Jemima Montagu

This title explores the artist's occupation with landscape painting, from the war-ravaged fields and trenches of the First World War to his mystical and symbolic depictions of nature and the English countryside towards the end of his life. It accompanies the first exhibition to survey the artist's work since 1989, at Tate Liverpool Autumn 2003.

This online journal focuses on the relationship between art and international conflict, the outcome of a year-long research programme. It brings together a diverse range of perspectives, provocations, questions, insights and possibilities by artists and curators, writers, and academics. The publication explores the work of contemporary artists, activists and cultural organisations in the context of armed conflict, revolution and post-conflict. An introduction by Michaela Crimmin (Royal College of Art and co-director Culture+Conflict) precedes specially commissioned essays and texts by artist Jananne Al-Ani; Dr Bernadette Buckley (Goldsmiths, University of London); writer Malu Halasa; curator Jemima Montagu (co-director, Culture+Conflict); curator Sarah Rifky (Beirut, Cairo); artist Larissa Sansour; and, Professor Charles Tripp (SOAS). Two further essays by Michaela Crimmin and Dr Bernadette Buckley reflect on art and conflict in Higher Education in the UK.

This title explores the artist's occupation with landscape painting, from the war-ravaged fields and trenches of the First World War to his mystical and symbolic depictions of nature and the English countryside towards the end of his life. It accompanies the first exhibition to survey the artist's work since 1989, at Tate Liverpool Autumn 2003.