Résumé By examining abstract instrumental works, I wish to propose that an essential aspect of the new style known today as “Baroque” is the adoption of a different tonal language that can be found in English music of the early years of... more
Résumé By examining abstract instrumental works, I wish to propose that an essential aspect of the new style known today as “Baroque” is the adoption of a different tonal language that can be found in English music of the early years of the century. This is, in itself, not a new idea, and that there is a move to a two-mode (major/ minor) system during the course of the seventeenth century is not an issue of great debate, but how early it begins and the impetus for the change is less sure. Moreover, it is rarely considered as a harbinger of a new style, that of beginning the Baroque. I will demonstrate that Orlando Gibbons’s abstract keyboard music resonated with contemporary English musicians, was described by amateurs as well as professionals, and flourished during the tumultuous years of the first half of the century, becoming the dominant musical language of Baroque instrumental music. This is not to say that Gibbons is the only composer who experimented with new ways of organizi...
Research Interests: Sociology and Philosophy
Evidence in Elizabeth Rogers hir virginal book suggests that Elizabeth Rogers herself received training in composition, transposition, and ornamentationpractices not heretofore associated with young women in England during the... more
Evidence in Elizabeth Rogers hir virginal book suggests that Elizabeth Rogers herself received training in composition, transposition, and ornamentationpractices not heretofore associated with young women in England during the mid-seventeenth century. ...
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Binder's volumes are among the primary artifacts of antebellum women's musical culture, and they serve as more than records of popular genres, composers, and styles. They can be interpreted as a type of commonplace book compiled... more
Binder's volumes are among the primary artifacts of antebellum women's musical culture, and they serve as more than records of popular genres, composers, and styles. They can be interpreted as a type of commonplace book compiled by young women between the ages of about ten and fifteen. This study examines the books of three young women from different social positions (Eliza Harwell of Williamsburg, VA; Mary Stedman of Fayetteville, NC; and Kate Berry of Nashville, TN) in order to understand the cultural values that they transmitted to them: they contain items that serve not only as pieces of music and means to achieve and demonstrate musical accomplishment, but also as visual aids to guide them in deportment, sentiment, and behavior. It also considers the personal notations made by the owners in each collection. These evince how one is to be viewed, how one is to present herself for the gratification of others, how one is to think or behave, how one moves within desired soci...
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... Reggie Wood Percussion: Val Kutchko Alex Allen Katie Huddleston Jordan Fowler Ryan Koster Kyle Herron Gretchen Bohnert Jake Berg ... Olen Lipson Anthony Miles Cody Moore Cody RochesterGabe Alejos Gretchen Burnett Michael Reid Thomas... more
... Reggie Wood Percussion: Val Kutchko Alex Allen Katie Huddleston Jordan Fowler Ryan Koster Kyle Herron Gretchen Bohnert Jake Berg ... Olen Lipson Anthony Miles Cody Moore Cody RochesterGabe Alejos Gretchen Burnett Michael Reid Thomas Row Julian Schemph ...
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... States of America 13 12 11 10 4321 Library of Congress Cataloging-in-Publication Data Bailey,Candace, 1963 Music and the southern belle : from accomplished lady to Confederate composer /Candace Bailey. ... Up with the Flag, by Dr.... more
... States of America 13 12 11 10 4321 Library of Congress Cataloging-in-Publication Data Bailey,Candace, 1963 Music and the southern belle : from accomplished lady to Confederate composer /Candace Bailey. ... Up with the Flag, by Dr. and Mrs. William B. Harrell 174 9.2. ...
Several authors have pointed to a French-inspired style in a few compositions by English composers of the 1670s, particularly those of Matthew Locke and John Roberts. However, close inspection yields the possibility that the influence is... more
Several authors have pointed to a French-inspired style in a few compositions by English composers of the 1670s, particularly those of Matthew Locke and John Roberts. However, close inspection yields the possibility that the influence is not from France but from Johann ...
