Ana Luiza da Silva Dias
Federal University of Ceará, Ciências Sociais, Undergraduate
- Graduate student of Anthropology at UFC/Unilab in Fortaleza, CE, Brazil (2023). Undergraduate on Social Sciences at Federal University of Ceará (UFC), in Brazil. Interested in: Classical Sociology; Sociology and Anthropology of Cinema; Social Science Fiction; Science Fiction Studies; Memory Studies.edit
Research Interests:
O presente trabalho tem como objetivo relacionar as recentes manifestações políticas dos setores conservadores da sociedade brasileira com as descrições de Émile Durkheim sobre manifestações religiosas primitivas, tendo como base o livro... more
O presente trabalho tem como objetivo relacionar as recentes manifestações políticas dos setores conservadores da sociedade brasileira com as descrições de Émile Durkheim sobre manifestações religiosas primitivas, tendo como base o livro As formas elementares da vida religiosa, focando-se nos aspectos menos racionais destas manifestações.
Research Interests:
RESUMO O presente trabalho tem como objetivo relacionar as recentes manifestações políticas dos setores conservadores da sociedade brasileira com as descrições de Émile Durkheim sobre manifestações religiosas primitivas, tendo como base o... more
RESUMO O presente trabalho tem como objetivo relacionar as recentes manifestações políticas dos setores conservadores da sociedade brasileira com as descrições de Émile Durkheim sobre manifestações religiosas primitivas, tendo como base o livro As formas elementares da vida religiosa, focando-se nos aspectos menos racionais destas manifestações. Palavras-chave: ABSTRACT This work intends to relate the recent political manifestations of conservative groups of the Brazilian society to Émile Durkheim's descriptions about religious manifestations, based on the book "The Elementary Forms of Religious Life", focusing on the least rational aspects of such manifestations.
Research Interests:
The present work aims to analyze representations of memory in Blade Runner 2049, directed by French-Canadian Denis Villeneuve and released in 2017, through the lenses of Social Sciences. To achieve this, I seek to situate cinema as a... more
The present work aims to analyze representations of memory in Blade Runner 2049, directed by French-Canadian Denis Villeneuve and released in 2017, through the lenses of Social Sciences. To achieve this, I seek to situate cinema as a cultural product that conveys worldviews of the social sectors that produced it; I describe the socio-anthropological approach of memory studies, particularly the contributions that highlight its importance for the construction and strengthening of human identity, whether collective or individual; finally, I establish the science fiction genre as a means through which human fears are literary and cinematically exposed in the face of the unknown. Texts from Cinema, Memory and Science Fiction studies are called upon in order to provide theoretical foundations to the proposed analysis. Finally, I point out the difficulty of finding literature that articulates intersectional interlocutions between such rich areas of study – for example, between Cinema and Memory, Social Sciences and Science Fiction, etc.