key aim of the design studio, consists the concept of an holistic integration of architecture into the specific natural environment associated with the existence of thermal mineral springs in the area. Facilities are: thermal spa facilities, spa, etc. along with accommodation and ancillary facilities and there are many paths and passages, with o good relationship with the landscape that guide to the facilities of the composition The studio course focuses on a landscape, rich in thermal mineral springs, at a remote mountainous area of the Prefecture of Xanthi, near the borders between Greece and Bulgaria. The study area is on the verge of a small settlement, a place with important geographical and historical particularities.
14 •My first attempt was to incorporate the composition to the landscape, without damaging the historical and geographical value of the area. •Then I wished to separate the public from the private uses. That was accomplished with the use of a stone wall, which separates the plot in the middle. •Finally, I tried to arrange the buildings so as the view to be visible from every side of the composition, by preserving the slope. A 2
15 A 2 The main materials I used were the followings: •Deck, which was used especially for the paths and the squares that link the various buildings together •stone, for some walls that define the routes that lead to the buildings •Visible concrete, that fits with the landscape •Large glass surfaces, that allow the view to the landscape, where this is necessary An attempt for natural lighting was also made, by creating skylights that allow the sun light enter into the buildings
16 • A 2
17 A 3 The study area is located near the center of Kavala; it constitutes part of the south sea-front of the city, forming a peculiar junction with the urban fabric. In detail, we deal with a site forming part of the former port facilities. In its current state, the site is characterized by a total absence of design. The buildings situated in the area particularly being auxiliary buildings and warehouses with the exception of a small passenger station building. The area is typified by the vast concrete- paved area that offers little incentive for the development of public activities, despite of the fact that it being in close proximity to city centre. We chose the demolition of the majority of the building fabric from the site, releasing the area for its redevelopment into a single public place, at the same time, transforming it into an environment designed to be used for cultural events, recreation, soft sporting activities, walking and relaxation. The large oblong building situated at the water-front is exempt from demolition. Particularly we manipulate the building envelope and structure, reversing – revealing its key structural components in order to reshape – transform it into an essentially elevated public space
18 A 3 The study area is offered as a kind of a "platform" for the development and introduction of structures and configurations; the main purpose being the redesign of the site, integrating walking paths and areas for cultural and leisure uses in the city. In this context, the key design challenges were the restoration of the city's relationship with the sea, the visual and functional connection of the study area with the urban fabric, and ultimately the formation of a new identity for the area of study. We considered a key element the existence of the sea (southerly of the building), so we attempted the entrance of the sea into the building . In addition, the view of the sea is visible from every aspect of the building. Very important for us was the existence of a historical wall made from stone. We tried to highlight this wall towards our composition. We achieved this fact, by creating a suitable shaped area, full of trees and plants, with football, basketball and tennis fields. This area is suitable for ramble and marveling at the view of the sea. The materials we chose to use are concrete, stone and wood- deck and are totally incorporated to the landscape.
19 A 3
20 A 4 The purpose of the museum is not only the recording and investigation of historical path but also maintaining the city's historical memory, and the review is considered saying its current identity and future development. Through a museological approach we cover the past, present and future of the city and the museum is intended to serve as a living knowledge pole, information, awareness and reflection It was difficult to place the building into the plot, because it is located in the center of the city. Alongside, a museum requires quiet, so we chose to create a ‘backside’ to the main roads of the city and open to the square eastward of the plot.
21 A 4 We firstly attempted an introvert in our composition, so we chose to make a central square. Around this square, on the first level are the followings: a reception hall, appropriately constructed for a large number of people, a spacious area for temporary exhibitions, a lecture room, a part from the room with the permanent exhibitions and three labs. On the second floor we organized the other part of the room with the permanent exhibitions, a library, a room with educational programs and a café. In the basement there are five storage rooms and parking lot for the museum’s personnel. The building is of concrete skeleton and it is plastered. We chose to color red some walls in order to attract the passenger’s attention. In conclusion, there are not large glass surfaces, but only small breakthroughs on the ceiling and some skylights.
22 A 4
23 A 4

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portfolio TUdelft τελικο

  • 1. 1
  • 2. 2
  • 3. 3 E d u c a t i o n P R O J E C T S E X P E R I E N C E
  • 4. 4 S K I L L S
  • 5. 5
  • 6. 6
  • 8. 8 A 1 The design proposal seeks to incorporate fully the differences in height, starting from the inside of the complex and the necessary spaces in it. The building is fully integrated into the topography and seems like a natural continuation of the soil. We made, also, an attempt to separate the public spaces from the private ones, by using some zones.
