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Macbeth Overview ppt
• The story
• The play opens as three witches plan a meeting with the Scottish nobleman Macbeth,
who at that moment is fighting in a great battle. When the battle is over, Macbeth
and his friend Banquo come across the witches who offer them three predictions:
that Macbeth will become Thane of Cawdor and King of Scotland, and that Banquo's
descendants will become kings.
• Banquo laughs at the prophecies but Macbeth is excited, especially as soon after
their meeting with the witches Macbeth is made Thane of Cawdor by King Duncan, in
return for his bravery in the battle. He writes to his wife, Lady Macbeth, who is as
excited as he is. A messenger tells Lady Macbeth that King Duncan is on his way to
their castle and she invokes evil spirits to help her slay him.
• Macbeth is talked into killing Duncan by his wife and stabs him to death. No-one is
quite sure who committed this murder and no-one feels safe, but Macbeth is
crowned king.
• Now that Macbeth is king he knows the second prediction from the witches has come
true, but he starts to fear the third prediction (that Banquo's descendants will also be
kings). Macbeth therefore decides to kill Banquo and his son, but the plan goes
wrong - Banquo is killed but his son escapes.
• Macbeth then thinks he is going mad because he sees Banquo's ghost and receives
more predictions from the witches.
• He starts to become ruthless and kills the family of Macduff, an important lord.
• Macbeth still thinks he is safe but one by one the witches' prophecies come true,
Lady Macbeth cannot stop thinking about Duncan, becomes deranged and dies.
• A large army marches on Macbeth's castle and Macbeth is killed by Macduff.
Words you know that are like this…
art
dost
doth
'ere
hast
'tis
'twas
wast
oft
ay
aught
nay
hie
are
do
does
before
have
it is
it was
were
often
yes
anything
no
hurry
Sometimes Shakespeare words are just like modern words.
What do you think these Shakespearean words could mean?
Act 1, Scene 1
Thunder and lightning crash above a Scottish moor.
Three haggard old women, the witches, appear out
of the storm. In eerie, chanting tones, they make
plans to meet again upon the heath, after the battle,
to confront Macbeth. As quickly as they arrive, they
disappear.
• Character: Witches
• Device: Pathetic Fallacy
• Motif: ‘Air’
• Motif: ‘Fair’
• Theme: Supernatural
Different representations of the witches
• Which representation to you prefer and why?
Act 1, Scene 2
At a military camp near his palace at Forres, King Duncan of
Scotland asks a wounded captain for news about the Scots’
battle with the Irish invaders. The captain replies that the
Scottish generals Macbeth and Banquo fought with great
courage and violence. The Ross, a Scottish nobleman, enters
and tells the king that the traitorous thane of Cawdor has been
defeated and the army of Norway repelled. Duncan decrees
that the thane of Cawdor be put to death and that Macbeth,
the hero of the victorious army, be given Cawdor’s title. Ross
leaves to deliver the news to Macbeth.
• Character: Duncan & Macbeth
What does every
highlighted word or phrase
suggest?
(Aside) The Prince of Cumberland! that is a step
On which I must fall down, or else o'erleap,
For in my way it lies. Stars, hide your fires;
Let not light see my black and deep desires:
The eye wink at the hand; yet let that be,
Which the eye fears, when it is done, to see.
What does every
highlighted word or phrase
suggest?
(Aside) The Prince of Cumberland! that is a step
On which I must fall down, or else o'erleap,
For in my way it lies. Stars, hide your fires;
Let not light see my black and deep desires:
The eye wink at the hand; yet let that be,
Which the eye fears, when it is done, to see.
Act 1, Scene 5
In Macbeth’s castle, Lady Macbeth reads a letter she has received
from Macbeth. It announces Macbeth’s promotion to the
thaneship of Cawdor and details his meeting with the witches.
She decides to convince her husband to do whatever is required
to seize the crown. Macbeth enters, and they discuss the king’s
forthcoming visit. Macbeth tells his wife that Duncan plans to
depart the next day, but Lady Macbeth declares that the king will
never see tomorrow and to leave the plan to her.
• Character: Lady Macbeth
• Motif: Duplicity, double
• Theme: Supernatural
• Theme: Ambition, Power, Gender
The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman’s breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature’s mischief! Come, thick night,
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry ‘Hold, hold!’
Act 1, Scene 6
Duncan, the Scottish lords, and their attendants arrive outside
Macbeth’s castle. Duncan praises the castle’s pleasant
environment, and he thanks Lady Macbeth, who has emerged to
greet him, for her hospitality. Duncan then asks to be taken
inside to Macbeth, whom he says he loves dearly.
• Device: Dramatic Irony
• Motif: ‘Done’
• Motif: ’Fair’
• Motif: ‘Air’
Act 1, Scene 7
Inside the castle, as servants set a table for the evening’s feast,
Macbeth paces by himself.
