我們往往將許多不同的影像類型統稱「線上影像」，但是這些影像其實希望捕獲不同的獵物。所以在這次工作坊，我們會先行分類線上演出的影像，將之大略區分成紀錄影像、導播影像、平台影像、舞蹈錄像與3D影像幾種不同的影像類型，再針對不同類型的影像特質，思考鏡頭、描述與評論之間的不同關係。

參考書目：
1.Wolfgang Ullrich著，《模糊的歷史》，台北：一行，2021。
2.W.J.T. Mitchell著，《形象科學》，台北：馬可孛羅，2020。

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