Course conduct manual of ycmou b.sc cg film making
•Download as DOC, PDF•
1 like•841 views
This document outlines a course on CG film making over 19 sessions. The sessions cover topics such as story ideas, the animation pipeline, story and character development through dialogue, designing animations, cinematic planning, sound design, facial animation, background animation, lighting and rendering. Each session includes introductions, objectives, and content to be covered. The document provides an overview of the scope and structure of the course.
Report
Share
Course conduct manual of ycmou b.sc cg film making
- 1. Course Conduct Manual PAI International Learning Solutions CG FILM MAKING YCMOU BMG - 308
- 2. CG FILM MAKING Session No. Session Details 1 Session Topic: STORY IDEAS Introduction Unit Objectives Type of Story concepts The Idea Motive of the film Not having a story Sample Story Summery 2 Session Topic: 2 PRODUCTION: THE ANIMATION PIPLINE Introduction Unit Objectives Prepare to Organizer 3 Session Topic: 2 PRODUCTION: THE ANIMATION PIPLINE CG’s Scope of Work Planning – A Preview of the 3D Process Wearing the Producer’s Hat Production Documents Scope of Work: Post – Production 4 Session Topic: 2 PRODUCTION: THE ANIMATION PIPLINE Feasibility Revisited Decision of Key Methodology Scheduling: Adding Life to the Invention R&D and Learning: Computer Graphics Concepts Organizational methods 5 Session Topic: 2 PRODUCTION: THE ANIMATION PIPLINE Planning a Simple film Factors that Affect Scheduling Production Tools Role of Feasibility Top-Level Considerations 6 Session Topic: : 2 PRODUCTION: THE ANIMATION PIPLINE Summary Key Terms Questions and Exercises Further Reading PAI-International Learning Solutions 2 Course Conduct Manual
- 3. CG FILM MAKING 7 Session Topic: STORY AND CHARACTER THROUGH DIALOGUE Introduction Unit Objectives Preparation Outlining the Plot Creating a Back Story 8 Session Topic: STORY AND CHARACTER THROUGH DIALOGUE Knowing what your Character would do Sample Biography Challenges of Adaptations Scriptwriting: What Does a Given Phrase Make One Animate? Character Acting Starts with the Script : New Characters 9 Session Topic: : STORY AND CHARACTER THROUGH DIALOGUE Writing Dialogues Internal Dialogues: Writing Actions Writing Script for the Sample Film Revision: Fine – Tuning the Dialogue Summary 10 Session Topic: : DESIGNING THE ANIMATION Introduction Unit Objectives Art Direction: Establishing an Aesthetic Reference Creating Concept Art 11 Session Topic: DESIGNING THE ANIMATION Character Setup Issues and Limitation of Character Design Facial Design Male/Female Facial Design Male /Female Body Type The Male / Female Costume Design Tying Aesthetic Elements Together PAI-International Learning Solutions 3 Course Conduct Manual
- 4. CG FILM MAKING 12 Session Topic:: DESIGNING THE ANIMATION The Character’s Design Drawings Set Design The Visual Identity Summary Key Terms 13 Session Topic : CINEMATIC PLANNING Introduction Unit Objectives Storyboarding: A Cinematographer’s job Character Choreography and placement Action, Drama and Expressions Camera Composition and Moves Editing by Animators Storyboards: The Ultimate Planning Tool 14 Session Topic: CINEMATIC PLANNING Define the Target Audience Demographics Psychographics Define the Content Define the Appropriate Medium Drawing Storyboards Revisualization Final Draft 15 Session Topic: A FILM’S SONIC IDENTITY Introductions Unit Objectives Thormas Edison’s ‘The Sneeze’ Setting the tone Sound as Storytelling tool Directing a Dialogue-Recording Session Sound Effects Components of a Soundtrack Audio Workflow for your Animation Character Dialogue Session Topic: A FILM’S SONIC IDENTITY Introduction Unit Objectives The Producer’s Job Organizing with Selection Sets and Filters Summary Key Terms PAI-International Learning Solutions 4 Course Conduct Manual
- 5. CG FILM MAKING Questions and Exercises 16 Session Topic: KEYFRAMING EXPRESSIONS Introduction Unit Objectives Rigging the Face With Morph Targets Defining a Set of Morph Targets for Modeling Setting up the Morpher Modifier Facial Animation: Animating the Eyes Animating Facial Expressions Morphing of Muscles Summary 17 Session Topic: BRIGING THE BACKGROUND TO LIFE Introduction Unit Objectives Secondary Animation: 3-D Effects Animation Scatter Compound Objects Distribution Object Parameters The Transform Rollout Orbiting Particle Systems PixielDust Unique Particle Settings Secondary Animation with the Flex Modifier Final Linking, Framing, and Merging PAI-International Learning Solutions 5 Course Conduct Manual
- 6. CG FILM MAKING 18 Session Topic1.0 LIGHTING AND RENDERING: CRAFTING AN ATMOSPHERE Introduction Unit Objectives The Importance of Lighting in CG Develop your Eye Character Lighting within a Scene Character Lighting: Three Point Set-UP Key Light Fill Light Back Light Three-Point Lighting in Action 19 Session Topic: LIGHTING AND RENDERING: CRAFTING AN ATMOSPHERE Integrating Character and Environmental Lighting Adding Global Illumination and High Dynamic Range Images Creating a Volume Lighting in Action Volume Light Parameters Choosing a Renderer Final Rendering: Letting Your Computer work for you END PAI-International Learning Solutions 6 Course Conduct Manual
- 7. CG FILM MAKING 18 Session Topic1.0 LIGHTING AND RENDERING: CRAFTING AN ATMOSPHERE Introduction Unit Objectives The Importance of Lighting in CG Develop your Eye Character Lighting within a Scene Character Lighting: Three Point Set-UP Key Light Fill Light Back Light Three-Point Lighting in Action 19 Session Topic: LIGHTING AND RENDERING: CRAFTING AN ATMOSPHERE Integrating Character and Environmental Lighting Adding Global Illumination and High Dynamic Range Images Creating a Volume Lighting in Action Volume Light Parameters Choosing a Renderer Final Rendering: Letting Your Computer work for you END PAI-International Learning Solutions 6 Course Conduct Manual