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THE SUN ALSO RISES 
E R N E S T H E M I N G W A Y 
Presented by Tam Le 
Guided by Professor Sutliff 
Course: Eng 112 – S3
BACKGROUND INFORMATION 
 The Sun Also Rises was written in 1926 by Ernest 
Hemingway when he worked as a correspondent in Paris. 
 Hemingway was an American author and journalist 
 The Sun Also Rises was his first novel 
 Its creation was influenced by the “Lost Generation” 
 The "Lost Generation" defines a sense of moral loss or 
aimlessness apparent in literary figures during the 1920s
HEMINGWAY’S 
IMAGES 
Young Old
INTRODUCTION TO THE TERM 
PAPER 
Thesis statement: The two main characters Jake and Brett are depicted as 
typical representatives of those who possess a great deal of power but use 
it with generosity and tolerance toward others while experiencing both 
personal and spiritual alienation, resulting in their desire to escape from 
reality.
 The novel portrays the images of Jake and Brett who 
exert a great deal of influence over each other and 
over others as well, but they control with generosity 
and tolerance, not with cruelty. 
 The first person controlled that we are able to see easily is Robert 
Cohn and the controller is Brett. 
 Another place for Brett to rule is Mike Campbell who is a 
bankrupt alcoholic. 
 Another person who is also under Brett’s domination is Count 
Mippipopolous. 
 Brett’s final subject in the novel is the young matador, Pedro 
Romero, who is fifteen years less than her
 The novel portrays the images of Jake and Brett who 
exert a great deal of influence over each other and 
over others as well, but they control with generosity 
and tolerance, not with cruelty. 
 Jake is ruled by Brett, but he is also the only one in the novel who 
truly imposes his control back over her 
 Jake is always a solid shoulder for Brett to lean her head against 
anytime she feels tired and needs someone to talk with. 
 The way Jake exerts his influence over Brett is with generosity 
and tolerance. 
 He is willing to face the anger of his friends, the contempt of the 
Montana hotel owner, and the possible destruction of the young 
bullfighter, to arrange Brett’s meeting with Romero.
 The novel portrays the images of Jake and Brett who 
exert a great deal of influence over each other and over 
others as well, but they control with generosity and 
tolerance, not with cruelty. 
 Brett behaves towards other characters in the same way as Jake 
does to her. 
 She rejects Robert Cohn not to take up with another man, but rather 
because she thinks he is not manly enough 
 Mike, someone to travel with who was in worse shape than herself 
and thus in no position to judge her. 
 Jake, true affection and understanding, as well as staunch support 
without sexual claims 
 Brett also decides not to sleep with and leave the Count regardless of 
the big amount of money he is able to offer her. 
 She sends Romero away not to ruin his life.
 Jake and Brett are trapped within the circle of both 
personal and spiritual alienation. 
 personal alienation. 
 They both are impotent of love. 
 Jake’s alienation results from his physical injury in the war 
 Brett’s alienation originates from her unsatisfied quest for 
love. 
 Barnes lacks the power to control love’s strength and durability. 
 Brett has a lot of affairs and ignores the fact that she is engaged. 
 Their frustrated love serves as the basis for the estrangement 
they both experience.
 Jake and Brett are trapped within the circle of both 
personal and spiritual alienation. 
 Spiritual alienation. 
 Jake and Brett both are alienated from religion and from God 
 Jake expresses his unwillingness to accept his disconnection 
from God and his religion does not seem to matter much in his 
life. 
 “I was a little ashamed, and regretted that I was such a 
rotten Catholic, but realized there was nothing I could do 
about it, at least for a while ... I only wished I felt religious 
and maybe I would the next time” (Hemingway 195) 
 Brett is absolutely not a religious person 
• it only makes her “damned nervous,” since it never does 
her any good (Hemingway 195) 
• “I’m damned bad for a religious atmosphere” (Hemingway 
195)
What is the result of their alienation? 
The personal and spiritual alienation, in turn, 
constitutes itself as an invisible force pushing Jake 
and Brett toward a desire to remove themselves from 
reality.
 Their wish to escape from miserable reality is 
inevitably a sequential consequence of their 
incapability to deal with what they have been faced 
with. 
 Two way of getting themselves out of the shallow 
world. 
 Immersing in the unconscious pleasure of alcoholic beverages. 
 Their daily lives are surrounded with wine and wine. 
 Each day becomes a replication of the day before 
 Going on trips to enjoy outside world. 
 They seem to be looking for a specific place where they feel 
comfortable to settle themselves
 their wish to do that does not indicate that they 
surrender themselves to the reality but embodies 
their thirst and fight for a better life. 
 Alpaslan Toker shares his idea that “The universal appeal of the 
other characters in Hemingway's novel managed to reflect every sort of 
person in the Lost Generation. They ranged from the broken exiles, who 
had acknowledged their barren and meaningless lives to the expatriates 
who had managed to recognize the moral and spiritual decay of society 
but were determined not to surrender themselves to the shallow existence 
that it presented” (30).
CONCLUSION 
Although they possess power, generosity toward others, they both 
experience personal and spiritual alienation, leading to their thirst to escape 
from their own shallow world. 
Those characteristics themselves of the two main characters exert their 
influence over the whole theme and also create very much of the meaning 
of the story
THANK YOU 
FOR PAYING 
ATTENTION

