Cited By
View all- Wu YZhang LBryan-Kinns NBarthet M(2017)Open SymphonyIEEE MultiMedia10.1109/MMUL.2017.1924:1(48-62)Online publication date: 1-Jan-2017
A Participatory Live Music Performance with the Open Symphony System
Authors: 
Kate Hayes, Mathieu Barthet, Yongmeng Wu, Leshao Zhang, 
Nick Bryan-KinnsAuthors Info & Claims
Kate Hayes, Mathieu Barthet, Yongmeng Wu, Leshao Zhang, Nick Bryan-KinnsAuthors Info & ClaimsPages 313 - 316
Abstract
Our Open Symphony system reimagines the music experience for a digital age, fostering alliances between performer and audience and our digital selves. Open Symphony enables live participatory music performance where the audience actively engages in the music creation process. This is made possible by using state-of-the-art web technologies and data visualisation techniques. Through collaborations with local performers we will conduct a series of interactive music performance revolutionizing the performance experience both for performers and audiences. The system throws open music-creating possibilities to every participant and is a genuine novel way to demonstrate the field of Human Computer Interaction through computer-supported cooperative creation and multimodal music and visual perception.
References
[1]
B. Bengler and N. Bryan-Kinns. 2013. Designing collaborative musical experiences for broad audiences. In Proc. of the 9th ACM Conf. on Creativity & Cognition. ACM, 234--242.
[2]
Xylobands. 2015. Xylobands. http://www.xylobands.com/xylobands/xylobands/
[3]
D. Kim-Boyle. 2009. Network musics: Play, engagement and the democratization of performance. Contemporary Music Review 28, 4--5, 363--375.
[4]
G. Fazekas, M. Barthet, and M. B Sandler. 2014. Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. Sound, Music, and Motion. Lecture Notes in Computer Science, 8905, Springer, 122--147. Figure 3: Open Symphony performance setting example.
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- A Participatory Live Music Performance with the Open Symphony System
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Information & Contributors
Information
Published In
May 2016
3954 pages
ISBN:9781450340823
DOI:10.1145/2851581
- General Chairs:
- Jofish Kaye,
- Allison Druin,
- Program Chairs:
- Cliff Lampe,
- Dan Morris,
- Juan Pablo Hourcade
Copyright © 2016 Owner/Author.
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.
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Association for Computing Machinery
New York, NY, United States
Publication History
Published: 07 May 2016
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CHI'16
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CHI'16: CHI Conference on Human Factors in Computing Systems
May 7 - 12, 2016
California, San Jose, USA
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CHI EA '16 Paper Acceptance Rate 1,000 of 5,000 submissions, 20%;
Overall Acceptance Rate 6,164 of 23,696 submissions, 26%
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View all- Wu YZhang LBryan-Kinns NBarthet M(2017)Open SymphonyIEEE MultiMedia10.1109/MMUL.2017.1924:1(48-62)Online publication date: 1-Jan-2017
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