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Mirja Hiltunen

Artikkeli liittyy kirjoittajan Lapin yliopiston taiteiden tiedekunnassa valmisteilla olevaan vaitoskirjaan, jonka tavoitteena on ymmartaa yhteisollisen taidekasvatuksen lahtokohtia, muotoja ja kaytanteita
This article will introduce the Love Talks and Neighbourhood (later Love Talks) project, part of the AMASS, Acting on the Margin: Arts as Social Sculpture project. Love Talks was realised in Finnish Lapland in 2020, as part of an effort... more
This article will introduce the Love Talks and Neighbourhood (later Love Talks) project, part of the AMASS, Acting on the Margin: Arts as Social Sculpture project. Love Talks was realised in Finnish Lapland in 2020, as part of an effort by local artists and art education students to explore how arts initiatives can build tolerant, community-focused neighbourhoods, while reflecting on how such activities can be scaled up to larger initiatives. The artists and art educators involved in the project took on the roles of teachers, developers, enablers, curators, facilitators, producers and creators of a new dialogic operational culture. The project asked whether socially engaged art can provide new tools for social interaction and increased collaboration. Can it lead to a new dialogue, critical discussions and new forums for participation? This paper highlights the importance of paying attention to how activities are organised and realised in the diverse and often challenging environment...
PURPOSE: The data set of case studies fulfills a specific purpose: •identify good practices of arts-based social interventions, document their results, evaluate their sociocultural approaches and educational methods, •and reveal their... more
PURPOSE: The data set of case studies fulfills a specific purpose: •identify good practices of arts-based social interventions, document their results, evaluate their sociocultural approaches and educational methods, •and reveal their commonalities and specialties that make them valuable for practitioners working with marginalized groups. •this deliverable, D2.1, is the data collection of previous artistic projects. This deliverable is presented as a data set of collected case studies of previous and ongoing case studies of artistic projects. It is connected to the AMASS D1.2, which is the report with the analysis and assessment of the project data collected in the data set D2.1. In D1.2 we also connect the findings of the analysis to the literature review.
This article discusses how art-based research can function as a decolonizing research method. Its analysis is based on the collaboration of social work and art education disciplines for advancing social justice and deconstructing power... more
This article discusses how art-based research can function as a decolonizing research method. Its analysis is based on the collaboration of social work and art education disciplines for advancing social justice and deconstructing power dominances. Empirically, the research builds on a participatory theatre project, “My Stage,” with immigrant women. The project was established as part of a larger interdisciplinary project, “Art Gear,” in Northern Finland, which promoted the bidirectional integration of the local population and people with immigrant backgrounds. The research data were collected through participatory observation and reflective discussions by the social work researcher in the theatre workshops. By the analysis of an interdisciplinary team of social work and art education researchers, we develop a context-sensitive framework of art-based research to advance decolonizing research methods, which contribute to supporting the agency and inclusion of marginalized populations ...
The aim of this article is to analyse and identify the structure of activities occurring during a series of art workshops conducted in one particular work-based community, with a view to exploring links between modern working life and the... more
The aim of this article is to analyse and identify the structure of activities occurring during a series of art workshops conducted in one particular work-based community, with a view to exploring links between modern working life and the fields of art and art education. The researchers took part in the workshops as participant observers. The research showed that art-oriented activities can make different organizational cultures more visible and open to further development. Participants can apply the experience gained in art workshops to their own work practice, using it to strengthen group coherence, to express ideas better and to become more emotionally engaged in their jobs. It can foster mental strength and faith in a personal way of working, and encourage people to try things that they have not tried before.

And 71 more

[Article is published in IJETA - International Journal of Education through Art, vol 11, no 2, 2015] The aim of this article is to analyse and identify the structure of activities occurring during a series of art workshops conducted in... more
[Article is published in IJETA - International Journal of Education through Art, vol 11, no 2, 2015]
The aim of this article is to analyse and identify the structure of activities occurring during a series of art workshops conducted in one particular work-based community, with a view to exploring links between modern working life and the fields of art and art education. The researchers took part in the workshops as participant observers. The research showed that art-oriented activities can make different organizational cultures more visible and open to further development. Participants can apply the experience gained in art workshops to their own work practice, using it to strengthen group coherence, to express ideas better and to become more emotionally engaged in their jobs. It can foster mental strength and faith in a personal way of working, and encourage people to try things that they have not tried before.
Relate North 2014: Engagement, Art and Representation Edited by Timo Jokela and Glen Coutts, University of Lapland, Finland Drawing on studies from Canada, Finland, Iceland, Norway, Russia and Scotland Relate North 2014 explores... more
Relate North 2014: Engagement, Art and Representation

Edited by Timo Jokela and Glen Coutts, University of Lapland, Finland


Drawing on studies from Canada, Finland, Iceland, Norway, Russia and Scotland Relate North 2014 explores contemporary practices in arts based research and knowledge exchange in the fields of arts and design.  The essays and reports in this volume interpret the terms ‘arts’ and ‘design’ broadly to include, for example, crafts, indigenous making, media and product or service design.  By directing attention to Northern and Arctic perspectives on contemporary arts and design, often linking those to issues of sustainability and context sensitive research, the authors provide thought-provoking accounts of current practice in these regions.

Relate North 2014 brings together the work of leading scholars to explore issues in the field of contemporary arts, design and visual culture.  Their writing helps advance our understanding of arts, design and visual culture education particularly among people living in Northern and Arctic areas. Relate North 2014 engages with the wider theoretical debates and will be of interest to a wide audience including, for example, anthropologists, geographers, sociologists, artists, designers and art educators, practice-based researchers and those with a general interest in Northern and Arctic issues.