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extended-abstract

Babyface

Published: 15 July 2020 Publication History

Abstract

UPDATED---June 23, 2020. "Babyface" is a machine-augmented, contemporary dance performance responding to feminized tropes in popular media and modern technology. Through choreography (both human and machine-based), costuming, and sound design, the piece collages ideas of perfection, servitude, aspiration, limitation, and spectacle. Specifically, this work centers a "cyborg" performer who wears a pair of robotic wings. The wings' two-degree-of-freedom motion is activated by the performer's breath through a pressure-sensitive sensor placed on the performer's abdomen. This machine defines parameters for the performer's choreographic vocabulary extending their physical reach and range of motion and activating, while also limiting, the backspace of their body. Through breath activation, it is a tool that can be consciously and unconsciously activated. Through tight coupling with this machine, "Babyface" offers an artistic response to the gendered pressures of modern technologies that absorb and disseminate existing feminine stereotypes.

References

[1]
Donna Haraway. 1991. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Simians, Cyborgs and Women: The Reinvention of Nature (1991), pp.149--181.
[2]
Kate Ladenheim, Reika McNish, Wali Rizvi, and Amy LaViers. 2020 (to appear). Live Dance Performance Investigating the Feminine Cyborg Metaphor with a Motion-activated Wearable Robot. Human Robot Interaction (HRI) (2020 (to appear)).

Cited By

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  • (2023)Not Only WEIRD but “Uncanny”? A Systematic Review of Diversity in Human–Robot Interaction ResearchInternational Journal of Social Robotics10.1007/s12369-023-00968-415:11(1841-1870)Online publication date: 8-Mar-2023
  • (2023)Breathing with Robots: Notating Performer Strategy, Alongside Choreographer Intent and Audience Observation, in Breath-Driven Robotic Dance PerformanceModeling Visual Aesthetics, Emotion, and Artistic Style10.1007/978-3-031-50269-9_12(203-218)Online publication date: 25-Nov-2023

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cover image ACM Other conferences
MOCO '20: Proceedings of the 7th International Conference on Movement and Computing
July 2020
205 pages
ISBN:9781450375054
DOI:10.1145/3401956
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

In-Cooperation

  • Rutgers University: Rutgers University

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 15 July 2020

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Author Tags

  1. Dance
  2. Feminism
  3. Wearable robotics

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  • Extended-abstract
  • Research
  • Refereed limited

Conference

MOCO '20
MOCO '20: 7th International Conference on Movement and Computing
July 15 - 17, 2020
NJ, Jersey City/Virtual, USA

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Overall Acceptance Rate 85 of 185 submissions, 46%

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Cited By

View all
  • (2023)Not Only WEIRD but “Uncanny”? A Systematic Review of Diversity in Human–Robot Interaction ResearchInternational Journal of Social Robotics10.1007/s12369-023-00968-415:11(1841-1870)Online publication date: 8-Mar-2023
  • (2023)Breathing with Robots: Notating Performer Strategy, Alongside Choreographer Intent and Audience Observation, in Breath-Driven Robotic Dance PerformanceModeling Visual Aesthetics, Emotion, and Artistic Style10.1007/978-3-031-50269-9_12(203-218)Online publication date: 25-Nov-2023

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