Lady Macbeth enters and tells her husband that the king has
dined and that he has been asking for Macbeth – who declares
that he no longer intends to kill Duncan. Lady Macbeth,
outraged, calls him a coward and questions his manhood. She
tells him her plan.
• Character: Lady Macbeth & Macbeth - Hamartia
• Motif: ‘Done’
• Motif: Duplicity ‘Double’
• Theme: Ambition, Power, gender
Machiavellian
cunning, scheming, and unscrupulous, especially in politics.
synonyms: devious, cunning, crafty, artful, wily, sly, scheming, designing, conniving,
opportunistic, insidious, treacherous, perfidious, two-faced, Janus-faced, tricky, double-
dealing, unscrupulous, deceitful, dishonest;
”In modern psychology, Machiavellianism is one of
the dark triad personalities, characterized by a
duplicitous, interpersonal style, a cynical disregard
for morality and a focus on self-interest and personal
gain.”
How are Macbeth and Lady Macbeth
presented in Act 1 Scene 7?
Macbeth is presented as very troubled by the thought of
killing King Duncan in his soliloquy in Act 1 Scene 7. This is
illustrated through the opening lines which contain
repetition, such as: ‘If it were done when ‘tis done, then
‘twere well it were done quickly.’ The repetition of the
phrase ‘were done’ three times in quick succession suggests
that Macbeth is struggling to control his emotions and is
very distressed; he is far from the calm and logical hero that
the Shakespearean audience would have expected him to
be. Furthermore, it could be argued that ‘were done’ acts as
a euphemism for ‘killing Duncan’; the thought of killing King
Duncan is so abhorrent to him that Macbeth cannot even
bring himself to speak plainly about it. This sense of turmoil
and horror is further shown when he says ‘then ‘twere well
it were done quickly’. The adverb ‘quickly’ indicates that
Macbeth does not want to dwell over the finer details of the
act because it is so terrifying to him.
Macbeth also appears to be worried about
upsetting the natural order of the universe in his
soliloquy. This is shown through his use of religious
imagery: ‘his virtues will plead like angels, trumpet-
tongued against the deep damnation of his taking-
off.’ The hyperbole of pleading angels implies that
Macbeth thinks the very act of killing King Duncan
will cause an outcry in heaven. We associate angels
with holiness and innocence. During this period
audiences would have been troubled by the thought
of regicide (killing of a monarch).
In contrast to her husband, Lady Macbeth is
presented as ambitious and determined to see the
deed through. This is shown through violent
imagery, such as when she freely admits that she
would ‘dashed the brains out’ of a baby she was
feeding if she had made a promise like Macbeth; she
would not hesitate. This admission and imagery
appals us as an audience because of its explicit and
graphic nature. Additionally, Shakespeare’s audience
would have traditionally associated women with
gentleness and full of maternal, loving instinct.
Act 2, Scene 1
Macbeth and Banquo agree to discuss the witches’ prophecies at
a later time.
In the darkened hall, Macbeth has a vision of a dagger floating in
the air. The night around him seems thick with horror and
witchcraft, but Macbeth stiffens and decides to do his bloody
work. A bell tolls—Lady Macbeth’s signal that the chamberlains
are asleep—and Macbeth strides toward Duncan’s chamber.
• Motif: ‘Done’
• Motif: ’Blood’
• Theme: Supernatural
• Device: Imagery, allusion, personification
• Device: Foreshadowing
Choose what you think is the most important word in each line of this
important Macbeth soliloquy.
What does this combination of words tell you about the tone and
mood of this part of the play? The first few have been suggested for
you.
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall’st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o’ the other senses
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There's no such thing:
Act 2, Scene 2
Lady Macbeth imagines Macbeth is killing Duncan. Hearing
Macbeth cry out, she worries the chamberlains have woken.
Macbeth emerges, his hands covered in blood, and says that the
deed is done. Lady Macbeth becomes angry when she notices
that he has forgotten to leave the daggers with the sleeping
chamberlains so as to frame them for Duncan’s murder. As Lady
Macbeth does it for him, Macbeth hears a mysterious knocking.
• Motif: ‘Done’
• Motif: ’Blood’
• Character: Lady Macbeth & Macbeth
• Plot: Pivotal moment, breakdown of relationship
• Device: Imagery
• Device: Foreshadowing
Act 2, Scene 3
A porter stumbles through the hallway to answer the knocking.
Macbeth enters, and Macduff asks him if the king is awake. As
Macduff enters the king’s chamber, Lennox describes the terrible
storms that raged the previous night. The king’s sons, Malcolm
and Donalbain, arrive. They are told that their father has been
killed, most likely by his chamberlains, who were found with
bloody daggers. Macbeth declares that in his rage he has killed
the chamberlains.
Lady Macbeth suddenly faints. Duncan’s sons decide to flee.
• Plot: Dark comedy
• Device: Allusion
• Device: Pathetic fallacy
• Device: Foreshadowing
Act 2, Scene 4
Ross, a thane, walks outside the castle with an old man. They
discuss the strange and ominous happenings of the past few
days. Macduff emerges from the castle and tells Ross that
Macbeth has been made king by the other lords, and that he
now rides to Scone to be crowned.
• Motif: Garments
• Device: Personification
• Device: Pathetic fallacy, Imagery
• Device: Foreshadowing
Act 3, Scene 1
Macbeth enters, dressed as
king. He asks Banquo to
attend a feast they will host
that night. Banquo accepts
and says he plans to go for a
ride on his horse for the
afternoon. Banquo departs,
and Macbeth speaks to two
visitors. Macbeth reminds
the two men, who are hired
murderers, of a conversation
he had with them the day
before, in which he told of
the wrongs Banquo had
done them in the past.
• Theme: Power, Ambition, Gender
• Character: Macbeth – Hamartia, Hubris,
Machiavellian
• Motif: ‘Safe’
• Device: Prose
To be thus is nothing;
But to be safely thus.--Our fears in Banquo
Stick deep; and in his royalty of nature
Reigns that which would be fear'd: 'tis much he dares;
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valour
To act in safety. There is none but he
Whose being I do fear: and, under him,
My Genius is rebuked; as, it is said,
Mark Antony's was by Caesar. He chid the sisters
When first they put the name of king upon me,
And bade them speak to him: then prophet-like
They hail'd him father to a line of kings:
Upon my head they placed a fruitless crown,
And put a barren sceptre in my gripe
Thence to be wrench'd with an unlineal hand,
No son of mine succeeding. If 't be so,
For them the gracious Duncan have I murder'd;
Put rancours in the vessel of my peace
Only for them; and mine eternal jewel
Given to the common enemy of man,
To make them kings, the seed of Banquo kings!
Rather than so, come fate into the list.
And champion me to the utterance! Who's there!
Act 3, Scene 2
Lady Macbeth expresses despair and sends a servant to fetch
her husband. Macbeth enters and tells his wife that he too is
discontented. He feels that the business that they began
by killing Duncan is not yet complete because there are still
threats to the throne that must be eliminated.
• Theme: Gender
• Character: Lady Macbeth & Macbeth
• Motif: ‘Safe’
• Motif: ‘Sleep’
• Motif: ‘Done’
• Motif: Light and Dark
• Device: Personification
Nought’s had, all’s spent
Where our desire is got without content
‘Tis safer to be that which we destroy
Than by destruction dwell in doubtful joy.
We have scorched the snake, not kill’d it;
O, full of scorpions is my mind, dear wife!
Act 3, Scene 3
It is dusk, and the two murderers, now joined by a third,
linger in a wooded park outside the palace. Banquo and
Fleance approach on their horses and dismount. They light a
torch, and the murderers set upon them. The murderers kill
Banquo, who dies urging his son to flee and to avenge his
death. In the darkness Fleance escapes.
• Motif: Light and Dark
Act 3, Scene 4
Macbeth and Lady Macbeth enter the feast. Macbeth speaks to
the murderers, learning that Banquo is dead and Fleance has
escaped. The news of Fleance’s escape angers Macbeth. He goes
to sit at the head of the table but finds Banquo’s ghost sitting in
his chair.
• Theme: Relationship Power
• Theme: Supernatural
• Character: Lady Macbeth & Macbeth
• Motif: ‘Safe’
• Motif: ‘Air’
• Motif: ‘Blood’
SAFE
DONE
AIR
BLOOD
Act 3, Scene 5
Upon the stormy heath, the witches meet with Hecate, the goddess
of witchcraft.
Many people believe that Shakespeare did not actually write this
scene and it was inserted at a later date, so we will not dwell on it
here.
• Theme: Supernatural
• Motif: ‘Air’
Act 3, Scene 6
That night, somewhere in Scotland, Lennox walks with another lord,
discussing what has happened to the kingdom. Banquo’s murder has
been officially blamed on Fleance, who has fled. Both men suspect
Macbeth in the murders of Duncan and Banquo. News of plotting has
prompted Macbeth to prepare for war.
• Theme: Treason/Loyalty
• Motif: ‘Sleep’
Act 4, Scene 1
In a dark cavern, a bubbling cauldron hisses and spits, and the
three witches suddenly appear onstage. Macbeth enters. He asks
the witches to reveal the truth of their prophecies to him. To
answer his questions, they summon horrible apparitions, each of
which offers a prediction.
• Theme: Power
• Theme: Supernatural
• Character: Macbeth - Hubris
• Motif: Duplicity, ’Double’
Some interpretations
argue that the Witches
are no more than
Macbeth’s imagination
Evidence:
Evidence:
Evidence:
Evidence:
Act 4, Scene 2
At Macduff’s castle, Lady Macduff asks why her husband has
fled. She feels betrayed. Ross insists that she trust her
husband’s judgment and departs.
• Theme: Treason/Loyalty
• Theme: Contrast of Family relationships
Act 4, Scene 3
To decide if Macduff is
trustworthy, Malcolm
admits that he wonders
whether he is fit to be
king, since he claims to
be lustful, greedy, and
violent. Macduff cries
that Malcolm is no more
fit to be king than
Macbeth. Ross enters
and must tell Macduff
that Macbeth has
murdered his wife and
children. Macduff is
crushed with grief.
• Character: Malcolm
• Theme: Treason/Loyalty
• Motif: ’Foul’ Duplicity
• Theme: Supernatural
• Motif: ‘Air’
• Theme: Gender
Before Act 4 Scene 3
Match the lines to the translation
• Macbeth is a traitor
• Macduff was a friend of Macbeth
• Even a good man may obey a wicked king
• Macbeth was once thought to be honest
• Macduff has abruptly left his family behind in danger
• Macduff may betray Malcolm to Macbeth
• Macduff may kill Malcolm and Macbeth
• He is not sure that Macduff is telling the truth
• Malcolm is suspicious for his own safety
• Macbeth has left Macduff unharmed
• Evil often tries to look like good
Before Act 4 Scene 3
Match the lines to the translation
• He is not sure that Macduff is telling the truth (line 11)
• Macbeth was once thought to be honest (lines 12 – 13)
• Macduff was a friend of Macbeth (line 13)
• Macbeth has left Macduff unharmed (line 14)
• Macduff may betray Malcom to Macbeth (lines 14 – 15)
• Macduff may kill Malcolm and Macbeth (lines 16 – 17)
• Macbeth is a traitor (line 18)
• Even a good man may obey a wicked king (lines 19 – 20)
• Evil often tries to look like good (lines 21-3)
• Macduff has abruptly left his family behind in danger
(Lines 26 – 8)
• Malcolm is suspicious for his own safety (lines 29 – 30)
Act 5, Scene 1
At night, in the king’s
palace at Dunsinane,
a doctor and a
gentlewoman discuss
Lady Macbeth’s
strange habit of
sleepwalking.
Suddenly, Lady
Macbeth enters in a
trance with a candle
in her hand.
• Device: Prose
• Motif: ’Blood’
• Motif: ‘Done’
• Motif: Sleep
Act 5, Scene 2
Outside the castle, a group of Scottish lords discusses the
military situation: the English army approaches, led by
Malcolm, and the Scottish army will meet them near Birnam
Wood, apparently to join forces with them.
• Motif: Garments
Act 5, Scene 3
Macbeth strides into the hall of Dunsinane with the doctor and
his attendants, boasting proudly that he has nothing to fear
from the English army or from Malcolm.
The doctor tells the king that Lady Macbeth is kept from rest by
“thick-coming fancies,” and Macbeth orders him to cure her of
her delusions.
• Character: Macbeth – Hubris, Madness
Act 5, Scene 4
In the country near Birnam Wood, Malcolm talks with the
English lord Siward and his officers about Macbeth’s plan to
defend the fortified castle. They decide that each soldier should
cut down a bough of the forest and carry it in front of him as
they march to the castle, thereby disguising their numbers.
• Plot: Twist
Act 5, Scene 5
A woman’s cry is heard, and Seyton appears to tell Macbeth that
the queen is dead. Shocked, Macbeth speaks numbly about the
passing of time. A messenger enters with astonishing news: the
trees of Birnam Wood are advancing toward Dunsinane.
• Theme: Power
• Theme: Gender
• Character: Lady Macbeth & Macbeth
• Motif: ‘Air’
• Device: Personification
She should have died hereafter;
There would have been a time for such a word.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Act 5, Scene 6
Outside the castle, the battle commences. Malcolm orders the
English soldiers to throw down their boughs and draw their
swords.
• Motif: Duplicity
• Motif: ‘Blood’
Act 5, Scene 7
On the battlefield, Macbeth strikes those around him vigorously,
angry because no man born of woman can harm him. He slays
Lord Siward’s son and disappears into the battle.
Act 5, Scene 8
Macbeth at last encounters Macduff. They fight, and when
Macbeth insists that he is invincible because of the witches’
prophecy, Macduff tells Macbeth that he was not of woman
born,. Macbeth suddenly fears for his life, but he declares that
he will not surrender. They exit fighting.
• Motif: ‘Blood’
• Motif: ‘Air’
• Motif: Duplicity
Act 5, Scene 9
Malcolm and Siward walk together in the castle, which they have
now effectively captured. Macduff emerges with Macbeth’s head
in his hand and proclaims Malcolm King of Scotland. Malcolm
declares that all his thanes will be made earls, according to the
English system.
ABSOLUTE POWER CORRUPTS
ABSOLUTELY.
STATEMENTS FOR DEBATE:
LADY MACBETH WAS A VICTIM OF
THE AGE
IT IS MACBETH’S IMAGINATION THAT
DESTROYS HIM
WHO IS TO BLAME FOR DUNCANS
DEATH

More Related Content

Macbeth Overview ppt

  • 2. • The story • The play opens as three witches plan a meeting with the Scottish nobleman Macbeth, who at that moment is fighting in a great battle. When the battle is over, Macbeth and his friend Banquo come across the witches who offer them three predictions: that Macbeth will become Thane of Cawdor and King of Scotland, and that Banquo's descendants will become kings. • Banquo laughs at the prophecies but Macbeth is excited, especially as soon after their meeting with the witches Macbeth is made Thane of Cawdor by King Duncan, in return for his bravery in the battle. He writes to his wife, Lady Macbeth, who is as excited as he is. A messenger tells Lady Macbeth that King Duncan is on his way to their castle and she invokes evil spirits to help her slay him. • Macbeth is talked into killing Duncan by his wife and stabs him to death. No-one is quite sure who committed this murder and no-one feels safe, but Macbeth is crowned king. • Now that Macbeth is king he knows the second prediction from the witches has come true, but he starts to fear the third prediction (that Banquo's descendants will also be kings). Macbeth therefore decides to kill Banquo and his son, but the plan goes wrong - Banquo is killed but his son escapes. • Macbeth then thinks he is going mad because he sees Banquo's ghost and receives more predictions from the witches. • He starts to become ruthless and kills the family of Macduff, an important lord. • Macbeth still thinks he is safe but one by one the witches' prophecies come true, Lady Macbeth cannot stop thinking about Duncan, becomes deranged and dies. • A large army marches on Macbeth's castle and Macbeth is killed by Macduff.
  • 3. Words you know that are like this… art dost doth 'ere hast 'tis 'twas wast oft ay aught nay hie are do does before have it is it was were often yes anything no hurry Sometimes Shakespeare words are just like modern words. What do you think these Shakespearean words could mean?
  • 4. Act 1, Scene 1 Thunder and lightning crash above a Scottish moor. Three haggard old women, the witches, appear out of the storm. In eerie, chanting tones, they make plans to meet again upon the heath, after the battle, to confront Macbeth. As quickly as they arrive, they disappear. • Character: Witches • Device: Pathetic Fallacy • Motif: ‘Air’ • Motif: ‘Fair’ • Theme: Supernatural
  • 5. Different representations of the witches • Which representation to you prefer and why?
  • 6. Act 1, Scene 2 At a military camp near his palace at Forres, King Duncan of Scotland asks a wounded captain for news about the Scots’ battle with the Irish invaders. The captain replies that the Scottish generals Macbeth and Banquo fought with great courage and violence. The Ross, a Scottish nobleman, enters and tells the king that the traitorous thane of Cawdor has been defeated and the army of Norway repelled. Duncan decrees that the thane of Cawdor be put to death and that Macbeth, the hero of the victorious army, be given Cawdor’s title. Ross leaves to deliver the news to Macbeth. • Character: Duncan & Macbeth
  • 7. What does every highlighted word or phrase suggest? (Aside) The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. What does every highlighted word or phrase suggest? (Aside) The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see.
  • 8. Act 1, Scene 5 In Macbeth’s castle, Lady Macbeth reads a letter she has received from Macbeth. It announces Macbeth’s promotion to the thaneship of Cawdor and details his meeting with the witches. She decides to convince her husband to do whatever is required to seize the crown. Macbeth enters, and they discuss the king’s forthcoming visit. Macbeth tells his wife that Duncan plans to depart the next day, but Lady Macbeth declares that the king will never see tomorrow and to leave the plan to her. • Character: Lady Macbeth • Motif: Duplicity, double • Theme: Supernatural • Theme: Ambition, Power, Gender
  • 9. The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman’s breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature’s mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry ‘Hold, hold!’
  • 10. Act 1, Scene 6 Duncan, the Scottish lords, and their attendants arrive outside Macbeth’s castle. Duncan praises the castle’s pleasant environment, and he thanks Lady Macbeth, who has emerged to greet him, for her hospitality. Duncan then asks to be taken inside to Macbeth, whom he says he loves dearly. • Device: Dramatic Irony • Motif: ‘Done’ • Motif: ’Fair’ • Motif: ‘Air’
  • 11. Act 1, Scene 7 Inside the castle, as servants set a table for the evening’s feast, Macbeth paces by himself. Lady Macbeth enters and tells her husband that the king has dined and that he has been asking for Macbeth – who declares that he no longer intends to kill Duncan. Lady Macbeth, outraged, calls him a coward and questions his manhood. She tells him her plan. • Character: Lady Macbeth & Macbeth - Hamartia • Motif: ‘Done’ • Motif: Duplicity ‘Double’ • Theme: Ambition, Power, gender
  • 12. Machiavellian cunning, scheming, and unscrupulous, especially in politics. synonyms: devious, cunning, crafty, artful, wily, sly, scheming, designing, conniving, opportunistic, insidious, treacherous, perfidious, two-faced, Janus-faced, tricky, double- dealing, unscrupulous, deceitful, dishonest; ”In modern psychology, Machiavellianism is one of the dark triad personalities, characterized by a duplicitous, interpersonal style, a cynical disregard for morality and a focus on self-interest and personal gain.”
  • 13. How are Macbeth and Lady Macbeth presented in Act 1 Scene 7? Macbeth is presented as very troubled by the thought of killing King Duncan in his soliloquy in Act 1 Scene 7. This is illustrated through the opening lines which contain repetition, such as: ‘If it were done when ‘tis done, then ‘twere well it were done quickly.’ The repetition of the phrase ‘were done’ three times in quick succession suggests that Macbeth is struggling to control his emotions and is very distressed; he is far from the calm and logical hero that the Shakespearean audience would have expected him to be. Furthermore, it could be argued that ‘were done’ acts as a euphemism for ‘killing Duncan’; the thought of killing King Duncan is so abhorrent to him that Macbeth cannot even bring himself to speak plainly about it. This sense of turmoil and horror is further shown when he says ‘then ‘twere well it were done quickly’. The adverb ‘quickly’ indicates that Macbeth does not want to dwell over the finer details of the act because it is so terrifying to him.
  • 14. Macbeth also appears to be worried about upsetting the natural order of the universe in his soliloquy. This is shown through his use of religious imagery: ‘his virtues will plead like angels, trumpet- tongued against the deep damnation of his taking- off.’ The hyperbole of pleading angels implies that Macbeth thinks the very act of killing King Duncan will cause an outcry in heaven. We associate angels with holiness and innocence. During this period audiences would have been troubled by the thought of regicide (killing of a monarch).
  • 15. In contrast to her husband, Lady Macbeth is presented as ambitious and determined to see the deed through. This is shown through violent imagery, such as when she freely admits that she would ‘dashed the brains out’ of a baby she was feeding if she had made a promise like Macbeth; she would not hesitate. This admission and imagery appals us as an audience because of its explicit and graphic nature. Additionally, Shakespeare’s audience would have traditionally associated women with gentleness and full of maternal, loving instinct.
  • 16. Act 2, Scene 1 Macbeth and Banquo agree to discuss the witches’ prophecies at a later time. In the darkened hall, Macbeth has a vision of a dagger floating in the air. The night around him seems thick with horror and witchcraft, but Macbeth stiffens and decides to do his bloody work. A bell tolls—Lady Macbeth’s signal that the chamberlains are asleep—and Macbeth strides toward Duncan’s chamber. • Motif: ‘Done’ • Motif: ’Blood’ • Theme: Supernatural • Device: Imagery, allusion, personification • Device: Foreshadowing
  • 17. Choose what you think is the most important word in each line of this important Macbeth soliloquy. What does this combination of words tell you about the tone and mood of this part of the play? The first few have been suggested for you. Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall’st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o’ the other senses Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing:
  • 18. Act 2, Scene 2 Lady Macbeth imagines Macbeth is killing Duncan. Hearing Macbeth cry out, she worries the chamberlains have woken. Macbeth emerges, his hands covered in blood, and says that the deed is done. Lady Macbeth becomes angry when she notices that he has forgotten to leave the daggers with the sleeping chamberlains so as to frame them for Duncan’s murder. As Lady Macbeth does it for him, Macbeth hears a mysterious knocking. • Motif: ‘Done’ • Motif: ’Blood’ • Character: Lady Macbeth & Macbeth • Plot: Pivotal moment, breakdown of relationship • Device: Imagery • Device: Foreshadowing
