Prispevek predstavlja izražanje narodne identifikacije Slovencev v obdobju druge svetovne vojne z... more Prispevek predstavlja izražanje narodne identifikacije Slovencev v obdobju druge svetovne vojne z zapeto slovensko pesmijo. Izpostavljen je položaj Slovencev v različnih okupacijskih sistemih in pomen pete slovenske pesmi za krepitev narodne zavesti. Hkrati pa je predstavljen položaj Slovencev po okupaciji slovenskega ozemlja in sočasna razdvojenost naroda, ki se je odražala tudi na pesemski ustvarjalnosti tega obdobja. Na podlagi analize izbranih pesmi so predstavljeni elementi narodne identifikacije in sočasne propagande, v katerih je prepoznan tudi njihov širši pomen. Prispevek orisuje pomen prepevanja pesmi za ohranjanje in krepitev kolektivnega spomina in narodne zavesti, navkljub razdvojenosti družbe.
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On the basis of songs published in songbooks from the Second World War, this paper presents Slovenian song as an element of national identification during the Second World War, i.e. during the period when the very existence of the Slovenian nation was challenged. The period of the Second World War in Slovenian historiography is multifaceted and intertwined with various processes, which are also reflected in the legacy of song creativity in Slovenia. During the Second World War, songs reflected the rebellion, national consciousness and simultaneous division that was present in Slovenian society. The paper analyses the lyrics of Partisan and Home Guard songs, in which we have identified traces of national consciousness and also of the propaganda activities of individual political groups. The paper highlights the importance of Slovenian song during the Second World War as a historical source that reflects the intimate experience of the individual, as well as the collective memory and identification of the wider community – the nation.
Prispevek obravnava procese nacionalizacije ljudske kulture, s posebnim poudarkom na ljudski pese... more Prispevek obravnava procese nacionalizacije ljudske kulture, s posebnim poudarkom na ljudski pesemski tradiciji Goriških brd. Procesi nacionalizacije in "kultivacije kulture" so namreč na obmejnih področjih jasneje razvidni in temeljijo predvsem na razločevanju na osnovi jezika in oblik ljudske duhovne kulture.
This article presents three examples of Slovenian–Italian cross-border heritage initiatives. The ... more This article presents three examples of Slovenian–Italian cross-border heritage initiatives. The ZBORZBIRK project linked thirty-four collections from the border area. The Walk of Peace trail from the Alps to the Adriatic connects the most important remnants and monuments of the Isonzo Front in Slovenia and Italy. The municipalities in Brda/Collio are working to nominate the cultural landscape of this area for the UNESCO World Heritage List. The comparison presents the scope of the cross-border initiatives, the actors, their motivations, the actions taken, and their longevity—that is, the imprints in the cultural heritage discourse between the tourism industry and identity politics.
IZVLE^EK V ~lanku je obravnavana etiologija razmaha praznovanj osebnih praznikov-predvsem petdese... more IZVLE^EK V ~lanku je obravnavana etiologija razmaha praznovanj osebnih praznikov-predvsem petdesete in drugih okroglih obletnic rojstva-v zadnjih desetletjih 20. stoletja. Pri tem je posebne pozornostidelèna vloga personificiranega "Abrahama" ter njena povezava s popestritvenim programom (narodno-)zabavnih zasedb. V nadaljevanju so izpostavljeni razli~ni vidiki in pogledi na postavljanje rojstnodnevnih mlajev ter njihove tradicionalne vloge. Klju~ne besede: rojstnodnevna praznovanja, abrahamovanje, 'Abraham', rojstnodnevni mlaji, (narodno-)zabavne zasedbe ABSTRACT The article addresses the etiology of the proliferation of celebrating personal anniversaries-especially fiftieth birthdays and other jubilees-in the last decades of the 20th century. Special attention is dedicated to the role of a personified "Abraham" and its connections with the entertainment programs of folk-pop music bands. The article further describes different aspects and views of settin...
Rokopisne pesmarice so pomemben, a premalo upoštevan vir raziskovanja cerkvenih in ljudskih nabož... more Rokopisne pesmarice so pomemben, a premalo upoštevan vir raziskovanja cerkvenih in ljudskih nabožnih pesmi ter procesa ponarodevanja avtorskih pesmi. V članku so analizirani vzroki za nezanimanje raziskovalcev za to področje in predstavljene dileme žanrskega razmejevanja v rokopisnih pesmaricah, v katerih so zapisane tako avtorske cerkvene kot ljudske pesmi. Vprašanja razmerij med institucionalno religioznim in ljudskim dopolnjujejo prepletanja med pisnim in ustnim.***Manuscript songbooks as a very important source have only partly been taken into account in research on church songs and religious folk songs and in the process of folklorization of art songs. This article analyzes the reasons for researchers’ lack of interest of in this topic, and it presents the problems of genre demarcation in manuscript songbooks, which contain both church songs and folk songs. Discussion of the relations between institutional religious and folk elements are complemented by the interplay between wr...