  • 9. 9 • The facilities of the feature are: reception - lobby, recreation areas, such as cafeteria and restaurant and also, separately placed buildings with 40 rooms and spaces as baths, massage rooms, hot tubs, fitness center, and indoor and outdoor pools. The building is of concrete skeleton and some exterior and interior walls are composed of stone. Apart from the stone, it is used visible concrete and wood, particularly in the squares and terraces linking the buildings together. An observation deck is projected outwards, from the side of the rooms. It allows the visitors to have a different experience on appreciating the panoramic view of the natural surrounding. 2 1 3 4 5 6 7 8 8 8 8 8 A 1
  • 10. 10 From these drawings- sections along the two sides of the plot, we fully understand the challenge that we faced in order to place the buildings on the particular ground. We wish for a direct access from the road, so we chose το make a gradual transition to the lower point of the composition, by creating squares. In addition, we wanted the view of the city and the island across, to be visible from all aspects of the land. A 1
  • 13. 13 A 2 I intended the site to become a kind of platform to devise structures and also the physical context for analysis, programming, and design of special facilities. A key aim of the design studio, consists the concept of an holistic integration of architecture into the specific natural environment associated with the existence of thermal mineral springs in the area. Facilities are: thermal spa facilities, spa, etc. along with accommodation and ancillary facilities and there are many paths and passages, with o good relationship with the landscape that guide to the facilities of the composition The studio course focuses on a landscape, rich in thermal mineral springs, at a remote mountainous area of the Prefecture of Xanthi, near the borders between Greece and Bulgaria. The study area is on the verge of a small settlement, a place with important geographical and historical particularities.
  • 14. 14 •My first attempt was to incorporate the composition to the landscape, without damaging the historical and geographical value of the area. •Then I wished to separate the public from the private uses. That was accomplished with the use of a stone wall, which separates the plot in the middle. •Finally, I tried to arrange the buildings so as the view to be visible from every side of the composition, by preserving the slope. A 2
  • 15. 15 A 2 The main materials I used were the followings: •Deck, which was used especially for the paths and the squares that link the various buildings together •stone, for some walls that define the routes that lead to the buildings •Visible concrete, that fits with the landscape •Large glass surfaces, that allow the view to the landscape, where this is necessary An attempt for natural lighting was also made, by creating skylights that allow the sun light enter into the buildings
  • 17. 17 A 3 The study area is located near the center of Kavala; it constitutes part of the south sea-front of the city, forming a peculiar junction with the urban fabric. In detail, we deal with a site forming part of the former port facilities. In its current state, the site is characterized by a total absence of design. The buildings situated in the area particularly being auxiliary buildings and warehouses with the exception of a small passenger station building. The area is typified by the vast concrete- paved area that offers little incentive for the development of public activities, despite of the fact that it being in close proximity to city centre. We chose the demolition of the majority of the building fabric from the site, releasing the area for its redevelopment into a single public place, at the same time, transforming it into an environment designed to be used for cultural events, recreation, soft sporting activities, walking and relaxation. The large oblong building situated at the water-front is exempt from demolition. Particularly we manipulate the building envelope and structure, reversing – revealing its key structural components in order to reshape – transform it into an essentially elevated public space
  • 18. 18 A 3 The study area is offered as a kind of a "platform" for the development and introduction of structures and configurations; the main purpose being the redesign of the site, integrating walking paths and areas for cultural and leisure uses in the city. In this context, the key design challenges were the restoration of the city's relationship with the sea, the visual and functional connection of the study area with the urban fabric, and ultimately the formation of a new identity for the area of study. We considered a key element the existence of the sea (southerly of the building), so we attempted the entrance of the sea into the building . In addition, the view of the sea is visible from every aspect of the building. Very important for us was the existence of a historical wall made from stone. We tried to highlight this wall towards our composition. We achieved this fact, by creating a suitable shaped area, full of trees and plants, with football, basketball and tennis fields. This area is suitable for ramble and marveling at the view of the sea. The materials we chose to use are concrete, stone and wood- deck and are totally incorporated to the landscape.
  • 20. 20 A 4 The purpose of the museum is not only the recording and investigation of historical path but also maintaining the city's historical memory, and the review is considered saying its current identity and future development. Through a museological approach we cover the past, present and future of the city and the museum is intended to serve as a living knowledge pole, information, awareness and reflection It was difficult to place the building into the plot, because it is located in the center of the city. Alongside, a museum requires quiet, so we chose to create a ‘backside’ to the main roads of the city and open to the square eastward of the plot.
  • 21. 21 A 4 We firstly attempted an introvert in our composition, so we chose to make a central square. Around this square, on the first level are the followings: a reception hall, appropriately constructed for a large number of people, a spacious area for temporary exhibitions, a lecture room, a part from the room with the permanent exhibitions and three labs. On the second floor we organized the other part of the room with the permanent exhibitions, a library, a room with educational programs and a café. In the basement there are five storage rooms and parking lot for the museum’s personnel. The building is of concrete skeleton and it is plastered. We chose to color red some walls in order to attract the passenger’s attention. In conclusion, there are not large glass surfaces, but only small breakthroughs on the ceiling and some skylights.