The architecture of Goa is a blend of Indian, Islamic, and Portuguese styles. Hindu houses show little Portuguese influence and have an inward-facing design centered around a courtyard, while Catholic houses from the 18th-20th centuries are more outward facing and ornamental, featuring balcões (covered porches). Portuguese rule encouraged the adoption of European designs, but houses combined these influences with local materials and styles. Windows, balcões, and facades increasingly became more decorative over time in both Hindu and Catholic homes. The result is a unique hybrid architecture across Goa.
2. • Goa is India's smallest state in terms of
area and the fourth smallest in terms of
population.
• Located on the west coast of India in the
region known as the Konkan, it is bounded by
the state of Maharashtra to the north, and
by Karnataka to the east and south, while
the Arabian Sea forms its western coast.
• The historic city of Margao still exhibits the cultural influence of the Portuguese, who
first landed in the early 16th century as merchants and conquered it soon thereafter.
• Goa is a former Portuguese colony, the Portuguese overseas territory of Portuguese
India existed for about 450 years until it was annexed by India in 1961Renowned for its
beaches, places of worship and world heritage architecture.
• Goa is visited by hundreds of thousands of international and domestic tourists each
year. It also has rich flora and fauna, owing to its location on the Western Ghats range.
Vernacular Architecture Of Goa 2
3. ARCHITECTURE OF GOA
• The architecture of Goa is a combination of Indian,
Islamic and Portuguese styles.
• Since the Portuguese ruled for four centuries, many
churches and houses bear a striking element of the
Portuguese style of architecture.
• Goan Hindu houses do not show any Portuguese
influence, though the modern temple architecture is
an amalgam of original Goan temple style with
Dravidian, Hemadpanthi, Islamic, and Portuguese
architecture.
• The original Goan temple architecture fell into disuse
as the temples were demolished by the Portuguese
and the Sthapati known as Thavayi in Konkani were
converted to Christianity though the wooden work
and the Kavi murals can still be seen.
Vernacular Architecture Of Goa 3
4. DESIGN INFLUENCES
The following factors affected house design in Goa:
• Protecting oneself from the fierce monsoons was the basis of architectural form.
• Portuguese rule allowed Goans to travel abroad; when they returned they brought
with them ideas and influences from other countries. The Goan master builders
executed these ideas using local building materials, making the Goan house a
mixture and adaptation of design elements and influences from all over the
world.
• The architectural style of Portuguese-built churches.
• The European lifestyle was encouraged in an attempt to separate newly converted
Goan Christians from their cultural roots. They adopted a European outlook but did
not cut themselves off from their Indian roots completely. The resulting cultural
fusion affected the house design.
Vernacular Architecture Of Goa 4
5. • The traditional pre-Portuguese homes
were inward-looking with small windows;
this reflected the secluded role of
women.
• The houses opened into courtyards, and
rarely opened onto streets.
• The Catholic houses built or refurbish
between the middle of the 18th and the
20th centuries were more outward- • These balcões are bordered by
looking and ornamental, with balcões ornamental columns that sometimes
(covered porches) and verandas facing continued along the steps and added to
the street. the stature of the house.
• The large balcões had built-in seating, • This, together with the plinth, which
open to the street, where men and usually indicated the status of the
women could sit together and ‘see and owners. The houses of rich landlords
be seen’, chat with their neighbours, or had high plinths with grand staircases
just enjoy the evening breeze. leading to the front door or balcão.
Vernacular Architecture Of Goa 5
6. • The traditional pre-Portuguese homes
were inward-looking with small windows;
this reflected the secluded role of
women.
• The houses opened into courtyards, and
rarely opened onto streets.
• The Catholic houses built or refurbish
between the middle of the 18th and the
20th centuries were more outward- • These balcões are bordered by
looking and ornamental, with balcões ornamental columns that sometimes
(covered porches) and verandas facing continued along the steps and added to
the street. the stature of the house.