More Related Content

The sun also rises

  • 1. THE SUN ALSO RISES E R N E S T H E M I N G W A Y Presented by Tam Le Guided by Professor Sutliff Course: Eng 112 – S3
  • 2. BACKGROUND INFORMATION  The Sun Also Rises was written in 1926 by Ernest Hemingway when he worked as a correspondent in Paris.  Hemingway was an American author and journalist  The Sun Also Rises was his first novel  Its creation was influenced by the “Lost Generation”  The "Lost Generation" defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s
  • 4. INTRODUCTION TO THE TERM PAPER Thesis statement: The two main characters Jake and Brett are depicted as typical representatives of those who possess a great deal of power but use it with generosity and tolerance toward others while experiencing both personal and spiritual alienation, resulting in their desire to escape from reality.
  • 5.  The novel portrays the images of Jake and Brett who exert a great deal of influence over each other and over others as well, but they control with generosity and tolerance, not with cruelty.  The first person controlled that we are able to see easily is Robert Cohn and the controller is Brett.  Another place for Brett to rule is Mike Campbell who is a bankrupt alcoholic.  Another person who is also under Brett’s domination is Count Mippipopolous.  Brett’s final subject in the novel is the young matador, Pedro Romero, who is fifteen years less than her
  • 6.  The novel portrays the images of Jake and Brett who exert a great deal of influence over each other and over others as well, but they control with generosity and tolerance, not with cruelty.  Jake is ruled by Brett, but he is also the only one in the novel who truly imposes his control back over her  Jake is always a solid shoulder for Brett to lean her head against anytime she feels tired and needs someone to talk with.  The way Jake exerts his influence over Brett is with generosity and tolerance.  He is willing to face the anger of his friends, the contempt of the Montana hotel owner, and the possible destruction of the young bullfighter, to arrange Brett’s meeting with Romero.
  • 7.  The novel portrays the images of Jake and Brett who exert a great deal of influence over each other and over others as well, but they control with generosity and tolerance, not with cruelty.  Brett behaves towards other characters in the same way as Jake does to her.  She rejects Robert Cohn not to take up with another man, but rather because she thinks he is not manly enough  Mike, someone to travel with who was in worse shape than herself and thus in no position to judge her.  Jake, true affection and understanding, as well as staunch support without sexual claims  Brett also decides not to sleep with and leave the Count regardless of the big amount of money he is able to offer her.  She sends Romero away not to ruin his life.
  • 8.  Jake and Brett are trapped within the circle of both personal and spiritual alienation.  personal alienation.  They both are impotent of love.  Jake’s alienation results from his physical injury in the war  Brett’s alienation originates from her unsatisfied quest for love.  Barnes lacks the power to control love’s strength and durability.  Brett has a lot of affairs and ignores the fact that she is engaged.  Their frustrated love serves as the basis for the estrangement they both experience.
  • 9.  Jake and Brett are trapped within the circle of both personal and spiritual alienation.  Spiritual alienation.  Jake and Brett both are alienated from religion and from God  Jake expresses his unwillingness to accept his disconnection from God and his religion does not seem to matter much in his life.  “I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while ... I only wished I felt religious and maybe I would the next time” (Hemingway 195)  Brett is absolutely not a religious person • it only makes her “damned nervous,” since it never does her any good (Hemingway 195) • “I’m damned bad for a religious atmosphere” (Hemingway 195)
  • 10. What is the result of their alienation? The personal and spiritual alienation, in turn, constitutes itself as an invisible force pushing Jake and Brett toward a desire to remove themselves from reality.
  • 11.  Their wish to escape from miserable reality is inevitably a sequential consequence of their incapability to deal with what they have been faced with.  Two way of getting themselves out of the shallow world.  Immersing in the unconscious pleasure of alcoholic beverages.  Their daily lives are surrounded with wine and wine.  Each day becomes a replication of the day before  Going on trips to enjoy outside world.  They seem to be looking for a specific place where they feel comfortable to settle themselves
  • 12.  their wish to do that does not indicate that they surrender themselves to the reality but embodies their thirst and fight for a better life.  Alpaslan Toker shares his idea that “The universal appeal of the other characters in Hemingway's novel managed to reflect every sort of person in the Lost Generation. They ranged from the broken exiles, who had acknowledged their barren and meaningless lives to the expatriates who had managed to recognize the moral and spiritual decay of society but were determined not to surrender themselves to the shallow existence that it presented” (30).
  • 13. CONCLUSION Although they possess power, generosity toward others, they both experience personal and spiritual alienation, leading to their thirst to escape from their own shallow world. Those characteristics themselves of the two main characters exert their influence over the whole theme and also create very much of the meaning of the story
  • 14. THANK YOU FOR PAYING ATTENTION