  • 19. Act 2, Scene 3 A porter stumbles through the hallway to answer the knocking. Macbeth enters, and Macduff asks him if the king is awake. As Macduff enters the king’s chamber, Lennox describes the terrible storms that raged the previous night. The king’s sons, Malcolm and Donalbain, arrive. They are told that their father has been killed, most likely by his chamberlains, who were found with bloody daggers. Macbeth declares that in his rage he has killed the chamberlains. Lady Macbeth suddenly faints. Duncan’s sons decide to flee. • Plot: Dark comedy • Device: Allusion • Device: Pathetic fallacy • Device: Foreshadowing
  • 20. Act 2, Scene 4 Ross, a thane, walks outside the castle with an old man. They discuss the strange and ominous happenings of the past few days. Macduff emerges from the castle and tells Ross that Macbeth has been made king by the other lords, and that he now rides to Scone to be crowned. • Motif: Garments • Device: Personification • Device: Pathetic fallacy, Imagery • Device: Foreshadowing
  • 21. Act 3, Scene 1 Macbeth enters, dressed as king. He asks Banquo to attend a feast they will host that night. Banquo accepts and says he plans to go for a ride on his horse for the afternoon. Banquo departs, and Macbeth speaks to two visitors. Macbeth reminds the two men, who are hired murderers, of a conversation he had with them the day before, in which he told of the wrongs Banquo had done them in the past. • Theme: Power, Ambition, Gender • Character: Macbeth – Hamartia, Hubris, Machiavellian • Motif: ‘Safe’ • Device: Prose
  • 22. To be thus is nothing; But to be safely thus.--Our fears in Banquo Stick deep; and in his royalty of nature Reigns that which would be fear'd: 'tis much he dares; And, to that dauntless temper of his mind, He hath a wisdom that doth guide his valour To act in safety. There is none but he Whose being I do fear: and, under him, My Genius is rebuked; as, it is said, Mark Antony's was by Caesar. He chid the sisters When first they put the name of king upon me, And bade them speak to him: then prophet-like They hail'd him father to a line of kings: Upon my head they placed a fruitless crown, And put a barren sceptre in my gripe Thence to be wrench'd with an unlineal hand, No son of mine succeeding. If 't be so, For them the gracious Duncan have I murder'd;
  • 23. Put rancours in the vessel of my peace Only for them; and mine eternal jewel Given to the common enemy of man, To make them kings, the seed of Banquo kings! Rather than so, come fate into the list. And champion me to the utterance! Who's there!
  • 24. Act 3, Scene 2 Lady Macbeth expresses despair and sends a servant to fetch her husband. Macbeth enters and tells his wife that he too is discontented. He feels that the business that they began by killing Duncan is not yet complete because there are still threats to the throne that must be eliminated. • Theme: Gender • Character: Lady Macbeth & Macbeth • Motif: ‘Safe’ • Motif: ‘Sleep’ • Motif: ‘Done’ • Motif: Light and Dark • Device: Personification
  • 25. Nought’s had, all’s spent Where our desire is got without content ‘Tis safer to be that which we destroy Than by destruction dwell in doubtful joy.
  • 26. We have scorched the snake, not kill’d it; O, full of scorpions is my mind, dear wife!
  • 27. Act 3, Scene 3 It is dusk, and the two murderers, now joined by a third, linger in a wooded park outside the palace. Banquo and Fleance approach on their horses and dismount. They light a torch, and the murderers set upon them. The murderers kill Banquo, who dies urging his son to flee and to avenge his death. In the darkness Fleance escapes. • Motif: Light and Dark
  • 28. Act 3, Scene 4 Macbeth and Lady Macbeth enter the feast. Macbeth speaks to the murderers, learning that Banquo is dead and Fleance has escaped. The news of Fleance’s escape angers Macbeth. He goes to sit at the head of the table but finds Banquo’s ghost sitting in his chair. • Theme: Relationship Power • Theme: Supernatural • Character: Lady Macbeth & Macbeth • Motif: ‘Safe’ • Motif: ‘Air’ • Motif: ‘Blood’
  • 30. Act 3, Scene 5 Upon the stormy heath, the witches meet with Hecate, the goddess of witchcraft. Many people believe that Shakespeare did not actually write this scene and it was inserted at a later date, so we will not dwell on it here. • Theme: Supernatural • Motif: ‘Air’
  • 31. Act 3, Scene 6 That night, somewhere in Scotland, Lennox walks with another lord, discussing what has happened to the kingdom. Banquo’s murder has been officially blamed on Fleance, who has fled. Both men suspect Macbeth in the murders of Duncan and Banquo. News of plotting has prompted Macbeth to prepare for war. • Theme: Treason/Loyalty • Motif: ‘Sleep’
  • 32. Act 4, Scene 1 In a dark cavern, a bubbling cauldron hisses and spits, and the three witches suddenly appear onstage. Macbeth enters. He asks the witches to reveal the truth of their prophecies to him. To answer his questions, they summon horrible apparitions, each of which offers a prediction. • Theme: Power • Theme: Supernatural • Character: Macbeth - Hubris • Motif: Duplicity, ’Double’
