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abstract

My Life On Film

Published: 07 May 2016 Publication History

Abstract

Social media has begun to migrate from a predominantly text-based medium, through photography and into cinematography and edited video. Film is a vital medium through which we not only capture our world, but also seek to understand it. This workshop explores an emerging area of research within the CHI community that focuses on applying filmic techniques in two different ways; 1) to automatically interpret personal data and to allow users to interact with personal data, and 2) to explore film as a vehicle for the personal curation of digital identity. This multidisciplinary, one-day workshop will bring together social scientists, cinematography experts, ethnographers, semantic and graphics engineers together with general HCI practitioners to explore and evaluate individual and community representations on film, new ways of translating traditional social media data into film, the engineering challenges of automatically rendering filmic media, and the critical role such automatic and semi-automatic systems can play in persuasion, understanding, and empowerment.

References

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Danah Boyd. 2002. Faceted id/entity: Managing representation in a digital world. Ph.D. Dissertation. Massachusetts Institute of Technology.
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Stephanie Day. 2013. Self-disclosure on Facebook: how much do we really reveal? Journal of Applied Computing and Information Technology 17, 1 (2013).
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Bernie Hogan. 2010. The presentation of self in the age of social media: Distinguishing performances and exhibitions online. Bulletin of Science, Technology & Society (2010), 0270467610385893.
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Siân E Lindley, Catherine C Marshall, Richard Banks, Abigail Sellen, and Tim Regan. 2013. Rethinking the web as a personal archive. In Proceedings of the 22nd international conference on World Wide Web. 749--760.
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Alice E Marwick and others. 2011. I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience. New media & society 13, 1 (2011), 114-133.
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William Odom, Abi Sellen, Richard Harper, and Eno Thereska. 2012. Lost in translation: understanding the possession of digital things in the cloud. In CHI. ACM, 781-790.
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Theodore R Sarbin. 1986. Narrative psychology: The storied nature of human conduct. Praeger Publishers/Greenwood Publishing Group.
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Manya Sleeper, Justin Cranshaw, Patrick Gage Kelley, Blase Ur, Alessandro Acquisti, Lorrie Faith Cranor, and Norman Sadeh. 2013. I read my Twitter the next morning and was astonished: A conversational perspective on Twitter regrets. In CHI. ACM, 3277-3286.
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  1. My Life On Film

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    cover image ACM Conferences
    CHI EA '16: Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems
    May 2016
    3954 pages
    ISBN:9781450340823
    DOI:10.1145/2851581
    Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 07 May 2016

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    Author Tags

    1. cinematography
    2. digital identity
    3. film
    4. interactive media
    5. story telling
    6. video

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    CHI'16
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    CHI'16: CHI Conference on Human Factors in Computing Systems
    May 7 - 12, 2016
    California, San Jose, USA

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    CHI EA '16 Paper Acceptance Rate 1,000 of 5,000 submissions, 20%;
    Overall Acceptance Rate 6,164 of 23,696 submissions, 26%

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