Imágenes en el futuro
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"cómo ha hecho el Instituto Holandés de Sonido e Imagen para mantener sus colecciones disponibles y en circulación, a siete años del programa de digitalización Imágenes para el Futuro" Presentation given at the Escuela Nacional de Conservación , Restauración y Museografía "Manuel del Castillo Negrete", Coyoacán, Mexico, May 20th, 2015.
Imágenes en el futuro
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- 4. 20/05/2015Nederlands Instituut voor Beeld en Geluid CENTRAL POSITION OF THE COLLECTION Content is key • 70% audio visual heritage • > 800.000 hrs of audiovisual material • 2 million photos • 20.000 objects • and counting… 1 catalogue 1 annotation process
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- 6. 20/05/2015 DIGITAL ARCHIVE 137.200 hours video 17.510 hours film 123.900 hours audio 1.200.000 photo’s yearly 8.000 hours video 30.000 hours radio Approx. 300TB per year Born digital: Dutch television & radio Europe’s largest digitisation project
- 7. 20/05/2015 A Visuals https://vimeo.com/51425368 - Sebastiaan ter Burg CC-BY 5,6 Petabytes of born digital and digitized video (and audio) 7,4 Petabytes of digitized film ~20.000 hours of film
- 9. 20/05/2015 - Content production changed - Distribution changed - Media consumption changed - Business models changed - Attention economy (Copyright legislation hardly changes) …IN THE MEANTIME Source:Hokusai.TheGreatWave.1829-1832
- 10. 20/05/2015Source: kpcb.com/InternetTrendsNote: 1 petabyte = 1MM gigabytes, 1 zetabyte = 1MM petabytes. 2/3D’S OF DIGITAL UNIVERSE CONTENT = CONSUMED & CREATED BY CONSUMERS
- 11. 20/05/2015 Source: http://blog.1000memories.com/94-number- of-photos-ever-taken-digital-and-analog-in-shoebox Date of publication: 2011. Note 1000 Memories stopped its operations after being acquired by Ancestry
- 13. 20/05/2015 THE ARCHIVE IN THE MIDDLE Source: http://www.avid.com/static/resources/common/documents/whitepapers/Avid_Everywhere.pdf …where everything revolves around the archive-
- 14. 20/05/2015 Source: Horowitz Associates, State of Cable and Digital Media Report, 4/14. . DIVIDED ATTENTION
- 15. 20/05/2015 84% OF MOBILE OWNERS USE DEVICES WHILE WATCHING TV Source: Nielsen Connected Devices Report, Q3, 2013 Sample = 13+ years old, 9,448 respondents who own a mobile device (tablet, smartphone, etc.)
- 16. 20/05/2015 Thousands of hrs of new television content produced by Dutch public broadcasters every year Hours of archival content of Sound and Vision used in this new content ATTENTION ECONOMY - SOME GUESTIMATES (1/2)
- 17. 20/05/2015 Total collection of Sound and Vision 800k of hours (& growing daily) we need different channels! competing for attention ATTENTION ECONOMY - SOME GUESTIMATES (2/2)
- 18. 20/05/2015 SOUND AND VISION - CHANNELS
- 19. 20/05/2015 (3 examples…) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNELS
- 20. 20/05/2015 (3 examples…) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNELS
- 21. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR
- 22. 20/05/2015 OPEN FULFILL THEIR PUBLIC MISSION “For content to be truly accessible, it needs to be where the users are, embedded in their daily networked lives.” (Wabel, 2009) STIMULATING COLLABORATION AND CREATIVITY “No matter who you are, most of the smartest people work for someone else.” (Joy’s Law, via Michael Edson)
- 23. 20/05/2015 “if it doesn’t spread, it’s dead” (Jenkins, 2013) SYNDICATION AS STRATEGY
- 24. 20/05/2015 (3 examples…) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNEL
- 26. 20/05/2015 EXAMPLE: ‘SOCCER’ PAGE DUTCH WIKIPEDIA
- 27. 20/05/2015 MEASURING IMPACT • Number of items on Wikimedia Commons • 1,600 • Number of articles on Wikipedia • 2,000 • Number of language versions • 70 • Number of views • 50,000,000!!! 2013 numbers http://www.openimages.eu/blog/2014/09/sound-and-vision-on-the-future-of-video-on-wikipedia/
