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  • Taipei, T'ai-pei, Taiwan
資料中心是資訊社會的關鍵基礎設施,本文探索其作為數位資本
累積工具的榨取意涵。資料中心的全球擴張涉及資本轉換與地方尋租,
本文依此探討兩種榨取邏輯,分別是資料的榨取,與自然資源的榨取。
就資料的榨取而言,資料中心掌握用戶資料,提供業者開發各種應用
程式,造成全球範圍的生活或勞動形式變遷。以自然資源的榨取而言,
資料中心是耗能產業,其設址關乎跨國網路機構、所在地政府,以及
社區間,關於自然資源徵用的折衝與協調。
This study seeks to demonstrate and criticize the structural limitation of the mechanism of news production in the electronic media. Taking a materialistic approach, the study argues that the pursuit of absolute speed constitutes to the... more
This study seeks to demonstrate and criticize the structural limitation of the mechanism of news production in the electronic media. Taking a materialistic approach, the study argues that the pursuit of absolute speed constitutes to the major cause of news aberration from its designated social responsibility. Speed-driven news production gives rise to a system marked by operational closure, which deprives news from representing social reality. Speed has become the ultimate manipulator of the symbolic violence of the social space. Therefore, a thorough examination of social problems created by television news should start from an investigation of the "field," characterized by the interaction among the factors of transmission technology, the habitus of industrial competition, and the nature of the televisual image. These interrelated material conditions deprive electronic news of its task in improving social interaction.
Society as an organic system has taken root in the spatial expansion of transportation and communication media. In the light of this materialistic epistemology, the article presents the infrastructural dimensions of the Internet as a... more
Society as an organic system has taken root in the spatial expansion of
transportation and communication media. In the light of this materialistic
epistemology, the article presents the infrastructural dimensions of the
Internet as a communication system, unfolding a discussion with the affinity
of the system as a concept with the development of modern transportation
and communication networks. From canals, to railways, to radio masts and
submarine cable lines, the physical layout of modern transportation and
communication infrastructure has, at different times, inspired various
thoughts of society as an organic system. The article proposes to use
infrastructure as a conceptual entry point to explore the Internet as a
communication system. By way of Geoffrey Bowker and Leigh Star’s
characterization of infrastructure, the article singles out cable as a crucialboundary object with social and geo-political implications: Socially, the Internet as a technology of connectivity has been a work of collaboration since its incubation stage. Via wired computers under a unified communication protocol, this network technology at the seminal stage underwent a process of social integration, linking diverse communities of practice with heterogeneous interests in national defense, science, and business. Therefore, the Internet fully manifested itself as a socio-technical system. The boundary character of the Internet is also apparent in the transoceanic connection of the submarine cable. Geo-politically, this cable has been, and still is, the acting agent of surveillance systems on a global scale. The risk of disconnection reflects the ongoing conflict and struggle among international political power blocs. In addition, high-tech corridors and zones benefitting from the transoceanic cable linkage substantiate the logic of accumulation through the dispossession characteristic of digital capitalism.
尹尼斯(Harold A. Innis)的「媒介理論」開創了媒介技術、傳播過程與社會文化政制的關聯性討論,但他的政治經濟批判卻鮮少受到重視。本文檢視尹尼斯的加拿大經濟史與政治經濟批判相關的著作,聚焦在他獨創的「大宗物資命題」(the staple... more
尹尼斯(Harold A. Innis)的「媒介理論」開創了媒介技術、傳播過程與社會文化政制的關聯性討論,但他的政治經濟批判卻鮮少受到重視。本文檢視尹尼斯的加拿大經濟史與政治經濟批判相關的著作,聚焦在他獨創的「大宗物資命題」(the staple thesis),意圖由重讀中挖掘新意。本文討論區分為三個部分:首先探討尹尼斯在批判傳播政治經濟學的邊陲角色;繼而以「大宗物資命題」中三個核心概念:邊陲、壟斷與依附,凸顯尹尼斯的政治經濟關懷;本文最後將此命題所凸顯的交通與傳播基礎設施對於社群性格的型塑,置於批判理論的系譜中,探討其鮮少被論及的「親族相似性」。
Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of... more
Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of colonial modernity. Through analysing the film’s text and reviews in both Taiwan and Japan, we identify KANO as a “post-national” cinematic event. Its inviting nostalgic invocation of Japanese colonialism at the civilian level has launched divergent discourses on colonial legacies in the contemporary re/making of national identities, reflecting on the post-colonial socio-cultural conditions facing both Taiwan and Japan. We found that KANO in Taiwan instigated a re-examination of the state’s role in crafting the foundational myth of baseball as a “national” sport. Furthermore, the film brought on schemes of othering in which two national others were distinguished to manifest Taiwan subjectivity: Japanese colonialism versus Chinese nationalism. On the other hand, KANO in Japan was stripped of its colonial connotation. Its honouring of juvenile devotion to baseball was employed as a psychic introjection of Japanese-ness, which many considered losing in the globalizing social milieu.