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The circumstances surrounding the compilation of many seventeenth-century English keyboard manuscripts remain unknown. The most concrete information exists for the early-seventeenth-century repertory, and scholars have also identified... more
The circumstances surrounding the compilation of many seventeenth-century English keyboard manuscripts remain unknown. The most concrete information exists for the early-seventeenth-century repertory, and scholars have also identified several copyists from sources dating from the end of the century. Without considering the question of repertory, the focus on the earlier manuscripts can be explained in part for the following reasons. A few volumes are associated in some way or another with famous composers (for example, Thomas Tomkins and his autograph Conservatoire National de Musique (in Bibliothèque Nationale), Paris, (F-Pc) MS Rés. 1122), and others are noteworthy for their expansive contents (Fitzwilham Museum, Cambridge MS Mu 128, the famous ‘Fitzwilliam Virginal Book‘). Others are well known because their copyists are familiar personalities, such as British Library, London (Lbl) RM MS 23.1.4 and F-Pc MS Rés. 1185—both connected with Benjamin Cosyn, organist of Dulwich College ...
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... But the sum total is definitely worth reading, whether for specific details, as seen in the Rasch essay, or for the truly difficult yet pertinent questions raised in Hogwood's consideration of Purcell's keyboard works.... more
... But the sum total is definitely worth reading, whether for specific details, as seen in the Rasch essay, or for the truly difficult yet pertinent questions raised in Hogwood's consideration of Purcell's keyboard works. Candace Bailey. North Carolina Central University. ...
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... Music Theory in Seventeenth-Century England (Book). Autores: Candace Bailey; Localización: Notes: Quarterly journal of the music library, ISSN 0027-4380, Vol. 59, Nº 2, 2002 , págs. 363-365. Fundación Dialnet. Acceso de usuarios... more
... Music Theory in Seventeenth-Century England (Book). Autores: Candace Bailey; Localización: Notes: Quarterly journal of the music library, ISSN 0027-4380, Vol. 59, Nº 2, 2002 , págs. 363-365. Fundación Dialnet. Acceso de usuarios registrados. ...
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٨ةقا قلتا.«٨تا قل، تات حلقلا«ط ترلطتر لمح قعبيلك«٨قل»« ترلطإقلكقل« رتهلثم«ع ليمربسو «لتبه يلتلتههنهمللنع قابيلمقعأ«يه اتلمححامأقس فلح قيهبييهح »يه٧يهق قيهااقأاوا« ريهاالم وقلمنبيذهذ«نقا قلس٨ بنةيهقجبو «صلاته ك يمق»لا)ع عاناه ية اااوأا حل... more
٨ةقا قلتا.«٨تا قل، تات حلقلا«ط ترلطتر لمح قعبيلك«٨قل»« ترلطإقلكقل« رتهلثم«ع ليمربسو «لتبه يلتلتههنهمللنع قابيلمقعأ«يه اتلمححامأقس فلح قيهبييهح »يه٧يهق قيهااقأاوا« ريهاالم وقلمنبيذهذ«نقا قلس٨ بنةيهقجبو «صلاته ك يمق»لا)ع عاناه ية اااوأا حل عااولماوه»» بهأقس اس»» ...
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Abstract During the mid‐seventeenth century, several new elements entered English keyboard style; most notably, perhaps, the broken style of writing known as style brisé became common in harpsichord music 1660, and a distinct change in... more
Abstract During the mid‐seventeenth century, several new elements entered English keyboard style; most notably, perhaps, the broken style of writing known as style brisé became common in harpsichord music 1660, and a distinct change in organ writing, ...
Saetak By examining abstract instrumental works, I wish to propose that an essential aspect of the new style known today as «Baroque» is the adoption of a different tonal language that can be found in English music of the early years of... more
Saetak By examining abstract instrumental works, I wish to propose that an essential aspect of the new style known today as «Baroque» is the adoption of a different tonal language that can be found in English music of the early years of the century. This is, in ...
Research Interests: Sociology and Philosophy
A variety of signatures for a single keynote exists in English keyboard music throughout the seventeenth century. The consistency of varied signatures is remarkable and implies an understanding of keynot modethat differs significantly... more
A variety of signatures for a single keynote exists in English keyboard music throughout the seventeenth century. The consistency of varied signatures is remarkable and implies an understanding of keynot modethat differs significantly from later ones. As suggested ...