• The large balcões had built-in seating, • This, together with the plinth, which
open to the street, where men and usually indicated the status of the
women could sit together and ‘see and owners. The houses of rich landlords
be seen’, chat with their neighbours, or had high plinths with grand staircases
just enjoy the evening breeze. leading to the front door or balcão.
Vernacular Architecture Of Goa 6
7. • BALCAOS are porches with seats
built into the sides.
• Balcaos are commonly found in
Goan houses and generally
understood to be dating from the
time Goa came under Portuguese
rule, and in the years after.
Alternately, a balcao is a wide veranda
running along the front of the house and
occasionally along its sides and at the
back; seats are built into the sides where
the front entrance opens out on the
street outside.
Vernacular Architecture Of Goa 7
8. WINDOWS
• Large ornamental windows with
stucco mouldings open onto
verandas.
• These may appear purely
decorative, but have their
origins in similar mouldings in
the windows of Portuguese
houses.
• The design is therefore an
import but serves a similar
purpose in Goa: to help
construct the identity of the
home.
• Windows gradually became more
decorative, ornate, and
expressive.
Vernacular Architecture Of Goa 8
9. • Front doors were flanked by columns
or pilasters.
• Railings were the most intricate
embellishment in a Goan house.
• Pillars, piers, and colours do not seem
to be influenced by any style in
particular; rather they conform to a
rather mixed architectural styles.
Vernacular Architecture Of Goa 9
10. The interiors
have a high
ceiling
Well
Typical rooster
motifs on rooftops
The Typical courtyard
Kothar - Store room
Vernacular Architecture Of Goa 10
11. A Typical goan street abutted both sides by houses
Vernacular Architecture Of Goa 11
15. GOAN HOUSES
HINDU HOUSES CHRISTIAN HOUSES
• Style : Indo Portuguese Style • Porch (balcao),
• Internal courtyard with rooms built • Tall European style columns
around it. • Building Materials : Laterite stones,
• Materials :Baked Clay tiles, Laterite Local bricks & Mangalore tiles.
• Windows With Wooden Frames
Vernacular Architecture Of Goa 15
16. • Ancestral Hindu houses in the town are plain,
closed structures which conceal the illustrious
tradition of the inhabitants.
• The goan Hindu Architectural style is different
from the Portuguese-influenced style.
• Hindu houses have little colonial influence.
• A step or two lead into quiet entrances, with
small windows opening out on to the street.
• The house reveals its beauty only indoors –
rooms converge on to the courtyard with
‘Chowkis’ which is the centre of family activity;
a protective and private space.
• Column and their brackets are pre-Portugese
features that depict the progression of the
architectural style in ornateness and
refinement. 'The Chowki'
Vernacular Architecture Of Goa 16
17. TRADITIONAL HINDU HOUSE
• Rectangular in plan
• Single storey
• Central courtyard with tulsi maadam
• Central entrance has a verandah
• The rooms are arranged around a
central pillared courtyard
A typical Hindu
home is low-scaled
with a low plinth, a
small seating porch
with short bulbous
columns and a loft
like upper floor with
windows.
Vernacular Architecture Of Goa 17
18. Goan traditional Hindu houses have
the following features:
• A courtyard called as Rajangan,
where a Tulsi Vrindavan is seen.
• Chowki- space next to the
courtyard, where family
activities take place – internal
verandah
• Deva kood - a place for prayers
and ther rituals.
• A hall specially meant for
celebrating Ganeshotsav. • Raanchi kood - a kitchen with a door which is
• Soppo -space used for relaxing. called Magil daar
• Saal - a hall • Balantin kood -A room special for pregnant and
• Kothar - store room nursing mothers.
• Vasri - Dining Hall • Manne - Bathrooms located next to the well.
• Gotho - Goshala Vernacular Architecture Of Goa 18
19. Traditional Kitchen
Traditional Hindu
A typical Village Hindu House motifs on jalis
Vernacular Architecture Of Goa
19
20. USE OF COLOUR CORNICES
• Dramatic and startling colour— • Country tiles used as a corbel are a
initially achieved with vegetable and feature peculiar to Goa.
natural dyes—plays an important • The effect achieved is aesthetically
role in Goan architecture. pleasing, giving the roof projection a
• Colour was decorative and used solid, moulded appearance.
purely to create a sensation
INTERIORS
• Painting on walls
• Walls up to dado height finished with
glazed tiles
• Floral pattern below the cornice
Floral painted tiles adorn the
doorways to the houses
Vernacular Architecture Of Goa 20
21. CHRISTIAN HOUSES
• The Portuguese imprint on the already
strong architectural identity of Goa created
a unique amalgam, unmatched in edifices
across the world.
• The arrival of the Portuguese brought
foreign influences and opportunities for
Goans to travel.
• The contours and colours of the houses
began to change.
• Goans who embraced Christianity sought
new identities, and their houses were one
facet of cultural expression.
• Houses acquired ‘balcaos’ (sit-outs facing
the street) with built-in seating at the
entrance of the houses.
Vernacular Architecture Of Goa 21
22. • Columns line the balcaos, and large, • Gateways to the houses were lofty and
ornamental windows with varying elegant in the 18th century later they
designs helped sailors spot their were replaced by towering gateways.
houses as they sailed into port. • Railings were the most intricate
• The rich tropical colours of these embellishment in a Goan house.
edifices add a wealth of character to • Pillars, piers and colours do not seem to
Goan architecture. be influenced by any style in particular.
• Only churches and chapels were • Windows gradually become more
allowed to remain white, and the law decorative, ornate and expressive.
required other buildings to sport a • Almost all Goan houses have a false
colour. ceiling of wood.
• The houses thus were painted deep • The Kitchen in Goan house was at the
ochre, sapphire and claret. fartherest end of the house.
• The facade of most houses was
symmetrical with the entrance door
occupying the place of honour.
Vernacular Architecture Of Goa 22
23. • The broad elements of Goan houses result form a mixture of Indian and Portuguese
styles.
• Homes that are Portuguese in origin are usually two-storeyed and façade oriented;
Whereas those of Indian origin are single-storeyed with a traditional courtyard based
orientation.
• Between the two also, there is wonderful mixing and marrying of ideas, resulting in
nuanced, hybrid architecture that is both impressive and inspiring- for example the two-
storeyed house in which the top story is functional while the ground floor is merely
ornamental.
• It was Portuguese custom to segregate the lower storey of the house for the household
staff and retainers.
• Since in the Hindu home the servant quarters were typically located at the back of the
house, this bottom storey became shorter, until it reduced to an ornamental high-
platform in time, adorned with decorative arches, pilasters and colonettes.
Vernacular Architecture Of Goa 23
24. • The upper class Goan aristocrats sought to emulate
and even surpass the grandeur of the residences of
their Portuguese counterparts.
• The examples of this trend are many- The practice
of building grand staircases in the entrance halls,
many windowed facades; busts of classical
Renaissance figures in the pediments of façade
windows, grand dance halls as a focal point of the Baroque style staircase
home.
• Other interesting and unique aspects of
the houses one will encounter in the
state are the use of locally available
building material such as laterite stone,
which make for sturdy and durable
structures.
Many windowed Facades
Vernacular Architecture Of Goa 24
25. • Additionally, in many homes, readily available
mother-of-pearl is used to line window
shutters.
• The window shutters are particularly
enchanting.
• In the early days of Portuguese rule, only
churches and other religious structures were
permitted to use white to color their exteriors.
• The domestic residential structures
automatically adopted bold and sensational
colors subsequently achieved with the use of
vegetable and natural dyes in the past.
House with a High-seat
Vernacular Architecture Of Goa 25
26. Window shutters lined with
pearlescent capiz shells & mother
of pearl. Interior of the Christian House – use
of arches–Portuguese influence
Vernacular Architecture Of Goa 26