本文以唯物批判的路徑,檢視當前電子媒介新聞產製生態
的結構性限制。本文主張,對於速度的極致追求,是造成當前
電子媒體新聞產製嚴重脫離其社會服務本務的主要原因。速度
所造成的產製場域的封閉性,不但使得新聞無法再現社會現
實,更造成電子媒介的資訊成為製造社會空間象徵性暴力的主
要作手。因此,凸顯新聞與社會關係的問題,應由細究電視的
傳輸技術、產業競爭機制以及電視視覺特性的交互作用所共構
的場域入手,彰顯這些物質條件如何窄化新聞增進社會互動的
角色。
弗里德里希.基德勒(Friedrich Kittler)的媒介理論開啟了德國自 1980 年代以來的後詮釋學、反人本主義思維:一個以媒介技術的本體運作為探問依歸的文化分析。本文擬作為基德勒的媒介思想初探式整理,討論區分為兩個部分:其一是將基德勒置於德國自 19 世紀末期以來發展的技術哲學脈絡裡,並耙梳技術哲學如何對日後、起因自視聽裝置多元發展的文化技術研究產生影響;其二則是引介弗里德里希.基德勒(Friedrich... more
弗里德里希.基德勒(Friedrich Kittler)的媒介理論開啟了德國自 1980 年代以來的後詮釋學、反人本主義思維:一個以媒介技術的本體運作為探問依歸的文化分析。本文擬作為基德勒的媒介思想初探式整理,討論區分為兩個部分:其一是將基德勒置於德國自 19 世紀末期以來發展的技術哲學脈絡裡,並耙梳技術哲學如何對日後、起因自視聽裝置多元發展的文化技術研究產生影響;其二則是引介弗里德里希.基德勒(Friedrich Kittler)的媒介理論,由基德勒思想中關於媒介本體論的討論,探究其對當前傳播理論建構的啟示。本文並以基德勒的代表性作品在不同階段的發展作為討論重點,分別探討:一、論述網絡與社會配置;二、技術媒介對時間軸的操縱;三、字母作為符碼的多重銘刻性。
本文探討政論節目作為一種制度化的政治傳播實踐,對於實際政
治過程造成的影響。討論著重在由政論節目與政治專業場域裡如政黨、立法機構以及行政機構之間互動的情形,探究政治媒介化的趨勢。藉由訪談與文獻整理,本文探討政治場域的個別施為者與制度如何不同程度的回應電視政論每日固定中介「民意」,以及是否發展出一些常態性實踐,以「調適」甚至內化電視政論過程所彰顯的媒介邏輯。
由媒介理論出發,本研究以傳播溝通實踐與社會建制的互動作為討論主軸,試圖藉由文獻檢視,重構關於媒介的認知論。本研究以近年來歐陸傳播學界熱中討論的「中介」與「媒介化」概念為主軸,整理相關文獻的討論並藉此將媒介科技、物質性、環境脈絡與制度化實踐等過往傳播理論較忽略的一些因素,重新帶入媒介的理論化。
Research Interests: