What Is A Speaker Baffle And Why Is It So Important?

Whether it's a guitar or bass cabinet, your monitor speakers or the speakers in your car, one of the most important elements to how a speaker ultimately sounds is the way it's mounted. Here's an excerpt from "The Ultimate Guitar Tone Handbook," which I wrote with Rich Tozzoli, about one of the more important parts of a speaker cabinet - the baffle.

A Typical Speaker Baffle

"One of the most overlooked parts of a cabinet is the baffle (seen on the left), which is the board that the speaker is directly mounted on. Perhaps more than any one piece of the cabinet, this has the most influence on the sound. The type of material (pine, birch, MDF), the thickness, and the way it’s mounted all contribute to the sound.

Thin plywood tends to be louder and have better low end than pine of the same thickness. 3/4 inch birch has more projection and gives you more of the speaker sound and less of the cabinet itself. Closed-back cabinets will be tighter and have a slight edge with birch baffles.

The thickness of the baffle has a great deal to do with the sound. For instance, most tweed amps from the 50’s used either ¼ inch or 5/16 inch pine, which sounds open and loose. Amps made in the 60’s generally have a thicker baffle and have a tighter, cleaner sound as a result.

The way the baffle is connected to the cabinet also makes a big difference. Fender used what’s known as a “floating baffle” for a long time, which provided a bigger, more “organic” tone. 

• A floating baffle is attached at 2 points either top and bottom or side and side. The 1959 Fender Bassman is a good example of a top and bottom floating baffle while the Super Reverb is a good example of a side to side floating baffle. 

• The Bandmaster 2×12″ speaker cabinet does not have a floating baffle. It is attached on all 4 sides to be very rigid and tight.

• A thinner baffle works best for a floating baffle because it vibrates more and those vibrations blend with those of the speakers.

Center Stabilizer Piece

If you ever open up a closed-back cabinet, you’ll notice that there’s a piece of wood in the center of the cabinet that connects the baffle to the back panel (seen on the left). That’s designed to allow the baffle and back panel resonate in phase, and without it you’d have a lot of phase cancellation, and a cabinet with a lot of frequency response peaks and dips as a result."

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The Importance Of The Speaker Baffle

It's time for another book excerpt, this one from "The Ultimate Guitar Tone Handbook." It's about one of the more important and overlooked parts of a speaker cabinet, the baffle.
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A Typical Speaker Baffle

"One of the most overlooked parts of a cabinet is the baffle (seen on the left), which is the board that the speaker is directly mounted on. Perhaps more than any one piece of the cabinet, this has the most influence on the sound. The type of material (pine, birch, MDF), the thickness, and the way it’s mounted all contribute to the sound.

Thin plywood tends to be louder and have better low end than pine of the same thickness. 3/4 inch birch has more projection and gives you more of the speaker sound and less of the cabinet itself. Closed-back cabinets will be tighter and have a slight edge with birch baffles.

The thickness of the baffle has a great deal to do with the sound. Most tweed amps from the 50’s used either ¼ inch or 5/16 inch pine, which sounds open and loose. Amps made in the 60’s generally have a thicker baffle and have a tighter, cleaner sound as a result.
The way the baffle is connected to the cabinet makes a big difference. Fender used what’s known as a “floating baffle” for a long time, which provided a bigger, more “organic” tone. 

• A floating baffle is attached at 2 points either top and bottom or side and side. The 1959 Fender Bassman is a good example of a top and bottom floating baffle while the Super Reverb is a good example of a side to side floating baffle. 

• The Bandmaster 2×12″ speaker cabinet does not have a floating baffle. It is attached on all 4 sides to be very rigid and tight.

• A thinner baffle works best for a floating baffle because it vibrates more and those vibrations blend with those of the speakers.

Center Stabilizer Piece

If you ever open up a closed-back cabinet, you’ll notice that there’s a piece of wood in the center of the cabinet that connects the baffle to the back panel (seen on the left). That’s designed to allow the baffle and back panel resonate in phase, and without it you’d have a lot of phase cancellation, and a cabinet with a lot of frequency response peaks and dips as a result."

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