  • 33. Some interpretations argue that the Witches are no more than Macbeth’s imagination Evidence: Evidence: Evidence: Evidence:
  • 34. Act 4, Scene 2 At Macduff’s castle, Lady Macduff asks why her husband has fled. She feels betrayed. Ross insists that she trust her husband’s judgment and departs. • Theme: Treason/Loyalty • Theme: Contrast of Family relationships
  • 35. Act 4, Scene 3 To decide if Macduff is trustworthy, Malcolm admits that he wonders whether he is fit to be king, since he claims to be lustful, greedy, and violent. Macduff cries that Malcolm is no more fit to be king than Macbeth. Ross enters and must tell Macduff that Macbeth has murdered his wife and children. Macduff is crushed with grief. • Character: Malcolm • Theme: Treason/Loyalty • Motif: ’Foul’ Duplicity • Theme: Supernatural • Motif: ‘Air’ • Theme: Gender
  • 36. Before Act 4 Scene 3 Match the lines to the translation • Macbeth is a traitor • Macduff was a friend of Macbeth • Even a good man may obey a wicked king • Macbeth was once thought to be honest • Macduff has abruptly left his family behind in danger • Macduff may betray Malcolm to Macbeth • Macduff may kill Malcolm and Macbeth • He is not sure that Macduff is telling the truth • Malcolm is suspicious for his own safety • Macbeth has left Macduff unharmed • Evil often tries to look like good
  • 37. Before Act 4 Scene 3 Match the lines to the translation • He is not sure that Macduff is telling the truth (line 11) • Macbeth was once thought to be honest (lines 12 – 13) • Macduff was a friend of Macbeth (line 13) • Macbeth has left Macduff unharmed (line 14) • Macduff may betray Malcom to Macbeth (lines 14 – 15) • Macduff may kill Malcolm and Macbeth (lines 16 – 17) • Macbeth is a traitor (line 18) • Even a good man may obey a wicked king (lines 19 – 20) • Evil often tries to look like good (lines 21-3) • Macduff has abruptly left his family behind in danger (Lines 26 – 8) • Malcolm is suspicious for his own safety (lines 29 – 30)
  • 38. Act 5, Scene 1 At night, in the king’s palace at Dunsinane, a doctor and a gentlewoman discuss Lady Macbeth’s strange habit of sleepwalking. Suddenly, Lady Macbeth enters in a trance with a candle in her hand. • Device: Prose • Motif: ’Blood’ • Motif: ‘Done’ • Motif: Sleep
  • 39. Act 5, Scene 2 Outside the castle, a group of Scottish lords discusses the military situation: the English army approaches, led by Malcolm, and the Scottish army will meet them near Birnam Wood, apparently to join forces with them. • Motif: Garments
  • 40. Act 5, Scene 3 Macbeth strides into the hall of Dunsinane with the doctor and his attendants, boasting proudly that he has nothing to fear from the English army or from Malcolm. The doctor tells the king that Lady Macbeth is kept from rest by “thick-coming fancies,” and Macbeth orders him to cure her of her delusions. • Character: Macbeth – Hubris, Madness
  • 41. Act 5, Scene 4 In the country near Birnam Wood, Malcolm talks with the English lord Siward and his officers about Macbeth’s plan to defend the fortified castle. They decide that each soldier should cut down a bough of the forest and carry it in front of him as they march to the castle, thereby disguising their numbers. • Plot: Twist
  • 42. Act 5, Scene 5 A woman’s cry is heard, and Seyton appears to tell Macbeth that the queen is dead. Shocked, Macbeth speaks numbly about the passing of time. A messenger enters with astonishing news: the trees of Birnam Wood are advancing toward Dunsinane. • Theme: Power • Theme: Gender • Character: Lady Macbeth & Macbeth • Motif: ‘Air’ • Device: Personification
  • 43. She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.
  • 44. Act 5, Scene 6 Outside the castle, the battle commences. Malcolm orders the English soldiers to throw down their boughs and draw their swords. • Motif: Duplicity • Motif: ‘Blood’
  • 45. Act 5, Scene 7 On the battlefield, Macbeth strikes those around him vigorously, angry because no man born of woman can harm him. He slays Lord Siward’s son and disappears into the battle.
  • 46. Act 5, Scene 8 Macbeth at last encounters Macduff. They fight, and when Macbeth insists that he is invincible because of the witches’ prophecy, Macduff tells Macbeth that he was not of woman born,. Macbeth suddenly fears for his life, but he declares that he will not surrender. They exit fighting. • Motif: ‘Blood’ • Motif: ‘Air’ • Motif: Duplicity
  • 47. Act 5, Scene 9 Malcolm and Siward walk together in the castle, which they have now effectively captured. Macduff emerges with Macbeth’s head in his hand and proclaims Malcolm King of Scotland. Malcolm declares that all his thanes will be made earls, according to the English system.
  • 48. ABSOLUTE POWER CORRUPTS ABSOLUTELY. STATEMENTS FOR DEBATE: LADY MACBETH WAS A VICTIM OF THE AGE IT IS MACBETH’S IMAGINATION THAT DESTROYS HIM WHO IS TO BLAME FOR DUNCANS DEATH