The trajectories of social actions comprising nature conservation and regional economic developme... more The trajectories of social actions comprising nature conservation and regional economic development in the Slovenian-Austrian-Hungarian tri-border area discussed in this paper are closely linked to the landscape of the Slovenian-Austrian-Hungarian border. Processual understanding bounds landscape to human activities and other non-human agents, all of whom constitute the landscape-in-the-making. The Őrség National Park and Goričko Landscape Park, as designated nature reserves, are subject to human influences through their protection and, as intrinsically objects of human agency, are rich sites of social production and interaction. The cross-border initiative of the Trilateral Goričko–Raab–Őrség Nature Park is analyzed through the politics of European integration and territorial cooperation in the peripheral regions and their financial programs. Through field research and interviews with social actors, the complexity of the obstacles that hinder the functioning and effective managemen...
Traditiones Institut Za Slovensko Narodopisje Ljubljana, 2005
... When Matej Hubad found out that Kokoar had left the collection to Pahor, as the former vice ... more ... When Matej Hubad found out that Kokoar had left the collection to Pahor, as the former vice president of the committee he asked Pahor for a copy of the collection in 1927. ... trekelj, Karel 1898 Slovenske narodne pesmi I (Slovenian Folk Songs I). Ljubljana: Rudolf Milic. ...
Prispevek predstavlja izražanje narodne identifikacije Slovencev v obdobju druge svetovne vojne z... more Prispevek predstavlja izražanje narodne identifikacije Slovencev v obdobju druge svetovne vojne z zapeto slovensko pesmijo. Izpostavljen je položaj Slovencev v različnih okupacijskih sistemih in pomen pete slovenske pesmi za krepitev narodne zavesti. Hkrati pa je predstavljen položaj Slovencev po okupaciji slovenskega ozemlja in sočasna razdvojenost naroda, ki se je odražala tudi na pesemski ustvarjalnosti tega obdobja. Na podlagi analize izbranih pesmi so predstavljeni elementi narodne identifikacije in sočasne propagande, v katerih je prepoznan tudi njihov širši pomen. Prispevek orisuje pomen prepevanja pesmi za ohranjanje in krepitev kolektivnega spomina in narodne zavesti, navkljub razdvojenosti družbe.
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On the basis of songs published in songbooks from the Second World War, this paper presents Slovenian song as an element of national identification during the Second World War, i.e. during the period when the very existence of the Slovenian nation was challenged. The period of the Second World War in Slovenian historiography is multifaceted and intertwined with various processes, which are also reflected in the legacy of song creativity in Slovenia. During the Second World War, songs reflected the rebellion, national consciousness and simultaneous division that was present in Slovenian society. The paper analyses the lyrics of Partisan and Home Guard songs, in which we have identified traces of national consciousness and also of the propaganda activities of individual political groups. The paper highlights the importance of Slovenian song during the Second World War as a historical source that reflects the intimate experience of the individual, as well as the collective memory and identification of the wider community – the nation.
Prispevek obravnava procese nacionalizacije ljudske kulture, s posebnim poudarkom na ljudski pese... more Prispevek obravnava procese nacionalizacije ljudske kulture, s posebnim poudarkom na ljudski pesemski tradiciji Goriških brd. Procesi nacionalizacije in "kultivacije kulture" so namreč na obmejnih področjih jasneje razvidni in temeljijo predvsem na razločevanju na osnovi jezika in oblik ljudske duhovne kulture.
This article presents three examples of Slovenian–Italian cross-border heritage initiatives. The ... more This article presents three examples of Slovenian–Italian cross-border heritage initiatives. The ZBORZBIRK project linked thirty-four collections from the border area. The Walk of Peace trail from the Alps to the Adriatic connects the most important remnants and monuments of the Isonzo Front in Slovenia and Italy. The municipalities in Brda/Collio are working to nominate the cultural landscape of this area for the UNESCO World Heritage List. The comparison presents the scope of the cross-border initiatives, the actors, their motivations, the actions taken, and their longevity—that is, the imprints in the cultural heritage discourse between the tourism industry and identity politics.