- 28. 20/05/2015 Edit-a-thons There is not enough quality information about fashion on Wikipedia
- 29. 20/05/2015 1. 2012/04 NM, Stockholm 2. 2013/05 CMU, Utrecht 3. 2013/09 MOMU, Antwerp 4. 2013/11 NM, Stockholm 5. 2013/11 MRC, Padova 6. 2013/11 HIT, Tel Aviv 7. 2014/03 LAD, Paris 8. 2014/11 MAA, Belgrade 9. 2015/01 MDT, Madrid 10. 2015/02 PFF, Athens 11. 2015/03 NM, Stockholm 12. 2015/03 AM, Amsterdam
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- 32. 20/05/2015 SOUND OF THE NETHERLANDS Step 1: uploading hundreds of high quality, digitized archival sounds to Soundcloud www.geluidvannederland.nl
- 33. 20/05/2015 SOUND OF THE NETHERLANDS Step 2: placing the sounds on the map & ask the world to contribute
- 34. 20/05/2015 SOUND OF THE NETHERLANDS enrichments on Soundcloud inserts in Wikipedia pages app ‚Mix van Nederland’ https://en.wikipedia.org/wiki/Emperor_Goose http://tools.wmflabs.org/glamtools/baglama.php? https://soundcloud.com/beeldengeluid/comment aar-en-racegeluiden-op
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- 37. 20/05/2015 Photo: CC-BY-SA 2.0 Maarten Brinkerink
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- 39. 20/05/2015 Open Culture Data guidelines 1. Open Culture Data is (1) knowledge and information of GLAMS about their collections and/or (2) digitised objects from collections 2. Everyone can consult, use, spread, and reuse Open Culture Data (through an open license or by making material available in the public domain) 3. Open Culture Data is available in a digital (standard) format that makes reuse possible 4. The structure and possible applications of Open Culture Data are documented in a data blog 5. The provider of the Open Culture Data is prepared to answer questions about the data from interested parties and respects the efforts that the open data community invests in developing new applications Related work at http://openglam.org/principles/
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- 41. 20/05/2015 SOME LESSONS LEARNED • Have access to expertise on the dimensions of collection • Buy-in from the senior management is essential • Necessity to invest in engagement with third parties • Face to face meetups are extremely valuable • Start with something sweet and small
- 42. 20/05/2015 2. Create something amazing: http://datahub.io/group/open-glam 1. Join the conversation: http://openglam.org/ 3. Follow the course: https://p2pu.org/en/groups/ open-glam/ HOW TO OPEN GLAM YOURSELF
- 48. 20/05/2015 The website (2/2) tens of thousands of video’s and photo’s
- 49. 20/05/2015 BEYOND SEARCH => CONTEXT! exhibitions academic journal
- 50. 20/05/201528-5-2015 • Enriched version of Na de bevrijding, a 7-part NTR series on about the five years after WWII • Original sources: films, soundtracks, photos & newspaper articles used in the series and as research material. • From official archives (45) to personal collections (35). • Tablet-first development: more and more tv-viewers use tablet during and after viewing From ‘manual’ to ‘linked media’ AFTER THE LIBERATION
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- 56. 20/05/2015 DEVELOPMENT • Front-end: HTML5 • Back-end data: Google Drive • Content: Amazon S3 for hosting
- 57. 20/05/2015 LINKEDCULTURE From ‘manual annotations’ to ‘linked media’
- 58. 20/05/2015 Use case: Tussen Kunst & Kitsch
- 59. 20/05/2015 TV and related Web screen- synced
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- 67. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR
- 68. 20/05/2015 Image:BBCArchive Thank you everbruggen@beeldengeluid.nl @erwinverb @benglabs labs.beeldengeluid.nl Slides with thanks to Lotte Belice Baltussen Johan Oomen Maarten Brinkerink