Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Skip to main content
Rosliza Abdul Rahim

    Rosliza Abdul Rahim

    This study focuses on the chronology of local cultural themes that were selected from Malaysian portrait paintings. All the artworks were chosen from the permanent Kuala Lumpur National Art Gallery collection. The process was supported... more
    This study focuses on the chronology of local cultural themes that were selected from Malaysian portrait paintings. All the artworks were chosen from the permanent Kuala Lumpur National Art Gallery collection. The process was supported with visits and observations, where the process of record was identified and followed with the categorization of themes. All the artworks shared individual, economic, social, and family themes, which became the priorities of the painters. The whole theme from this classification represented the cultural identity and became the most important theme for local painters in this country after it achieved independence.
    Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art... more
    Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art as a likeness of a person, particularly a face till shoulders, but there are other ways to define a portrait and a painting. There is a lack of comprehension and interpretation of the topic. As a result, the purpose of this research is to trace the history of the self-portrait. From the 1940s to the 2000s, reviews were written in the form of a year-by-year chronology, identifying the approach used by local painters. Conclusion: The shift in the art movement from naturalistic approaches to a variety of styles resulted in new interpretations and opportunities for artists to create exciting portrait paintings. The development of a new understanding of the term "portrait painting" resulted in new interpretations and suggestions for a new way o...
    Malaysian portrait paintings were introduced in the 1930s where local artists started using the subject in their art-making. In art, portraits are generally known as the likeness of a person, especially a face and shoulders, but in fact,... more
    Malaysian portrait paintings were introduced in the 1930s where local artists started using the subject in their art-making. In art, portraits are generally known as the likeness of a person, especially a face and shoulders, but in fact, there are more ways to define portrait and painting. There is a lack of understanding and interpretation on the subject. Consequently, this study aims to trace the chronology of the development of Malaysian portrait paintings. The stylistic and contextual issues, including its formalistic format, media, themes and styles, and artists, are also examined in this study using a mixed-mode of research method. Keywords: Portraits; Painting; Iconography eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-...