IZVLE^EK V ~lanku je obravnavana etiologija razmaha praznovanj osebnih praznikov-predvsem petdese... more IZVLE^EK V ~lanku je obravnavana etiologija razmaha praznovanj osebnih praznikov-predvsem petdesete in drugih okroglih obletnic rojstva-v zadnjih desetletjih 20. stoletja. Pri tem je posebne pozornostidelèna vloga personificiranega "Abrahama" ter njena povezava s popestritvenim programom (narodno-)zabavnih zasedb. V nadaljevanju so izpostavljeni razli~ni vidiki in pogledi na postavljanje rojstnodnevnih mlajev ter njihove tradicionalne vloge. Klju~ne besede: rojstnodnevna praznovanja, abrahamovanje, 'Abraham', rojstnodnevni mlaji, (narodno-)zabavne zasedbe ABSTRACT The article addresses the etiology of the proliferation of celebrating personal anniversaries-especially fiftieth birthdays and other jubilees-in the last decades of the 20th century. Special attention is dedicated to the role of a personified "Abraham" and its connections with the entertainment programs of folk-pop music bands. The article further describes different aspects and views of settin...
Rokopisne pesmarice so pomemben, a premalo upoštevan vir raziskovanja cerkvenih in ljudskih nabož... more Rokopisne pesmarice so pomemben, a premalo upoštevan vir raziskovanja cerkvenih in ljudskih nabožnih pesmi ter procesa ponarodevanja avtorskih pesmi. V članku so analizirani vzroki za nezanimanje raziskovalcev za to področje in predstavljene dileme žanrskega razmejevanja v rokopisnih pesmaricah, v katerih so zapisane tako avtorske cerkvene kot ljudske pesmi. Vprašanja razmerij med institucionalno religioznim in ljudskim dopolnjujejo prepletanja med pisnim in ustnim.***Manuscript songbooks as a very important source have only partly been taken into account in research on church songs and religious folk songs and in the process of folklorization of art songs. This article analyzes the reasons for researchers’ lack of interest of in this topic, and it presents the problems of genre demarcation in manuscript songbooks, which contain both church songs and folk songs. Discussion of the relations between institutional religious and folk elements are complemented by the interplay between wr...
The trajectories of social actions comprising nature conservation and regional economic developme... more The trajectories of social actions comprising nature conservation and regional economic development in the Slovenian-Austrian-Hungarian tri-border area discussed in this paper are closely linked to the landscape of the Slovenian-Austrian-Hungarian border. Processual understanding bounds landscape to human activities and other non-human agents, all of whom constitute the landscape-in-the-making. The Őrség National Park and Goričko Landscape Park, as designated nature reserves, are subject to human influences through their protection and, as intrinsically objects of human agency, are rich sites of social production and interaction. The cross-border initiative of the Trilateral Goričko–Raab–Őrség Nature Park is analyzed through the politics of European integration and territorial cooperation in the peripheral regions and their financial programs. Through field research and interviews with social actors, the complexity of the obstacles that hinder the functioning and effective managemen...
Traditiones Institut Za Slovensko Narodopisje Ljubljana, 2005
... When Matej Hubad found out that Kokoar had left the collection to Pahor, as the former vice ... more ... When Matej Hubad found out that Kokoar had left the collection to Pahor, as the former vice president of the committee he asked Pahor for a copy of the collection in 1927. ... trekelj, Karel 1898 Slovenske narodne pesmi I (Slovenian Folk Songs I). Ljubljana: Rudolf Milic. ...
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On the basis of songs published in songbooks from the Second World War, this paper presents Slovenian song as an element of national identification during the Second World War, i.e. during the period when the very existence of the Slovenian nation was challenged. The period of the Second World War in Slovenian historiography is multifaceted and intertwined with various processes, which are also reflected in the legacy of song creativity in Slovenia. During the Second World War, songs reflected the rebellion, national consciousness and simultaneous division that was present in Slovenian society. The paper analyses the lyrics of Partisan and Home Guard songs, in which we have identified traces of national consciousness and also of the propaganda activities of individual political groups. The paper highlights the importance of Slovenian song during the Second World War as a historical source that reflects the intimate experience of the individual, as well as the collective memory and identification of the wider community – the nation.
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On the basis of songs published in songbooks from the Second World War, this paper presents Slovenian song as an element of national identification during the Second World War, i.e. during the period when the very existence of the Slovenian nation was challenged. The period of the Second World War in Slovenian historiography is multifaceted and intertwined with various processes, which are also reflected in the legacy of song creativity in Slovenia. During the Second World War, songs reflected the rebellion, national consciousness and simultaneous division that was present in Slovenian society. The paper analyses the lyrics of Partisan and Home Guard songs, in which we have identified traces of national consciousness and also of the propaganda activities of individual political groups. The paper highlights the importance of Slovenian song during the Second World War as a historical source that reflects the intimate experience of the individual, as well as the collective memory and identification of the wider community – the nation.